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huginsmemory · 3 months ago

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Ideology of Exceptionalism and Gravity Falls; meta and character analysis

I had a whole ago read a post by @icanlife that had a quote by Alex Hirsch on Ford's greatest flaw, and wanted to explore what the flaw is, which is the ideology of exceptionalism; in the exploration, I’ll touch on what it is and how it is used in abusive relationships and cults, as well as how it drives multiple Gravity Falls characters and consequently how it impacts relationships between these characters, and how the show ultimately refutes exceptionalism.

Quick note here; I am not in any way, shape or form a psychologist nor have any formal training in psychology; this is written from my own experiences with this ideology and my own forays into psychology and trauma-informed learning. It is also written with a loose understanding that is likely not broad enough to cover all references to cults, extremist groups and abusive relationships.

The Ideology of Exceptionalism

First of all, we have to get through a drier bit, which is… what is the ideology of exceptionalism and how does it arise? Might be fairly obvious, but it is the belief that you are, or belong to, a group of exceptional people, thus more important and worth more than anyone else; ie, those who don't qualify as 'exceptional'. It is often a subconsciously learned ideology. Now, what qualifies one as exceptional can be extremely varied; generally it revolves around something that provides some form of privilege. Thus, it might be, as the main exceptionalist idea in Gravity Falls, 'intelligence', or power, or it can be such things as attractiveness, quantity of money one has, species, nationality, or skin colour and ancestral heritage. The ideology of exceptionalism, being by nature hierarchical, devalues, and at its worst, openly and violently dehumanizes those who do not qualify as exceptional.

For why exceptionalism occurs is an extremely broad topic, but I've personally found that, for exceptionalism revolving around intelligence, it's a result of a poor sense of self-worth, and having one's self-worth tied to what makes one exceptional. Poor self-worth itself (again, broadly) is a result of childhood trauma from a lack of positive affirmation and unfulfillment of the emotional needs of the child. Meanwhile, self-worth becoming tied to the quality of exceptionalism generally is a result of when positive affirmation was pretty much solely provided around their 'exceptionalism', especially when provided derogatory commentary, or a blatant example of how they would be treated if they aren't 'exceptional'. As a result of the general lack of affirmation, self-worth then becomes often solely reliant on the qualities of exceptionalism, as that is the only way for the child (and later, adult) to get affirmation of their worth, as well as out of fear of being ‘not worth anything’ like the examples of ‘non-exceptional’ people they have been given.

This is especially likely to occur when the child is a social outcast; the adoption of the hierarchical ideology of exceptionalism, and the devaluation/dehumanization of others often occurs subconsciously as an avoidance/minimization tactic from pain. This is to say, the child, and later the adult (if healthy self-worth is not established) goes 'it doesn't matter what the non-exceptional people say or if they accept me since I matter more than them because of my exceptionality'. It can even be taken further, that being shunned is part of one's exceptionalism, and becomes part of the qualifier of being exceptional. For instance, 'they just can't understand because they aren't exceptional and that's just a part of being exceptional'. This idea also neatly tailors into the part of the concept of being better then others means you are separate from others; this can be taken that someone who is special, needs to be alone to be truly special.

Obviously, exceptionalism is not a healthy coping mechanism for poor self-worth, as often such people constantly feel the need to prove and show off their exceptionalism to gain that affirmation and avoid rejection, which is stressful. As well, it often negatively impacts their relationships with other people as a result of the arrogance of believing that they are better than most others, or even deliberate sabotage due to their arrogance. This occurs as they flatten the complexity of human experience to black-and-white hierarchical categories of exceptional/not-exceptional through constant judgement of those they meet, and often refuse to engage with people who don't belong to their 'exceptionality', or even people they simply don't like, even if they technically qualify. Generally, those that they do like or have close relationships with, often due to being similar, are automatically labelled as 'exceptional'. Those judged as ‘exceptional’ also become privy to the open judgements of ‘non-exceptional’ others, out of a subconscious belief by the exceptionalist that the other believes similarly; something that may strain their relationship if the other doesn’t ascribe to exceptionalism. This all culminates in the exceptionalist being blind or even adverse to the diversity of experiences, which makes it difficult to create relationships and community outside of echo chambers of their own beliefs (if they can even find this), and subsequently, these people are often isolated and have very few to no close relationships with people.

However, all humans require connections with other people, relationships where one can rely on others emotionally and physically if needed and feel accepted; they also require to feel like they are worth something, that their life has meaning. Lacking meaningful connections and having a crippled sense of self-worth, a deep yearning hole is left in these people. Exceptionalism, especially as it is a narrative constantly pushed by Western society as it validates hierarchies, is then employed as a (often subconscious) trauma response to assuage this yearning hole, with arrogance and denial. And depending on the circumstances, it can be a very strong and definitive trauma response for people.

This isolation and lack of self-worth is catnip to abusive relationships, including cults and extremist groups. These types of relationships often heavily rely on isolating their victims or pulling them into echo chambers of solely the abuser’s rhetoric, to redefine what is healthy through gaslighting; as the exceptionalists are already isolated, this makes them extremely susceptible. They also often provide these people affirmation, and in these cases especially about their exceptionalism, thus confirming their self-worth, their 'specialness', while also providing them the connection they have been lacking, either through the cult community or through the abuser’s own presence. These emotional needs, which haven’t been met in a long time, if ever, begin to be fulfilled; something that abusive relationships and cults hinge on, rather than any form of logic.

Ideology of Exceptionalism and Gravity Falls

The main characters within Gravity Falls which are heavily ascribed to exceptionalism would be both Ford and Bill; this characterization deeply impacts the story and their relationships with others (technically the Northwest are another case regarding wealth, but less directly impact the storyline and thus tangential; Gideon also is an example, but as a mirror of Bill). With each of these characters I’ll go into detail within their sections on the way they began to ascribe to exceptionalism, and how it plays out later in their relationships; I will first begin with Ford, then move to Bill. Then, to cap it off, I’ll go into the characterization of Stan and the way Gravity Falls refutes exceptionalism.

Ford and Exceptionalism

Firstly, the quote from Alex Hirsch that kicked this whole baby off, as mentioned previously;

“Ford sees Dipper as someone who’s special like himself. That’s Ford’s great flaw, his arrogance is he believes that there’s special people, and everyone else. That human attachments are actually weaknesses. And the song and dance that he’s giving Dipper right now, is the song and dance that he gave McGucket, back when they were younger… ‘You and me are different, we’re better than everyone else. We have a path that no one else can understand, and only us can do this.’ It’s a very seductive idea for Dipper… Dipper is a smart kid, but Ford’s projecting. Ford loves Dipper because he sees someone who’ll tell him ‘yes’ to everything. Who’ll never challenge him, who’ll do a really insane dangerous mission.”

Very blatantly Alex Hirsch calls Ford out on his arrogance in the belief that he is special, in his belief in the 'lone hero' complex, in his belief in exceptionalism. And really, it should be no surprise that Ford does so, considering the way he's depicted as a social outcast as a child (other than Stan), and the way his parents have been clearly shown to be not particularly emotionally supportive (“I’m not impressed”); they don't provide positive affirmation except for his intelligence (mostly due to the possibility of money making through it…), while also actively comparing him to Stan who is derogatorily ‘not-exceptional’, and ‘worth less’. This all sets Ford’s self-worth up to be fragile, and other than Stan who wholeheartedly accepts him, he is isolated and invalidated; plus, the only other validation he receives is around his intelligence. All very classically fitting the profile for exceptionalism.

Image id: Stand and Ford when they were children, both clearly enjoying each other's company.

Ford’s belief in his exceptionalism catalyzes after the shattering of his and Stan’s relationship. Previously the twins are shown to do everything together, having a very close caring relationship; something unlikely if Ford thought he was better than Stan. Also, when Ford is talked to about his opportunities, Ford looks uncomfortable at the way they talk about Stan as inferior, compared to how he himself is being praised; but in the offer he’s simultaneously finally being validated, he’s being told he’s someone worth something, and he’s going to be someone worth something after this. And then the science fair incident occurs, and Ford loses that validation from his parents, from the judges and a future of more validation; after being promised validation and acceptance, it slips through his fingers. And in his anger of being denied that, it becomes easy to begin to slip subconsciously into the rhetoric the others have been feeding him; that he’s exceptional, that Stan isn’t, and he deserved to be recognized for his worth. So he breaks the relationship with the only person who accepted and validated him for who he is. With that loss of previous support, Ford becomes then deeply obsessed with proving his exceptionalism to the world to assuage that fragile self-worth, to become accepted, or even better, revered, confirming that he is someone of worth, someone special, like he was promised.

Ford’s obsession also doubly functions as a way to alleviate his guilt over shattering their relationship; if he’s exceptional as he believes, then he’s within the right to respond the way he did, as he’s worth more than Stan, he's better off alone, and he has a right to be angry over being denied that validation. As well, in much the same way as it is used as a way to alleviate his guilt over the end of their relationship, it is also likely used in a way to minimize the pain of being ostracized (although not directly depicted); afterall, Ford’s keenly aware and insecure about his social ineptitude and his six fingers as things that make him different from other people, case in point with his experience visiting Lazy Susans Diner. Thus it wouldn’t be unsurprising if he uses the idea of being worth more than those who ostracize him to imply it ‘doesn’t matter’ what they think. His ostracization by nature keeps him from generally forming close relationships, with the exception of Fiddleford (who much like him, is socially outcast, and intelligent) during his university days. As a result, he's isolated and acutely lonely, having lost Stan.

Image id: One of the missing Journal 3 pages in TBOB, detailing Ford's botched social interaction in Lazy Susans Diner. In the background is the print of his six-fingered hand.

In his obsession over being acknowledged, Ford, like many others who believe in exceptionalism, identifies strongly with the causes of his ostracization (his intelligence, his six-fingeredness) as part of, or wholly, makes him exceptional. It is obvious through his choice of study; with the grant he has been gifted, he chooses to revolve his work around the weird, the outcast, something that you see Ford gravitate towards being an outcast and deemed 'weird' himself (which in Journal 3 he openly talks about). Something that can be, much like him, framed as 'exceptional'. His work is even recorded in a journal that Ford deliberately chooses to put his six-fingered hand on the cover of. Intertwined with the way it becomes adopted into the idea of exceptionalism, is the keen loneliness from his ostracization and a deep desire to be accepted and a wish to find a community of other weird people.

Image id: Two pages from journal 3, labelled 'Myself', in which Ford is open about being weird, and a social outcast, while also noting his ambitions and that 'Gravity Falls, [is] the place that I fit in.'

Ford and Bill

All of this culminates in Ford becoming an incredibly easy target to manipulate by Bill. He’s desperate to be acknowledged (and thus accepted) by an authority figure so that his belief in exceptionalism is justified and his self-worth confirmed. And he knows he’s intelligent, that he's exceptional because people have told him so, but he just needs to prove it with something that shakes the world. And the grant is finally his second chance after the fair, but he's stuck, and the research is going nowhere, and he's in a town where he doesn't really know anyone and he’s so terribly lonely. And sure, he clings to his exceptionalism but if he can't even prove it then is he really exceptional? Is he even worth anything like he thought he was? And what about what he's left behind, rejected, because of his exceptionalism?

And THEN he finds an incantation and he ignores the warnings because maybe, just maybe, this will be his break to get that acceptance/validation he has been chasing his whole life?

And then it's better than that.

A god, essentially, shows himself to him, an ultimate figure of authority. And he tells him that yes, he is special, he’s worth more than other people, and Bill’s only showing himself to Ford because he is so much more intelligent than anyone else. Ford is suddenly getting his exceptionalism confirmed by a god of ancient knowledge, an immensely intelligent interdimensional being, and he’s also showering him with affirmations, specifically affirmations around what Ford's fragile self-worth is based on. And even better, he's delighted by Ford's six-fingeredness; he's not put off at all, it even becomes his main nickname for Ford, just like it used to be for Stan all those years ago. On top of it all, Ford's own social ineptitude doesn't phase Bill, another thing Ford is self-conscious about; Bill's own social ineptitude as he's not human probably makes Ford feel comfortable, knowing that's not expected from him.

Through Bill, not only does Ford find someone who validates his self-worth through intelligence and even confirms to him that his weirdness is part and parcel of making him special, he also finds someone who he regularly (generally) is in contact with, who enjoys talking to him and even banters with him familiarly. Hell, Bill even deliberately goes out of his way (literally possessing a whole wack ton of rats, then dream karaoke) to celebrate his birthday with him; how long do you think Ford has simply skipped his birthday since he had no one to really celebrate it with? The loneliness, beneath his arrogance and belief in exceptionalism, is being fulfilled; for the first time since Ford was a teenager, he's fully accepted by someone, social awkwardness, six fingers, exceptionalism and all.

Image id: One of the lost pages from Journal 3 in TBOB, the 'one thing led to another' page, with Bill and Ford singing karaoke and drinking together, both clearly enjoying themselves; Bill has an arm slung around Ford's shoulders.

So it's really no surprise at all that Ford fell for this, hook line and sinker. Hell, if I was in Ford's shoes I would fall for it just as hard. And I've seen a few posts floating around talking about how Bill is bad at manipulating, and no, he's not. He was able to pinpoint exactly what Ford wanted and needed, and provided that, was charismatic enough to provide that. Again, manipulation isn't about logic. It really isn't; it's about the emotional core in people, what people lack and what you can give them to slowly reel them in to sing your dance and song. And people will ignore vast swaths of red flags when you're finally being accepted, when you're finally getting your emotional needs met at least in some way or form. It's better than not having them met at all, such as previously. So Ford worshipping Bill is really not a surprise, especially as Bill deliberately stoked it.

All of this is part of why you see Alex Hirsch call Ford's belief in his exceptionalism his greatest flaw; because it allowed him to be very easily manipulated by Bill, and by its nature kept Ford isolated from others, evident by his arrogance in assuming he knows best and refusing to see other people who aren't as 'intelligent/weird' as him as worth getting to know, listen too and even reach out to ask help from, it's him believing he has to be the lone hero as someone whose 'special'. It's something that blinds him to the danger of his work around the weirdness of gravity falls because he’s desperate to seek a place where he and his weirdness belong, and it's something that plays out in each and every relationship he has because it's something he clings to so deeply. It's what cost him his relationship with Stan, who previously accepted him completely, and, as he's disinclined to form new relationships and as Bill actively strokes his paranoia (Trust No One…), ultimately further increases the hold Bill has over him. It's only Fiddleford’s presence as he works with Ford that allows him some form of outside reference and reprieve from solely Bill’s influence, something that Bill resents deeply and is clearly jealous and angry about, even if Fiddleford is helping create the portal. And it's ultimately Fiddleford, once he was aware enough of what was happening, calls Ford out on it, seriously jeopardizing Bill's influence over Ford; but Ford is too invested in the portal, in chasing his own ambition and caught up in Bill’s manipulation to take him seriously, until the incident with the trial, and Ford beginning to hear other voices then Bill.

Ford’s Exceptionalism and Wider Relationships

Now back to how it plays out in all Ford's relationships; we've already gone over it with Bill's influence, because it made him extremely easy to manipulate, and with his disregard of Stan in favor of validation of his exceptionalism. But Ford, as pointed out by Alex Hirsch, also exerts the ideology's seductive rhetoric to both Fiddleford and Dipper (who look up to Ford) in a similar way that Bill does with him (although there is a difference of it being used intentionally and maliciously, compared to subconsciously and earnestly, even if it is problematic). Ford, with his black-and-white view of exceptionalism, sees both Fiddleford and Dipper as people who are like him; 'exceptional', and so he treats them as such, and uses this rhetoric to coerce them into helping him.

For Fiddleford, the lure is how he can change the world, how he can be finally acknowledged if he helps Ford with the portal. And it works well; he willingly chooses to leave his own work and his wife and young son, to work with Ford. Much like Ford, Fiddleford himself is also a social outcast and regularly presumed less smart than he is, and he’s got a chip on his shoulder to prove himself, to gain acknowledgement and recognition from the world at large. Although Fiddleford has a family which presumes he’s not entirely lonely like Ford is, he also clearly has deep feelings for Ford, some which are hinted to be more than just ‘friendly’ feelings; it is likely the combination of the lure of validation and spending time with Ford, a kindred spirit that accepts him and an old friend/crush, that causes him to agree (afterall, it was Ford who made Fiddleford feel accepted and choose to stay at Backupsmore). And Fiddleford’s not even considered a partner, but rather an assistant to Ford due to Ford's arrogance, and he still drops everything to go! It’s more about their relationship and connection rather than validation, but that doesn’t stop Ford from espousing exceptionalism. And this is a distinguishing difference, because although Fiddleford would like recognition, he’s not there solely because of it; he’s not a believer in exceptionalism nor arrogant about his skills, and so, unlike Ford who is blinded by his obsession, he’s much more aware of the dangers of the weirdness of Gravity Falls. Thus, he's actively calculating the risks involved, and when he realizes there could be potentially devastating consequences of the portal, he attempts to talk Ford out of it; this fails due to Ford’s own denial and obsession over the portal. In the end, it all goes terribly sideways, and Fiddleford ends up losing everything he had; his wife, his son, his friend, his memories and himself to the trauma he had experienced at the invitation of his friend with the lure of validation and company, due to the memory gun he had created himself.

As for Dipper, much like Ford, he also has issues with self-worth (many of the episodes deal with Dipper finding self-worth; ie, the manotaur episode), has a physical oddity (his birthmark) and by far the trait he relies on most for worth is his intelligence (for example, in one episode he rubs it into Mabel's face over and over again in beating her in games). He's also extremely desperate to be recognized by authority figures as someone intelligent, case in point when he summons the dead after being made fun of by the government agents to try and show them that the information he's gathered is important after Stan dismisses his knowledge. This desperation to be seen as someone of worth from Dipper, much like Ford, extends to the need to be a hero, something he even says at the end of the zombie episode; yet, due to Mabel, unlike Ford he's not a lone hero, and Mabel also half the time acts as the hero.

Image id: Zombies crawling out of a crack after Dipper summons them; Dipper and the two agents look on in horror.

It all culminates in Dipper hero-worshipping Ford when he returns; really, no different than Ford worshipping Bill. And Ford clearly finds it extremely flattering; Dipper's attention and amazement of him feeds his exceptionalism. Exactly how Ford responded to Bill, Dipper is willing to do anything for Ford, excited too, in an attempt to impress Ford and be validated and accepted. And for Ford, that's an extremely heady feeling, especially as someone who has been constantly alone the last 30 years, especially when he had one previously confirm his exceptionalism all those years ago and stopped, and now someone is once again affirming that idea. And Ford doesn't have to be alone again, because he's found a kindred spirit in Dipper as his assistant, someone ‘just’ like him, someone who is exceptional. Because he sees himself in Dipper, he begins to espouse exceptionalism unconsciously, by praising Dipper's own intellect and adventurous spirit, assuaging his feeling of self-worth, while also telling him he's more important or better than others because of it.

And it's seductive to Dipper, because he wants to hear those affirmations of his self-worth, especially as he hero-worships him, but Dipper isn't sold on it, because it means leaving Mabel behind, it means believing that he's worth more than Mabel (and also, Stan, and all his friends he’s made in Gravity Falls). It's ultimately because of his relationship with Mabel that he rejects the ideology; he's not isolated the way Ford was with Bill, and he's not willing to break that relationship for that acknowledgement, because his relationships matter more to him.

Bill and Exceptionalism

Now of course, that's only on the Pines; what about Bill?

While it's obvious that Bill uses exceptionalism as a main manipulative tactic, it's not just an ideology he sprouts emptily; it's also an ideology he believes in, just like Ford, although it's less based on intellectual exceptionalism, and more on power and 'weirdness'.

This most distinctly can be seen in Bill's denial about what happened to his home dimension; Bill's belief in his exceptionalism occurs as a pain avoidance tactic from killing his whole dimension. Bill was clearly a social outcast within his dimension due to being able to see 3d; he's not accepted, and not trusted, to the point that there is medical intervention to make him blind. That's a deeply traumatic experience that completely erases one sense of self-worth, where one’s sanity is called into question by your parents on something that is not harmful, that's beautiful and you just want to share with them. It's a deep and clear rejection of who Bill is, and his ability. As a result, out of a desperate bid to be understood and accepted, he ends up trying to show them the stars. And it ends up killing everyone.

Image id: Page of TBOB, on 'The Early Years' which notes that Bill was an oddity for seeing 3d, something that was illegal to speak about. Bill frames it as something that made him 'special' and better than all the others.

Traumatized, and originally rejected by the dimension, he instead weaves an excuse of exceptionalism; that it doesn't matter what he did to them because he's exceptional and he's worth more than all of them because he can see 3d, because he's powerful, so he shouldn't/'doesn't' feel any remorse about it. With such a traumatic result of trying to be accepted by people, he rejects the idea of trying to be accepted for who he really is; instead adopting a facade of a monster that he believes he is (and eventually, becomes).

Even if he clings to the delusion of exceptionalism, and shuns attempts to find true acceptance, he still wants it; and that's where his henchmaniacs fit in, as they're all, as Bill's noted when trying desperately to get Ford to join him, weird; each has something 'wrong' with them, which is why Bill accepted them as his lackeys (although it's not like we know the context around these). It's a surface-level acceptance however, one more predicated on fear than emotional acceptance. He's taken his 'weirdness', much like many do who believe in exceptionalism,as ‘part of what makes him exceptional'.

In the same way that Ford wants to show the world that he's smart and intelligent by building the portal, Bill does so by wreaking havoc and taking over existences as a way to show the world that he's powerful, that he's someone to be reckoned with, that he's not someone to be ignored because he's someone who's worth more than others. If you can't be loved and accepted, then being hated and feared is better than being ignored; acknowledgement at least approaches acceptance, it's validation of some sort of worth. It also functions as deliberate self-sabotage of his morals, by proving that he is the monster that killed his entire dimension; if that's what he is, then that's who he's going to be, because if he wasn’t, then he has to come face to face with his remorse over what he did to his dimension and his whole house of cards around his exceptionalism and not caring collapses. So instead he keeps feeding the delusions the denial, and lies and lies and lies and keeps lying to ignore all of it, to wrap himself in this shroud of exceptionalism and brutality as a way to function. And it somewhat works, because he's mostly deluded himself about it all, even if subconsciously he knows.

And of course, this display of Bill's exceptionalism is what brings Bill to earth, to Gravity Falls, and to manipulating humans. In meddling with earth and humanity, beyond Bill's goal of taking over earth and fleeing his own unravelling dimension, he also enjoys reaping the benefits of being worshiped by humans, who find him awe-inspiring. Their amazement of who he is, and Bill's own posturing and manipulation of people leads to Bill literally forming cults (ie ciphertology) or having apprentices that worship/find him (to varying degree) inspiring; all reinforcing his feelings of exceptionalism.

Of course, Ford numbers among these people; he praises Bill and worships him, as he's played like a fiddle by Bill, because his self-worth and belief in exceptionalism is fucked up in a way that perfectly resonates with Bill’s. Because it's the exact same types of issues around self-worth, around being an outcast, being weird and wrong physically, and yet at the same time gifted. And Ford clearly is incredibly lonely and yearning for acceptance, but so is Bill; since the beginning he's been trying to find someone who would accept him, even if he's given up on it. And for his song and dance to entice Ford in, he pretends he's not crushed dimensions for fun, that he's not a 'monster'; a version of him he buried after he had tried to show his parents the stars, one that he occasionally resurrects and puppets around for manipulation (all lies are better when they have a grain of truth). And this version of him is worshipped, but above all is accepted, is loved by Ford. The softer parts of Bill, even if they are still weird as fuck, the parts that were never far beneath the surface for all his deluding, become loved by Ford. Much as Ford becomes hooked on Bill’s praise, Bill also becomes hooked on Ford's genuine love and care. It becomes personal, unlike any previous ‘inspirations’ and Bill over time gets to the point that he feels accepted, safe enough with Ford to share about his dimension much more close to the truth then he did with any of his henchmaniacs. He becomes vulnerable with Ford, in response to Ford’s own vulnerability with him. He’s finding acceptance for the first time in his life around the softer parts of himself, not just the feared acknowledgement that comes from his dimensions conquering; much like Ford is finally finding companionship and acceptance with Bill, not just only intellectual validation. Bill's also for once, not just self-serving; he cares, and goes out of his way to take time with Ford, even celebrating Ford's birthday (in the unique way he does things), both with the rats and the karaoke.

Image id: One of the lost Journal 3 pages in TBOB. Ford recounts Bill talking about the destruction of his dimension, and calls himself by implication a monster.

They're both fulfilling each other's emotional needs, needs which both of them have struggled with most, if not all of their lives (although their relationship is certainly not healthy, considering it's codependent as fuck, riddled with exceptionalism and oodles of power imbalance issues). And suddenly, against Bill's plans, Ford's no longer just a disposable pawn, but someone Bill wants as part of his team, someone by his side, closer than his henchmaniacs are. He's unwittingly fallen for Ford, and so when everything goes sideways in his plan, and Ford swears it off, suddenly cutting off their relationship and that acceptance Bill had finally felt, he spirals into grief and anger from the rejection. As a result, he becomes extremely abusive to Ford in desperate attempts to continue their relationship, and ultimately he becomes obsessive over Ford joining him again as Ford continues to refuse, as evidenced by both Weirdmageddon and the Book of Bill.

Stanley Pines, and the Refuting of Exceptionalism

Exceptionalism, being a negative driving factor behind many core character dynamics, is ultimately refuted by the show. This occurs multiple times over the show, such as with Mabel in the Pioneer Day episode, especially compared to Pacifica, but mostly through Stan's characterization. Stan is someone who has been since the beginning characterized (if lovingly so) as someone who is a failure by societal standards; he’s an older man running a run-down tacky tourist shop to swindle gullible tourists out of their money, has multiple divorces, has an ongoing feud with a literal 12 year old, clearly has had multiple mishaps with the law (some ongoing), is generally pretty self-serving and is extremely lonely and really had no close relationships until Mabel and Dipper showed up. He's not exceptional; he's not even what we would consider 'decent' enough to have a 'typical, hard working job’. In short, he’s a failure, a stark difference to the idea of 'exceptionalism' that characterizes Ford. If he's gifted in any area, it would be charisma (debatedly), not anything else.

But it's still Stan who rebuilds the portal from literally only one journal (not all three!) and gets it to work. It even seems like he only needs some codes from the other two journals when he does get them, suggesting that he was able to extrapolate from what was left and the first journal’s blueprints to fix it entirely, something that is extremely difficult and technically complicated (Ford, Bill and Fiddleford all worked on it together!). Stan's able to do it, even if it's been shown he's not 'naturally' gifted in that area. And it's something he does as a result of his deep care for Ford; because even after their fights, he cares about Ford and wants to right his wrongs, believes he should, because of his whole life of being defined as a failure and even worse than that, screwing up his ‘exceptional’ brother’s life. And he’ll do it even if that means learning how to build an interdimensional portal, even if it takes up thirty years of his life doing so, and he doesn't waver. Much of this is connected to his own complexes around being deemed a failure compared to Ford, having failed to succeed in his life, and how he feels that he needs to atone for screwing up Ford’s life, now for the second time; but beneath it all, he also cares. Much like Ford, he's extremely lonely, but he's not blinded by Ford's arrogance, and as a result he wants to make sure Ford's safe, because that's what he used to do, they’re twins, they grew up together, they once they had fully accepted and cared for each other, and dammit that still means something, and Stan hasn't found that depth of emotional connection since. So if possible, he wants to rekindle that closeness they had, but first, he needs to bring Ford back.

And in the end, it's not Ford's own special gun he built using his intelligence that 'kills' Bill. It's Stan, someone who Ford had long ago broke it off with in search of validation of his exceptionalism, someone who both Ford and Bill labelled as 'not-exceptional', who defeats Bill. It's exceptionalism's devaluation of people who are 'not-exceptional' that causes Bill to underestimate the Pines beyond Ford, and it's only when Ford put aside his exceptionalism and his refusal to accept and trust 'non-exceptional' people, that is, trust Stan once more, that causes Bill to end up defeated by Stan.

In the end, it's not about who's 'smarter'; it's a reminder that everyone has different skills and are better at different things, but that doesn't diminish one's worth or value, and that just because someone isn't naturally 'gifted' in an area doesn't mean they can't learn or use different ways to get around obstacles. Ultimately, it comes down to that no one is worth more or less than other people; exceptionalism is a lie. It’s a lie and an excuse, and it's certainly not a healthy way to assuage one's poor self-worth. What does matter is creating positive healthy connections with other people, and caring about them. This creates a community where you can be yourself and be emotionally fulfilled through these connections; and when opposition does arise, you become able to fight it together, and fight so much stronger than if you are alone.

And by the end of the show, you see that. Ford begins to let go of the ideal of exceptionalism and its black-and-white categorization; finally recognizes his own faults around prioritizing validation of his intelligence and exceptionalism over his relationships, and finally, after all the years, chooses to create and rekindle positive relationships with people, trust people, and make amends. And in the end, he goes sailing with Stan, prioritizing their relationship, finally fulfilling their childhood promise.

Image id: One of the pages written by Ford into TBOB. Ford refutes Bill's idea of happiness, and says he has finally found his own happiness, and it looks like the photo taped in, of Stan, Ford, Dipper, Mabel, Soos and Wendy, all smiling together.

TLDR: Exceptionalism, an ideology of categorizing people into being special and worth more vs plebian and worth less, is a trauma response and subconscious ideology that characterizes Ford and Bill’s lives, deeply impacting all their relationships as it is used to coerce people into doing what they want, makes Ford easily manipulated, and breaks relationships through their arrogance. It is ultimately denounced through the way Dipper chooses to reject Ford’s offer and his rhetoric of being exceptional, and through the way it's not Ford’s intelligence, but rather Stan, who has been labeled as 'not-exceptional' and a failure at life, that defeats Bill through trickery. It's a reminder that everyone has worth, and no one is worth more than other people, even if one may be gifted in certain areas; the ideology of exceptionalism is fragile and a lie. In the end, creating a caring, loving community around oneself is where strength truly lies, as is seen with the deep care and love the characters have for each other, and the repairing of Ford and Stans relationship.

Thanks to the lovely @eshtaresht who deigned to beta read this monster of a post for me

If you enjoyed this meta, (first of all if you read all this you're a champ!) I've also done another gf meta post! (It's shorter I swear)

#gravity falls #ford pines #stanford pines #bill cipher #stanley pines #stan pines #hugin rambles #hugin rambles gf #journal 3 #the book of bill #thisisnotawebsitedotcom #billford #fordsquared #gravity falls analysis #gravity falls meta #book of bill #tbob #christ its so long whyyyy #also oh nooo i wanna do another thing but SPECIFICALLY on trust. gravity falls is ultimately about strength in community and hnnnghhhhh #that makes me wanna cry #also i had so many thoughts. also on the denial part of exceptionalism??? oh baby Bill fucking LISTS it in his book #like sir. please #anyways i love media analysis and im totally normal about all these characters #also like Fiddleford is. like. yikes man.#anyways uhm. does dropping a 6k essay post make me sexy? please say yes (i HIGHLY doubt it #sheesh who's got time to read all this... psssspsspspp theres PHOTOS that TOTALLY dont have more reading in rhem nawwww #i totally dont know what ur talking about mhmmm #if youre like is this about gifted kids- yes. yeah. i just didnt name it. its also about wider things but. yeah #also. unofficial title? Gravity Falls and Gifted Kid Issues an analysis #oh boy sure hope my post about gifted kid issues is a hit on the gifted kid issues site

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thependancer · 21 days ago

Text

An analysis of the voices in Moment of Clarity

Before we get into the analysis, a little note:

1- I am mostly trying to show how the trauma has affected each voice compared to them on their normal routes. If they have deviations in other chapters and I have stated them as trauma responses, correct me.

2- I tried my best but some voices are just difficult 😭. So sorry if I couldn't give a satisfying explanation to your favourite.

Without further ado, let's begin:

Firstly, it should be noted that what exactly happened after you decided to stay with The Nightmare is something not even the voices themselves are sure about. But what we do know is that whatever the events were they were horrific. The voices have tried everything up to this point except freeing her. And since nothing was working and it was only making things worse, they are effectively useless now. Even the Narrator acknowledges that they are all extremely traumatized.

So let's see how these voices handle trauma.

1) The Voice of the Broken:

The voice of the Broken has shown incredible resilience and empathy in the past. And in this route he is somehow even more broken. He is also on the "Free the Princess" team, however he only wants to do it because he wants this misery to end. He has the most interesting explanation as to why we(the player) can't remember being here through all those lifetimes.

"Maybe you're shattered in your own way."

Ding Ding Ding. We've found the trauma response. The Broken has been shattered more than he already was. His will and empathy have run out. Where once he probably tried accepting the Princess, the Princess just shattered them further. He just wants to be done with it. As he says, "She smashes us to smaller pieces."

2) The Voice of the Cheated:

The voice of the cheated is the only voice to comment on the absurdity of us having so many voices. And he says it as if he's complaining about it. It's the only thing he can really do in that situation really. The Cheated does NOT like losing. But after complaining for so long and ultimately getting no where, he just accepts defeat at this point.

"It doesnt matter what we do. Because we always find her. And if we don't find her, she always finds us."

Subsequently he is on the "I don't fucking care what happens anymore" team. That isn't to say he doesn't want this to end. He does but he has just given up on trying to 'win' and get an ending. Effectively he wants to quit now. And he doesn't care if it's by completing the game or hitting alt+f4.

3) The Voice of the Smitten:

The voice of the Smitten has an interesting trauma response. The relation here is almost parallel to the relation Broken has with The Tower, except somehow worse. Smitten is incapable of seeing faults in the Princess. And when questioned if we really do love her after all shes done to us he tries to justify his love by saying

"To be given an ounce of kindness from something so pure would be more pure than any other love."

After we say that the voices in our head are wrong, he replies

"She is the ONLY THING that's right."

The Smitten is heartbroken. He's like that ex you broke up with but he still texts 'I love you' every night. Except the Princess has probably toyed with the Smittens love. But the Smitten can't not love her. So he decides he must become good enough to earn the love of "our cruel and beautiful godess". And the only way to do that is to free her. He doesn't want freedom he wants affection.

4) The Voice of the Hunted:

The Hunted was already one of the weaker voices mentally. Here he's just completely silent. He has like 6 lines the whole route. Which is only 1 more than the Stubborn. The Hunted is scared. He is almost paranoid. He doesn't even tell us to do this or that. He doesn't even comment on the mirror.

I personally feel Hunted was so broken that like a scared animal he decided it was better to hide. He does speak out in agreement to Cold when he says we sealed our fate by not killing her. Interestingly, the response is very minimal. Primitive even.

"Kill or be killed."

Which if you know Hunted, is not a normal response. He usually wants to run or hide. He never wants to kill, just survive. But here he says it would have been better to just kill. So whatever Nightmare did has made Hunted go from run to hide to kill or be killed. Wow! This is like prey animal that when cornered will just lash out in violence if they have no other choice. And that's exactly what Hunted is.

Now we start getting into some really interesting deviations.

5) The Voice of the Opportunist:

The voice of the Opportunist is so unbelievably broken its unreal. First thing to note is he already has an opinion. Secondly, he defends his own opinion. That isn't very opportunistic. He doesn't even flip flop like in his other routes. He's so different in this one, almost as if he's gained empathy as a response to trauma. He eve tries to comfort other voices like the Broken.

"You did your best really. There's just a pecking order."

And he is the only voice who tries explaining to Skeptic why his constant questions are bothering them. He does it in a positive way as well.

"They're good questions. Great questions even. But they just don't have any answers."

And he clearly doesn't care what the others think about him at this point. He's also the few voices that have some semblance of sense. Like when Cold tells them to be unfeeling, Oppy says,

"He's not wrong. He's the only smart one left if you ask me."

Again a very different opinion from the rest of the voices that deem Cold to be a nuisance. He's in the minority here. And yet when you return and start making choices, he's so relieved.

"I'm sure whatever you settle on, it'll be the best possible decision you could've made."

The reason he's relieved is because there is someone actually in control. There is a decision maker he can agree with. Finally, someone to try and suade. But this is still the most resolute we've ever seen him.

6) The Voice of the Stubborn:

He is probably the most fed up with everyone else's bullshit. Interestingly though on this route he isn't urging us to face the Princess. The only route where he isn't in a hurry to reach the cabin. He has completely lost the spirit to fight. If you got knocked out, this Stubborn could not revive you. He still wants to get physical, just can't. Who's he supposed to fight? The Princess? That's already been tried. The other voices? Now that's an idea.

"Shut up. You {Contrarion} were here."

Fight me. It's right there he wants Contrarion to punch him so he can punch him.

"Ugh. Here you {Skeptic} go philosophising again. It never goes anywhere."

I'm mocking you what you gonna do about it? Fight me. But it's hopeless. He can't even be bothered to instigate a fight anymore. But he's the macho man. What will the others think of him if he isn't aggresive? The truth is others don't really care. But he does. So he says to smash the mirror. Partly cause he wants to feel the spark of a fight again, partly cause that's what others expect of him.

7) The Voice of the Paranoid:

He is STRESSED. To the point he's constantly thinking about the Princess. He only has one goal in mind. Free the Princess. Escape. Get out of here. Make the thoughts stop!!!!

Such a precious broken boi. He just wants peace. He states,

"(Freeing her) It's the only way to get our thoughts back."

He can also feel eyes on him. Not sure if that's just Para being Para or due to trauma. But he is growing restless because of it.

"She's watching us. She never stops watching us."

He also doesn't talk much. Like he's scared the princess will hear him. He was always quiet but he's unnaturally quiet. He also really really wants to free the Princess. Overall he's Paranoid, can't think about anything except wanting to free the Princess so he can have his thoughts back.

8) The Voice of the Contrarion:

Contrarion has always been a nihilist. Nothing matters so let's just have fun cue laughter. However, here we can't really have fun. So his attitude becomes, nothing matters cue laughter. Which just makes him seem so sad.

"There's no difference between fine and not fine. It just goes on and on."

We know that Contrarion does hate himself. But here he's trying so hard to hide it here. He does not want to look at himself. He doesn't even want to think about himself. When Skeptic starts to question identity. He's also been asked this before but he would rather look away than look at himself.

"Yes this is far from the first time you've asked us about consciousness. (In a mocking tone) 'Who am I?', 'What am I?'; (Angrily) What is 'I'? Who even cares."

The Nightmare has broken him so much but he'd rather ignore it. When the voices are telling us what to do with the mirror in the cabin, he says

"Just go around it."

He's so done with himself. He doesn't even want to look at himself. He thinks that the most disgusting thing he could see HIMSELF. Not only this he tries to dodge almost every question we pose.

"What does here even mean if you think about it?"

He doesn't want to acknowledge anything even remotely related to him. Where was I? It doesn't matter, nobody really cares about me.... atleast I don't.

9) The Voice of the Cold:

The voice of the Cold has barely been affected. Makes sense. But what's interesting about him is he has actually been affected. He either doesn't know or he is purposely ignoring it. He has become more irritable. He develops a form of empathy. He has some pity.

" I've tried to keep them numb but they are all too soft. A shame, really."

That doesn't sound like the backseat driver Cold we know? Cold wants to help the other voices but he well can't.

"You're lucky you haven't been stuck here like the rest of them. There's no other way to keep going. You either need to forget or you need to stop feeling much of anything. They can't do either."

The Cold tried to help them. But the nature of the voices doesn't let them be helped. Cold is severely disappointed because of this. He even blames the player for ending up in this position when he says,

"You sealed our fate when you refused to kill her."

He just wants the player to make decisions independent of the voices. He's seen what they all do. He sees that it always ends in losses. He thinks the player was there when the other voices were having a try. He thinks the player was just listening to their requests.

"You always give too much space to others. It's why you always lose."

He is also the chattiest in this route. He also has many lines where he just tells us to be unfeeling. He's trying to protect us as well. But he's also bored. And he just wants it to end because he's bored.

10) The Voice of the Skeptic:

Possibly the most broken of the bunch. He is TRAUMATIZED. Normally, Skeptic is the most grounded. He's the guy who always has a plan. But here? He's useless. He realises this. And just breaks. He can't answer any question. How many times have we been here?

"Many many many many times."

Skeptic, wheres the numbers? Was I here?

"Are you your memories? Or are you the one perceiving the present moment?"

For someone who really loves answers, he sure doesn't seem to have any. The most logical voice being turned completely insane. He can't accept anything.

"Can we love something that hates us? Can we love something that hurts us?"

He's trying to distract himself. He doesn't want to think about the situation. He doesn't want to THINK. That's so bizarre. The Nightmare has broken Skeptic so much he doesn't want to do the one thing he loves to do. In fact when we reach the Long Quiet his first words are,

"I can finally think again."

11) The Voice of the Hero:

The voice of the Hero has a reaction that would make anyone furious at the nightmare for what she did to our boy. Hero is normally jocund, enthusiastic, understanding, and overall lovely. But here he is depressed. He doesn't talk much which is unusual. He always has something to say. But he's just so defeated. When the Narrator tells you the only thing you can do is go to the cabin, Hero replies

"Or you could just give up."

Hero says that. Not Broken. Hero. Our Hero. The one who is always encouraging us through our journey. The one we can trust no matter the circumstances. Our best friend. This line is the most terrifying part of Moment of Clarity. If we had any optimism going in, it had left us in this moment.

"You're lucky. What I would give to be able to forget."

Please someone comfort our boy. He deserves all the chocolates in the world.

In the Long Quiet

Once you reach the Long Quiet the voices seem to ease up a little. They see death within arms reach and think it a mercy. As Hero puts it:

"Something tells me this is the end of the line, but I don't feel bad about it. I'm ready."

Which is a striking contrast to his usual plea to not look at it. His fear of death is converted to a longing of it. Which could be seen as a another proof of why the Narrator's utopia is wrong. Because people who have lived a nightmare long for change and even death. And so he is at ease.

The Broken says,

"It feels okay."

Which is huge for our boi. Broken never feels alright. He is always sad or depressed. Something is always not okay with him. But after living through a nightmare, things finally seem okay. And so he is at ease.

The Paranoid says

"The fear's gone."

Again an amazing development. Paranoid always feels watched, and he's scared of who it is and why is he being watched. But in his final moments, living through a nightmare, he realises that the fear has no place in him anymore. And so he is at ease.

The Stubborn says,

"I'm done fighting."

This statement is a confession. He had long lost the spark for a fight, but here he can finally admit it. He doesn't want to fight anymore. He doesn't want to resist anymore. He wants to let go, and he does. And so he is at ease.

The Smitten says

"My heart feels quiet."

The fire of passion is fierce. And here it burns the Smitten. He wanted affection. He desired a connection with the Princess. His heart was incapable of doing anything but. Now as he is unraveled, his passion is extinguished. His heart is quiet. He never did get the affection he desired but realised he didn't need it. And so he is at ease.

The Cheated says,

"The game was always going to end."

For him, this is an ending screen for a rage game. He hated the experience the whole way through. He constantly faced losses. But he persevered. And so he found the ending. After all, no matter how extensive the game was, it was always going to end. He is glad he didn't quit. He got to see the ending. And so he is at ease.

The Cold says,

"I'll be free of all of you."

The worst part about this nightmare wasn't the nightmare itself. It was the fact it was hurting the ones around him. They got hurt abd yet he was as unfeeling as ever. He knew he had to be right. After all, wasn't he the only sane one left? Now as death approaches, he doesn't have to help carry the burden of others. And so he is at ease.

The Skeptic says,

"I'm ready for the truth."

The Skeptic was thoroughly broken throughout this experience. A man of reality shatters when reality shatters. And the thinker's response to doubt is to seek. But no answers were present in the nightmare. Now there is something that is very clear in purpose. Something easy to test. The mirror is death? Alright then let's see the truth. There are answers again. And so he is at ease.

The Hunted says,

"I'm ready to sleep."

An animal who has tried everything to protect itself and failed over and over again. A wounded creature who was pushed to his limits. But he is very tired now. He tried his very best. Yet it seems death is inevitable. He has remained vigilant and fearful throughout the nightmare. Now he feels safe enough to rest. And so he is at ease.

The Contrarion says,

"I'm just ready to be anywhere that isn't here."

The nightmare had shown him how low of a person he could be. He has come to associate that version of himself with those wretched circumstances. As he leaves that place behind he leaves behind his self hatred. He wants to get on with it already. He finds esteem in himself and his voice now echoes with joy and pride. And so he is at ease.

The Opportunist says,

"Boys..... it's been an honour."

The one who has never experienced true connection. The one who is constantly at odds with himself and everyone. Throughout the nightmare he garners genuine connection and empathy. He realises that the ones he should truly support are those that he loves not those that are the top of a pecking order. He finally finds that connection in this moment with the others. And so he is at ease.

And so they are at ease.

#slay the princess #analysis #voice of the cold #voice of the skeptic #voice of the broken #voice of the smitten #voice of the opportunist #voice of the paranoid #voice of the hero #voice of the cheated #voice of the hunted #voice of the stubborn #voice of the contrarian #very long post #sorry for the long wait y'all #this was so much fun #but oh boy was it tiring #enjoy

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