#though obviously i won't for long

[wigglesdtuff]

She serves cunt, not a country

[future-crab]

On the one hand, I feel like Gerard might not be as chatty this time around as he was last tour because they're probably going to be in character, but on the other hand I know that no power on earth can stop them from saying strange and off-putting things onstage

[mystiquedrops]

Finally I FINISHED IT.

No clue if I burnt the house down, or cooked, or poisoned- but I did it !

(Ignore if it's offbeat btw-)

(and do ignore that I put Whit's Ch2 earrings instead of his Ch1 earrings. I didn't wanna redraw a pair of earrings-)

[loopdile]

transcription under the cut!

The worst ship chart ever.

Ship name: Loopdile

[insert very tiny math] Ages: 43 and 31? Age difference: 8?

Portrait of Odile with an eyebrow raised saying "I'm not telling." Name: Odile. Gender: trans woman (maybe nb but idrc rn). Sexuality: Aro lesbian.

Portrait of Loop with a finger raised saying "I'm not telling~" Name: Loop. Gender: Nonbinary (??? what is identity). Sexuality: Ace bi

General sliders. "Relationship starts quickly vs the slowest burn you can possibly imagine" is marked fairly close to slowly and trails off towards slow burn. "They'll be together forever vs They'll break up after 2 months tops" has two marks, one at 2 months and one really close to forever. "Cute couple vs dear god they're ugly" is marked a quarter slider away from cute. "Reasonably healthy and normal relationship vs They're dying and getting killed and hurt man" has a wide mark all the way from the halfway point to a quarter away from healthy. "Extremely popular ship vs literally no one ships this but me" is marked fairly close to no one.

Specific sliders. "Giddy and happy to be in love vs they just killed themselves 40 times in their head at the idea of being in love" has loop at died and odile fairly close to died. "The madoka vs the homura" has loop at homura and odile a third of the slider away. "Telling anyone who will listen about their partner vs rarely brings up that they're in a relationship" has loop a quarter away from telling anyone and odile fairly close to rarely. "eats and/or encourages a healthy diet vs eats dry instant noodles only" has loop at noodles and odile a third away from healthy. "crazy ass vs truck freak" has loop at crazy ass and odile fairly close to truck freak.

Tell me why your ship is interesting... go!

What draws them together? Odile is the only motherfucker that can handle them; Loop is weird and intriguing.

What stands in the way? Poor communication skills; Loop is clingy but Odile often needs space; Loop lashes out and self-isolates.

What are their good traits? They're both hilarious and dedicated to the bit; they're both devoted to their loved ones.

What makes them hopeless at romance? Odile is aro-spec and uninterested in romance; Loop both hates/fears and craves romance; Luckily they can just be something stranger!

Describe them with one trope: found family, deadpan x emotional, secret third thing, I'll protect you from yourself.

[lunar-wandering]

remembering that im gonna have to get my wisdom teeth taken out sometime next year and experiencing all 5 stages of panic

[merge-conflict]

if i have a controversial rogue opinion it's that i think taking johnny at face value when he says rogue will do whatever he says (implying he has all the power) is to believe what he tells himself which as we know isn't always...accurate. and the impression i get from some off-hand comments i've read that she was somehow forced or obligated to help him is i think sort of robbing her of her own agency? like yeah she has shit taste in men but she could have turned him down if she wanted to and she didn't really want to. it's a flaw that says something about how she values loyalty and the people she loves. there's nothing even in johnny's memories that suggests she's hopelessly heartbroken or that helpless to resist, hell santiago is the one telling her to consider the offer. she's got johnny's back, but you very obviously get the sense she doesn't need him in her life and has her own shit going on, you know? anyway maybe i'm misunderstanding folks i just love that she built her own empire on being ruthless and savvy and yet still has a soft spot for her old shitheel ex (but only after he grovels and embarrasses himself a little). ok thanks for reading my tedx talk.

[beatcroc]

listen. i love pizza tower with my whole heart & mind. you know this. you Know. but first and foremost i am a character design bitch, and the pizzas are, frankly, very bland. this is not a critique or a complaint, because obviously That's Not The Point and more importantly i would be horrified if anyone tried doing that much animation with anything more complex than what's there. but also it means when i get a taste of some truly whack ass insane design work again it is like fuuuucking catnip

[cetoddle-archive]

recommend me books. now

[tardis--dreams]

Ok i reported her after she sent me two more emails. It's not gonna do anything but i just really wanted my lecturer to know so-

[rubys-domain]

fuck, what if the reason i'm winning my 50/50's is because hoyo doesn't want me to have tighnari

[taexual]

hey not to sound rude or anything it’s just a critic that i would like to share with you bc i feel like you write too much detail about other things that aren’t really how do i say it not important to the storyline. for example you wrote almost a whole chapter of jk and his friends doing absolutely nothing other than bicker for 30mins while drinking beer and what not so while it’s cool and very important for us readers to know about some details and information about the characters in the story it’s just too much and you did it again in chapter 7 too it’s like we never get to see him interact with oc more than 5 mins and the next moment he’s with his friends or idk she has to work on this and that like i get it she has to work but i don’t need to know the equipments. again im not trying to be rude or discredit you i love your story it’s very interesting i just want to let you know what you might do better next time if you would allow us to criticize you :)

hii, thank you so much for your insight!! i really appreciate it, although i am sorry those scenes felt excessive for you. they're meant to visualise the atmosphere, introduce you to the characters, build on their personalities, and strengthen the storyline, so it isn't just two-dimensional cardboard cut-outs interacting with each other in a vacuum. i'm hoping for full immersion into this universe with the way i write, but i understand if you're mainly interested in the two main characters interacting -- that's obviously totally fine! thank you for reading so far, anyway! 🥰❤️

[celestial-sapphicss]

.

[crispycreambacon]

Image Description: The artist's sona, a bunny, gawking at a laptop on their left and gripping their tablet pen while their body is turned to the drawing tablet on their right

/End ID

trying to draw while watching the new hbomberguy vid was a bad idea because for the entire second half i was like this

[sabertoothwalrus]

tips for getting people to like your ocs

*disclaimer: this is based on what’s worked for me, aka an artist that likes to make comics/storyboards. so this advice is directed at people who do that

you can do things like this:

Which is fun! Character sheets like this are great, especially for personal reference! But frankly, I don’t think most people engage with this (at least I personally don’t). You could have the coolest character in the world, but it will be harder for most people to feel invested when they’re presented so neutrally like this.

My main piece of advice is: get better at writing.

That might sound harsh when said like that, but let me explain what I mean! (Not trying to imply you’re bad at writing either!)

What I tend to do is just throw characters into situations with as little handholding as I can. Give enough context that readers can follow along, but don’t feel like they’re being explained to.

what can you learn about the characters through their designs alone? (age, personality, economic status, occupation, etc)

what can you learn about the characters’ relationship though their interactions alone? (are they close? familial? romantic? is there hostility? are they tense/relaxed?)

what are the characters currently doing? what were they doing previously (how long have they been talking)? what are they going to do next? can you convey this without dialogue?

how do they feel about what they are doing? are they content? focused? over/understimulated? would they rather be doing something else?

where are they? does it matter? would establishing a setting in at least one panel clarify the scene? is there anything in the enviroment that could tell some of the story?

what time of day is it? what time of year is it? what is the weather like?

Now, with all this in mind, I'm going to give you another example. I'm going to use completely brand new characters for the sake of the experiment, so you won't have any bias (aka I can’t use Protagonist from above, since you already know all about him).

Did this get more of an emotional response from you than the first example? Why do you think so? Who are these characters? How do they know each other? What else can you infer about them? What happened? Who is "she"?

Now, you don't have to actually answer all those questions. But think about them! You can tell people a whole lot about your characters without ever showing them a list of their likes and dislikes.

Obviously, comics aren't the only way to get people invested in your original characters! But regardless, easily digestible formats will grab people's attention faster than huge blocks of text, and comics are a lot less work than doing wholeass storyboards.

Now go and share your ocs with the world!!!

[babisawyer]

I don't know why the exorcist 2 pissed people off so badly that was your average italian horror film.