#tk begins

[poledancingghostson]

Been a while! I wrote a TK Begins fic!

Here's a lil preview:

TK’s first stint in rehab comes halfway through his senior year. His mom finds the pills in his underwear drawer. He comes home to Gwyn, Owen and Enzo sitting earnestly in the living room, a small bag of oxy on the coffee table in front of them.

“They aren’t mine,” he tries. “Why were you searching through my room?” He tries, too.

It’s hard to argue with a lawyer.

Read moreeee

[guardian-angle22]

911: Lone Star | S5E5 -> Carlos' episode evolution

[sanjispudding]

"Sorry, it's hard to concentrate with Seels over here."

[slutpoppers]

Shakkoumon, simply being iconic and badass.

[seventeenlovesthree]

I had to shorten some dialogue and exclude some of the "They're glued to each other by the hip" shots, but here it is: The "Digimon Adventure 02 The Beginning Takari" masterpost.

In a similar fashion as Miyakensuke, Takari are mostly framed next to each other whenever there is a group shot. There are a few exceptions, but they still remain as close as ever, responding to each other's remarks and/or sharing knowing glances and smiles. And while that is nothing we haven't seen before, they're still displaying some notable dynamics: First of all, they are back to being "the old souls" of the 02 squad, meaning that, even though they can - and will! - be silly little trolls and teases, their position as "senior Chosen Children" becomes visible again whenever a part of the "lore" gets brought up they are familiar with - or not.

The most interesting scene they share has to be the "What should we do?" scene in which, as outlined here, they are basically mirroring Taichi's and Yamato's conversation in Kizuna. Hikari, while taking after Taichi due to their past experiences, still displays more idealistic outlooks throughout the movie (that also get challenged here and there); while she understands the need to fight for the sake of others, she still believes that her faith in her bond with Tailmon will outlast every obstacle - and that this can apply to every person out there as well. In her view, their belief will affect everyone - thus, her trying to comfort and calm Takeru is only natural. Takeru, on the other hand, understands the need to fight as well, but he interprets the "responsibility for others" differently. He's trying to be more rational about it all, basically implying that they cannot make this choice for everyone else - because if they fail, it'll affect everyone just as much. It is basically an argument about faith vs. rationality to achieve the best possible outcome for everyone involved. They basically agree, but insist on their own viewpoints, which is a refreshing aspect we haven't seen about these two and their relationship before.

(There may be a tiny bit of an underlying romantic subtext too, but it is very subtle; not only are they shown during the snowball fight before Miyaken, they're also INDIRECTLY pulling a trope-y "It's pretty" - "Yeah, you are it is" moment, which may or may not be taken with a grain of salt.)

[lavendorii]

Second year

[deramonfaqs]

Hope Wave

[neorukixart]

Digimon Adventure 02: THE BEGINNING countdown! Day 5: Takeru and Patamon

02beginning x Digimon Survive

Next day for @digimon02countdown uwu Did I just put Takeru in the Professor's pose because they wear hats?... ... Yes. Also check out the ugliest Patamon you will ever see ;w; Don't let me draw Patamon ever again OTL also, kinda funny how Takeru with these clothes looks like Mameo from Next Order :3c

The next episode of Digimon Adventure 02, "THE BEGINNING" hits japanese cinemas this October 27th 2023. The gate for a new adventure opens now!

Static version below ;3

Noticed the Mameo thing after I finished coloring this tho XD

[hikaritakaishi]

Digimon Adventure 02: The Beginning [My Movie Review]

♡ ! SPOILER ALERT! ♡

This review will contain spoilers of the movie, continue reading if you already saw the movie, or just don’t mind the spoiler! Enjoy & comment something if you want to share an opinion! ♡

After what seemed ages of waiting, Digimon Adventure 02: The Beginning finally aired in Portugal, on May 16, 2024, several months after it’s national premiere in Japan, on October 27, 2023. I was worried that it wouldn't come to my country, but perhaps due to the huge acceptance of Digimon Adventure: LAST EVOLUTION KIZUNA, the distributor made the hearts of the DigiDestined from the most hidden corner of Europe warm again and brought us the sequel. Thank you remembering us once again! ♡

I really tried to keep my expectations as neutral as possible until the day I went to see the movie, which was pretty difficult, due to the fact that I was constantly being bombarded with online information about it, whether on Tumblr or Twitter, or through video recommendations on Youtube. I was so excited for the movie, that I had to control myself immensely not to go see the spoilers.

Initial considerations? I like it. In general. But let's go in parts!

This will be an analysis of what I consider to be the most important points of the movie and what caught my attention the most. A personal analysis, so don't take it too seriously if I don't talk about a certain point or a certain specific topic, I probably just missed that.

Firstly, I would like to comment on the initial dynamics of the movie.

Everything seems to happen much faster here than it did in Kizuna. Despite being two movies with practically the same time span, this one seemed to go by much faster. But it might just be me. [LAST EVOLUTION KIZUNA have 94 minutes, and The Beginning have 87 minutes total].

 We're introduced to the key plot problem pretty quickly too.

People's digital devices are glitching, and the same message is repeating itself on all of them, not just on the phones and televisions, but on computers and large digital screens in cities all around the world. And this all around the world is very important, because it not only brings us closer to what will be the future of humanity and it’s increasing contact with the Digimon and the Digital World, but it opens the path we take since 2012 [time of the movie] until to the epilogue of 02 (which the production team and Toei animation seem to insist on wanting to keep canon, despite all the script inconsistencies it can cause, or how different from the initial profile of each character it may be).

“May everyone have friends, may everyone have a partner Digimon”

It's the message. Meanwhile, we are told that a suspicious and unknown Digitama appeared in the sky of Tokyo, right above the Tokyo Tower, and it’s been there for a while. Taichi and Koushiro are showned to be trying to help resolve this issue as professionals in the field of diplomacy and technology respectively, but without major progress.

I think it's important to highlight that they are the only two characters from the first season of Adventure who appear in this movie, and even so, without any direct speech or great relevance, beyond contextualization, and later Taichi as well again for the context of “space- time”, in that frame we see in the trailer of the movie with Hikari, which we later discover is located in Hikarigaoka, where Rui also lived when he had his first contact with Ukkomon.

The focus is on the characters from 02, or at least, it should have been. But as in Digimon Adventure Tri, this focus is overshadowed by the introduction of another new character in the story: Rui Owhada [or Lui, in Japanese pronunciation].

Rui [or Lui] is a much more charismatic character than Meiko was in Digimon Adventure Tri. There is no doubt about that.

Meiko was a somewhat empty character. A static character without great charisma. The only pleasant scenes she had were driven by the other characters around her (namely Mimi).

Rui doesn't. Rui is a character on his own. With a much more aggressive personality and a much more interesting past. The only issue here is the length of the movie: This movie is too short; too short for us to get attached to this character and actually be able feel empathy for everything we are shown about him. So short, that it's difficult to develop both this new character and the others around him, which, by the way, is a shame.

I mostly went to see the movie in hopes to see more from the 02 cast, and not because, again, of a random character they created for this new script. Just like what happened in Tri.

And this is important because notice that one of the most complex and best-built characters in the Adventure universe is literally the character with the most screen time: Takeru.

Analyzing Takeru's character as a whole is extremely time-consuming, because he was in every season, and practically involved in all the main events of the plot, either by himself or through the relationships he establishes throughout the plot, which feed the character's emotional charge. Which makes him a very complex character.

There's no time for that here. There is no time to establish a relationship between Rui and the other characters, nor to establish a relationship between Rui… and the audience.

Rui's childhood is very shocking and once again, Digimon brings a very strong narrative based on a complex and deep family plot.

We had already had examples in Adventure of family issues with Takeru and Yamato, Koushiro, and in 02 with Iori and also Ken. To a certain extent, even with Miyako. But here we reach a higher level of complexity... and violence (remember that the age to see the movie is over 12 years old. I can totally understand why).

Rui is physically abused and neglected by his mother, who leaves him out in the cold, starving when he makes a childish mistake or does something she doesn't like... when he is only four years old. His father has a very serious illness and depends on his wife to survive. Rui is then shown as a sorrowful child, lonely and without any support network. We've never had anything in the Digimon Adventure series so… raw. The aura of the movie is deeply heavy and dark.

The evolutions and battles in this movie are far from being the focus, which probably frustrated many people who went to see the movie for this more dynamic side of the anime.

It is a film with a moral content and even touches on the philosophical, about the bonds we create with others and their nature, about how we should relate to others and learn about them every day we have them in our lives.

It's about healthy communication, and how it's okay to correct the people around us, as long as it's made based with pure intentions. Because love is not omissive. Love corrects, love draws the other's attention for what really matters, in the form of love. In the form of companionship. Nothing physical or superficial is worth the price of a real bond.

The movie really grew with it’s audience. It is not, at all, a movie targeted for new fans of the franchise, or for those who know little about the Adventure series universe. It's for those who know the characters, for those who grew up with them. If you don't know the characters, you will miss details and conversations that are important to really understand the plot as a whole.

Daisuke and Ken look on Rui’s past with him. They see the arrival of Ukkomon in his life, who should’ve bring peace and comfort, but it is only the beginning of all his problems.

Let's take a break from the movie's plot to talk about the characters of 02.

I'm going to divide them into groups, because it seems like they individually… don't have much progress or very memorable scenes, honestly. It doesn't even make sense to separate them, in my opinion, and you'll understand why.

♡ Daisuke & Iori

There is not much to talk about them here. Daisuke and Iori are the flattest characters in the movie. Iori much more than Daisuke, let's be honest. Iori barely speaks, and has very few relevant scenes.

Daisuke works at a ramen restaurant, as he always wanted, where he gathers his friends to talk about the problems they are facing right at the beginning of the movie.

His personality is practically the same, Daisuke from 02 is the same Daisuke from The Beginning, and even the same character as in Kizuna, he is just taller here and wears different clothes. He still aspires to have his own ramen business and is extremely focused on his career goals. Which was predictable, given the way he talks about his dream in 02.

Daisuke's only two relevant scenes are seconds long: the first when he convinces Rui that the bond of friendship he and his Digimon partner share is much more than something superficial; it's something that comes from the heart, and that no object makes a difference between them, namely the Digivice, (something we also expected to hear from Daisuke in 02, which justifies my opinion that in the meantime... he remains the same).

The other is a scene that had enormous potential, but is cut short by a comical moment in which Miyako pops up.

Daisuke is talking to Ken seriously about Rui, and how he and his Digimon could understand each other better if they just communicate more effectively and directly, and Ken comments that Daisuke's more serious side is very pleasant and rarely appears. However, Miyako speaks up and dismisses the subject. Sadly.

We could have had a conversation here that could tell us more about Daisuke’s presente self and way he sees life now.

*sigh* Anyway.

Iori, again, doesn't speak much. Seems to only have intermediary interventions, and serves as a “pair” for Daisuke and Rui in the snowball fight that we see at the end of the movie. A very beautiful scene, don't get me wrong, but only if we see it from the perspective of Ken and Miyako, and Hikari and Takeru. I'll talk about that now.

♡ Ken & Miyako

Ken and Miyako are two characters who seem to grow more together than apart within the movie's plot. Which is natural, given that we know at the end of 02 that they become in fact a couple, and that they build a family together in the future. Here we see the first steps towards their future as a couple.

As expected, nothing explicit or direct is given to us about the nature of their relationship, but we can understand that there is progress, especially by the end of the movie, before the snowball fight, when Miyako tells Ken something that seems extremely vague, but actually means something.

 “Let's do it together! "  What? I don't think they are aware yet. Ken also seemed very confused about it.

“ Keep thinking Ken, we have to find another solution. “ We also see Miyako trying to support Ken at that moment when they have to make a decision about the future of Ukkomon and the world.

Here comes what I said above: Love cannot be omissive. We cannot expect the least from those we love. If we know the potential of the person we have by our side, we have to support them. If we see that they are trying to go further, we must support their journey and be a source of advice and rest. Alone we can go faster, but with the right company we can certainly go further.

And I think this is where the movie touches on something really important.

It is in these small moments that we see that they really want to tell the audience something beyond, but we need to have a fine power of perception.

No conversation or comment is random, everything contributes to the story. Digimon Adventure has always been made up of metaphors and subjectivities, it is necessary to know how to interpret and be attentive.

In the midst of that dilemma of whether or not to defeat Ukkomon that we talked about a moment ago in relation to Ken and Miyako, we have another moment that I consider important between Takeru and Hikari, which for those who don't know the characters, can take it as a normal conversation of two people who know each other well. Too well, even.

♡ Takeru & Hikari

Keeping in mind their journey, and everything they went through together, is the key to understand the nature of the relationship they share now. But before that:

Much like Ken and Miyako, Takeru and Hikari do not exist separately in the plot. It's ridiculously difficult to separate them. If you talk about one, you have to talk about the other.

At the beginning we see them together in the city when the electronic devices break down, and this dynamic continues throughout the entire movie.

They practically always walk side by side, Hikari takes the front seat in Takeru's car, and even when they are talking to Rui and trying to understand what happened to him in his past, they were a nucleus apart from the others. Nothing new, really. More of the same. But it's in that conversation I spoke about earlier that we understand something that is even part of the main moral of the movie: the way they now communicate with each other now, is different.

Anyone who has followed Takeru and Hikari throughout the series knows that the main “problem” in their relationship has always been direct communication.

Exposing things to others as they are is scary. And none of them were good at doing that.

Deliberating about feelings, exposing what disturbs us, what distresses us, what we think of a certain attitude of the other person. That was always Takeru and Hikari's problem and what hindered the possible evolution of their friendship, into a real love relationship.

In Tri we discover that Hikari starts to look at Takeru differently. And we know that Takeru has concrete feelings for Hikari (Said by the actor who plays Takeru's voice) And then? It's done? Things… are much more complicated than that.

They first need to accept the situation in question (And I tell you this as someone who also developed a romantic relationship with a childhood friend. It's not easy. Trust me. It's far from easy!)

And far from being quick.

It requires a lot of deliberation mostly. Just accepting the fact that we see that person we grew up with differently, someone who has always been part of our life, and we can lose them. Just because we developed feelings. Is scary. There's a lot to lose. It's all or nothing. Especially when one side has trauma associated with romantic relationships. (remembering that Takeru's parents are divorced) it's even worse.

What seems to exist between them in The Beginning was the result of a long process. But effective, it seems to me. Whatever decision they made, it went… pretty well.

Takeru is completely against defeating Ukkomon, from the moment he realizes that this could also imply the disappearance of his Digimon partner.

He probably saw the suffering Taichi and Yamato went through when Agumon and Gabumon disappeared and the suffering he would go through if he lose Patamon... again. And he is extremely vocal and firm in what he says and what he thinks about all of that. Impulsive really.

Until Hikari intervenes. Which cuts through his catastrophic reasoning. She asks him to think, opening up a new perspective on the situation.

Here we have a conversation between them that is quite lengthy (compared to the fast action standard of the rest of the movie) in which Hikari tries her best to make Takeru use reason and not emotion in his deliberation on the situation.

Takeru who, remember, whenever “darkness” or “sacrifice” is mentioned, leaves his rationality aside, becomes blind with pain because of his past traumas.

Hikari's role here is almost the same as Miyako’s in Ken's case: calling to earth and calming Takeru, always in an understanding way, because you can see that she knows where that feeling comes from and that position initially adopted by him (and it is something which she can almost predict would happen, by the speed with which she responds) but she knows that he is better than those triggers that make him impulsively speak based on emotion and neglect reason.

It's about getting to know each other. Knowing how to talk to our person about the most difficult topics. Because it is necessary to strengthen your union. Predict reactions, and be there to calm them down, because you may even know that the person is not to blame for the feelings and traumas they carry, but believe that they are bigger than them. And expect the same from the other side.

The way Miyako knew that Ken could find a solution, he just needed to think a little more. Hikari understood perfectly where Takeru's impulsive reaction came from, but she knew that if she appeal to his racional side he would be able to think of a better alternative to the problem, which he thought would be the end of the world.

That's why I separated this analysis into groups (although the first one isn't... substantial) and decided to analyze the characters together, because that's what this movie is about.

It's about who you are with your people, and the bond you share with them. In a world so individualized, so selfish and so distant (largely because of technology, which distances us from each other), I found it a very necessary message.

And the role of adults? With children and more painful lives?

It is to understand that children are also humans. Who also think, and feel, and understand things. Just like them. Adults tend to forget that they were once children themselves.

We already saw this topic being developed in Adventure 02, but seeing Rui as an adult, reaching to his mother in the past, and drawing her attention to the fact that she neglects her son, is something very touching. Sometimes, we just need a wake-up call, and we can change the future. Ours, and our future with others.

 The DigiDestined of 02 encouraged Rui not to give up on someone he loved, Ukkomon, because after all, he only acted the way he acted because he thought it would make Rui happier, even though he failed. Several times.

Ukkomon basically gave Rui everything he thought he needed, everything he wanted. But this is not always ideal.

He acted with his partner's happiness in mind, and this blinded him to the risks he was putting him into. He idealized their entire relationship, and everyone's relationship with him. Instead of being, real. And real things are never perfect.

Rui wanted friends? He gave him friends. He even reprogrammed his parents. They became manufactured humans. And the movie is about reality and accepting it as imperfect as it is.

Do you know what that reminded me of? That whole fantasy created by Ukkomon of “perfect world where Rui is never sad and everything is wonderful?” The fantasies in which the characters from 02 cast were trapped in at the end of the series. That world created with the characters’ deepest desires.

Takeru wanted his family united. Iori wanted his father back and to be able to show him the Digital Word. Miyako wanted attention. Ken… wanted to redeem himself. Hikari wanted peace. It's exactly the same thing.

Think about it with me: For example, Takeru's parents could’ve stay together, they could never have divorced, but they would still have problems. They would argue, and there would be conflicts. Which doesn't mean that this wouldn't traumatize their children even more. Maybe the divorce was in fact the best option for all four of them.

Ken felt he deserved the same suffering he inflicted on others. Would that really be the answer to appease his soul?

But none of it was real.

Not even Hikari's utopia of a world constantly at peace is real. Not even the absence of siblings in Miyako's life would solve anything. Things are not black and white and really, what we want is not always what we need.

Rui just needed to talk to Ukkomon and be sincere.

Where is Mimi tho?!

I will end with a few quick notes that I think are worth highlighting: First, the music and animation in general. As expected, they are excellent.

Very well done visually, appealing scenes, and the last snowball fight scene is so simple… but so delightful.

Life is made up of beautiful moments as well as tragic moments, light and darkness.

Did you notice that part of the movie takes place in a much dark environment, and when the main action is resolved, the movie gains light? I believe that is not just because!

Visually it can be very strong because there is blood, there is violence, there are physical wounds, it conveys the affliction in a very literal way.

Another thing that was expected to happen, but that probably wasn't even thought of properly when the Epilogue of 02 was made, was the problematic of whether or not everyone deserves, has enough morals and ethics, to have a Digimon partner.

How do you maintain peace between humans when you give them free access to machines of war and mass destruction? How do we build the world we see bz the end of 02 where everyone lives in peace even under these circumstances? Which is the the role of the government?

We'll probably need one more movie to find out.

Honestly, I hope you enjoyed this short (not... that short in fact) and sincere review. If I were to give stars, I would give the film 4/5 stars.

It could’ve been better, sure, if there was at least another half hour of animation.

But I don't complain. Despite that, I liked it. I cried, I laughed, just like I cried and laughed when I saw Digimon in my childhood, and that's everything for me. I was surprised by the message of the movie and the way they chose to visually convey it to us. Either way, I hope there's one more movie. To finally conclude the arc of all these characters, and finally, reach the epilogue of 02 (but in a dignified way please).

♡ Thank you once again Digimon ♡

[cake-chad]

Andy: *screams as Booker* "I hide behind Grumley. And I'm also scared, so I'm going to hide behind Rich."

[poledancingghostson]

WIP Wednesday

No one ever tags me in these but I’ve been working on this TK Begins fic for ages and it’s gonna be long but I don’t wanna post it until it’s completely done but I keep wanting to share bits I’m proud of so fuck it who needs to get tagged to show off art you’re proud of.

Important context: Josh, Alexander, Kat and Kylie are high school friends of TK’s. They’re seniors here, he’s a sophomore. Kat and Kylie are girlfriends. They’re all rich upper east side Manhattanites. Also though all queer.

Josh entered his life like a whirlwind, and whipped through it the same way every single day since. He was TK’s first everything. First kiss, first fuck, first love. Not in that order.

They spent a year fawning and blushing like chaste Victorian girls before Kat had finally had enough. It was Halloween, and they were laughing and drinking in Alexander’s apartment —his parents were out of town most of the time— and Josh had untangled himself from TK’s arms for the first time all night to go to the bathroom. Kat plopped down next to him, and just stared, eyebrows raised, chin pushed forward, silently questioning him.

TK could feel himself blush and he looked down at his drink. “What?” He asked, as if he didn’t already know.

“You are aware that he’s, like, completely in love with you, right?” She asks, matter-of-factly.

“Bullshit,” he muttered. “He’s just… he took me under his wing, I’m his… kid brother or something.”

Kat scrunched up her nose. “I know you’re an only child, but I really hope you don’t think brothers touch each other like that.”

TK wanted to dissolve into the cushions of the couch. Instead, he finished off the rest of his nearly full drink. “I’m gonna get another beer, do you want something?” He asked, standing up.

“Uh-uh, you’re not going anywhere. Sit.” She grabbed his arm and pulled him back down.

“Why do you care so much?”

“Because you’re my friends. I want you to be happy.”

TK smiled slightly at that.

“Also, the heart eyes and the footsie games and the stupid giggly nerves are so fucking annoying to watch.”

“Oh.”

In an act of uncharacteristic sincerity, Kat put a hand on his shoulder, and squeezed it gently. “Look, Teaks, Josh is a nice guy. And he’s loyal as all hell. But I’ve known him my whole life and he hides a lot of damage behind this facade of stupid jokes and even stupider games. If you want to get anywhere with him, you have to refuse to play along. You’re good at that. You’re good. I want that for him, you know? If that’s what you want, too. But if you do want more with him, you’re gonna have to be the one to ask for it.” With that, she stood up and rejoined Kylie and Xander in the corner, hunched over a deck of tarot cards that Kylie was overconfidently analysing.

TK was pretty quiet for the rest of the night, earning him some concerned comments from Josh and Alexander, while Kat and Kylie just watched him expectantly.

Eventually, Alexander had passed out on the couch and Kylie and Kat had disappeared together into one of the bedrooms, and it was just TK and Josh watching Scream alone in the dark apartment. TK was curled up against one arm of a loveseat, with Josh squeezed into the space left on the other side.

“So they’re definitely fucking, right?” Josh asked, pointing to the screen.

“They’ve just murdered an entire house of people, and that’s what you’re thinking about?” TK laughed.

“I mean, it’s pretty obvious, right? And kinda romantic.”

“Romantic?” TK asked, agast.

“Yeah, I mean, in a really twisted way of course. They found something they’re passionate about, and they found someone to do it with. It’s just…. You know, unfortunate that they’re passionate about serial murder.”

“I mean… I guess?”

“And there’s always been something romantic about the partners in crime thing. Bonnie and Clyde, Thelma and Louise… being pushed to the fringes of society and just facing the world together, a world that wants you dead or locked up or erased from existence.”

“Wanna name an example who don’t die at the end?”

Josh chuckled, but didn’t respond, looking away from TK and back to the screen.

TK frowned and kicked his thigh gently. “Hey, you okay?”

Josh turned back with a plastered-on grin. “Yeah of course I am. Why wouldn’t I be?”

TK leaned forward and took Josh’s hand in his. “It’s okay if you’re not, you know.”

Josh looked like he wanted to deny it but something caught him before he could. He placed his free hand cautiously on TK’s thigh. This was not the first time he had touched TK’s thigh—they had always had a fairly touchy friendship—but it was the first time it felt like this. Not just the normal butterflies and mild tingles, but a full electric storm racing through his body, emanating from Josh’s fingertips. When TK didn’t pull away, Josh smiled slightly, a real smile this time and started to lean into him. His breath smelled like vodka and jolly ranchers, and TK’s heart skipped a beat as he grew closer. But he looked down when their lips were close to touching.

Josh pulled back quickly as soon as he did. “Shit, I’m sorry. I didn’t mean to, like—I’m sorry, I—I’m stupid, you just want to be friends. Of course you just—“

“No, no,” TK laughed nervously. “It’s not that. I do want… but I’ve just never…” he let out another shaky laugh. “I don’t know what I’m doing.”

“Oh,” Josh said with a grin. “Okay, well, just… follow my lead.”

It was innocent and sweet that first night. Josh promising to take things slow. Hands never venturing below the belt, and falling asleep together, uncomfortably, on the loveseat in Alexander’s living room. TK woke up the next morning with pain in his neck and drool on his shoulder and a boy still wrapped around him.

[bagerfluff]

Takeru: What are you doing Daisuke?

Daisuke: *staring at ken* He's pretty

Takeru:

Takeru: And you're ugly, now let's get to work

[alrightbuckaroo]

what is a promise if not your hand in mine?

When TK can’t suppress his nerves, he has a very easy tell. He holds his hands to his mouth; as if he’s stopping all the words he actually wants to say.

When TK wants to comfort Carlos, he expresses it in the softness of his touch. He’ll place a gentle hand on Carlos’ face, reminding him that he’s here.That he’s still right here.

TK might not wake up, and Carlos can’t even hold his hand. TK might not wake up, and all Carlos wants to do is hold his hand.

—

Carlos doesn’t know where he went wrong; where they went wrong. What he does know, is that he’ll do anything he can to fix it.

He chooses not leave the hospital until TK wakes up. At some point, he doesn’t think he can leave. All the weight of “what happened” has weighed him down.

At some point, he thinks, maybe it’s best if he leaves. Carlos tells Nancy that he’s holding a vigil for a man who doesn’t he want him in his life.

Nancy doesn’t buy it; she tells Carlos that TK loves him.

Carlos doesn’t buy it; he asks Nancy why she would say that.

Nancy looks at Carlos, confused, and answers, “Because it’s true,”

Nancy tells Carlos that she can’t even say his name around TK because it’s too painful for him to hear. “It’s obvious,” Nancy says, as if it’s obvious. “He loves you.”

With watery eyes, he looks at Nancy and asks, “If he loves me so much,” His voice is tight, an edge to it. “Why did he break my heart?”

—

Carlos allows himself to be upset, and he tells TK how he really feels. He knows TK can’t hear him, but he thinks it might make him feel better.

It doesn’t, not really.

—

TK wakes up.

He wakes up and the first thing he does is call Carlos, “Baby.” He reaches out and grabs Carlos’ hand. To remind him, he’s here. He’s still right here.

It’s in that moment, Carlos can feel his broken heart slowly start to mend itself together again.

—

A week later, Carlos asks TK what he’d like for dinner. TK says red snapper will always sound good.

On the drive to the grocery store, TK asks Carlos what he’d like for dessert. Carlos says cookies will always sound good. TK suggests they make the cookies he always made with his mom growing up.

Carlos is touched; he asks TK, “Are you sure?”

TK shrugs, “You’re sharing your home with me; the least I could do is share a piece of mine with you.”

—

They grab all the necessary ingredients. Pretzels, chocolate chips, shredded coconut, and candied pecans. They’re standing in the baking aisle when TK asks Carlos if he remembers what the secret ingredient is.

“Toffee?” Carlos asks as TK reaches for a bag of brown sugar.

TK smiles at him, and Carlos loves everything about it. “Love.”

—

They thank the cashier and head back to their apartment.

Walking through the parking lot, all Carlos can think about is TK’s hand in his. He asks the question he already knows the answer to. He says it out loud; to make it real, to make them real.

“Can I hold your hand?”

“Of course,” TK reaches his hand out, grabbing onto Carlos’ hand without a second thought. “That’s what it’s there for.”

Cross posted this from ao3 as it's not only topical but one of my personal favorites. Hope you enjoyed <3

[rosepink97]

Original artist is @/Ariie_ya from X (Twitter)

[seventeenlovesthree]

So... Through the course of the movie, we see how the different characters are trying to reason with the task at hand.

Should they defeat the enemy and cause the bonds of humans and Digimon to break?

When I had first watched this scene, my heart was torn into two different sides. On one hand, I was proud to see Takeru be the one to bring up the idea that fighting may not be the right choice. This is Takeru we are talking about - the Takeru who had witnessed his own partner die after defeating Devimon, who had to part ways with him several times afterwards, once after the events of Adventure, then again between 02 and Tri... And also when Patamon got infected and lost all his memories. Last but not least... And this is where I was torn, because I wished, oh HOW I had wished, that he had brought up Yamato at this point. His brother, who had lost his partner merely one and a half years ago... And who had been just as hesitant to fight as him...

Not only that... But the way Hikari is responding, prioritizing the needs of others - a huge number of people to be exact - over her own, is not only very in-character for her... It also mirrors her brother's reaction from one and a half years ago. The only difference being that we're talking about much bigger scales now. The Yagami siblings always understood the need to fight, even if they personally didn't like it...

It's a bittersweet parallel between the siblings and yet... If you know me, you also know how hurt I was by the fact that neither Yamato nor Taichi nor any other of the older Chosen Children had been brought up in this context. Sure, Takeru and Hikari had been drinking over talking about how they had not been available before, but it's just all so heartbreaking. Especially because Hikari and Daisuke in particular make it all sound so easy. "If we choose our bond, our friendship, if we believe in it, it will not vanish" just invalidates a lot of the pain that Taichi and Yamato went through in the last movie. And while I am all for a positive outlook, it still hurts not to know what the heck is going on with the others and how they experienced all of this. It makes sense for someone like Hikari, who has witnessed the loss her brother had to endure, wanting to move on, not intending to let the same happen to herself and the others, but it just feels grim without the contextualization of Kizuna's events. I believe it would not have been as bad if Taichi and Yamato had been mentioned at least once - I understand that this was probably to avoid the idea that people would have needed to watch Kizuna before watching this movie, but still.

[digimontamerrichie-tcg]