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#times wwx almost got dubconned
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yeah his dick included
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absynthe--minded · 4 years
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The Consent discourse regarding the sex scenes?
oh boy this is gonna be a long one.
tl;dr up front: MDZS is a romance novel, and I’ve read a lot of romance novels, and I think it handles its consent issues way better than a solid 95% of the other books in this genre that I’ve bothered to go through cover to cover. that being said, nobody should ever have to feel like they need to defend or tolerate something that triggered them, or upset them, or hurt them in some way, and I am absolutely fully in favor of these issues being discussed and talked about in a way that warns people they’re there. I am fully in support of anybody who doesn’t like the book because of the presence of dubiously consensual sex. that’s a super legit reason to be uncomfortable or triggered or upset. I’m also not ever going to say that not liking dubcon in a story is a bad thing. my frustration with the consent discourse is basically that I feel like it’s a conversation being held by people who aren’t familiar with romance as a genre, or with the places where MDZS rises above other romance novels, as well as a conversation that ignores that romance uses sex as a narrative device and a metaphor and not just as an idealized portrayal of true love.
more below the cut - tw: discussions of rape, dubcon, and consent in fiction.
I’m not a scholar of romance novels the way I’m a scholar of Tolkien, so I can’t really trace the development of trends in the genre, but I do read a lot of romance, because I’m a lesbian and I like urban fantasy and historical fiction and stories about women having fun adventures and getting what they want, and romance novels are an easy way to get those things as fast as possible. most of my observations are in this kind of fannish capacity.
but. romance has a consent problem, and it’s had a consent problem as long as the genre has existed.
this isn’t the post for a long drawn-out exploration of things like “how many humans on average tend to have rape fantasies?” or “why is it a statistical average that most people are bottomy in their sexual fantasies, rape or otherwise?” but one of the things that I think is worth bringing up wrt MDZS and WangXian is that constrained consent or a lack of consent and how the characters react to that is often endemic to romance as a genre. and I’m not just talking about sex scenes, either (though we’ll get to the 80s bodice rippers, I promise)
you’ve got plots like “My shitbag father fucked over an angsty rich guy so he’s keeping me hostage in his mansion and I’m not allowed to leave” (Anne Stuart, Night of the Phantom) or “I was going to be executed for stealing food but the local lord took pity on me and brought me to his house explicitly to be his wife and I’ll be expected to sleep with him whether I like it or not” (Amanda Ashley, Beauty’s Beast) or “I’m the heir to a substantial percentage of England in terms of sheer amount of land and I’m an orphan and the King has to marry me off to someone who’s both popular with the common people and strong enough to fend off attempts to seize my assets” (Kinley Macgregor, A Dark Champion). you’ve also got the eternal urban fantasy plot of “I’m a normal human woman/human-seeming woman with Power I Didn’t Know About who saw something forbidden to mortal eyes/otherwise became a target of the bad guys, so now I’m being held against my will by a brooding angsty magical creature so he can Protect Me”. that one is actually worse than a lot of the others because the woman in the standard urban fantasy plot usually tries to escape or constantly talks about how she’s being kept hostage, and it’s intended to be a signpost to the audience that she’s not a weak and passive damsel in distress but that she has Backbone and Intelligence and all that.
all of these are, on some level, about the main character(s) being placed in situations they didn’t consent to, and how they cope with that. (a lot of the time there’s also really clumsily written Threats To The Heroine’s Virtue from a cartoonishly unrealistic would-be rapist, in addition to whatever else is going on. the amount of times that I’ve read a book where a hero all too happy to dubcon his way into the woman’s bed then turns around and saves her from Evil Snidely Whiplash Rapist as a way of proving he’s a good person underneath... sigh.) and a lot of other plots are that way too! the Consent Discourse about MDZS is tapping into a conversation that’s existed wrt romance as a whole for a long time.
here’s why I think MDZS is different from basically every other romance novel: it knows it’s about consent.
the vast majority of the stories I alluded to up there really don’t seem to know that they’re dealing with a plot that centers around the heroine (and sometimes hero) coping with a loss of autonomy. she winds up being totally happy to be held hostage, or married off to some stranger, or protected by a brooding angsty dark magic man, or bound up in destiny and fated to fall in love. the violation of her consent is the framework for getting her in the same environment as her love interest, and we-the-audience are supposed to accept it as - well, if not okay, then acceptable, because it’ll all work out in the end. (there’s a lot of sometimes-unintentional commentary here about how specifically AFAB people in Western societies are often expected to deal with/make the best of/find happiness in situations outside of their control, but that’s also for another post, perhaps.) MDZS doesn’t do that. MDZS addresses the fact that neither Wei Wuxian nor Lan Wangji have been taught how to effectively communicate with one another, and their failings have consequences.
Lan Wangji ambushes WWX and kisses him while he’s blindfolded. This is done without permission, and without WWX even knowing who it is that’s put him in this position. He then goes on to treat it like one of his most egregious moral failings, and lose confidence in his ability to be honorable when it comes to dealing with WWX, and this matters to the story. LWJ viewing what he did as more or less unforgivable means he doesn’t open up to WWX about his feelings, which means WWX has no clue LWJ loves him. And as one of the many consequences to this, they spend the majority of the book married but one party has no idea it’s actually happened! They blunder around, and refuse to acknowledge how they feel, and need alcohol for any semblance of honesty because it breaks down their inhibitions. They almost completely fail at being a couple because when it comes down to brass tacks they cannot spit it out.
this lack of openness and lack of communication manifests in their lives further when it comes to the various dubiously consensual moments of intimacy that they have. their sexual incompatibility is a direct consequence of their failure to talk. they do have problems, and when those problems come to light, they’re meaningful and impactful. there is dubious consent in the first time they have sex, in their making out, in their near misses and their brief meetings. this is the point. they’re not supposed to be a healthy, functional relationship yet. they have sex for the first time and then have to deal with the fact that it happened under false pretenses and due to miscommunication. the theme of the book is learning how to come together and work together. they have to learn to communicate before their dysfunction is fixed.
and they do! the climax of the book is WWX admitting his feelings for LWJ, and LWJ realizing the depth of their miscommunication, and both of them coming together finally. the theme of this book is made manifest in their healing and joining. and only then can they have a true healthy marriage. and I like that? I like that the problems and the issues matter, and that both parties have to resolve it? I also like that just because WWX liked being kissed doesn’t mean his consent wasn’t violated and that this transgression doesn’t matter, because that’s in stark contrast to the 1980s bodice rippers where the heroine can be basically sexually assaulted or raped but it’s totally fine, she secretly enjoyed it so it doesn’t matter. (there’s yet another post I could make here about how this is a direct response to sexual mores harshly applied to women, where the only way they could feel safe admitting their desires was in situations where resistance was impossible, but that’s not for here)
I’m just one person, and this is a lot of text about consent, but ultimately? I like that MDZS deals with these issues realistically. I like that violation and miscommunication and unintentional deception are all weighty and meaningful.
this is one of the most realistic-feeling romance novels I’ve ever read, and its flawed characters that are supposed to be flawed are part of that.
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lansizhuis · 6 years
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mdzs experience post~
“1. of how you started mo dao zu shi!!! So technically I was first introduced to MDZS in February by someone on a Ling Qi forum. I struggled through half the first chapter and gave up because holy fuck there is a big difference between the language used in a novel and that in manhua. In May, a few of my USA friends got into the fandom and I decided to try again. Slightly less struggling this time, and I managed to get through it with the help of my mom and a dictionary. (fun things to do: ask your parents what certain words mean without letting on you’re reading danmei) 2. and/or what were some of your first misconceptions when you read/watched it?? ngl I thought it was gonna have annoying gong/shou dynamics and tropes, but it defied my expectations. Also, the first time I got to the end, I thought it was horrifically dubcon. Turns out it’s just their kink 3. and/or reveal an unpopular opinion you have They don’t *actually* fuck everyday, right?? I fear for Wei Wuxian’s ass. 4. and/or rant about your favorite character, scene, ship or even your hated stuff in the novel/donghua/manhua Lan Sizhui is extremely fluffy and I wish him best of luck on his adventures with Wen Ning. That is all. (yikes I’m trying to keep myself from rambling even harder)”
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AGAIN HELLO HIJACKING THIS SUBMISSION POST BY @duanmujinghua​ 
February?? Lmaaao i remember just coming back from vacation in February and still not knowing this masterpiece existed hahaha Okay like this is the second time I heard “Ling Qi” what is it?? forgive my ignorance whelp And I feel you on almost dropping it bc I couldn’t understand their way of speech in the beginning and don’t even get me started on their names wiw and ok gong/shou is like the seme/uke and top/bottom terms in Chinese BL right?? AND OMG WITH THE AMOUNT OF ART OF WWX BEING TIED UP I’M NOT SURPRISED WITH YOUR WORRY HAHAHAHA and actually they do~but then again it’s almost 95% always wwx’s fault im betting and sshhh in their world, we’re gonna assume they heal easily to justify the proverb of lan wangji’s “everyday is everyday” lmaaao *slams fist on the table* THE PURE WENS MUST BE PROTECTED TO BE HAPPY FOREVER 
THANK YOU SO MUCH FOR SHARING!!!!! If you guys would like to share your own MDZS experience, feel free to do so!
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