#though it's only a first draft and I suspect my approach to editing will take all the fun out of it
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Well, after 13 years of writing fanfic I've finally written my first smut scene đ
#feels like I've completed a rite of passage#though it's only a first draft and I suspect my approach to editing will take all the fun out of it#honestly I'm really enjoying the process of writing my Big Bang fic despite my writer's block making me put it off for so long#glad I'm at the stage now where I'll actually have something to publish by November đ
đĽ°#shadowmonkeysbigbang
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Survival rate 0% (first draft)
Disclaimer
As the title says, this story is a first draft.
So it's not necessarily canon what happens here in the work and I'm experimenting here, as this account was meant to be.Â
For this reason, not everything that happens here will be pretty or make sense, and not everything will be complete. At least the story is being written.
The same goes for you writers who came across this story. No draft will and/or does not have to be perfect. In editing, you have every opportunity to shape everything as you please.
And on this account "BehindtheCremioda" I will take you with me on the way to my works every time. Or you can see more content here if some works don't end up on the main account after all.
Not only to motivate myself, but also all the writers out there. I believe that all writers will soon put their work in the public eye and even be proud of themselves and their work, no matter how much attention it gets.
So enjoy reading, find inspiration and, if you are a writer, have fun and good luck creating your work.
Who knows, maybe one of your works will be seen out there sooner or later.
Don't forget to eat and drink and have a great day.
Cremioda
Chapter [3]: Not over yet
The bright blue light greets us again, only this time it's the beginning of the whole thing.
Up close, it also looks literally glaring white, Minho can only squint his eyes at the moment as the source of the rumbling emerges.
Jeongin, who has transformed into Cart Titan in a flash, gathers the remaining six members of the group and sprints away from the source of the rumbling.
He would have run to the walls with the other members on his back, but in vain they break and large Titans the size of the wall now come towards them.
Without any words, the other members stare at Chan's transformation into his Rumbling form after they slowly open their eyes again.
The bright glow, which almost covers the light blue color of the light, spreads over the whole area and from Chan the light blue path of the path runs up to the sky; spreading far across the starry sky like a river that gets wider and wider.
"What have I done?" Minho murmurs to himself as his gaze runs along the coordinate like that of the others. But as soon as the Rumbling's slight earthquake starts and Jeongin slows down, all the remaining six members on the Cart Titan look at all the Rumbling Titans.
"If you hadn't killed him, none of this would have happened!" Han snorts out as he shoves Minho a little.
Minho raises his fist a little, but lowers it again and looks at Han with a piercing gaze.
"He wanted it himself! There was no other solution to this problem anyway!"
"No solution, my ass! It was Marley's fault, not Chan's!" Changbin now interjects cynically with a gesticulating hand, almost half-shouting at the approaching Rumbling.
"We don't have time for this discussion!", Jeongin intervenes with his deeper voice because of his titan, "What should we do about the rumbling now?"
Seungmin slowly stands up and looks at the others while holding on to Hyunjin's head, "We're the only ones who can stop the Rumbling now," he raises his eyes to all the Rumbling Titans, "We might be able to save Paradise if we act now. But to do that, we have to fight Chan. With the heat of all those Titans, we're more likely to burn, and as Titans, we can't stop them."
Without listening to any opinion or reaction from the others, Seungmin jumps off Jeongin's back and transforms into a Male Titan while jumping; Jeongin now turns his direction and follows Seungmin.
"That's Chan! We can't kill him just because he has the Founding Titan," Felix interjects this remark into the conversation and looks at everyone desperately, never suspecting to arrive at such a point again.
"But it's because of him that the rumbling was even possible," Han says, trying not to deny reality, "even though we wanted to avoid it as much as possible."
"Besides, we couldn't have known that such a reaction would occur," Hyunjin now joins in and strokes Felix and Han's shoulders once each.
"Let's not waste any time now," Minho doesn't remain silent, "I'm sure it will hurt him more than us if we leave him alone. He never wanted to kill anyone and he doesn't want to in the future."
As Han, Changbin, Felix and Hyunjin listen while Jeongin hurries closer to Chan with Seungmin, the four of them watch as Minho stands up and takes out his pocket knife.
"So let's free him from his torment and end it all here," determination flows in the words as Minho frowns slightly and examines his pocketknife, "Even if I have to kill him again."
Not a second later, Minho stabs the knife into his hand, dropping it in front of the others with his blood and the small lightning bolts crackling up in his hand.
"At least get yourselves to safety if you don't want to kill him."
All four listeners widen their eyes, Changbin still tries to hold Minho off, but he jumps right off Jeongin's back as he transforms into the Warhammer Titan.
After Minho transforms, he uses his Titan Hardening to form a large ramp from the ground up to Chan's Titan, preferably over his head.
But Minho would be gasping for air if he wasn't in the crystal in the ground as long as his gaze is directed upwards towards Chan's Titan.
Chan's titan was logically larger and this time wider in rumbling form. But he also has fleshy tentacles protruding from his Titan's arms, plus spirals wrapped in hardened shell between his shoulder blades, which serve as a protective shield around his shoulders and produce spikes along the fleshy tentacles on his arms.
And its chest, at least the middle of it above the sternum, is much more pronounced. The face is still covered in muscles, but they are clearly torn as if a knife had been used to constantly slash everything; even a few torn parts of the muscles hang somewhat detached from the face.
Is this even still the Founding titan?
But Chan doesn't do anything so far and somehow remains standing there.
Seungmin dares to come right out of the neck of his own titan and shoots the rakes of the 3D maneuver to the top of the ramp.
Feeling the time of one blink, he pulls himself right up after landing against the ramp, flying straight up to the head of Chan's titan after a few steps.
Jeongin remains standing at a distance with the rest of the members on his back, watching the action as long as nothing comes from Chan's side.
In a high arc, Seungmin swings directly to the other side over to the neck, lands on one of the spikes and slides down it while reattaching the rakes to the spikes to hold on.
Luckily, it's not as glaring as before, as the path has reached the sky. Which is also an advantage, as Seungmin can now look right at the neck of Chan's titan, takes out his blades and applies them.
In the next moment, he slices the neck of Chan's titan and tries to get Chan out of it after kneeling down. Seungmin gasps for air and widens his eyes a little.
Chan is not in the neck?
And the next moment, Seungmin is kneeling on a floor of sand. Pinches his eyes shut directly because the coordinate is in front of him; the Founding Titan's tree, its branches spreading far into the starry sky.
No rumbling, no earthquake, no noise.
Without hesitation, Seungmin stands up and walks away from the coordinate while the others are in their places as they are; Minho with his back lying on the ground and the others as they were sitting on Jeongin's back, only now he is no longer a Titan and he has titan marks, which are several lines from the side of his jawline and run up to his cheekbones.
Seungmin is held at a point on his upper arm, where he looks straight at it, blinking and then widening his eyes.
Chan holds him by the upper arm and has a bleeding scar on his neck where Lee Know tried to cut off his head earlier.
Ignoring Chan's expression, Seungmin hugs Chan directly and literally crushes him in the embrace.
Chan wasn't expecting this and leaves his arms outstretched, watching Seungmin, but returns the hug without any hesitation.
Seungmin hides his face in Chan's chest as he holds him tightly in his arms.
Chan slowly and gently strokes Seungmin's head as he looks at the others who come running to Chan and Seungmin and cuddle Chan and Seungmin in a group hug.
Chan almost flies backwards, the others are hugging him so hard and he tries to stretch his arms out enough to hug everyone once.
"I'll make the rumbling stop, but unfortunately that's all I can do for you," Chan says out of the void of silence as he strokes Minho's and Jeongin's heads, "You'll still have to keep killing me."
But suddenly other hands are stroking the heads of the others
Astonished, the others look behind them and see several Chans?
One Chan with blond hair looks like his entire eye has an infection, but still strokes Changbin and Han's head with both hands.
The other Chan with brown hair has a large stab wound in his chest, but he is stroking Felix's and Minho's head. Next to him, another Chan with blue hair has blood all over his upper body and face, but he still strokes Seungmin and Hyunjin's heads.
Speechlessness fills the group hug except for Chan who is still hugging his members.
#stray kids#fanfiction#writing#ao3#wattpad#skz#bang chan#lee know#seo changbin#hwang hyunjin#han jisung#lee felix#kim seungmin#jeongin#alice in borderland#aib#attack on titan#aot#parasyte#kabaneri of the iron fortress#tokyo ghoul#mirai nikki#sweet home#angst#crossover#gore#rumbling#apocalypse#blood#first draft
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Deep Focus: Chapter 1 [Tom Hiddleston x Reader]
Summary: Tomâs a successful porn director with a romantic streak which proves very popular with his female audience. His resident porn actress and business partner has been with him through thick and thin, the two of them growing completely inseparable, even as her own career starts taking off.
But working in such close proximity is intense, and burgeoning feelings threaten to complicate their professional relationship.
Mature, smut, porn director!AU, ethical porn production discussion, porn-star-and-coworker!reader. Friends to lovers, slow-ish burn. [7.7k]
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There was such a style to everything Tom wrote, everything he directed. A sincere passion that you suspected was always meant to be used elsewhere. You wondered if his craftsmanship was ever appreciated, on the other side of the screen, as strangers got hot and bothered watching each meticulously designed frame of his vision come to life.
Sure, it was porn. But Tom directed it like he could win an Oscar for âhot lifeguard pounded poolsideâ. This was his livelihood, his passion, and it was a damn shame he wasnât award-season eligible.
The names would make you wince, as you saw them uploaded to the site, thumbnails and previews drawing in viewers by the million with their shots of heaving bodies and glistening sweat. Tom never called the videos such crass things. Not in his scripts. You would get copies titled âRomantic Night Inâ or âOffice Love Affair.â He was a fan of sugar-coating what would be inside those innocuous white pages, a veneer of respectability which Tom insisted upon, regardless of how obvious the true nature of the videos was. But once the videos were sold, it was out of his hands. Your face contorted mid-faux-orgasm would be plastered across the site, and everyone involved would try and forget what happened.
Ignore the comments.
Keep moving.
You often wondered how Tom wound up in this place, with his sharply tailored suits and polished shoes, eloquent and educated, his words almost poetic as he directed mid-budget porn in hotel rooms and his studio day-in, day-out.
Then again, he never seemed particularly bothered by it. He gave each shoot his full attention, his full boundless enthusiasm and all the professionalism he could muster. You wondered how he balanced it, sometimes, the creative drive to press on with trying to be creative and shoehorn romance into films knowing that, ultimately, it was porn.
He had interviewed you like a real director might, talking about your life and experience and ambitions, almost apologetic when he had finally choked out âcould you undressâ, barely glancing at your naked form before he hired you as his first employee.
You asked him early on, while watching him try and assemble a fake restaurant-date set in the studio, complete with faux windows and an extra playing a waiter, why he bothered when three-minutes of good quality fucking footage would make him the same amount of money. Heâd given you a strange smile, the wrinkles beginning to appear at the corners of his eyes, and shrugged.
âI make what Iâd like to see.â
The words haunted you later, as your rather attractive co-star bent you over the white-cloth covered dining table and you allowed mewls and groans to escape your mouth without a second thought. Trying to avoid the muted blue of Tomâs eyes behind the cameraman.
Despite your reservations when you first started to work for him, Tom had won you over. His gentler, more romantic approach to pornography had a loyal following. Both of your pseudonyms garnered huge numbers of views across various platforms, and Tom was keen to cultivate a collection of female-friendly porn. Against all the odds, it was working.
And you loved working with him. He was a great director, and inspired writer, and a genuinely brilliant boss. He made sure you saw royalties, good pay, that everyone you worked with was screened and tested, always keeping you safe. Always.
Each time he called a wrap, passing you a robe and offering a meek congratulations on your performance, you found yourself more and more pleased you had wound up working with him.
âYou really do have a talent,â heâd told you one day, distracting you as you discussed a new script in his office.
You were sat opposite him, Tomâs glasses perched on his head as he watched you read, your feet resting against the leg of his desk. Youâd come in to your shared workspace to try some costumes out, to discuss new scenes, still recovering from a thoroughly exhausting shoot the day before. There were still light bruises around your wrists, and you caught Tom glancing at them worriedly each time your long-sleeved shirt slipped.
âI love that youâre such an actor,â he continued, hands tapping the desk as he spoke, âlike, a real actor.â
Your eyes drifted across the script, scanning it with your bottom lip between your teeth. He always appreciated your input, wanting the âfemale fantasyâ in a lot of his work, and heâd timidly shown you some âstudent-professorâ script heâd been working on. He was like that, embarrassed in a way which you wouldnât expect from a man with his considerable experience in adult entertainment. He was assertive, certain, even stern where it counted. But with just the two of you together, dancing around what was sexy and what wasnât, he seemed desperate to avoid saying anything you might perceive as too âcrudeâ.
âWhat do you mean?â youâd chuckled, still flicking through the first draft.
He only entrusted you with such early versions of his work â but that made sense. Your careers were symbiotic, tied to one another with an unspoken pact. He directed everything you were in, and you were in everything he directed.
It made sense.
âYou donât just⌠I donât know. You never make my scripts seem silly. Or cheesy. You⌠you really try and make them feel real. I could write anything, and youâll deliver the lines well. I was overseeing auditions earlier and... I just kept thinking none of them were you. I think you might be the best in the business.â
You rolled your eyes, offering him a disbelieving smirk, and he scoffed.
âIâm serious! I donât know what Iâd do without you.â
The weight of his words settled heavy in your chest, and you turned back to the script, frowning as you flicked through the loose-leaf pages. Tom fidgeted behind his desk, unhappy with losing your attention, but you ignored him.
âHere. If you want the fantasy to be believable, I think he needs to lock the office door. Make a show of it, you know. Cover my mouth,â you comment dismissively. Tom already has as pen in his hand, making notes. âIt could be hot, maybe âDonât make a sound or you canât cumâ, something like that. As if thereâs other students in the corridor outside.â
Nodding, Tom dutifully wrote down your words, mouth slightly open in realisation as he listened.
âDonât make a soundâŚâ Tom repeated, and you felt yourself blush.
âNot⌠not that exactly,â you backtracked, âyouâre the real writer! I just think, there needs to be some build up. A remind of the power dynamic. Him going straight to oral is a bit⌠fast. That could happen in any old plot, you know?â
You felt his eyes on you, looking up from the paper to spot Tom leaning back in his chair, a distant smile on his face.
âYou really are the best,â he praised, âthatâs great. Iâll do rewrites tonight.â
For a moment, you let his words hang heavy in the air. Then you blinked back at him, a slight frown pinching your forehead at his strange mood. He was calm, for once. Tom was usually a ball of enthusiasm, and you wondered if your dismissal of his words earlier had done something to hamper his spirit.
âItâs always easier to critique,â you dismissed, âI love the script, itâs great. I really think itâll be good. Hot. Maybe I can wear a Britneyschool girl costume, or something?â
He frowned a little, pinching the bridge of his nose at the thought.
âNo, weird. Weâre going for University student, just⌠a nice pair of jeans or something.â
âDonât they wear suits where you went, posh boy?â you teased, loving how it riled him up. âIâll try and dress like a smart person.â
âYou are smart, donât give me that.â
You rolled your eyes, loving how you managed to fluster him, putting the script back on his cluttered desk as you reached for your bag. This was how your meetings always went, a few hours of notes, some teasing, and a hasty retreat once Tom told you the next shoot day you had to attend. You still had a few hours of social media to do for the last video youâd shot together, notes from Tom, and you lamented the sight of the sun setting outside of your shared office. Youâd hoped for at least a bit of natural light today.
âIâm serious, you are!â Tom asserted, and you ignored him purposely as you shut down your laptop, preparing to take it home.
âYeah, I know, whatever. Donât work too late!â
âRich coming from you,â he sighed, âit really doesnât matter if we send that last edit late.â
âIt matters to me! Iâd quite like to get paid this week, you know?â
Tom sighed. The two of you tried to produce a couple of videos a week â one for Tomâs site and another to sell to a third party. It didnât leave either of you with much free time, both of you left in the tiny office at all hours as you worked to keep up with demand.
âVery true. But Iâd rather you got some sleep, you know I can help if youâre short on money,â he offered, shuffling papers on his own desk.
He was always quick to jump to an offer to help, and you tried to ignore the fondness spreading through your chest at his eagerness to look out for you. That gentle protectiveness which coursed through Tom was enough to make you melt.
He was one in a million, that was for sure.
âIâm fine, Tom. Thank you though, Iâll ask, if, yâknow ââ
âDo! Any time. ActuallyâŚâ
Tom cut himself off, typing something into his phone, and your pocket buzzed with a notification.
âGet yourself a nice dinner.â
You checked your phone to see a transfer from Tom. It wasnât a crazy amount, but too much for just dinner, and you huffed performatively as he grinned at you.
âNo! Donât be ridiculous ââ
He barely made more than you, and you were certainly doing perfectly comfortably.
âRoyalties are really good this month. That old break-up sex video is trending again, apparently.â
You smothered a smile. It was hate-fucking, as youâd told Tom a hundred times. That was the title. You could still remember the look on his face the day youâd filmed it, his twitchiness, the unknown male actor who had slightly scared both of you with his sheer size as he stepped into the studio. The male star had fucked you like youâd broken his heart, hands on your neck and hips bruising yours as he pounded into you, and youâd be a little alarmed at how little you had needed to act in his domineering presence. Heâd been muscular and tall and assertive, almost injuring you with his enthusiasm, and the shoot had ended with you a sweaty mess, struggling to walk, eyes watery.
You had ached from the moment Tom helped you up from the bed, a protective body between you and your costar as you watched the man collect his clothes and his paycheck. The footage had been great, youâd watched Tom edit it, but it had been your first taste of Tomâs protectiveness. The actor had never returned, and Tom had bought a hot water bottle for the office, pressing it into your lap as he brought tea for the pair of you, loathing how you winced as you moved.
Heâd taken you out for dinner that night to celebrate a good edit, but you knew the real reason. That neither of you wanted the other to be alone. It had been a lovely evening, a restaurant then a bar, without a break in laughing conversation the entire night. It hadnât been a date, but if it had been a date, it wouldâve been the nicest date youâd ever been on. In those moments, you wondered if Tom was really cut out for the industry. If you were.
As much as Tom hated the film, it was hot. It had propelled your studio into the spotlight, and it paid a significant chunk of your rent.
âThank you,â you smiled to him, wracking your mind for anything else that needed discussing before you headed home.
Maybe youâd get takeaway. That would be nice.
Tom cleared his throat.
âWhat are we shooting tomorrow, by the way?â
You looked up at his words, frowning a little at the realisation you hadnât been given a script yet. It was unlike him, to be so unprepared. Usually everything was organised weeks in advance. With a glance at the shadows under his eyes, you decided not to tease him about it.
âWeâre shooting tomorrow?â
âThis week⌠weâve only got one video. I was just thinking something simple, I havenât called a costar yet, but we donât have to if you donât want to ââ
It was your paycheck on the line as much as Tomâs, and you wondered how the hell youâd forgotten.
âDo we have a camera crew?â you frowned.
âNo, not yet. I can call though. Or I could just do it myself, if weâre not doing anything too complicated?â
You thought for a moment, leaning against the open doorframe as Tom started to pack up his own desk, nimble fingers tapping across his keyboard.
âSolo?â you suggested, stifling a laugh as Tom blinked and tilted his head to face you.
âI missed that, love?â
âSolo. Like âhot female soloâ or something?â
He smiled slightly, closing his laptop lid.
âThatâll do well, Iâm sure. Do we need anything costume-wise? Props?â
Toys. He meant toys. You smiled at his refusal to call a spade a damn spade.
âIâm sure we can find everything here. Itâll be nice to do a simple shoot for a change,â you enthused, holding the door for Tom as he moved to turn off the lights, lingering nearby as he locked up the office.
âYeah. Single-shot, no camera-man either.â
âCheap,â you sighed, as though it was the sexiest thing in the world.
You did the books, and avoiding having any more costs this month sounded great.
âYeah,â Tom smiled, falling into step beside you as the two of you left the warehouse studio.
He looked ready to say something else, but changed his mind. For a second the two you stood by the exit, words trapped beneath your closed lips as the early evening air enveloped you.
âDo you need a lift home?â Tom finally offered.
âNo. No, Iâm good. Thank you.â
âIâll see you tomorrow?â
âYeah, yeah. Usual time. Twelve?â
âPerfect.â
He reached an arm out, ready for you to walk into his embrace, and you froze. The moment was over as soon as it started, his arm retracted, and you could only stare. His hand found the curls at the back of his head, scratching there, a blush dusting his cheeks in the harsh fluorescent lights of the car park. You could kick yourself as you watched the bob of his Adamâs apple, the clench of his jaw. He felt awkward. You contemplated hugging him, but the moment had passed. Instead you rocked on your heels for a second, before turning to leave.
âBye, Tom!â
ââNight! Look after yourself, donât forget dinner. Iâll see you â â
He cut himself off as you walked too far away, and you could have kicked yourself for the sadness in his final syllable. You sighed as your feet fell against the pavement, your whole walk home haunted by the awkward shuffle of Tomâs hands as he went to hug you goodbye.
*
You were surprised by how difficult it was to brush off that awkward memory. As you ordered and ate dinner, you were reminded of Tom with every bite, that heâd snuck aside part of the companyâs petty cash budget to give you dinner. That both of you had gone home, separately, to separate empty houses and empty beds.
Had he wanted to go for drinks? Wanted company? You had come to accept a long time ago that the man was your closest friend. He would be the person you called in an emergency, a shoulder to cry on. You liked to think heâd lean on you the same way.
Despite that, you spent limited time together outside of a professional context. You never met up on weekends, or casually called. Of course you didnât. He made a career out of seeing you naked, watching you fake orgasms for other men. As you readied yourself for the day, you reminded yourself that of course, he would be nice to his only full-time, very lucrative actress. To his business partner.
As youâd queued up the companyâs social media posts the night before, you could only think of Tom behind the camera, orchestrating each photo and clip you uploaded.
You couldnât help the grin which split your face as you walked into the studio, bag flung over your shoulder, overpacked with everything you thought you could possibly need. Tom greeted you, emerging from his office with a smile.
Before you could overthink it, you walked into his arms, giving him very little choice in the matter as you greeted him with a hug. In his surprise you felt his body stiffen, his arms slowly wrapping around you, and you were momentarily gobsmacked by the muscular form he seemed to hide behind those suits.
He was a little more dressed down today, smart black jeans and a button-up white shirt, unruly hair sticking up like it did when he forgot to brush it. He looked better than yesterday, like heâd had a good nightâs sleep.
âGood morning,â he chuckled, bemusement clear in his voice.
You pulled back from the hug, a little embarrassed at the affection until you saw the smile stretching across his face, reaching his eyes. Suddenly the previous night, worrying you had inadvertently rejected him, seemed to be erased.
âMorning! What have you got for me?â
The studio space was cleaned, but empty. The camera stood in the corner as Tom lead you further into the room, his office door open to the side of it, and you frowned at the emptiness of the space.
There were tape marks on the floor where sets were usually assembled, conspicuous without the usual hive of activity buzzing around some piece of furniture you would be thrown onto or fucked against. There was nothing.
âI didnât know what you wanted to do,â Tom was saying, his gentle voice booming in the empty space, âwe donât have a script or anything so⌠Iâll leave it to you.â
You bit your lip.
It was more freedom than you were used to, less direction, less to build the fantasy where you could forget you were ultimately in a warehouse with just your business partner. It was⌠nothing. Tom said your name quietly, and you nodded, stepping back to assess the space.
âIâm just thinking,â you reassured him.
Had the studio always been this quiet? You tried to remember a shoot day where it had been this silent, this calm, without the stress of lighting people or cameramen or scripts being thrown around. You could hear every step Tom took as he walked towards the camera, the wheel-mounted tripod creaking as he moved it across the floor, checking batteries and SD cards while you stood in place, your bag still hanging from one shoulder.
Noticing your frozen stance Tom frowned across at you, nothing but gentle concern in his blue eyes and the fine lines around them.
âI was thinking something kind of minimal, maybe cosy?â he offered, âMaybe an armchair? Something like that?â
You thought about it for a moment, crossing to the corner of the room to finally set down your bag.
He was finally getting into âdirector modeâ, growing more energetic by the second.
âIâm thinking we just frame it on you, no distraction. Single take, if we can.â
You nodded silently as he crossed to the storage cupboard heâs overeagerly labelled a âprops departmentâ. It was stacked high with fabric and furniture and lingerie, tubs of various exotic sex toys near the door. Tom stepped straight past them.
There was a mattress in the props room, materials to build a bed, and you pondered on the idea for a moment.
âWe could keep it really simple, maybe?â you suggested, âFind a warm background. Or just use white. Try and get one twenty minute shot, or something.â
You reached for lube without thought, collecting the near-empty bottle of body oil beside it too, as you perused the options in front of you.
âRemind me to buy more of that,â Tom mused, sparing a glance to the bottles in your arms before standing beside you to peruse the options.
You nodded silently, your free hand rifling through bagged silicone toys, slightly in a daze as you picked out a few options. There was a slight blush dusted across Tomâs high cheekbones as he turned to see your arms full of dildos. You smiled as it took him a second to find words, and wondered how the hell heâd chosen to start a porn studio in the first place.
âColour co-ordinated,â he commented, and you smiled, picking out yet another pink toy from the pile.
âNaturally,â you smiled, âI think thatâs everything? Could we drag a mattress and pillows out?â
He nodded silently, already moving to manoeuvre the double mattress leaning against a wall in the props room. You rolled your eyes before helping, knowing he was being a gentleman, or whatever he called it. You called it putting his back out.
He rejected your help, so you grabbed as many pillows as you could, following him back into the main studio, privately smiling at the dramatic grunts he made trying to move the mattress. He tossed it to the ground with a grunt, shoving it into the corner of the room, before pausing again.
You dropped everything down on to it, toys, lube, pillows and all.
And then both of you waited.
It was so strangely intimate, just the two of you in the room, the strange nature of your relationship weighing heavy after last nightâs miscommunication. Suddenly there was nothing you wanted to do less than take your clothes off.
âWhite sheets?â
âHm?â you hadnât processed what Tom said, too wrapped up in your own world, frowning down at the bare mattress.
âI was thinking white sheets.â
âOh, uh, yeah.â
He was off, assigned another task, and you almost envied his distraction as you slowly sorted the pillows how you wanted, gathered the toys absentmindedly. Before Tom came back from the props closet you made yourself scarce, catching sight of his slim outline through the doorway. Facing away from you as he rummaged.
In the single bathroom of the studio you cleaned anything that would be going inside of you, avoiding your reflection, trying to shake off the odd nervousness coursing through your veins.
Why? It had been years since you felt this way before a shoot. Before youâd met Tom, even. Sure, shoots could be exciting, exhilarating, intimidating, but this self-consciousness, this self-doubt⌠it had come from nowhere.
You pressed your forehead to the mirror, closing your eyes, breathing deeply. The tap running sounded like a waterfall, the silicone under your fingers felt alien, the air almost claustrophobic as you wondered what the hell was wrong with you.
Tom was done making the bed when you got back, frowning at his phone until he heard you re-enter the studio space, quick to look up and see if you were happy with his set. You felt hyper-aware of him, of every movement he made, a clean towel and toys cradled in one arm as you took in the space. It was a simple premise, just a clean fitted sheet pillows in a corner, a clear space for you in the middle. You knew it would look good on screen. You knew this was an easy job.
You felt sick to your stomach.
âDo you want to face the camera? Or kind of, not acknowledge it?â Tom asked, speaking again as you forgot to reply, too caught up in your own mind. âMaybe if you ignore it thatâs more⌠voyeuristic?â
âSounds good,â you responded, kneeling to prepare your space. This was autopilot, your day job. You could do this.
âRight.â
He sounded a little put out by your response, but moved the camera anyway, switching to a knee-height tripod. You stood, stepped back to give him space, and frowning at the sudden headrush. You blinked, catching yourself staring at the flex of his arms as he moved the heavy equipment. You didnât realise how long you had been staring into space until Tom called your name a second time, crossing into your personal space.
âAre you okay?â
Tomâs voice was so soft you wanted to cry, fingers hovering beside your bicep, his gentle eyes demanding for you to meet them, daring for you to lie while his face is so close to yours.
Somehow, the guilt of his worry made you feel worse.
âNo, IâmâŚIâm being stupid. Sorry, just tired.â
âDid you not sleep well?â
âNo, I, uh, I slept fine. Iâm not sure. Just not really feeling it.â
His face fell, but you knew he wasnât disappointed in you. He thought heâd done something wrong. Immediately you were talking, doing anything you could to soften his guilt.
âItâs my job, though. I can do it. This is great Tom, I think itâll be a good shoot.â
âSweetheart ââ
You sighed, eyes falling to the mattress, before forcing a smile.
âLetâs get this over with!â
He looked like he wanted to argue with you, but you forced yourself to move, pulled your feet from the floor with far more effort than it ought to take. There was some comfort in rummaging through your own bag, that piece of home, something private from the studio. You found the vibrator youâd brought, a pink bullet you used almost exclusively at home, fully charged that morning. Behind you, Tom snorted in amusement.
âNothing here is ever charged,â you shrugged off his stare, knowing damn well you didnât have to explain yourself.
You wanted to explain anyway though. Just in case, Tom thought anything he did wasnât enough. He seemed perfectly fine with the criticism, though you knew he was making a mental note. He always did, then you had something to say.
Trying not to make a big deal out of it, you stripped to your underwear, folding your clothes neatly and being careful not to show any self-consciousness in your posture. Youâd never been ashamed or embarrassed before now, and you werenât about to start. Even if it was just you, and a very well, fully dressed Tom. Vibrator clutched in your fingers, you finally sat on the damn mattress.
He was the other side of the camera now, somehow both distant and a few feet away. You found yourself staring at your body in the monitor, just watching. Tomâs voice broke you out of yet another daze, and you wanted to pinch yourself. Why couldnât you do it today?
âWe donât have to do this today, if you donât want to.â
âNo, itâs okay I just⌠I forget itâs just us sometimes, you know? Thereâs such a production and so many people and at the end of the dayâŚâ
Tom smiled, a relief on his face that told you he had been feeling it too. That this was weird.
âI know what you mean. If youâre uncomfortableâŚâ
âJust give me a second to warm up, we need to make something, after all.â
You stretched, not really sure why, moving a little around the nook Tom had created, shuffling pillows and practicing where you wanted to lie back, watching a monitor as Tom played with a soft lighting, twisting and turning to find the most flattering angles you could.
As he shuffled things around, Tom nodded to the spread of toys youâd set out. Youâd added your vibrator to the pink line up, perfectly organised on the white towel.
âDo you want those in shot?â
You shrugged.
âMight be hot?â
He nodded silently. You moved the toys in to the frame, trying to blink away the cloud which had settled in your mind. The world felt foggy, your arms like they were moving through treacle, and you knew Tom had noticed.
As he prepared two directional microphones, you tried not to feel claustrophobic. The audio from the microphone he was pointing towards your pussy would be almost grotesque, and you fought not to shuffle further from it as you imagined Tom listening later, headphones in, as he balanced the levels between your moans and the wet sounds of you fucking yourself.
Fuck.
Why was this so different to a regular shoot?
Youâd done solo shoots before. With Tom. And half-a-dozen other crew, you reminded yourself.
You caught sight of his curls above the monitor, face serious as he set everything up.
âSpeak?â
âTesting, testing,â you spouted off nonsense until he offered you a thumbs up, happy with the audio.
Then there was nothing else to do.
He stood, looming over the equipment. And you looming over you.
âWhatâs the plan?â he asked, smiling at your frown. âYouâre in charge here, Iâm just the camera guy.â
You rolled your eyes, knowing he was trying to put you at ease.
âYouâre the director,â you reminded him, knowing how he preened himself under the title.
You were impressed that his eyes had only roamed down your body once as he took in the shoot, glancing at the indulgent layout of toys, double checking the monitor, one headphone in. He had that stance he always adopted when he was directing, and you knew it was his favourite moment in any of this. The moment everything was pinned on him.
It happened so quickly you almost missed the moment he knelt down, blinking in surprise as his face remerged at your level beside the camera.
âThen my direction is: enjoy yourself. Forget Iâm here. Letâs show them something real.â
He must have seen your shock, because it made him smile.
âReal?â you questioned, and he nodded firmly.
âIâm serious.â
For a beat, both of you were silent, his eyes meeting yours over the body of the camera.
âIf you can,â he offered, âI understand itâs not alwaysâŚâ
You interrupted him with a hand, smiling your understanding of what he was saying, and dismissing it in one motion. The silence dragged on, and you decided to push this forwards. If you were done by lunch, Tom would probably insist on taking you somewhere nice.
âI donât know if I should use â â you ghosted a finger across the biggest toy, worrying a bottom lip between your teeth, âSimplicity might be key.â
âDo what you want, darling. What feels good.â
You nodded mutely, and for just a second you saw doubt flicker across his face. This was new territory, and even you werenât sure if this was a step too far.
âAre you okay?â
âYeah! Yeah. If Iâm⌠actually⌠it might take a while. Let me know if Iâm taking too long.â
âTake as long as you need, darling. Iâve got nowhere to be.â
Tilting your head at him a little, you realised abruptly just how intimate this was. Moreover, that you wanted it anyway. That you were about to make him watch you cum. Make him hear you, smell you. He couldnât touch, but he could watch.
And that was enough for you to perform.
Tom gave you a countdown, red lights peppered your field of view, and he was recording. He had taken a seat on the floor behind the camera set up, one headphone in to monitor audio, waiting.
You stayed sat up, back arched a little as your hands began to caress you own body, keeping on eye on the monitor while your face was out of the shot. You rubbed along your thighs, across your stomach, teasing at the lace of your bra and the elastic of your underwear each time you passed them, trailing your fingertips. It didnât really feel like anything, doing this to yourself, but you knew to tease the camera. Tom would cut out anything too slow.
Your gaze remained firmly on the screen as you began to make your touches firmer, more deliberate, dragging lines into your skin and flirting with the camera. You admired the soft skin of your breasts as you started to shift your bra, enjoying the stiffening of your nipples in the monitor until â
The screen went black, and you immediately glanced at Tom, frowning as you lost the visual of yourself. He met your questioning gaze sternly, eyebrows furrowed, and you remembered his direction.
âEnjoy yourself.â
With nothing left to look at you closed your eyes, feeling the blood rushing to the surface of your skin, the sensitivity of your breasts as your fingers idly danced across them. You shoved your bra down unthinkingly, wanting to feel more, rubbing at the heaviness of your breasts and wincing as you enjoyed the pleasure and pain of pinching at your nipples, teasing them to attention. You glanced your nails across them, feeling it in your core. You didnât want to wait anymore. Fuck the cameras.
It was hard to let to, to stop the delicious feeling of your fingers on your own breasts, but you forced yourself to free one hand, shoving off the bra, desperate to feel yourself without it. You knew you were grimacing, it wouldnât be sexy, but you didnât care. That was Tomâs problem.
You needed to touch yourself.
One hand reached below the waistband of your underwear, seeking out your clit, guided by a familiar ache. It was all you could focus on, your other hand forgotten, cupping your breast, the sensation vague and lost as your fingers found your clit. The sensation overwhelmed you as you shifted the hood, your body beginning to produce wetness. The room was a little cold, the air relieving against the heat of your bare skin, making your nipples peak as you leant back into the nest of pillows behind you.
You felt your stomach tense, a bolt of electricity tensing the muscles up and down your body as you brushed across your clit a little too hard. Your middle finger probed your pussy experimentally, slipping inside of you, quickly joined by a second as you played with the wetness there.
One, two, three pumps of your fingers inside you was enough for you to gasp, your eyes still closed against the bright lights as focused on nothing but feeling. No more fucking around.
You reached for your vibrator, hand knocking against the thick silicone toy lined up beside it, writhing as you pressed it against the fabric covering your clit. You cycled through the settings as fast as you could, still desperate for more stimulation.
More. It was on the highest setting. You wanted more.
Without moving the vibrator you shoved your underwear off, huffing as you kicked them away, not caring where they landed. The tip of the toy nudged against your clit exquisitely, and you froze.
There.
There.
You thought about Tom watching you. The hot blood coursing through your body, the line up of toys just waiting to be shoved inside of you. The sensitivity of you clit as you held it against that perfect point. The air against your dripping, aching pussy. The muscles starting to clench, the rhythm of your body. Building, building, you didnât fight the feeling.
This was what you wanted.
That warm familiarity of the vibrator on your clit, the runaway train of your thoughts, it was enough to drive you over the edge. You hadnât realised the keening, groaning noises you were making until you heard them, pleasure leaving your lips as an afterthought.
You felt empty.
Blindly you reached out, sticky fingers finding the shaft of a toy you wanted, a smaller one you could take right now. A dollop of lube in the palm of your hand was all it would take, a few pumps of the toy enough to coat it, the excess lubricant smeared on the sheets. You didnât care. Not your problem.
Without conscious thought, you were still rubbing yourself, two fingers absently making circles against your clit as you fidgeted to be able to take the dildo. You didnât bother preparing yourself anymore. You were wet enough, and you wanted the stretch.
Needed it.
Needed to feel full.
You shoved the toy into yourself, gritted teeth and your spare hand grasping at your breast, giving the nipple a sharp pinch to interrupt the overwhelming feeling of that silicone pushing inside of you. Your walls were stretched open, a gasp reaching your ears as you felt a nudge against your cervix.
It wasnât enough. You felt wild, desperate, as you sloppily pulled the toy from yourself and shoved it back in, clenching down and still needing more.
Your fingers found a larger toy, arousal and lubricant smearing across your body as you discarded the dildo which you had just been fucking yourself with, leaving it somewhere on the mattress, forgotten in favour of the bigger option. It was thick. Maybe, in your right mind, you wouldnât have considered it. But instead you coated it in lube, squirting the clear liquid on to the tip and rubbing it down the toy, focusing on nothing but the need pulsing through your pelvis.
On the emptiness inside you, begging, pleading to be filled. It hurt, how much you wanted to be stretched out, to feel something pounding into you. You felt animalistic, desperate for anything. The last of your conscious thought was occupied by the need in your clit, the demand for friction, and you just didnât have enough hands. It was impossible to think. When you finally sank down on the fake cock, leaning back, legs apart, gaze focused on nothing but your own swollen pussy, it was a relief. You gasped, then sighed, pushing another inch of the toy inside you. You felt stretched already, split in half, but you kept going. With each thrust, you took the silicone further inside of you until you felt the dull ache of the toy going too far.
Finally, that emptiness felt sated, and you stayed still, too stuffed to risk moving and too blissed out to care.
But you needed more.
Each bear down made the toy threaten to shift, and you didnât have the brain power to thrust and pay attention to your aching clit. You moved gingerly, grabbing a pillow to straddle, holding the toy inside you as you hunted for your vibrator.
You couldnât even lean too far to reach it, you were so full it ached. And it was delicious.
With the smooth plastic finally in your hand you leant back, ready to bring yourself to another orgasm. With a blink, you realised there was a tear tracking its way down your cheek, and you smiled to yourself.
And then you accidentally looked forwards. Your eyes met Tomâs. The camera. The lights. The switched off monitor.
You wanted to cry.
He was watching you directly, with those sharp blue eyes, one finger resting along his jawline, his usual calculating, wide stance replaced with one knee hugged to his chest as he sat on the concrete floor. He was watching you.
You. Stuffed full, straddling a pillow on the bed Tom had fucking made, covered in a mix of lube and your own arousal. That strange feeling from earlier came back full force.
God. He had seen you actually come. Without acting or cheesy lines or clever angles to hide the worst of your O-face. You could pretend to come, tell your male co-stars what a good time youâd had, follow direction, anything. But this was too real. And it was just you and Tom. In the corner of a huge studio, bright lights and cameras and â
Had he called cut? You wouldnât have heard. Did he realise youâd lost control? That you had forgotten you were supposed to be acting and been so desperate and â
âYouâre doing amazing.â
You smiled at him weakly, gasping as the toy inside you nudged your cervix as you fidgeted. You didnât realise that you were awaiting direction until he spoke.
âAnother one?â
His voice was a little throatier than usual, though you supposed heâd been quiet for a while. His eyes kept drifting from your face, and you wondered if he felt as uncomfortable as you did.
You nodded silently, closing your eyes, listening to the increasing pitch of the vibrator as you turned it up to its maximum setting.
The minutes stretched on as your orgasm built, little raises and falls of your hips accompanying that insistent buzz of your favourite vibrator, the toy inside you starting to ache as it stretched you apart. It was impossible to forget that Tom was watching you now. That his piercing gaze was on you. As a matter of professionalism, you tried to avoid looking up. You ignored the camera, fucked your body in the way you knew it would respond to, only half-faking it as you came a second time.
You moaned and groaned and gave the camera an indulgent few seconds of overstimulation, the vibrator pushed against your clit to make you writhe and shake. You pulled yourself off the dildo in a mess of arousal, played with yourself, showing off how stretched out you were.
Fingers swirling in the arousal inside of you, you sighed in relief when Tom called, âcut.â
Dropping the toy, you pulled your legs together, ignoring him for a second as you took deep breaths. Taking stock of your body, the residual pleasure and pain and stickiness. A lot of stickiness.
Tom took pity on you, shifting a softbox so you had a clear path out of the corner you were hemmed into.
âGo and have a shower,â he told you, the most softly-spoken command youâd ever heard.
Nonetheless, you followed orders. On weak legs, you indulged in as long as shower as you dared, cleaning up and then just⌠waiting. Trying to avoid the real world. When you finally opened the door, wrapped in a robe, you found your clothes folded outside. Tom was nowhere to be seen, but you thanked the universe for him anyway.
When you re-emerged you were fully dressed and feeling a lot more like yourself again. And, actually, quite proud of yourself. Tomâs busyness told you everything had been recorded properly, equipment moved and the mattress bare, leant against the wall.
âAll good?â you asked, more to announce your presence than anything. He stopped moving, offering you a gentle smile.
âPerfect! I think itâll be great. Do you want to go get lunch somewhere? To celebrate?â
Predictable as anything. The thought made your heart swell with fondness for him, his head tilt and excitement, his strange place here.
âI think Iâll just go home,â you tried to smile apologetically, but you could still feel the ache inside you, the dull oversensitivity of your clit against your underwear.
The embarrassment and excitement fighting in the fit of your stomach.
Tom nodded, clear understanding on his face. He held the door for you on the way out.
âAre you coming in tomorrow?â he asked, quietly, like you might run off if he asked.
âYeah. Yeah, Iâll see you then.â
*
Your bedroom fell silent as the vibrator stopped, the battery finally flat. You whined in disappointment, desperate for another orgasm. Your fingers replaced it instantly, rubbing, desperately pulling more wetness from the arousal weeping from you, but you were too oversensitive.
Panting, vision blurry, your thighs aching, you blinked away tears. You glanced at the nightstand. Tom hadnât text you.
*
When you woke up the next morning your phone was dead. Youâd forgotten to charge it last night, and leaving it in your room to charge offered a strangely peaceful morning. You had a few hours before you would be expected at the studio, and no work to do before then.
You indulged in spending time getting ready for the day, making a decent breakfast, doing a few chores youâd been putting off.
Processing what had happened yesterday.
In the clear light of day, you wondered if you ought to be embarrassed for the way youâd completely lost yourself at the shoot. The more you thought about it, the more you thought about it, the more you rationalised at youâd just followed Tomâs direction. Done what heâd asked. It had been intense, for sure, but youâd done what heâd asked. If anything you regretted the moment heâd had to speak, losing your nerve. You hoped he didnât want pick-up shots today, you weren��t sure your body could take any more.
You thought about the night before, clearing up the scattered clothes and charging the vibrator youâd left strewn beside your bed, more ashamed of the images which had been conjured by your overactive imagination in the late-night privacy of your bedroom. You hated that everything you imagined was involved blue eyes. Distinctive curls. Pulling buttons from smart shirts and kissing along sharp cheekbones. Poor Tom. He didnât need you overstepping that mark. And yet when you had closed your eyes, imagined you were under those lights again, all you could imagine was Tom. His creative gaze. Listening to the smoothness his voice leant to everything he said as he instructed you even more intimately than usual.
As you switched your phone back on, you forced the thoughts from your mind. They couldnât follow you to the studio. The two of you had built something good. Something successful. The studio was doing well, you were both saving money away for the future, building your brands. You couldnât screw that up now by imagining him like that. He trusted you. You trusted each other. Relied on one another.
You wondered if he ever fucked other actresses.
#lord forigve me for i have have rpf x reader#13atoms#fic#tom hiddleston x reader#tom hiddleston fic#tom hiddleston imagine#this is a weird one#i think 2 more chapters maybe#lmk what you think!
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Hope | Bucky Barnes x Reader (Part 1)
 My Masterlist
Series Masterlist
Summary: Being back in your childhood home had certainly brought you some well-needed inspiration.Â
Word Count: 2900+
Pairing: (Eventual) Doctor!Bucky Barnes x Patient!Reader, OMC Harry Nelson x FWB!Reader, Rebecca Barnes x OFC Rosie Bender
Warnings: Heartbreak, Bullying, Greyâs Anatomy Spoilers
A/N: This fic was my entry for @wkemeupââs 4K Writing Challenge. I DONâT DO TAGLISTS!
When Harry Nelson had first moved to Los Angeles at the age of eighteen, heâd had many dreams of becoming a screenwriter and director. He wanted to make movies that seemed relatable to the general public, with no action sequences or elements of science-fiction, no monsters or magic, no million dollar budget to be spent on visual effects. Just simple stories about real people, whether it was the kind that made them laugh or the kind that made them cry.
Throughout the span of his twenty-year long career in Hollywood, he had come to realize that the genre of romance movies had their own built-in audience that he could definitely make money off of. The hopeless romantics, as he liked to call them, were a group of people who were always longing to see love stories that donât necessarily end happily, but still leave them believing that true love existed.Â
While he had since directed several romance films that went on to have the cultural impact in the likes of Notting Hill and The Notebook, it hadnât been until he had met another hopeless romantic did he realize that he was one of them. For a man who never believed in true love, he sure enjoyed love stories. He was a hopeless romantic, as much as he hated to admit it. Whether his story was going to end happily or not, he still had a part to play in it.Â
Back when the first instalment of the Hopeless series had turned out to be a success, Harry had simply approached you in request of the movie rights to your novel series. While you hadnât given in to his request due to not knowing how you might even end the series yourself, he decided to play the long game and wait until you figured out the ending.Â
Years had gone by and the two of you had only become best friends, bonding over your mutual love for the romance genre. Many movie nights were spent watching the classics such as Casablanca and Breakfast at Tiffanyâs. He had invited you to his premieres and parties, to simply take part in the discourse of what it meant to write a beautiful love story that stood beyond its time. But the friendship you shared had turned to something more when you had found yourselves drunk at an after-party and consumed by lust of all things and not love as one would have assumed.Â
Even though becoming one of the love interests in your story had certainly not been his plan all along, he couldnât complain about it either. A newly single romance novelist and a divorced filmmaker with a knack for romance getting involved with each other was not the strangest thing to take place in Hollywood, not even when you had a ten year age difference. You had kept your arrangement as secretive as you could though, for you did not need the prying eyes of the media to ruin what you had.Â
By the time the third instalment had been published, no one had suspected that the muse behind Dr. Jake Winston was Harry Nelson himself. Harry had seemed to figure it out early on though, when you had let him have a glimpse of the first draft. But when he gave you his approval to go ahead with the story, you had made him promise you that he would play the role he helped create if your novels were ever made into movies. Harry had been delighted to accept that if he were to make his acting debut, it would be as one of the love interests of Hope Anderson.Â
Being the man who taught you what it felt like to be safe in a relationship, he had always given you a way out of your friendship with benefits. After all, the strings had never been attached to begin with. But that was a path you did not think you would want to take, at least not until now.Â
Not that the two of you had managed to drive each other crazy like most Hollywood couples. As unsurprising as that would have been, you felt that you really needed a break from living the California dream and that included what you had with Harry.Â
With the fourth and final instalment of your series being due in just a few more months, you found yourself hitting a brick wall with where you wanted Hope Andersonâs story to go. Writerâs block was a curse that you hadnât really experienced with the last three novels. But inspiration for the fourth novel had just not struck.Â
You were well aware that your readers were longing for a happy ending for the girl who had spent a majority of her life being heartbroken. For a strong and career-driven woman like herself, she could easily find someone to settle down with. But that wasnât what you wanted when it came to the ending of your series.Â
You wanted Hope to find some kind of purpose for the journey that she had taken since leaving her hometown for college. You wanted things to be right for her, even if they werenât necessarily right for you. There needed to be a purpose behind her journey, that was meant to be fulfilled in the final book.Â
It had been Harryâs suggestion, being a fellow writer himself, that it might be plausible if the fourth novel took a rather âcoming-of-ageâ kind of path compared to the last three instalment. Reid made her realize that she had moved on too soon, Ethan made her realize that love was messy, and Jake made her realize that there are good men in this world. Neither of these men had been right for her, but then who was?Â
âI think our girl Hope needs to go home.â Harry had suggested one night in the midst of your pillow talk. âShe hasnât been home in ten years. I think she needs a little trip of self-discovery, a walk down memory lane⌠she needs to find herself in order to find her one true love.âÂ
âWhat makes you think that sheâll find her true love when she finds herself?â You had asked him, curiously.Â
âThereâs only one way to find out.âÂ
The air was crisp as you stepped out of your Uber and grabbed your suitcases from the trunk, leaving a heavy tip for the driver at the end of this dreadfully quiet ride from Indianapolis International Airport to your humble home in Shelbyville, Indiana.Â
Being back in this little city after an entire decade in the West Coast sure brought back the good old days for a moment there. But when the cold breeze hit you, you were reminded why you had fled your hometown in the first place. Certainly, you had gotten used to the California sun. But who could blame you though? This place was hell on earth.Â
As you dragged your suitcases up the driveway, you could not help but look around the neighborhood that you had grown up in. It seemed as though nothing had changed in the last ten years. Or perhaps, it was just the nostalgia of being back here that made it seem as though everything was still the same when it wasnât.Â
Old man Nick who lived next door still had his ratty old truck parked out front - was that thing still kicking; you couldnât believe it. The last you heard, his daughters Carol and Maria had moved out to Indianapolis after college and visited the man every now and then. Apparently, he refused to leave Shelbyville as he had lived there his whole life. His wife had lived and died at that house, and he could not see himself leaving behind the memory of her.Â
The girls had asked your mother to keep an eye on him, and she had kept an eye on him because she seemed to be the only one in the neighborhood he trusted. Your mother had told you that they were bonding over their mutual empty nest syndrome, but not even her attempt to guilt trip you had brought you back here.Â
You hadnât even bothered to come back here when you had found out that your mother was ill. You had flown her out to Los Angeles instead, and did the best you could to give her the medical care she needed at one of the best hospitals in the country.Â
Not even when she had passed away did you ever try to come back and take care of the house sheâd left behind for you. You just hated everything about Shelbyville, Indiana, to ever come back.Â
But nothing like a little writerâs block to bring you back here.Â
You made a mental note to leave a rather sarcastic voicemail for Harry, for convincing you to fly out here on your own and facing a part of your life that you never wanted to return to. God, you hated him sometimes, mostly because he was always right and he seemed to know it. You loved him too. Not the kind of love that destroys you, but the kind that made you realize that you always deserved to feel loved by someone.Â
Truth be told, the house was not as bad as you had thought it would be. It just needed a little dusting and maybe a paint job, but it was still your childhood home in every way. Nick had kept it in good shape while you were gone, because your mother had asked him to take care of it in case you had ever thought about coming back home.Â
You thanked the man when he handed you the keys, and asked him if you could borrow his truck to run some errands later that day. You just needed to run into town to pick up some groceries and stop by the hardware store to grab some supplies.Â
In the meantime, you could use the quiet and the nostalgia to come up with the perfect plot for the final instalment of your novel series. Perhaps you could start off with Hope Anderson returning to her hometown due to her mother being ill, putting a pin on completing her residency and giving herself a break from her arrangement with Jake.Â
She spends hours on end sitting by her motherâs bedside, losing her hope as the days rolled by. And when her mother passes away, she copes with her loss by spring cleaning her childhood home and fixing it up.Â
*EDIT: 4th love interest?Â
You had written a few pages of your first draft when you finally decided to take a break, stretching your arms as you stepped away from your laptop on the dining table. You had been avoiding your childhood bedroom like the plague ever since you had arrived, claiming the master bedroom as yours for the duration of your stay.Â
But as you ascended up the creaky stairway and turned the corner to your childhood bedroom, you could have sworn that the last ten years had never gone by. The paint was chipping off of the cream colored walls, multiple posters of the Jonas Brothers pasted against them, never being taken down in your years away.Â
You recalled the time youâd had the chance to meet them following their comeback, as one of their wives had starred in one of Harryâs films. You may not have been an overly enthusiastic fangirl on the red carpet, but you were certainly proud of how far you had come from your childhood bedroom. The teenage girl who used to live in this room had clearly grown up, living every dream sheâd always had⌠except one.Â
You walked over to the desk at the corner of your room, where the first few scenes of your Greyâs Anatomy fanfiction had been written. You had written more than one hundred thousand words about the undying love between Mark Sloan and Lexie Grey, as though they had never died after that plane crash, not even realizing that the basis of that story would eventually inspire the plot of your third novel. The attending and the resident with a significant age difference - God, could you ever be original with your own writing?Â
This was the room where you fell in love with writing, but writing was not the only thing you had fallen in love with at the time. On the bulletin board above your desk remained one photograph, being held together by a thumb tack.Â
You remembered the day after your high school graduation, when you had forcefully ripped out most of the photographs you had pinned to that bulletin board and chucked them in the trash bin, along with the feelings you had for the seventeen year old boy who was in those photographs with you.Â
A part of you wanted to rip up the last remaining photograph that still remained on that bulletin board, but the ten years you had been away had certainly suppressed the anger you felt towards him. So instead, you left that photo where it was and returned to your laptop, picking up your writing from where you had left off but the thought of him now lingering through your mind.Â
James Buchanan Barnes. Your best friend. Your first love. Your first heartbreak. The reason why Hope Andersonâs love life, and yours, had become hopeless in the first place. Perhaps the best way to end this story was to go back to the very beginning, to where it all had started, to the man who had been a part of her life before Jake, Ethan and Reid.Â
âOh Harry, you son of a bitch!âÂ
Dr. James Barnes let out a yawn as he eyed the CT scans in front of him, even though it was only the beginning of his twelve hour call shift. Only into the second year of his three year residency in emergency medicine, he was starting to familiarize with the intensity of his life as an emergency room physician. Sleepless nights were only the bare minimum.Â
Not that he could not handle the stress of running the ER one day, but Bucky was well aware that outside of the walls of Shelbyville Hospital, he did not have a life. No girlfriend to go home to, no hobbies to kill time with and no friends from outside of work to hang out with. Work, sleep, repeat⌠life was starting to get boring for the poor twenty-eight year old man.Â
âYou look miserable.â Rosie Bender, the ER nurse on call and Buckyâs former classmate, remarked cheekily at her friend before she slipped into the seat next to him.Â
He shot her a fake smile as he set down his patient file back onto the rack, leaning back in his chair and looked over at the nurse. âIâm just bored as fuck, Rosie. As you can see, the ERâs pretty quiet tonight. I just want something to do.âÂ
âIf youâre so bored, you can help me make some calls. I have to finalize the number of people who are coming to this thing by the end of the week. The catering people have been asking for numbers⌠and donât even get me started on picking the menu.âÂ
For the woman who had been head of the Prom Committee back in senior year, planning their ten year reunion was supposed to be a piece of cake. But Rosie was struggling with juggling all of the responsibilities that came with planning this reunion, being the only who seemed to care so much about being able to reunite with some old friends from what had been the best four years of her life. Why did no one else care about this as much as she did?
Truth be told, Bucky could care any less about this so-called ten year reunion. He was well aware that the one person he would be hoping to see would never show up. You hadnât even come back to town when your mother had gotten sick, let alone to this stupid reunion that was meant to be a remainder of your senior year - the memory that he had ruined for you by being so inconsiderate towards your feelings for him.Â
He could never forgive himself for what he had done to you, and to think that he would never have the chance to apologize to you in person. He fucked up, and he pushed away the one friend he had. If he could just see you one last time and tell you how sorry he was, Bucky would give anything. But he knew that all hope was lost on that, at least until Becca Barnes had come rushing into the ER.Â
He had just assumed that she was only dropping off some dinner for him and Rosie, but instead she looked over at the two of them with beaming eyes. âYou two are not going to believe who I ran into at the hardware store just now...âÂ
âIs old man Nick renovating the Y/L/Nsâ house again because heâs bored?â Rosie perked up at her girlfriend, giggling softly as she stood from her chair to lean over the desk and peck her lips.Â
âNo, but closeâŚâ The younger Barnes chirped before she turned to her brother. âY/Nâs back in town.âÂ
Perhaps, all of his hope was not lost after all.Â
#kas4kwc#hope#aj writes#bucky barnes x reader#bucky barnes x you#bucky barnes x y/n#bucky barnes fanfiction#bucky barnes fanfic#bucky barnes fic#bucky barnes imagine#bucky barnes series#bucky barnes au#doctor au#doctor!Bucky
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One After The One PART 2 | Tom Holland x Reader
![Tumblr media](https://64.media.tumblr.com/0c67a33844fc259c8bd669e77ef35dff/e6358c9a5a2f4b68-d8/s540x810/0f547f9822ef3636acf7e1f41a94864e30d7227a.jpg)
Tinder BIO | soft TEASER | PART 1 | PART 2 | PART 3 | PART 4 | >>
Pairing: Tom Holland x Reader
Summary: If a fool knows theyâre a fool, are they really a fool? (The answer is yes.) You weigh the pros and cons of meeting T, Blurry Boy, Tom-Holland-Imposter, but curiosity tips the scales.
Warnings: Cursing, Suspicion, some Hard to Swallow Pills, and a million blurry pics
Word Count: 6K grains of sand in your boots
-
â... What?â
You throat ran dry, and youâd be lying if several things didnât just suddenly click in your mind. The pictures, or lack of pictures. âT.â His bio. It makes all makes total sense, and then it totally doesnât.
 None of that it made it any easier to believe the words coming out of her mouth.
âI⌠I think heâs using pictures of Tom Holland,â your friend exhales, repeating herself slowly.
âŚ
This canât be happening. You feel your brows furrow and face fallââ unsure of what to say or how to feel.
Tom Holland on Tinder?Â
No fucking way.
â... Who..? How..?â you reach up to scratch your eyebrow, hoping to stir up something to deflect her suggestions.
âYou know, Spider-Man? We just watched him in that movie?â Liza starts slowly, then pretends to shoot webs, nearly bumping into her drink. âThwip-thwip, yeah?â
You begin frown and shake your head, you wave away her hands.
âYeah, uhm, yeah I know who he is. But thereâs no way thatâsâââ
She gives you a knowing and cautious looking, tilting her head towards you in question. Her lower lip juts out and she pulls out her phone. You can assume sheâs looking up pictures of the actor, and soon enough she has some glamour shot of him in a maroon suit.
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He had glasses on. The same ones in that goddamn picture he had sent the other day.
Thatâs not...
You hold your phone search through your chats, scrolling past conversations and laughs, looking for that one picture. Your heads rest together as you swipe up slowly to show her the picture of him that he had sent⌠the one with the glasses.
Thereâs no wayââ
 But you donât say anything, solely waiting for her confirmation or denial.
âFriendly neighborhood romanticâŚâ Liza mutters softly as she holds both phones closer to herself. âFriendly neighborhood Spider-ManâŚâ
You take it from her and zoom in; sure enough, all those details fall into place.
Fuck.
You blink, comparing the smiles. They look identical.
But?
But Tom Holland is a A-list actor, smiley, pretty, bright and out of reach. You canât even entertain the idea of meeting a ~celebrity~ through a shitty fucking dating appââ a hook-up one at that. It just doesnât happen.
And the thought of him wanting to spend time with you?
âNo⌠thatâs not right,â you finally manage to say. âUhm. It canât be Tom.â
Upon saying that out loud, you catch yourself. You find yourself believing that it could have been him. So, itâs hard to say which part you were denying.
Liza does the critical thinking for you.
âIâm sorry, babe. This guy is lying to you.â
Liza looks at you with her big brown eyes, and you can see a little bit of pity. She nods slowly and turns away, leaving you with two phones in your hands and doubt in your heart.Â
âHeâs using Tom Hollandâs pictures, heâs not telling you the truth, and heâs not⌠offering you anything else about himself. You know?â
What?
You had gotten so comfortable with the idea of him, of âT.â Of âBlurry Boy,â his own person... and not with the reality of who he could be and what heâs doing to you.
The reality that heâs still really fucking suspicious, a stranger whose life and intentions you donât actually know.
Heâs definitely not Tom Holland, regretfully, and heâs probably not like any of the pictures heâs postedââ blurry, edited, whatever. And the conversations? Maybe itâs all a persona.
You donât know a single thing about him.
OhâŚ
It stings more than you thought it would, even when you knew this was already a shaky start.
Liza watches you press your tongue to the side of your cheek, processing this with no argument or fight left. She feels bad having told you outright, but you both know that itâs what you would have wanted. The truth, the whole truth and nothing but the truth.
She hugs your shoulders, as you slide her phone back towards her.
You let her hold you as you try to let the shame and shock pass.
Your phone pings softly on the table.
You read the message as it glows on your screen. You scoff as soon as you check it, because who else could it be?
BB: I bet you forgot to watch the episode lol
No.
You forgot you shouldnât trust him.
-
âŚ
BB: ?
BB: Hello?
BB: Hey, sorry idk if youâre busy or something right now. Just wondering how you were
BB: đ
BB: Sorry, did I do something to make you mad?
Yesââ no. Yeah, kinda.
You pull down your phone screen, musing over the fact that more messages might appear. Heâs sent something new every few hours since your talk with Liza earlier that day.
God, youâre glad you donât have your read receipts on.
You spend some time lazing around in bed, hair up and out of your face, your pants crumpled and kicked on the floor nearby. You suck in your cheeks as you pick up your phone.
Youâve been cycling through social media all dayââ not looking at anything in particular, but definitely avoiding texts from You Know Who.
You know what the messages say, you know that heâs wondering where you are and what youâre doing, but how do you face him after your fatal revelation with Liza? How do you recover? Well, you start by sorting out your buzzing thoughtsâŚ.
First, you feel fucking embarrassed. Thereâs a burning, nauseous heat on your face, all because you didnât realize those pictures were SO obviously fake, and that you were kinda into Whoever He Is.
Second, you feel righteous anger, for being dragged around even though he promised. Ha ha ha. Heâs one hundred percent a stranger on the internet, alright. And youâre a fool for letting yourself get strung along.
But him using pictures of a well-known, well-loved, heavily-adored celebrity?? Isnât that, like, really fucking bold? Embarrassing even?
(Almost as embarrassing as you not noticing this, but you donât let yourself dwell on that part for too long)
The angel on your shoulder reasons that, âmaybe heâs still the same person underneath this facadeââ he just looks nothing like what he has posted. You could still like him no matter what he looked like, right?â
While the devil swoops in with some hard facts, laughing in pity, âA guy or person who conceals themselves with lies is not worth keeping at all.â
And in this case, you have to agree with that flaming hot truth. Youâre ready to fold those fleeting feelings, shove them in a box, and kick âem to the curb along with that inner monologueââ but as you said in the very beginning⌠if you knew you were being fooled from the start, are you really getting hurt?
The goblin of curiosity pulls at your sleeve and offers this funny sentiment, âKnowing this and talking to him should be fine if you establish the fact that you know that âthisâ isnât real.â
And thatâs where you are now, staring at your phone, at the multitude of double, triple, quadruple texts that have accumulated through the day. You exhale, and draft up a frail response.
You: hey, sorry. I was busy
His answer comes almost too soon even while you were approaching the later hours of a long day.
BB: Hey!, no, no itâs okay. Sorry if i freaked out, I was just worried
You: what, you missed me?
BB: something like that. Youâre definitely the best reason Iâm checking my phone nowadays, besides work
You: how sweet
BB: actually, I took your advice. I turned on Do Not Disturb at like 9. It feels like a weight has been lifted off my shoulders
You: thatâs great!
BB: well, I know thereâs going to be a shit ton to read in the morning, and Iâm still stressed about that. But I guess Iâll get used to it. Gotta save time for myself! đ¤đ(praying emoji)
You: definitely
âŚ
BB: hey, are you okay? You seem distant
You: yeah, no. Iâm fine. Just a little tired
âŚ
BB: haha, youâre obviously not. Are you still out? Or back home now?
You: Iâm back home, but itâs been a long day
BB: oh, okay! You should head to bed then. Talk to you later?
You: yeah, I guess I should
BB: good night! Sleep tight đ (blush smile emoji)
You: good night
-
The next day goes by with a few more one-sided text exchanges. âBlurry Boyâ was really single-handedly carrying each of those conversationsââ and while theyâre interesting and youâre still replying, you find it hard to bring yourself to believe any of it. It has no real weight anymore, to your life or in application.
You canât stop thinking about the fact that heâs LYING to you. Straight to your fucking face.
You watch the conversations in the third person and are almost impressed with the lengths that he goes to keep up with the same story. No loss of momentum, the perfect amount of enthusiasm.
But by now, he must suspect something. The way he asks leading questions in an effort to get you to speak more.Â
Unfortunately for him, you canât help but be cold in response.
What you donât realize, is that you want him to ask you what was wrong, one more time. You donât realize that you want an opportunity to be mad. You want him to give you the chance to be.Â
So, stop being so fucking nice, blurry boy.
Because youâre not fucking nice at all.
You ignore him for the evening, going out to run some errands so that your hands were actually busy. You silenced your phone as you wound down again for the night, only sparing it a glance at the last second.
There are a few messages waiting for you.
BB: hey, are we okay?
You: we?
BB: yeah, sorry if iâm jumping to conclusions but Iâve felt a little special here. If not, I get it. Iâd just like to know
You: youâre definitely something
BB: whatâs wrong?
You take a sharp inhale, tucking your hair behind your ears, and sitting up in bed to fully type out your feelings. Your opportunity to be angry is HERE, you can go off and spit words and fightââÂ
You: youâre lying to me, right to my face. It was fine at first, but I still canât wrap my head around why youâre doing this to me. It feels like weâre playing pretend and just ignoring the fact that there is NO TRUST here at all. I donât know WHO you are and you havenât given me any idea of who you could be! Youâre using fake pictures and a fake name, and while itâs been fun⌠thereâs nothing here. Thereâs nowhere âweâ could go from here. If you want to continue, Iâm going to need SOMETHING from you, if you expect anything from me
You drop your phone in your lap with a satisfying thump. You turn away, stretching and rolling your shoulders back in triumph.
Take that, âT.â
You shut your eyes as you imagine this mystery dude opening his phone to read out an arrow youâre shooting straight at this heart. (And itâs not the good kind). You canât ignore that it hurts your own feelings itâs a little, not in a way thatâs personal butâŚitâs hollowing. You didnât know him personally, no, not at all, but a shade of it must have been real. Thereâs a real person in there, somewhere.
You see the message sit alone, untouched. Thereâs no bouncing dots like usual, no rapid silly response or praise or affection. And thatâs annoying. And thatâs annoying that thatâs annoying.
But you got the last word in, so, what else can you ask for.
You nudge your phone further away, trying not to expect more. Siting in silence for a beat, pinching your cheeks. God, you hate this self-absorbed, attention-seeking behaviorââ but you canât help it.
You let out an exasperated whine, shaking your body to let go of the lingering vibes. You pick up your phone and snuggle back down into bed, ready to sleep after some idle scrolling.Â
Youâre ready to not have to worry about this thrilling 5-day experience, sure to be embarrassed about it later but⌠maybe you can make a story out of it. Though, that would only come after a long wink and the accompaniment of alcohol. God, you donât even want to think about how Liza has probably already told K⌠Ugh!
PING!
You scramble as you hear the shrill bell tone. Your phone is bouncing in your hands as you half sit-up again.Â
A message.Â
You want to ignore itââ but who are you kidding.
BB: can i call you?
âŚ
You stare at it.Â
Is this an olive branch? Is he reaching out to you to show you that he really wants this? That he cares enough to finally share a fucking piece of himself?
Regardless, the call can only prove that heâs not the guy in the pictures. Itâll only show you that heâs just a guy. If that.
You rake your mind to remember what Tom Hollandâs speaking voice sounded like, and immediately kick yourself for even thinking it could actually fucking be him. Thereâs just no fucking way.Â
But letâs see how far off this guy is.
You: only for a second.
Your heart thuds unevenly as you prepare yourselfââ only you have no idea what to expect. Thereâs nothing to go off of.
And within the minute that you sent your message, your phone rings. A blank contact comes up, âBlurry Boyâ in white letters. You listen to the shrill ringtone, only picking up before it ends.
âHey.â
There it is, his voice for the first time. Itâs sleepy and thick, croaky even. He doesnât sound like the squeaky and lively Tom Holland you knew from the silver screen. Though, itâs a stretch to even compare the two at all.
âHey,â you speak demurely. Cool, calm, collected. And you wait. You want him to bring it up himself.
âWhat, not excited about our first call?â
Your face warms at his straightforwardnessââ briefly crumbling under the pressure. Over text you could easily sort yourself out, but hereâŚ. you couldnât hesitate.
âWell, Iâm just glad you donât sound like a 16 year-old boy.â
He laughs breezily, slightly muffled through the phone.
âHahaha, I told you. Iâm 23.â
âMhm, well the way your voice cracked there really proves it.â
âHey, come on now.â He laughs again, and you can hear rustling sheets and the faint chatter of music.
His laugh is quite pleasant, raspy and boyish. Familiar even. You want to imagine that heâs wooed by your maturity and confidence, by the way that a lull settles. But itâs more likely that heâs gathering his thoughts, or collecting his courage.
âThisâŚ. doesnât prove anything,â you start slowly. You purse your lips, nervous ticks coming alive even through the phone.
For the moment, you feel shy, but shove it when you remember that heâs lying.
âI still donât know who you areâââ
âI know. I know, and Iâm sorryââ I canât tell you yet, but I trust you.â
âYeah, youâve said something like that before.â
âUhm, yeahââ I⌠I wanted to call you to show you that Iâm real and I care about you.... and I wanted to hear your voice too.â
There was sincerity there, but you donât let yourself fall for it.
âBut how long will it be before I get to see your real face? ââ Without meeting you in a dark alley all alone.â
âHm?â
âMy friends are convinced that ⌠youâre lying to me. In more ways that one. With the profile, with the pictures, the name.â
âOhââ you told you friendsââ uhm... Do you think Iâm lying?â
âMaybe not all of it, but Itâs a big world out there. Andââ I donât know.â
âBut seeing my face would clear it up for you?â
He breathes deeply, and you can hear him clear his throat. The sheets rustle again.
âItâd be a start.â
âMhm.â
âMake or break it, actually,â you manage to chuckle, offering him that relief. You wonder if physical attraction would be a big factorâ like obviously, it would be something butâŚ. youâve come to know him as a person. So, do you care?
(The answer is yes, you do care, but poetically, you could enjoy his company just like this.)
BUT he is lying; if itâs not about one thing, itâs the other.
âIt would definitely make me feeling a little bit better. To know that youâre not a monster under the bed, or some creepââ arguable but still.â
âI told you, Iâm hot. Youâve got nothing to worry about,â he laughs with a bit of edge, treading the line.
You laugh too, tension easing. He seems like an easygoing guy, willing to be the butt of a joke with confidence.
âThat has a totally different effect, hearing you say that out loud. Itâs still weird.â
âWell, what do you think I look like? Based offââ based off what you have.â
âWell, I hardly have anything soâŚ. I donât know. I want to say âtall, dark, and handsome,â but Iâm pretty sure you have⌠fair skin, brown hair and⌠nice shoulders? Thatâs all I got.â
âYouâre 3 for 3 so far.â
âYouâre just saying that.â
Pause.
âSorry itâs taking so long.â
âYeah, youâre weird.â
Youâve already flipped the a million possibilities of who he could be. Nothing would even surprise you anymore. But listening to his soothing voice has calmed you like the way his words always have. The conversation flows over you, and you slide deep into your bed.
You pull the covers up over your shoulders, swimming in your thoughts. It shouldnât be that hard to reveal himself, should it? Youâre both investing time into thisââ reckless and blind as it may be. You would need to know eventually. Youâre not being unreasonable.
Right?
âIfâŚ. If I show you my face, properly, will you keep it a secret?â Thereâs an anxious tone in his light voice. Every syllable ended with uncertainty, as if he didnât believe what he was saying.
âIf you wantâŚ? Why?â
âI just⌠you just need to. Please?â
âYeah, uhm, I can do that.â
âThank you,â and there he lets out an airy sigh of relief. You hear rustling again, as if he fell back on the bed. Ha?
You laugh in excitement at his small promise, you rub your eye with your knuckle as you tease,
âWhat, are you a celebrity or something?â
âŚ
âHow did you know?â
âHahaha, shut uppp, T. Iâm jokingââ I just want to match a proper face to the person Iâm talking to,â your laugh trails off. You swallow softly, âI have your voice now, so⌠help me piece it together now, please?â
He stays silent, making you second guess the sincerity that you just showed him. Before you can take it back he starts slow and quiet,
âIf I do tell you who I am, would you go on a date with me?â
Your heart squeezes, and your clench your toes. This should be no surprise or celebration, to be honest, this is the point of it all. To find love, or at least the next lay.
âWell, that depends if youâre my type,â coy, coy, play it coy.
âIâm everybodyâs type.â His voice rolls, deep, rough, ringing in your ears.
You blink, your cheek lifting in a half pointed smile. You return his tone,
âOk, well, then I dare you. Show me.â
âI will. Are you free on Fridayââ Tomorrow?â
âAlready setting up a date? Youâre getting waaaay ahead of yourself, dude.â
Pause.
âBut yeah, sure, I might be free tomorrow.â
âGreat,â he laughs at your switching moods. You feel that heat on your face again, shutting your eyes tight, and he offers a bit more,Â
âMeet me by the beach? 9 PM?â
You scoff softly, heâs pushing it. Itâs a public space, kind of not. Itâll be cool, breezy, dark⌠secluded.
But you could easily let someone know where youâre gonna be, and when to expect you back. Fair enough?
âHmmm, send me a picture of yourself and Iâll let you know if I can make it.â
âHuh?â
âThink of it as insurance. Or a sneak peak,â you laugh softly, turning your cheek to rub you nose against your pillow.
He lets out a long, dry chuckle, taking a deep breath. You can hear him settle and stretch himself out too, âFirst thing in the morning. And text me back.â
âSure!â
âThen... Iâll leave you to it. Good night, Y/N. So lovely speaking to you.â His voice is so heavy and warm, so close to your ear.
Youâre almost disappointed that he cut the conversation short. A dark cloud of doubt looms over; maybe he needs time to fabricate a believable photo, maybe heâs nervous, maybe heâs getting cold feet.
You stumble on on what to say as you snap yourself backââ the worrying could be saved for tomorrow. For now, youâll both savor this short, sweet moment.Â
âLikewise. Good night, Blurry Boy.âÂ
You hear him exhale softly, and pull the phone away from your ear. You look at it in your hands, feeling your lips purse. Your face is flushed hot, and your stomach flips in anticipation.
Tomorrow.
-
âNo FUCKING way,â
You open your phone first thing in the morning and... low and behold⌠he actually fucking sent you a picture of Tom Holland. Like he really had the guts to fucking do it.Â
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Come on, Blurry Boy.
This is not real. No way, no way, no fucking WAY.
You heart falls at the thought of losing this ~friendship~ or whatever it is. You put time into this and now its⌠kind of falling apart at the seams.
You hold your squished cheeks and spin on your heel, wondering if you should show it to Liza or Ryââ to share the incredulous feelings but⌠You remember The Promise.
Itâs not that⌠big of a deal, especially since this scenario is fake as fuck, but youâd feel guilty. (damn.)
And also ashamed.
You straight up got fucking catfished.
Like he really had you in the snares.
Thereâs no way that heâs Tom Holland, and even if he âwasâ thereâs no way that Tom would be in your city. And even though heâs a fucking liarââ keeping this a secret for another day or two⌠wouldnât hurt anyone.
God.
You fall back onto your couch, legs hanging over the edge as you stare at the picture. Your thumbs hover over the keyboard, wondering what to sayâŚ
The words come quick.
You: what the fuck, are you joking?
Come on, he had to be pulling your leg. Or expecting you to reply like that. You dontâ know what to think, especially when it takes him an hour or two to reply. Uncharacteristic of him.
BB: Iâm really not
You: dude. Shut up. Youâre not Tom Holland
BB: I am. And I can prove it. Come see me tonight, please
You have to scoff, nearly throwing your phone across the room. UHM, this has sirens and red flags written all over it. Akskdfdjhfad, like??? There arenât even words to describe this frustration and obvious deceit.
You: Uhm, no no no. Call me right now
You were more than peeved now, honestly. He promised you honesty and some vulnerability, and this is just fucking stupid.
BB: Iâm sorry, I really canât. Iâm out for work right now. Meetings all day. But I PROMISE you that Iâm not lying.
Ok, funny. Thatâs exactly what a liar would say.
You donât bother replying back, not sure what to even say besides, âFuck you.â But you figure that silence might be more of a sting than any words you could conjure up.
How many tricks would you fall for? This is stupid, this isnât fair. Thereâs nothing to redeem here, itâs over.
He canât just drop a tremendous bombshell, and act like itâs real??
Who the fuck does he think he is?
Thereâs no way heâs fucking Spider-Man, dude.
Thereâs just no fucking way.
-
FRIDAY NIGHT, AROUND 6 PM
BB: So⌠what do you think? Will I see you later? đ¤ (fingers crossed emoji)
You: I canât believe youâre still messaging me and making jokes. This is cruel, dude
BB: I know it seems crazy, but Iâm not lying. I can explain everything! But in person would be the easiest way. Iâm still running around the city, but meet me at 9
You: bullshit
BB: My name is Tom Holland. Iâm taking a break in this city, and Iâm looking for someone to spend time with. But I HAVE to lie low. And trust you and I want to see you and I want to spend time with you
You: You know this is fucking insanity right ?? I canât trust you.Â
BB: I know, Iâm sorry. But Iâll answer anything you want if you come see me
You: i donât know
BB: well, will i see you later tonight?
âŚ
BB: let me know if you can make it. Iâll be there regardless butâŚ
âŚ
BB: Hope you see you there, Y/N.
You put your phone down squinting. Youâre down for taking risks and meeting new people and trying new thingsââ but this whole thing is just wrong. This is too unreal to even entertain. No matter how many times you say it⌠It wonât sink in.
He says he canât call, he canât send anymore pictures, he canât facetimeââ whatâs with the grand reveal and security clearance?Â
Heâs probably gonna eat your fucking face off, thatâs why.
You look back at your feet, covered in fuzzy socks. Would you even get out of this blanket burrito to meet A Guy?
(Much less, a guy who definitely wants to wear your skin.)
Itâs after classes and work and your social life, you donât have anything planned for today. Your friends are off on dates with one another doing god knows what, and youâre at home comfy in your holey sweatpants with nothing but the warmth of your laptop and chatter of a TV show you havenât been paying attention to.
Sigh.
Thereâs nothing to loseââ you chant over and over. Sometimes, that mentality is what gets you to move forward and try new things. Or gets you into trouble.
Haha.
We all know youâre going to get off your ass and go, but not before checking in with a few people. âCos, youâre not entirely stupid.
âTime for a Tea Party,â you mumble to yourself. You resign to text the more rational of your friends, Liza and Ry.Â
Liza has the perfect amount of encouragement and honesty, while Ryan has the best common sense and gives expert.
Sorry, K, youâre too protective and sorry, Sam, youâre way to fucking chaotic.
GC: TEA PARTY
Liza: Ur actually going to MEET HIM??? ���
Ry: you said you werenât going to get into trouble
You: is he trouble?? Is this bad??
Ry: YES. he could be anyone. Do you even know what he looks like?
You: ⌠not really. He hasnât told me much about anything. But, this is like a chance to find out?
Liza: oh my god you should go. Just go and get it over with
Ry: I donât know⌠this doesnât sound like a great idea.
Liza: i guess, one of us could come with Y/N?
You: nah, Iâll be fine alone
Ry: you sure? We could hang out somewhere in the back or something
You: no, itâs okay. Iâll just let you now when I go and drop my location with you
Liza: Phew! This is going to be SO messy. I love it. Canât wait to hear back from you.
Liza: If we hear back from you đ (side eye emoji)
You: Ha ha, this is my actual life you know??
Ry: you only live once
Liza: And pls live long enough to tell your friends what happens
You: so supportive
Liza: love you! Wear your cute undies just in case!
Ry: bring pepper spray
You: Got it
Youâre thrown into a frenzy. Itâs like 7:45 PM now, and you havenât showered yet, you havenât decided what youâre going to wear or how youâre going to get thereââ and more importantly, you havenât fucking texted him back yet.Â
And he hasnât sent you anything else.
Oh, the mind games.
The way heâs making himself sad and vulnerable, but mysterious and coy.
While you get to choose to be the sucker, or the loser.
Lose, lose with great odds.
You turn on the shower, stepping into the warm steam to clear your mind.
It was made after all, you were going to meet him.
-
Yeah, you were going. But you still havenât said anything.Â
You donât want him to knowââ so you could totally just walk the other way if you see something that you donât like.Â
I mean, he knew what you looked like though. Hell, he even compared you to his ex-girlfriend, so⌠might as well keep the upper-hand and peer from the shadows first.
Or give yourself a head start to run away.
Though, running through sand would definitely be a big fucking obstacle.
You reach the end of the beach, standing atop beaten wooden stairs. The breeze stings your cheek, and itâs a lot colder than you thought it would be.
Youâre wearing some dark high-waisted jeans and a simple pair of slip-on sneakers. You didnât exactly know what âthisâ was, a date or a revelation or a sacrifice, so, naturally, you didnât know what to wear.
Haha.
You hug yourself, your thin white billowy top fluttering lightly in the wind. Your fingers clutch at the flowery-embroidered designs on the sleeves, looking a lot like a pure maiden in distress. (Cos you sure as hell are.) You wore light makeup, and your hair was still a bit damp. The salty air was turning it coarse and wavyââ no complaints about that.
You paired this all with the bravest face you could muster
T, Blurry Boy, Tom Holland Imposter dropped this location with you, and figures that itâs on a secluded section of the beach.
You follow well-trodden paths, softly listening to music as you make your way. One earbud in. You should be thinking about a million things right now, but your mind is totally blank.
No expectations, nothing to go off of.Â
As you near your destination, you look out at the water. The ocean is dark and looming; you can hear her soft waves crash over your soft music. The moon casts a silvery glow, and you canât see colors anymore. Just white, gray, and black. Shining and still.Â
It feels calm, like youâre watching a silent movie. Like youâre alone.
Only youâre not.
You see âhim.â
A lone shape kicking sand with hands in their pockets. Their hood was up and back facing you.Â
Great.
You hang back in the distance, weighing your options. You could still leaveââ fear fully settling in after you see an actual person where they said they would be. He seems⌠harmless enough, like a regular guy andââ ah, fuck.
He turns around.
You see him, seeing you.
He pauses, then leans forward to get a better look.
You freeze too, holding your breath.
Thereâs nowhere left to duck and hide. Itâs just you and some piles of fucking sand.
And him.
Oh, god.
The figure raises their hand, fucking waving. Then they start moving towards you, picking their feet up high to trek over the sand.
Fucking hell, you could turn away now but you donât. You let out a shrill, grating laugh and square up to meet him halfway.
Their shape isnât getting any clearerââ especially now that theyâre facing away from the moon. His face is shadowed and hard to see, but you get close enough to see him.
Iââ
âHey!â he excited calls out, catching the shine of his smileâŚ. AndâŚ. youâre speechless.
Jaw to the floor, eyes as wide as dinner plates, speechless.
He keeps talking, smiling with his eyes crinkled as he gets very very close to you. You could smell his musky cologne, mixed with ocean spray, and disbelief. His voice is low and coated with tired happiness,
âOh my god, Iâm so glad you came.â
His voice breaks at the end, broken in more ways that you can understand at this moment. Youâre just so confusedââ??
He canât stop grinning, eyebrows sloping downward as he lets out an airy sigh of relief. He looks up towards the sky for a moment, moonlight catching on his cheeks and nose. Glimmering.
Wait, wait, waitââ
When he comes back, he does another thing you can barely wrap you head aroundââ he hugs you.
He reaches forward, giving you ample time to turn away (but you donât), and hugs over your shoulders. You felt a human weight on you, the side of his hoodie smushing against your face.Â
And⌠you slowly hug back around his waist. Your left hand awkwardly pats his back as he mumbles,
âSorry, this is too much. Sorry, God. Thank you.âÂ
He doesnât make any motion of moving away despite his words. You can feel his warmth, and slightly desperation in the embrace; something that feels a lot more intimate than you were prepared for.
âThank you.â
âIt⌠Itâs okay,â you murmur back, doused in shock. And shock is better than terror, right?
You pull away, squinting your eyes and making a face. His hands fall off your shoulders, and quickly shove themselves into his pockets. He gives you a moment. A well needed moment. When you open yourself back up, your brain is able to process a few more things.
Heâs standing there in some dark denim jeans, clad in converses, which seems like a horrible decision for the beach, a dark green hoodie pulled up over his head, another horrible decision when youâre meeting someone for the first time on a dark beach, and a denim jacket, enviable. His face is softened and friendly, lips pointed in a gracious smile, while his dark eyes twinkle even in the shade.
He senses your uncertainty as you eyes fan over his face. Your jaw was still hanging open too. He pulls his hood down, ruffling soft brown hair in an inadvertent dramatic reveal. Nice.
He scratches behind his ear, still wearing a gleeful expression,
âSo⌠what do you think?â
What do you think???? What do you think about this situation?? His hair??? The entire man in front of you???
Or the fucking fact that he was who he SAID he was???
I canât believe this isââ this isââ
All manners and social cues and sense exit the building as you stammer brainlessly,
âYouâre! Youâreââ Youâre Tomâââ
He nods, confidently, you note. And tilts his head, locks falling over,
âI am.â
âYou are.â You breath out, maybe smiling now, youâre not sure. You canât exactly feel your face anymore.Â
Your head tilts in the same direction as his, your hair falling over your collar. His eyes follow those fallen strands, before locking back with yours,
âIâm Tom Holland. âI told you so,â and itâs nice to formally meet you.â
Tom Holland.
The brunette bites his lip before smiling neatly as he gets close to your again. No personal space with this guy. He sticks a hand out for you to shake.
Youâre looking from the outside in as you take his hand, bobbing softly. Youâre trained on the sight of his thumb holding the side of your hand, rubbing softly.
You find your way back to his face.
Exactly like the movies.
The wind blows and he turns to the side, showing you the sharp cut of his jaw, and his eye-shut-tight expression.
Better, actually.
âH⌠Hey, Tom. Nice to meet you too,â you finally fumble. You shake your head slightly, trying to regain that calm, collected, confidence you practiced so hard on the way here. You want to say more, but you canât fathom what would come next,Â
âUhm, sorry, Iâm⌠still processing.â
Tom nods, bobbing his whole body, as he takes a step forward. His smile points devilishly, way too easily. His eyebrows twitch before settling, as he lowers his head, hitting you with some sultry jaw-clenching and puppy dog eyes.
âTake your time.â
You laugh, tonguing your cheek. He does too, and you share a starry stare.
The waves crash in the distance, a white noise you were glad to have. A welcome distraction from your loudly beating heart. Something to close the gap of silenceââ
Only Tom couldnât handle the lapse of quiet, after all, he gets paid $$$ by the minute. He starts conversationally, knowing exactly how to stir up your already swirling emotions.
Light, teasing, reeling you in, the brilliant boy flashes you a toothy grin and spares not a single ounce of chill,
âSo⌠am I your type?â
Holy fucking fuck shit god damn.
You just got catfished by Tom Holland.
-
A/N: WELL, reader has been caught in the net. What do you think, is âTom Hollandâ /our/ type? Adfasjdl, the whole concept of this is so funny lol. Can u imagine seeing the man you saw movies screens⌠waiting for you in person??? Unfathomable. Anyway, sorry the past two chapters have just been build up,, thereâs gonna be a lot of mushy stuff coming up soon. Thanks for your patience!
Itâs really hard to find time to write, but yeah taking smaller chunks like this makes it easier for me. Expect updates every 1-2 weeks, usually around Sat-Mon nights. Thanks so much for keeping up!
And you know what to do, please like and comment and reblog! It keeps me going :)
All my love,
Madmadmilk đĽ°
** i do NOT keep up with a taglist. track #one after the one to keep up with the updates, or check out my masterlist! thanks!
#IT'S HEEEEERE! enjoy#thank u for waiting so patiently :)#one after the one#tom holland#tom holland fic#tom holland imagine#tom holland blurb#tom holland x reader#tom holland x you#tom holland reader#tom holland you#tom holland fluff#tom holland angst#tom holland imagines#tom holland fics#tom holland writing#tom holland story#madmadthirst#madmadmilk#OATO
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I think Iâve finalized Arkâs backstory. I did a little editing to the previous drafts, but I think Iâve got the story in a solid place.
Since Iâm trying to style it as an episode of Tron: Uprising, a lot of the episode titles are one word, so Iâm calling it âAnother.â
Itâs split into 4 chapters and runs a little over 5,000 words.
-
Rough drafts: Part 1 | Part 2 | Part 3 | Part 4
Second drafts: Part 1 | Part 2 version 1 | Part 2 version 2
Final draft: Combined Parts (you are here)
-
01. The Encounter
With Tron healed, he had started going on missions with Beck, along with taking on some solo missions of his own.
Strangely enough, the Occupation had been subdued lately, which was cause for suspicion, so they had gone out into Argon together to see if they could pick up on any hints or information.
Things had been rather boring, right up until they got ambushed by a group of five Occupation programs.
There were four Sentries lead by an unmasked female program with a blank expression on her face.
Beck had never seen the leading program before, but Tron seemed completely surprised at who stood before them.
There was no time for questions, though, the four Sentries rushed Beck, while their leader went after Tron.
The Sentries kept Beck occupied, coordinating their attacks to keep him on the defense and distracted.
On the other hand, Tron and the new program were fighting furiously, though neither one was landing a blow on the other. Move for move, they matched each other, striking and blocking again and again.
Beck slowly managed to take out his opponents one by one, until the last one was left unconscious.
Their leader blocked Tron's attack and looked around to confirm that her crew was incapacitated.
She disengaged from the fight, fleeing the way she had come.
Tron yelled one word after her, "Ark!"
The program paused as she looked back with a gasp, her eyes widening as she showed the first scrap of emotion since she had arrived.
It lasted only an instant before she shook her head, her expression blanked out once more, and she resumed running away.
Beck, worn out from his four-on-one battle looked from Tron to where the program had left, then back again.
Tron wasn't pursuing her, though he looked somewhat shaken at the encounter.
Beck made his way over to Tron, "You know her?"
Tron didn't take his eyes off where she had gone, "I did a long time ago."
Beck raised an eyebrow, "Care to tell me about it?"
"No."
Beck was about to protest about more potentially dangerous secrets when Tron sighed and continued, "But, I'll tell you when we get back to the lair."
Tron lead the way back, while Beck's mind buzzed with questions, who was she?
Once at the lair, Beck fidgeted slightly as he waited for Tron, he knew there was no sense in pushing him, he'd do it on his own time.
Suddenly, almost without warning, Tron spoke, "Her name is Ark."
That was the one thing Beck had figured out, but, it was a start.
"You know that you're not the first to wear my circuits. She was the second."
Beck raised an eyebrow, but chose to say nothing yet.
"Don't give me that look. It's different, we knew each other way back before the Occupation took over."
Tron walked up to the display screen and tapped a few buttons, bringing up an image of Ark, this time in blue circuits, instead of the red of the Occupation.
"She was a System Monitor. She was a hard worker and we ended up working together several times. She was friendly with the ISOs, which caused some trouble, but it ultimately saved her life."
Tron activated another image, this time, one of a cloaked program with jagged sickly yellow light lines.
"Right before the coup happened, Clu used a virus to cause chaos and further his goals. There was going to be a ceremony celebrating a share of power between Basics and ISOs, but the virus interrupted, causing death and destruction.
"Ark was stationed outside, the virus had gone in a different way, so her and some of the other System Monitors had no idea anything was wrong until programs suddenly fled the ceremony.
"All of the Monitors helped calm down the crowd and got all of the programs to safety. Then, they split up to try and find out what they could about the virus.
"Ark ended up alone in the heart of the city, when an ISO pulled her into an alley. They told her that programs were being rounded up for the Games, that System Monitors were disappearing, and that I was dead. They begged her to hide, afraid that her friendliness with the ISOs would cause her death.
"She was reluctant to give up, but the more the ISO told her, the more it made sense that something bigger than she could handle was going down. She couldn't protect the system if she was dead, so she promised to hide for a short while, but if nothing happened, then she'd continue looking for answers.
"This seemed to appease the ISO, who fled to their own hiding spot and Ark never saw them again.
"As for Ark, she found a place to hide that gave her a prime vantage point to see all of the missing System Monitors march in with red circuits to take over the city. If she hadn't been warned, then she would've been rectified like the rest of them or killed for her defiance."
Beck frowns at this, "She's rectified now, though, so what happened?"
"I did." Tron replied. "She stayed hidden for a while, until things settled down and she wasn't in immediate danger. From there, she quietly snuck around and learned about the Occupation and their takeover. She didn't care much for them, so she took matters into her own hands, stopping them from bullying innocent programs and picking fights whenever she saw just a couple of them."
Tron smiled wistfully, "In that way, you remind me of her. Both of you fought back despite the odds, because you didn't like what the system had become under the Occupation."
He sighed softly, "Anyway, it wasn't long before people were talking about some kind of vigilante, so I sought her out. We recognized each other immediately and she agreed to team up with me without hesitation.
"She was a good Renegade, but didn't last long. After more successful missions, there was word going around about a dangerous new weapon that the Occupation was working on nearby. The information seemed suspect, but Ark insisted on investigating it. To her, the risk of the weapon being real was too great to ignore.
"So, she went in alone. I waited at the rendezvous point for far longer than the meeting time we had agreed on, but she never came back. After that, I never saw her again. I had hoped that meant she was dead, rather than forced to be rectified, but I wasn't sure if that really was worse or better."
Tron shook his head, "With her suddenly showing up after all of these cycles, it's likely the Occupation is trying to use her to draw us into a trap. We must proceed carefully from here on out. If you see her, do not engage."
It was Beck's turn to sigh as he tried to process all of this new information, "All right, I promise. We won't jump into anything without being sure of it."
He walked over to Tron and put a hand on his shoulder, "We'll get her back, I promise. She recognized her name, she's still in there somewhere."
Tron nodded silently before replying, "Thank you."
-
02. The Mistake
Even though Tron didn't know exactly what had happened to Ark, he could guess on the details. However, he had no idea of the depth of what went on after she was captured...
Ark understood Tron's concerns, but this time, her concerns had outweighed his. He knew he couldn't stop her from going, so he had suggested that they meet back up at a certain place and time, so that if she was pursued, he could give her a hand.
She had agreed to this, said her goodbyes, then took off. She had been studying the building and the guard patterns for some time now, so she knew sneaking in would be easy. After that, though, there was little information, just that somewhere in the building was a weapon that Clu could use to easily stop any programs that even thought about resisting. Tron, her, and anyone else they could recruit would be in even more danger than ever.
The lack of information gave her pause, though, and for a moment, she considered turning back around. But, her pride and stubbornness won out and she kept going. This was something she had to do, even if Tron didn't agree with it.
She wore his circuits, like she did on every mission, and they brought her some comfort. Even if he wasn't here with her, he was the best on the Grid, maybe some of his talents came along with his emblem.
Getting in was just a matter of waiting for the right time, and she had timed her approach to coincide with the Sentries' movements.
For an instant, she wondered that if this gap in the guards was purposeful, and that Tron was right. But, she shook her head, if she kept believing that she'd fail, then she would. Even if Tron was right, and it was a trap, she had gotten out of worse situations. They both had.
Once she was in, she wandered endless dark hallways empty of everything but her footsteps. Trying to walk as quietly as possible, she made her way through the building, until she entered a large room.
Sticking to the edges and finding nothing and no one there, she slowly walked towards the middle to see if she could find anything there.
What she found was an ambush.
Countless Sentries dropped down from above and went in after her.
Ark activated her staff and fought for her life. She derezzed what felt like endless amounts of Sentries, but there were still far more of them than she had energy to deal with. The longer the battle went on, the more exhausted she got, starting to falter and make mistakes. After receiving quite a few injuries, she finally collapsed and was immediately surrounded.
Two Sentries hauled her to her knees, holding her upright by grabbing her arms tightly. She felt a disc rest at the back of her neck, another reminder that she wasn't going anywhere of her own accord.
Glowing yellow circuits ominously appeared in the darkness and walked towards her as Ark realized just how much trouble she was in. The Administrator himself had set this trap and she had just walked right into it.
Clu leaned down, "Well now, what do we have here? You're clearly not Tron, but you're wearing his circuits. Let's see who you really are."
He reached up under her chin and casually pressed the button to deactivate her helmet and reveal her face.
As her helmet disappeared, Ark directed a defiant glare up at Clu.
"You? Now, isn't this interesting? Here I thought all of the System Monitors were under my control, but it seems I've been mistaken. I thought Abraxas had gotten you all those cycles ago. You're quite resilient to survive everything after all this time. Well, until now."
Clu paced in front of her, seemingly trying to make a decision, "What to do with you? Obviously, I can't let you go. You've been disrupting things and making a nuisance of yourself."
Suddenly, he's back in front of her, leaning down, "How about a deal? I could use more competent soldiers like yourself. Give me Tron's location, willingly join me, and you'll survive. I'll make sure that you're well taken care of, with all the comforts you desire. I can't imagine your vigilante lifestyle is terribly cozy. It's a more than generous offer, but, what can I say, you've caught me in a good mood."
Ark's only reply was an icy glare.
"Oh. You're going to do this the hard way. Suit yourself. There's ways of getting the information I want and ways of making you work for me. They won't be any fun for you, but the programs torturing you will definitely enjoy it."
He takes a step back, "I could look at your disc and get Tron's location out of your memories, but, I want to hear you say it. I want you to give up your hero and personally betray him. I want you to know that resisting me will get you and those you care about absolutely nowhere."
Clu casually waves a hand to the programs holding her, "You know where to take her."
The two Sentries drag Ark off. She doesn't cooperate with them, but, since she's trying to save her energy, she doesn't fight them, either. She just goes limp and makes them drag her along.
When they reach the designated torture room, she uses every last scrap of energy to try and break free. She manages it for a moment, but it's a short lived freedom as they tackle her and slam her to the ground.
They pick her up and drag her to a table and strap her to it. For all the trouble she's caused, one of them hits the corner of the table, causing it to spin. When it settles, she's stuck at an angle and upside down.
It's disorienting and she's left like this for a while, until a program she doesn't recognize comes in.
She's adjusted to be back upright and the torture begins. Bursts of electricity are sent through her at different strengths and at various places.
The process is horrific, but Ark seeks refuge in her code, focusing on it instead of the pain. As a System Monitor, she's programmed to protect the Grid and do what's best for it. Giving up Tron would doom everyone, so she's secure in the knowledge that no matter how much this hurts, she's doing what has to be done.
Her screams echo down the hallway, but she never begs for it to stop, she never says anything coherent at all.
The torture is endless, all she knows is pain. Ark doesn't know how much time has passed or how much longer it'll go on. Sometimes she's left alone to recover, but the peace just makes the next torture session hurt all the worse.
Her torturer seems irritated that she won't break. At one point, she was jabbed in the side with an even higher amount of electricity and pain than usual, and after that, things never felt quite right. But, it was hard to tell much of anything around all of the pain.
Cycles pass and it's hard for Ark to know where she is any more. All she knows is that she cannot give up Tron.
Finally, things are different. She's left alone long enough for her to start being able to think. The pain is ever present, but her mind begins to clear.
"Still as resilient as ever." An all-too-familiar voice addressed her. Clu strolls up to Ark, "They say you won't give up your memories, so I'm going to make sure that you no longer have any memories at all."
He turns his attention to another program in the room, "Get her healed up, but leave the scars as a reminder as to what happens to programs that defy me."
Clu looks back to Ark, "I'll see you soon." He leaves the room and his programs to their work.
It takes a while to get Ark back in functioning shape, several different healing techniques are needed in order to repair the extensive damage done to her over many, many cycles. The outlines of the vast amount of injuries remain, though, just as Clu had ordered.
They bring her to another room where Clu was awaiting them. Two programs remove her from the table, and as soon as she's free, Ark tries to break away and escape. But, she's easily stopped by several more programs she hadn't been aware of.
Clu smirks, "A fighter right up until the very end. That's what makes you so valuable. It'd be a shame to just derezz you."
Ark's shoved into a glass chamber, which she immediately tries to break.
Clu watches her struggle for a short period of time, before signaling for the process to begin.
Ark fights until she can't any more. She struggles to resist what the machine's forcing her to do, until it finally takes over and her programming is overlaid with the Occupation's mind-controlling code.
Once the process is over, she's removed from the chamber and Clu inspects her.
"A story Flynn once mentioned comes to mind. He often spoke of an old User city called Rome. There resided someone who was called 'The God of War'. I think that's a fitting title for her, she'll help me put an end to the war for the Grid. Now, she just needs the name to go along with it." He puts a hand on her shoulder and addresses her, "We've got a lot of work to do, Mars."
-
03. The Rescue
Tron and Beck kept getting ambushed by Ark. Again and again, she'd show up with a group of Sentries, instigate a fight, and then flee afterwards.
They catalogued everything about every instance, especially the location, and a pattern began to emerge.
She was slowly leading them somewhere. But, at this point in time, it was hard to tell exactly where. There were many buildings in that direction, and quite a few of them were under the Occupation's control.
If they could figure out where quickly enough, they could spring the trap before the Occupation could set it.
Most of the time, she attacked them when they were together, but on occasion, she would fight just one of them.
So, Beck and Tron made a plan to split up and track Ark. Since she knew Tron and seemed focused on him, he'd fight her, while Beck would follow her when she fled.
It took a few tries to get it right. Several times, she attacked before they split up or ended up targeting Beck instead.
But, soon, everything lined up in their favor. When she was focused on Tron, Beck was able to stay back and keep eyes on her.
He kept a safe distance from Ark, making sure that she didn't know she was being followed. After they traveled several blocks, finally, she entered a large building.
Memorizing everything he thought was useful, he met back up with Tron to give him the information.
Thanks to being a System Monitor and his close association with Flynn, Tron had access to schematics of all the buildings in the city. The Occupation would've modified the building to their needs, but they had enough to work with.
Based off the blueprints and their experience with the Occupation, there were a couple places that they were likely to be holding Ark.
One of the sides of the building had a loading area, so, when Occupation members were busy unloading a truck, Beck and Tron slipped right past them.
They silently headed up the stairs, the first two floors they tried didn't look like holding areas, but the third was lined with cells.
The floor was dark, and only one cell had an active barrier and an occupant. As they crept closer, it was clear that Ark was in the cell. She was standing there with the blank expression on her face that she always had.
It didn't take long for them to deactivate the barrier and set her free. Tron darted in and quickly stunned her with a low-power pulse, just enough to knock her out for a short while.
Tron scooped up Ark to carry her in his arms and followed behind Beck as they left faster than they had come in.
Things continue going smoothly until they reach the loading area and are greeted by a group of Sentries.
With Tron's hands full, all the fighting came down to Beck, while Tron dodged discs left and right.
They weren't trying to win, just make a path to freedom. As soon as there was an opportunity, they ran for it, though Beck still had to knock down a few opponents.
Paige arrived on the scene just in time to see the two Renegades escape with a captive Occupation member.
Tron and Beck had set up a temporary base in the city, so they secured Ark and hid there while the Occupation searched the city for them.
Once they rested up from their frantic flight, they started investigating Ark's disc. Ark herself had woken up and was just staring blankly off into space.
The Occupation code seemed to be overlaid over her original code, though there were a few older memories that were mixed in and easily accessible.
A quick check of the memories revealed her repeated torture at the hands of the Occupation. There was nothing else before or after that of Ark's memories, the torture suddenly stopped, there was a gap of time, and then her memories of being with the Occupation began.
Since Ark had seemed to respond to Tron's voice before, they tried it again. Tron stood in view of her and said her name.
Like before, her eyes widened and she gasped softly, before returning back to her empty gaze.
Beck had been monitoring her disc, when she recognized Tron, a memory had briefly bubbled to the surface and he had managed to activate it.
It was a short memory, and the timestamp indicated that it was from some time before the Occupation took over.
There was no context to it, it just consisted of Ark standing there in her System Monitor armor, while Tron praised her for a job well done.
Beck looked to Tron, "Looks like she really thought a lot of you."
Tron nodded quietly, and with a heavy sigh, he went back to looking at Ark's disc, "There has to be something else we can use to bring her back."
Beck thought this over, "I'm just a mechanic, but, my wrench works with a lot of things, lemme try it."
He took the disc from Tron and attached his wrench to it. More information popped up and he started scouring the data.
The layer of Occupation code was straightforward, except for one section, where it seemed to go around and bypass something. The more he looked into it, it was clear that something was wrong, but he had no idea what it could possibly be.
"Hey, look at this. Something's off here, but I don't know what."
Tron gave it a look, "I'm not sure, either. We need a medic to figure it out."
Beck sighed, "I only know one medic, and I don't think she's too interested in helping us."
Tron looked at Beck resolutely, "We'll figure something out." They weren't on a time crunch now, so they had time to look into different options.
With nothing more they could do right now, they both took a much-needed rest.
-
04. The Return
As time rolled on, both Tron and Beck investigated Ark's disc, but came to no new conclusions. Time passing also lessened the search against them, so much so, that they decided to take turns going out into the city. Maybe a change of pace would help, and maybe they could find a medic willing to assist the Renegades.
Their brief jaunts into the city were unmemorable for the most part, right up until Paige found Beck.
He had continued to wear the Renegade armor and helmet, in the hopes that someone sympathetic and loyal to the cause would offer their help, but, this time, he got slammed to the ground instead.
"Where is she?!" Paige yelled, "What did you do with her?!"
Beck saw the opportunity this presented, and the many problems that came with it, and took a leap of faith.
"She's safe, but she needs help."
Paige hissed, "She needs help because you kidnapped her."
Beck shook his head the best he could, "It's more than that. There's something wrong with her disc."
Paige growled, "She could get the proper care with the Occupation, instead of a couple of vigilantes."
Beck sighed, "Look, I'll make you a deal."
Paige interrupted, "I don't make deals with kidnappers."
"Just hear me out. If you can fix her, you can take her back to the Occupation, no trouble. I just ask that you watch her memories and make sure that you think that going back to the Occupation is the right thing for her."
This gives Paige pause and she considers it. If this offer was valid, the Renegade would take her straight to his hideout, then she'd have the location of both Renegades and the kidnapped Occupation member. There was a chance that this was a trap, but, she knew that she could take both Renegades, or at least hold them off long enough while she called for backup.
There was no way she could lose. "Fine. Take me to her. The sooner we get this done, the sooner she'll be back where she belongs."
Paige let Beck up and he lead the way, "Do you even know who she is?"
"I don't know every member of the Occupation."
Beck looked back to her, "She was locked up in a cell. Did you ever think that maybe they didn't want you to know who she was?"
Paige didn't like this, but found a plausible reason, "If something's wrong with her, maybe she was quarantined."
Beck turned his gaze ahead, "Maybe. You'll be able to figure it out once you look at her disc."
He took her around a long path, trying to obscure the location as best he could. It might be a temporary lair, but he didn't want to just hand the Occupation an invitation.
As they entered, Beck warned Tron by saying loudly, "I brought a guest."
Out of their current line of sight, Tron activated his helmet and stood watch in the corner. He wasn't sure what was going on, but he trusted Beck.
Paige eyed the sparse room, "Nice place you got here."
Beck just shrugged, "Hey, you work with what you've got."
Paige went over to Ark and started examining her. Once she's done, she looks to Beck, "Nothing seems wrong with her physically, except for some scar remnants and the fact that she never reacted to me looking her over, did you sedate her?"
Beck shook his head, "No. All of that is the Occupation's doing."
Paige snorted, "We'll see about that."
She carefully undocked Ark's disc and started looking at the files, "Her code's a mess."
Beck gestured to Ark, "The Occupation again."
Paige rolled her eyes and got back to work. Clearly the Renegade was going to be no help to her.
She got down to the code bypass and frowned as she saw what it was going around, "Her energy processor is completely burned out, only a large amount of electricity could do that. She was unconscious when you took her, how hard did you shock her?"
Beck shook his head, "Not that hard. We didn't want to hurt her, so we used the minimum amount to knock her out."
Paige gestured angrily at him, "Then why is her processor destroyed?"
Beck gestured right back, "You'll find that answer in her memories. The older ones before the gap." He paused, then added, "You're not going to like it, though."
Paige snorted, "We'll see about that."
She confidently went to the indicated memories, sure that she'd see some sort of injustice acted upon this program by one or both of the Renegades.
Instead, she watched in absolute horror as a red-circuited Occupation program brutally tortured the program again and again.
She's about to accuse the Renegade of rewriting the memories, but she keeps looking, there's far too many matching memories for it all of them to be altered. Something on this scale would be far too dangerous for the program involved.
Paige wavered, her faith shaken. But, she quickly came back to her senses. She had a patient to take care of.
She went back to the damaged portion of the disc and went to work. She's not seen this kind of damage often and she wasn't prepared for it, so it's slow going.
After quite a while, she finally gets the energy processor fixed, but she's not done yet. Digging through the files, she sees that the messy, overlaid code is locked in as the default setting.
Paige does some experimenting, and after seeing the old memory featuring Tron, she uses it to make a backdoor around the default code. Combining the bypass with the remnants of older code from the memory, she's able to reconnect the original code. Once it's in place, she locks the original code to default and seals away the added code. With the extra code unconnected to anything, it won't cause any harm to the program, so she leaves it as is.
She double-checks her work, and once she's confident that everything's correct, she hands the disc to Beck.
"This should fix her. I have to go."
As Paige quietly leaves back out into the city, Tron looks over to Beck.
"I don't think she liked what she saw."
Beck nodded, "I think maybe her faith in the Occupation was finally shaken. I hope so, anyway."
"We can only hope."
Beck then put Ark's disc back on her dock and they waited while all the changes loaded and took place.
Tron stood in front of Ark, so that he'd be the first person she saw after coming back.
The process takes a while, but, finally, Ark's eyes light up and her expression warms from the cold look they had been accustomed to seeing. She blinks while looking around and gathering her bearings.
Finally, she realizes that Tron's there and she gasps, "Tron! You were right, it was a trap, I'm sorry I didn't listen to you."
Before he can reply, more memories hit, "Wait...they...they rectified me. How did you fix me?"
Tron gave a small smile, "With the help of a friend." He gestured Beck over, "This is Beck, and he knew someone that was able to help you."
Ark smiled and nodded to Beck, "Thanks and thanks to your friend for saving me."
Beck gave her a grin, "You're welcome. And, welcome back to the Resistance."
Tron walked over and freed her from her restraints. Ark stretched out the stiffness, then gave Beck a grin of her own, "It's good to be back."
#idea bag#writing#story#stories#fanfic#fanfics#fanfiction#fanfictions#OC#OCs#Tron OC#Ark#Tron#Tron: Uprising#Tron Uprising
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Penny/Oscar prompt(with trans!Penny and trans!Oscar): Still feeling confused by being chosen as the Winter maiden, she approaches Oscar about whether she can really be a Maiden when her soul came from a man. Oscar tries his best to answer as himself, saying they're not so different as Oz only reincarnates into men, and explains he wasn't born as one, but that it's their feelings towards their gender and own identity that matters more and is a true reflection of their soul.
I donât think Iâm ever going to be completely happy with this one. Itâs been through (at minimum 3-4) drafts and waaay too many read throughs. Iâm just gonna call it done here. A part of me feels like I could still make it better somehow, but I already put all that I could into it.
That said, Penny and Oscar as valid af and anyone who disagrees can fight me behind Dennyâs (sure Iâll probably lose because Iâm basically Steve Rogers before he became Captain America, but yeah).
Also if it doesnât come across that theyâre valid af in this fic, I will just go and edit it some more. I did my best, but I also am somewhat worried thatâs not enough.
anywhoooo off to the fic!
.
There Are No Strings On Me (The Farm Boy Is Also A Cricket, Too)
Penny watches the airship lift off and fly away. Â She hates staying behind like this. Â She understands why. Â What she is now, a Maidenâsheâs too important to risk on a reconnaissance mission. Â The fate of Atlas, Mantle, the entire world rests partially on her shoulders, and not just in an âIronwood telling her that it will be her job to save the world one dayâ way. Â This is real. Â Too real.
Penny holds one of her hands in the other. Â She rubs circles with her thumb on her open palm. Â Her father, the first chance he got, repaired the damage Cinderâs fiery blade caused when it exploded. Â Sheâs glad for that. Â Thereâs no doubt in her mind that there will be a battle in the near future she will take part in. Â Going into a fight with sustained damages is no good.
Penny closes her eyes. Â A part of her wants to playback that terrifying moment. Â Hurtling through the air, her sensors alerting her to the incoming blade, catching it, her hands overheating. Â Spinning out of control. Â Falling.
Catching herself.
She refuses to let herself do more than think about it. Â She survived the fight. Â So did Winter. Â Thatâs what really matters. Â
Although, dying doesnât necessarily scare Penny. Â Sheâs done it once already. Â She doesnât remember it or the time between it and her reactivation. Â She never felt pain, terror. Â One moment she knew nothing more, and the next she was blinking awake in her fatherâs lab. Â Penny knows truly dying means not waking up again, but she finds it hard to fear the moment when itâll eventually happen definitively for her.
What she does fear, and what she would cry over if she had the capacity, is the possibility of an afterlife. Â Penny has hard evidence now that, if an afterlife does exist, she doesnât get to go there. Â She doesnât go anywhere. Â She just shuts off. Â Like any other machine.
Sheâs not real like actual people are. Â Sheâs a very close replication of life, but thereâs still a gaping chasm between her and everyone else. Â One that she can never cross precisely because of what she is.
I have come too far to be stopped by some toy!
Theyâre words said in rage by someone whose opinion Penny knows she shouldnât really be considering, but theyâve stuck with her since they were yelled at her. Â Is that what she is? Â A toy? Â A puppet? Â A plaything? Â An imitation of life meant to explore humanityâs capacity for creation?
An imitation of humanity itself, one that deceivedâstoleâone of its greatest powers out from under it?
Penny canât describe what having the Maiden powers feels like. Â Theyâre just there. Â A part of her, but one thatâs somehow detached from her operating systems. Â She controls them, can send commands and signals to them like she does literally every other aspect of her body, but they are distinctly separate from her machinery. Â Like a magnet that got accidentally stuck to her and wonât come off. Â Not truly a part of her. Â Not really.
She shouldnât have gotten them at all. Â The Maiden powers were intended as a gift from an old wizard to four living girls, to aid mankind. Â Penny isnât alive, not like everyone else is. Â The gift to the maidens was never meant for her. Â She intervened in a process she should have stayed out of. Â It was not her place to act like she had.
But if she hadnâtâŚ
Penny can imagine what would have happened if Cinder won that fight.  Friaâs final moments would not have been peaceful.  Winter, out of aura and injured, would be in no condition to continue a fight against an even stronger opponent.  Penny herselfâŚwell, she already knew how little Cinder regarded her life.
Sheâd had no choice, hadnât she? Â To save all three of them. Â To not waste the window of opportunity Winter gave her by distracting Cinder. Â In those precious moments, there was only her. Â Penny.
She could have told Fria to think of Winter, couldnât she? Â Fria knew Winter. Â Thinking of her probably wouldnât have been too hard. Â But, Penny hadnât. Â Penny had taken Friaâs hand and held it. Â Because no one should be alone in that final moment. Â Because she couldnât say she knew what awaited Fria on the other side and she wanted to give Fria whatever comfort she could to send her off. Â Because, in that moment, the magical powers hadnât mattered, but the old woman in Pennyâs arms did.
Now, here she is, the Winter Maiden. Â A thief of a gift to humanity.
âYou okay?â
Penny nearly jumps. Â She hadnât heard Oscar come up behind her. Â Her receptors had captured the echoing sound, sure, but her processors hadnât been attuned to register it.
âIâIâm fine,â Penny says too hurriedly, and closes her lips firmly to prevent the hiccup from escaping her.
Oscar looks at Penny a long moment, and then sits down beside her.  âI hate staying behind like this,â he admits, gesturing to the cave opening the airship flew out of to exit the Crater.  âI know thereâs more I can be doing but IâŚâ
âAre too important,â Penny finishes for him. Â And he is. Â Ozpin can always reincarnate into someone else, yes, but there will only ever be one Oscar Pine. Â Even if he stayed behind, like her, because of the special magic connected to him, thatâs the truth Penny believes firmly in.
âI guess you know what thatâs like.â Â Oscar laughs quietly.
Penny doesnât answer. Â They settle into silence. Â Itâs an odd place to sit, really, the opening that looks out over the Crater. Â They have an entire, somewhat comfortable, temporary hideout to go rest in, but neither really want to leave the spot where they can see the sliver of the sky where the airship will first appear when it returns.
âPenny, IâŚâ Oscar begins, and Penny turns to him to listen.  âIf it was going to be anyone, Iâm glad youâre the Winter Maiden.  I know we donât know each other well, but I do know youâre a good person.â
âThanks,â Penny replies quietly. Â She knows the words are supposed to be reassuring, but they fall flat to her. Â Again, sheâd been the only one there, in that moment with Fria. Â If the Maiden powers could have gone somewhere else, they probably would have.
It was unfair to them, and Fria. Â Thereâs no way the previous maiden could have known Pennyâs true nature. Â Fria had much more important, pressing matters on her mind to truly take a second and notice the exposed metal of the palms of Pennyâs hands, first when she touched her leg, and then when she held her hand. Â Fria probably hadnât had time to realize no ordinary person could have come through the freezing whirlwind of ice and snow. Â She probably hadnât seen how Pennyâs legs were clearly synthetic and attached together at an artificial knee.
Despite being a Maiden who lived well into old age and was, therefore, arguably very clever, Â Fria probably hadnât noticed all the little hints that indicated what Penny is, even though she had every reason to critically examine Penny, since sheâd been attacked for the power she was tasked with protecting mere minutes before.
Because that would mean Fria had known (or at least suspected) Pennyâs true nature, and decided to choose her anyway.
And why would she do that?  Penny, as she keeps telling herself over and over again, isnât actually real.  Not a real girl.  Not like Ruby and the rest of her team.  Not like Nora, or Winter, or even Cinder, whoâs part Grimm now.  All of them were born, created as girls, and Penny wasâŚwell her father had been more focused on building something that functioned.  Heâd never chosen a gender for her.  She did that herself, later on, after she gained consciousness.  But heâd given her his aura, and her father was a man.  So, following that line of logic, shouldnât she too be a man too?
âWhat if it was a mistake?â Â Penny asks Oscar in barely a whisper.
He looks at her. Â âWhat if what was a mistake?â
Penny takes a breath she wholly doesnât need, but the action she learned is one that people do when they need to prepare themselves to say something important.  âMe becoming the Winter Maiden.  I have my fatherâs aura.  Iâm not a real girl.  I tricked some of the most important magic in the world and stole it from humanity andâŚâ she trails off, unsure of how to finish her self-doubting argument.
At first, Oscar doesnât reply. Â Then, âI have Ozpinâs magic, and his memories,â he says slowly. Â âDoes that make me him?â
âOf course not,â Penny retorts. Â âYouâre your own person!â
Oscar grins, and Penny gets the feeling it was his ploy to get her to say that, for both their sakes. Â âSo, if I can still be me, even if I have a wizard living in my head, then why canât you be your own person even if your father gave you some of his aura?â He posits.
Penny huffs. Â âI know Iâm not the same being as my father. Â There is substantial evidence supporting the concept that we are two entirely separate entities, but I have his aura, and he is a man. Â The maiden powers only attach to females. Â Therefore, logically, they should not have come to me.â
âSo, following that reasoning, aura and gender are linked,â Oscar muses. Â He pauses and, if Penny werenât so wrapped up in her own tumultuous thoughts, sheâd recognize the signs that heâs mentally preparing himself to say something he considers very important. Â âWhat if I had evidence to the contrary?â
âWhat do you mean?â Â Penny asks, her curiosity getting the better of her.
Oscar doesnât look at her. Â His shoulders hunch in. Â Instinctively, Penny reaches over and wraps a reassuring arm around his shoulders. Â She doesnât know what heâs going to say next, but she can still recognize itâs hard for him to say.
âI wasâŚI amâŚPenny, do you know what being transgender is?â
Penny doesnât reply. Â The moment she heard the unfamiliar word, she immediately sent out an inquiry to the Internet to find its meaning.
âTransgender,â she finally says. Â âDenotes or relates to a person whose gender identity and expression does not correspond with what it was at birth.â
Oscar lets out a sharp laugh. Â âThatâs one way of putting it, I guess.â Â He pauses. Â Sensing heâs not finished, Penny waits for him to continue. Â He does. Â âFor me, it means, when my parentsâ only child was born, they had a daughter.â Â Oscar glances at her warily, but Penny doesnât interrupt. Â He gazes down at his hands, and sighs. Â âAnd that they never got to meet their son either. Â They died before he figured that out about himself.â Â Hurriedly, he adds, âThatâs not the point,â while wiping his eyes with the back of his hand.
Penny hugs Oscar, hoping to communicate that he doesnât have to explain further to her if he doesnât want to.
Oscar leans into the hug.  He doesnât wrap his arms around Penny in return, but he does rest his weight on her.  âThe point is,â he starts again.  âI once hadâŚdoubts.  Kind of like you do.  But I learned aura and gender arenât really related.  Aura is just aura.  It doesnât really concern itself with any other part of you.  Itâs just there.  Completely yours.  Itâs what we believe about ourselves, our identities, that makes us who we are.â
âBut my aura is myââ
âYours.â Â Oscar sits back. Â âPenny, have you ever considered that all parents create their childrenâs auras when they conceive them?â
âWhat?â
âItâs something Oz told me once.  We had a conversation kind of like this.â  Oscar inhales slowly and exhales.  âOz told me everything comes from somewhere.  He hasâŚinteresting theories on the origins of Dust and semblances, for instance.  But he told me, our parents are always a part of us, because they gave a part of themselves to make us.  He said, because of that, mine will always be with me.â  Oscar stares down at his hands.  âEven if I never got to know them.  My aunt used to say the same, that I had my fatherâs laugh and my aura is nearly the same shade of green as my motherâs, but sheâs not an ancient, mystical immortal, so I guess she was harder to believe.â
He smiles softly. Â âItâs reassuring, in a way. Â To know they gave me part of who I am. Â My aura. Â My laugh. Â My appearance, to an extent. Â But they didnât decide who I am. Â Iâve done that on my own.â Â Oscar looks up at Penny. Â âSo have you. Â You said it yourself. Â You arenât your father. Â You have substantial evidence proving that.â
âBut youâre human. Â Iâm not alive. Â I donât have a soul likeââ
âHow do you know?â Â Oscar interrupts. Â âHow do you know you donât have a soul?â
Penny hesitates, and then admits what sheâs been thinking, Â âI died. Â I died and I didnât go to an afterlife or anything. Â I just shut down like any other old machine.â
Thereâs a long pause where Oscar doesnât say anything. Â Penny begins to think he doesnât have an argument to refute her claim. Â When sheâs about to stand and walk away, Oscar finally speaks.
âWhat if you werenât dead?â Â He asks quietly.
âWhat?â
âYour father recovered your core, you, from Amity Arena, and used it to rebuild you. Â A part of you never shut down completely. Â In your own way, you were still alive.â Â Though the words seem more like an statement, Oscar speaks them like heâs asking a question.
âI guess.â Â Penny frowns. Â Sheâs never really thought of it like that before. Â Everyone told her she died, so she assumed she had. Â But, a part of her had still existed in the world, hadnât it? Â Vulnerable. Â Weak. Â But not snuffed out completely.
Penny thinks about it more deeply. Â Maybe it was like she had been in a coma? Â When people are grievously injured, they can go into comas. Â They donât necessarily remember what happens during them either. Â They wake up on the other end still alive, just with a gaping hole of time they werenât conscious for in their life. Â Like her.
âThat doesnât mean I have a soul or will go to an afterlife like everyone else,â Penny mumbles, but sheâs not as certain that she believes herself now.
âPenny, Iâm not sure how else to tell you this, but no one knows what happens to us after we die. Â Not even me, and Iâwell, Ozmaâsort of died once. Â Actually, it was more like a couple times.â Â Oscar winces. Â âBut Ozma didnât maintain memories of what happened to him after once the God of Light brought him back.â Â He smiles at her. Â âWondering about it, I think, is one of the most human things someone can do.â
âOh.â Â Penny considers the idea that sheâs just as alive as everyone else is, and lets that sink in.
âIf it helps.â Â Oscar leans back on his hands and looks up to the small sliver of sky thatâs visible to them. Â âWeâre probably the only two people who can be completely certain about their identities.â
âHow so?â Â Curious, Penny cocks her head.
âI was chosen as the next life as an immortal who only reincarnates into men. Â Youâre the Winter Maiden, who can only be a girl.â Â Oscar shrugs. Â âWe were each chosen by magic older than this incarnation of humanity itself based on the identities we decided for ourselves. Â If thatâs not validating, I donât know what is.â
âI never thought about it like that.â Â Penny sighs. Â âIâI thought I tricked it. Â That I looked enough like a girl that the maiden powers came to me because they had no place else to go.â
âThe maiden powers are meant to go to those who will travel out in the world and make it a better place because they are able to. Â I think that fits you pretty well.â
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Duende - Uri & Haurche :3
PG because Haurchefant makes innuendo, set during early Stormblood.
The first draft of this was super easy to get out. The edits were a little harder because Uriangerâs voice is very different from mine, but a good challenge all the same!!
âTis expected of a Scion to battle as expertly as one might pen a treatise. Urianger schedules two ventures per day to hone his physical talents: a bracing run before dawn and a lengthy solo training session at dusk. For the latter, he takes to the rocky shore along the coast line. The precarious climb to his preferred spot (providing both privacy and space) is part of his regimen.
Urianger picks the times when visibility is low and most residents occupied. Small talk is not his wont, nor is he at ease with those not in his immediate circle. There is something about his unmasked, unhooded face that gives strangers tacit permission to approach.
His position and decorum dictate that he engage somewhat in chatter during his errands. The residents do not press overmuch, for which he is grateful. Still, the task fits him worse than the too-small aldgoat leather gloves Lyse gifted him on his last Nameday. (Except, those he could not put on as easily as he might a polite demeanor. They refused to go past the breadth of his palm.)
There are days when the convenience of sunrise and sunset for sundry reasons, prove incompatible with other needs such as visibility and safety.
The unexpected rain pours down as he wends his weary way up the cliffs. It sluices through his hair, running rivulets over his brow. For the dozenth time, he swipes at his face and squints against the onslaught.
His feet remember where to place, his hands where to grip for balance. These are his cliffs and his winding, narrow path. No one knows it better. Should that memory etched into his muscle fail, a fall here would not be deadly.
âTwould be painful though, and impact his duties for the next few days. For that latter reasonâabove allâhe takes longer than usual along the rain-slicked terrain.Â
There, he thinks as he nears the safety of the plateau. Urianger blows out a soft breath of relief, relaxing muscles he has kept tense during the arduous journey. For this stretch he has always found it best to walk sideways, arms spread for balance. It has never been a treacherous spot, simply steep enough to warrant caution.
Today, treachery comes at last. He takes a step up the incline, shifts to lift the other foot. The slippery grass beneath his boots gives way and both feet shoot out from under him. He has enough presence of mind to throw his gravity forward rather than backwards.
The impact is unpleasant but survivable; naught but his palms and dignity scraped. Dirt and mud bespatter the front of his shorter training robe. The cotton garment ends below his knees, the boots just above. Thus the joints are spared injury besides a dull ache. He chooses an ignominious crawl up to the plateau rather than risk another fall by rising on the sodden incline.
The rain is not so courteous as to clean his garments. It does offer some reprieve as he turns his stinging palms up to the sky and rubs the rainwater against the creases of grime and grass.
Ah, well. Rain is uncommon enough that he should be glad when it comes. Should his comrades ever summon him to battle in such precipitation, he shall be well-prepared. Lord Haurchefant oft speaks of how training in winter climes these five years have better forged him for difficult conflict. (Urianger suspects it is not only snow and ice that stood in the knightâs way.)
He finds himself smiling, thinking of his new colleague. Though their base is near underground, âtis not wholly cut off from the outside world. Vents let in sunlight, rain can be heard pouring upon the streets. Like as not, Haurchefant put a kettle on soon as he perceived the change in weather.Â
The Waking Sands are enchanted to remain a cool temperature. If the sun does return in full force, they shall not overheat drinking cocoa.
Befouled, bedraggled, and besodden; he returns to the outskirts of Vesper Bay. The twilight and the rain have not put off the residents. A knot of people gathers near the market stalls, the hum of their voices rising just above the thrum of rain upon roof and stone and sea. The citizens hold cloaks and hands over their head as shields, one has a parasol meant for sun and aesthetics.Â
âTis a lovely pink one with expensive-seeming trim. A shame it is likely ruined.
The reason for their cluster becomes apparent. Lord Haurchefant is the focus upon which they circle, tallest among them save two other residents. His silvered head is bent to them as they harken to his low voice. This eve, he has garbed himself in a long scarlet coat over his usual apparel. âTis the first time he has donned sleeves since his arrival.
 (For all the good it did me to be tempered by winter, his lordship had said. It does make me rather pitiful in a desert. I shall do my best to acclimate to Thanalan.)Â
They all gaze upon him with utter rapture. It has ever been so, since his lordshipâs residence began in the Waking Sands while Uriangerâs comrades and Haurchefantâs love continued on to Gyr Abania. Their adoration is not due solely to his fair countenance or noble title, though both must aid the cause.
There is an...openness in him that beguiles all he meets. Urianger has witnessed the surliest residents and most peevish of vendors open like blossoms to the sun when Haurchefant turns the glory of his attention upon them. Such an unusual power he has seldom witnessed and never from so kind a soul as this knight.
There is no avoiding this throng, even would it not be unconscionably rude to avoid his guest. At least there is a smaller chance of strangers engaging him in conversation. Not with a beacon such as Haurchefant seizing their attention, both intentionally and involuntarily.
â-suppose he will be alright, he knows the land better than I.â He hears Haurchefant saying as he approaches. His noble brow is drawn down, his battle-sculpted arms folded. âBut do let me know if you see him. No one expected this rainfall.â
Doth heâŚ.speak of me? Urianger wonders. As if attuned to his thoughts, his lordship turns his way. Surprise, then relief, and then rapture all pass across his handsome features.
âUrianger!â He exclaims. âThank the Fury. I was worriedâI know you favor treacherous paths,and with the dark and the rainâŚâ
âI am well,â says Urianger. âThy concern is much appreciated and noted. âTwould have been a perilous journey had I not been close acquainted with yon cliffs.â
Haurchefant steps towards him, gaze sweeping up and down. Lingering on his bare face, throat, and collar. âIt seems it was perilous for your clothes. Letâs get you inside and taken care of, yes?â
One of the crowd smiles at Urianger. Mara, he recalls, the tall Hyur woman who hawks fruit. âWell, weâre glad youâre alright, ser. I was just telling June that I worry when I see you go off in the dark.â
âAh,â he says, trying to recall which is June. The baker. Yonder woman with the braids who oft gives thee extra tea biscuits. âTis not my intent to cause worry. I am well versed in the land and how best to scale it.â
âEven knowing that, do be careful.â Mara gives an imperious nod. Others nod as well, their eyes on him and not the handsome knight.
He can only nod again, bearing and smile stiff. He does not recall all their names. It makes him feel the most ill-mannered of scoundrels. He sweeps into a bow towards them, hoping it goes to some measure in repaying their concerns. âI shall endeavor to have a care, my lady. Your solicitous care bringeth warmth into mine heart, âtis only right I do well by all gathered.â
She smiles and pats his arm. This seems a signal for all to disperse, more residents bestowing upon him pats and nods. It is a wholly alien experience, and he considers he may be lying at the bottom of the cliff in the midst of a delusion. Surely he is not dear to all these people with whom he barely speaks.
âCome friend,â Haurchefant says. âYou need to get out of those wet clothes and have something warm in your belly.â
âThou art just as sodden,â says Urianger. âPray also attend to yourself. Thou shouldst not catch sick for mine sake.â
âAh but I would have done so gladly if I had to save you today.â The knightâs smile is wide again, fair dazzling in its potency. Again, Urianger is astonished any resident would look at him with Haurchefant there. Do they not sense the charm radiating from his very core? âI do thank you, for arriving when you did. There are much better games we might play in the dark than hide and seek.â
Urianger near trips on the steps up to the door. Of course, Haurchefant is there to catch him, strong hands righting his balance and smoothing over his back.Â
âI beg thine pardon,â says Urianger. Regretful that he has no mask or hood to hide the heat upon his cheeks. As Lord Haurchefant is cheeky himself to everyone, he is likely used to it. âTis not the first time Urianger has witnessed or received innuendo delivered so warmly from this man. âMayhap I used more energy than I surmised, during my exertions today.â
âYes,â Haurchefant nods, opening the door. âAll the more reason for you to come relax with me once you have cleaned up. I shall not have you burying yourself in work when you have earned respite.â
âFor a little while,â says Urianger. He glances back at the streets, at the residents seeking shelter in houses and under awnings. At the way some of them look at themâat him. Relief and concern and warmth in their gazes. He frowns and cannot lose the change to his mien, even in the warmth and dry of the building.
Haurchefant pauses at the top of the stares, giving his shoulders a roll before beginning his descent. âTis late and his friend is often tense in his upper body by the time supper comes. He will need help working the knots loose again. Perhaps Urianger might put off his tasks even further to repay Haurchefantâs worry and concern.
As to everyone else in Vesper Bay, he is at a loss on how to make recompense.
His friend reaches the door to their sanctum and turns back, looking up at Urianger still upon the landing. âDear Urianger, what is the matter? Thatâs a rather pensive expression.â
â...I didst not realise the depth of their regard for mine person. Yon residents and I art not particularly close.â He shakes his head.
âOh,â says Haurchefant, that entrancing smile returning to his mouth. âDo ask me an easier one next time.â
Facetiousness is not Haurchefantâs way. The ironic reply seems out of character. âYes, I am aware the reasoning seems difficult to determine-â
ââTis not.â Haurchefantâs eyes crinkle with laughter. It does not stingâthere is no malice in it. He doubts such a quality resides in the knight. âYou are quite charming, even when cloaked. It inspires others to take interest in you.â
For the second time, Urianger says âI beg thine pardon? I am not given to using mine wiles-â
âNo, no. We should all be in trouble should you do it apurpose. But you have a natural draw that leads people to want to know you. As you signal that is not what you want, they have kept their distance.â
It is an absurd supposition that Haurchefant says with all the conviction of his noble heart. So much does he seem to believe it; that Urianger wants to also trust it, if only for his friendâs sake. âI am...uncertain of the validity of thy premise. However, thy kindness and belief warms my heart. Wouldst that every man hath such a friend as you, my lord.â
At this, Haurchefant lets out a clear, ringing laugh. Again, there is no mockery in it. The sound is joyful and pleased, as seductive a sound as every part of the man. âTis a wonder such a man as he thinks his draw is mirrored in Urianger.
âSo I must endeavor to convince you of it, till you are no longer agreeing to humor me.â Haurchefant opens the door, shivering at the blast of magically cooled air upon his wet person. âWell, I look forward to the process. One could do far worse than spending an evening convincing a beautiful man of his charms.â
To that, Urianger has no answer. Nor does Haurchefant expect one. He winks and enters the Waking Sands, door closing behind him.
It occurs to him and the rapid beating of his heart, there is a reason he perceives Haurchefant as charming and beguiling and the one who everyone should desire. Projection has not been a key failing of his, but he has fallen prey to it before. And presently, it seems.
And Haurchefant is correct in one thing: there are far worse ways they might spend the evening. Perhaps Urianger shall put his work on hold tonight, to see the knightâs endeavor in full.
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Hi there, I love your work! One of the things that really drew me to the changeling is how fantastic and interesting your wide range of characters are. I'm writing a story at the moment - I know the layout of events, and I have ideas that really excite me! But my characters just aren't jumping off the page at me, especially the OC ones. Did you take any steps to prepare your characters? Get to know them, etc? I'd love to know your thoughts if that's okay! Hope you're well.
Interesting question. And I am not sure how much help Iâm going to be. Iâve seen a lot of posts about some of the things people do to flesh out their original characters. I seem to recall one that had like a thousand questions to answer about them (like this post for example). This must work for a lot of people. So consider that if you havenât. (This is my standard, there is no one approach to writing that works, but just various tools that we should all try to see what fits.)
My approach tends to be a bit different. (Maybe I am lazy.) When I create an OC, I think a bit about the balance of people I have in the story already (how many male characters, how many female characters, how white are all my characters, etc, etc). Sometimes I pick a name (sometimes I just write So and So in the draft for a while). And then I start on their character. Which, honestly, I start with a mere shadow, almost a stereotype. They are generally This Kind of Person. Sometimes I will even think of a character I have read in another book, or from a movie, or in a TV show and be like, âAh, they are kind of a Blah Blah person.â (And if I am writing a character from a marginalized group, I keep in mind the general overused, harmful stereotypes and then avoid them--meaning âgood at math asian!â or âsuper strong black woman who can handle anything!â or âgay man is there only to be besties with female character!â or âfat character who is Funny!â) Keep in mind, this is just the first step. But it might give me a general bundle of characteristics. Are they the Sarcastic Little Shit? Are they Quiet but Fierce? Are they Sweet but Clueless? Are they Sporty and Brusque? This just gives us their general outward demeanor to riff of off, knowing they do have a full internal life and that they will develop more personal and individualized character over time.
Now, I donât map their entire internal life. I usually try to make sure there is something they want. Or more that I know at least one thing they want (even if it is not something they are showing outwardly). Or even something they are trying to avoid. (Tobias doesnât want to become his father. Hannah hates to be seen as weak, but suspects she is. Antonia spent a lot of time working against her fate only to realize it was really what she wanted for herself.) Or something in their background that shapes who they are. I donât need to know all of these, but I like to solidly know at least one to start.
I also think it can be tempting to align original characterâs wants and aims with whatever is the drive of the plot or the concern of your main protagonist, but it will likely not align perfectly. And that is okay. You want people, not plot devices. They really should feel like people who are the center of their own story who occasionally intersect with yours, and then head back to their own life/concerns. (And that is another thing to consider, how does this OC feel about your main character and what they are doing? Indifferent? Annoyed? Enamored? Tired?)
But to be honest, I usually just create a rough shell, a general disposition, and then I just....let them live. I let them reveal themselves to me as I write. I donât fight where they go. And I am always aware that I WILL go back and edit, so that maybe they do something in an earlier scene that I later realize is actually out of character for them. I can go back and fill in and change. As I know them better, I can go back and add and modify as needed. (Though I can also consider, why did this character do that in the earlier chapter? And maybe the answer reveals something to me.)
And I suppose that is another thing, the idea that we must know everything about the OC. Or that the main character(s) should know everything about that OC. They shouldnât. How much do we ever actually know about other people? We think we know them, we create stories for who they are in our heads, but we never fully know anyone. So I think itâs okay for the author not to know everything about that character too.
I do think my approach to writing OCs is shaped by the fact that I am a fan writer. I look at the things provided by a content creator and then I try to make sense of it. I try to fill in the blanks. Iâm quite used to watching a TV show that doesnât give me the internal life of the character, and having to come up with a reason for what they do, even when it doesnât actually make sense. Some TV shows are hardly known for consistent characterization. So I learned how to write around that kind of experience. And for me, creating an OC is no different than seeing a minor character on a TV show once and then extrapolating from that mere shadow.
No idea if this is helpful or not, and I was honestly mostly thinking out loud here, but there you have it. How I generally approach OCs.
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Title: Changes - part eight Word count: ¹4800 words Summary âChangesâ: Huntress ZoĂŤ Sullivan (OFC) crosses paths and swords with the Winchesters, when the brothers stumble on a case sheâs already working. When complications arise, they are forced to work together. Summary part eight: ZoĂŤ meets with Terry Cliffer, or is it the shapeshifter? She tries to find out fast, but canât prevent bullets from flying. Episode warnings: Dark! NSFW, 18+ only! Angst, gore, violence, character death. Description of blood, injury and medical procedures. Demon possession, supernatural creatures/entities. Smut, swearing, alcohol use/addiction. Kidnapping, mentions of torture and murder, illegal/criminal practices. Mentions of nightmares and flashbacks. Music: Boulevard Of Broken Dreams - Greenday. Authorâs note: I couldnât be more excited to share Supernatural: The Sullivan Series with you. There are quite a few people I want to thank: @coffee-obsessed-writer, @soupornatural & @mrswhozeewhatsis, who edited the early drafts, and my girls @girl-with-a-fandom-fettish & @winchest09 who are deciphering the recent version. Everyone who encouraged me to go for it, you are awesome!
Supernatural: The Sullivan Series Masterlist 01x01 âChangesâ Masterlist
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   ZoĂŤ sips her cappuccino as she observes the foam floating on top of her hot drink. Sheâs at Beetleâs, sitting on a stool at the bar. Cigarette smoke fills the air, and even though she would love to light one, she ignores the smell. Instead the huntress stares at the bottles across from the counter, exhibited on the shelves, the back wall is a mirror to create the illusion that they have a lot more drinks in store. Itâs a modern kind of place, the only history it shows are some pictures, pinned to the wall. The current number one hit Boulevard of Broken Dreams by Greenday plays in the background. She listens to the lyrics, the song appealing to her.    I walk this empty street, on the boulevard of broken dreams    Where the city sleeps and I'm the only one and I walk alone    My shadow's the only one that walks beside me    My shallow heart's the only thing that's beating    Sometimes I wish someone out there will find me    'Til then I walk alone
   The long nights are taking their toll. Although strangers still see a stunning young woman, she herself notices the signs of fatigue in her reflection, despite her makeup, that is a little more prominent than usual. ZoĂŤ finds it thrilling to pretend to be someone sheâs not. She traded her leather biker outfit for a white blouse, a black blazer, matching suit pants and pumps. Her straightened dark hair is combed back and tied together in a bun. Itâs funny, leather or business, she still gives away the same message; donât mess with me.Â
   Her eyes capture the bottle of Johnny Walker Red again. She would kill for a glass, but having a shot wouldnât be a smart thing to do. Focus is the issue here; no way sheâs letting her guard down. The damn bastard shot her once and she doesnât feel like peeling a bullet out of herself for the second time today. But one glass wouldnât hurt, right? ZoĂŤ shakes her head, deciding against it.      This appointment can go two ways: either the shapeshifter shows up and this bar and its customers are going to have the most âexcitingâ evening of their lives, or Terry Cliffer shows up and this will be nothing more than a boring interrogation. Not to mention, this case will once again take longer than anticipated, because by now, the fucker couldâve easily shifted into someone else already.Â
   She finishes her coffee and leaves the empty cup on the bar. Carefully, she glances over her shoulder. ZoĂŤ canât put her finger on it, but she can feel a pair of eyes burning in her back; someoneâs watching her. The shapeshifter maybe? She remembers Samâs words and realizes that even if she meets Cliffer within fifteen minutes, the son of a bitch might actually be here right now. Suddenly, she hears something sweeping towards her over the wooden bartop. Startled, she turns to the bartender, who still has his hand folded around a glass of whiskey.    âYouâve been eying that Johnny Walker bottle for twenty minutes and you look really tense. You need a drink, on the house.â
   She looks him in the eye, trying to decide whether or not to trust him. She smiles politely and takes the glass, but doesnât drink, just yet.    âThank you,â she says, observing him. âYouâre the owner of this place? Rob Michaels?â    âThatâs me,â Rob answers while he polishes a glass.    Weâll see about that, ZoĂŤ thinks to herself. The bartender could be the shapeshifter, for all she knows. She needs to figure out if he is, without giving him the impression that sheâs suspecting him.    âThen you probably know most of your regulars, right?â she questions.    âRightâŚâ Rob hesitates. âAm I being questioned?â    âWhatever you wanna call it,â she flashes him her FBI identification.
   He raises his eyebrows. He thought there was something more to her than just a businesswoman whoâs getting a drink after work, but a fed? He had city police over, even state police at one point, this is a new one. He leans in for her to hear his whispered words.    âSomething shady going on in my bar?â he asks, looking around for anything suspicious.    She puts her ID away in the inside pocket of her blazer, after which she folds her hands together, ignoring his question. âWhat do you know about Terry Cliffer?â       Rob chuckles. âAre you kidding me? Terry wouldnât hurt a fly.â    âWeâre not just around to catch the bad guys, Mr. Michaels. We actually intend to prevent crimes from happening, tooâ she states, pretending to be insulted.    âIs he in trouble?â the bar owner wonders.    âI think Iâm the one whoâs doing the questioning here, Rob. Can I call you Rob?â ZoĂŤ grabs a hold of the conversation again, not impressed.    âS-sure,â he answers, intimidated.    She glances at the clock, itâs 5:55. Then she continues.    âTell me what you know.â
   ZoĂŤâs eyes are penetrating, yet calm and the bartender soon begins his story, but he doesnât start off with anything new. Shy guy, father of two, yada yada yada. Her thoughts wander off to the whiskey bottle on the shelf again, as she partly listens. Shit, she wants that heavenly brown liquor, and she wants it bad. Although thereâs a full glass in front of her, she still refuses to drink it. ZoĂŤ hasnât actually seen him rinse the glass, nor if he poured the whiskey straight from the bottle; it could be spiked. The huntress contemplates on dragging him over the counter and cutting him; if he screams out in terror, heâs not the shifter, if he doesnât, he is. Yeah, maybe not such a great idea, Zo, she thinks to herself. And all this time she keeps staring at the Johnny Walker Red.
   âHe moved into town a few years back with his family. I believe he still owns some property about a mile or three out, though. Somewhere on 110th Ave,â Rob says with a lowered voice.    Suddenly thereâs the sound of glass breaking. The bartender turns around and is surprised to find the bottle of whiskey in pieces on the floor.    âAh, damn it! Must have left it too close to the edge,â he mutters as he kneels down to pick up the biggest pieces of shattered glass.    Startled, ZoĂŤ stares over the bar, recapturing what just happened. Did she just⌠Ah shit, not this again.    âThatâs a shame,â she comments to break the silence.    âSure is,â he agrees, but then pulls his hand back with a little screech. âOw!â    He gets up and ZoĂŤ immediately detects the bleeding cut on his finger, which causes Rob to hiss in pain. A shapeshifter wouldnât feel a thing when being cut by glass; so much for her theory. As if she was waiting for the lights to go green on a racetrack, she puts the glass to her mouth and lets the whiskey ooze down her throat. My God, she so needed a drink.Â
   In the meantime Rob takes off to the kitchen, probably to bandage the cut. Itâs when the door closes behind him, that his last words sink in. 110th Ave! Cliffer owned land there? She quickly gets her ducks in a row. She knows OâBrien, Middleton and Gibson, the missing people, have all been at 110th Avenue over the last month, but no one actually owned a place there. This might be a major lead! Why didnât she learn about this sooner? She has to find the exact address and pay a visit as soon as sheâs done here.Â
   As the place gets more crowded during these after work hours, Terry Cliffer walks in. ZoĂŤ straightens her back and looks over the crowd. Insecure, the guy in his mid-forties searches the place, then he carefully approaches the bar. Heâs not a tall man and he seems thin. It surprises ZoĂŤ that the shapeshifter chose his body to copy in the first place.    He glances behind the bar, probably looking for Rob to ask if there has been anyone around looking for him. By this time, ZoĂŤ has hopped off the bar stool and walked up to the guy. Her gun, loaded with silver bullets, hangs from her belt and burns in her flesh through the fabric of her dress pants. If he attacks, runs, or does something else that she doesnât like, sheâs going to shoot him.       âTerry Cliffer?â    He turns around and looks her in the eye. Not a sign of recognition. The shapeshifter would recognize her, after all, she is the one hunting him. Nothing strange, nothing out of the ordinary happens, he just puts out his hand to greet her.    âAre you the FBI agent?â he assumes, carefully.    âThat would be me, yeah,â she takes out her federal agent identification again. âShall we take a seat?â    They move to a table in the far corner and sit down. A good spot, one she picked out the moment she walked in. From here, she has a clear view over the entire place, yet itâs private. She signals Rob, who probably took care of his little problem and is back behind his bar. In a few seconds he halts next to their table.
   âWhat can I get you?â he takes out a pen and a small notebook.    âA beer, if thatâs okay?â Terry glances at the woman across from the table.    âBe my guest,â she approves and looks up at Rob. âPlain water please.â    âOh, and can I get something to eat? I didnât actually get the chance to have dinner, yet.â The last sentence was more directed to ZoĂŤ than to the bar owner, excusing himself again in that self-conscious way.    âThe usual?â the owner of the place asks.    Terry nods.    âAnything else?â Rob glances from one to the other.    âNo, I think weâre fine,â ZoĂŤ answers.    âOkay then, coming right up.â
   Rob leaves the table and finally ZoĂŤ can start her conversation. She begins with an attempt to break the ice, since Terry seems to be pretty tense. Itâs not every day that you have a one-on-one with an FBI agent.    âNot planning to have supper with your family?â she assumes.    âNot today, my wife took the kids to their grandparents for the week, down in Preston,â Terry tells her.    Good, they are safe, ZoĂŤ notes. She folds her hands together leaning on her forearms on the edge of the table, ready to start the interrogation, but Terry beats her to it.    âI donât want to be rude, but I expected to meet a man today,â he admits with a nervous laugh.    âRight, I heard you talked to my partner. He called in sick,â she makes up quickly.    âIt was really odd, he didnât know your name,â Terry tells her. âFor a moment, I thought I was being pranked or something.â
   Uh-oh. Is he suspecting something? She has to come up with something good now to keep a good impression.    âI actually got married a week ago,â she lets a smile play on her lips, turning her motherâs engagement ring on her finger, drawing attention to the piece of jewelry.    âI changed surnames. What can I say, he doesnât like change.â    âCongratulations!â Terry smiles back, seemingly buying it.    Pfew, that was a close call. Now itâs her turn to ask some questions, because all she has been doing during the last five minutes is covering the Winchesterâs fuck ups. Just as she takes a breath to begin, Rob shows up next to the table with their drinks and a cutlery set for Terry. ZoĂŤ lets out an annoyed sigh and looks away.
   âOne beer and plain water.â    He puts down the glasses from his dinner-tray, which he holds up with his left hand. As he sets down Terryâs beer, the meat knife slips from the plate and falls, the sharp edge pointing down. ZoĂŤ looks up just in time to see the knife penetrate the hand of the man sheâs about to negotiate. She almost lets out a moan of disgust, but strangely enough, Terry doesnât even notice it until he glances at his hand.    âTerry, Jesus Christ! Iâm so sorry, it - it just fell off!â Rob stammers, but neither of them hear him.    Itâs not a silver knife, itâs stainless steel, ZoĂŤ realizes instantly. Slowly the person - no - creature, on the other side of the table lifts his head until he looks directly at her. His facial expression is no longer insecure and friendly, but self-confident and sadistic. For a brief moment his eyes flash white, as the eyes of a cat reflect when it stares into a pair of headlights.
   âYou son of a--â    Thereâs no time to finish her sentence. In a split second, the shapeshifter draws his gun and ZoĂŤ is just in time to flip the metal table over on the side. She goes for her Smith & Wesson as well, as the shapeshifter backs up, causing his chair to fall over. Several people turn around to see whatâs going on as Rob turns pale and steps back. Just before he unleashes a bullet on her, she shouts a warning.    âEverybody on the floor!â       As screams are let out by people inside the bar, the shifter fires two bullets at her, but by using the steel table as a shield, she stays unharmed.    âNo way youâre gonna shoot me twice, fucker,â she snarls as she aims her gun over the edge of the table and pulls the trigger.    Making sure not to injure any civilians, ZoĂŤ fires three shots in a row. Sheâs not sure if any of them hit the target, but heâs still running.    âFuck!â she curses as the third shot shatters the glass of the front door.
   Quickly, she follows and intends to run outside. Good thing she takes cover behind the doorpost as she glances around the corner, because the huntress stares right into a barrel. Just in time, she retreats and the two bullets shoot by her. Stumbling back inside, she takes a short second to catch her breath with her back against the wall and her gun tightly gripped in both hands and pointing it down. Several frightened and panicked eyes look straight at the FBI impersonator. One face stands out, Rob stares at her as if he just saw a ghost.    âI hope youâve got insurance, Rob,â she comments, out of breath from all the excitement.    He nods his head, dumbfounded, unable to get a proper âyesâ or ânoâ out of his mouth.    âGood, have a nice evening. Sorry âbout the mess.â She smiles uncomfortably and gives him an awkward wave.
   After gathering her courage, the huntress exits the bar. With the gun pointing ahead and her index finger off the trigger, ZoĂŤ clears the area, but thereâs no one there but a bunch of thrill seekers who probably heard the gunshots. ZoĂŤ lets out a sigh and lowers her nine mil; sheâs back to square one. Thereâs no need to follow him, he could be anywhere and anyone by now. She moves back to the small alleyway next to the bar where she parked her Harley, still expecting an ambush behind every corner. When she walks up the street, she notices a shiny fluid on the sidewalk, which catches her attention. Curious she kneels down and touches it with the tip of her finger; itâs blood. A grin appears on her face; looks like she managed to hit him after all.Â
   When she looks further she notices a blood trail leading to a manhole in the center of the alley. The shifter left the cover off, allowing the huntress to stare down into the black depth.    âHope my bullet hurts as much as yours did, fucking lizard!â she bellows down.    ZoĂŤ gets up and makes her way to the Harley, thinking through her next move and forcing herself to focus, even though the adrenaline is still rushing through her body. Terry Clifferâs property at 110th Avenue; that is her first priority. She would bet money on it: this has to be the location of the shapeshifterâs lair.
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   Itâs quiet in the parking lot when ZoĂŤ pulls up to the motel, but she doesn't pay much attention to the silence, determined to close this case tonight. She rushes inside while taking her helmet off, doesnât bother to pay attention to the man behind the counter and quickly opens the door to her room. Her Macbook is still buzzing softly and as soon as she presses a key, the screen activates. She selects a tracking website from her favorites and types in the information she has. After several seconds a complete address shows: 3841 110th Avenue NW. Quickly she kicks off her pumps, changes her dress pants for jeans and her blazer for the new leather Harley Davidson jacket. As sheâs lacing up her biker boots, when three loud bangs on the door startle her. Cautious, the huntress takes her gun in her left hand, finger still off the trigger, and silently approaches the door.    âMrs. Johnson! I know youâre in there!â       She recognizes that voice, itâs the owner of the motel. Quickly she puts away her weapon and opens the door. The old man is waiting with a phone still in his hand, he doesnât seem amused.    âI just received a call from one of my guests who was dining at Beetleâs Bar, said he saw you shooting up the place,â he recalls.    âI can explain that,â she states, calmly.    âI bet you can. You know what? Iâll bet your real name isnât even Johnson. I want you out. I said I didnât want any trouble,â he insists, pointing down the hallway.    âJust give me a sec.â She goes for her ID in her inside pocket while her other hand makes a calming gesture, then she shows it to him.    âMy name isnât Johnson, youâre right. Itâs Evans, Sarah Evans. Iâm a federal agent and I was working undercover,â she explains.    âFBI? Yeah, right. I donât give a damn. Now, get out of my motel,â the man decides.    âAlright, let me get my stuff,â she sighs, putting back her identification.
   Instead of pulling back her hand empty, she grabs a small flashlight, turns it on and points it in the old manâs eyes. Her suspicion is confirmed, because his eyes flash white. For a brief moment the shapeshifter is overwhelmed by the reveal, enough time for ZoĂŤ to drop the flashlight into her striking hand, breach the space between them and slam her fist right up his nose, giving him one hell of an uppercut. He goes down in the hallway and looks up at her, staggered.    âCome on. Did you really think I was gonna be that easy?â she chuckles, flipping the torch up in the air and catching it skillfully.
   She grabs him by the collar and drags him inside her room, shifting the fight between four walls instead of on the corridor, not wanting innocent bystanders to get caught in the crossfire. She drops him to the ground, glaring down on him with disgust as she takes her gun from behind her waistband. The shifter clears his throat, wiping crimson red from his lip.    âActually, I did. I almost shot you twice. Reckoned this would be a piece of cake,â he gloats with a grin, after which he struggles to get on his feet, holding his hands up. âYou wanna shoot me in a fully booked motel? Try to explain that to the neighbors.â    ZoĂŤ narrows her eyes at him, mentally kicking herself for leaving the gun suppressor in her storage locker the last time she was there. The bastard has a point; shooting what looks like the owner of Motel 6 through the heart, will definitely draw attention. She scoffs, pursing her lips, then she takes the magazine from her weapon and lays it on the bed.    âWeâll finish this the old fashioned way, then,â she agrees confidently.
   They face each other, challenging. ZoĂŤ adjusts to a back stance, putting her left foot behind her and bending her knees slightly. Her hands lift up in front of her face as she flexes her fingers, ready for anything that son of a bitch is going to throw at her.    âI have to say, you got me fooled. Making me believe Terry Cliffer was going to be your next dress-up party, while he actually was your first. Smart,â she admits.    âIf you admire me so much, why waste me?â he tests, blood dripping from his nose.    She smirks at that, entertained by his arrogance. âDonât give yourself too much credit.â
   He steps towards her, but she beats him to it. In a quick move she defends, blocking his attack with her forearm and swings her back leg up with force, kicking the shifter hard against his temple. He goes down, shaking his head to ward off the black spots that are inevitably swimming in front of his eyes. When he looks up, the huntress has taken her rear foot stance again. One fist with her palm up on her hip and ready to strike, the other is ready in front of her to defend.    âGotta say, you fight pretty good for a girl,â He gets to his feet again, wiping his brow. âOr should I call you the Karate Kid?â    âOh, Iâm not a kid. Iâm more like a ninja,â she smirks, staring him down.     âNinja or not, youâre no match for me.â
   He charges her, faster than humanly possible. Despite his supernatural speed, she dodges his jab and releases another kick, against his ribs this time. The creature locks her leg before she can retreat, however, and steps in while ZoĂŤ has lost her balance. With a fierce strike, his fist hits her in the jaw, hard. He still has a hold of her leg and twists it, forcing her on the floor, pulling a groan of agony from her as the ligaments in her knee stretch further than possible. Not giving up that easily, she pushes her left foot from the ground, using the leverage of him still holding her right leg tight to swing the other to his head, hitting him on the side of his face with her instep. He releases her and she breaks her fall, rolls, and gets up again, all in one swift movement. The arm that had a strong grip on her only seconds ago, is now twisted to the shifterâs back. Roughly, she forces him to his knees; he can't go anywhere.Â
   âWhat did you do to those people?â she demands, not asking very nicely.    âOh, donât worry, I donât actually kill them. Itâs far more fun to watch them suffer,â he responds, sadistically.    âYou son of aââ    She doesnât have time to finish her sentence, because the shapeshifter throws his head back and hits her hard in the teeth. Sharp pain shoots through the roots into her skull and for a moment there sheâs sure he broke off a tooth or two; so much for looking fabulous.    In that split second, the chameleon manages to fight free, grabs her by her arm and violently throws her over his shoulder. ZoĂŤ lands on her back, the air slamming out of her lungs. She gasps sharply, unable to catch her breath. No time to recover from the pain, though, because she receives a kick in the gut a moment after.Â
   Losing control over the fight fast, she tries to push away from her attacker to buy herself some valuable time, but her opponent takes the liberty to help her up, forcing her to stand by pulling her hair, before she suffers a blow in the chest with a strength that exceeds that of a human being. The huntress slams into the table, the edge bruising her lower back, feeling the tight grip of the shifter's hands on her throat when he roughly pushes her into the wooden surface.    With a devilish grin on his thin lips, he chokes her, clearly enjoying the display: how his victim fights for air, trying to pull in desperate breaths as he crushes her throat under his fingers. Â
   âYou know what I do to them? I keep them somewhere safe, safe from the world, where no one can find them,â he tells her, his speech eerily slow, as if heâs reading a chapter of a horror novel.    ZoĂŤ glances aside briefly. Although she canât move her head, she notices the empty whiskey bottle she and Dean left last night, still laying on its side in the window sill. She reaches out, almost touching the glass, but the bottle remains out of reach by an inch or two. The shapeshifter laughs at her attempt and continues his story, as if he has all the time in the world to tell it.    âHumans are such strange creatures, you know? If you keep them together in a tiny cage for a while, they tend to behave like spiders. They attack each other, eventually kill and actually eat their own kind out of pure desperation. How amusing is that?â
   ZoĂŤ canât hold back a gag, but forces herself to concentrate on the bottle. It vibrates almost unnoticeable, then the bottleneck turns towards her slightly. Focus, Zo! You can do this! She sends all her energy through her stretched out arm towards the nerve endings on her fingertips. It works, because the bottle flies into her hand. With an unexpected strike ZoĂŤ breaks the bottle on the shifterâs head, who stumbles back, finally letting go of her neck. Trying to suck oxygen down her painful windpipe, she coughs uncontrollably. Alright, thatâs enough. A fair fight seems noble and all, but having a face off with a supernatural being, might not have been one of her smartest ideas. The huntress reaches for her gun and takes the magazine from the bed, swings around, aiming at⌠nothing? The room is empty.    âFuck, not again,â she curses, bummed that she canât put twenty years of jujitzu training in good use because of the runner.
   Before bolting out the door, the experienced huntress glances both ways down the hallway, her gun ready. Shit. No sign of the shifter. She lets out a frustrated sigh and moves in, rolling her tongue over her straight teeth in the meantime, checking if they got chipped after the nasty headbutt she received.    When she clears the foyer, she is surprised to find the real motel owner, tied up to a chair in nothing more than a shirt and trunks, his mouth taped.    âAre you alright?â she asks, as he âhmmâsâ loudly.    In a quick movement she rips the tape from his mouth, unleashing a rant of curses and shouts.    âOuch! That son of a bitch! Where is he?! Where is that bastard who did this to me?! Iâm gonna kill him! I swear, Iâm gonna--â
   ZoĂŤ stares at him for a moment, feeling a headache coming on, then grabs the roll of duct tape from the counter. While the manager keeps on raging, she rips off a piece of tape and presses it over his mouth. There is no way in the world sheâs gonna release the pissed off elder; he needs some cooling down time. Casually she picks up the phone and for a moment considers dialling 911, but decides this isnât really that much of an emergency and calls the local police.    âHello? Yeah, hi. I just found an old guy tied up to a chair in not much more than his undies⌠Motel 6, 2107 Highway 52 North... My name? Yeah, itâs Not Interested.â    She hangs up and clears her throat, wiping her prints from the horn, then walks away, bored, with the roll of duct tape in her hand, leaving the furiously moaning motel owner behind the counter.
   Back in her room, she gathers her things and stuffs them in two duffels, which fit into the two big leather saddlebags on her Harley perfectly. She makes quick work of getting rid of all the evidence, including the glass she shattered on the shifterâs head. With both bags on her shoulder, she takes a last look around and leaves the room, waving at the motel manager on her way out while hiding her face from the security camera.    The cover of the manhole in the center of the parking lot is removed; her shifter went underground again. He's running back to his hideout, only he doesn't know that she knows exactly where that is.    â3841 110th Avenue Northwest,â she mumbles to herself as she gets on her bike and puts the helmet on her head.
   Thatâs where sheâs going, thatâs where this is going to end. The Harley engine roars loudly when she accelerates. Its back tire spins for a moment before the motorbike takes off as the evening sets in. This is going to be her last night in Rochester and his last night on the face of the earth. ZoĂŤ is determined: this hunt ends tonight.
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Thank you for reading. I appreciate every single one of you, but if you do want to give me some extra love, you are free to reblog my work or buy me coffee (Link in bio at the top of the page).
Read part nine here
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Episode 42 Review: Here Goes Peter Cottontail
{ YouTube: 1 | 2 | 3 }
{ Full Synopses/Recaps: Debby Graham | Bryan Gruszka }
At last, weâve hit another milestone on Strange Paradise. A little less than a year ago, I discussed the third and final costumed flashback. Just under six months ago, we reached Episode 30, the first episode for which conclusive proof of executive meddling exists. And today we shall explore the introductory episode of a character particularly notorious among Strange Paradise fans. Thatâs right: this episode features the first appearance of the infamous Rabbit of Evil. The true face of evil has arrived on Maljardin, and it's soft with long ears and a fuzzy tail.
Because the plot has now split off completely from the Lost Episode summaries and Iâve already discussed the one for this episode, Iâm going to ignore it for this post. Iâm not even going to do much analysis this time. Instead, let us just lay out our beach towels on Maljardin, relax, and bask in the glow of the coming insanity.
Early morning on Maljardin. The unseen clock chimes three, and already Jean Paul Desmond is up sitting on the couch in the Great Hall next to the decanter of his favorite drink. Although it is the demon hour and almost everyone else in the château is asleep as far as he knows, he is already dressed in his brown velvet jacket, as one does when one is the richest man in the world on the coldest tropical island in existence. One would assume that he would at least loosen his tie to make himself a little more comfortable, but then, Iâm not a fancy rich guy living in the 1960s, so what would I know?
Feeling the presence of his demonic ancestor Jacques Eloi des Mondes, he stands up and approaches his portrait as though in a trance. During their brief staring contest, Jacques begins to taunt him: âCome now, Jean Paul Desmond. Three o'clock in the morning and still you wander the house. Why?â
âBecause your evil wanders here, Jacques Eloi des Mondes!â Jean Paul answers overly dramatically. âI sum-â
âJean Paul, no oaths on your honor that you would be compelled to uphold. It might be the end of us both. And Erica might never rise to a new beginning.â
Jacques tells Jean Paul to go to bed because *heâs* tired. Could this be evidence that Jacques and Jean Paul are one and the same?
I like the way that Raxl's face appears on the screen just as the title card is fading.
Raxl paying her respects to Erica Desmond.
We cut to Raxl visiting Ericaâs cryocapsule, when suddenly a little cockatiel starts tweeting. And who could it be but our mascot, the adorable Chalcko?
<<<<<<<<<<<<<<<<<<<<<<<<<<<<3
Quito checking on his beloved bird.
Meanwhile, Jean Paul visits the lab to find Dr. Alison Carr sleeping at her desk, Dr. Menkinâs notes next to her:
For the love of yourself, Jean Paul, do not disturb!
He wakes her up despite it being very early in the morning (because God forbid she not sleep in her own bed, I guess?). Really, there are only a handful of good excuses to wake someone up at 3 AM, including to ensure they catch an early flight and to kick them out of your bar after they passed out drunk with their glass shattered into a million pieces in front of the talking portrait across the room. Having fallen asleep at oneâs desk while pulling an all-nighter that your employer deems unnecessary isnât one of them, IMO. But, just like my cat who wakes me up around 3 almost every night crying for a midnight snack, he gets away with it because heâs cute.
Jacques has made cat-like faces before on this show, so now itâs Jean Paulâs turn to act like a cat.
Thatâs not to say that Jean Paulâs cuteness makes Alison any less annoyed with him. He asks her why she stayed up so late to study the notes, and she responds, âI can't sleep very well, anyway, and what else is there to do, since you keep us here as prisoners on this Island? Good night and please don't disturb anything.â She leaves and he starts flipping through the notes.
Meanwhile, outside among the suspiciously Canadian coniferous trees of Maljardin...
Wait for it...
Quito finds a big, fluffy black rabbit hopping around the garden and brings the adorable, plump creature inside. His crush Holly happens to be in the Great Hall when he returns, and she falls in love with the rabbit at first sight.
âI didn't know anything as wholesome and innocent like that existed on Maljardin,â she coos. "Oh, he's so sweet! I haven't seen anything like him for--well, it seems like a whole lifetime.â
Then she remembers what Raxl said about there being no wild animal life on the island. âBut Quito,â she says, âRaxl said like, nothing like this could exist on this island for three hundred years! I guess this little fellow disproves that, doesn't it?â
âWhat are you going to do with it?â she continues. âI mean, are you going to keep it?â Quito shakes his head. âYou should. You should keep it for a pet. Heâd make a lovely pet, something nice in this house of accident and death.â Because Quito is reluctant to keep the rabbit and has no way of expressing why to Holly, she offers to keep it as a pet.
âI wonder how he managed out there with all that poisonous undergrowth around?â she thinks out loud, as the rabbit starts to try to jump out of Kurt Schieglâs arms, which I doubt was in the script. The rabbit they got to play the new embodiment of evil on Maljardin doesnât always want to behave the way the plot demands. I suspect that, instead of getting a trained animal actor, someone just brought in their pet or bought a bunny on short notice at an Ottawa pet store or nearby farm. I like the rabbit. The rabbit does what it wants and doesnât give a ratâs ass about following the script or doing what Jerry Layton wants it to.
Holly asks Quito to make her a cage so that she can keep the rabbit in her room, and he nods in agreement (Iâm guessing just because he knows itâll please her). He leaves. She sits down at the dining room table and rings for Raxl, who is not pleased when she tells her about the new guest:
Holly: "Hey, Raxl." Raxl: "Good morning, Miss Holly." Holly: "You know, everything I've heard about this island isn't the truth." Raxl: "Truth is a matter of seeing." Holly: "Well, I've seen. You told me that because of the curse, nothing could exist outside in that poisonous jungle." Raxl: "The Devil's evil is everywhere on Maljardin!"
Holly: "Well, just this once, Raxl, you may be wrong." Raxl: "It may be that demon wants you to think I am!"
Raxl instantly suspects that the rabbit is a tool of THE DEVIL JACQUES ELOI DES MONDES.
The bit about all the plants being poisonous on Maljardin, by the way, may be a retcon. In Episode 13, Jacques mentions that papayas are native to the island. I suppose that, because he didnât say that they were picked on Maljardin, that they could have been grown on another island. Still, Iâm not ruling out the possibility of Ian Martin and/or a ghostwriter retconning this detail.
This scene is followed by a cool shot where the camera pans along the side of the staircase and over to Jacquesâ portrait (see the beginning of Part 2), then a short scene of Quito pulling out a huge wicker picnic basket for a makeshift cage while Chalcko tweets as though trying to warn him of the evil presence.
In the morning, Alison returns to the lab to find Jean Paul in a scandalous state of undress:
Ye gods! He took off his suit jacket again! I am SHOCKED and SCANDALIZED by this wanton display of nudity! ;)
Jean Paul must be even more stressed now than last night if he not only has his suit jacket off, but has also loosened his tie. Turns out he ended up pulling an all-nighter himself in the lab reading the notes, even though Alison doubts that he possesses the necessary knowledge to understand notes about cellular reconstruction. Jean Paul asks Alison if Dr. Menkin did any experiments on animals, but itâs not clear if heâs asking just out of curiosity, because of something mentioned in the notes, or if somehow he feels the presence of the rabbit despite not having seen it yet. Whatever his motivation, the screenwriter almost certainly added the line to imply that the rabbit may have belonged to Dr. Menkin.
Using such a line as a hint (or, more likely, as a red herring) is a very Ian Martin thing to do, so Iâm thinking that he must have written this scene. For a while, I suspected that perhaps some ghostwriter hired by either Jerry Layton or Steve Krantz inserted the scenes with the rabbit into a later draft, but now Iâm having second thoughts. While it is possible that one of the showrunners hired a ghostwriter to speed up the script edits, this line has Martinâs influence written all over it. The insertion of the evil rabbit isnât his style, but this kind of dialogue certainly is.
Also note that the very next shot is of the rabbit again.
Hearing the bird tweet is making Quito anxious. Itâs obvious that the bird detects some sort of presence.
Jean Paul and Alison go to the dining room and sit down for breakfast with Holly. Jean Paul reminds her that another sĂŠance is coming and she tells him that she wants no part of it. âThe spirits will decide that, and the Conjure Woman,â says Raxl.
âVangie said that the conjure cards--the Tarot cards--spoke to one person,â Jean Paul adds, flubbing his line adorably. âThey may well speak to another, for or against.â Iâm not sure what heâs implying, especially because he faces Alison (or maybe the Teleprompter) as he delivers the line.
More proof that Maljardin is no tropical paradise, but a dystopia. (âRattledâ = âRaxlâsâ)
Alison tells Holly that Jean Paul will probably blame them if the sĂŠance doesnât bring him into contact with Erica and Jean Paul glares at her before flouncing passive-aggressively. Iâm so conflicted about Jean Paul at this point because heâs becoming more and more of a control freak (and therefore more and more unlikeable), and yet heâs so adorable. Take a look at the face he makes just before flouncing:
Foxy!
And this shot of him from earlier in the scene:
Never have I seen any guy look this cute after pulling an all-nighter.
Holly tells Alison about the rabbit Quito bought brought her (yes, thereâs another creative line interpretation). âThatâs impossible!â she replies, stunned. âI mean, nothing alive exists out there now.â There are so many flubs in this episode that it makes me wonder if the actors had less time to rehearse than usual.
An unspecified amount of time later, Alison catches Jean Paul arguing with Jacquesâ portrait, then Quito feeds the rabbit a carrot to the sound of more tweets. (Anyone else miss the days when âtweetsâ referred only to the noise that birds make? God, I'm barely 28 and already I feel so old.) Alison warns Jean Paul that dabbling in the occult is bad for his mental health, but he doesnât care because he needs to hear Ericaâs voice so badly. He tells her heâll buy her some animals for her experiments the next time he visits the main island just to shut her up. (Spoiler: He wonât.)
And then Quito arrives, carrying the rabbit in its makeshift cage. Like Raxl, Jean Paul is not pleased to see the animal. âHolly, where on Earth did you get that!â he asks.
âRight on this Earth, on this island, from Quito,â she responds innocently.
Jean Paul giving his best âWTFâ face. Heâs lived on the island long enough to know that the rabbit came out of nowhere.
He asks Raxl about it and she cries out to the Great Serpent to tell her what the Devilâs plans are for Maljardin, making the Sign of the Great Serpent with her hands. Alison insists that the rabbit is only an animal, but Raxl reminds her that no animals can survive outside on the island--meaning, by her logic, that it must be a demon or similar evil being!
Jean Paul asks Quito where he found the rabbit. Raxl interprets the signs he makes as meaning âon the path to the boathouse,â which leads Holly and Alison to think that the rabbit must have snuck aboard Quitoâs boat and sailed there with him. Raxlâs response?
Raxl: âIt is a creature of the Devil!â
Holly objects and insists that the rabbit is only an animal, but Raxl sticks to her belief that itâs actually a demon assuming the guise of innocence, most likely sent by THE DEVIL JACQUES ELOI DES MONDES himself! No one believes her, not even Jean Paul:
Jean Paul: "I must admit, Raxl, this is very unlikely." Raxl: "Not here. An animal here is an impossibility. Is that not true?" Jean Paul: "Until now, yes!" Raxl: "Then what force altered the impossible? There are forces at work on Maljardin as the hour draws near when the master will attend a sĂŠance and seek through purified mind and cleansed spirit to reach his Erica beyond the veiled curtain. What does the master say?"
Jean Paul does not respond. He looks like he is about to cry.
Raxl: "Quito! You will remove the rabbit. It is evil!"
Raxl: "It brings danger and wickedness and more evil than we will ever know! It must be destroyed and buried in the sea!"
Raxl: "If the master wishes to contact his Erica and hear her voice, he will be advised: that animal is evil!" Holly: "Mr. Desmond, please, no!"
Jacquesâ commentary.
Coming up next: Raxl makes a horrifying--and mystifying--discovery when she examines the Rabbit of Evil.
{ <- Previous: Episode 41Â Â ||Â Â Next: Episode 43 -> }
#strange paradise#now an even stranger paradise#review#ian martin#maljardin arc#week 9#episode 42#analysis#chalcko (quito's bird)#colin fox in shirtsleeves#costumes#creative line interpretation#passive aggressive jean paul#rabbit of evil#retcon#scene transitions#scenery chewing#sign of the great serpent#note to self: find a recipe for papayas with lime juice and post it
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I have slightly less, but very similar, items in return: 1, 2, 5, 7, 8, 9, 10, 17, and 38!
Question list here.
1. Describe your comfort zoneâa typical you-fic.
Itâs mostly/all dialogue. The characters get in an argument about something, and during the conversation figure out where the other is coming from and come to some mutual understanding. Plot happens vaguely in the background.
2.  Is there a trope youâve yet to try your hand at, but really want to?
Iâve been wanting to write a sickfic. I feel like thatâs so suited to Venom, with healing and an awareness of the body being such a big part of things.
5. Share one of your strengths.
I like to think Iâm good at humor in dialogue. I canât like, do it on purpose? But sometimes Iâm writing a scene and it just turns into banter and thatâs one of my favorite parts of writing.
7. Share a snippet from one of your favorite pieces of prose youâve written and explain why youâre proud of it.
From Rescue:
There was a prick of danger as they approached the boy, and they got ready to cover his mouth if he screamedâ
They collapsed, writhing on the floor as noise sheared through their flesh like a razor blade, slicing right down to the core of them, to the place where they were connected, and severing it, leaving Venom to drip from Eddieâs shaking body like black blood from a poisoned wound.
The sound cut off. Venom crashed into the silence like falling from a high place into water: one second writhing and helpless and the next floating in noiseless nothing, not sure which way was up.
The warmth of Eddie was jerked away before it could slink back inside. It felt vibrations in the floorâthumping, scufflingâand crawled towards the struggle. There was a spot of bright lightâit couldnât see on its own per se, but it had a vague sense of light and darkness. It barely registered the glow before the light flared into a jet of searing heat. Venom felt its flesh sizzle and pop as it burned away. Slow, agonizing seconds ticked by as it tried to flee and the stream of fire tracked its crawl across the concrete floor. It slowed, too weak to keep moving forwardâand then suddenly there was dark and cool, except for the faint burn of the oxygen atmosphere.Â
With Rescue, I set myself a challenge to write something that was much more plotty than my usual fics, particularly something with action, and I feel like it turned out pretty well. This scene is a good example of the kind of flowy, stream-of-consciousness style that I ended up leaning on for fight scenes. On the other hand, working from Venomâs perspective I also got to play with its sensory differences and try to write something very tactile, which is always fun.
8. Share a snippet from one of your favorite dialogue scenes youâve written and explain why youâre proud of it.
From The Inspirational Symbiotic Kissing Lichen:
Eddie stood in the door to the kitchen blinking blearily. "What is that and why is it over our door?"
It is lichen.
"Are you sure? It looks like a piece of tape covered in bits of dirt."
I had a hard time scraping it off the fire escape last night.
Eddie suspected that what Venom had found on the fire escape was a patch of flaking rust, but he kept it to himself. "What happened to the mistletoe?"
I threw it out the window. Mistletoe is a parasite. Why would you celebrate love under a parasitic plant?
"What? Plants can't be parasites."
Can too, Venom said like a first grader. Mistletoe grows roots inside trees and steals their nutrients.
God it was too early in the morning for this. Eddie needed coffee. "It's got leaves. It can eat sunlight. Why would it need to do that?"
Because it is selfish and bad. Are you arguing with Wikipedia?
"No." Eddie sighed as he headed into the kitchen. "So why lichen? Was it the only plant you could find?"
It is not a plant. It is a symbiosis.
"With what, rocks?" Eddie fumbled with the coffee maker.
No, it is a symbiosis. It is algae or bacteria mixed with fungus. And possibly yeast. And possibly another fungus.
"Okay. Fun fact, I guess. Why is it hanging over our door?"
It is a four-way symbiosis, Eddie. It is inspirational. And romantic.
Eddie stopped. "...Are you trying to tell me you want a four-way?"
You are missing the point.
This exchange is, for me, the sweet spot between nerdery and humor and fluff.
9. Which fic has been the hardest to write?
Figuring Out, not even close. I wrote it, hated it, came back to it a few weeks later, edited out about a third of what I had written, begrudgingly posted it, and then came back to it a few weeks after that and edited down another third. Still not especially happy with it--I feel like it kinda wanders around without the coherence that a really short story like that needs.Â
10. Which fic has been the easiest to write?
Gestures. I sat down and wrote it in about fifteen minutes without pausing, skimmed back over it for typos, and then posted it. Most fics take me days to draft, and I edit them 3-4 times at a minimum. I have no idea what brain compartment Gestures came from, but the core ideas of it--non-verbal communication, tactile affection, Venom discovering a forgotten instinct for connection--I have rehashed in some form in every fic since.
17. Do you write your story from start to finish, or do you write the scenes out of order?
Almost always from start to finish. I donât plan a story in advance, so I donât know where itâs going, so thereâs not really a way to skip ahead. Thatâs not saying much though, since all my fics are real short. There have been a few times that, as Iâm falling asleep and a bit of dialogue or whatever just comes to me without context, Iâve typed it out in the notes app of my phone and then, some weeks later while Iâm working on some wip, I realize that segment could fit.Â
38. Talk about a review that made your day.
From transpeterparker on Venom VS. Technology:
i love this....... i love this so much....... what the fuck............... this Series. Oh My God. fuck me up. i love their relationship i love. i l o v e grbhiefwklsjehvbfiwu
Every review Iâve gotten has made my day! This stands out in my memory because was the first (and maybe still only?) keysmash Iâve had in a review and I know that feeling of reading something and just being at a loss for words with happiness and it was so exciting to see that in a comment on my work.
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Chapter 1: Explosive Beginnings
The day began like any other on the road. I was of course upon my trusty steed, Nathaniel, as we made our way on what was to be our greatest venture yet. For you see, I had decided to undertake the most perilous journey across the desert to find the Undiscovered Realm.
Only one teeny tiny little problem stood in the way of myself and my dear companion NathanielâŚwe were lost. Horribly, terriblyâŚlost. Not a speck of sand in sight. In fact, quite a few trees instead. It makes sense, since the town we were approaching was called Dualwood.
Oh and there was a mountain. Hard to miss the mountain. Big old thing. The guard at the front of town called it âMt Terminusâ. Itâs supposed to be some sort of big important proving point for adventurers. A big important dangerous deadly proving point I had no intention of going near, for you see I already had my own important dangerous and daring quest to venture forth upon, so I hardly needed to add a mountain to that. I was certainly not afraid. Just because the mountain is huge and high up. And supposedly thereâs two-headed banshees and other such terrifying monstrosities lurking in wait for the next adventurer who willingly walks straight into their jaws of defeat. And the town guard make regular journeys to clean up the bodies they can safely retrieveâŚ
 âŚNote to self, maybe edit this part before the final draftâŚ
Note to self 2: less fear, more Big Adventurer Gusto
Of course, flying off course wasnât going to put a damper on my mood. Oh no. So I found the most lovely bakery in town, ordered some local delicacies which I absolutely whole heatedly suggest if, dear reader, you ever pass this way. Splendid woman, and her bear claws are to die for. Only maybe donât word it like that, since this town takes that kind of terminology quite literally what with the giant killer mountain looming above them every moment of the day and all that.
With a full belly and a new spring in my step, I stepped I strode boldly into town to find someone with the know-how to point me in the direction of the nearest desert so that I may truly begin my grand adventure to the Undiscovered Realm.
And there, in the center of town, I met a man of great wisdom. He was clearly a storied and well-traveled adventurer himself, for he wore the most splendid dress. Colored in majestic bright hues of reds and oranges, with a grand hat to rival even mine atop his head. It even had not one, not two, but FOUR bells upon each of its grand little horn-like protrusions. He was granting his wisdom in the form of riddles that I didnât much understand. âUrgathoa? I hardly knew her!â Why and how would one know the Goddess of Undeath? Unless he was himself a zombieâŚhe didnât look it but you never know these daysâŚ
My ramblings aside! I spoke with the wise gentleman, asking him if he knew where the nearest desert is. He seemed to be under the impression I was sent by some guild or another. Perhaps, recognizing my adventuring gear, he believed me to be from the same adventurersâ guild as he? But alas, I am very much a lone wolf upon this adventure, taking to the road with none but Nathaniel for company. Itâs a lonely life, especially since Nathaniel can only be summoned for about six hours at a time. But that is the lot in life of an adventurer, and so it is my burden to bear until I have reached my grand journeyâs end.
Anyways, the wise man of many bells pointed me in the direction of a nearby temple. There he believed the learned clerics and holy travelers who pass through may be able to grant me guidance in my travels, and return me to my rightful path to the desert, and the mysterious land that lies within it.
 Within the Temple (mysteriously named âThe Templeâ and even more mysteriously with a sign out front that said, and I quote, ââClericalâ services availableâ. How ridiculous is that? Nobody will believe youâre providing clerical services if you put it in quotation marks as though it is a front for something!)
Authorâs note: Oh my Shelyn I think it was a front for something.
 Within the Temple, I met with a grand group of lovely adventurers. There was Miss Candy, a bright and cheery human chef who also on an unrelated note looks like she could break me in half. Snap me like a twig. Probably with just her legs.
Oh dear this is starting to sound like a sex thing. Note to self, do not ever describe it like that again.
There was Miss Candy, a bright and cheery human chef with a love of pink and a surprising talent for kicking things to death. There was Sir Vigo, a mighty and powerful goblin wizard with a knack for fire and animals. Strange combination to be sure, but it works for him. Speaking of animals, there was also Issac, a druid half-orc who is so tall I have not actually gotten a good look at his face. Itâs just way up there in the sky somewhere. But of arguably greater import, there was his companion, a bear named Peanut. And I do mean a bear. A literal black bear, just hanging around inside the temple, gentle as a dog. He and Vigo had a rousing conversation, although I know not what about as I cannot speak bear myself, but it would seem the magics of the universe granted Vigo such an ability. Where was IâŚ? Oh, yes. There was also John Smith, a human many years my senior who I suspect has lived a very storied life, although he has not let on just what that story is. He said some rather off-color things in our first meeting, but I do believe there is more to this gentleman than meets the eye. (Not that I can easily meet his eye either, while he is not so tall as Issac, he is a human which generally means âmuch taller than even a really tall halflingâ, and I am not a âreally tall halflingâ. I am âa very medium halflingâ)
Here we met one Cleric Ringwald. Although the more she said, the more it seemed like cleric was an overstatement. She said she worshiped something called âThe Creatorâ, and that the only magic she could do were some simple tricks like magic missileâŚwhich looking back, I donât believe is even a divine spell! Regardless, she told us of a rat problem they were having, and since we were all clearly of the adventuring variety, she wanted to offer us some money and five magic stones to clear the rats out. Only it turned out quite quickly that there werenât REALLY rats in the basement. Oh, no. When pressed about some rather odd choices in her inflection, she admitted that the creature in the bowls of the temple was a mass of slime, gore, limbs, eyes, and mouths.
For those familiar with earlier works in the M Merry-Miller collection, you may recognize such a description. In Night of the Hallowed Moon, the brave sorceress Emilia faced off against a similar such creature. A gibbering mouther. Disgusting creature in person, I must say. Its sounds alone were enough to make me wish I had not eaten just before hand.
We made our preparations. The grand team of newly acquainted adventurers burst forth into the room, where the beast awaited its demise. As a mysterious fog began to fill the room, the adventurers rushed forward, ready for what was to come.
The fog was, by the way, an ingenious ploy by dear John, who used it as a means to protect us all from the creatureâs attacks. Unfortunately it also meant that hitting the creature was a bit more difficultâthe fog was, after all, quite difficult for us to see through as well. But for all I know he may well have saved Miss Candyâs life, as the creature tried and failed to bite at her a number of times.
Knowing from past research that this creature would not be affected by my magical talent, I went for the next best thing. A crossbow. With a steady breath despite the (rather cigarette smelling if Iâm being honest) smoke, I took aim, and infused my bolt with a nice little punch of my arcane magics. I fired with a flourish, and while I feared from the fog and the creatureâs writhing that it would not strike, it struck true, sticking into one of the creatureâs many eyes. There was blood everywhere. It was horrific, quite frankly.
Fortunately, Vigo used that moment to slip in closer to the writhing monstrosity. With a shout of some clever words (note to self: think of clever one-liner since he didnât say any at the time), the feared and powerful wizard evaporated half of the creatureâs body with a single lightning strike.
 And this is when things started to get out of hand.
As my gallant companions went to check on a hole in the floor that seemed to be how the wicked beast had entered this fair establishment, there was a commotion outside. Myself, John, and Candy were nearest the door at the time and went to investigate. We found Cleric Ringwald packing in a frenzy within her surveillance room. She tossed some coin to her acolyte Amelia (a skittish elven woman who had apparently directed some of the other adventurers to this location) and told her to get out of town.
Ringwald turned to us when we entered and told us the same, to get far away from here. She tossed us the magic stones she had promised as payment, and said that âif we survivedâ she would pay more for further services if we met her in Port Town. Then she cast some rather powerful magic on us which made each of us feel revitalized, and she disappeared in a flash of awe inspiring arcane might the likes of which I had never seen.
But oh, I was about to see so much more, dear reader.
You see, I mentioned we were in a surveillance room, yes? By that I mean a room with a number of scrying mirrors which all permanently showed different sections of The Temple. And into the front room stepped a man. I say a man loosely. There was something off about him. He looked like a man, yes. A man with black hair, purple eyes, and robes depicting the butterfly of Desnaâwhich my companions later revealed was a glamour, for it actually depicted a dragonfly symbol of some unknown origin. The reason I question if he was truly a man in the traditional sense was a strange segmentation in his hands at the joints. At first glance it could be mistaken for scars, as one of my companions later stated. However something about them was off. It was less a scar in the skin and more actual barely noticeable separate segments. While my genre of choice is not science fiction, I have read my fair share, and it brought to mind stories I had read in the past of humans created from technology and steel rather than flesh and blood. I know, I know, it sounds crazy. The closest thing we have to such a thing are golems, and they are never so realistic to be mistaken for a living breathing creature. How could such a being truly exist? Quite frankly, dear reader, I know not. But I do know his power was beyond the natural order. We were about to see that first hand.
 The man walked into The Templeâs entry, calling out to Ringwald. He just wanted to talk. Donât make this harder than it needed to be. She had forced his hand. He began scattering orbs about, while humming a tune Iâm unfamiliar with. John tugged at Candyâs sleeve and insisted we had to go. Now.
âWhy?â
âThose are delayed fireball charges. Heâs about to bring this entire place down!â
We ran, making a beeline for the hole in the basement, which we hoped would lead to safetyâor at least shelter from the explosion that was to follow.
Candy quite kindly carried me, Peanut, and Vigo with her much faster legs. We leapt down the hole, and followed a tunnel that led to a ladder up. Looking back, thatâs rather strange. I wonder if someone planted that gibbering mouther in the first place. But at the time we were far too busy running for our lives to think of such things. Candy practically flew up the ladder, along with John who was in a mad dash to get back to the stables. It would seem he had paid a stable hand to watch over his daughter while he was in town buying supplies, and he needed to get to her in case the explosion reached that far. Once we made it back above ground Vigo, Issac, and Peanut went with John to check on the stables, as Vigoâs trusty mount Gordon the Ram was stabled there as well.
This left myself and Candy to see when the mysterious dragonfly man descended from the exploding Temple and to the center of town. A storm had whipped up, with a fury of thunder and lightning positively cracking open the skyâbut no rain to join it.
The man was chanting in tones that I recognized as Celestial, but I am unfortunately not well versed in that language. However it would seem John was. Over the magical stones his voice spoke to the rest of us, and he told us that the man was about to do something terrible to the entire town, and to get out of there.
Candy had other ideas.
With me still upon her back, she ran at the villain. She leapt forward, posed to kick him and interrupt whatever terrible spell he was weaving.
The storm grew more violent, the clouds swirling and turning an unnatural pink hue. Then everything went black.
 And then we woke up, on the ground before an empty town square. It was dark and silent. The stars were above us in a clear night sky, but the stars didnât twinkle. Birds and butterflies were frozen in place in the air. There was no breeze, and the grass beneath our feet remained static with each footfall, frozen into whatever shape our feet pressed it into. The people in town were equally frozen. Not a breath, not a blink between them. Candy and I were the only ones in sight still moving.
We made for the stables, where we knew our fellow adventurers had gone. There, they were moving as well. But Johnâs daughter was not: frozen in a moment of fear, with the stablehand shielding the young child from harm, equally frozen. Somehow Vigoâs ram Gordon was fine, still moving and âbaaâing as a ram should.
We tried to brainstorm why we were able to escape the effects of this spell, which the more magically inclined members of our group identified as a potent mixture of a Stasis spell on a massive scale and Miracleâthe most powerful of powerful divine magics. The best we would think of was that whatever spell Ringwald had cast upon us had also protected us from the spell that had otherwise pulled an entire village out of the natural flow of time.
As if to prove our theory, Ringwaldâs acolyte Amelia pulled herself limping from the nearby rubble of the Temple, the only other person weâd seen in town left unaffected besides ourselves. She needed a moment to catch her breath, so we continued to brainstorm while she did.
Vigo wanted to climb Mt Terminus, believing the treasure at the top would be necessary to make us powerful enough to face the monster who had done this. Issac was in disagreementâheâd been living in this town for months, and had seen first-hand how deadly that trip is. According to him only one single group of adventurers had ever reached the top and lived to tell the tale, and they were the best of the best. Our inability to face this monstrous man was proof enough that we would die upon the peaks of the mountain long before we reached the treasureâand with us, all knowledge of what had happened in town. The rest of our band of adventurers believed that tracking down Cleric Ringwald would be the ideal next step. She seemed to have some mysteriously powerful magic of her own, and a history with this individual. Vigo wasnât happy with this plan, as it might be putting us right back into the line of sight of the man whose magic broke the natural order.
Issac was finally able to talk Vigo into it, promising to join him on venturing to the top of the mountain after we got Ringwald and unfroze the town. None of us had any intention of facing this man again if we could help itâexcept for possibly John, who sounded rather keen on punching him in the face. I canât blame him, his daughter is on the line after all. I can think of a few faces I find rather punchable myself that would probably come back to bite me afterwards. But thatâs neither here nor there.
Once it was agreed we would head to Port Town to find the cleric who may or may not really be a cleric, who has some connection to the man who may or may not really be a man, Amelia asked to tag along since she had nowhere else to go. We happily agreed. While we prepared to set out, Amelia showed us how to use the magic stonesâcalled the Stones of Far Speechâwhich we could use to talk to each other from a great distance, as John had done when trying to warn us about the dragonfly manâs spell.
On our way out of town I summoned Nathaniel, ready to head back out onto the open roadâthis time with a number of companions and a new destination in sight. It wasnât quite the adventure Iâd been looking for, but it appears adventure found me none-the-less. And really, isnât that what being a daring adventurer is all about?
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(note to self: you used âadventureâ 3 times in 2 sentences, find some synonyms before the final draft)
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Last week I posted about @byjillianmariaâs new book, The Songbirdâs Refrain.Â
Click the link or read below!
Last Tuesday was the book birthday of Jillian Mariaâs debut, the stunning supernatural suspense The Songbirdâs Refrain!
I had the privilege of reading this story while it was still in its earlier beta stages, and itâs been a joy to watch it grow from a not-so-shitty rough draft to an absolute piece of art.
So if youâre looking for an awesome, creepy YA with some good old fashion gal pals growing magical life-stealing feathers, youâre in for a treat!
PURCHASE THE SONGBIRDâS REFRAIN
ADD THE SONGBIRDâS REFRAIN ON GOODREADS
ABOUT THE BOOK
When a mysterious show arrives in town, seventeen-year-old Elizabeth Brighton is both intrigued and unsettled. But none of the acts capture her attention quite like the blue-eyed woman. Locked in a birdcage and covered in feathers, the anguish in her voice sounds just a little too real to be an actâbecause it isnât. The showâs owner, a sadistic witch known only as the Mistress, is holding her captive.
And sheâs chosen Elizabeth as her next victim.
After watching the blue-eyed woman die, Elizabeth is placed under the same curse. She clings to what little hope she can find in the words of a fortune teller and in her own strange dreams. The more she learns, the more she suspects that the Mistress isnât as invulnerable as she appears. But time is against her, and every feather that sprouts brings her closer to meeting the blue-eyed womanâs fate. Can Elizabeth unlock the secret to flying free, or will the Mistressâs curse kill her and cage its next victim?
MY PERSONAL REVIEW
This book is a blast, with a hint of creepy, a dose of suspense, and a nice dollop of fluffy wlw.
Despite nearly the entire story taking place in the same basic location, the plot never feels slow or aimless. The mystery is engaging, constantly pulling the reader forward with new hints. The MC goes through a wonderful character arc and is very easy to root for, the villain is just as easy to love to hate, and all the side characters have interesting personalities and impact the plot. The prose is generally simplistic, with some minor disruptions like repeated words, but holds great, impactful lines as well.
Overall, a wonderful fall read, with a heavy focus on healthy relationships, believing in oneâs self, and choosing love.
INTERVIEW WITH THE AUTHOR
Jillian was awesome enough to answer a few questions for meâŚ
Where did you first get the idea or inspiration for this novel?
The earliest version of this novel was actually a fanfiction! But itâs changed a lot since thenâthe entire bird/feather motif didnât exist, there were a lot more characters who didnât really contribute anything, the love stories were less fleshed out. I think the biggest changes happened from around the 70% mark onward, but everythingâs changed a little bit.
Where and when do you typically write? Do you have any pre-writing exercises or habits that help you get into the mood?
I tend to write after dinner, but lately Iâve been sneaking in more writing on my lunch break, too. I donât really have any habits or exercises, but I do tend to schedule my day in advance, so I always know exactly when Iâm writing. Generally I dedicate the 7:30-8:30 block to writing, although sometimes it gets moved around. And on weekends, Iâll schedule more writing time.
Who was your favorite side character to write in The Songbirdâs Refrain?
Itâs really hard to pick a favorite! They were all super fun in their own way. Maybe Violet, though. She probably had the easiest voice out all of them to write, and required very little editing. Just deleting an f-word here and there when she decided she needed to use three in one sentence.
If you had to set The Songbirdâs Refrain in a popular alternate universe (like the world of Harry Potter, Lord of the Rings, the Hunger Games, etc), which would you choose and how would your characters fit in there?
Oh, gosh, what a great question! I definitely know my characterâs Hogwarts Houses, so⌠letâs go with that. Elizabeth is a tiny shy hufflepuff with a crush on the cute Ravenclaw girl who is always reading romance novels and doting on her cat, but doesnât get the courage to talk to her until a mysterious threat arrives, wearing a dark mark and a red dress⌠I donât know, something like that!
Whatâs something (or multiple somethings) you wish youâd known about writing before youâd started The Songbirdâs Refrain?
Youâre going to wind up changing lots of things during the drafting process, so donât worry so much about sentence structure until youâre relatively certain youâre going to keep that chapter the way that it is! Seriously, I could have saved so much time..
Do you have a new project youâre working on now that The Songbirdâs Refrain is approaching publication?
There is, but Iâm not sure if Iâm going to publish it under the Jillian Maria name, so Iâm keeping it a secret đ But my next big Jillian Maria project is going to be another f/f YA novel about two girls hunting treasure in a small town forest! Technically this is a second draft, but Iâm changing some pretty major plot elements and itâs got me really excited. Iâve got it outlined and about one-and-a-half chapters properly drafted right now, and am hoping itâll be ready for its first round of beta readers after that!
What are you most proud of in regards to The Songbirdâs Refrain, whether that be a skill you picked up while writing it or a scene you didnât think you could conquer, etc?
I think that the themes of the book are really solid. Iâm really proud of how everything sort of ties together in the end, because thatâs something I really admire in other writers but always have a hard time replicating. It took several drafts, but I think it got there! Also, Chapter 28 always makes me cry. I think thatâs a pretty big accomplishment.
While The Songbirdâs Refrain is an amazing book, thereâs always more to be learned as a writer! Is there something youâre working on improving in your writing right now?
Pacing is always a struggle of mine, so thatâs something I think Iâll be working on indefinitely, from now until the end of time. Iâd also like to make my writing process a little shorterâit took many, many drafts to get The Songbirdâs Refrain to where it is now, and Iâd like to improve as a writer so that I can get more polished drafts on the first or second try.
Can we get a picture of you and your writing buddy Sadie? đ
Of course! As you can see, she is very helpful.
Jillian Maria enjoys tea, pretty dresses, and ripping out pieces of herself to put in her novels. She writes the books she wants to read, prominently featuring women who are like her in some way or another. A great lover of horror, thriller and mystery novels, most of her stories have some of her own fears lurking in the margins. When she isnât willing imaginary people into existence, sheâs pursuing a career in public relations and content marketing. A Michigan native, Jillian spends what little free time she has hanging out with her friends, reading too much, singing along to musical numbers, and doting on her cat.
You can find her on goodreads and her website.
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Log entry: behind the scenes of YouTube video
Hi everyone, hope youâre having a great Sunday. I thought Iâd start sharing with you some stories and behind-the-scenes about my journey with Musician Poster to become more connected with you. Initially I thought to have my social profiles clear of non-content related posts to not clutter it for your convenience, but today Iâve been reading some articles that inspired me to change this approach because I figured it only makes it worse in the end. And here I am, writing this. But, I wonât post any nonsense with the sole purpose of making a post. I will only post when I have something worthy to share. And you can always just skip if you want to.
The first story I want to share is about the creation of the YouTube video Iâve recently released because the story behind it is actually funny.Â
So, back in late December 2021 I was about to start creating my first video. I had zero experience with creating content for YouTube where I would be the main actor. Iâve chosen âDaVinci Resolveâ as the software for the job. When I installed it a couple of weeks earlier it was working so I knew all was ready. But when I actually started learning it, it turned out that it did not like my system, and it crashed like crazy. I suspected this had to do with my integrated video card. I went online in search for an external dedicated card only to find out that we actually have a worldwide crisis with video cardsâthey are really expensive, think thousands of dollars. Iâve researched the cause but thatâs a whole different story outside of the scope of this post.
I have a brother, Serge, who lives in Australia and heâs working in the film industry. So, naturally he and his colleagues depend heavily on video cards for their 3D work. Iâve contacted him and he said heâd ask his colleagues if by chance they did an upgrade and they have an old card available. And he instantly found one! Fast forward 3 or so weeks later I have it in Europe :) Thank you bro and your colleague!
Time to connect it. Turns out it needs a more powerful PSU than I have installed. Luckily I had a spare one from an old PC. Time to replace PSU. Guess what, no luck, Lenovo motherboard happens to have a proprietary PSU connector. Ordered some 3rd party adapter and I prayed it would not fry my system. Luckily it didnât, whew. Time to insert the card. Now thereâs some random connector sticking out which is preventing the card from being inserted, and Iâm like âReally!?â. I had no choice but to disconnect it. Thankfully that was just some cable for the front panel. Finally I managed to boot with the new card! And yes, DaVinci stopped crashing.
So Iâve learned DaVinci for a while. Then I wrote an initial draft for the video and realized that it was way too long! I was shocked, I didnât want my first video to be this long. And actually, it had a different subject. I wanted to do a video on modesâan in-depth explanation on how to play in a mode so that it sounded like a mode and not anything standard. But obviously, I put it on the shelf and wrote around 3 other drafts. And one of them was about scale formulas.
Being the first video, it took forever to create. I donât want to scare you with numbers, but 128 hours of pure work on video. I timed how much it took me to produce it, out of curiosity (I liked it though, quite an insight). That includes draft writing, video shooting (takes and all that) and then editing it in DaVinci. The audio was of course recorded separately. Native tools within DaVinci for syncing external audio with the camâs audio did a poor job so I did all the syncing manually. Even though I wanted a shorter video, it still turned out 24 minutes long. But what can I say, lesson learned.
And so on April 18, I release the video. Yes, as expected, thereâs not many views, at least as of yet. Iâm prepared for that. Nowadays, not only do we have competition but we also have algorithms that you need to take into account :)
So there you go, Iâve shared my first experience as a YouTube content creator. Maybe some of you can resonate with that. As you can tell, not without obstacles, but it worked out ;)
Oleg
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I'm always watching you.
                          CHAPTER II
Sasuke cuts himself and hides it very well under his wrist protectors. However, a suspecting gaze from Sakura tells him otherwise.
Rating:Â T+ but I think iâll add some dark scenes later.
Genre: Hurt/Comfort and Romance
Iâm not sure if this will turn out as a three-shot but weâll see.
A.N. English is not my native language and I am only new to writing. plus, I am not a medical expert so some parts maybe odd and not right even though I Â did some valid research. uwu annd lastly I didnât have time to edit., so this is just a draft. lol
FF.net
Chapter I
âShit. I canât train like this.â Sasuke hissed in a frustrated groan as he tried to throw kunais and shurikens from a ranged target.
His wrists were being annoying and it burned like hell.
As he made every movement the wounds from his wrists would distract him. And just as he hissed a curse, the wounds from last nightâs torture began to bleed again.
âTch, another waste of time, I have no other choice.â he set off to the road of the hospital carefully clutching and hiding the secret infliction he had done in secret.
It was his entire fault really. Being lost in his own mind and being so easily controlled by his emotions that one thing he never thought of losing to. Itâs a thing that disgusted him, it was a form of weakness. If nothing more, Narutoâs words only fit him right. âYouâre a freak!â everyone would think that. But he never dwelled on the matter anyway.
As he strode his way to the hospital, Heâd come to appreciate the silence he was met with
The good thing about walking past the streets at this time was that there were only few people beginning to start off their day. So, the trip to the hospital was quite efficient for him.
It was quiet, very and nobody gave him any attention.
And not for long the building of the hospital came into view
As he entered the hospital the first thing that any living people who entered was to ask the information desk. âOh! Uchiha-san! Good morning! Is there any help I could get you?â The brunette girl with the nurse outfit said. A name tag dangled on the left part of her uniform that says âAmiâ
âI need a physician.â He grunted. âOh! I would be guessing those are wounds?â Ami said and Sasuke nodded at this. âHeâs a walk-in doctor is that okay with you Uchiha-san?â Ami asked waiting for a preferral. Well they were Uchihas and they donât seem to trust just anybody with something.
âHn, anyone available would be fine.â
âAlright, Dr. Hiro-san is available at this hour. You should seek him at his office itâs near the emergency area.â
âAa.â Sasuke said and walked off.
The walk wasnât that long and that he made it within a spare of minutes.
The doctor was easy to communicate with. And it was just his luck as he stood there already on the operating room.
âSo, Sasuke-san, what happened?â Hiro asked with a bright personality. âMy wrists are bleeding.â Sasuke said and started removing his bloodied wrist protectors.
As he scribbled on the medical chart. Which was probably his. âfuck, my records are piling up.â
âHmmâŚ. I see, you seem to have previous ones like these as well.â As he scanned the medical chart. And dotting out his pen once more.
âIs there any reason why your wounds keep appearing like this?â Hiro asked Sasuke. âthe bastardâs testing me.â Sasuke thought.
He rolled his eyes and said. âThey were bruises I acquired in training.â The doctor didnât look convinced as he gasped at the wounds. Sasuke gave the doctor a final look that meant not to dwell on it any further. The doctor gave a defeated sigh and said.
âWell⌠Itâs been cleaned thoroughly. But these are big cuts Sasuke-san. I think some might even need stitching.â
The sight of Sasukeâs hand unravelled as the doctor completely removed the bandage from his wrists. It almost made Sasukeâs stomach shudder. âI am a fool.â
 âAlright, Iâll clean these up with some aqua oxigenada after I administer you with some shots and start stitching.â âdid you drink some antibiotics this early morning?â The doctor asked as he assisted him to sit on the medical bed.
âYes.â He answered shortly.
âWhat time?â As the doctor prepared and sanitized the needed medical tools and readied the syringes for the needed shots.
â4 AM.â Sasuke answered.
âWhat milligram?â the doctor asked as he flicked the syringe with his fingers. And measuring the right amount of vial.
âHn.â Sasuke answered. The brunette doctor smiled and chuckled as he scratched the back of his neck. âI guess that says you donât know.â He scribbled some things on the medical chart after washing his own hands and wearing some latex gloves.
âIâll administer you with a small injection of anti-biotic just in case you drank a very weak one, And⌠of course some anaesthesia.â
Right before the first injection. The door gave out a loud thud. This startled Sasuke whom also looked at that direction,
he sensed a familiar chakra. His glaring towards the door only made him glare.
 The doctor came up and peeped at the door but found no one to be there.
âHmm⌠someone mustaâve bumped it accidentally. The emergency room is quite hectic today.â And then he shrugged it off and approached a very troubled looking Sasuke.
âTch! I have to be alert at all cost, someone is already spying on me.â
Under no conditions should people see him in this state, especially his teammates. He would never allow it. He could only die from humiliation, disgust, and self-deprivation. It would only hinder him from trying to get away from these selfish actions.
His mind is twisted he admits, and not any of this should be normal. Even though heâd said it in a million times.
He knew that he never deserved to do this to himself. So thatâs why his resort to life is to avenge his entire clan. Because he never deserved to lose a family, and they never deserved to die. So, until he was alive. He strives to hate and become much stronger than his brother. Then, after all of that, he wished the sufferings his mind gave him would disappear. Because if he killed his brother, then so are his nightmares.
                                  âThere, all done! Please donât do any strenuous activities for a week. It would reopen the wound. And just like I said, The hospital is quite hectic today. You canât just grasp any medic nin here. Theyâre very limited people. And they are needed in a very serious case.â
 Sasuke grunted at this and muttered his âthanksâ to the doctor.
He left the operation room and walked to the hallways knowingly going in the wrong direction as he sensed a familiar chakra. âTch, I think I have an idea who it was outside the operation room I occupied just minutes ago.â
âSASUKE-KUUUUN!â an annoying screech was heard after that he felt someone latched tightly on his arm.Â
âGet off me Ino.â He said annoyingly while struggling to save his wrist from any contact. He pulled her off his body frustatingly. And the girl was literally reluctant.
âAwww⌠common youâre no fun Sasuke-Kun! I was just gonna give you the biggest kiss when I felt your chakra earli-â
âGet off my face Ino.â Sasuke cut her off. He looked irritated and ready to snap. âwha- what? Why?â Ino exclaimed.
âDidnât you hear me? I said leave me alone!â Sasuke said with finality. She just had to be so clingy at this hour. Itâs too early for all of this mess.
âAnd, donât ever follow me!â he said in seriousness. Ino gasped at this and rolled her eyes annoyingly.
 âReally Sasuke-kun, you should be upgrading your social skill more!â She said in a girlish manner which made him want to flinch more. If he didnât learn all of those etiquette lessons from his mother about respecting women she would have been beaten into a pulp already. She had no right to spy on his privacy.
 Finally facing him casually. âIt seems today is not the day I changed that about you. But Iâll never lose to that forehead.â She said as she flipped her hair. Why do they keep going on about this? It just sounded like foul play. It was so annoying.
âAnyways! It was nice seeing you! Good bye Sasuke-kuuun!â She waved off flauntingly despite him being a rude prick.
 âTch! She was the one who spied on me. Iâd be in a real big trouble if she used that mind transfers of hers.â He grunted at this and finally walked on the right direction.
 Unfortunately not only for a few steps away from the scene did he felt a much more familiar chakra. It felt strong emotions, one that he might feel of confidence and oddly firing determination, it was of rare occurrences for him to feel her this way. After all, he never really did try to get to know her any better than Naruto and Kakashi.
The sight she saw of her. Short pink hair, resolute green eyes and a hint of smile that displayed self-pride as she hastily strode faster and frankly trying to avoid a room she just passed. She was clutching a thick book that seemed to weigh Âź of her body. How can she manage to bring that all the way around in the hospital?
 Just after a few seconds she crashed onto him and like he expected. As she was about to fall, he already caught her steadying and holding firmly on her shoulders.
âtch, you should be more careful.â He said in his usual tone.
âOh, Sasuke-kun! Iâm sorry I was in a hurry! Iâm helping out in the hospital. The ER is quite hectic today.â Sakura answered as she smiled sheepishly. âphew that came off better than I had wanted.â
âHn, Iâve been told.â Sasuke replied as he noticed she got nervous all of a sudden.
 âI didnât know you volunteered help.â he answered as he gave her the fallen book.
âThanks. Err Actually, Iâve been volunteering in the hospital for almost 3 months now.â She showed a look of disappointment but immediately changed it to a brighter one before he caught it.
Sasukeâs eyebrows seems to have rose at this. He looked amused. Shouldnât she be training instead of volunteering? Itâd be much better if she can take care of herself more than helping others.Â
It was just very typical of her. Thatâs why he always felt the need to protect her. Because she always cared about others and forgot to think about herself.
âAnyways, Take care Sasuke-kun! I need to help out in the hospital Iâm in need of a very important study today. Iâll see you at 7!â She waved off with a sweet smile.
âhn.â
âsmiles, her smiles are always so innocent.â
He thought as he watched her retreating back and hurried for the stairs.
For a really weird reason he found her smiles the most comforting. Yet never really dwelled on the matter. There were more important things he needed to do. Like training for the finals. And get stronger and kill his brother
He scowled quietly for thinking this way and followed the path to team sevenâs training grounds.
                                It was only for a moment when he started training and came back from the hospital all patched up from his self-inflicted wounds.
He looked very serious and keen on his training until
he felt an enigmatic presence lurking in the forest. He activated his sharingan in secret and continued to train so he wouldnât look obvious.
âChakra.â One that seemingly is ranked as jounin or chuunin if he knew maybe even anbu. Someone was watching him from the shadows.
'Tch, he never even bothered to hide it.' He thought as he threw the kunai he was holding that was supposedly aimed for the training dummy to the open forest.
âShow yourself.â He said as he glared a few meters away from the training dummy he was training with just minutes ago.
âHmm⌠It seems you have caught me. Uchihaâ
 A red head boy stepped away from the shade of the trees and came forward gracefully.
âPleasantries.â Gaara said in a very calm but dangerous voice.
 âWhat do you want Gaara?â Sasuke glared and growled.
âOh, nothing I just wanted to get to know my opponent better.â He smiled. âMaybe this way, I could know your weakness.â The intense glares he had sent off to Gaara did little than to mock him.
 âOh wait, I think I wouldnât be needing that. You already are.â
Sasuke grunted and strengthened the glare he only gave at Gaara. Sasuke's fist whitened from rage.
He dare say that to his face. He hadnât even seen his skills when he trained for this examination 3 months ago.
  âI canât feel nothing but excitement at the feel of your bones being crushed by my sand.â He said and smiled wickedly and gave a dark laugh.
Sasuke the arrogant guy he was happened to earn himself a challenge. âWhy donât you ask yourself?â Sasuke said in a dangerous tone and readied for his battle stance. Taunting him.
 âA challenge I seeâŚâ Gaaraâs knuckles turned white from the tension. His eyes gleamed in attempt for murder. His bloodlust getting all excited as he felt the need to kill something immediately however he composed himself. There was little time left for him to mock a weakling.
âIt would be a shame if I killed you right now.â Gaara said tauntingly. Sasuke growled audibly and Gaara almost let off a snicker.
âBesides, I want to see you die in front of the audience.â Gaara smiled and continued.
â I will show them just how much of an excuse you are for a ninja.â He laughed darkly. Thatâs it, He just snapped. He had to have his head right now.
âTch! Why you-!â Sasuke said as he launched in front of him.
âTâHahahaha.â Gaara looked so twisted. His lips plastered on his cheek too widely as he saw his plan unraveling, getting him all worked up and looking like an idiot.
 âSTOP!â A tough female voice rang out of nowhere.
âGaara! Where have you been? Weâve been looking everywhere for you!â A blonde sand ninja said. She looked familiar but he never really gave an effort to remember her name. It was no time for pleasantries.
âTemari. Get out of my way.â Gaara glared.
 He looked like was ready to snap. The girl could only gasp as she looked at Gaara nervously, as sweat dripped from he brows.
The Kazakage their father would surely have their heads if Gaara created more trouble. Yet it could also get her killed if she stopped him. Handling Gaara was a very much delicate matter. One wrong move and you're dead.
She willed herself to speak and not to chicken out. It was her duty anyway. They were still siblings, in blood or not. Even though it killed for her to think this way.
âFather is looking for you.â She said as her heart beat too fast.
Just as she said this a Boy carrying puppets and wearing make up came rushing into them.
âGaara, Father has sent us to fetch you. He has a very urgent matter to discuss with us please must come along, immediately.â
The newcomer said this with obvious nervousness. The tension could just kill them.
âFine.â Gaara said in finality. He glared at the Uchiha and gave him his wicked smile.
âTill then, UchihaâŚâ Gaara said as he turned around following his siblings to the open forest.
 âTch! That bastard.â Sasuke muttered and continued to glare daggers behind their backs. He composed himself and started to train more.
Giving the kunai a harsh grip and throwing it with force. He had to let his frustrations out. He had to train and become much stronger. Truly those sand siblings were always bored and looking for trouble.
 Sasuke wanted nothing more for the exams to end.
 He willed himself not to dwell on what just happened earlier and continue to strive harder on his training. Yet, seeing it as it is the doctor had said that doing strenuous activities for the matter would reopen his wounds and it would likely render him useless in training.
He looked at his arm and instead remembered the events before going to the hospital.
âHn, Sakura.â
It was already 7:30 and surprisingly enough Sakura was running a little late past behind their team meeting.
  __________________________
âI got it!â Sakura said in finality. Sachi could only gasp. ât-this kidâŚ!â
"Let me see, let me see!" Sachi said excitedly. after knowing the results and the poisoned blood returned to its original shade she could only jumpp in glee and hug the kid tight.
âThatâs amazing Sakura-chan!!â she screamed in delight!
"The formulas are finally done! Now the rest is up for distribution!â Sachi exclaimed.
âWeâll handle it from here, I know youâre running a little late for your team training. Iâm truly sorry for that!â Sachii said in a bow. Â Sakura checked the clock on the wall and gasped.âOh no! Youâre right!â She gave out a horrified expression. What would Sasuke-kun say to her about being tardy? but she didn't dwell on the matter far longr when she remembered that this antidote she had just created will save many lives as of this day and the next.
âItâs okay Sachi-san it was a pleasure working with you. And Iâm glad I could help!â Sakura said happily.
âI have truly no words! You know we could offer you a position here in the hospital if something comes up! Iâll arrange the paperworks and all will be good!â
Ami said happily and Sakura gasped as Sachi giggled.
âBesides, youâve been helping out for a while now, and Iâve been guessing itâs what you wanted in the first place when you came here. Am I right?â
 âYes! Of course!â Sakura said excitedly. âThank you so much Sachi-san!â she screamed in delight and hugged the 20-year old medic.
 âaww! Youâre welcome Sakura-chan!â and she hugged back. Truly Sakura was too sweet for her own.
âI will do my best and I promise you wonât ever regret this decision!â Sakura said in finality and hurried for the door.
âI must go now! Sasuke-kun must already be there!â Sakura said and ran off for the training grounds.
âwait-! Sakura! youâre wrist...!â Sachi exclaimed. Yet after she uttered these words Sakura was already out the door. âOh, dearie that girl could be really reckless.â
                                       âOh, shoot Iâm super late!â Sakura said as she ran on the streets of Konoha looking at her watch it already read 7:48
Sakura could only gasp and gave out a horrified expression. She wasnât always the type for tardiness. She always showed up on time and kept that record straight up. That is until this fateful day.
âThis may sound lame but Kakashi sensei isnât there yet anyways. And Naruto always comes up after an hour. That leads to Sasuke probably training alone on the training grounds.â
âheh. This is never happening again.â She thought.
After a few minutes of sprinting Sakura managed to arrive at the rendezvous.
and spot the boy she endeared.
                                      âHn, youre late.â Sasuke said as she arrived at 7:56 almost 8.
 Sakura cursed mentally. âAh! Sasuke-kun! Iâm sorry. It took a while for us and the medic team to complete the formula but all is well and-!â
 but was cut off by Sasuke already close enough within range. And soon enough he grasped her wrist that was injured. She hissed from the pain.
It was still bleeding profusely. âI had completely forgotten about that!â Sakura gasped in surprise.
 âWhat happened?â Sasuke asked as he inspected the wound. âah-! Eeeh. S-sasuke-kunâ she said muttering lamely. She just had to act all shy whenever he was this close.
âYou should take care of yourself more Sakura.â Sasuke said. as he puled out some ointments and bandages.
âIt gets really annoying.â As Sasuke wrapped her wounds with the bandages.
She couldnât see his expression because of his hair blocking her view. But she knew that he only cared. Yet seeing him like this only made her feel like a burden. The thought of his wrist having the same injury as hers were quite beguiling.
But she had intentionally cut her wrist this way so she could let him know that she noticed.
"Please, do the the same."Â She gave a somewhat pleading look as she replied secretly muttering the words and looked away immediately.
Sasuke caught sight of her expression and heard everything she said.
Sakura already knew what his wounds meant the very first time she saw it.
although the thought was so unbelievable she knew everything was possible no matter how much she wanted to deny herself she knew that he did it to himself intentionally. and he was suffering more intensely and was keeping it to himself alone again.
"What do you mean?" He asked in assumption. and stopped at his actions.
"Iiie! w-what? I didn't say anything" she all but said ridiculously.
'I guess I'm not quite ready to face him with this matter, but I have to!' She thought nervously
"Tch whatever." He said as he continued to roll the bandage around her wound. She was acting all weird again.
He felt slightly good when the injury was covered from his view. But the very reminder of her wearing these bandages only made it worse. Because underneath his wrist protectors he also worse of them.
 He had a personal pull from his gruesome feelings when he saw her with this kind of injury. And he knew very damn well what it was.
Sasuke being the teammate he was only worried for her well-being and seeing the sight of her wrist bleeding only made his stomach churn.
âAh- Thank you. Iâm sorry. But you see I had to cut myself so I could test out the poison with my blood. And cutting it this way will give out more sample so-â Sakura said in a weak tone.
This in turn only made Sasuke pause on what he was doing. His expression looked unreadable. But turned away immediately.
The intentions for both of them were downright different despite how the same process of the injury goes.Â
Her wound meant to save others. While his were to hurt himself.
Oh, the irony.
'tch, always hurting herself and helping others.'
He made the wrong assumption. And for the first time he was glad.
âHn, whatever.â He said.
Ever since the events from the forest of death she had begun acting this way. And it irked him because he always noticed.
âJust, donât do it again.â He muttered the last part and tied the final knot.
He was met with a deafening silence from her which was odd. And quite frankly she was staring at him with an intense expression. Something that she only gave out when she was so sure of something.Â
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