#tho i could definitely still see it existing in piltover

[letters-to-rosie]

Sorry I'm sending so many asks, tho I'm curious if you have any tips on writing race in the Arcane universe. Clearly it's not the same as the real word but it a showrunner were to say point blank that racism doesn't exist in Arcane I think I'd get really mad. Idk, if you're still figuring it out sorry, I I'm just curious

lmao no problem I never stop talking anyway

but not only do I never mind getting asks, I was THRILLED to get this one. this isn't in my wheelhouse. it IS my wheelhouse. it's what I'm getting the phd for so they'll let me teach this sort of shit lol. I was literally so excited when I saw this that I had to make myself get to a certain stopping point on my final paper for my history of race class (how fitting) as a motivation so I could come answer afterward lol

the real key to it is something you've already identified in the ask itself: that it's not the same as the real world, but it's definitely there. and with that in mind we can think of talking about how race comes about

so I'mma break this into two sections. the first is about dealing with race (or racialization) in a fantasy setting like Arcane, and the second will be on how real-world structures still have a bearing on what we write about those fictional worlds and how they're perceived. okay, let's get into it (and let me type properly lol)

Because race isn't rooted in biological reality, it's constantly shifting. It's meanings are never fixed, but because race is a way we naturalize the world around us (much like gender stereotypes), it appears more permanent than it is. Now, this isn't discounting racialized violence any group has endured. But the process of defining who belongs to what group, where the dividing lines are, what racial stereotypes mean, and so on, is ongoing.

Race is a popular way of dealing with difference, but it's far from the only one. So what we have to ask is how a group of people become not just different but fundamentally different in ways you can assign supposed traits and behaviors to them. There are a lot of ways this can happen, and every instance has its own historical specificity. Also, every instance is caught up in a "web," so to speak, of cultural context, understandings, and referents (riffing Clifford Geertz and Stuart Hall a little here) that allow people in that web to make sense of the world around them and to understand themselves. So it's very messy, but often we can find some key events that set the process of making a race, racialization, in motion. A good example IRL is the way that brown people of all backgrounds were racialized as vaguely threatening in post-9/11 America. Another is the Transatlantic slave trade, which gave economic incentives for dehumanizing black people and, eventually in the U.S., created a social structure where people who were only partially black could still be enslaved, which is how you get tan black people like me lol. Another example could be the absorption of various European immigrant groups into whiteness throughout U.S. history, or the effort to separate the Japanese from other East Asians after they beat Russia in a war in 1905.

In general, we're asking "what set racialization in motion?" A war? Colonial expansion? Mass immigration? Capitalism? Usually you don't have just one, and usually race combines with one of those forces to exacerbate a previously-held idea of difference in a society. So all of a sudden those people aren't just different, but they might as well be a different species.

In Arcane, we don't get enough backstory to say anything definitively, but we can assume that the divide between Piltover and Zaun is primarily economic. The game lore suggests some colonization, too. In any case, by the time of the show, there are already:

firmly-established delineations between Piltovans and Zaunites

a stereotyping that hides the complexity of the problems the cities face (see Jayce saying to Viktor that the Zaunites are criminals; of course, he's worried about Jinx, but he's operating on the assumption that the Zaunites are acting up because of their criminality, which hides other motivations for their behavior; in all likelihood, most of them were upset because they couldn't get to work, which would lead to a loss of wages and more economic precarity than they already experience)

a robust system of incarceration, police brutality, and environmental racism leading to disparate health outcomes across groups

and a division of labor that relies on all of the above (though I REALLY wish they'd explain more about the mines I need to KNOW)

So, again, it's not race as such, but it's helpful because we can see that it's not entirely reducible to social class, ether. If it were, Viktor would have had a much easier time, and there would be more economic mobility both up and down the ladder. I think it's more than fair to say that racilization is at work, even though the characters have a wide array of physical features on both sides of the river. Racialization can most certainly happen even when the people involved look mostly alike (see the English and the Irish for the classic example).

Okay, so we've established that some race-y things are going on. What about the second part? What about the real world?

We have to be honest and note that our real-world experiences are going to affect how we engage with these characters. This isn't inherently a bad thing, but it's important that we're aware and cautious, handling the question of race delicately. I, for one, have been really disappointed in some of the audience reception of the show's black characters (and a teeny bit in how I feel like their arcs were rushed compared to the wider cast). I'm not really invested in any ship involving Jayce, not gonna lie (though I will say it takes a lot for me to get invested in a ship in general; I have to really click with it to care), but the hate Mel gets over shipping cannot be separated from mysognoir. It just can't. Likewise, with Ekko, I'm sometimes nervous about descriptions of his body that remind me of the VERY long tradition of fetishizing black men to hell and back. But he also gets the short end of the stick in shipping sometimes, and I think his relatively lower popularity in fandom is likely related to his race.

This is me, a black woman, calling it as I see it. We could also get into Sky, but that's a whole other thing. I think that when we engage with these characters, it's important to note what is actually in the text and what might be a projection of our world's current concepts of race onto the fantasy world.

So, for example, assuming Caitlyn is better at math than Vi because her facial features are East Asian. Vi is Jinx's sister. Vi is better at math, presumably, at least in terms of talent, since Vi wouldn't have gotten to go to school. A way to work in the racialization of the show's setting could be for Vi to express frustration with people think ing she's dumb just because of where she's from, or she could be upset she doesn't know something not because she is a Zaunite but because Zaun is so oppressed that Vi never got a proper education.

Mel is a pretty calm character. If someone wrote her as very angry, for example, I'd be like whoa, sounds like the stereotype that black women are angry is at work here. Mel expresses anger at her mother, but otherwise she's very level-headed. For an example in the setting, perhaps Mel tells a close confidante she's a bit tired of the veneer of civility Piltover can put on. Race works in multiple directions. By saying the Zaunite are the rowdy ones, it's saying Piltovans can't be (not that they actually can't, just under their world's racial logic). How would this play out in Mel's life? Could make for an interesting fic.

One example I can speak on personally, because I'm writing it, is my attempt to engage elements of real-world black radicalism with the Arcane universe. Like, I have lines that Ekko says in one chapter that are deeply inspired by one of the most famous Pan-Africanists in U.S. history. But I can't map that thought onto, say, Mel, just because she's black. Her position in the society is such that real-world blackness doesn't really have anything to do with her outside of her reception by the audience. I do, however, engage that sort of thought with other Zaunite characters, mainly Jinx, despite her being white in the real-world framework. In the setting, she's racialized as a Zaunite, and I'm proceeding accordingly, working with those categories of race instead of the ones I deal with in my real life.

Another thing I'm very wary of is beauty being attached to skin color. I'm a bit wary of skin color being mentioned a lot in fics in general, honestly. In a world where skin color isn't the means by which people are divided, it wouldn't be nearly as worth noting. What about...accents? Perceived intelligence? Did Viktor go to Piltover and have people go "oh, you're so articulate"? I bet he did.

Okay, this is getting very long. Pretty much what I'm trying to say is that the answer is to think about what race does in the real world and then think about how it would work in Arcane or any other fantasy setting. What gets people designated as a race? What stereotypes are associated with them? How do people resist this? and so on.

And on the flip side, we have to be attentive to how race in the real world might be coloring our perceptions of certain characters. By being conscious of this, we can avoid potentially reinforcing real-world racial logic. And by examining what racial logic is and what it does, we can become prepared to deal with it in the real world.

(and yeah I would also not enjoy a showrunner saying it doesn't exist in the universe lol)

[wincestisasincest]

Honestly if sky didn’t die I personally think penny would’ve found Viktor’s new augmentations intriguing or at least amusing like

“you taking inspiration from iron leg now?’ ‘…do you ever shut up’

ohohohoho looks like someone noticed the literary parallels

but yes, dear anon, i think she'd be more than intrigued. warning: incoming worldbuilding infodump

so, in Bilgewater, magical body augments are nothing new, and because of that, i almost think that Penny would like it, in a way? like, now that she hears the thunk of his leg it reminds her a bit of a peg leg, and it's like home again. obvious safety risks aside, i think that she would enjoy it very much.

she'd also probably notice it before Jayce, because she already has that inherent recognition of people with replaced limbs and because she pays a lot of attention to Vik, so, even before the cat is out of the bag, she'd definitely fuck with him and tell a bunch of pirate stories in the lab about people she knew who also had body augments.

though, on that note, they would never be mean or discouraging, because that's just not how Bilgewater is towards disabilities.

while it's debatable whether Bilgewater's philosophy on this is good or not, most people are of the belief that your differences are good because that means that you can do different things, which can yield more profit. in most first world countries, there is a very singular model of what makes a person "useful" or "good at work," which is also wrong, but in Bilgewater, there's literally fucking sea monsters and swords and magic, so obviously what qualifies someone as "good at their job" is really different.

for example, in my personal headcanon (which is correct), it's very commonplace for pirate crews to have at least one deaf or hard of hearing person, lest they encounter sirens. naturally, this means that most sailors in Bilgewater know at least basic sign language.

again, this is not necessarily good or bad, but to show that, no matter who you are, Bilgewater will find some way to put you to work and exploit the shit out of you for profit.

which means that Penny has lots of stories about people with disabilities being uniquely good at their job. i won't share any of them, because, unlike j k r*wling, i plan to actually address this in the story (bilgewater's attitude towards disabilities, still not sure yet about vik's body mods).

but, in the meantime, here is penny n viktor:

penny: hey, can i have your crutch since you don't need it anymore?

viktor: no

penny: but whhhhhyyyyyyy?

viktor: i still need it sometimes.

penny: fine i guess that makes se-

viktor: crouching down to your level is still difficult

~ 3 minutes go by ~

viktor: wait a minute, what were you going to use it for?

penny, who was going to put in a sword in it: to get things from high shelves, what else?