#thqevent

[hxpeandfear]

starter;  open  location;  hallway @thqstarter​

𝐓𝐇𝐈𝐍𝐆𝐒 𝐂𝐎𝐔𝐋𝐃 𝐍𝐎𝐓 𝐆𝐄𝐓 𝐖𝐎𝐑𝐒𝐄.   she had screwed up big time, right in front of everyone.  linny didn’t know what had happened,   whether it had been the shock or the weight of the expensive bottle of champagne she had been carrying to a sponsors table but as the president dropped his bombshell,   she had dropped the champagne she was holding with a loud crash, drawing a thousand eyes to her.

she had been taken  no ... dragged out of the ballroom by one of the capitol staff  &  yelled at profusely.   she was  clumsy,   stupid,   nothing more than a piece of dirt in the bottom of a shoe,   but worse than that,   she was to be punished.   she didn’t know when,   or how,   but the thought of it was enough to bring tears to her eyes.  she returned to the ballroom for just a second before the emotion overcame her  & she found herself slipping into the empty hallway.   muffled sobs escaped her lips as her footsteps echoed in the empty hall until she reached another person stood by the end of the hallway.

for once,   linny did not try to make excuses or plead with the other not to tell on her.  what she had coming for ruining the presidents speech would be far worse than anything else that could be done to her.   instead she stopped dead in front of them,   her eyes red raw,  linny was too defeated to do anything but cry  & hope they would show her sympathy.

[terrorhqs]

[tw: blood, major character death]

A week after the takeover, the Promethean is well on its way to finish its trek. Cutting through calm and complacent waters, the crew and guests note that the ice that had once held them hostage has dissipated overnight with the dark and the gloom. Perhaps the deaths of the soldier and the girl sated the beast, some whisper — it’s leaving us alone. No, their comrade scoffs. Too easy. You heard the French - the thing killed a boatload of them before it left them alone! Two people are nothing but crumbs to it. It’ll be back.

“You’re all buffoons”, another chimes in. “The Agathe? Mutineers all along. It’s as Estrada said. They killed their crew and are killing ours too.” 

Amid the new tension borne of the mutiny, suspense heavy as wool hangs over the ship as it resumes its course. Lookouts are silent as they watch the ice, dread fraying their nerves, the same thought trawling across their conscience. Surely, it will reappear. After everything, it will come back.

But nothing parts the ocean, not even the breeze. An uneasy quiet descends upon the ship as those with an interest in completing the passage outnumber those who seek to return now that the waters promise an easy journey. An end to all of this is feasible — the only question remains: will all that’s been lost have been worth it? Is there any end that justifies the means?

It’ll be weeks, months yet before the Promethean reaches Hong Kong, but a call rings out in the midst of the morning. Wick and Bastien, high atop and on lookout, wave down wildly at the deckhands below. 

“Land! Land ahead!”

A seaman relays the message, bursts into the captain’s quarters where Marcus waits, in covenant with Hugo. Both men snap their heads at once, when they see the rallied cry that’s being picked up among the ranks. Both men, yes, to the slack curl of their jaw, can hardly credit it. It cannot be, their dark eyes say, pupils flashing. Even down to their mannerism, they have begun to look the same. 

“Land, sir. Lookout’s caught sight of land. Of a city - and its harbor!”

The vice-admiral-made-captain starts in his seat, brow furrowing, skeptical. “You’re joking. Even you must have looked at a map, we’ve got quite a way before even—”

“I swear it!” In his haste, he doesn’t mind his manners. As frantic as anyone’s ever seen, even Estrada cannot deny the truth from his eyes. “The lads are calling for you up-deck, Sir. The whole world is. A port awaits us.”

The rest of those onboard join the watch on the upper deck, curious clamoring seizing even those under the watchful eye of a musket barrel. There is no mistaking it - an oceanside city perched on low, rocky stone worn by lapping waves is clear through the spyglass. Slender, shimmering buildings of white spiral towards the sky in spires; others buildings are lower to the ground, and all are built with the same stone upon which the city sits and all are half-hidden behind a mist. 

“Make plans to dock.”

—

“Don’t stand up, Dowling. It’s only me. I come bearing news.”

Silence. In the space between the bottom of the floor and the door, Malachy’s silhouette shifts. 

“Too much of a coward to face me, Estrada?” Ragged voice tears through the air like a dagger, muffled through the door. “State your peace and leave.”

“Is that an order, captain?” A humorless, hollow laugh. “This is a gesture of goodwill, Dowling. I’d mind yourself until I’ve said what I’ve come to say.” He pauses. Perhaps to hide his own disbelief. Perhaps to spite Malachy. “We’ve fucking crossed it, Dowling. We think we’ve found the passage and we’ve found a way through. Hell, we might have already crossed it. We’ve got a city in sight and we’re making plans to dock in their harbor.”

A long pause. “No. No, that can’t be. It’s far too soon. A week, that’s not enough.”

“Say it as much as you want. By the time we lay anchor, you can come see for yourself. I reckon, see, that it won’t even be a day. As a truce, I’ll let you out—supervised, of course, and never too far from my sight. But freedom, Dowling. You’re to partake in it as well.”

“Thrilled, are you?” A soft thump on the other side of the door as Malachy leans against it. “How neatly this all transpires for you as soon as you seize the helm. Should’ve mutinied sooner, I bet you’re thinking.”

“Not here to question it. For your sake, I hope you don’t either.”

— 

Up close, the mist that cloaks the city shifts with every step taken. Appearing transparent once, then cloudy with a thin, greenish film next, then shimmering with an opalescent, abalone sheen. It is cold, but not cold enough for the thick coats that have proven imperative for standing outside in the Arctic. A strange humidity permeates the air - it is thin and thick, at once, and one feels a shortness and a swelling in every inhale - not painful, nor is it natural. The luster visible from the sea is procured from shells embedded into the foundation of every building, in between the stone and plaster - old and weathered, they glint in the light that parts through the mist. Perhaps the first thing that can be glimpsed, like a maroon carpet of colour, is the red sands on the eastward beach. Ground to a fine point, blanketing uniformly around the village until the paved streets begin to stretch on, it resembles a carpet of leaves or clipped gems as much as a natural phenomenon.

No other ships are docked at the silent harbor. Cobblestone lines the path up the crumbling seawall and into the city where townsfolk mill about in the marketplaces and town square, a vast space eclipsed by grand, towering edifices - a spindly cathedral demarcated by an unfamiliar brass symbol of the very tallest of its spires; an ancient, squat tavern; an inn with patrons streaming in and out like shoals; a surfeit of various shops of every variety, marked not by words or names, but by images painted into the overhanging signs. As the sun begins to dip below the horizon, one realizes there is an absence of gas lamps that dotted London in abundance. Instead, white wax candles spill over every ledge, every crook and cranny, their bases melted into the stone and bedrock and wood. 

Townsfolk cast strange, curious glances at these newcomers, but their gazes never linger long before they carry on with their businesses. The accents are implacable, though they speak English - not even a mishmash of any known dialects, but entirely unfamiliar. Not even the Promethean’s most well-traveled guests can narrow their tongue or the origin of their accents down. 

The shops and inns here refuse currency - one takes what they need, and they carry their debt with them until it's repaid, metaphorically or literally. 

— 

Malachy emerges from the boiler room a fragmented man, gaze trained on the multiple barrel ends that follow his every movement. Every breath he takes lifts his entire body in a heaving pulse-thrum. Hair unkempt and eyes wild with animal fury, his lips lift into a sneer as he finds Marcus in the crowd of muskets.

“Is this where I’m supposed to thank you for your mercy, Estrada?” He appraises the armed crew. “And your lackeys, for their restraint?” 

“Chin up, Dowling.” The vice-admiral’s lips curl into a grimace. “Even you cannot deny this good fortune. Certainly this justifies some of the trouble.”

“It justifies nothing. If you’re wise, you’ll not let me out of your sight.”

No more is exchanged between the two men before Malachy is ushered up the main ladderway, up to the upper deck and onto the dock, one armed escort in front and behind him. The rest of the crew begin to disembark, all who aligned with Malachy closely followed by another who wasn’t. 

The dock creaks beneath their feet, and the procession is slow, tentative, upon reaching this new port. Everything is familiar, and yet nothing is - not even the screech of a gull to announce their arrival.

Then, a scream, feral and hoarse. 

Behind them, Jules takes advantage of the momentary awe and sweeps the legs of her captor, knocks them into the harbor waters. A musket fires. The narrow dock doesn’t allow much in the way of room, and those who have not yet made it out of the ship clamber back on. Captors shout for their captives to STAND STILL, MOVE BACK down into the lower deck, but the chaos and the overlapping shouts overpower them. Smaller squabbles break out as the rest milk the opportunity given to them by Jules’ commotion. Ahead of them all, Malachy slams himself into the guard in front of them, tackling them both to the ground. His second escort scrambles for a clear shot, musket trembling - only to lurch back, struck in the shoulder. Behind him, Ephraim had broken free and wrestled the gun from his warden, his aim true then and now as he holds it steady on Malachy’s escort, who wordlessly surrenders his own weapon to Malachy. 

On the boat, chaos descends. Roi has easily overtaken his guard, pinning them to the side of the boat. Before he can hurl them into the water, Mariah throws himself onto his back, pinning the steward’s neck into the crook of his elbow. A flash of silver in his free palm - but then Laurents is on him, twisting their arm back until the knife drops to the ground with a clatter, and drives his fist into the mercenary’s gut, allowing Roi the chance to break free. Elias dives for the dagger and slashes at the ankles of Fahra’s guard, who had her wrists firmly in their grip. He cuts deep, cuts an unthinkable and irreparable gash over both calves; enough to maim, perhaps, if another one of Estrada’s hounds had not stepped in. The second man, bigger, wrangles the steward into a deathgrip. They both take the fall, tumbling several paces across the teak. In the somersault, the snowfall of movement and limbs, Ayla Dowling steps in with a lifeline. A physical rope, no time for metaphor, no time for anything but the hard gnashing of the present. The doe loops the rope around the guard’s neck, and, with a vicious tug that no one would’ve wagered on, pulls him off Elias and onto the planks. She waits no second before helping Elias up, and together they join Jack, the sergeant’s dagger blocking Violet’s aim on August.

Some paces away, Noemie leads the rest of the Agathe survivors through the skirmish and off the ship - they start down the docks, but Katja blocks their way, and it’s her musket to their none. She grabs Tristan by the arm, presses the musket to his stomach - if you want him alive, you’ll do as I say. A gun close by goes off, causing all of them to flinch. In that instant, Nyima breaks from the hostage group to lunge at Katja. The two scuffle, until Nyima gets a grip at the barrel of the musket, shoves it into the air - it goes off. Tristan tries to pin Katja down, and she hisses, points the gun at him - Nyima yanks the barrel back. It goes off again - whether by accident or as a result of the scuffle or by intention, it finds its mark. 

A wail cuts through the air, and for a moment, the bedlam stills. Nyima clutches a weeping wound on her chest, collapsing into Tristan’s arms. Ever the protectress, she is restless still even with her grievous wound, tries to force herself before the rest of the Agathe survivors as they fall to her side. This is one of the last attempts, the last slingshots of action in her muscles and spirit: to interpose between her friends and Katja. The translator backs away, wide-eyed, but still in possession of her wits - weapon poised to fire again if they tried to seek retribution. 

“Call Jonathan! Casimir! Help her!” Emma begs to no one in particular. She is quick to kneel, had already torn off half the scarves she was wearing, and is pressing dry palms, wet cloth, crimson sash to Nyima’s blooming chest. The petal spreads, swallows the entire front of the amulet’s dress. For all her time spent in gardens, for all that she turned stem and stalk to see the wonders of the world, this is a flower Emma cannot understand. Cannot weed out, or stall, or even conceive of. The blood flows, pours, goes over easy; a swell like the motion of waves, on what was once a ferocious, then a frozen, now an utterly becalmed sea. Nyima’s hand raises to Emma’s cheek, and, like the curl of a gentle claw, wraps around the jawline. Tristan falls to her other side. She whispers something to both of them, a voice that doesn’t carry, a wisp already flattened into velvet by the winds. Then she presses her own face into Tristan’s thigh. Her Judas, her Captain; it’s hardly appropriate, isn't’ it, that he’s the one that has been betrayed again—that he’s the one left behind. Perhaps this is why the cook smiles to him, last. To assure, as much as assuage. To promise there is another turn to this story, even as her own is already fading. 

By now, Malachy and his officers and Marcus and his loyalists have found the source of commotion and gathered, wordlessly. Jonathan weaves through to reach Nyima - there’s shifting, the subtle sounds of men taking aim,  and Ephraim immediately raises his gun to Marcus. It takes his own Captain’s voice to make him lower it, hip level, eyes murderous.

“Let them go. Let her…” Malachy pauses, swallowing through his hoarseness. There is no doubt as to the injury’s severity - the bleeding has not abetted, thick rivulets seeping through Emma’s fingers and pooling on the fallow ground. Malachy Dowling was a man of many wounds; some borne within, some hidden, but most of all witnessed. He knows what a death mark looks like. Nyima’s body is a canvass of carnage.

Not much for Jonathan to do, no, not much for anyone to do at all. Doing has led them here; the rough, loud, prideful fall of it. The impossible tally. The Captain, the former Captain, rises his voice once more. “Let them care for her in peace. You’ve had the upper hand, and now - now neither of us do.”

It’s Tristan’s cry that announces it; the death, the finality. Emma’s face is as white as the sky above them. Hands as rusty as the sands on this beach, on this strange place of salvation. Ayla and Noemie huddle closer to lift her up, lift her away from Nyima, but she won’t go. It seems no one is going anywhere, anymore — the whole possibility of it has been culled. Bones resting as slack as burlap; as unconscious as the flotsam left after a flood. 

Behind him, Edward and Jaya usher those they knew to be aligned with the old command off the docks and into the city. Marcus watches, impenetrable, his own musket held limp at his side, unmoving, unspeaking. 

Then he extends a hand to Katja, like a faraway tyrant, the stone hewn statue of one, calling home its acolytes. He waits until the thief, once-translator, now trembling toll paid in blood, comes into his shadow. Lays a hand on her shoulder, protective and proprietary all at once. Lays a gaze, then, like the snag of a chain; drags it over all of them that remained up deck. Only then he begins to speak.

“So that is how these things end: the pointless brutality of it. Man’s obsession to keep a code of honour that has long stopped serving. Has everyone seen it, looked their fill? Good. I am nothing if not prophetic, hm? Now. Now. Let us make sure no other prediction of mine will see the garrish, gruesome light of day. Have you all had enough of mutiny and cockfights? Are you ready to make something of your life?”

His body turns to the rest of the crew, a full recoil, almost a repose.

“Seems to me this is as good a place to start as any.” 

To his own, Malachy offers his own words. Exhaustion permeates his words, weighs them heavy as lead - the fight is over, all there is left to do is rest. Regroup. Loss, they all know by now, regardless of their alignment, is consumptive. It eats and it steals and it offers nothing in return. “Let us not forget the dangers that have led us here. Betrayals. Mutinies. Guns at our heads as we lived and slept. A beast that knows not of compassion nor mercy. Just because we are alive does not mean we are safe - do not let your guard down. Rest, and we will regather. Salvation, whether it be here, or home, awaits us in unity.”

OOC: We hope you enjoyed today’s plot drop, lovely members and lurkers! The Promethean has landed in strange new lands where nothing is at it seems, with tension aboard boiling over into a chaotic climax. The crew has mostly dispersed into the city, with each side of the mutiny looking to gain their bearings and regain control. 

A poll will be posted in the discord so that you can choose if your muses retreated with Malachy Dowling or stayed anchored with Marcus Estrada. Please remember that everyone who helped Mal/Jules stage the insurgency is no longer a crew member. However, if your character has motives for staying (a loved one, a status as double agent, suddenly undecided etc.) you are welcome to have them remain on the Promethean. Just be sure to keep us up to date if any major loyalties have shifted, and, as always, to have a blast writing & plotting through these little rats’s conflicts. 

There is, of course, much to explore in this nameless port city, including NEW LOCATIONS, listed below, and new NPCs with which to interact as sideblogs. These will be ran by the admin team: K., Venli, and Rhi, and will be strangers to the rest of the crew, each bringing their own motives, mysteries, and intricacies into the interaction. Keep an eye out for the follow post within the next few days! More locations will also be added as the plot and exploration of the area progresses. As of now, THE CAPTAIN is an active muse and may interact with the rest of the characters. Have fun, and happy writing!

AT HANGMAN’S TRINKETS.  

At the other end of the port, pushed far enough from the seaside that it almost looks like any other village, splays the tight, narrow venue of the store. If most buildings on the docks look comely, a peace that alludes to most corners of the world where the ocean laps the shore, this one has a marked touch to it. It draws the eye, the firm painted a gaudy russet, as red as the sands that litter the eastward beach. Despite its hue, the sign has been battered into something closer to dried blood by the gale, and the marks on it are illegible. Could be any human language, or not at all. Perhaps what makes the shop stand out even more is the absence resounding in the harbour. The maroon posts are entirely devoid of any other ship, not even small fishing vessels anchored at half-length on the wharf. It should make the Promethean loom, but instead it diminishes it; could be soothing, could be dangerous, the way the quiet waves knock it about, with very few inhabitants coming to stare at it, to help tie it to the pier, or even to barter. Yet there is plenty of bartering to be done further inland. The rest of the expanse might be barren, but the shop is bright and bundled up, like an old woman sat by the fire. A string of fairy lights are hung over it in a diagonal row, the sash of it lolling slack enough to catch a taller sailor’s head and dapple it with warmth. At the counter, a young, plucky clerk spreads their arms in welcome. Behind them, vials, jars, and tinkling bottles litter the entire front wall. It is such a kaleidoscope of size and color that any customer might be more dazzled than tempted to purchase. From camphor oil to whale teeth necklaces, from silk handkerchiefs  to beads of black glass, everything seems ready to be displayed, bartered, and doubted. The clerk is nothing but exhilarated to have someone to talk to at last. Their bronze face is dappled with the hanging lights, and a nose ring stretches from their septum to their ear. That golden chain makes them look both older and younger at once — as they chuckle and lapse into chatter, already ready to soak up all the information visitors might bestow, it becomes more and more difficult to gauge their age. Or their intentions…. How much will you share?

HIGHWAYMAN’S REST.

Perhaps the most striking front belongs to the port’s hotel, a polished three-tiered complex that occupies the main street. Oddly enough, despite the fact that the port seems all but deserted, the building has the most upkeep in the area. The outer walls are painted olive green, in a stark contrast with the houses’ cream-colored front and the greyed, saltwind-bitten outstretches of wood along the pier. The double doors allow a glimmer of light to cross the threshold, since its glass panels are painted with scenes that resemble the stained glass on churches and temples all over the world. Once inside, the vista opens on a waiting room decked with paintings and sculptures, with works of art that don’t seem to resemble anyone in particular. In order to ring the receptionist’s bell, you have to wrangle your hand through a number of small statutes. One bust on the receptionist’s counter, reads king sylvester stuart. Another, an effigy that seemed carved in filigree, depicts josephine robespierre.  On the usual, there is no one in the waiting room, and no noises pour from above. For all intents and purposes, it feels as if the entire establishment is deserted; or perhaps never used in the first place, simply spruced, polished, and displayed for the hollow beauty of it. On the fourth clanger of the bell, the receptionist finally walks into view. A door in the wall opens, and they step through with a merry gait, not allowing anything to be glimpsed behind them. At once, they are ready to sort the visitor with the best sets of chambers for their disposition. They try to strike up a conversation, one hand already on the ledger, and do not even presume to ask for money until after the end of the stay. Their demeanor might almost foster the sense of a homecoming; only their remarks, and the parental, proprietary style of their speech, makes it feel more like a transaction instead. For all the luxury that defines the hotel, a visitor may wonder if, in fact, they’re being sold something else underneath. However, after such a long journey of darkness and water, who can say no to even a few hours in an ivory bedroom—for a dalliance, a tumble into unconsciousness, or just to experience the decadent beauty of those who’ve had easier lives?

THE SIREN’S SORROW. 

Coming up from the docks, the hard-teak stairs lead into a bulky tavern, a building more squat than inviting, which carries a barrack’s efficiency about it. The place’s foundation looks rooted into the scaffolding itself, the moldy, barnacled pillars somehow supporting the weight of the place. At the ground level, the dingy, round windows open up into the street, but it’s difficult to peer through the grime crusted over the glass pannels. At the upper level, which the two-storied construction seems to be bowled over, the blinds are drawn shut, their velvet dusted a bile-yellow even from afar. Yet through it all, what actually grabs the visitor’s by the throat, is the strange allure of the place. Not a disparaged charm, mind you—most of these sailors have spent their pay and day in shindigs far worse than this. It is not much, in way of grotesque, just as it is not much in way of poetry. But a certain shimmer permeates throughout, like mist gathering over the shingles, and it renders the place noble and faraway. One might almost expect to see a lighthouse cave around it. When the doors open, the interior is low-ceilinged and vast, the chambers burrowing further than the outside lets on. Depending on how the sunlight, which is still paltry further off the Arctic glare, the main room of the tavern looks both too hollow and too overcrowded, all at once. Truth be told, no one can be certain if it’s not the most beautiful place they’ve ever seen; if only because it peals out to a sense of humanity, a sense of being rooted down. It takes a while to realize that the humanity, for all its urgency, is slightly skewed at the corner. Takes a while to gather up the questions, rather than just gawk at a bar stool that isn’t nailed down into the ship’s timber floor; at a glass that isn’t canister, but actual earthenware, tangible and frail. When the questions do gather, the barkeep is there for the tending. Jaded, old, he seems to have borne both the glow and the gloom of the place, allowed it to mantle them from brow to navel. They seem, also, like the kind of man who has heard a story for every life the sailors wished upon, for every lie they cast over dice. What will you ask him?  

[aveaugvstus]

JULY 4TH, 1845, 9:50PM. HALL OF GAMES. CLOSED FOR @wilccard​.

the sound of drunken laughter and revelry carries in swirling tides of joy and uninhibited freedom from the shores of godhvn all the way across the baffin bay. the air is beginning to shift, as celebrations like these are wont do, as the liquor flows swifter and the trade and barter for local spirits and improvised moonshine makes its way through the gathered crowd. in the center of it all, the eye of a maelstrom, is augustus. augustus in his napoleonic burnous, racing rings around the tracks laid out with ropes and brilliantly coloured ribbons upon his noble stallion that he has aptly named zeph (short for zephyros, naturally). augustus, surrounded danish and promethean alike, sweeping the card table in a stroke of deus ex machina luck. augustus, making friends everywhere he goes with promises to return and make merry with the local sailors and fishermen in summers to come, yet thinking of the one friend whose face he hasn’t seen amongst the sea of familiar ones all evening. 

he makes his excuses from the card table to a cheer of raucous teasing and jeers, and finds his axis of gravity tilted by a few degrees by the whisky he’d taken several swills of from a burly danish sailor’s flask. (hans, terrible at games but had a flair for distilling housemade whisky.) he manages to swagger his way to the exit, lifting the flap of the tent clumsily and letting it fall. the brightly painted tarp flicks at his cape as he steps out into the night air, as if to make one last grasp at the heart of all its easy merriment.

above the tents tapering endlessly higher, the stars are brighter than they have ever been in london’s skies. entranced, he finds himself a spot on the grass a few feet away from the entrance of the tents and splays himself out on the ground. more out of the drunken inability to cling to gravity than a purposeful dismount. and perhaps it’s because they know each too well to stay apart for any length of time (or that vladimir happens to stumble out of the tent of wonders and catch the torchlight gleaming from the gilded crown askew upon his head), but he whirls in staggered delight at the sound of his name.

“dimor!”  he cries out, waving both arms above his head in greeting.  the sight of vladimir sends a brilliant grin across his gilt-kissed face, a solar flare elation.  “old boy, it seems you have jousted with dionysus himself and lost. come, come, sit and tell me of your exploits this evening and how you managed to find a liquor strong enough to knock you off your feet!”

[wilccard]

𝙫𝙡𝙖𝙙𝙞𝙢𝙞𝙧 𝙮𝙖𝙢𝙖𝙩𝙤𝙫 𝙤𝙛 𝙃𝙈𝙎 𝙋𝙧𝙤𝙢𝙚𝙩𝙝𝙚𝙖𝙣, 𝙞𝙣 𝙩𝙝𝙚 𝙜𝙪𝙞𝙨𝙚 𝙤𝙛 𝙏𝙃𝙀 𝙎𝘼𝙏𝙔𝙍.    *   ╰   𝘤𝘰𝘴𝘵𝘶𝘮𝘦 𝘤𝘩𝘰𝘴𝘦𝘯 𝘣𝘺 𝘴𝘦𝘷𝘦𝘳𝘢𝘭 𝘱𝘳𝘪𝘷𝘢𝘵𝘦𝘴 𝘪𝘯 𝘵𝘩𝘦 𝘳𝘰𝘺𝘢𝘭 𝘨𝘶𝘢𝘳𝘥 𝘧𝘰𝘳 𝘵𝘩𝘦 𝘴𝘺𝘮𝘣𝘰𝘭 𝘰𝘧 𝘷𝘪𝘳𝘪𝘭𝘪𝘵𝘺, 𝘫𝘰𝘪𝘦 𝘥𝘦 𝘷𝘪𝘷𝘳𝘦, 𝘵𝘦𝘮𝘦𝘳𝘪𝘵𝘺 𝘢𝘯𝘥 𝘭𝘢𝘤𝘬 𝘰𝘧 𝘤𝘢𝘳𝘦𝘴.

                                               Through the meadows and the valleys                                                Goes the satyr carolling.                                                From the mountain and the moor,                                                Forest green and ocean shore                                                All the faerie kin he rallies                                                Making music evermore.                                                Faerie maidens he may meet                                                By the horns and cloven feet,                                                But, his brown eyes sad with wonder                                                Seeing — stay from their retreat.

[terrorhqs]

                                       THE END OF THE HUNT

By the time the rescue party reaches the island, the runaways are scattered across the beach. Within the gloom that sticks to everyone’s bodies, only tendrils of lamplight, flashes of steel, and faraway shouts reach the crew. The distance is leveled, an uphill climb that skews the angle of vision, so that the few signs they can make out come to them as if from another realm.

Those who have been on patrol before make quick work of the clues: it’s an encouraging sight. So far, no one looks injured. Whatever roams this place seems to have been placated for now, and they count their blessings it will last long enough for the way back. The saviors gesture to the others to climb down. At first, it’s a stage of familiar motions—urgent, irritated, somewhat surprised that the trekkers have not moved further inland.

They hold in their sighs of relief.

Yet all is not as it should be. The reactions are delayed, sloughing, dragging on.

One pair on the island seems to be enveloped in conversation, bent as they are over a trail of running water. From this distance, there’s hardly a way for the others to know what they’re taken up with. It could be a scientific debate, some lover’s tiff, or a final plea to heed the rescue team’s call—and the call of reason. Their heads are bowed, and below, their fingers move quickly, parting out the silt. Every other second, they bring the water to their mouths. With fluid ease, they lather it over their heads.

They seem to be muttering something, but no one can make it out. The crewmen are not sure they want to.

From five feet apace, THE MARKED thinks she can see their hands bleeding. She wants to call out, but does not: the first warning shot is the Captain’s. She cannot speak against him. Her hand clutches in her pocket, around absence, around stolen tokens and blame. 

THE SHADOW nods to something in the dark.  

The military trifecta, SCION & IDOL & WILDCARD, exchange a glance. There is both fury and fierceness in it; there is the irritation of people who have grown too intimate with danger to tolerate these conspirator’s whims. But there is also panic, flailing about without coordination: the fear of people whose loved ones are channeling a storm. Of people whose loved ones have become lighting rods.

With a nod shared between them, the guards clamber from the plateau and onto the mainland. Their rifles are held at rest on their shoulders, and when they motion to THE CAPTAIN for permission to approach, Dowling gives a similar jerk of his head. 

No one seems wiling to disturb the night—sound waves have fallen as dead as the ocean waves under their feet. For all appearances, this might as well be a hidden skirmish between two tribes, an ambush at play. It looks as though each had selected this island as a vantage point, and are now about to quarrel for its seizing. Only blades are not drawn, and muskets are not cocked. The sets of gimlet eyes, when they roam about, blink uneasily, concerned rather than calculated.

They are not only fretting for their own safety, but also the safety of those uphill.

Despite the bluster, despite the army formation, this is a climb to save these madmen, not remove them from their seat of power. Loyalties were forged. Affections, too; and who can tell which one is dangerous? Who can tell what’s the better incentive?

Those on the Promethean have only one thought in mind: to see the would-be hunters delivered back on deck. The punishment will come later, if at all. That is Dowling’s domain. For now, everyone encroaching on the island wants this to be over with. They all remember the way the Boatswain’s body has been caved out, his flesh scooped like melon rinds in the sun.

Anticipation frazzles in the air, louder than the crackle their boots give out. More poignant than the scent of explosives laid out in the ice, which THE ICE MASTER & THE APOSTATE are ready to set off at the first signal. Get a move up, we have to go, the crewmen want to cry. The urgency is betrayed through their steps, through their grope on the crags and the soil as they try to reach the hunters uphill. But the sand makes it difficult to gain headway, and the pelted night renders visibility treacherous. The rescuers advance uneasily along the slope.

The oldest of the bunch, the most weathered, being to realize they won’t be out of it as easy as they supposed. This bloody mess, this landlubber’s mess, the thought goes, unrestrained in the silence. THE WOLFHOUND is the first to cock his rifle. Other men, men with their heads on their shoulders and their paycheck stored away, are quick to follow. Their own fault if it comes to it, the meaning stands. But it is never spoken into being.

THE CAPTAIN gives a shout, an unwavering command. He bids the islanders to approach.

At once, the hunters straighten in unison. No—there’s not six of them, just five.

Somebody is missing; what they thought were pairs a few moments ago, is in fact a jagged pentagram. Was someone caught by the creature? Did a trekker mean to make it back to ship and got lost in the smog? They see it now, a frame on the edge of the circle. It’s collapsed in a heap, a furrow of dress and petticoat strewn around it. THE NOBLE, they catch it by the headdress of red curls, illuminated in a halo. The lantern has collapsed by her side. Is she dead, then? Did they sacrifice the lass? The crewmen shy back. 

THE PURSER cries out to the islanders. His voice is authoritative, yet there’s a tremor to it when he asks about casualties. The words are bent over by the darkness, their consonants whittled. 

Not one of the five answers back.

They stand to attention—only there is no sense of awareness to them. 

It is almost as if their bones are latched together, packed with twine and tugged in the right directions. Aligned to a higher order, a louder call. Not one of them steps out of row. They are entranced; flexible to whatever molds them, whatever hand laid itself on the scruff of their necks. They respond to neither Dowling nor sense of danger. God help them, nothing else can be seen in the darkness, no one knows what still waits there, except this: they are under some sort of spell. Is it like THE LOVER’s song, then, which led her to the ice like a mother to a cradle?

THE IDOL’s shout rings out again. His foot draws a burrow in the sand, a yardstick of his own making. “Come towards us”, he calls out, “and approach slowly. When you get at this line, tell me my name. I’ll only say this once more before I fire.” 

Five pairs of eyes rake over the guns. They stare down the iron and fire, and they do not blink. 

The conversation has long stopped between the islanders. Only the crewmen begin to whisper their doubts. Had they really heard talking at all, when they were drawing near? Were the trekkers talking, or was that chanting instead? Were those human words at all?

THE MARKED snaps her arm to the side, a blockade in the path of those behind. It lands on THE ROMANTIC’s chest. “Don’t”, comes her warning. “Don’t move any closer.” The steward peers forward. His eyes are seeking something, as desperate as they are earnest, something that the night would not impart. He picks up on the absence. He picks up on far more besides. With the same gesture as hers, he stops those at his back from following.

The entire rescue team halts not ten feet away from those they meant to rescue. 

They are close enough to spot the silhouettes, the heedless listeners, the blind voices. Yet they are too far to parse the details—their faces, but, worst of all, their eyes. They cannot predict whether they will be met by pitch black pupils, by empty sockets gaping back at them, like the horrid sight of that woman on deck. They cannot rule it out. Though perhaps they do not have to. The momentum shifts. The rifles change hands.

The saviours become judges. It is plain, is it not, that whoever is there on that island, it’s not the same people they dined, and laughed, and fought alongside in these last months.

It’s not the people they came here to save. Above all, it’s not the people they said they would die for, if need be. Who can vouch they even are people, now? Who can call out to the humanity in them, and still stick close enough to hear the answer?

Everyone awaits their Captain’s decision. Malachy Dowling looks to the sky. A quiet communion, a quiet reproach between a man and the Gods that left him. His throat is pale. The line of it trembles when he swallows. Then his head bows. His mouth opens to give the order, the rifles pitch up, triggers half-pulled, and        .

THE DOCTOR steps forward. 

Jonathan Bhavsar walks like a man who forgot to move. A man who forgot he was ever a man. He doesn’t stumble, no, but lurches through the night. His body angles backwards, careens forward, joint-less, boneless, as though carried by hidden currents. His muscles seem caught in pockets of air. Within less than a minute, a long and convulsive minute, he is down the slope of the island. He begins making his way through the crew ranks.

It’s instinct, the reason everyone parts for him. They call it instinct now. It could just as well be fear—what is cowardice but the rules of your own flesh against you? What is cowardice but the natural order? Those on the left flank stands out of his path, down to the last man.

At the back of the salvage team, a strange light flares. The night is no longer night. A gap, wide as an ellipse and twice the length of a man’s body, shimmers on the horizon. It looks like a mouth, a fish mouth’s on the cooking coals. It looks like a hole in a kitchen girl’s skirts. Red and white and putrid yellow. It looks like so many things, and all of them senseless, wordless—all of them struggling to put reality against reason, reason against reality, and failing short.

But THE DOCTOR still walks. From the chasm, a hand stretches out. 

THE IDOL fires his musket, a jab of smoke, a jab of loud sulfur. It shoots past Jonathan, only an arrow of powder. It stains the night, burnt orange and useless, but does nothing against the darkness that began to boil. The mouth continues to stretch, gaping at the edges. A wineskin pulled askance by two adept fingers. And THE DOCTOR still walks. The hand grows a palm, and a flower sprouts from it, a stem of purple. The palm grows an eye.

It happens in a second. Time is dead, here, time is a thing carved from wood and light. It has no purpose in a place devoid of either.

THE IDOL gives a start, but THE WILDCARD’s rifle is quicker. The butt of it catches the Sergeant in the ribs. Private Yamatov uses this leverage, the momentary slip of pain and astonishment, to push his superior to the side. He mutters something, mutters two separate things. One of them to his right, so intent, so quiet it scarcely reaches anyone else. Sorry, a stark syllable, this one to the sergeant. This one everyone hears. The other one is lost. I serve you, some sailors will later recount. Though why he would say such a thing to the soldier in red, the soldier still standing, with his fingers pulling at Vladimir Yamatov’s wrist like a creature gone rabid, is not very clear to any of them. One of them can swear he heard: You saved me. 

THE WILDCARD darts forward, a footfall against the frozen ground.

He runs, quicksilver, relentless, until he catches THE DOCTOR from behind. With a grip, he yanks Jonathan backwards. The smaller man tumbles, slumps like a puppet of sodden straws. Inertia keeps his body sliding across the ice for several feet, a wide and painful stretch that counts ten heartbeats too many, so that by the time he’s shaken awake— 

“VLADIMIR!”

THE DOCTOR’S scream welds together with THE SCION’s. They warp together, drowning out the sounds that start to pour from the doorway. Inside it, the hand buckles into a fist. Its fingers of mist quiver, recoil. They sputter, with the rattling speed of a snake’s tongue, and lash out against flesh. They lick at the soldier’s hand, fog against skin, the nameless and the unspeakable.

“VLADIMIR!”

THE WILDCARD blinks. There’s a flash of something alive in his eyes, bristling animal panic, and then it’s gone. A smile—human and sad.

The mouth in the darkness gives a last shake. The soldier is pulled inwards.

There is a howl, an awful and harrowing burst of pain. It crashes against the silence that waits on the ocean. There is the smell of burnt, signed flesh. There is a whisper, but nobody can tell which side it came from      if the hurt inside it belonged to this world or the next. Then there is nothing.

The living chasm, for all the flesh it lacks, folds into itself like a tongue. Its mouth closes.

Slowly, ever so tentative, the night begins to peel off. The darkness detaches from the sky, and hangs down like molten skins. The islanders shake out of their trance, all down to THE NOBLE, who is still unconscious. Some break into sobs. Some run to their saviours. The living become living once more. In these moments, where humanity pours back into them like a forge, like a forgery, the essence of it is betrayed. Friendship, infatuation, weakness. The best, the worst of it.

THE DOE-HEARTED rushes to THE SCION.

THE APOSTATE leaves his post to find THE SUNFLOWER.

THE MARKED surges ahead, just in time to catch THE ENIGMA from falling.

THE ARCANE lifts THE NOBLE’s form. Limping, he carries it downhill, away from the running water, away from the rivulets and the undergrowth. Wordlessly, THE ROMANTIC meets him halfway, and takes the body over.

At the end of all of this, most people look up, then down. The darkness has cleared.

The ice is thawing.

[terrorhqs]

This is a laydown of what went down during our last closed event — THE HUNT. It will mainly focus on what went down on the island itself, as plotted with the original ghost trekking breakfast club: Jonathan, Ayla, Jaya, Emma-Rose, Iskender & the late Philippa. For the bulk of the action, you can find all the events here: (x), (x), (x).

The initial grand conspiracy for the hunt happened on 27th of July, in The Promethean’s otherwise empty sickbay, between the six people mentioned above and sergeant Jack Fox (dragged there by their date, we presume). All conspirators agree the trek back to Devon Island is necessary in order to find more information about the creature. Jack Fox thinks it’s an insane idea, and, over the rattling sound of six empty skulls, his brain agrees to stay back and coordinate the (eventual) rescue party.

By this time, THE NEVERNEDING DARKNESS has already fallen over The Arctic, but its first victim, THE LOVER, had not yet been claimed.

The Lover’s death, THE SONGS INSIDE THE DARKNESS, coincides with the departure of the cryptid hunters in the middle of the following night: 28th of July.

In the turmoil, their disappearance takes some hours to get noticed. Thankfully, some thought it was a good idea to leave letters behind, just in case they had any chance of getting away scot-free with this. Peak brain synergy, that. So, yes, in the course of the next day, their escape is noticed, and all tracks lead to Devon Island. Like, the place they just escaped. Grand, says Malachy Dowling, and begins to gather the rescue party. They set out on the 29th of July. Both treks, the saviors and the doomed’s, take 10h one way.

It should be noted: the air? Freezing. The visibility? Pitch black. The lanterns they brought? Feeble. The hotel? Trivago. So this is what takes place on the island:

Jonathan and Emma manage to collect a few soil & vegetation samples. Iskender takes a moment to chastise them both, while he is quick to write down as much as he can from the physical impressions of the party.

Ayla and Pippa are scattering lamplight every which way, working to illuminate the path of the other three. Jaya has her guns cocked, and her feral frown down pat. Everything is in place. Now all they have to do is wait for this creature, or one of its manifestations, to make its demands known, to make contact.

What happened instead is that, ever so slowly, in the seamless mapping of one’s own dreams and fears, the crew starts to experience slips of visions. Or so they called them, because one must call the unspeakable something. Yet they were not external; they were not projections coming from without. Rather, this was an immersion to something inward, something always waiting but never trodden before. A realm and a shoreline. Some of the trekkers can later be heard claiming they were actually transported. That the sightings were born from their own selves, and no other possessed them. That it led them to different places, gaps in the fabric of the earth and sky.

They were awake for all of it... and yet they were not, because all their senses, anything they might wield to engage with the other world, existed in another place. 

Jonathan saw: A creature trapped in this place, hungering for help, its head nested in a bed of soft flowers. In his mind, he was approaching to save it, to save them all; the stillness of a statue was actually the urgency of a child in a meadow.

Ayla saw: Green rolling hills, an endless undulation of grass and movement, that when they tried to touch it withered below their feet. Seaglass skies, seaglass human faces. They try to stick their own mouths to them, but only meet death and dearth instead.

Emma saw: A savage garden teeming with thorns, with plants that have grown not only teeth, but claws, pincers, and mouths, all crooning in the voices of dead friends. Is this what led her to walk to Philippa? To lead all of them by the brook, the river of soot?

Iskender saw: Stepping through a valley of sand, a valley of dead kings, and wading in a river. He knew the river was blood that belonged to him, to people like him. Its warmth had more of home than he’d ever felt before. He remembered wanting to go under.

Jaya saw: A finger floating in a barrel of brine, a pair of eyes torn from their sockets. The inside of ship’s hull, no hatch for its closings, no stairs for the exit. The trapping of wood, of salt, of things that have grown stale and untouched inside the darkness.

Philippa saw: A furl of white dress, linen on a round shoulder. She had the weight of a hand in hers: nothing has ever carried so much presence for her, such tangibility. She thought it was a child’s hand - the child she once was, the child she’ll never have.

The dreams spool on, the closest thing to endless the mind can endure.

Emma kills Philippa by the small stream. Her eyes are focused, attuned, turning sharp over the bones. Bending down in her blood, she begins to watch. 

Iskender and Ayla kneel for the ritual, kneel for the things that wait in the sky.

Jonathan speaks to creatures that have never needed forgiveness, never needed song. He is begging them to come here, come back. At one point, he begins to cry out apologies, cry out to names both human and inhuman. It lasts for hours before everything falls silent. 

The salvage crew arrives.

[terrorhqs]

𝐓𝐇𝐄 𝐈𝐂𝐄 𝐓𝐇𝐀𝐖𝐒 as the rescue party and the island party draw closer to the ship, cracking at the seams, melting away as the black of the dark dissipates into morning’s light. The walk back to the Promethean is quiet, punctuated by ragged breathing and numbed grief slowly shaking alive. Neither THE IDOL nor THE SCION afford a word to anyone beyond silent confirmations     the lonely language of those who have loved, and have never learned to lose. Nothing remains of their fallen comrade; no evidence of his sacrifice beyond that of a collective memory, desperately willed into being, into remembrance. They stare at the backs of those who walk ahead of them, lips pressed thinly into silence, but dead-eyed gazes writing the same thing into flesh. Do not forget him. He was the bravest of us. 

The miles back feel short and yet neverending. The ship’s silhouette appears against the skyline just as dawn breaks, the sun a halo behind the masts and the sails. Relief surges through the party - at least, the unending night has ended, and home awaits their return. Punishment awaits the island party for their dereliction and recklessness, as Malachy avoids any of their gazes, bidding his time to pronounce.

Perhaps their anguish, this loss of life, is enough.

Perhaps nothing will be enough. 

As they near, Captain Dowling notices the upper deck is devoid of anyone standing guard. They climb aboard, one by one, and descend down the main stairway to the welcoming warmth of the lower deck - and are met with muskets, one trained on each and every person who returns. Those who hold them may be guests or crew, all who have but one thing in common - they wish to continue through the passage and will not allow otherwise.

Those in the rescue and island parties are forced to turn over their weapons, laying them flat on the ground for the mutineers to seize.

“What is the meaning of this?” Malachy asks, a spit of venom.

Two men, a guest and a deckhand, take him by the arms, rough as they separate from the rest. The crowd of muskets parts for one only emerging from the way of the Great Cabin - vice-admiral Marcus Estrada. Hands folded behind his back in some mock deference, face creased in unreadable riddle, he boasts the freedom and abandon of an usurper, but a vestigial sadness clings to him as a shadow during midday.

“I’m sorry, Malachy.”

A loose shrug, the painless downturn of lips. “We’ve had our heart to heart, you know I can’t bear the blame of my own ship. But the blame isn’t mine to account for. Nothing worth a damn waits for us back home. Many of us share this sentiment: that a return is not necessarily an escape. This is not worth the blood we paid. Nothing is, not even the promises the Admiralty could offer me in exchange for their leash. Took a lot for me to see it, you could say. Some might even say it’s not much, in the way of epiphanies     only a drowned woman. But the means matter more than the end. And as for the end, Dowling, I want an end anywhere but fucking England.” He pauses before turning his back. “You’ll wait in the boiler room until then.”

Estrada moves to address the rest of the ship, voice even and hoarse. No need for volume when method will do. “The rest of you who find sympathy with him will walk free, albeit under armed supervision.” This much is clear for any fool to see: those with muskets outnumber those without. “No need for a gaggle of martyrs conspiring—we’ve seen where that leads us.”

The vice-admiral turned Captain, turned usurper, begins to pace before the rows of men.

“We have to leave this place. I think on that, we all agree. But the way to leave is forward. Not just for safety, but also for sense. We asked ourselves enough questions, fussed over them in the dark like scarred mice. It’s time to go find ourselves some answers. We sail on.”

There is clamor as Malachy is forced down the stairway. His head is pushed down through the hatch, and his body is flanked into the boiler room. All protest is quelled at the threat of a bullet through the head. Quietly, lost, those who align themselves with the captain’s leadership disperse under the watchful eye of the mutineers.

During the arduous trek back to the ship, being carried in turns by both THE ROMANTIC and THE ARCANE, the lifeline THE NOBLE clung to is sheared in half. With a sigh, with a tightening of her fist around the professor’s coat, the girl expires.THE ARCANE makes his way to the infirmary, her body slung over his shoulder. In a voice without inflection, without humanity or pain, he tells the surgeon's aide that they have a burial to prepare.

“Tell THE CHAPLAIN to prepare two services. See if we can find out their faith. See if we can gather their friends. Thank you. No, no—not now. Go to Jonathan.”

The Promethean passengers, those who have lost as well as those who have stayed, are torn away from their own fears. Its guests are told to remain subdued, at liberty to walk about, but instructed to keep to small circles. The crew begin to ready the ship to set sail, again, under the fixed eyes of pistol and rifle. All those who have duties are expected to attend to them. Soldiers die, ghosts walk among men; night skies open and shutter back closed. The world still spins. The sea still moves beneath them, and the Passage awaits.

In the Great Cabin, Marcus watches the horizon, alone. Perhaps it opens itself to him in an embrace for those brave enough to cross it, as the ice had for the woman he’ll always remember. Perhaps it opens itself to him and speaks of forgiveness, or vengeance, or chances finally seized. Perhaps it opens itself to caution him: what will happen if they don’t find the passage? How long will the supplies hold? It doesn’t matter. He knows the choice to go on was the right one. He knows there is no love for traitors and deserters.

But where they’re going, love won’t have room to breathe at all.

ADMIN NOTE: Thank you for reading, beloved members and lurkers! With this turning of events, the Promethean is now free to sail—but under the command of an usurper and those in league with him. As mentioned, those knowingly loyal to Malachy are free to roam the ship, though under constant supervision, and any talk of mutiny (Mutiny-ception? Mutception?) will be immediately punishable.

Malachy will be held in the guarded boiler room and will hold NPC status—for now. Aside from this, THE NOBLE is now a deceased character and their role is permanently closed.

Those who align themselves with THE INTREPID are the only muses permitted to handle weapons, and are now tasked with keeping a close eye on those who are loyal to Malachy. It bears repeating that the loyalties aboard The Promethean are now spliced in two directions: those who wish to go back, and may support Malachy because of it, versus those who wish to press forward. It is less about the figureheads of these sides, be they men or murderers, and more about the final outcome your muses might want.

If your muse supports Marcus’ mutiny, we ask that you respond to our informal poll in the Discord server, to be posted shortly. Thank you, and happy writing!

[terrorhqs]

                                        AN INTERACTIVE PLOT DROP

The absence of those who have gone in search of The Silent One does not take long for the rest of the crew to notice. Those who have befriended THE SUNFLOWER, when craning their head to catch a lilt of laughter, are startled to see her seat is empty in the common mess. THE ICEMASTER, when drawing up to the officer's cabin for their regular nightcap, is taken aback to find the ARCANE'S room barred close, no letter of apology in lieu of this rebuttal. And, although THE NOBLE has traded her spyglass hours of observation for inquiries permitted by the night, her casual curiosity is not heard above deck. All sailors, all passengers, move about searchingly. Their eyes turned narrowed and their hands knot, prepared for the worst. They all seem like instruments snapped out of motion, out of rote. The CAPTAIN is quick to note that THE ENIGMA is not at her post, which has rarely been deserted before and gave no cause for complaint. Above all, and this is the one element that cannot be misattributed to anything else but the nefarious, he takes stock of the direst sight yet: THE DOE-HEARTED has not joined him for breakfast. Hushed, reluctant panic ensues, and halfway through the morning, the Captain swiftly calls for all on board to gather in the common mess to account for everyone who is missing, and various voices pipe in to fill in the pieces. 

 “Could it be?” they whisper. “Have they been taken? Has the monster come onboard? The din rises to a frantic swell, but another cuts through the hysteria.”

 “No, impossible. No signs of struggle. If they left, they left of their own accord.”

 “I saw them!” A cabin boy squeaks. “I’d woken up in the dead of night, sir! Saw a group of them leave to the upper deck through the main ladderway.” 

 The captain’s face pales - for what reason could they venture to certain peril? Do they intend to hunt the monster? To appeal to its mercy? Both were equally foolhardy, but of those included in the missing party, one couldn’t rule either out. Nothing to be done about motive - they were heading inland into a waiting maw, and there was little time to waste. 

 “Ready yourselves. Royal guards, able crew, gather your muskets - we head out immediately.”

ADMIN NOTE: We hope you’re enjoying this ongoing saga, fellow members and lurkers! The Devon Island party’s absence has been noted by the captain, and a rescue party is to set out immediately. Due to the encroaching darkness and the certain danger, all Royal Guards are dispatched - THE IDOL, THE SCION, and THE WILDCARD, as well as THE CAPTAIN himself. He’s asked any able crew to come along and is reluctant for any guests to come along, but that isn’t to say if your muse is a guest they cannot convince him to allow them to come along. Since individuals must remain onboard to guard the ship, we ask that you only volunteer ONE muse to accompany the rescue party. All volunteers will be given an oil lamp and a musket to help them traverse through the dark. Threads can encompass muses reacting to this announcement, readying themselves to join the search party, or searching through Devon Island and following the tracks the conspirators - and The Silent One - left behind.

[terrorhqs]

                                THE NEVERENDING NIGHT

29th July, 1845.

When the darkness comes, those aboard the Promethean welcome it with open arms. Some are grateful to have a veil spread over the fear they must conceal during the day. Others are yet grateful to have a hideout; a place to whisk themselves away to, in the company of a benevolent mouth, the neck of a bottle, the neck of a friend.

Some just long for the darkness so that they won’t have to look at the frozen ocean. That portrait of disaster which whispers, with a final and definitive stroke, that they may not ever escape this sea. That their souls, too, now belong to it.

But the darkness never dissipates.

It stays on, and on, long past the ring of first bells, long past the fogging of the hourglass. The ship’s first-mate, as well as several guests who’ve carried their own instruments on board, come to the Captain in a flutter of panic. It should be long dawn by now, they say, as if Captain Dowling doesn’t know this—as if his own horror doesn’t thrum in his ears, obstructing sense, obstructing judgement.

By noon the next day, the darkness has not yet lifted. It is like fog, the sailors whisper, only it clouds the world entire. God Himself cannot look down on us, now.

All the lamps are lit aboard, by direct orders of the highest degree. The candles are hoisted from the ship’s messes and strewn over the starboard, from aft to stern, marring the ship like teeth of gold in the maw of obscurity.

In this molten black, where neither clouds nor stars can shine, six people collude for one last time. Yet no one is looking at them, not yet. All eyes are drawn upon the silhouette that walks down the ladder.

It is a woman, the moment supplies. A realization that sparks uncertainty, the more they watch her trek onto the ice.

Yes, she is one of the passengers — Pantea Mazandarani. She was most often seen in the officer’s mess, lips stained with sherry or bourbon, a knowing smile piping the edge of her mouth. There is no smile, now. Clad in what was once crimson, with nothing left of it in the dim light, she walks as if towards a pyre. Her skirts brush past candles, past the limbs and shoes of onlookers - she doesn’t answer to neither name, nor title. Only once, before descending the stairs, she cranes her neck to the two men that have followed her this far. One of them tries to stop her; the other steps back when she turns.

Her eyes are dark as beads of jade. Nothing, not even the whites of the irises, can be seen inside them. They look not dead, but worse: alive with inhuman longing.

It will be debated, later, what it was that she spoke. Some say it was a prayer. Others say it was a grand, romantic verse, a call to salvation, a confession of the damned. A carnal, visceral thing plucked from a sonnet. Lady Shallot and her doom; they will say this, insist on it, in order to give shape to the chaos. The crewmen can only watch her lips move.

I have to go to them. They are there, over the ice. They are waiting for me.

She climbs down the ladder-way, and for a few minutes nothing else can be glimpsed.

Then the sky flashes in a sputter of lighting. Like a mouth opening to sneer, to howl, to breathe, everything becomes a center of silver — they all see her, perfectly, this great and terrible beauty. This creature already gone from them.

She is sitting in the middle of the ocean, arms spread open to the skies above. It looks like she is speaking to them - it looks like she is singing to the lighting. It all lasts only a moment. The ice cracks, splinters like a kiss on the cheek, and the woman is swallowed in its embrace.

Pantea Mazandarani is never seen again.

Hello, members !! We are here with a devious new plot drop, this time a character-centered one. The skeleton of THE LOVER has now been declared DECEASED, and thus an NPC. You are welcome to reference this in all your threads, as well as speculate upon whatever your muses might think, feel, and suspect about the manner of her death.

As for the members involved in our last plot drop, the conspirators of THE HUNT, this is the pivotal moment of your decision - if your conspiring characters intend to slip away and look for the creature either before or after the death of THE LOVER, they are free to do so !!

Please remember that, for the duration of this plot drop and until the admins notify you of a change, there is currently a total period of darkness on the Promethean and its surrounding areas. This darkness continues during daytime with no change in either the sky (starless) or the land around (spooky). This means that visibility will be impacted, both below deck and above; it also means that your characters might have to use a whole deal more portable lanterns and lamplight than before.

Happy Plotting™ !!

[terrorhqs]

                                AN INTERACTIVE PLOT DROP

When the first whispers being, the night is still young. A garden path in bloom and promise, rather than a scaffolding ready to be built — it allows hope to transpire. Allows bravery, and courage, and curiosity strong enough to defy the ice.

It is in this spirit that people gather in THE DOCTOR’s precarious kingdom, the Sick Bay. Just a handful, a small circle in the dark. It had all started with THE DOE-HEARTED’S insistence that no creature would wound others without being wounded itself. That they must track down whatever hunts them and reach out to it. There is no other way to truly find out where it comes from, or what name it bears. No other way to find out what it wants from them. Because, and this question is mirrored by others, if it wanted them gone, why did it freeze the ocean?

The Doctor had picked up on this, leveraged with the prospect of knowledge the Western world might never glean again. A similar promise lured THE SUNFLOWER. Whether in kindness, revolt, or scientific interest, the fledgling plan begins to take root. Now, they have met to lay down its groundwork. THE ARCANE, brought on by their friend Dr. Bhavsar, has decided to lead part of the foregoing discussion.

It is less of a coup, and more of a rescue operation. Or so they want to believe, even as they hush and murmur among themselves with heads bowed together, with hands wrung at their sides. The telltale posture of saints — yet also of conspirators. History will judge the truth of it in a matter of days rather than decades. The Silent One can make either fools or martyrs out of them. Yet failure to track the creature can render them traitors or saboteurs to the already shaken passengers.

What is to be done? How do they find the creature and try to establish contact? Forgiveness? It is less of a question, and more of a prayer under the lamplight—a thing you ask in the night, but from the night as well. Soon, a fifth voice answers. Then another. The quiet becomes querulous. There are more people here: but who?

Lovely members !! This weekend we bring you a plot drop whose blueprint was created by the fantastic, phenomenal, Sexy crew of Lia, Kat & Trixie !! They proposed it to us and we  knew we had to whip it into a full-formed event.

This being said, please message the main if you want your muse to join the dooming courageous discussions! They will take place inside the Sick Bay on the 27th of July, in game time. Whether the character you sign up for this will actually proceed to venture over the frozen ocean in hunting down the Silent One is up to you ( someone else can persuade them against it, or maybe they just realize they have brains. hmmm ? a lot can happen ).

For the purpose of keeping the circle small, we would like to cap the muses you can sign up at 1 muse per player.

[terrorhqs]

                                             𝐂𝐀𝐑𝐍𝐈𝐕𝐀𝐋𝐄; 𝐦𝐢𝐝𝐧𝐢𝐠𝐡𝐭.

you find yourself wandering to the clairvoyant’s tent as the night winds down. the seer is cloaked by darkness, by shadow, and they do little to beckon you forth as you sit. distantly, you hear the raucous laughter as a sovereign of fools is crowned in the theatre. brittle whispers from the clairvoyant before you steal your attention, and you turn your gaze forward to fix on the tarot cards laid out, onto the slender fingers splayed on top.

“how’s this all work then?” you start, chuckling nervously. “shall i pick one?” you’ve never had a tarot reading before. at home, you were fraught with nerves, fearful of what you may find in a dark parlor holding hands with tittering strangers. this feels different, somehow, as if anything that can be gleaned can be chalked up to a drunken dream - a mirage in the north.

you start to reach - a raspy voice stops you. it’s the clairvoyant’s voice, yes, but something is... strange. a tinny, echoing quality, lilting, as if his voice is experimenting with itself. 

“what are you? by god, mercy,” he rasps. 

“what?”

“men! help! agathe!” wailing and rasping. “it is swift!”

you stumble back, chair falling, just as darkness descends upon the entire carnivale. in an instant, a gust of infernal wind blows all the blazing torches out. there is but black and the light of the moon - and even this is meager guidance, half-hidden by pale, mordant clouds, veiled in a fog’s film.

when you look back, the figure is gone. the clairvoyant enters not a half-moment later, frantic to gather his paraphernalia and move on, ignoring your dazed befuddlement.

sailors are notorious for their superstitions, but the wardroom officers are quick to try and quell the hushed murmuring. what kind of northern wind kills the light of dozens of torches blazing unbidden all night? 

“it is only the weather, sailors.” booms the captain from the theatre stage, naught but a silhouette, the cadence of his voice unhurried as it carries through the city of tents. “allow your eyes to adjust to the dark, follow the light of the moon out, calmly, and get to the ship. nothing to fear but the bottle-ache come morn. those able to escort the guests ought to.”

the orders are clear, and everyone shifts to begin shuffling out - until a cry rings out. one of the ship’s caulkers points to the caribou head mounted upon the wall, a prize from an earlier hunt. “i saw it blink! the head! i swear it!”

“do you dare incite hysteria? get ahold of yourself.” the captain calls, the promise of repercussion coloring his voice. 

behind him, past the canvas, a shadow lurks in the moonlight. the silhouette is that of a man, perhaps a member of the crew listening in, still and silent and largely unacknowledged. then, it shifts. it morphs, growing in size, growing into something not human nor animal, its maw dwarfing the makeshift theatre. those facing the officers erupt into gasps and panicked yelling - to grab the guns, to get back onto the ship, towards shelter. but even those willing to face the beast, those who run out and round the tent to confront it - all they are met with is the chill, and footprints where it once stood.

elsewhere, there is chaos.

THE MARKED, lingering in the theatre when pandemonium strikes, spots what appears to be an apparition manifesting on stage in wisps and blurs. they cannot comprehend where its limbs begin and where the shadows end: it seems to melt inside them. it points, mouthing silently. THE HARUSPEX finds them in a state of terror, transfixed - looks towards the stage, and sees nothing. it is time to leave.

THE LOVER searches for her partner in the chaos, but runs into THE IDOL, who is struck by shock for reasons unknown and refuses to move even as they are pushed by the crowd. They keep whispering a name, like a prayer or mantra, one THE LOVER would have remembered in normal circumstances as being akin to the DEVOTED’s surname. THE LOVER is left little choice but to attempt to rouse them from their stupor.

THE INTREPID is among the first to guide the crew back to the ship, but in the disarray, is accidentally jostled as they near the docks, loses their balance, and falls into the shallow water that has grown colder in the night. THE SOCIALITE, mercifully, is nearby and notices, and is quick to pull them out and usher them to the warmth of the ship. each moment is critical.

THE ENIGMA, never without their arms, glimpses an amorphous shadow grow longer, taller, from inside the Hall of Games. Without wasting a crucial delay, an expert dancer on the floor between life and death, they take aim and fire through the canvas - only to receive a very human yell in response. on the other side of the tent, THE DEVOTED has only just been grazed by the bullet - but the wound, while shallow, flows.

The CAPTAIN has led the band of running people over onto the beach, only to find a stray outline dotting the shore - THE SCION. They have known each other well enough, but this is the first time they meet without the gild of their family status or an admiralty gala. It takes a moment to start speaking - but as they do, they notice something eerie. The sea, which had been a steady droning throughout their nights and days, falls quiet. From the water, a guttural, animal voice begins to shout.

Among all the supply crates unloaded off the ship, there is also THE PURSER’S ledger that found its way among the paraphernalia. They left in search of it shortly after the crowning of the topsy-turvy sovereign, and are in no small measure taken aback to see THE EMPRESARIO labouring over it in the dying lights. The candle in their hand barely illuminates their face. But when THE PURSER starts shouting for an explanation, the candle garners a life of its own - it flares in a white blaze before consuming itself in a fire, scalding flesh and paper alike.

THE GODKILLER, having accumulated their trove of stolen trinkets and treasures throughout the evening, stands apart from the crowd to assess their prizes - only to find they’ve gone missing. Did someone steal them back? Does someone know what they’ve done? THE DOE-HEARTED, calling for their uncle, runs into THE GODKILLER sifting through the dirt and rocks - only to see the massive shadow from earlier pass through the tents. 

THE COMMANDER was still hacking away at the dregs of his dinner, sitting opposite from THE SHADOW. When the pandemonium begins, both heads turn with precision - only to see that their hands are coated in something treacle-red. Like molasses, it covers the plate and mess-table, stretching over and under their nails. Instead of sea-biscuits, the plates now hold raw, pink flesh. The SHADOW stares unblinking - his eyes seem to say: Do you see it too? The COMMANDER has no answer; they no longer know what’s there and what isn’t.

THE VETERAN is quick to prepare the ship, though some unease nags her, begging for attention. The realization brings a sharp sickness to stomachs - the ocean is silent. The waves below them still moves, but no sound can be heard, the stillness jarring. When she turns to THE NOBLE to confirm the silence, the girl is found glassy-eyed staring into the open sea through the won telescope, shaking. Any attempt at reaching THE NOBLE through her stupor is unsuccessful. When the girl finally returns in spirit, she cannot recall how or when she returned to the ship. The ocean is roaring. 

THE CHRONICLER and THE CLAIRVOYANT are stumbling as they return to the ship, clinging fingers suddenly wrenched apart following a sharp yelp. Among them, a sizzling sound beings to pick up, then whimpering. They watch as angry burns swirl into runes pressed onto the seer’s skin, unseen fires melting wide paths from the boy before stopping right before the girl’s skirts, now-thawed ice leaving the water pooling THE CHRONICLER red-tinted and too viscous. 

THE CHAPLAIN had accompanied THE WILDCARD in the maze of wonders shortly before everything precipitated. As they’re sat there mulling over Shakespeare’s dreams and nightmares, a very real terror materializes - with a smell of sulfur and a sputtering of electricity, the projector goes out. The band snaps clean in two. It should be over, but for several seconds, the images continue to move on the paper-wall, shapes deformed and liminal. Both priest and soldier can only gape as they struggle to make sense of it.

THE DOCTOR and THE ROMANTIC, in the meantime, have ventured to climb one of the tamer bergs. Atop, they can marvel at the vast expanse of the bay and the sea beyond - perhaps they can even glimpse their trajectory ahead. But further ahead, they see something - a ship parallel of the Promethean, from their perch, they can make out its name: Agathe. They see no lights onboard, hear no distant yelling - no signs of life. They refuse to blink, watching the ship disappear into encroaching fog. 

The SONGBIRD has stumbled upon THE STOWAWAY, miles away from the rest of the revelry folk. when the murmur begins - at first they think it is the gravel shifting under a man’s boot. but then sounds begin to form: Hjælp os. Vis dit ansigt. Spoken over and over again. THE SONGBIRD, rendered desperate and death-white, begs the translator to explain what it means. No answer comes. The murmur doesn’t stop. 

after a long and harrowing night, morning comes as if nothing was ever amiss. carnivale is as the crew left it the evening before - without its grotesque aberrations. the caribou head remains still, the projector has stopped, no shadows lurk in the canvas - only tents to be broken down and debris cleaned up remain. with little evidence of whatever machinations were at play the evening before, save for whispers and memory, there is still a voyage ahead. there are preparations to be done. there are new terrors to face.

therein lies our first plot drop, players! you’ll notice we have paired prompts, and we can’t WAIT to see how these play out on the dash! keep in mind that you are, of course, welcome to write interactions not outlined by the plot drop.

the timeline spans from midnight of the night of the carnivale to the end of the week, just before they set sail for the passage. you may write out events of the evening, where everything has boiled unto a point of chaos, or the morning after, or any of the days still left in their layover on land. in this time, the people of the Promethean may hunt for fresh meat and fish, attempt to accompany the icemasters in climbing the surrounding icebergs, explore the little town of godhvn, or study the natural flora and fauna.

[aveaugvstus]

UNDERWATER.     /    FOR WHEN YOU GAZE LONG INTO THE ABYSS

it is the rare opportunity of a lifetime — not the kind you would expect of glorious battle and imperial conquest — but an opportunity nonethless: to go where no man has ever been. in an invention so novel and cutting-edge as to be considered perilous, the thrill of courting death and flirting with the very brink of dauntlessness is a surge of anaesthetic for the fear. there are other volunteers too invaluable to make the plunge, vladimir among them. you would not allow it even if the quartermaster had turned you away.

here, at last, there is a grim satisfaction in the knowledge that you are no different. mortality is the great leveller that cares not for dormant heroics and prestigious bloodlines. you will be useful. you will be a pioneer to the deeps.

one. advance, half a fathom’s slack. 

two. halt, the tube is kinked.

three. emergency, help, pull him up.

the diving suit is a lumbering, graceless contraption, layer upon layer of heavy grade twill and rubber but the moment you hit the water, all is forgotten. the cold permits your presence like nothing more than stray flotsam, the vast indifference of the waves sending a fragment of ocean wreckage returning to the deep. a distant awareness seeps down your spine as you are lowered inch by screeching inch of pulley and rope: this cold could kill you. a single stray movement, a too-sharp turn, could send a deluge flooding into your helmet. at which point it would not be a question of survival, or how quickly the crew stationed like sentinels at the gunwhale could haul him up against the crushing weight of the ocean, gravity and flawed human ingenuity laying their stake in you — but whether man can conquer nature, and if it was ever meant to.

you move through the descent with a muted, sunken calm, breaking the oil-slick skin of the water, and then under it, into the impenetrable depths of the sea. the quartermaster and a few handier members of the crew have rigged a lamp to the helm. if you turn you head, you can see an arm’s length or two ahead of you, but beyond that, you could stare into the maw of a beast and not know it. you would describe it akin to stygian waters, or dante’s purgatory, if you could see anything past your own hands. there is no marvelling at the deep and your pilgrimage into a land unchartered by man or god, all there is to see is endless nothingness. 

guided by the dim lantern light afixed to your suit, you turn to face the keel. the world narrows before you, framed by the circular periphery of the vision port. the cause of the incident is immediately apparent: a hunk of ice lodged between the gunmetal blades of the screw propeller. 

you hack at it with your spear, weakening the structure until it splinters, the fragments cleaving away from the mass caught between the blades. it’s over faster than the time it had taken to don the suit, run through the safety and rescue protocol, and be lowered into the water. for a moment, there’s a surge of relief that washes over you like laughter — is that it? all the pomp and circumstance for a straightforward errand solved in half the time than it took to volunteer yourself. and like the most haunting kinds of hubris, the pomegranate-sweet crush of pride comes before the fall.

you feel it on you like dead men can feel the bayonet at their back, the point pressed to spine before it sticks you through, the moment right before bullet ruptures skin. you turn, because you must, and terror does not care for the cowardice of devouring you with your back turned. if it is death, then you would face it headfirst as you have with all else in your life, survival be damned.

the vision port becomes crosshairs and you at the center. the diving suit a cage for your earlier arrogance, a waterproof coffin for a soul lost to the sea. the shadows billow and swell like black tar swallowing everything around you, your mind stretches wide and still it doesn’t quite comprehend what it is seeing till it is illuminated by your ghostly light, pale as a grave. the shape of the face you have known all your life is not one you were expecting to see down here, amidst the ice and nothingness and endless cold but you would recognise him in death, at the end of the world —

vladya  —

you reach for him, because you always will and your body reacts in a daze, the grip of soothing paralysis enveloping you like a siren luring you to obliteration before your mind can think no, no, a trick, a shade of death sent by the devil himself, or worse, whatever it is that even the devil cannot reach down here below the world, and the jerk of your hand is enough to tip the balance keeping you anchored to your lifeline. 

he, it, it reaches for you, too, but his eyes his eyes, unseeing, the life gone right out of them, severed like a throat.

you scream. 

a guttural, animal howl of raw anguish, a sound of deliverance with nothing but the depths to hear you. you claw at the ropes, three pulls, five, six — heaved out of the water like a deus ex machina snatching you at the last beat from the jaws of terror. 

you are shaking as the command gather to hear your report, the survey of your success, and you relay the news from a strangled state of detachment. you do not speak of what you saw, or who. not because you are afraid to be labelled mad or dismisssed, but because you know even in your bated silence, in time they will all come to see what you glimpsed in the ice.

it knows. you could have seen any face or murdered soul down there; it could have been anyone. a body would have been horrifying enough, you have seen men die before — it knows; it has seen into your heart and vivisected it, it has taken your fear and made a feast out of it what it found there.

you are still shaking as they release you, grasping at the taffrails for purchase with the rationalisation of the cold. 

when vladimir comes, you cannot look him in the eye. you do not know how without seeing what the sea has shown you. it has lain waste to the salvation you harboured in your heart, the assurance that just this once, this life, he would live. and if he comes to you now, with soft words and slivers of aching kindness, you think you will break. 

it has shown you the prophecy; the cycle begins anew. 

[terrorhqs]

                          ( 001 ).   𝐂𝐑𝐎𝐖𝐍𝐈𝐍𝐆 𝐓𝐇𝐄 𝐓𝐎𝐏𝐒𝐘-𝐓𝐔𝐑𝐕𝐄𝐘 𝐒𝐎𝐕𝐄𝐑𝐄𝐈𝐆𝐍.

As promised and heralded, towards the end of the night the Captain cuts his way through the melee with a single goal in mind: awarding the prize of supreme fool, of loveable rogue, to those entering the topsy-turvy competition. This very occasion calls for an all soul’s gathering in the built-up theatre. For a handful of few, brief moments, scattered like dark pearls among the crew, a hush descends upon the sea of tents. Satyrs, devils, generals, kings, goddesses and all other manner of costumes glide into the space before the theatre's demi-stage, unblinking masks watching as the Captain and Commander walk to the center - a jester's crown seated atop a pillow, the garish faux gold glinting in the torchlight, bells jingling with every step.

"it is time to announce this carnivale's topsy-turvey sovereign, the ruler of fools!" commander wilkins' voice carries through the carnivale, as does their mirth - the crew cheers back in response, waving their masks in the air. "the sovereign is... HELENE BRUNSWICK!"

the crowd erupts as the crown is laid upon the noble's head, a bouquet of weeds pressed into her hands, and so too the prize - a brass telescope, once owned by captain malachy and weathered by years of use - though a few in the front jest with broad grins, "aye, will there be a chance to challenge the title yet!" "i'll out-buffoon the lady helene, give me a chance!" laughter echoes into the night, the stars burning bright into the firmament - as if to light the path forward for the promethean in the coming days.

too busy caught up in the ruckus, few notice when the winds shift and turn, flickering the torchlights frantic and wild, shadows dancing against the canvas walls - some might think the shades outnumber the people. few have noticed that temperatures have dropped, creeping nearly ten degrees cooler.

as the crowd disperses, one might gleefully peer through the brass telescope and into the dark horizon - to see an ominous shadow appearing on the skyline. it is no ship, but a shape shifting in size and clarity - one moment, it appears as tall as a building, amorphous and silent. the next, there is nothing at all. a hallucination? a drunken vision?

as you consider it, do not forget to listen - for the waves have grown silent, and even the creaking of the ships and ice have grown muted.

CONGRATULATIONS to helene/tilda for attaining the title of topsy-turvey sovereign - truly  no small and trivial victory for someone setting foot on an expedition for the first time. as for the rest of you, fret not — you still have time to outline your character’s consolation prizes, whether they are in the guise of more booze, an illicit consort behind the tent, or a joking provocation launched towards that sailor you just cannot stand. you have time to initiate current event threads until FRIDAY THE 19TH, when the major plot drop will be posted.

[terrorhqs]

                                             𝘖𝘕𝘌 𝘓𝘈𝘚𝘛 𝘊𝘈𝘙𝘕𝘐𝘝𝘈𝘓𝘌.

featuring. — 𝐭𝐡𝐞 𝐭𝐞𝐧𝐭 𝐨𝐟 𝐰𝐨𝐧𝐝𝐞𝐫𝐬, 𝐭𝐨𝐩𝐬𝐲-𝐭𝐮𝐫𝐯𝐲 𝐬𝐨𝐯𝐞𝐫𝐞𝐢𝐠𝐧𝐬, 𝐭𝐡𝐞 𝐦𝐚𝐤𝐞-𝐬𝐡𝐢𝐟𝐭 𝐭𝐡𝐞𝐚𝐭𝐞𝐫, 𝐭𝐡𝐞 𝐛𝐮𝐟𝐟𝐞𝐭 𝐩𝐚𝐫𝐥𝐨𝐮𝐫, 𝐭𝐡𝐞 𝐭𝐚𝐫𝐨𝐭 𝐫𝐞𝐚𝐝𝐢𝐧𝐠, 𝐭𝐡𝐞 𝐡𝐚𝐥𝐥 𝐨𝐟 𝐠𝐚𝐦𝐞𝐬.

[terrorhqs]

𝟒 𝐉𝐮𝐥𝐲, 𝟏𝟖𝟒𝟓

You join the Promethean after thirty days at sea as they pull into a Danish whaling station in Disko Bay after rounding the southern tip of Greenland. The weather proves far chillier than Greenhithe and London, though it is nothing compared to what the sailors claim the Arctic will prove out. On the ghost-fringes of the horizon, bergy bits and growlers float silently upon the teal sea, enclosed by a grey basalt landscape. The colors are muted, milk-white and harsh - but islets of liveliness stand out. The shore is dotted by little red houses and shacks, their breadth already half-hidden by the lava plateau. This town, Godhavn, will be the last major stop before heading into the thick of the Northwest Passage and its merciless chill, and it is here that the Promethean, along with an accompanying transport ship, disembark for a week to restock. But the reasons behind this layover extend beyond coal and supplies. The crew aboard is getting ready to hunt for fresh fish and caribou, while the guests are stepping with dainty gait to pluck their impressions from this strange new earth. During the span of this week, the transport ship that was docked in Greenland will carry live cattle to be transferred onto the Promethean, as well as a surplus of medicine, spirits and rations. After the week is over, the transport ship will set sail for England once more, and with it, official dispatches from Captain Dowling and any personal letters from the crew and guests. The next missives, the captain says, will be sent from Hong Kong.

It is on the third day that the Commander proposes an idea: One last Carnivale before they buckle down and traverse the trying Northwest Passage - for the morale of the crew, for the leisure of the guests, he suggests. After the restocking, the Promethean has enough food and supplies to sustain them for nearly five years - more than twice the expected duration of the expedition. What is one night of revelry to the plenitude that abounds in the hold?

With the captain’s express permission on the strict condition that the crew be in proper shape bright and early the next morning to scrub the deck down with holystones, preparations begin.

Upon the barren grounds, a tarp-tent is raised, high enough to dwarf Godhavn and the stars alike - inside, lighted within and without by scores of torches, stretch canvas walls dyed in vibrant colors, sectioned and painted with images reflecting each theme. Brightly clad and strangely garbed figures with papier-mache faces twirl around with comet tails of gold-cloth, and the whole world yields to these fantasies. Pirates with masks of blue death, unicorns made from tin foil and brass, generals of Napoleon’s army, members of the Greek Chorus filled the space. Beside the entrance, a large trunk of costumes, masks, and props lay waiting. “Feel free to mix and match,” says a satyr with a paper fan. Along the walls are tables lined with punch bowls, from which princesses in feline masks and a Lady Brittania ladled the liquor into teacups. Where the cooks prepare beef tongue, smoked hams, and Gloucestershire cheeses for the officers and esteemed guests - with thin portions of roasted caribou, vegetables medley, and canned fruit for the rest - the tarp grows black with oven-smoke and humid with steam and scent. In the midst of all this...

𝐓𝐎 𝐖𝐇𝐄𝐑𝐄 𝐃𝐎 𝐘𝐎𝐔 𝐃𝐄𝐁𝐀𝐔𝐂𝐇?

✹ TAROT READINGS: One of the smaller tents houses a slender figure hidden behind a cloak and cloudy mystique - The Clairvoyant. The fortune teller’s tent is dimly lit, the only light permitted in is that of the undulating torch outside. Incense permeates the air - you sit, and a shot of whiskey is placed at your elbow. Have your cards or palms read or, if you’re feeling particularly brave, you may ask The Clairvoyant to hold a seance - alone or in a group. Don’t worry; the Chaplain is there to oversee the turning of this blasphemous tide. Do you call upon the spirits? 

✹ THEATRE: A short walk away, sectioned off by stacked barrels and sheer sheets and hanging crepe paper, is a makeshift stage surrounded by wooden chairs hauled off the ship’s messes. Seamen with painted faces wielding props and steins brimming with strong grog reenact one of The Songbird’s operas in admirable falsettos. One might swear one of the men has nabbed one of her dresses and donned it just for the show. Loud music blares from a mechanical music player cranked by a wood sprite. Do you sing along?

✹ HALL OF GAMES: In another tent, racing horses painted into the canvas oversee gamblers engrossed in card games, ‘hazard’, and ‘chequers’. Tobacco are the prizes to be won, but some bet their favorite books or their week’s ration of chocolate and biscuits. The Veteran is seen taking the hide off several sailor’s backs at the card table. If one prefers to bet on horses, there are those who eagerly volunteer to don hobby horses and race laps around the tent to raucous cheers and jeers. Chiefly among these, the Scion leads the tracks as would-be winner. Do you make merry? 

✹ TENT OF WONDERS: The intricate workings of a maze, but rendered picturesque enough to rival the best (and strangest) of palazzos. A projector, the most recent invention of the time, is casting fragments of wonder upon the walls - silhouettes that leave the seer gasping, morphing reality into a dreamlike land. Costumed crew and miscreant guests will jump at you from behind the scenery and boxes, and you catch sight of the Noble, a laughing blur racing past,  just as you think you are nearing the maze’s end. The Lover is overheard saying there’s no maze quite like the court of England - but other sailors assure you the prize at the end is worth finding. Do you discover what the center leads to? 

✹ TOPSY-TURVY SOVEREIGN: The stage of a contest, only not one of skill or mettle, but rather of the intrepid bravery it takes to render oneself a fool. For it is this that makes the target of this competition: who can play upon the highest jest - from pranks to games of imitation, form singing to hopping on a hobby-horse - earns their just reward (the Doctor, of course, standing by should he be needed). Whoever will stake the most refined act as royal buffoon is named topsy-turvy sovereign of the Carnivale. Do you earn your crown?

welcome to terrorhqs’ very first event! this event will start TODAY, 6/3, and extend until 6/19 when the second part of the event will be dropped. this also marks our very first task: post either a graphic of your muse’s carnivale finery OR write a diary entry containing their thoughts on godhvn and the carnivale! if you’re feeling especially ambitious, you may certainly do both! we ask that members keep their threads related to the carnivale event and to tag their task with THQTASK. happy writing!

[terrorhqs]

JULY 15TH, 1845 - 4: 47PM

with the ice freed from the propeller, the promethean can trek on, and as two days pass after the state dinners, all goes as it should. per the captain’s orders, they’ve drawn closer to devon island in the off chance they may need to run aground for maintenance after striking ice, but it proves unnecessary. temperatures drop the further into the arctic they go, dipping just above freezing during the day outside and even colder in the evenings, though not the coldest an expedition has seen - and they are gifted with the modern luxury of central heating keeping the interior of the ship cushy and mild.  

the ocean is quiet until they are close to the westernmost tip of devon island, a seldom explored and sparsely mapped member of the arctic archipelago - only the southern and western coast having been charted by previous expeditions. THE IDOL is on watch, and by sheer fleeting luck, spots figures running down the coast through his spyglass, their arms waving frantically. he blinks, disbelieving - perhaps locals, he reasons? but he’d overheard THE CAPTAIN earlier say that the island is largely uninhabited. he strains his ear to listen closer.

“help! help!” perhaps the wind is merciful here, to carry their voices to him. by now, others on watch have gathered around the sergeant.

survivors?

word reaches THE CAPTAIN not seconds later in an impromptu officer’s meeting in which all the wardroom officers are briefed. impossible, they murmur. from an older expedition, perhaps? wouldn’t they have heard word of one gone missing? certainly not an english expedition. regardless of what is unknown, there is little choice but to offer help, and the orders are issued quickly. they are to stop in their path and send out a boat to the survivors with THE VETERAN and THE STOWAWAY to make first contact. the crew watches from the upper deck despite the chill, breaths bated. the two pull on shore and exchange words with those on shore - minutes pass with tense silence. then - a decision made. the castaways gesture to others unseen, and those watching gasp - there are more? from beyond the grey hills a handful more emerge, weary and exhausted, and they join them on their boat as they row back to the promethean.

onboard, THE CAPTAIN, THE COMMANDER, THE DOCTOR, and THE PURSER are there to meet them, surrounded by THE IDOL, THE SCION, and THE WILDCARD, weapons cocked but within reach - the rest surrounding them, craning to see. seven survivors, THE CASSANDRA, THE JUDAS, THE SCARLET, THE AMULET, THE SUNFLOWER, THE THESPIAN, THE VOLCANIC, and THE AMBASSADOR climb aboard, each as ragged as the next, looking thin but not malnourished. exhausted, but not decrepit. they are ushered into the great cabin with the officers, guards, and stewards who quickly bring hot tea and meals, waiting for the survivors settle before beginning their story.

they speak english with french coloring - a part of a french research expedition, the agathe. they’d arrived in the arctic nearly a month prior, on their own mission of exploration and research. the seas, calm. their findings? fruitful. but it had not been long before things took a turn. strange happenings, unearthly howlings in the night, visions of dead men gliding across the ice. they’d arrived in summer as well, but the cold was nothing they’d ever experienced before.

then, ‘le silencieux’. the silent one.

‘the silent one?’ THE COMMANDER repeats.

‘we don’t know what it sounds like,’ THE JUDAS says, ‘it speaks in the voices of the dead, of those on whom it fed, what they screamed as they were dying.’

it sunk their ship. THE SUNFLOWER still remembers the sight of its tendrils rising up from the waters through the windows. many of them had made it to shore, miraculously, crowding onto the agathe’s two boats and furiously rowing to shore as the ship sunk below the water. they last saw their captain clinging to the ship’s mast, the sea swallowing him and the agathe whole.

‘it can’t follow on land in its true form -  it needs to take the form of something human.’

there is a shift in the room, shared sidelong glances and shuffling feet. even the more superstitious of the promethean’s crew can’t help but question the word of a stranger. but THE JUDAS presses on, insistent.

‘it came to us as our captain. that night, he came out of the darkness calling for us,’ THE AMULET whispers. ‘but it wasn’t him. its voice sounded like him, but it wasn’t right. it looked like him too, but there was something wrong - like seeing a face through smoke. he asked us to follow him to the ship - we saw the agathe’s shadow on the water, as if it had never sunk.’

there were plenty who followed, eager for the captain’s presence and guiding hand, hoping to return to the ship and leave. most of those who made it to shore trailed after the vision of the captain - but it was THE JUDAS who stayed back first. ‘my friends, this is not our captain. we watched him perish and his noble soul ascend - this is a nightmare. a charlatan. it does not intend to lead you through the black, but into the dark. call me a traitor, call me a judas, but with me you will stay alive.’

‘those who stayed, you see before you.’ they do, in a huddled mass. alive. ‘the rest…’

the rest were never seen again.

THE THESPIAN, silent all this time, suddenly pipes up. ‘we hadn’t seen it in weeks. perhaps because it had - had feasted. but it’s started tormenting us again. with the sounds of our dead crew. and oh god, the visions. visions of our comrades standing paces away, unmoving, speaking in its cursed tongue. their dead words.’

a silence follows as the survivors end their story, those in the room left with the choice to believe. it is enough for the night. if they speak the truth, there will be more to discuss in the coming days. they are led past the rest of the gawking ship to the cots and hammocks set up in the orlop where they may sleep - a decision regarding the rest of the journey and what is to be done about the survivors will come when they have recovered from their ordeal.

ADMIN NOTE: that concludes this plot drop, players! we hope you’re just as excited as we are, because this does mean indeed a new batch of skeletons that will be released between the posting of this plot drop and the coming day. we know a ton of new info has just been dropped, but please do feel free to come to us with any clarifying questions. for now, this is what the crew knows:

there are survivors to the french ship, the agathe - they had been an exploration and research expedition. the survivors have been on their own for nearly a month.

there is an entity that hunts them - ‘the silent one’. named because they don’t know what it sounds like, as it borrows the voices of those upon which  it has feasted.

the silent one cannot come on land in its true form. it must take the form of those it has eaten.

it came to the initial group of survivors, who numbered around fifteen, as their deceased captain, beckoning them to join it. they also saw an apparition of the sunken agathe on the water.

there were those who followed it. only seven did not, following THE JUDAS instead. they are the sole survivors of the agathe.

the silent one has been quiet thus far, presumably because it has been sated, but in the past few days the survivors have begun to see visions of their dead crew and hear their ghostly coaxing.

currently, the promethean is floating where it found the survivors, near devon island, and will continue to do so while the promethean crew tries to learn more from the survivors and what they know, then decide upon a course of action. you can, of course, finish all threads from this week’s drops - threads taking place after this drop will be using the date range of july 16th-24th. happy writing!