#tiña band

[discordancezine]

(English below) 🇮🇹 Sul finire di un anno che ha messo alla prova la salute mentale di tutti noi, i Tiña debuttano con un album che ha un messaggio molto importante da dare. Leggi la recensione qui.

🇬🇧 At the end of a year that has tested the mental health of all of us, Tiña debut with an album that has a very important message to give. Read the review here.

📸: Tom Delion

[twinkandwink]

Tiña - Rough Trade, Bristol 13th Sept 2021

[bandsonfilm]

Tiña // The Shacklewell Arms // 18.01.2020

[thebittersweetdistractor]

TIÑA - I Feel Fine

‘I Feel Fine’ is the new single from London’s Tiña, new on Speedy Wunderground. The track, produced by the label’s Dan Carey and featuring Goat Girl vocalist Lottie Pendlebury, is a dreamy, psych pop gem that recalls some early 90′s brit pop vibe. Listen above.

'I Feel Fine’ is out now digitally and on limited edition 7″ single.

[ochoislas]

CALEIDOSCOPIO

                   para Germain Nouveau

Será una calle al fondo de una ciudad de ensueño, como cuando se siente que algo ya lo vivimos: un instante a la vez muy punzante y muy vago... ¡Ese sol que se alza traspasando la bruma!

¡Ese grito en la mar, esa voz en los bosques! Como lo que sucede sin que sepamos cómo; un lento despertar tras muchas migraciones: y nada ya será lo mismo que era antaño

en esa calle al fondo de tal burgo encantado donde el manubrio muele nocturnas zarabandas y el gato del café dormita en el platero, donde cruzan fanfarrias la bulla a cada rato.

Con la fatalidad de una muerte inminente: ¡lágrimas de consuelo bañando las mejillas, risas entre sollozos que el alboroto cubre, apóstrofes y gritos emplazando a la muerte,

palabras antañonas como un mustio buqué! Vendrán los agrios sones de bailes populares, y viudas que lucen cobre tras las entradas, campesinas hendiendo la tropa de rameras

que charlan remolonas con fieros galopines y vejetes sin cejas que enharina la tiña. Mientras a pocos pasos, entre hedores de orina, la eterna verbena estallará en petardos.

Como cuando se sueña y un punto despertamos, de nuevo nos dormimos y seguimos soñando el mismo disparate con idéntico telón, sesteando en verano con bordones de abeja.

*

KALÉIDOSCOPE

                  A Germain Nouveau

Dans une rue, au coeur d'une ville de rêve Ce sera comme quand on a déjà vécu: Un instant à la fois très vague et très aigu... Ô ce soleil parmi la brume qui se lève!

Ô ce cri sur la mer, cette voix dans les bois! Ce sera comme quand on ignore des causes; Un lent réveil après bien des métempsycoses: Les choses seront plus les mêmes qu'autrefois

Dans cette rue, au coeur de la ville magique Où des orgues moudront des gigues dans les soirs, Où les cafés auront des chats sur les dressoirs Et que traverseront des bandes de musique.

Ce sera si fatal qu'on en croira mourir: Des larmes ruisselant douces le long des joues, Des rires sanglotés dans le fracas des roues, Des invocations à la mort de venir,

Des mots anciens comme un bouquet de fleurs fanées! Les bruits aigres des bals publics arriveront, Et des veuves avec du cuivre après leur front, Paysannes, fendront la foule des traînées

Qui flânent là, causant avec d'affreux moutards Et des vieux sans sourcils que la dartre enfarine, Cependant qu'à deux pas, dans des senteurs d'urine, Quelque fête publique enverra des pétards.

Ce sera comme quand on rêve et qu'on s'éveille, Et que l'on se rendort et que l'on rêve encor De la même féerie et du même décor, L'été, dans l'herbe, au bruit moiré d'un vol d'abeille.

Paul Verlaine

di-versión©ochoislas

[beansonbread2]

BEANSONBREAD AWARDS 2020 - BEST ALBUM

AWARD NO.2 - BEST ALBUM OF 2020

PAST WINNERS

2019 > Self Esteem - ‘Compliments Please’ (see full list HERE)

2018 > Kero Kero Bonito - ‘Time ‘n’ Place’ (see full list HERE)

2017 > Richard Dawson - ‘Peasant’ (see full list HERE)

2016 > Blood Orange - ‘Freetown Sound’ (see full list HERE)

2015 > Holly Herndon - ‘Platform’ (see full list HERE)

2014 > FKA Twigs - ‘LP1′ (see full list HERE)

2013 > These New Puritans - ‘Field Of Reeds’ (see full list HERE)

2012 > Django Django - ‘Django Django’ (see full list HERE)

2011 > Shabazz Palaces - ‘Black Up’ (see full list HERE)

2010 > These New Puritans - ‘Hidden’ (see full list HERE)

2009 > Animal Collective - ‘Merriweather Post Pavilion’ (see full list HERE)

2008 > Wild Beasts - ‘Limbo, Panto’ (see full list HERE)

2007 > Animal Collective - ‘Strawberry Jam’ (see full list HERE)

2006 > Safetyword - ‘Man’s Name Is Legion’ (see full list HERE)

2005 > Animal Collective - ‘Feels’ (see full list HERE)

2004 > Devendra Banhart - ‘Rejoicing In The Hands’ / ‘Nino Rojo��

2003 > Dizzee Rascal - ‘Boy In Da Corner’

2002 > The Streets - ‘Original Pirate Material’

2001 > The Beta Band - ‘Hot Shots II’

2000 > Outkast - ‘Stankonia’

1999 > The Beta Band - ‘The Beta Band’

1998 > The Beta Band - ‘The Three EPs’

1997 > Radiohead - ‘OK Computer’

1996 > Beck - ‘Odelay’

---

THE RULES - No Re-issues, Live Albums, Compilations, or EPs.

---

SPECIAL MENTIONS for these collections

Bulbils (Richard Dawson & Sally Pilkington) - 50 lockdown albums

Dean Blunt ‘Roaches 2012-2019’

These New Puritans ‘The Cut (2016-2019)’  

Hudson Mohawke ‘B.B.H.E.’ & ‘Poom Gems’

Various Artists ‘Paul Institute - Summer 2020’

Various Artists ‘Return To Y’Hup - The World Of Ivor Cutler’

---

***SPOTIFY PLAYLIST FEATURES TRACKS FROM TOP 80 ALBUMS (coming later) ***

---

WORTH A MENTION (in no order) - A bunch of albums i enjoyed but didn’t quite make the final lists and others i just didn’t hear enough to be considered properly.  A list for future me to revisit.

Still House Plants / Fire-Toolz / Lomelda / Jerskin Fendrix / Zebra Katz / The Bug / Lorenzo Senni / Diamond Soul / Wilma Archer / Black Dresses / The Fantasy Orchestra / William Carkeet / Bonny Light Horseman / KA / Yung Lean / BlackPink / Rural Internet / Okay Kaya / Future / Belan / Tame Impala / Banoffee / JARV IS / Grimes / Whitmer Thomas / Jeff Parker / The Massacre Cave / Porridge Radio / Selena Gomez / Teyana Taylor / Sparkle Division / Cecile Believe / Lyra Pramuk / Waxahatchee / Happyness / Khruangbin / Bananagun / OHMME / Drakeo The Ruler / Missterspoon / Juice WRLD / Lonnie Holley / Jiafeng / October Drift / Roisin Murphy / KeiyaA / Dizzee Rascal / Salem / Tiña / The Weeknd / Aaron Cartier / Dana Gavanski / A.R. Pinewood / The Cool Greenhouse / Royce Da 5’9’’ / Rachel Aggs / Karl Band / Four Tet / Georgia / Sonic Boom / Kali Uchis / Luis Pestana / Salac / David A Jaycock / Klein / Temple After Faith / Roman Noseband / Dylan Henner / G.S. Sultan / Hinds / Jess Williamson / Coby Sey / Randolph’s Leap / Matthew D. Gantt / Stephen Kerrison / Katie Gately / Snails / Juniore / Good Dog / Lil B / Kamaiyah / Ryuichi Sakamoto / The Big Moon / Zoe Mc Pherson / Holy Fuck / Ovrkast / Reol / Andy Shauf / Ethan Gruska / Poliça / D Smoke / Sign Libra / Chara & YUKI / Wiley / Bad Bunny / Shirley Collins / Jordana / Gaika / DJ Python / North Americans / Michael / Kaitlyn Aurelia Smith / Lido Pimienta / Everything Is Recorded / Lwesberg / Sufjan Stevens & Lowell Brams / Rhodri Davies / LA Priest / Ian William Craig / Flohio / Irreversible Entanglements / Islet / Westside Gunn / Empress Of / NNamdi / Warm Digits / Baxter Dury / Kehiani / Eels / Emmy The Great / Owen Pallett / Elysia Crampton / The Beths / Julianna Barwick / Liv.E / Jimothy Lacoste / Ben Frost / J Hus / Sylvan Esso / Haiku Hands / Ariana Grande / Jean Dawson / Food House / Nuala Honan / Helena Deland / Boldly James / Headie One / Oliver Coates / Lowkey-E / Bree Runway / Warren Ellis / Boldy James & The Alchemist / Young Knives /  Little Dragon / The Garden / Melt Yourself Down / Quakers / Kamasi Washington / Mogwai / Gil Scott-Heron & Makaya McCraven / Eyeliner / ‘The Whalebone Box’ OST / Special Interest / Teyana Taylor / Nadine Shah / Tricky / Moor Mother / Nick Storring

---

2020 RUNNERS UP (in no order)

William Basinski ‘Lamentations’

Hook ‘Crashed My Car’

Vic Berger IV ‘Late Enough To See The Moon’

Nines ‘Crabs In A Bucket’

My Morning Jacket ‘The Waterfall II’

Firestations ‘Dream Home’

Moses Boyd ‘Dark Matter’

Dick Dent ‘Life’s Hard’

Nicholas Stevenson ‘Dead Arm, Vol.2’

Otto ‘Clam Day’

Pa Salieu ‘Send Them To Coventry’

Undermedvetenheten ‘Undermedvetenheten’

Martha Ffion ‘Nights To Forget’

Adrianne Lenker ‘Songs’

Happy Spendy ‘You’re Doing Okay’

Mark Korven ‘The Lighthouse’ OST

21 Savage and Metro Boomin ‘Savage Mode II’

Yorkston/Thorne/Khan ‘Navarasa’

Three Queens In The Mourning & Bonnie Prince Billy ‘Hello Sorrow / Hello Joy’

Shopping ‘All Or Nothing’

Megan Thee Stallion ‘Good News’

Obongjayer ‘Which Way Is Forward?’

Mush ‘3D Routine’

Geoff Barrow, Ben Salisbury & The Insects ‘Devs’ OST

Luke Abbott ‘Translate’

Spinning Coin ‘Hyacinth’

Princess Nokia ‘Everything Sucks’

Fleet Foxes ‘Shore’

Julia Holter ‘Never Rarely Sometimes Always’ OST

Sufjan Stevens ‘The Ascension’

Nicolas Jaar ‘Cenizas’

Pottery ‘Welcome To Bobby’s Motel’

Jessie Ware ‘What’s Your Pleasure?’

Jung Jae II ‘Parasite’ OST

Freddie Gibbs & The Alchemist ‘Alfredo’

Doves ‘The Universal Want’

Brigid Mae Power ‘Head Above The Water’

Bab L’ Bluz ‘Nayda!’

James Yorkston ‘That Summer, We Flew’

Oklou ‘Galore’

Angel Olsen ‘Whole New Mess’

The Lemon Twigs ‘Songs For The General Public’

Marie Davidson & L’Œil Nu ‘Renegade Breakdown’

Gupi ‘None’

Alexia Avina ‘Unearth’

John Bence ‘Love’

Colin Stetson ‘Color Out Of Space’ OST

King Krule ‘Man Alive!’

Against All Logic ‘2017-2019’

Willie J Healey ‘Twin Heavy’

Jam City ‘Pillowland’

MXLX ‘Maximum Amounts Of Extremely Fucking Yes (Vol.1)’

---

THE TOP 80 ALBUMS OF 2020

80. Poppy ‘I Disagree’ 79. ThisisDA ‘Mud Hype’ 78. Fenne Lily ‘BREACH’ 77. Gorillaz ‘Song Machine’ 76. Soccer Mommy ‘Color Theory’ 75. 1995 Epilepsy ‘1995 Epilepsy’ 74. Jabu ‘Sweet Company’ 73. Actress ‘Karma & Desire’ + ‘88’ 72. Chloe x Halle ‘Ungodly Hour’ 71. Dirty Projectors ‘5EPs’

70. Beatrice Dillon ‘Walkaround’ 69. Matmos ‘The Consuming Flame: Open Exercises In Group Form’ 68. Blanck Mass ‘Calm With Horses’ OST 67. Eartheater ‘Phoenix: flames Are Dew Upon My Skin’ 66. Sega Bodega ‘Salvador’  65. Savage Mansion ‘Weird Country’ 64. Kelly Lee Owens ‘Inner Song’ 63. Daniel Blumberg ‘On&On’  62. Clementine March ‘Le Continent’ 61. HAIM ‘Women In Music Pt.III’

60. Dua Lipa ‘Future Nostalgia’ 59. Pigs Pigs Pigs Pigs Pigs Pigs Pigs ‘Viscerals’ 58. Darkstar ‘Civic Jams’ 57. Lil Uzi Vert ‘Eternal Atake’ 56. This Is The Kit ‘Off Off On’ 55. Shabazz Palaces ‘The Don Of Diamond Dreams’ 54. Princess Nokia ‘Everything Is Beautiful’ 53. The Orielles ‘Disco Volador’ 52. Oro Swimming Hour ‘Pteradactyl’ 51. MXLX ‘Serpent’

50. Dan Deacon ‘Mystic Familiar’

49. Jay Electronica ‘A Written Testimony’

48. Fiona Apple ‘Fetch The Bolt Cutters’

47. Galen Tipton ‘Ungoliant’

46. Knife Liibrary ‘MARKS: Songs For Those I Have Killed’

45. Deerhoof ‘Future Teenage Cave Artists’

44. Caribou ‘Suddenly’

43. Working Men’s Club ‘Working Men’s Club’

42. Seamus Fogarty ‘A Bag Of Eyes’

41. Field Music ‘Making A New World’

40. Cornershop ‘England Is A Garden’

39. Lambchop ‘Trip’

38. Katy J Pearson ‘Return’

37. Amaarae ‘The Angel You Don’t Know’

36. James Ferraro ‘Neurogeist’

35. Hen Ogledd ‘Free Humans’

34. Spectres ‘It’s Never Going To Happen And This Is Why’

33. Laura Marling ‘Song For Our Daughter’

32. Bill Callahan ‘Gold Record’

31. Bob Dylan ‘Rough And Rowdy Ways’

30. A.G. Cook ‘7G’

29. Good Sad Happy Bad ‘Shades’

28. SAULT ‘Untitled (Black Is)’

27. Run The Jewels ‘RTJ4’

26. Clipping ‘Visions Of Bodies Being Burned’

25. Thundercat ‘It Is What It Is’

24. Pictish Trail ‘Thumb World’

23. Jessy Lanza ‘All The Time’

22. Yves Tumor ‘Heaven To A Tortured Mind’

21. Sorry ‘925’

20. Yaeji ‘What We Drew’

19. A.G. Cook ‘Apple’

18. Wesley Gonzalez ‘Appalling Human’

17. Pet Shimmers ‘Face Down In Meta’ & ‘Trash Earthers’

16. Arca ‘KiCK i’

15. 100 Gecs ‘1000 Gecs And The Tree Of Clues’

14. Tara Clerkin Trio ‘Tara Clerkin Trio’

13. Richard Dawson ‘Republic Of Geordieland’

12. Phoebe Bridgers ‘Punisher’

11. Perfume Genius ‘Set My Heart On Fire Immediately’

10. Charli XCX ‘How I’m Feeling Now’

9. Rina Sawayama ‘SAWAYAMA’

8. Dorian Electra ‘My Agenda’

7. Alabaster DePlume ‘To Cy & Lee: Instrumentals Vol.1’

6. SAULT ‘Untitled (Rise)’

5. Tim Heidecker ‘Fear Of Death’

4. Moses Sumney ‘græ’

3. Oneohtrix Point Never ‘Magic Oneohtrix Point Never’

2. Crack Cloud ‘Pain Olympics’

1. The Flaming Lips ‘American Head’

[lostandfoundmagazine]

Pigeonhole release ‘Hollywood, LA, Pt.2′

Windmill veterans Pigeonhole haven’t let lockdown get in the way of them musically, releasing their latest single ‘Hollywood, LA, Pt.2′ late last week. The track is a haunting tale of creepier side to Hollywood, and the power and influence it holds...

We caught up with their frontman, Marko Andić about the single’s release, the struggles of promoting music, and the forthcoming music video.

How’ve you and the band been over the last few weeks?

Not too shabby, got past the initial brunt of this lockdown. Feels a little too normal now; getting all pseudo-spiritual on my own. I’ve also switched from Stella to Guinness which is no doubt a sign I’ve started to lose it slightly. I really need a haircut. The rest of the band seem to be doing fairly well too, everyone's scattered around London but I haven’t seen them since the “better days.”

What was the inspiration behind your latest single?

Caveats of Hollywood I suppose, not that I’ve experienced them at all but I guess that just adds to the irony. Little bit on Weinstein in there too, there’re quite a few things to pick out, I guess it’s interesting to see what people catch on to and what they miss. It's up to whoever’s listening at the end of the day though.

You’ve mentioned about releasing a music video to accompany track, when can we expect to see that?

Video’s out 5th June. That’s next Friday I think? Lord knows what day it is. The video was all made in isolation by our friend Eve Chadbourn. Was going to be a sort of “lyric-video” initially but thankfully she thwacked that idea out of my head and made this all-round much better thing. I think it’s really very good, she got the tone down to a tee. Excited to get that out.

Will we be hearing a Pt.1? Do you have any other material set to be released soon?

Maybe? Probably not. I can definitely tell you it exists though and it is very much a “Pt.1”. Might whack it up on OnlyFans or something for a laugh. We’re working on some stuff at the moment, there’ll be a single for the summer no doubt. Taking a little side-step with this one; will be interesting to see if people are still on board. Going to try and stick an EP out by the end of the year too.

How difficult is it as an artist right now, to be releasing new material without the ability to promote it through live shows?

Pretty grim to be honest, I’m sure a lot of people would agree. We’re a live band first and foremost so gigging is essential. We were playing near enough weekly and without that outlet there’s quite a big hole, not just as a band but individually too. I find it borderline therapeutic gigging, and the lack of it is driving me a bit mad. I’m worried about coming out of this too, looks like we’re headed for a big old crash and the arts were already massively underfunded so I can only imagine how low down the piles of paperwork we’ll get stuck. I’m hopeful to though, people call me a cynic but I’d refute that.

Who’re you listening to at the moment? Any upcoming material you’re excited about?

Been rinsing the Tiña stuff, I’d only clocked the other day that it’s the same guy from Bat-Bike. Couldn’t catch his face under that Pink Cowboy hat I guess. The new DEADLETTER (formerly, Mice Ön Mars) track is solid too. Excited to see anything new that Legss come out with also.

When it's possible, which venue are you most looking forward to returning to?

The Windmill. Regardless of whether it’s for a gig or just for a pint, miss the atmosphere dearly now. Hope Elvis is still knocking about.

[piasgermany]

[Album] Honeyglaze veröffentlichen selbstbetiteltes Debütalbum im April !

“Hi we are Honeyglaze, and there’s no time to explain.”

Eine dreißigminütige YouTube-Live-Session, die in der Garage ihres engen Freundes Fran für das "FarmFest 2020" aufgenommen wurde, ließ im August selben Jahres Produzent Dan Carey und seine Labelfreunde von Speedy Wunderground (Tiña, Squid, Black Country New Road) aufhorchen. Honeyglaze, die sich ein paar Monate vor der ersten Lockdownwelle in London gründeten, sind dabei auf den ersten Blick eine Gruppe, die mit dem Zufall, der Zeit und dem synergetischen Schicksal auf eine Weise spielt, wie es nur wenige andere tun können.

In der Gesellschaft von Carey und seinem Team ließen sich Honeyglaze, bestehend aus der Sängerin und Gitarristin Anouska Sokolow, dem Bassisten Tim Curtis und Drummer Yuri Shibuichi, in ein völlig neues Universum einführen - eine Welt, die mit langen, schweißtreibenden Nachmittagen und totaler kreativer Freiheit gefüllt war. Eine deutliche Steigerung gegenüber der bisherigen Routine in Yuris Schlafzimmer zu schreiben, zu proben und aufzunehmen. 

“If someone is going to find you special – then you want to show what’s most special about yourself”, erzählt Curtis. “Then you can do what you want from there.” Alles in allem arbeitete das Trio nur drei Tage im Studio, um die elf Tracks fertigzustellen und live aufzunehmen, die als selbstbetiteltes Debütalbum am 29. April 2022 über Speedy Wunderground erscheinen werden.

Dabei beschreibt die Band dieses als "Gegenteil eines Konzeptalbums", welches das Wer, Was, Wo und Wie ihrer individuellen Umstände klanglich einfängt und zu einem Ganzen zusammenfügt. Wie bei allen guten Selbstreflexionen ist Honeyglaze eine Gelegenheit, drei Fremde auf ihre eigene Weise kennenzulernen - während sie sich selbst und den immer größer werdenden Kreis um sie herum in knapp vierzig Minuten erforschen.

Das Trio behandelt auf den elf Songs Themen wie Eifersucht und Unzulänglichkeit, toxische Beziehungen oder den intensiven Geruch von Kaffee auf der Kleidung und mischen dabei das Persönliche mit romantischen Idealen auf eine Art und Weise, die gleichzeitig herzzerreißend und humorvoll ist. Es gibt keinen einheitlichen Weg für Honeyglaze, deren größte Fähigkeit darin besteht, das, was zwischen den Zeilen geschrieben steht, in Momenten von wunderbar versierter Klarheit zu präsentieren. Das Album ist Storytelling in seiner gefühlvollsten Form und präsentiert den menschlichen Instinkt auf eine Art und Weise, die all die Unsicherheiten akzeptiert, die aus einer nicht endenden Jugend stammen, während es auch die Reife anerkennt, das Unbekannte unserer Zukunft anzunehmen.

Aus dem kommenden Album haben Honeyglaze haben bislang die Songs “Burglar”, “Creative Jealousy” und “Shadows” veröffentlicht.

Tracklist “Honeyglaze”: 01. Start 02. Shadows 03. Creative Jealousy 04. I Am Not Your Cushion 05. Female Lead 06. Burglar 07. Half Past 08. Deep Murky Water 09. Young Looking 10. Souvenir 11. Childish Things

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[musikblog]

Tiña - Positive Mental Health Music „Positive Mental Health Music“ betiteln Tiña ihr aktuelles Album. Ein Albumname, der Konkretes von der Band aus London erwarten lässt – und auch das Meiste davon einhält. Tiña sorgen für Slacker-Selbsthilfe vom Feinsten, die mit zitierfähigen Lyrics und melancholischen Folk-Charme aufwartet. Los geht es mit „Buddha“. „Everyone I know is doing better than me“, singt […] #Tiña https://www.musikblog.de/2020/11/tina-positive-mental-health-music/

[chasenews]

Tiña release debut album 'Positive Mental Health #Music'

Tiña release debut album ‘Positive Mental Health #Music’

Credit: Tom Delion

Today, enigmatic South London band Tiña release their much-anticipated debut album ‘Positive Mental Health Music’. The album follows the band’s two standalone critically acclaimed singles ‘I Feel Fine’ and ‘Dip’, and has seen Tiña earn plaudits across international press and radio – including having their recent single ‘Golden Rope‘ added to the BBC Radio 6 Music A-list.

The…

[1234test]

Pigeonhole release ‘Hollywood, LA, Pt.2′

Windmill veterans Pigeonhole haven’t let lockdown get in the way of them musically, releasing their latest single ‘Hollywood, LA, Pt.2′ late last week. The track is a haunting tale of creepier side to Hollywood, and the power and influence it holds...

We caught up with their frontman, Marko Andić about the single’s release, the struggles of promoting music, and the forthcoming music video.

How’ve you and the band been over the last few weeks?

Not too shabby, got past the initial brunt of this lockdown. Feels a little too normal now; getting all pseudo-spiritual on my own. I’ve also switched from Stella to Guinness which is no doubt a sign I’ve started to lose it slightly. I really need a haircut. The rest of the band seem to be doing fairly well too, everyone's scattered around London but I haven’t seen them since the “better days.”

What was the inspiration behind your latest single?

Caveats of Hollywood I suppose, not that I’ve experienced them at all but I guess that just adds to the irony. Little bit on Weinstein in there too, there’re quite a few things to pick out, I guess it’s interesting to see what people catch on to and what they miss. It's up to whoever’s listening at the end of the day though.

You’ve mentioned about releasing a music video to accompany track, when can we expect to see that?

Video’s out 5th June. That’s next Friday I think? Lord knows what day it is. The video was all made in isolation by our friend Eve Chadbourn. Was going to be a sort of “lyric-video” initially but thankfully she thwacked that idea out of my head and made this all-round much better thing. I think it’s really very good, she got the tone down to a tee. Excited to get that out.

Will we be hearing a Pt.1? Do you have any other material set to be released soon?

Maybe? Probably not. I can definitely tell you it exists though and it is very much a “Pt.1”. Might whack it up on OnlyFans or something for a laugh. We’re working on some stuff at the moment, there’ll be a single for the summer no doubt. Taking a little side-step with this one; will be interesting to see if people are still on board. Going to try and stick an EP out by the end of the year too.

How difficult is it as an artist right now, to be releasing new material without the ability to promote it through live shows?

Pretty grim to be honest, I’m sure a lot of people would agree. We’re a live band first and foremost so gigging is essential. We were playing near enough weekly and without that outlet there’s quite a big hole, not just as a band but individually too. I find it borderline therapeutic gigging, and the lack of it is driving me a bit mad. I’m worried about coming out of this too, looks like we’re headed for a big old crash and the arts were already massively underfunded so I can only imagine how low down the piles of paperwork we’ll get stuck. I’m hopeful to though, people call me a cynic but I’d refute that.

Who’re you listening to at the moment? Any upcoming material you’re excited about?

Been rinsing the Tiña stuff, I’d only clocked the other day that it’s the same guy from Bat-Bike. Couldn’t catch his face under that Pink Cowboy hat I guess. The new DEADLETTER (formerly, Mice On Mars) track is solid too. Excited to see anything new that Legss come out with also.

When it's possible, which venue are you most looking forward to returning to?

The Windmill. Regardless of whether it’s for a gig or just for a pint, miss the atmosphere dearly now. Hope Elvis is still knocking about.  

[vmonteiro23a]

UNDER THE RADAR: Tiña - "Rosalina"

UNDER THE RADAR: Tiña – “Rosalina”

South London band Tiña have announced details of their much-anticipated debut album Positive Mental Health Music, it will be the first ever LP to be released on label Speedy Wunderground and is due out on the 6th November.

Alongside the album’s announcement the band have also shared a video for…

[madmackerel]

Tiña - Rosalina

Tiña – Rosalina

South London band Tiña have announced details of their much-anticipated debut album Positive Mental Health Music, it will be the first ever LP to be released on label Speedy Wunderground and is due out on the 6th November.

Alongside the album’s announcement the band have also shared a video for their new single Rosalina. Following an accident that leftfrontman Joshua Loftin with a broken…

[wendellbartonn]

17 New Songs Out Today

Listen to new songs by Green Day, Chester Bennington's '90s band Grey Daze, Amitié, Karloff, WVRM, Tiña, Squirrel Flower, Peggy Sue, Kyle Forester, and more.

Continue reading…

17 New Songs Out Today published first on https://soundwiz.weebly.com/

[muublanco]

#TBT #Repost @hemeroteka Capuleto Boys | CCS DJ Open Hacienda El Arroyo, Venezuela Junio, 2001 Djs: Predator, Wyz, Atom, Antonio, Mellow, Oddo, Hernia, Muu, Demetrio de CCS, Velazco, Socram, Leo Flyer por: @Keloidelab Fundado en 1999, Keloide trabajó por 16 años en un amplio espectro de las artes gráficas, involucrándose también con otras disciplinas como la arquitectura, música, animación, producción de eventos y danza contemporánea. De esta fusión sacó su propia expresión al crear y participar activamente en proyectos colectivos como Babylon Motorhome, Radiomestiza y el sello disquero Pilla Recs. Éste estudio realizó numerosos videoclips, trabajos de videoarte y visuales en vivo para diferentes bandas musicales nacionales e internacionales. Destacan los cortometrajes de dicho colectivo: "Big Band" (2008), "Miss Amnesia" (2003) y "A nena que tiña unha soa orella", en los que resaltaron el uso de técnicas mixtas (grafismos, fotografía, stop-motion, etc) con video y música original. (en Venezuela)

[piasgermany]

[Video] Tiña mit Video zu "Closest Shave"!

Tiña aus dem Süden Londons teilen die Single "Closest Shave" samt Video! Der Track stammt aus dem Debütalbum "Positive Mental Health Music", das Ende 2020 über Speedy Wunderground veröffentlicht wurde.

Das neue Video von Maxim Kelly ist die bisher filmischste Veröffentlichung der Band. Der One-Take-Clip mit Tiñas mitreißender Mischung aus Surrealismus und Humor, dreht sich um einen Vater und seinen Sohn, die sich in einer Kneipe näherkommen und sich gegenseitig das Herz ausschütten. "The concept revolved around Josh spilling his “daddy issues” to his father”, erzählt Kelly über "Closest Shave". “And we were lucky enough to have Josh’s actual dad, Rufus, come down and join the shoot. And I must add turning in a stellar performance.“ Frontmann Josh Loftin, dessen verträumte, hohe Vocals sich durch das folkig, rockige Instrumental ziehen, fügt hinzu: "Men need to hold other men more often.”