#timeline puts it after walls and bridges (1974) and born to run (1975) so after his break with phil spector
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Q: Aug. 26 will be your first time in Asbury Park in 15 years. How are you feeling about getting back to the city, and do you have any particularly fond memories of playing the city in the past?
A: Are you kidding me? I can’t wait to get back there! Those were great times for me. You know I came back east in '74 and really needed to make music. People may not know it, but I never wanted to leave rock 'n' roll.
Let me tell you (a) little story of how I got to Asbury Park in the first place. I am walking down the street in New York City, mid-'70s and I hear this voice yell out, “Hey Ronnie, Ronnie Ronette,” so I turn around and it’s John Lennon. I actually met John the first night we landed in the U.K. in January '64. Anyway, John asked me how am I doing, and I tell him, "Not good, I need to make music." John said he was busy being a house husband taking care of his son, but introduced me to his engineer, Jimmy Iovine (Walls and Bridges).
That night, Jimmy invited me down to the Record Plant where he was working with a band from Jersey. When I walked into the studio, I met Little Steven (Van Zandt), who was producing Southside Johnny. And (Bruce) Springsteen was there, too, and right on spot Bruce re-wrote a song for me and Johnny to sing as a duet, “You Mean So Much to Me Baby.” They were all excited when I showed up, and more excited when I started to sing. I was surprised they knew me.
After that I started hanging out in Asbury Park with the guys, doing shows at the Stone Pony and all over the place. The second part of my career really started in Asbury Park. Those guys treated me like a sister and really helped me get back to what I loved doing, rock 'n' roll. They always looked out for me, and would never let me get into any trouble!
Q: Forty years ago, you partnered with the E Street Band for “Say Goodbye to Hollywood.” What are your memories of working with the band on that classic single?
A: I was going back and forth to L.A., so the times in the studio with Bruce and the boys were great. The times in L.A. were very difficult for me. Everyone was working hard to find the right song for us to record. And of course Billy Joel, who wrote "Hollywood," used to open up for the Ronettes on Long Island in the '60s when he was in the Hassles.
I also loved the ‘B’ side which Little Steven wrote for me. Those guys were like big brothers to me. It’s the only record outside of their work with Bruce where they are credited as the E Street Band. I look back and really appreciate those days. Not one memory, lots and lots of them, so much fun and a sense of freedom for me which I desperately needed. The guys were great and exactly what I needed at that moment in my life.
From Ronnie Spector's Interview in Asbury Park Press (August 22, 2017)
From Billboard Magazine (July 16, 1977)
youtube
Ronnie Spector sings Say Goodbye To Hollywood live on the David Essex show (September 13, 1977)
#when john ran into ronnie and gave her the assist she needed to get back in the game#ronnie spector#john lennon#e street band#jimmy iovine#steven van zandt#john stories#timeline puts it after walls and bridges (1974) and born to run (1975) so after his break with phil spector#bruce springsteen#the ronettes#1976#the dakota years#mine#her book says it was 1976 and that sounds about right#she escapes phil spector in 1972 divorces in 1974#do you believe she only got 25000 off the guy and he kept up withholding royalties into the 00s#photos: ronettes with george (1964); ronnie with john in LA (1974?); ronnie with the e street band (1977)#in conclusion always help make connections between friends#you never know how many careers you may save
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