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OK wait. Hold the fucking phone for a minute. I think I'm onto something here.
Omega has reached a new level of badass since returning to Tantis. From the moment she entered the vault she's been cool, calm, and confident.
This is the face of a girl with a plan, and with absolute faith in her brothers.
We've all been assuming that faith is in Hunter, Crosshair and Wrecker. But what if it's faith in someone else, too?
And hey, come to think of it, remember how we all thought it was weird that one episode ended with Omega alone with CX-2, then the next opened with him handing her over to Hemlock? Remember how rushed and unnatural it felt to have our protagonist alone for hours with the mystery villain and not get to see a single second of it?
And OH MY GOD look at this fleeting expression the moment CX-2 bends to undo her cuffs, before she quickly averts her gaze.
Now let's go over her dialogue with the kids again:
"Want to know a secret? I escaped from this mountain before"
"Really?"
"How?"
"I had training. And I wasn't alone. Know what else? I'm doing it again. And I'm taking you all with me."
What if Omega told us a lot more than we realize? She has a secret. She knows she's not alone.
#I am extremely aware I'm no longer being normal about this show#the bad batch#the bad batch spoilers#tbb spoilers#tbb season 3 spoilers#tbb season 3#the bad batch season 3 spoilers#the bad batch season 3#sw tbb#tbb omega#tbb tech#the bad batch speculation#tbb speculation#the bad batch discussion#tbb discussion#CX-2#clone x#the bad batch meta#tbb meta#tbb theories#omega tbb#tech tbb#The tinfoil hat is ON#watch me look a fool this time next week#ADH-D2's Patented Bullshit
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Still on my reread and is my hat tinfoil or
Chapter 61

Sukuna, king of poisons
Chapter 76

17/18 yo Gojo working on blocking poisons
Bonus, chapter 63:

Shoko curing poisons
#jujutsu kaisen#itadori yuji#gojo satoru#ieiri shoko#is my hat made of tinfoil or nah#theories#is the fight gonna end with gojo getting poisoned. discuss.
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So I think I'm making some decent progress on my unhinged Kaeya lore thoughts post
The WIP of the mindmap is below the cut

I'm really scared that I'm still missing a lot of stuff, but it's past midnight now so I'll be stopping for now and actually get some sleep
#genshin impact#kaeya alberich#I'm starting to think this post will have 2 parts#a mindmap to visualize all of these concepts and their connections to Kaeya and to each other#and then a google doc where I explain my actual thought process on the inclusions and connections of these concepts#the things I do for you Kaeya my beloved#I'm positive that I still am missing a lot#but maybe that's okay#maybe I don't need to make THE Kaeya lore post of all time#if I can just add some of my own thoughts to the discussion of all things Kaeya that's already something#I might also have an actual theory (or 2) to present from all this but it's honestly still really vague and maybe kinda crack#ah well if roozevelt can make a youtube channel based partly on high-quality hogwild tinfoil crack theorizing#then maybe I can get away with sharing my own tinfoil thoughts#I should feel way more tired than I do RN lmao#for real though I hope everyone reading this has a good day/night sleeps well and hydrates enough#Imma go to sleep and dream of Kaeya now
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"innie' 'outie' why the fuck are y'all talking abt belly buttons... GOD....
#It sounds like baby talk too I'm sorry 😭😭💀😩#Like im sorry i just can't take it seriously and all the discussion I see sounds like some tinfoil hat#'we live in a simulation' ass fringe theory talk I feel like I'm on acid trying to make sense of it ooc#wow anna said something#Severance#This is for all my severtuals#anna's shitposts#As you were... Or whatever
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Chapter 623
#naruto#madara#madara uchiha#uchiha madara#hashirama flashback#[discussing the blue curtains with a tinfoil hat on voice] eyes aren't completely inked in which ressembles how#Kishimoto tends to draw eyes going blind in a moment where Madara is allowing himself to be vulnerable and honest about how he feels#Me: ever notice how important eyes are for this character from the important eyes clan
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i looked at the videos of marc and jorge in the car after the podium and that anon is def right. it looked like marc had to force himself to talk to him and put on his pr smile and when jorge entered the car and when they got out his expression was very uncomfortable almost offended.
this could be all ducati related but it's clear there's tension
.
#batshit asks#rider: mm93#rider: jm89#Tinfoil hat tag#[note from the admin: the tinfoil hat tag is for like internal discussions of the fandom and our thoughts]
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A few months back I was talking to a couple of people I had just met who turned out to be super into the Gaylor shit. We all have parasocial relationships with public figures to some capacity (whether we admit it or not), but listening to these two breathlessly discussing how her tweeting something innocuous on lesbian visibility day (and some other stuff I don't remember) confirmed that she's at least bi made me so viscerally uncomfortable that I had to politely excuse myself from the conversation completely after a couple of minutes. This is how people start believing in actual conspiracy theories
#willfully misinterpreting/connecting dots that aren't there because you want something to be true weirds me out and makes me not trust you#if they had just been discussing her music I wouldn't have cared too much but the tinfoil hats came out really quickly#anyway that's enough on the tswift talk#*bangs gavel* court adjourned
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Hey!! Just wanna share my opinion on the TikTok ban here. Put on your tinfoil hats cause I’m gonna sound nuts when I say this but I think it’s all a huge publicity stunt for trump
LISTEN LISTEN I just don’t think that it’s a coincidence that everything’s been happening just TEN DAYS before trump gets into office. Basically what I’m saying is there was some kind of deal brought up that would make it look like tiktok- one of the most generally beloved platforms on earth (especially in america)- would be getting banned, obviously throwing everyone in a panic JUST so trump can come in and save the day so everybody will love him. Remember this is the same guy that wanted it banned years ago. Remember this is the same guy that will and has blatantly lied to his audience just for brownie points. Trumps ENTIRE business model is just saying what people wanna hear. THAT IS WHAT THIS IS!!! He’s taking the easy route of doing something that he knows everyone will unanimously agree is a good thing to do in order to make him out to be a hero IN ORDER TO GAIN SUPPORTERS
Yes yes I sound like the insane liberal here but this has literally happened before. There’s allegations of Ronald Reagan making a deal with Iran to keep hostages until he was in office rather than before when Jimmy Carter was president so that the event of the hostages being freed could be in HIS name since, technically, they were freed during his term





This event created a whole term - “October Surprise” - and BY DEFINITION is “a news event that may influence the outcome of an upcoming November election, whether deliberately planned or spontaneously occurring”
Compare this to the Trump and TikTok situation- the ban being set to go into effect on the 19th, just coincidentally a single day before trump gets in power, setting up the perfect heroic entrance for Trump. Guys, these people aren’t stupid. They know what it takes to be president, they know how to get support, get votes, give the people what they want- but not too much of what they want, because they need to make sure they always have an excuse for why they didn’t do what they “said” they’d do. Just listen to how ambiguous Trumps is about tiktok-
“Start thinking about tiktok”
“Maybe we’ll keep it around”
“My decision on TikTok will be made in the not too distant future, but I must have time to review the situation.”
“We’ve discussed TikTok”
“It has a special place in my heart”
So far he has NEVER said that he WILL save TikTok, but he’s hinting towards because that’s JUST ENOUGH of what the people want. Enough to make people cheer him on but little enough for him to take it back sometime later and not look like a complete liar
Or maybe I’m just inhaling too much aluminium foil particles and it’s making me insane
#tiktok#tiktok ban#united states#america#american politics#politics#us politics#xiaohongshu#rednote#social media
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𝐨𝐜𝐜𝐥𝐮𝐬𝐢𝐨𝐧
𝐜𝐨𝐧𝐭𝐞𝐧𝐭𝐬: caleb x fem! reader 𝐬𝐲𝐧𝐨𝐩𝐬𝐢𝐬: caleb is a little too into your new braces. 𝐜𝐰: pseudo-incest, general nsfw warning, weird teeth discussion idk.

caleb noticed it the moment she stepped into the room. it wasn’t just the way her smile didn’t reach her eyes— it was the way she kept her lips pressed tights. the small winces she tried to hide whenever she spoke, the quivering jut of her lower lip, and the faint flush creeping up her neck like she was expecting judgement.
“what’s wrong?” he asked, gently, from where he was lounging on the couch, a hand unconsciously moving to pick at a stray thread on his blue pajama shirt.
she hesitated at the threshold, shifting her bag from one shoulder to the other. “you’re gonna laugh…”
“not unless you trip over the coffee table,” he teased lightly. “even then, only a little.”
that earned a reluctant smile. sort of. she crossed the room and collapsed onto the other end of the couch with a groan, the pillows acquiescing to the additional weight. “i got braces…”
caleb blinked. “oh. that’s it? i thought you were thinkin’ of runnin’ away.”
“that’s it!?” she shot back, rubbing her jaw. “i feel like all my teeth are digging into my gums… i can’t eat anything but mush, and i look like a kid playing with tinfoil.”
he sat up a little straighter, watching her face carefully. she was chewing her bottom lip— a habit she probably shouldn’t keep with all that new hardware in her little mouth.
caleb leaned forward, his elbows resting on his knees as he studied her face with an intense, almost obsessive gaze, the gears in his brain whirring. his purple eyes flicked back and forth, taking in every detail of her frown face, once adorned with a perfect smile.
“come here,” caleb said, his voice low and commanding. he patted his lab, and indication for her to come closer and sit with him. “let me see ‘em properly.”
“i look ridiculous— “
“you don’t,” he said firmly, reaching out to tug at her sleeve. “c’mon. just humour your gege a little.”
reluctantly, she got up, slowly stalking over before settling herself onto his lap, her frame fitting perfectly against his own.
caleb wrapped an arm around her waist, holding her close as he reached up with his other hand to tilt her chin towards him. his fingers brushed against her cheek, tilting her head this way and that as he examined the braces covering her teeth.
“sore?” he asked, his voice low as he ran his thumb over the edge of the brace on her front tooth. he could feel her nodding against his hand, and he couldn’t help but frown at the thought of her being uncomfortable.
the braces gleamed under the dim light of their living room— tiny metal brackets carefully glued to each tooth, linked by a taut silver wire threaded through each one and each individually wrapped with a pretty pink elastic band, like a present. her gums were a little bit puffy around the edges.
“they look… different,” he said, trying to find the right words. different from what he was used to, at least. he had always loved her smile, the way it would light up a room and make him feel at ease. but now, seeing her with braces, it was strange.
foreign. almost wrong. but not bad.
as he sat there, his arm wrapped tightly around her waist, thick fingers brushing over her teeth, he couldn’t shake the feeling of possessiveness that washed over her. these braces were a part of her now, a part of his meimei. and he wanted to claim them, to make them his own in some way as he had discreetly claimed every part of her before.
his mind began to wander, drifting to places he knew it shouldn’t go as he stared at her braces, a twisted desire stirring within him.
he imagined the cold metal glinting with a different sort of moisture, painted a creamy white as he marked her mouth with his seed. the thought of seeing his own spend clinging to the wires and brackets, staining her once pristine braces, sent a shiver of perverse excitement down his spine.
he pictured her on his knees, her doe eyes looking up at him as she took his hard, aching cock into her hands.
“gege, i dunno… i don’t wanna hurt you.” the idea was laughable. she, hurt him? she would be so silly to even think such a thing, but he knew her pretty little head would flit through all sorts of scenarios.
he could practically see the braces catching on his sensitive skin, the metal digging and almost nicking his flesh as she tried her best to please him. the discomfort, the pain… he was sure it would feel exquisite, a delicious mix of pleasure and pain that would surely send him over.
caleb’s cock would be too big for her small mouth, stretching her lips wide and making it hard for her to keep a proper seal. she would have to use her tongue, running it along the underside of his shaft, over the head, swirling around it clumsily as she tried to find a good rhythm.
of course, it would be a pathetic, laughable attempt, but that’s what made it perfect. it’s what made her perfect.
he would surely have to guide her, his large hands cupping her face and holding her still as he thrust into her warm, wet mouth. he would be gentle at first, letting her get used to the feeling of him on her tongue, filling her throat. but as the pleasure mounted, he would lose control, his hips snapping forward as he fucked into the tight, slick heat of her mouth.
he didn’t want to hurt her, not on purpose of course, but he could imagine the panicked expression on her face, a twist of discomfort and a yearn for his approval as he battered her poor throat. would her new braces nick and bite at inside of her mouth? the sound of her muffled whimpers would surely be enough to make any man cum.
caleb could only imagine the sight of his thick, hot cum spurting out from between her stretched lips, painting her braces and teeth an obscene shade of white. he would pull out at just the last moment, gripping himself tightly as he aimed his cock at her waiting mouth, watching spurt after spurt of his seed lad on her cheeks, her lips, her teeth, her braces. a shiny, pearlescent white, his own personal brand of “toothpaste” just for his little sister. he would make sure she was covered in it, marked inside and out as his.
his, his, his.
he swallowed thickly, trying his best to clear the his thoughts. he knew it was wrong, but he couldn’t help the way his imagination ran wild with the thought of marking her, claiming her in the most intimate way possible and tainting her innocence.
“they’re not so bad,” he murmured, his thumb still brushing over the cold metal. “you’ll get used to them.”
he looked into her eyes, seeing the embarrassment and slight discomfort reflected in them. his poor meimei… how would she be able to handle what life had to throw her way when she could barely handle this?
“i promise.”
she bit her lip again, teeth digging into the soft flesh as she looked up at caleb. “i guess,” she said, her voice small and uncertain. “i just… i feel so silly with them on. and they sorta hurt all the time.” she made a face, sticking out her tongue to show caleb the inside of her mouth, the braces glinting in the soft light of the room again. caleb couldn’t help but chuckle at the expression on her face. “aw, you poor baby,” he teased, his fingers moving to tap lightly against his nose after he sloppily wiped them on his pajama pants. “but hey, at least they’ll make your smile even more perfect than it already was.” he grinned her, his own teeth flashing
she simply rolled her eyes, gently pushing him, but not enough to actually force a distance between the two of them. not that he would allow that. “you’re just saying that.” she said, but there was no real heat behind her words.
caleb shrugged, his arm tightening around her waist. “hmm, maybe,” he said, his voice low and conspiratorial. “but i’m still gonna make sure you’re okay. no matter what.” his eyes shone with an intensity that made her heart skip a beat, and she quickly looked away, a deep blush spreading across her face.
she knew that caleb meant every word he said. he had already been there for her, always looking out for her in a way that no one else ever had. and even through though these silly braces were a new thing, a new part of her… she knew that caleb would be there to help her. no matter what.
“just… don’t make fun of me too much, okay?” she warned.
caleb grinned, triumphant, his eyes sparkling with mischief. “no promises.”
#caleb x reader#caleb x mc#caleb x you#caleb x fem reader#caleb lads#caleb smut#love and deepspace#cw pseudocest#lads smut#caleb love and deepspace#xia yizhou
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Caitlyn & Violet: A Deeper Look
**Spoilers For All Of Arcane**
Recently I reached out to the community asking for some requests on angles/ideas/topics and so on that anyone would be interested in my analysis on. A few of you amazing folks responded for which I am extremely grateful. @phoenixlionme asked me to delve into a few points I have never discussed at all, regarding Caitlyn Kiramman, and the way she connects to Vi's heritage and past.
Caitlyn as a bridge between cities
Caitlyn's similarities to Vi's loved ones
Caitlyn compared to the leaders of Zaun (for Clarity @phoenixlionme phrased it as people Sevika has followed, this is just an easier way for me to approach it in my head)
So! to that end, I will be digging into these ideas and expanding my own insight into this wonderful character. As I am so fond of saying, good stories matter. And the continued exploration and discussion of this story and it's characters will help it live on. Thank you.
Caitlyn As The Bridge Between Cities:
When the story begins, Caitlyn and Vi could not be from more different worlds. Vi's life is poisoned with violence and loss, even witnessing the deaths of her birth parents at the hands of Enforcers. In that opening scene, they are monstrous. Emerging from smoke and shadow, dealing death and pain all hidden behind cold unfeeling masks. Her childhood in Zaun has made her a hardened survivor even at such a young age.
But in the sunny streets of Piltover, where Caitlyn has been raised, the Enforcers are smiling, happy symbols of peace and safety. Caitlyn is the daughter and heir to one of the great houses of Piltover. Her name means innovation, wealth and respect. She receives shooting lessons from the sheriff of Piltover herself. She joins the enforcers when she comes of age because the reality she has known has only ever taught her to view them as a force for good.
But of course as the story commences we see these two individuals from totally different worlds come together. Their realities joined in ways both good and bad. So let's dig into this further, starting with the simple stuff.
Vi-
Well to state the obvious, Caitlyn is love with the birth daughter of one of the architects of Zaun, and the eldest adopted daughter of another. Although Vi's place in Zaun likely feels unsteady to her after all that occurs in Season 2, it seems logical to suggest that during the reconstruction efforts after the war and during the restitution efforts towards her people she and Caitlyn's relationship will help bridge the gap in general.
Sevika-
At the end of season two, Caitlyn has given the seat of house Kiramman to none other than Sevika of Zaun. People have done just about everything in their power to pretend this doesn't matter. It does. It just does. I know there were people hoping to see the Piltover elite lined up and executed by firing squad, while Jinx reigned supreme over the flames and was served tea by a chained and forcibly blinded Caitlyn, all while Vi excoriated herself with a flail and sang Jinx's praises loudly for all to hear. But for those of us who were never fitted for our tinfoil hats, this is a massive step.
The council hold the highest positions of power in the twin cities. And now because of Caitlyn, one of them belongs to the undercity. She has literally created a link between the two surrendering her own families power and giving it to the undercity who have never had that voice before. It isn't all encompassing change because that isn't real. It's a first powerful step made by someone with all the power, to start bridging the divide.
The Commander -
Alright. Now we start getting into the more complex part of her relationship with Zaun. Caitlyn's arc is immensely complex and controversial and there is a lot of depth and nuance to this part of her story. I have written about this in HEAVY.. HEAVY DETAIL. So if you would like to see that I would love for you to check it out. But for our purposes here I am going to keep to the basics. Because to discuss how I feel the aftermath of this will lead to her having more of a connection with the Undercity, we at least need to go over what happened. To begin with, lets do a very quick barebones rundown:
Born in Piltover
Entered Zaun with Vi
Reentered Zaun leading strike team. Hunting chem-barons, Jinx, and Shimmer.
Becomes The Commander
Occupation Of Zaun
The War
The Strike Team:
Now, on a logical level only, the strike team did not do anything wrong. The Chem-Barons were dangerous drug lords. Shimmer is an absolute threat to all of the Undercity. And while there is obviously so much more to be said about Jinx, for their purposes they are hunting a dangerous terrorist who just assassinated three of their leaders. Yes. For logic based purposes only this does also includes the Grey. I have beat this horse to death, kicked it while it's down, revived it, and shot it in the head. I am not doing it again here. So I will just say that on a purely logical level, using a non-lethal crowd dispersal weapon on specific targets while hunting dangerous crime lords and a terrorist who likes things that go boom.... Not the worst idea.
The real issue with the strike team's actions, can be discussed in two points:
Caitlyn's motivation-
"Can I do the right thing for the wrong reason? Is it bad that I'm making friends with my demons, and Living by a couple deadly sins Just to make sure I finish what you began And I ain't afraid to lose a life or ten If it means that I get to win in the end (woo) So I'ma do this on my own, step into the danger zone Pull the pin and watch it blow
I would rather die alone" (Hellfire Arcane)
The problem is that Caitlyn did not lead her team into the undercity to liberate it's people. She did so for revenge. Each action pushing her further and further into her rage and pain. So even though her actions were "pure" her intention was driven by hate.
2. History with Piltovan Oppression-
As stated, the goals of the strike team were pure. And on a purely logic based level, the fan reaction to the grey has been hyperbolic to say the least. The problem is in the history. Uniformed Enforcers using a weapon that no matter how overblown the reaction does make people choke and cough and possibly pass out. It's all just too reminiscent of what the Undercity has been through before.
The Occupation:
So despite this being a massive part of this story, for our purposes here there is not a terrible amount to say. As very rough overview:
Caitlyn has become commander over the two cities during a period of Martial Law.
Ambessa Medarda rules from the shadows using Caitlyn as her scape goat.
All of Zaun has been placed under full occupation until Jinx is found. Dissenters are jailed, there are checkpoints, and it seems as though the Noxian "peace keeping forces" are being as brutal as possible. Therefore driving dissent and anger to even higher levels allowing Ambessa more time to achieve her goals.
Occupation ends when Caitlyn realizes how she had lost her way, turns on Ambessa, and the occupation ends in the days leading up to the final battle.
The issue of course is that Ambessa's part in this aside, Caitlyn was the face of it. And as I have said from the beginning, I am NOT attempting to absolve Caitlyn of her responsibility in what happened. Some portion of our fandom have essentially chosen to pretend Ambessa just strolled in, and offered Caitlyn the job of despot while they held hands and skipped through the torture camps together. You and I know better. But the people of Zaun lived it. And they don't have the benefit of having seen everything we saw and understanding all of Caitlyn's story. So at the end of the day Caitlyn is the face of the oppressive regime that made their lives hell for a few months.
How They Move Forward:
Okay. So tying it all together how could "Commander Caitlyn Kiramman" possibly become a bridge between cities with everything that has happened? Because they are all moving forward. I am not pretending that it is anywhere close to over. In fact as I said earlier when discussing Sevika it is just a step. But Zaunite and Piltovan alike saw Caitlyn almost give her life to end Ambessa. And the two cities fought side by side against the threat to all life that Viktor posed. So moving forward:
Caitlyn is married to a famous Zaunite.
She has given Zaun their first real step toward equality.
Her guilt is going to drive her to keep working to make things better for the Undercity. It doesn't take deep character analysis to see that.
She is a Kiramman. Despite her perversion of her families work with the ventilation during her darkest moments, she has all of that knowledge now. I predict she will keep working alongside Vi to find ways to make things right.
I know people have felt quite strongly that the show didn't do enough to resolve Piltover VS Zaun. But I think people need to remember that as insane and epic as it was, this show was essentially a prequel to our time in this world. There is so much more to come. Caitlyn is a young woman who has made mistakes, but I predict will go on to do great things for Piltover and Zaun both. After all, if the right hand woman of the man who unleashed shimmer on their streets can become their voice in government, and the feared and insane terrorist daughter of Silco can become their hero, maybe their former oppressor can become one of their greatest allies.
Caitlyn's Similarities To Vi's Loved Ones:
This is an interesting one! I honestly had never even considered this sort of thing but when I started digging there are many qualities of those Vi loves that are all collected with Caitlyn Kiramman. I'm sure you could do a massive list for this sort of thing so this is just some ones that stuck out to me.
Jinx:
The parallels between these two characters have become quite well known at this point and for good reason. Their intertwining stories are a massive part of this show and impact both of their characters greatly. But in terms of her connection to Vi, I have one I really want to focus on.
Putting Vi First: Both Jinx and Caitlyn go through a tremendous amount of suffering over the course of this story. Their stories are so in-depth, and complex and layered. And over the course of their stories, they both hurt Vi terribly (obviously there is more to it, there is a lot of nuance to these situations and I'm not dumping on Caitlyn or Jinx. Just staying on topic). But for two characters who are at one point almost sworn enemies, when it comes to addressing the pain of one they love, they are remarkably similar.
Caitlyn- So much happens between Caitlyn and Vi. But when it comes down to it, with Vi angry over Jinx's imprisonment and Caitlyn and Vi still far from totally reconciled, how does Cait makes things right? She gives Vi the choice. She clears the way for her to free Jinx if she chooses. Even knowing that that Vi could take Jinx and vanish forever if she chose, and Caitlyn would never hold Vi in her arms again. She puts Vi first. Even though it could be the end of her.
Jinx- Good lord talk about complicated. The relationship between the sisters is beautiful and heartbreaking in equal measure. There is so much on both sides, but when the moment I want to discuss comes, Vi has come to free Jinx from prison. Jinx knows that Vi has lived a life, consumed by guilt over everything that has occurred. Vi has never allowed herself to choose her own happiness for a variety of reasons. So what does Jinx do? She forces Vi to let her go. She locks her in the cell and gives Vi the permission Vi would never have been able to give herself. She tells her she deserves to be happy, to be with Caitlyn. Because in that moment of terrible sorrow even with all that Jinx is suffering, her eyes are finally opened to how much she loves Vi, and how much Vi loves her.
2. Vander:
Much like Vi and Caitlyn, at first glance it seems almost laughable to try and find common ground between "The Hound Of The Underground", and "The Leader Of House Kiramman". But if we really dig into it, the similarities emerge. In fact far more than I ever would have guessed.
A: Both do something they regret in a moment of deep loss and pain to someone they love.
Vander- We really are never given all the specifics, but whatever Silco became, Vander completely owned his regret and remorse over trying to take Silco's life.
Caitlyn- In that horrible moment after ventilation chamber battle, Caitlyn clubs the woman she loves in the stomach with her rifle stock and abandons her crying in the dark. I could write pages on the evidence of her remorse (and have written quite a bit) but you get the idea.
B: Both can see the truth of Vi's worth.
Vander- "You have a good heart. Don't ever lose it. No matter how the world tries to break you"
Caitlyn- "Despite it all I can tell.. you have a good heart"
This is especially impactful given Vi's struggle to see the worth and value in this part of herself as her story continues.
C: "When people look up to you, you don't get to be selfish.. whatever happens. It's on you".
Vander- At the moment he is in Silco's clutches, facing death. Vander does not beg for his life. He simply asks Silco to spare the lanes. Spare the Undercity. His self sacrifice continues all through the heartbreaking series of events that follow. Attacking the shimmer mutant, taking shimmer himself to save Vi, and blocking Vi's body with own during the fall.
Caitlyn- Now of course, it would be completely out of character for Caitlyn. But thinking about in strictly what is possibly, Caitlyn had just about any other option if she did not want to stay and fight Ambessa. Let alone on the front line. She knows she played a part it everything going so wrong, and rather than using her wealth and power to escape the fighting, she plants her feet and faces down the devil who almost took her soul forever. Never-mind the fact that she rips that knife out of her own body to help finish Ambessa, knowing full well that may well be the end of her.
*Caitlyn laying down her hate for Jinx in favor of her love for Vi works here as well*
Caitlyn's Reflection Of The Leaders Of Zaun:
Each of the three here have in some way shape or form been leaders to the people of the Undercity. And for a character who became such a figure of oppression to the people of Zaun, Caitlyn Kiramman shares a lot with all three of these figures. We have discussed Vander and Jinx. But I wanted to talk about Silco for a moment:
Finding "Strength" out of pain:
Silco- In the wake of Vander's betrayal, he reinvents himself. Believing only in the strength needed to destroy those he views as his enemy. Even if it means betraying every ideal he ever had.
Caitlyn- In the wake of her mothers loss and her separation from Vi, she becomes someone the old her would have despised under Ambessa's tutelage. Becoming a better fighter, gaining "control" over two cities, and learning to be ruthless. But in fact surrendering everything about her that made her who she is.
The Difference however, is Caitlyn sees the truth. Because of a variety of factors she sees how far she is fallen and that she has betrayed her belief and her ideals. She sheds her own blood alongside those willing to fight for her to protect all people regardless of the city of their birth. She finds the true strength that Silco couldn't.
Conclusion:
Sorry for the GIF-a-palooza but every time I think about her character her story gets me more and more. She truly goes through so much, learns, changes, falls down and picks herself back up. Thank you again to @phoenixlionme for this opportunity to delve deeper into her character and get me thinking in ways I hadn't considered! I hope some of this may lend itself to peoples understanding of this incredible character and if not hopefully at least the enjoyment of the show. Thank you to anyone taking time out of your day in this mad world to read the writing of a grouchy nerd like me. You will probably never know how much I appreciate it.
Keep standing up for stories that matter. See ya next time.
#arcane#arcane season 2 spoilers#vi arcane#arcane season 1#jinx arcane#caitvi#caitlyn kiramman#vander#silco#long... i mean duh. are you new here?
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My Eltingville Club Crackpot Theory/Speculation
(I was thinking about this for a while but not sure if this falls under the misogyny argument. If it does, think of this as part 1/2)
I was thinking a lot about the Eltingville Club and how they became the way they were. In this case focusing on a very hyperspecific one rather than a broad summary.
In this case, this mini-essay will be less based on concrete details of the comics and more asking people to put on their tinfoil hats and listen to my crackpot theory. That being said, The Eltingville Club can be viewed through the lens of the failure of American sex ed, as well as adults not having an eye on their kids and the content they look into, all folding into how it warps their opinions on women and relationships.

There isn’t any information given on the school itself aside from characters like Bill being victims of bullying, but the US is mainly known for being shit when it comes to discussions of any type of sex ed, mainly because of the prioritization and emphasis on abstinence and scaring kids with STDs rather than actually talking about the topic itself.
* *The goal of being able to reduce sexual behavior through abstinence fails because it doesn’t actually delay said behavior, it just comes with the add on of reinforcing harmful gender stereotypes and people having no clue how their body works without it in a sexual context.
* **Also add in the context of Eltingville being a small suburb area, so these characters are stuck in a small town with nowhere to go aside from a comic shop, and probably social pariahs by everyone else not in their group of nerd friends.
It’s clear that the parents of the Eltingville Club aren’t really involved in their kids lives. Bills mom is a single mother and also implied to be abusive, Josh’s parents spoil him and lack personal responsibility for their actions, Pete’s parents both abuse and neglect him, and Jerry has neglectful parents as well. Aside from surface level, their parents don’t really want their children in their life, or wish that they were different from not meeting their expectations.
The only other adult in their life aside from their parents is Joe, who only lets them stick around because of the amount of money they drop on comics and collectibles in the store. His first appearance shows him selling adult content in the form of trading cards to children (maybe 10 years old), he doesn’t really care what he exposes to anyone of any age because the only important thing to him is profit.
From this, I would argue that Joe played a role in their lives by encouraging the club to look into content they shouldn’t be looking into, and because it is alongside content they already enjoy, it makes it easier to consume and gives them the desire to have more of it.
I partially bring this up because a lot of the stuff Pete is interested in (such as the gore/rape clips and gory comics) isn’t just something you find in the open, you have to go digging for it, and I wouldn’t be surprised if Joe was involved in helping to find said content/expose it to him.
With all of the factors combined, it has left the club brain rotted with a warped idea of women, specifically being that women aren’t actual people but just eye candy and mechanisms for pleasure while also having no fucking clue about sex itself (body parts being referred to as things or characters being confused at what the hell the comic is portraying come to mind.)
Joe can take part of the blame considering he has unrestricted adult content in the open, but he was probably not the sole cause of the characters turning out the way they did, again this is more of a tinfoil hat theory, it could have happened from chat forums or a variety of other things, this is just something that has been on my mind for a while.
Credit to @sapphicsandman for this as well, I referenced a lot of the things he had to say on the topic, so this did not come from my brain alone.
#the eltingville club#character analysis#bill dickey#josh levy#pete dinunzio#jerry stokes#eltingville club
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I don’t know if I subscribe to the ‘sans is from Deltarune’ idea, I don’t think I do, but I think anyone who does should embrace feminism and accept that if he is from Deltarune, Alphys is, too.
People note the fact that sans and Papyrus don’t have a specific backstory in UT as evidence that they came from DR, with QC simply saying that they showed up one day and asserted themselves into town. Well, in Undertale, Alphys also doesn’t have an early history either. We don’t even know how old she is in comparison to other characters, like Undyne who speaks about training with Asgore in childhood, and Toriel and Asgore with their hundreds of years old history. THIS is the earliest bits of info we have on her.

She sought out Catty and Bratty… and then she sought out Mettaton… weird, huh? Almost like she’s trying to find things that are familiar ;)
People also bring up Sans’s crossword puzzle with a picture of Ice-E printed on it. A very strange thing indeed, considering we don’t see Ice-E’s Pezza mentioned anywhere else. Or… or do we? Because there’s a silly little fun value event you can get in Snowdin, in which a character with a familiar sound to her text tries to prank call a pizzeria. A character who is like. Absolutely, obviously Alphys. But there is no pizzeria in the underground as far as we know, right…?





Sans has al Ice-E, Alphys has a pizza… the fact that both moments, and the chance to speak to Clamgirl about Suzy and find the ‘Don’t Forget’ note, have fun values assigned to them is very telling. Wether it actually adds to the tinfoil hat theory I’m pitching or not, I’m gonna stay convinced that this event IS meant to be a Deltarune joke from Toby
And this is not the only secret Sans and Alphys share. The two are connected in a way that is never explicitly discussed or revealed. Most people brushed it off as them having maybe worked together on the amalgamates, but there is nothing in Alphy’s entries that could indicate this aside from some of them being written poorly.
and yet, they know each other so well, Alphys can predict his jokes before he says them.





But how can I prove that they know each other from Deltarune, specifically?
I can’t lol that’s not how these theories work
But the reason ‘Sans is from Deltarune’ became so wide spread and believable in the first place is because it answered the question of what he had hidden in his lab, and where it was that he wanted to return to. It solved the secret of his machine.
Well, my theory explains why Alphys had her name written in barely legible handwriting all over said machine’s blueprints. They were trying to return to Deltarune.
Wake UP ‘Sans is from Deltarune truthers, Alphys stocks are higher than they’ve ever been- even when compared to Undertale’s popularity peak in 2016. It is time to capitalize on it.
#this is pure. waiting for the newsletter brainrot dont listen to me#undertale#deltarune#utdr#alphys#sans undertale#sans deltarune#my post#deltarune theory
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Jenny and Ted discuss Insinuation 2.2.
Episode Notes:
We're nostalgic for Parahumans Online. But can we trust it?
Nice of them to coin the term "tinfoil hats"
Bitch and Grue are no Lung (who seems like a weird guy btw)
Taylor's a savvy internet user and no one's doxxing her except Tattletale
Can we imagine Bakuda as a sympathetic bomber? Do we want to?
Are there ideological schisms among superheroes?
Seems weird that the government doesn't want to register capes
Can you dampen powers?
Finally, validation for Taylor!
Would the protectorate trust a fifteen year old under deep cover?
Where are Bitch's fan sites and can we see them please thank you
What does magic mean to Taylor?
Jenny can't wait to read and write all the TattleTaylor
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Let's talk about the Red Lyrium Idol
(…Because it's not like this thing has been discussed to death over the past ten years, right? 😂 *drops my two cents in the Scrooge McDuck money bin*)
Ah yes… The red lyrium idol. The one thing that's given me a headache since 2018, as I'm still trying to figure out how this damn thing could possibly fit into my bazillion tinfoil theories.
Whether it's the first official DA4 teaser in 2018, the Blue Wraith comic series or the entirety of the last chapter of Tevinter Nights, a lot of the supplementary media and promotional stuff setting up the course for DA4 seems to be centered around the idol. Quite literally, in some cases, like this mural from the first 2018 teaser:

It certainly led us to think that the idol won't just be another McGuffin (or so I hope lol), but other than that, it's still heavely shrouded in mystery…
Which is why I will now make an attempt to unravel this and gather every single bit of information we have on it (so far) and maybe that'll get us closer to some sort of answer in the end (actually, it won't, because this got SO long that I had to split this post in two parts lol No one's going to read all of this anyway 💀)!
Look, I just needed to get this behemoth of a post out before we might get an actual substantial trailer tomorrow and none of this will probably matter anymore. 😂💀
(Note: This whole thing was initially intended to be solely for myself to keep track of any information we've gotten about the idol since DA2. But since it's gotten SO long over the years, I figured why not just rewrite it into a somewhat coherent text and post it on here? :D ......Seriously, it's really, REALLY effing long.)
The Idol's Journey so far
To me, the idol always seemed to be something like "The One Ring" in LOTR. A forged ancient artifact with creepy unknown powers that is said to feel "alive", almost as if it possesses a will of its own, seeing as it has somehow found its way from countless random people, back to (presumably) its former owner. It also appears to be somewhat cursed, given that almost everyone who held it at one point seems to have died or gone mad by now (Yeah, I'm very worried about Varric and Hawke 👀).
Let us start with a quick summary of the journey the idol has made in the span of about 12-13 years (not counting the unknown timespan in which the last chapter of Tevinter Nights takes place):
First discovered by Hawke and Varric in an ancient Thaig in the Deep Roads.
Stolen by Bartrand, who then made a quick trip to Rivain.
Sold to Meredith, who turned it into a sword.
Taken out of Meredith's petrified corpse by Carta dwarves.
Sold again to a Tevinter mage, who brought it to House Qintara in Ventus.
Handed to a secret agent of Fen'Harel named Gaius (who was impersonating Magister Qintara).
Traded away to Tractus Danarius.
Handed to Magister Nenealeus at Castellum Tenebris to be used as part of a ritual.
Picked up by Cedric Marquette after the fortress fell, while trying to escape.
Handed back to Tractus Danarius, who then probably (not confirmed) went to Nevarra to perform another blood magic ritual.
Picked up by a Mortalitasi who (maybe) took it to Tevinter.
(Supposedly!) ended up in a vault under an auction house in Llomerryn in Rivain, where it was (supposedly!) retrieved by Solas.
That's quite the journey… that you wouldn't even know half about if you didn't read the comics or Tevinter Nights. But whereas the book and comics were all published after the first teaser trailer in 2018, after which the idol became the center of the fandom's attention and speculation, it should be noted that a connection to the idol was in fact already made way back in 2014, when people noticed that the image of Solas holding Flemeth's lifeless body at the end of Inquisition was very reminiscent of something else.

...Which brings us to the point of what the idol is even depicting to begin with.
Description

Before I'll start to give my own description based on the models in-game, the teaser and concept art, I'd like to quote the people who've actually seen it in person.
In the last chapter of Tevinter Nights, we are being told three tales by three different people, who all describe the same idol differently.
The Carta Assassin: "A couple hugging, too thin to be dwarves - but it's sitting there, glowing softly like a ruby lit by the grace of the Maker himself. […] It's heavier than you'd think - lyrium's heavier than you'd think, too, but this was heavy even for that. When I hefted it in my hand, it was like it wanted to keep moving, like it was liquid inside."
The Mortalitasi: "An idol crafted from red lyrium, which seemed to show two lovers, or a god mourning her sacrifice. It whispered in our minds when we saw it […]."
The Orlesian Bard/Solas: "He whispered something as he picked it up, tracing his gloved fingers gently along the crowned figure who comforted the other."
The one thing that all of these seem to have in common though is two figures who embrace each other in some way.
Which is interesting, because in all the depictions of the idol we've seen so far, it clearly shows three people instead of two. Granted, the third figure is a bit cramped up in the back of the crowned figure, but what's strange is that not even Solas himself mentions this third figure.
Most notable though is the crowned female looking figure in the center, which is holding onto the two other figures on each side of the ring shaped object (or it's the two figures holding onto the female?). The figures themselves look rather goulish, deadly or skeletal, with their bone structure clearly visible and all their expressions captured in a mix of horror or torment. The small carved-in lines coming from the middle figure's eye sockets also resemble black tears, much like we've seen on "The Mother" in Awakening.

There's also no sign of clothing, which is all the more apparent on the concept art of the idol, in which the breast of the middle figure is.. much more prominent. lol (We don't make fun of saggy boobs in this house, it's just nature and gravity after all, but for the sake of observation, I will note that they do remind me of Broodmother boobs, too ��), aside from a hint of what could be a veil on the middle figure's head.
At the bottom of the idol, the lower bodies of the figures seem to fully submerge within its name-giving red lyrium and this "claw" type thing, which is coming off in the shape of crystalline red lyrium spikes at the tail end, though in the concept art and the DA2 model, these spikes were clearly more like red lyrium roots. But either way, the bottom makes it kinda look like it's been broken/ripped off?
We can also see tentacle like features, that remind me of the figures we've seen in the mural in the 2020 teaser and the depiction in the 25th anniversary book that revealed to us what the Archdemons were initially supposed to look like. 👀

I'd also like to point out that in the original concept art of the idol, the ears of the crowned figure look much more pointy to me than in later versions. 👀
There's also this "ring", that I've seen many people connect to how the Veil is often portrayed in Solas' murals.
But if this ring is supposed to depict the Veil, then what could it mean for the crowned figure reaching across to hold that ominous third figure on the "other side"?
And yes, I recognize that this ominous third figure also seems to be missing a left arm, just like another certain main character. 👀
The one thing that stands out the most though, is probably the crown itself. Most people might first associate it with Andraste, when the same shape can be traced as far back as ancient statues of Mythal.
Yeah, there's definitely a pattern here. 😂
That being said…
Connection to Mythal & Solas
Okay, we all know about the theory that Andraste might have been Mythal's previous host, right? We all know about the parallels between Mythal's story, Andraste, Flemeth, etc. And after comparing the idol to Flemeth and Meredith in their moment of death, considering all of the above/following and how old this thing potentially is, I will now make a wild guess here and argue that the idol is in fact depicting Mythal's death.
"He whispered something as he picked it up, tracing his gloved fingers gently along the crowned figure who comforted the other. But I could not make out the words, for I fear they were elven."
Not only does Solas seem to hold sentimental value for whoever the crowned figure is supposed to be, while also talking to it in elven, but the way he describes to "caress" the idol in Tevinter Nights does also seem to mirror how Flemythal was comforting him at the end of DAI.

However, I always thought it was a bit odd how Solas describes the idol as "a figure comforting another", when… tbh, "comforting" would probably be last thing that comes to my mind when I look at this...
"Agony" would be more fitting here, maybe? lol Kinda begs the question of how Mythal was murdered, too, with this being her expression in her moment of death? 👀
Without getting too much into it here, if there's one thing we can take from everything we've learned so far about their past, Solas' relationship with Mythal must've been a rather complicated one, to say the least.
"He did not want a body, but she asked him to come. He left a scar when he burned her off his face."
Solas calls Mythal "the best of the elven gods", calling her "the mother, protective and fierce", and Solas is even described in the designer's notes as "Mythal's oldest friend" who is all about free will, yet if the spirit origin theory is true and Cole's cryptic comments in Trespasser are in fact about them, it was Mythal who gave Solas a body against his will, potentially bound/enslaved him with her vallaslin, and maybe even forced him to act against his original purpose?
"You should have seen me when I was younger. Hot-blooded and cocky, always ready to fight."
Cole: "You didn't do it to be right. You did it to save them." Inquisitor: "Solas, what is Cole talking about?" Solas: "A mistake. One of many made by a much younger elf who was certain he knew everything."
How much of what happened was Solas acting out Mythal's will, or rather, acting out of vengeance and pain in reaction to Mythal's death? How much of it was him acting downright impulsive?
Solas: “Cole is a spirit. The death of the real Cole wounded him, perverted him from his purpose. To regain that part of himself, he must forgive.” Varric: “You don’t just forgive someone killing you.” Solas: “You don’t. A spirit can.”
Or was it Mythal's death itself that "wounded him and perverted him from his purpose", just like he described what happened to Cole?
And what does that say about Mythal then, when she clearly hasn't forgiven her murderers and still strives for vengeance after all this time? What if Solas' own perception of Mythal and all the circumstances surrounding her murder is warped because he was once bound to her? 👀
Anyway. To get back to topic.
So if we assume that the idol is in fact depicting Mythal's death, then that brings us to the next question of why the idol is even made of red lyrium? Or rather, what is Mythal's connection to red lyrium?
We know that red lyrium is tainted blood of a Titan. Mythal was the first to kill a Titan and mine their blood for things we won't get into in this post. So, how did the idol end up in the Deep Roads, anyway? How long had it been there? One thing that's kinda strange to me, is how the DA wiki page about the idol says that it was forged by the dwarves, solely based on the fact that it was initially found in the Deep Roads, when we have no actual evidence for that. We've seen statues of both Mythal and the Dread Wolf in the Deep Road section in Trespasser where the mining of lyrium was undergone, but we don't know if the dwarves even had any part in building them as well.
Would the dwarves forge an idol of the elven deity who conquered them and killed their Titan, if they were somehow forced to do so? We also have to remember that dwarves were and still are the only ones able to actually mine raw lyrium safely, but even the Carta dwarves in Tevinter Nights had to take several precautions in order to recover the red lyrium idol from Meredith's corpse. And even then, many of them still fell shaking or went mad in its presence like Bartrand.
So if it only takes that little exposure to have that much of an effect on someone's sanity, how were the ancient dwarves or anyone even able to create it in the first place? What if the idol was initially made of blue lyrium but was then somehow corrupted?
And if we take one moment to really think about what an idol actually is.
"An object representing extreme devotion and religious worship to a god."
While Solas doesn't think of any of the Evanuris as actual gods, he still seems to hold Mythal at such a high regard that he wouldn't even speak of her at a sacred place like the Temple of Mythal (whether or not that was because he just wanted to withhold any secret ancient knowledge). He's able to fully recite the invocation to Mythal if you bring him with you to her altar. He also looks exactly like the sentinels in Mythal's temple.

I could go on, but generally speaking, there are so many little hints pointing to Solas being a former slave/servant of Mythal that, again, we won't get into here, but it's important to mention when trying to figure out why the idol (presumably) even belongs to Solas.
"The idol's journey is now complete, and it has found its master."
In Tevinter Nights, the Dread Wolf claims that the red lyrium idol belongs to him. He also made sure to punish those who tried to misuse it, going so far as to march in with an entire army of spirits and snapping a guy's neck with his jaw. (Yup, you're better off not to touch the Dread Wolf's stuff for dirty blood rituals, kids.)
"You use my idol carelessly, and in doing so, you threaten all creation."
Additionally, in the last chapter of Tevinter Nights, Charter and other spies conclude that Solas must need the idol for whatever ritual he's planning, while Solas in Bard disguise claims that he's already in possession of the idol now and therefore, I quote, "cannot be stopped". (Though I personally still don't actually buy a single thing about his vivid tale at that auction house, but we'll get back to this later. lol)
And if the idol belongs to Solas, was he the one who created it, or did he order the dwarves or someone else to make it for him? But why would he intentionally make an idol out of red lyrium, anyway? He is fully aware of the dangers and corruption that comes with being exposed to red lyrium and its use. Especially considering that red lyrium is blighted and how he repeatedly expresses great concern over the Blights and gets furious over the Grey Wardens' attempts to preempt them by killing the Archdemons (because he obviously knows more than us).
So, does he know a way to use it without getting corrupted like everyone else? The Seekers of Truth are so far the only ones we've seen to be immune to red lyrium thanks to having their minds touched by a spirit of Faith during their vigil. Could Solas' connection to spirits/his hypothetical spirit origin allow him to use the idol without it effecting him?
But if any of this is true, then l'm again asking myself what even was the purpose of the idol to begin with? Why or when was it created? How does it differ from any other red lyrium, and what could Solas have used it for in the ancient past?
Powers & Effects
So, let's talk about what this thing can actually do (as far as we know).
(Btw, this is the part where I will shamelessly copy a lot straight from the DA wiki, because truth be told, I'm just a German struggling with limited vocabulary and I figured there's simply no way to summarize this any better than the wiki already has. 💀)
Just like any other red lyrium, we know that being exposed to the idol for too long will make you mad/paranoid/possessive/violent, while also grant you special powers, until overuse causes your body to be completely overtaken by red lyrium. It seems to thin the Veil wherever it is currently kept, allowing spirits or demons to interact with the physical world.
It also emanates a song that is slowly turning people who hear it insane.
The Song
"It sings… sick music." "It eats you inside until you're nothing." "It creeps into your thoughts, humming." "They hear a different song. The song behind the door old whispers want opened. They are dead and dark and done." "Songs screaming far away. It wants to wake up but can't remember how."
(- Cole's comments about red lyrium/red templars)
After Bartrand took the idol and left Varric and Hawke to die in the primeval Thaig, he started hearing voices, claiming the idol was "singing" to him. Even after selling it, Bartrand could still hear the idol and was eventually driven mad by its red lyrium.
Three years later, it is discovered that Bartrand had chipped a piece of the idol off and left it in his estate, which causes the house to behave like it was haunted and the Veil was torn.
Then during the "Haunted" quest, Varric himself remarks several times to hear music while walking through the estate, much like the Carta assassin in Tevinter Nights recalled to have heard "music in the wind, like some old song I heard as a kid but can't quite remember" when obtaining the idol from Meredith's corpse.
Important to mention here is that Varric seems to also be the only one in the party able to hear this song.
Varric: "Hey… is that music? Where is that coming from?" Hawke: "In don't hear anything." Varric: "Where is that singing coming from? You hear it, right, Hawke?" Varric: "Where is that voice coming from?" Hawke: "What voice?" Varric: "I can barely hear it… I wish I could make out the words."
Varric also told us that, after Bartrand went mad, he tortured his non-dwarven servants by cutting pieces off them to help them "hear the song".
(And remember, the idol was found in an ancient primeval Thaig in the Deep Roads, sitting on something like an altar, indicating that it was being worshiped by the ancient dwarves as well. Presumably because they too were being influenced by the idol's/red lyrium's song?)
Haunted
During the "Haunted" quest, we learn that the mere presence of a shard of the idol in the estate causes:
"Voices whispering in the walls"
Random objects moving on their own
Apparitions/screaming spirits appear running across the floors
When Varric picks up the piece of the idol, he starts to exhibit the same symptoms of madness Bartrand showed, at which point Hawke can either let Varric keep the piece, or can take it from him with the intent of having Sandal destroy it.
If Hawke asks Anders to diagnose Bartrand in Act 2, he suspects a demon at work, however Bartrand is a dwarf. Instead, he determines that "his mind has been poisoned by something powerful".
In Tevinter Nights, the Carta assassin recalls that, in the attempt to retrieve the idol from Meredith's corpse, most of his colleagues fell shaking and whispering the closer they got to it.
Meredith
After Bartrand sold the idol to Meredith, she reshapes it into her sword Certainty, which does eventually drive her insane as well. It also gives her unnatural powers, such as the ability to animate the statues in the Gallows, and even limited flight capabilities.
(My question is though, were the things happening in that final fight directly caused by the idol or was this just the result of the Veil being already weakened that much by the many terrible things that happened at that place/Kirkwall in general?)
Anyhow, during the final battle at the Gallows, Meredith overuses the lyrium sword, causing it to burst into dust and petrify her into a statue.
Though as we all know now, some part of Meredith seems to have survived somehow, as her… mind(?) or something was shown to now still "live" within the red lyrium somewhere in Kirkwall at the end of Absolution. She (or "it") also seems to have somewhat control over the red templars now, too.
So, how is this possible? What exactly is she now, if it even is herself and not just a manifestation/echo of her memories or something? Could it have something to do with the idol? No one really knows (and we might never find out, if Netflix won't give us a second season, anyway lol), but I do think it's curious how the idol is likely depicting Mythal's death, who didn't actually die either and lived on through the ages as a type of lingering "wisp" clinging to various hosts. 👀
I also want to point out how Solas did suspiciously include Meredith's petrified corpse in his mural in the 2020 teaser as well, placing her right under that ominous upside down figure with the tentacles.

Furthermore, just like Meredith, the idol also seems to be somewhat indestructable. lol After Meredith's sword burst into dust, it regrew inside her petrified corpse (which Solas was apparently also aware of). What's interesting is that it regenerated in Meredith's chest of all places. You know, like, where the heart is supposed to be? 👀
Then there's also this curious line from Anders, when talking about Varric acting strange after obtaining a shard of the idol:
"This thing's magic seems only more potent when broken."
I've mentioned it before, but with the spikes (or roots in DA2) at the bottom part of the idol making it look like it was ripped or broken off of something, you have to wonder if its current state is somewhat broken, even after regenerating.
"Hot-Blooded"
During the Haunted quest, Fenris will remark this:
"Whatever is here is angry."
In DAI, Cole repeatedly comments on how red lyrium feels "very angry" and how it is "less angry when it's cold". We know for a fact that red lyrium emanates a noticeable heat. A corrupted Bartrand is especially weak to cold/ice magic.
While anger is generally associated with heat, I find this aspect particularly interesting, given that red lyrium is tainted blood of a Titan.
And building on that, while still searching for further connections between red lyrium, the idol and Mythal… Remember how the ancient sarcophagus in the Blue Wraith and Dark Fortress comic was used in a ritual, in which lyrium combined with fire of a Great dragon carved lyrium infused markings into Fenris' and Shirallas' skin, granting them special powers.
Not only was this ancient sarcophagus specifically built only for elves, and its design resembling that of Mythal's statues…

…but here we have a case in which lyrium is purposefully "set on fire" by a Great dragon to create "elven super soldiers". Mythal is always depicted as a dragon. And she mined lyrium in humongous amounts.
Again, red lyrium emanates heat. If this was common practice in ancient times, then I feel like it's not surprising that a Titan would eventually be pretty damn angry in reaction to its blood being continuously burned for centuries [insert boiling blood joke here].
So, aside from the red lyrium being blighted, could there be a connection in Mythal burning the Titans' blood? As far as we know, it did take a couple of aeons in which Mythal (presumably) continued to mine (and burn?) the Titans' blood, before the ancient elves sealed the Deep Roads for good, because they discovered something… bad. As Solas himself declares in the vision described at the mural depicting a Titan's death:
"Let this place be forgotten. Let no one wake its anger." "The vision grows dark. An aeon seems to pass. Then the runes crackle, as if filled with an angry energy. A new vision appears: elves collapsing caverns, sealing the Deep Roads with stone and magic." "Terror, heart-pounding, ice-cold, as the last of the spells is cast."
And there it is again. That anger we're talking about. What's so interesting to me, is how this does sort of come full circle with Mythal and the idol after all, since the motivation behind Mythal's actions, even after thousands of years, remains her unwavering desire for vengeance upon the people who betrayed and murdered her, which, in a way, does mirror the same anger/heat that the Titan is emanating from its tainted blood.
And speaking of blood……
A Ritual Blade
In Tevinter Nights, we learned that the idol is able to produce a blade, which is then used as part of a blood magic ritual.
"The Tevinter mage was killing his slaves. […] He had cut the throat of one of them, and then another, catching the blood of his victims on the idol as he made his way around the circle. […] The Tevinter mage raised the idol before him, and I saw a spike of lyrium spring from the base of the idol, so that all at once, it was not merely an idol, but a ritual blade. He slashed his own hand, and a wave of power pulsed through the cavern. It was as though we were the blood, and the cavern was the body through which it flowed, and we fell, all of us, to the ground, our minds pulled into the raw chaos of the Fade by the power of his ritual."
In the end of the Dark Fortress comic, the idol produced another red lyrium sword, that could be fully detached and was then placed onto the before-mentioned sarcophagus, turning Shirallas into a raving beserker that was pretty much invincible as long as he was in possession of that same sword.

While the blue lyrium infused sword that was used in Fenris' ritual simply dissolved in the process, the sword produced by the idol could "regenerate" and was especially resistant to Great dragon fire.
"Unlike the lyrium-infused swords of the so-called Arcane warriors, this sword should survive the ritual."
In the final fight against him, Marquette comments on how Shirallas "feeds energy to the sword from the red lyrium in his veins" and how in turn "the sword heals his wounds".
So in both the comic and Tevinter Nights, the idol/the weapon produced from the idol seems to draw power specifically from the blood of its wielder. It makes me wonder if it was initially intended to be used this way, since we have to remember that it still presumably belongs to Solas, who claims to not practice blood magic, because it seems to make it more difficult to enter the Fade.
Which is ironic, given what the mage in Tevinter Nights did to disrupt the Fade, but also how the Magisters Sidereal used a massive blood ritual to enter the Fade physically.
And oddly enough, in your first conversation with Solas about blood magic, he makes this curious analogy with daggers as an example…
Inquisitor: Every time I've seen blood magic used, it has been for some evil purpose. Solas: I once saw a woman being stabbed in the stomach with a dagger. She died slowly, in angony. It was repulsive. If the Chantry outlawed daggers, would that stop the people from using it? Of course not. […]" Inquisitor: "You don't need to sacrifice a slave's life to make a dagger." Solas: "I suppose it depends upon the dagger."
So… Could Solas be referencing Mythal's death here? Or what if the dagger here is referring to the idol in its blade form? What the heck does he mean by "I suppose it depends upon the dagger"? Was a slave's life sacrificed to create the idol maybe?
But if blood magic wasn't the sole purpose for why it was made, then what else could the idol as a ritual blade be used for?
Which brings us to…
Dalish mythology
According to Dalish legends, Fen'Harel told the Creators and the Forgotten Ones that the Avvar had forged a "terrible weapon", a blade that would end the war between both clans of gods. He told the Creators that it was forged in the heavens, while the Forgotten Ones were told that it was hidden in the Abyss. And when the gods went seeking it, Fen'Harel sealed them both in their realms forever.
Okay. So, let's just assume for a second that the blade in this legend was actually the idol in its blade form. Because hell, what are the odds of having two "super powerful ancient blades that belong to Solas"? lol
If they are in fact the same weapon and the part about Solas tricking the gods is true, why were the Evanuris and the Forgotten Ones so eager to get this thing, to the point that they would fell into a trap?
And with this, I'd also like to point out the level design in the scene in which Flemeth takes Kieran's Old God soul in the Fade. I can't help but feel like the statue of Dirthamen being stabbed in the back with a sword, crying a stream of blood, resulting in a huge pool of blood, as well as a bloody ouroboros symbol on the ground, is a very deliberate design choice. Especially considering the context of this scene with the revelation about Flemeth and Mythal, I'd argue this is all in reference to how Mythal was betrayed and murdered.

Again, the idol could depict Mythal in her moment of death. In the final fresco in the rotunda, the one Solas never finished before leaving the Inquisition, we see a wolf looming over a dragon slain by a blade.

In the last visual of the 2022 cinematic that, going by Varric's narration, could potentially depict the destruction of the Veil, Solas appears to hold something that resembles a blade with a very destinct handle. Additionally, we've since discovered an icon hidden on the Steam page of DA4, that shows a dagger with an identical shape and the same glowy purple as the Dreadwolf title.
So we have the idol in its blade form, the blade Mythal was potentially slain with, the blade Solas is holding in the 2022 cinematic, Solas mentioning a dagger in relation to blood magic and Fen'Harel's blade in Dalish legends.
That's a lot of blades... and a lot of blood. lol
The Hunt of the Fell Wolf
"The Hunt of the Fell Wolf" is the title of a poem that can be found in the Jaws of Hakkon DLC. It tells a story of former Inquisitor Ameridan, his friend Haron and their fight against a demon wolf.
Along with numerous odd things in this tale that could be interpreted as some kind of metaphor (or just the devs messing with us, if you want to know more, please check out this post), it also mentions an "idol of fade-touched stone" in connection to the demon wolf.
The wounded knight in darkness Found within the cavern’s gloom An idol of fade-touched stone, Which could prove the monster’s doom.
In the poem, after a grim fight, the wolf takes Ameridan's friend Haron to its lair, a "labyrinth of winding cave" (which many believe is referring to the Deep Roads, just like the ancient Thaig in DA2 where Hawke and Varric found the red lyrium idol originally) where Haron, oddly enough, also happens to find an idol. What's intruiging though, is that this idol seems to be connected to the wolf in such a way that he can only be defeated if both him and the idol are destroyed and struck down at the same time.
With burning blade, Ameridan And monster met again Whilst elsewhere did Haron valiantly With demon-wards contend.
As demon-stone was shattered, Ameridan struck true: Beast and spirit—both felled at once, Though neither hunter knew.
"Beast and spirit—both felled at once"
Two entities that are connected across two different places… as in the physical body and the spirit maybe?
As in the waking world and the Fade?
So, let's reiterate.
The red lyrium idol belongs to the Dread Wolf. Cole remarks how he can feel that Solas is "in both places". The word "Dread Wolf" itself is an anagram for "World" and "Fade". We've talked about the popular spirit origin theory before, Solas taking a physical form against his will because of Mythal. The whole matter of Solas' "true name" before he called himself Pride. Solas' entire personal quest, which may or may not mirror his own past, a spirit of Wisdom being denied its original purpose, turning into a pride demon ("He wants to give wisdom not orders"). His strange remarks at the end of Cole's personal quest ("We cannot change our nature by wishing"). The fact that Solas makes Cole forget about his true identity, just like spirit!Cole does. The visual portrayal of Solas "consuming" Flemeth's powers at the end of DAI. The way in which Solas doesn't recognize anyone in the waking world as "people", but will vehemently debate you on why spirits should be considered people.
"But the People… They need me." (- Solas to Flemeth at the end of DAI) "Never again." (- Solas after burning the mages who were responsible for Wisdom's corruption) "From this moment, should you ever bind a spirit, your life is mine." (- the Dread Wolf's final warning to the mages in Tevinter Nights)
All of this considered, what could the poem in JOH imply for the connection between Solas and the Dread Wolf/the Dread Wolf and the idol?
"They made bodies from the Earth, and the Earth was afraid. It fought back, but they made it forget."
One theory assumes that the creation of the Veil lead to the separation of the ancient elves' bodies and their souls/spirits, assuming that before the creation of the Veil, the Evanuris somehow made bodies from the Titans/lyrium for spirits to manifest and then enslaved/bound them to their will by marking those bodies with their vallaslin.
But if that's true, then what happened to Solas when he created the Veil?
"He broke the dreams to stop the old dreams from waking. The wolf chews its leg off to escape the trap."
In all the murals, tarot cards and illustrations, the Dread Wolf and Solas are always depicted separately.


What really IS the Dread Wolf? And what is he to Solas?
"It was a beast unlike any I had ever seen. Lupine in appearance, but the size of a high dragon, with shaggy spiked hide and six burning eyes like a pride demon, and it came to us on wings of fire that resolved themselves into a horde of lesser demons."
From what little we know of the Dread Wolf himself, he only seems to exist within the Fade (that is to say, before the Veil, Solas was already depicted as a wolf, presumably even before his rebellion and before the Evanuris "bestowed" him with the title "Fen'Harel"). In the Mortalitasi's tale in Tevinter Nights, his army of spirits follows the mages back to the waking world, yet the Dread Wolf himself remains in the Fade. In one of the frescoes in the rotunda, Solas portrays the Black City surrounded by the six burning red eyes that resemble those of the Dread Wolf, almost like he's keeping watch over the eternal prison of those he banished. In the Tower tarot card, the Dread Wolf is ominously looming over Solas, almost like it's about to consume him, while in one of the Trespasser murals, it looks more like the Dread Wolf follows his lead. And then there's the DA4 2018 teaser mural, in which they're opposing each other, only seperated by the red lyrium idol in the center of the Veil.
If the red lyrium idol is connected to Solas like the idol in the poem is connected to the wolf, could this be part of the reason Solas is so desperate to find it? Does it possess some kind of spirit? Can the Dread Wolf only be defeated if the idol is destroyed at the same time, just like in the poem?
Where is it now?
So where's the damn thing now?
Well, in my opinion, there are two options.
Option 1) The bard's tale in Tevinter Nights was complete bullshit. lol
Despite Solas trying to convince us that he already obtained the idol in a vault some time ago under an auction house in Llomerryn, it's possible that, much like his whole charade in that chapter, this tale was also entirely fabricated. lol
To make it short, here is a list of arguments for why the "bard's tale" could've been a complete lie:
Solas attended this spy meeting specifically for information on the idol's whereabouts (because he doesn't actually know where it is currently?).
Everything until the last two pages was an act.
Both the Mortalitasi and the Carta Assassin point out several contradictions within his tale.
Upon hearing the other spies assuming that he needs the idol, it would just make sense that he would want them/Charter to believe that he’s now in possession of the idol and “cannot be stopped”, so that they would drop all effort to find it before him.
On the very last page of the book, there's a lists of bullet points of information when Charter is about to write down her report, and it does not explicitly say “He has the idol” but rather just what it looks like, which suggests that Charter didn’t buy his story either.
So if this was all lies, the last known location of the idol would therefore be the unknown person who took it when escaping from the Dread Wolf's spirit army in the Grand Necropolis in the tale of the Mortalitasi.
Meaning that Solas would therefore still be searching for it now. (Which would actually be kind of hilarious, considering how there's likely gonna be a ten year timeskip since DAI, so he would've been searching for the flippin thing for the better part of a decade now. 😂 We know from the end of the Blue Wraith comics that he had followed the idol's path via eluvian, but maybe he just lost track of it at some point? In fact, the last we heard from him, Solas was apparently busy pursuing some Venatori people to get another ancient artifact called the Crucious Stone in the The Missing comic, much like he prevented the Tevinter mage in Nevarra from using his idol. Solas after ten years of searching for the idol was probably like "Oh fuck it, I give up, on to McGuffin Nr 2 then". lmao)

In an interview with the comic writers Nunzio DeFilippis and Christina Weir, they talked about how in their initial draft of Dark Fortress, Solas actually *got* the idol(!!) from two of his agents by using the eluvian located at Nenealeus' place before BioWare stepped in and requested a change. 👀 That version would've explained how Solas was able to track the idol through the eluvian we see at the end. Their own interpretation was that Solas can only overlook a certain radius within the area of where another eluvian is located. Which would actually support the assumption that Solas might've lost track of the idol at some point after Nenealeus left the place… but that's just their interpretation and not official BioWare canon (yet), sooo…. Hm.
Option 2) Solas has the idol now.
So let's assume that the part about him obtaining the idol in Tevinter Nights was actually true and it's now in his possession.
Aside from this, the only thing that could speak for Solas already having the idol in the beginning of DA4, is once again the final visual in the 2022 cinematic.
If this cinematic is in fact playing at the beginning of the game as a general re-introduction to the lore and the last visual is depicting Solas in the middle of destroying the Veil using the idol, then.. well yeah, there it is, in his hand…. at least, for now. Making Solas succeed in the first 10 minutes, I guess? lol
……Unless!
See, a few years ago, I speculated about how the idol might actually be the perfect plot device/motivation for our new protagonist to get involved in the whole Solas deal without even knowing who he is.
Let's say the last visual in the 2022 cinematic is actually showing us a hypothetical scenario, and not something that has already happened/is currently happening. Like, Varric gives this expository narration explaining who Solas is and what might happen if we don't succeed in getting the idol. (Notice how Varric says "And we're the only ones who can stop him" at the end… Like there's still a chance to stop him before this actually happens.) We know from Tevinter Nights that Charter knows that Solas needs the idol for whatever ritual he's planning. And Charter obviously informed the Inquisition/Varric about this as well. So the next logical step for the Inquisition now would be to obtain the idol (whether or not the bard's tale in TN was true) to prevent this ritual at any cost, right?
The comic The Missing re-emphasized that Varric is now in charge of getting people that Solas doesn't know. And this might be where the new protagonist gets recruited by Varric (who is still a spymaster after all) and gets assigned the alias "Rook" for a heist mission to obtain the idol. (And after a very thorough observation of the DA4 reddit leaks from 2023… it looks like Rook might've actually succeeded in this potential quest?)
While we don't know when the stuff in the leaks actually takes place within DA4's storyline, I think it's safe to say that Rook will obtain the idol at some point in the story and that it will play a pivotal role, if the blurb on the Steam page for DA4 is to be believed. lol
As well as what could likely end up being the game's icon, found on the Steam page.
And again, remember how in the Hunt of the Fell Wolf poem, it seemed like Ameridan struck the wolf’s body in the waking world, while his friend Haron killed the spirit (inside the idol?) in the Fade. What could this imply for DA4 then, if we are applying the role of Ameridan, Haron and the wolf in this tale to the Inquisitor, Rook and Solas?? 👀 Is this how we can stop him? The Inquisitor confronts Solas in the waking world, while Rook has to destroy the idol/fight the Dread Wolf in the Fade?
Or could it just be a metaphor for the Inquisitor in DA4 keeping Solas occupied to distract him from Rook, while they can figure out another secret way to deal with him/how to get/destroy the idol?
See, the thing is, we have to remember that this is after all, a video game. lol Meaning that, if our protagonist gets to carry around a powerful ancient artifact/weapon, I would assume that this has to be somehow implemented in the gameplay as well. What we can take from the short footage of the 2023 reddit leak, is that Rook might carry the idol (if it really IS the same thing) while still fighting with their own main weapon in combat. So, what if the idol serves as more of a special power tool outside of combat, for example, like the anchor did in DAI, where it can only be used for special occasions? Let's say, the idol in its blade form can't be used in battle but is able to "split" the Veil or reality, like the anchor was able to open and close rifts? Or, if we assume that the idol is something like an ancient phylactery (which btw is my favorite theory and I will talk about in my second post), maybe it can be used as some kind of "tracking device"? Actually, I'm super curious to learn how Rook is even able to carry it like this in the first place, since we know what kind of effect it usually has on people. lol
~~~~~
Anyway, I'll make a hard cut here now and save the rest of this behemoth of a post for a second separate post (because I also just realized that tumblr doesn't let me add any more images 😂💀), so if any of you actually made it this far... thank you for being just as crazy as me about this and I will post the second part shortly after. lol ❤
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Chinese Ceremonial Papers

Many hundreds of varieties of prayer sheets used to be produced by specialist ma-chang printers all over China. Many of the limited range made today are the cheapest offset-litho jobs on the cheapest machine-made papers, but the designs still imitate the original woodblock prints.

Modern Taiwanese sheets of cash, made from recycled paper, sold very cheaply by weight in Taipei.

Mock money and other ceremonial papers for religious ceremonies will be gathered in "bowls" of crude papers, usually made of a mixture of rice-straw and bamboo fibers.

The simplest form of mock money is made traditionally with thin layers of tinfoil affixed to the center of a small piece of bamboo paper, although in contemporary production the cheapest grades of machine-made paper will be used instead, and in Taiwan and Malaysia metallic inks may be used instead of tinfoil.

Here's a piece of mock money in traditional colors with auspicious designs, and tinfoil brushed over with a dye from the pagoda tree to make it resemble gold.

Contemporary Taiwanese ceremonial paper.

Another variety of gold mock money, with inscriptions and symbols for good fortune building up the design, usually still quite well printed from woodblocks on fairly good quality paper, but sometimes now mass-produced by offset lithography.

Contemporary ceremonial paper printed letterpress on a stout machine-made paper in Hong Kong. The yellow coloring might have been brushed on by hand, but otherwise production of these attractive sheets has been mechanized completely.

At the Feast of Hungry Ghosts many large sheets of paper with pictures of all the clothes one's ancestor could need are burned. Although images of the paraphernalia of modern life like cell phones and computers might be printed on these papers, the clothing is always of traditional style.

Red paper envelopes with good luck symbols have been used for many years to enclose gifts of money made at New Year. They may be found wherever any ceremonial papers are sold; today usually with elaborate and eye-catching gold-stamping.
Decorative Sunday
The examples shown here are original paper samples included in Roderick Cave's (1935-2019) two-part article on "Ceremonial Papers of the Chinese" published in Matrix 12 (Winter 1992, pp. 51-66) and Matrix 13 (Winter 1993, pp. 161-177), printed at the John and Rosalind Randle’s Whittington Press in Risbury, Herefordshire, England.
In these articles, Cave, a noted print historian, librarian, and educator, discusses the history, manufacturing, printing, distribution, and uses of Chinese ceremonial papers used in rituals, celebrations, and festivals associated with the gods and the ancestors.
Our copies of Matrix are a donation from our friend Jerry Buff.
View more posts on Chinese papers.
View other posts associated with Roderick Cave.
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#Decorative Sunday#Matrix 12#Matrix 13#Matrix#Whittington Press#Decorative Paper#Chinese ceremonial papers#ceremonial papers#Roderick Cave#Ceremonial Papers of the Chinese#John and Rosalind Randle#decorative arts#Jerry Buff
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