#timkie

[thespencerzone]

Jackie Lynn Thomas x Timmy Mcnaughton

[duusu-peacock-kwami]

@officially-ladybug

can you ask timki how to make the kwagatama thingies

I wanna make one for Feliz so we can yell at Hawkmoth and Mayura and whatever Emilie and Colt called themselves

[stuck-in-the-box]

A gift for you all

Timky - 🦀🦀🦀🦀🦀🦀🦀🦀🦀🦀🦀 fourteen crabs

Ted: 💐 flowers, chocolates 🍫 and a cat 🐈. You seem pretty sad. /platonic

C R A B S

Uh...thanks.

[He takes a bite of the chocolate and starts petting the cat.]

[indianetzone336]

Karma dance of Madhya Pradesh is a traditional folk dance. It is performed by both men and women who dance gracefully with the accompaniment of an instrument known as timki. Click below to know more https://www.indianetzone.com/54/karma_dance.htm

[indianencyclopedia]

Karma Dance of Madhya Pradesh represents an integral part of the state's cultural fabric. Its performance showcases the tribes' deep-rooted beliefs, their relationship with nature, and the unity and harmony that bind their communities together.

https://www.indianetzone.com/54/karma_dance.htm

[hazelnutnebula]

passion of graph

[kalyan-gullapalli]

Post # 122

Three passengers on a Kabir train

Passenger # 1 : Prahalad Singh Tipanya

In 1978, a 24-year young Dalit government school teacher in a village called Luniyakhedi in Ujjain district of Madhya Pradesh, heard the Tanpura (or Tambura) for the first time in his life and was so captivated by it that he started off on the journey of his life. His name was Prahlad Tipaniya.

Through the Tambura, Prahlad Tipaniya entered the world of Kabir. The words of this fifteenth-century saint-poet are sung in village after village by hundreds of bhajan mandalis, whose have kept alive the oral tradition of singing Kabir’s poetry for the past 600 years. Prahladji entered this world of all-night bhajan sessions as a learner. Over four decades later, he is a household name.

Prahaladji sings in a powerful Malwi style, yielding the Tanpura and the Kartal himself. His troupe consists of accompanying singers and instrumentalists playing manjira, dholak, harmonium, timki and violin. His music is not just entertaining, he connects with his audience at a spiritual level, with dialogues and simple explanations. It spreads Kabir's message - to rise above petty divisiveness, empty ritualism, and the need to adopt love as the ultimate religion.

He is a Malwa Ratna, a Sangeet Natak Academy awardee and a Padma Shree.

In 1997, Prahladji set up the Kabir Smarak Seva Shodh Sansthan (Kabir Memorial Service and Research Institute), on a plot of land granted to him by the state government adjoining his home in Lunyakhedi village. He calls this land Kabir Nagar and organizes an annual event, where thousands congregate to listen to Kabir’s words through bhajans and discourses by gathered singers and spiritual leaders.

In 2010, he started the annual Malwa Kabir Yatra, a 5-day event, which carries musicians, listeners, travelers, seekers, nomads, old, young, rich and poor together, at the same time, on the same path, making Kabir a religion of the people.

That was Passenger # 1 - Prahalad Singh Tipanya.

Passenger # 2 : Shabnam Virmani

Shabnam Virmani began her career in journalism in The Times of India, Jaipur in 1987. Just a few months later, she made history when she wrote about the infamous Roop Kanwar’s Sati, in Deorala, Rajasthan. Her article became one of the triggers for a vibrant women’s movement that led to the ban on Sati. However, she decided to quit journalism. Later, she won a scholarship to do a Masters degree in Development Communication at the Cornell University and became a film-maker. Her impactful documentaries like When Women Unite, about the successful anti-liquor movement of rural women in Andhra Pradesh and Tu Zinda Hai, which was about successful women activists of Madhya Pradesh, have won many hearts as well as prestigious awards and honors. Drishti Media, Arts, and Human Rights was co-founded by Shabnam, in 1993, in Ahmedabad, Gujarat.

In 2002, she was living in Ahmedabad, when Godhra happened. Hindus and Muslims clashed. She was dabbling with Kabir at that time. And Kabir seemed to say to her - Sadho, dekho jag bauraya- O seekers! see the world’s gone mad. And she set out on a series of journeys, camera in hand, venturing into diverse socio-cultural, religious and musical landscapes, meeting with people who sing, love, quote, revere and make meaning of Kabir. One such person, who became her guru was a Malwi musician from Madhya Pradesh - Prahalad Tipanya.

So, as though nudged by Kabir himself, she made four documentary films.

Had-Anhad: Journeys with Ram and Kabir probes the divides created by religion and nationalism.

Koi Sunta Hai: Journeys with Kumar and Kabir probes the boundaries we create in the realms of knowledge, art and music, in forms of Gharanas, and how some people like Kumar Gandharva and Kabir, challenged them and crossed-over.

Chalo Hamara Des: Journeys with Kabir and Friends shows a friendship between a rural Dalit folk singer, Prahlad Tipanya and an American scholar, Linda Hess.

Kabira Khada Bazaar Mein: Journeys with Sacred and Secular Kabir probes the ironies, compulsions and contradictions that unfold in Kabir Panthis (ones who walk the talk of Kabir).

One of her most touching endeavors is the Kabir Project. The Kabir Project is a series of journeys in quest of Kabir and other Bhakti, Sufi and Baul poets. These journeys inquire into mystic poetry of these saints through songs, images and conversations, curated through documentary films, music CDs, books, urban festivals, rural yatras, workshops and courses and a web archive called Ajab Shahar.

That was Passenger # 2 - Shabnam Virmani.

Passenger # 3 : Linda Hess

Dr. Linda Hess was, for 21 years, till she retired in 2017, a Senior Lecturer in the Department of Religious Studies, Stanford University. And she is a scholar, writer, devotee and lover of Kabir.

She was born and raised in a Jewish family. When she was 21, she "got the call" and moved to India. She says she fell in love with Kabir immediately. "He was sharp, funny, vivid and astonishing. What you didn’t want to hear, he would say—over and over, in your face. But you liked it because, really, you did want to hear it.”

She says she started reading other Bhakti poets of North India - Mirabai and Tulsi Das - but couldn't connect with their Saguni mode of Bhakti. Kabir and his Nirguni nuggets of wisdom appealed to her a lot more. She listened to the two most popular forms of Kabir poetry - Dohas and Bhajans.

The two people who touched her the most were - the same old Malwi folk singer, Prahalad Tipanya, and Kumar Gandharva. Unfortunately, she couldn't meet Kumar Gandharva in person, but after he died, she visited his family and they graciously welcomed her and gave her access to rare work of Kumar Gandharva on Kabir.

Linda Hess is best known for her book - The Bijak of Kabir - widely accepted as the best translation of Kabir poetry in English, and a couple of other books.

From 2002, Linda started to focus on oral traditions rather than printed texts, spending extended periods of time in India with singers. Hence began her association with Shabnam Virmani. Linda joined the Kabir project bandwagon as a consultant and has been a co-passenger ever since.

That was Passenger # 3 - Linda Hess.

These three passengers boarded the Kabir Express at different times in their lives, took some time to settle down on their berths and get to know each other. But once they did, they created some magic!

Listen to some pure, 24-carat-gold music! Have fun trying to spot Linda in the video. Of course, this video is Shabnam's Ajab Shahar production.

[divyabhashkar]

MP CM Shivraj Singh Chouhan plays Timki and Nagadiya musical instruments in Sagar district

MP CM Shivraj Singh Chouhan plays Timki and Nagadiya musical instruments in Sagar district

MP CM Shivraj Singh Chouhan plays Timki and Nagadiya musical instruments in Sagar district Source link

[ventidrama]

uhh monika, a cartoon child doesn't age unless the canon does so. Timky turner has been 10 for nearly 18 years, if he ages canonly then that would count. If he doesn't then he's still a kid. Kids age, yeah, but if they don't age in canon, aging up does nothing at all as they're still shipping an adult and child

ah yeah sorry i forgot about timky turner anon thanks

- mod monika

[madeinnagpur]

After COVID-19 positive patients found in the area, municipal commissioner Tukaram Mundhe has ordered to seal the areas include RBI Quarter No.367 situated in Prabhag 35 under Dhantoli zone, Savtribhai Phule Nagar in Prabhag 32 of Hanuman nagar zone, Jhangre Mohalla in Prabhag 8 of Gandhibag zone,Timki Bhankheda, Baba Buddhaji Road, Teka in Prabhag 6 of Asi Nagar Zone.However,emergency services and supply of essential commodities continue in these areas. (at Nagpur) https://www.instagram.com/p/CBes3cijG3K/?igshid=1d7i9gl02yn31

[poimkostidolgova]

#ПРОПАЛ_ПОДРОСТОК! Дмитрий #Лавцевич #Забайкальский_край #Верх_Чита Просьба помочь распространить информацию. Нужна помощь добровольцев. Группа поиска: http://vk.com/chitapoisk Информация размещена: сайт отряда - https://chitapoisk.com https://www.youtube.com/user/ShirobokovDen https://www.viber.com/chitapoisk https://twitter.com/DenShirobokov https://www.facebook.com/Chitapoisk https://vk.com/chitapoisk https://ok.ru/poimkostidolgova https://instagram.com/pokostiadolgov/ https://poimkostidolgova.tumblr.com 17 декабря 2019 г. ушел в школу Лавцевич Дмитрий Сергеевич 2.12.2004 г.р. (Забайкальский край, Верх-Чита, ул. Центральная 137) и пропал без вести ПОРОГ СЕРДЦА Приметы: рост 165-170, среднего телосложения, блондин, коротко стрижен. Был одет: черные джинсы, красный свитер, синяя вязанная шапка, черный пуховик, зимние полусапожки. Всех, кто может сообщить какую-либо информацию о местонахождении Дмитрия, просим позвонить по телефонам: 112, 102-полиция, 8(3022) 23-46-56 - Дежурная часть, 8-924-505-60-30 – горячая линия Отряда. https://www.instagram.com/p/B6LfC-TIMKy/?igshid=1mibapnbt7wnp

[thespencerzone]

FYI for those who randomly stumble upon this blog, Timmy mcnaughton is a character from a adult Canadian animated comedy called Kevin Spencer if you want more info search up Kevin Spencer on youtube

[midnight-ravel06]

T I M K Y

TIMKY

[24x7politics]

RT tribalfest2019: Raut Nacha is a traditional dance performed by the Yadav community on Deepawali. In this dance they wearing special costumes, singing sticks and dancing in a group with sticks in hand. Timki, Mohri, Dafda, Dholak, Singbaja etc. are the… pic.twitter.com/zbEcihyCg7

— 24x7politics (@24x7Politics) October 21, 2019

[leroshka-posts-blog]

Приколы 2018 😂🎈 Приколы с детьми и животными от Кота Тимки #2 (Смешное видео для детей)

New Post has been published on https://mynewstart.ru/wpvr_video/prikoly-2018-%f0%9f%98%82%f0%9f%8e%88-prikoly-s-detmi-i-zhivotnymi-ot-kota-timki-2-smeshnoe-video-dlya-detej/

Приколы 2018 😂🎈 Приколы с детьми и животными от Кота Тимки #2 (Смешное видео для детей)

[androctonusscorpion-blog]

I am sure you all have heard many stories about PatalLok. PatalLok a place where Danav, Daitya (Demons) & Naga lives as per Hindu Vedas.

Now what if we tell you PatalLok still exists?

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Yes there is a place in Chindwara district of Madhya Pradesh, PatalKot is known for the entry to PatalLok (Gate to enter patallok).

Patalkot name comes from Sanskrit word “Patal” that means “very deep” and “Kot” means “a place to live.” There is a belief that after worshiping ‘Lord Shiva’, Prince Megnath(son of Ravana) had gone to PatalLok through this place only. People say that Kings ruled this place in the 18th and 19th Centuries and that there was a long tunnel connecting this place to Pachmarhi in Hoshangabad district. Traditionally, the site is believed to be the entrance to PatalLok and discovered just few years back.. Also this the same place from where Lord Hanumana entered PatalLok to save Rama and Lakshmana from Ahiravana (King of PatalLok and Ravana brother) when Ahiravana (also known as Mahi Ravana) kidnapped Rama and Lakshmana.

Where is PatalKot or Gates to PatalLok:

Madhya Pradesh is known for its forest treasures and Patalkot is one of its best nature’s gifts with great geographical and scenic beauty situated in the hilly block of Tamia of Chindwara district. Patalkot is a lovely landscape located at a depth of 1200-1500 feet in a valley. Because of the great depth at which it is located this place is christened as Patalkot. When one looks down the place sitting at the top of the valley, the place looks like a Horse Shoe in shape and it’s just 70Kms from Chindwara. Doodhi River that bifurcates the valley is the primary water source of the region. Patalkot valley is spread over an area of 79 km2. As soon as the clock strikes 4 pm, the village transforms into darkness, no sunlight reaches the depth of the mystical valley of Patalkot after few hours past noon.

There are 12 villages & 13 hamlets in this valley, with total population of 2012 (1017 males and 995 females). Most of the people belong to ‘Bharia’ or ‘Gond’ tribes. The main villages of the valley are: Rated, Chimtipur, GujjaDongri, SahraPachgol, Harra-ka-Char, Sukhabhand, Dhurnimalni, Jhiram, PalaniGaildubba, Ghatlinga, Gudichattri, Gaildubba, Kareyam, Ghana, etc. These villages are located at the distance of 2-3 km each. The tribal dwelling in this untouched land, live harmoniously and are gradually uplifting their lifestyle, however they are totally cut off from the current civilized world.

When you visit this mystical Patalkot, you can see wall paintings and slogans painted on the walls, along the way to the valley that highlights the importance of eco-system and conservation of nature. It is truly a good way to spread the awareness.

This valley is known as a treasure of medicinal plants. According Madhya Pradesh VigyanSabha (MPVS), which is working in the area for past 10-12 years more than 300 varieties of medicinal plants has been identified in the area. The tribal of Patalkot are skilled in using the forest plants to make effective medicines. Herbal healers locally known as Bhumka are real knowledge bank. They utilize medicinal plants that are grown in the valley.

There exist several mythological beliefs and traditional narratives that connect the origins of Patalkot to Mahadeo hills – a sacred site for Lord Shiva. Chota Mahadeo peak near Tamia an offshoot of Mahadeo hills surrounding Pachmarhi (the only hill station in MP on a plateau) is situated in the vicinity of the valley. According to locals, the deep gorge in Patalkot is owing to the mythical journeys of Shiva in the ‘Tapovan’ of this valley.

The people here believes that patalkot is the only entrance to patal-lok and they are the protector or watchman of the patal-lok.

About tribes of PatalKot:

Gods and Goddesses: Tribals perform prayers and rituals everyday. The place, they perform Pooja (prayer) is called as Devghar. Tribals worship Mahadev, Badadev, Madai, Madmi Mai, Dhuladev, Nandia, Surjadev, Agiadev as their gods and goddesses.

Tribal instruments: Nagda, Timki, Shehnai, Chakule, Singa, Tambura, Chikara, Bansuri, Ghunghru, Khadtaal, Madar, Dhol, Dahak and Tudiya are common instruments they play in various ceremonies and rituals.

Important festivals: Meghnath is one the most important fair of the valley. This fair is celebrated on Chait Purnima (According to Hindu calendar, full moon night in March or April, depending upon the position of planet system). On this occasion, tribals make a wish and encircle on a big pillar. The place where Meghnath is worshipped is predestined and it is said to be a holy place in the village.

Post Credit: Chandan Kumar Thakur

Interesting Perspective on “PatalLok” I am sure you all have heard many stories about PatalLok. PatalLok a place where Danav, Daitya (Demons) & Naga lives as per Hindu Vedas.