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craigbukenya · 3 years ago

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Sort of like MJ’s moonwalk, the impact of action cameras has proven astronomical. How you may ask? Well, action cameras have made photography more available than ever!

It’s precisely for this reason that nowadays; everyone is a photographer in some kind of way. In all kinds of environments, people are using these rugged gadgets to capture cherishable photos and videos in top-notch quality. Over the years, sports enthusiasts, in particular, have transformed the marketplace for action cameras at domestic and regional levels. Additionally, the trend of people’s involvement in sports to adopt healthier lifestyles has contributed to the global growth of this market. In addition, the popularity of adventure sports like mounting racing and cycling are also attracting customers across the globe. It can therefore be said (at least in figurative terms) that this booming industry is almost like the offspring of people’s usage. Whether it’s to record glimpses of wildlife on a hike or during a more chilled out bike ride. These are the kinds of activities that are enabling the soaring growth of this market.

Given some of the awesome features of action cameras, rationalising the substantial growth of this market is very easy. Features such as the provision of first-perspective footage in 4–5K, and the large sensors of action cameras have meant that people can develop their first-hand view into whatever they’re doing. Whether you are someone who enjoys surfing or just capturing awesome memories while on holiday or at music festivals- the widely shared sentiment of wanting to keep a record of certain moments makes an action camera a special tool for everyone. Unfortunately however, these high-priced gadgets are still susceptible to capturing shaky footage. To see whether the benefits of this investment outweighs its costs; imagine a scenario where a father named Ben ends up recording super shaky footage of his kids cycling for the very first time. Many years down the line, Ben and his kids decide to revisit this old recording. But unfortunately, they struggle to watch what can only be described as a trade of precious memories for snippets of digital mush. The question that follows from this analogy is a very simple one. Are you willing to fork out hundreds of pounds on an action camera that preserves your greatest memories as a pixelated mess? Well luckily for you, gone are the days of digital mush. Because a start-up company called Streama has created a low-cost and timely solution.

Why?

That’s simple. Here at Streama we believe that you no longer need to buy expensive action cameras. So we have pushed beyond conventions by using the camera capabilities of smartphones, and are now able to turn YOUR smartphone into a wearable action camera. This is made possible by the fact that Streama have utilised the image stabilisation of modern smartphones. Therefore an investment into Streama will give you the power to preserve footage that is comparable, if not better, than the standard of professional video tools. But with Streama it will only be at a fraction of the cost.

Interestingly enough, the published results of a study titled ‘Pro Photographers and their Camera use’ revealed that smart phone use is lower for photographers because of concerns about the optical quality of smartphone cameras. Chances are, you may hold these concerns as well. However, this concern is a silly one. And can be debunked by just digging a bit deeper into the aforementioned developments of smartphones. The first development that is well-worth mentioning about modern smartphones, is the improvements in optical image stabilization. Take newer models of phones such as the Iphone 11 and 12. Both phone models use two types of stabilisation; namely(OIS) dual optical image stabilisation and Electronic stabilisation, which draws us back to why you should harness the photography power of your own phone. If you’re already an Iphone user, you’re most likely aware of how the Iphone camera is always just a swipe away. This camera feature of the Iphone leads us onto a crucial point, as If you want to be sure to capture those unmissable once-in-a-lifetime moments that come with your favourite outdoor activities; then Streama is more likely to be the answer than even the best action cameras.

Why?

Speedwise, the camera modes on action cameras such as the GoPro Hero 7 and 8 take about 3 seconds to start up. Contrarily, and certainly more impressively, the camera mode of the Iphone can be started in fractions of a second. In simple terms, this means that even the best action cameras make you more prone to losing out on life’s most exciting moments. So as well as high-quality content being captured at an affordable rate; Streama’s utilisation of the faster rate at which our phones shoot footage, means that Streama’s product is the one to turn to for capturing moments that can be missed in a blink of an eye.

And finally, the durability of a hand-holding action camera is limited compared to Streama’s product. Yes, it is true that action cameras come in various shapes and sizes. And indeed, the compacted structure of action cameras have made them easier to carry around, and thus less prone to breaking. But, why only minimise the risk of damage, when you can almost entirely remove the risk with Streama?

How?

Streama’s high-quality wearable action bag is a chest harness compatible with all smartphones, and its lightweight design is ideal for securely capturing hands-free video, without the risk of dropping your phone; which as previously stated is the best action camera you could possibly have. To cut to the chase buying a separate and clunky mount to carry around is an impractical approach to maximizing the durability of your action camera. Over the years, several companies have tried to create the world’s smallest camera, just to enhance the portability of hand-holding action cameras. Because having a small camera is meant to decrease someone’s likelihood of dropping it. But, funnily enough, the easiest way to make your camera less prone to damage is by having it attached to you. Therefore, you should simply wear the comfortable chest mount that comes with our cheap product. Rather than spend a stack of cash on a palm-sized camera. In a nutshell, the hands-free filming function is a major benefit of Streama’s chest mount as it makes your phone the easiest camera on the planet to transport and thus not break. So there you have it! That’s how Streama will maximise the durability of your action camera!

Considering the insights above, it’s quite clear to see that choosing the best action camera is now more complicated than ever before. whilst it’s all well and good that we have a far-reaching scope of choices, it’s undeniable that with such great power comes great responsibility (Thanks for that one Spiderman). And regardless of whether you’re someone who loves off-road cycling; recording stunning videos of the countryside landscapes or even just snapping photos with friends and family- it’s our responsibility as consumers to buy the best product. At Streama, we take that to mean one thing! Only buying the most resourceful, versatile and durable action camera. In that case, if you want to capture those cherishable moments that come your way; in a way that’s resourceful, versatile and durable. We urge you to check us out at getstreama.com.

If you enjoyed this article, share it with your fellow enthusiasts for action cameras! :)

Craigbukenyabagosera

Freelance blogger

#actioncamera #purchase

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creamstudiobranded · 4 years ago

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What Does an Animation Agency do?

The imagination was always abstract. We had artists in previous times. Then digital media showed up, and it turned our visions down in digital media tools.

When people can imagine a procedure, even better abstract concepts expressed in images can make it much simpler and more engaging. Breaking a message into bits of critical data is something that audiences not only enjoy, but are also getting used to in today’s society. With the lightning speed of communication that we can reach almost immediately, our brains thrive on fast messaging in this day and age.

An agency can help you in just 2 minutes. A well-crafted digital video will cover a lot of details with more than just a news brochure or a heavy text file.

This is what we are doing, our animation company, our agency is doing. Bring your imagination to the animation.

Call us now!

We are one of the best digital animation agencies or studios you can work with.

Effectiveness of a Digital Media Agencies

Animation is one of the most interesting fields of research. Since the first animated films were made in Walt Disney’s time, we are all struck by the results they could achieve.

Movies are not a onetime occurrence. These animation studios go far beyond today’s biggest winning films. This is often widely seen in large motion pictures and/or ads, some advertising absolutely anything you might think of, and sometimes cool phenomena. It attracts us to the crispness and simplicity that animations can offer. And this can work around the board: whether it’s illustrating a new product or app, educating students, or public service announcements, animation work.

Don't forget, animation is opening up a world of possibilities. Using a similar animation theory that occurs in the world of advertising animation, our company's natural approach is to take advantage of our ability as animators to cater to a wider audience than you ever thought possible.

The design procedure at animation agencies

Here at our animation studio and agency, our animation design process is collaborative and we ensure we keep you up to date in every step of the way so that we can work together to bring your story and idea to life. The steps that we take when we do animation are:

First, we build a strategy, then discuss your goals and objectives.

Next, we develop the script and the concept behind which you can tell your story that fits well with motion design.

Then we jump to create storyboards or animation, so you know what to expect before we design the animation.

Design animation depends on the type of animation you need.

Do the sound design and voiceover to complete the animation and enhance the feeling of movement in the animation.

Fianlly we will give you the best animated product you'll ever see.

New Media Video Services by Our Agency

Our animation studio and agency can provide you with a wide range of animated services relevant to the creation and development of animation, such as:

· 2D animation

There is precisely no limit to the things you want to create and set in motion in the 2D animation. 2D animation can be used for a wide range of purposes, from the production of quick and enjoyable animated images for entertainment to the creation of an informative 2D sales presentation for digital marketing and business promotion. Our animation studio and agency will help you create a beautifully designed 2D animation that can be customized to help you deliver your message in style and appeal.

· 3D animation

3D animation can be used in a variety of ways, such as advertising and commercial, plans and architectural designs, stills, motion graphics and CGI, videos and learning resources for clarification, and many other items. If you want to build virtual stuff that can closely imitate what it actually looks like, 3D animation is a great tool. With our advanced tools and innovative animators and designers, we will help you bring your concept to life.

· Storyboard and animation

It’s very important to help you stay on track and better visualize how your animation or video will run and look like, storyboard or animation development. A storyboard is a collection of sketches or photographs that outline the sequences of an animated scene, while an animated storyboard is simply an animated storyboard. By offering insight into what issues may arise within the script, dialog or casting process of animation development, storyboard and animation production can save you a lot of time, energy, and cash.

· Animation and design of character

One of the innovative marketing strategies to promote your company and add more individuality to distinguish your brand from its rivals is the development of an animated character as a brand mascot. We will assist you in creating imaginative animated mascots or characters in our animation studio & agency that can get marketing campaigns to a whole new stage in the industry.

· Animated idents, stings and bumpers;

Animated Identifiers (Identifiers) can be short 10-30s advertisements featuring a logo or channel name that is commonly used to brand a network or channel. Bumpers, unlike idents, refer to a piece of video material varying in length from 2s to 15s that plays between a pause in a TV show program and a commercial break unique to the program. Stings is a simple logo that shows that it plays at the end of either film, program, or advertising to remind the viewer of what the commercials have seen and differentiated. If you are a TV station, a webcasting company, a video production company, or a company that wants to make advertising, please contact us and get in touch with us for accurate and seamless idents, bumpers, or stings that are unforgettable and can leave their own mark.

· Videos of animated explanation

Animated Explanatory Videos can be a great marketing tool to help you deliver and encourage your brand message. It's succinct, simple, and efficient to explain things. An animated informative video has an impressive potential to be used either to teach complex theories and study students, to train and educate new employees about the business or to show their potential customers how to use new goods. Animated videos are a powerful tool for educating and promoting people. Here at Our Animation Studio & Agency, we offer to create explanatory videos for some of your objectives.

· Interactive animated videos

Interactive animations allow audiences to take part at a higher level than just watching. You will make your stay on your website longer by enabling viewers to connect to your video so you can get a lower bounce rate. From interactive graphics to a DVD-style image menu collection, our animation studio & agency will help you develop interactive animation for several purposes.

· Animation of motion graphics

Motion graphics animation focuses on the movement of graphic design elements, usually without following a specific plot or story. You may draw more interest from viewers by offering motion graphics to your logo or text, so that it is typically used for branding or TV title sequences. Motion graphics can also be paired with other forms of animation, such as whiteboard animation or character animation, to make the story look more attractive.

· New writing systems

Creating a story that’s engaging in video can often be a challenge but don’t worry, because our flexible and creative expert scriptwriters at Our Animation Studio & Agency can help you create great scripts so you can communicate your message clearly and entertainingly in animated videos, advertisements, or movies.

· Virtual Reality animation

VR animation enables individuals to create and inhabit imaginary worlds so that they can encounter things that do not (or cannot) exist in the actual world. By using VR as a marketing tool, you will let your prospective customers engage with your brand in more fun and exciting ways.

· Whiteboard animation

Whiteboard animation is a time-lapse or stop-motion video that shows an illustrator using whiteboard-like surfaces and marker pens to physically draw and document an illustrated story. This form of animation is very popular with advertisers as it can illustrate the product demo, present an educational presentation, tell the story of a business or people’s life, and many other items. If you want to express a particular message, it’s a brilliant choice and usually cheaper to make while also producing the same entertaining effect as other animated videos.

Work with us to create a new digital animation design

From creating whiteboard animation to VR and 3D animation, or many animation varieties, we have everything you need. You can start a conversation with us or anywhere by email or phone, if that’s what you’re looking for. We will meet you soon with our representative and look forward to hearing from you. We’d like to answer you, ask questions about what we can do to help you or our job!

Not only are we passionate about our work in our animation studio and agency, we emphasize responsibility for our production, we really value it. Our team includes field experts, talented journalists, imaginative artists and professional animators. We always aim to provide you with an impressive visual work that will help you express your message in the most entertaining way possible.

#Animation Studio #Animation Agency

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ohwowbabee · 7 years ago

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switchmagmx-blog · 8 years ago

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Ulrich Wild partners with ProMix Academy to release Galakiton Mixing Course

Ulrich Wild Releases Galaktikon Mixing Video through Promix Academy

Promix Academy founder&producer/engineer Warren Huart (Ace Frehley, Korn, Aerosmith) has teamed up with esteemed producer Ulrich Wild (Brendon Small/ Dethklok, White Zombie, Deftones) to release a new Promix Academy mixing course detailing Wild’s recent work on Brendon Small’s Galaktikon. This video released on promixacademy.com takes you inside Wild’s studio where he gives an in-depth discussion of the Galaktikon track “Triton” breaking down the instruments while including anecdotes from the recording and production of the album. One quote from the course is “One of the most important things in mixing Is to keep the interest of the listener.. if the song doesn’t grab you in the beginning you’re kind of done with it. So it’s important to keep the interest.”

This educational mixing course is also chock full of insider stories and recording/production insights such as isolating the bass parts of Bryan Beller and drums of Gene Hoglan through Pro-Tools on “Triton.” Wild also explains how they achieved the sound on the track.

Wild and Brendon Small have been working together since Dethklok’s debut album The Dethalbum in 2007 and has worked on all of Small’s albums since. On working with Small, Wild said “Making records with Brendon Small is always entertaining, since he is not only an amazing musician, but also a comedian. He’s a extremely talented, and his approach to songwriting is very orchestral. With this many tracks it can get tedious to get everything sounding tight and precise, especially the brutally fast songs. But the main challenge is finding space in the mix for all the tracks. Making it all fit together like a puzzle is often challenging, but ultimately very satisfying.”

Wild stated the importance of the course as “Now more than ever it’s important to share our knowledge with each other. I started as a runner in a recording studio and worked my way up to engineering and producing. These opportunities a rare now, and learning on the job is much harder to do. Warren fills that void. With his Produce Like A Pro channel we can look over each other’s shoulders and gain valuable insight. That holds true not only for novices, but also old dogs like me. He visits a lot of top notch producers and engineers, and I’m honored he asked me to do this Galaktikon course for Pro Mix Academy.” View an excerpt from the video at Produce Like A Pro and find the purchase link to the full video course including access to the multitrack sessions from the album here

In addition to his work as a producer and engineer, Huart aims to help people make great music by sharing the knowledge and experience he’s accumulated over his near 30 years in the industry throughProduce Like a Pro and ProMix Academy. Huart explains: “I want to demystify the recording process and show that there really isn’t a difference between the ‘professionals’ and home recordists. We all share the same passion for music creation and our aim is to break down barriers and democratize the music industry.”

View an excerpt from the video at Produce Like A Pro and find the purchase link to the full video course including access to the multitrack sessions from the album here

About Ulrich Wild

Ulrich Wild is a Grammy nominated, multi-platinum producer and mixer. He’s known for his work with notable Metal acts Dethklok, Pantera, Static-x, White Zombie, Deftones, and Breaking Benjamin, as well as more eclectic artists like Emilie Autumn, Stolen Babies, and Fiddle Witch and the Demons of Doom. Born and raised in Switzerland, Wild lives and works in Los Angeles, CA. In 2015 he founded WURMgroup, an artist development label, in an effort to find a home and build careers for up and coming artists.

For more information on Ulrich Wild please visit www.ulrichwild.com and http://www.wurmgroup.com/

About Warren Huart

Warren Huart is an English record producer, mixer, recording engineer, composer, and multi-instrumentalist based in Los Angeles. He is known for his hard work ethic, positive attitude and respect for the artist’s vision. He has played a fundamental part in the creation of many platinum-selling albums, and worked with many of today’s most successful artists, such as The Fray, Daniel Powter, Marc Broussard, Trevor Hall, Korn, Better Than Ezra, James Blunt, Matisyahu, Ace Frehley, Aerosmith, Black Veil Brides, and Howie Day. Huart is the owner of Spitfire Studio in Los Angeles, CA and Spitfire Music; a one-stop music licensing house providing music for film and TV. He also owns the DIY YouTube Channel "Produce Like a Pro," which offers recording tutorials for recording enthusiasts, and has over 100,000 subscribers worldwide.

About Brendon Small’s Galaktikon

Starting to play guitar at a very young age, Small graduated from Berklee College of Music. During his music studies, he discovered his passion for comedy and writing. Just a few years after graduation, Small became the co-creator, writer, voice actor and musician for the highly acclaimed Comedy TV series “Home Movies”, and shortly series Metalocolypse, an Animated show revolving around the fictional band Dethklok. Small not only produced, co-wrote the shows and voiced several characters in these shows, he also composed all music. Metalocalypse and the music of Dethklok was so well received that in 2009, the virtual Metal band received the Gold Gods awards for best international band. Dethklok’s music accompanying the TV show was released on 4 individual albums, which enjoyed major success. While the first album Dethalbum” debuted 21st on Billboard 200, Dethalbum II charted 15th, making it the bestselling Death Metal Album of all time. With his debut solo Album Galaktikon, released f through his personal label BS Records, Small gives his music a twist: While having similar vibe to DethKlok, Galaktikon features more melodic vocals, rock elements and experimental chord progressions. The concept album Galaktikon is meant to be seen as an audio comic book, and tells the story of an intergalactic super hero trying to rescue his ex-wife – Only to find them in the hands of the antagonist.

For More information on Brendon Small please visit www.brendonsmall.com

#music

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politicalfilth-blog · 8 years ago

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Smearing Snowden and WikiLeaks In The Name Of Anonymous

We Are Change

The WikiLeaks and Snowden smears are getting more disingenuous by the day.

In the latest attack on what is without doubt the most significant media organization in the world—WikiLeaks—a far less consequential publisher—The Daily Kos—has managed to squeeze an entire article out of one Twitter rant by what they describe as a “quasi-official Anonymous Twitter account” – @YourAnonCentral, also known as YAC.

In doing so, The Daily Kos is the latest to demonstrate that there is nothing more intellectually insubstantial than the recent trend of quasi-journalists slapping together an entire quasi-article about someone having had a moan on Twitter.

Poorly-investigated and deficiently-sourced, their article fails to dig any deeper than the surface contents of the singular thread, trusting that it contains sufficient reference points that no one will invest the time or effort to look into the matter any further.

Unfortunately for them, we have.

The 25-tweet diatribe their article is based off can be read in their article and is dissected tweet by tweet at the bottom of this one. But first, let’s look a little deeper into the opinions and attitudes espoused by @YourAnonCentral, and give you the story that The Daily Kos didn’t.

YAC doesn’t just hate Julian Assange and WikiLeaks. He also has it in for Edward Snowden.

The animosity isn’t restricted to silly memes or playing favorites among whistleblowers. It extends to pronouncements that blatantly violate the basic principles and beliefs of the Anonymous movement.

The idea that an Anonymous account would be openly calling for the prosecution of a whistleblower and advocating that they be subjected to “law and punishment” with “no exceptions” is not only contrary to the ideological premise of the collective, but is frankly extreme in its audacity and hypocrisy.

For an account claiming to be a part of a movement whose members have been aggressively hunted by law enforcement agencies, to advocate throwing a whistleblower to the dogs, is flabbergasting.

But their vitriol doesn’t end there. Since July 2014, YAC has been waging an unrelenting smear campaign against the pillars of the activism community.

Major Anonymous accounts like @AnonymousVideo, tweeting content from Thomas Drake to YAC, go without amplification or acknowledgement.

Other old school Anonymous accounts like @AnonSwedeninfo get acidic responses from YAC…

Or are completely ignored when they attempt to share relevant content with them:

Sputnik News noted the disparity between the positions of @YourAnonNews and YAC, on Snowden:

YAC’s smears against Snowden are completely baseless. Even the most cursory knowledge of his revelations and activity easily dispels them. Take for example, the following tweet:

In their desperation to discredit him and hoping that any mud will stick, Snowden’s detractors routinely contradict each other’s narratives. While some deride him for having spoken out about NSA spying on Chinese university students while still in Hong Kong, YAC audaciously claim that he has never cared about non-US citizens. Yet by the time of their above tweet, in October 2015, Snowden had spoken via video conference in a whole host of non-US countries, about revelations specific to those citizens, including but not limited to Australia, New Zealand, Canada, Germany and others.

Of course, if you wanted further proof of how far YAC have been barking up the wrong tree, you need only look at their own historical tweets, which disprove their more recent ones:

Time and time again, YAC stumbles over its own opinion and contradicts its own messaging. For example, they cast aspersions on radical leftists and Russian-based media organisations, despite having a long history of sharing information from precisely those sources.

At various times they accuse Snowden of being both aligned with US government and the Russians. Likewise, with WikiLeaks.

They accused WikiLeaks of being beholden to other foreign governments:

…yet make bizarre attempts to associate WikiLeaks staff with being pro-US government – specifically claiming that they have “ties to the US military and intelligence”:

The attempt to portray WikiLeaks as being an agent of the US military-industrial complex is followed by, three months later, a switch of course to complain that WikiLeaks only exposes US war crimes:

In aggregate, it seems that they don’t care who WikiLeaks or Snowden is or isn’t working for, they are only trying to cause the maximum possible damage to their reputations, as seen by the posting of skewed opinion polls such as the following, which do not provide any dissenting option.

Glenn Greenwald is another frequent victim of attempts to detract from those doing the most significant and visible work to circulate revelations from the Snowden archives.

Accusations that The Intercept has not released enough documents, or with the speed that many would like, are commonplace. However, YAC chose the precise day that Greenwald and TI had just released further major revelations, in order to attack them about it. Ultimately serving as a distraction from the information that had just been released.

Rather than analyzing and amplifying the documents that they claimed to be so eager to see released, YAC just tore chunks out of those doing the actual work instead.

Things didn’t always used to be this way. A trip down memory lane reveals that at a certain point, there was a seismic shift in YAC’s position.

Going back through YAC’s tweets in reverse-chronological order, there was a clear delineation between the original stances of the account, with its reversed positions and open hostility.

Ladies and gentlemen, meet the old YAC:

So what happened? How did YAC go from an account covering Occupy-related media and sharing pro-whistleblower content and leaks, in neatly laid out well-sourced tweets, to what appears to be an angry and aggressively anti-Snowden/WikiLeaks admin?

In the course of investigating this story I discovered the below tweet from fellow ex-Occupier and WRC journalist, Cassandra Fairbanks.

Suddenly, it all clicked. The concise news-style presentation of the early YAC tweets is likely attributable to Cassandra’s efforts. I reached out to her and asked for her take on what happened.

We Are Change: Cassandra, the @YourAnonCentral account shared a lot of great work throughout the Occupy movement and had a really effective tweet style with a focus on info-sharing, up until June of 2014. Since then it devolved into what appears to be one person’s endless rant against pillars of the activism world like Edward Snowden and WikiLeaks. Can you tell us how this occurred?”

Cassandra Fairbanks: “That’s about when I left YAC. I had been using it to promote WikiLeaks and Snowden stuff, but we had massive internal agreements so I quit. The main person running the account was using it as a tool to promote the person they were dating (@georgieBC) who had personal issues with Wikileaks even though she had previously ran WikiLeaks Central, which was essentially a fan site.”

YAC’s anti-Snowden tweets have very little uptake and the threads routinely feature dissenting opinions by readers that are puzzled by the maliciousness on display. Likewise, the malevolent nature of the specific accusations leveled at WikiLeaks by YAC that were picked up by the Daily Kos, did not escape notice.

So let’s break down the 25 YAC tweets, referenced by The Daily Kos.

Tweets 1-2/25: YAC tweets at @Khannoiseur, an anti-Trump, anti-WikiLeaks journalist, that they find his conspiracy theory that Julian Assange is being blackmailed by Putin “fascinating and quite in line with reality” and “would like to touch on the subject, given that we have somewhat of an insight into the matter.”

Tweet 3/25: YAC describes Julian Assange as a “fascist ideologue“, without any reference or source.

Tweets 4-5/25: YAC says that the attributes commonly associated with WikiLeaks including supporting “human rights, gov’t transparency, and open government” are “not in line with Assange’s politics”.

YAC then sets about trying to ascribe those qualities to people who have ceased working for WikiLeaks in the past, in an attempt to effectively strip WikiLeaks of its identity.

Tweets 6-7/25: YAC claims that WikiLeaks ability to receive leaks was dependent upon someone who had departed the organization. YAC says “the software developer behind it (leak platform) left the project. We assume he is still writing software.”

The software developer in question may be Daniel Domscheit-Berg, who volunteered full-time for WikiLeaks in 2009. In this annotated transcriptof the film “We Steal Secrets: The Story of WikiLeaks,” an unauthorized biography by filmmaker Alex Gibney, WikiLeaks points out that

“…in 2007 WikiLeaks uncovered billions of dollars’ worth of corruption in Kenya, a leak that made front pages around the world, and is widely viewed to have changed the results of the Kenyan 2007 Presidential Election. In 2008 WikiLeaks defeated the largest private Swiss bank in US courts after revealing its Cayman Islands trusts, costing the bank hundreds of millions as it cancelled its scheduled US IPO. However these leaks pre-date Domscheit-Berg’s substantive involvement.”

If the leaks pre-date Domscheit-Berg’s involvement, the idea that Domscheit-Berg was the sole engineer of the WikiLeaks platform—or so crucial that his departure crippled the technological functioning of the organization—is counter-intuitive. Meaning that in fact, the claims made by YAC in these tweets are demonstrably false.

But in fact, they are worse than merely slanders of WikiLeaks. They are an attempt to form a revisionist history that seeks to raise the profile of someone—Domscheit-Berg—who was not simply a disgruntled former volunteer. He was without doubt, a saboteur.

Here is why I can say that with such confidence: Domscheit-Berg didn’t merely beef with WikiLeaks or Julian Assange. He didn’t merely sell-out by writing a book slamming them and selling the movie rights to Dreamworks. He did much, much worse. By all accounts, he deliberately destroyed evidence of war crimes and other corporate transgressions and withheld documented proof of such that were entrusted to him. WikiLeaks also confirmed that Domscheit-Berg made off with the “internals” of up to 20 neo-Nazi organizations.

From this open letter by Guatemalan Human Rights lawyer Renata Avila:

“I gave WikiLeaks some documents detailing proof of torture and government abuse of a Latin America country. The documents were only in hard copy. I entrusted those valuable documents – the only copy available – to Wikileaks because of the expertise of the people running it, their procedures and the mechanisms they used to maximize impact when published. I did not intend to give such material to Mr. Domscheit-Berg personally, as was made clear to him by me at the time. My intention was to give it to the platform I trusted and contributed to; to WikiLeaks. The material has not been published and I am disturbed to read public statements by Mr. Domscheit-Berg in which he states that he has not returned such documents to WikiLeaks.” – Renata Avila

Avila describes being present at Domscheit-Berg’s home when he was toasting journalist Heather Brooke with champagne. Brooke later stated: ““one of [Assange’s] disaffected colleagues gave me a full set of the US diplomatic cables that Assange was planning to use in his next publication.”

These were, of course, files supplied to WikiLeaks by Chelsea Manning. Of Domscheit-Berg’s attitude towards Manning, Renata Avila notes:

“After the arrest of Bradley Manning became public, I asked Mr. Domschiet-Berg how I could help the young soldier, but he did not appear to be interested. He was on holiday. I sent him contact details of human rights workers I thought would be able to support Manning, which he said he forwarded on to someone else. He never followed it up. I was under the impression that he didn’t care or that someone else must have the situation well in hand. It was only after he was suspended from WikiLeaks that he became outspoken about Manning.” – Renata Avila

The comments section on Avila’s post is well worth reading, to begin to understand the full extent of the betrayals by Domscheit-Berg, referred to as DDB.

OpenLeaks, DDB’s project to springboard off WikiLeaks, was a spectacular failure that resulted in his temporary expulsion from the Chaos Computer Club.

Slashdot sums it up:

Then of course, there’s another tiny problem with the theory of DDB being the technical brains behind the WikiLeaks leaks submission platform.

It turns out he wasn’t actually a developer, a programmer, a computer scientist or a software architect. Nor did he invent, design, build or maintain the platform. He just did a really effective job of at sabotaging and temporarily compromising it.

Tweets 8-9/25: YAC alleged that WikiLeaks “copied the publish everything leak platform” concept from Cryptome.org‘s John Young. Then YAC alleges that Cryptome “left” WikiLeaks but still adheres to the principle. According to Young, Cryptome curate their content and do not simply publish everything. Nor do they guarantee the authenticity of the documents they publish, nor do they offer any protection to their sources. According to the Wikipedia page for Cryptome, Young says their organisation does not believe in “context“, “verification, authentication” or “background“. Additionally, unlike WikiLeaks, they have complied with official requests for removal of content.

Cryptome has a long established history of obscuring events related to the security of their website with conflicting statements.

Given the massive disparities between the two organizations, not the least of which is their core modus operandi, it is hard to decipher precisely what it is YAC now accuse WikiLeaks of copying from them. The function of receiving documents? That’s what journalists do. Cryptome might have been an early influence for WikiLeaks but they did not invent journalism.

Of WikiLeaks, Young said in a 2010 interview with The Observer:

So after joining WikiLeaks in 2006, publicly trashing it in 2007, printing its internal communications and then doing mainstream media interviews about the project he had abandoned after discovering years later that it had become successful regardless, John Young is a WikiLeaks “member”, “insider”, “devotee”, “critic”. Take from that what you will.

This is, of course, the same John Young who claimed to Vocative in July 2014 that Cryptome would be imminently publishing the Snowden documents that had been withheld from the public. He described the leak of the full archive as inevitable. It has yet to eventuate.

Tweets 10-11/25: These tweets are virtually meaningless. YAC says that WikiLeaks postures itself as anti-war and then attributes that stance to Chelsea Manning. Then anomalously states that Chelsea still holds these beliefs. As if WikiLeaks prior to 2010 wasn’t anti-war, when it clearly was, or as if WikiLeaks is somehow pro-war. The assertion is such a lame duck that it’s not even worth taking the time to debunk. Look at what they were releasing prior to 2010, and what they have since, and the writing is on the wall.

Tweets 12-13/25: YAC’s attempts to insinuate that WikiLeaks is usurping the achievements of others, with a complete lack of context, continues. Swiftly moving on to Iceland, invoking the terms ‘open government’ and ‘transparency’ then raising the IMMI (Icelandic Modern Media Initiative), brainchild of Iceland’s Pirate Party leader Birgitta Jonsdottir. What YAC fails to mention is how events in Iceland came to the head that they did. The tide of public dissent that the Pirate Party was able to ride to prominence came about from leaks published by WikiLeaks, exposing gross corruption on the part of Icelandic bankers.

Their supposition that WikiLeaks was not involved in IMMI at a fundamental level is also factually incorrect. In this 12 minute video of Birgitta and Julian Assange speaking at the 2010 Logan Symposium, the truth couldn’t be any more clear, or any more different than YAC portrayed it.

“The reason why I am here is that early this year me and a group of people including WikiLeaks started to work on a proposal for the Icelandic Parliament tasking the Icelandic government to create sort of a reversal ideology of a tax haven, where they pick good legislation around the world to create secrecy, we want to pick the best possible legislation from around the world to create transparency…

…when I heard this idea, originally the idea about IMMI was introduced by Julian Assange and Daniel Schmitt at a conference in Iceland in December last year, where I was also speaking. Coming from a background of being an activist, a journalist and a writer and a pioneer on the internet, I immediately understood the importance of this.” – Birgitta Jonsdottir

The video is well worth the watch so here it is:

Tweets 14-16/25: YAC says that WikiLeaks only “supported human rights, horizontal governance and was a megaphone for those at risk… based on their (@wikileaks) Twitter feed from 2010 to 2012. News tweeted by @Wikileaks then was based on work of @GeorgieBC.” Once again, this is a ridiculous statement. WikiLeaks interest in human rights both pre and post dates Georgie’s admittedly excellent work on @WLCentral, which for a time was a brilliant and regularly lauded contribution to the WikiLeaks platform.

WikiLeaks’ most significant achievement in acting as “a megaphone for those at risk” has been in the establishment and undertakings of the Courage Foundation, which is a unique if not groundbreaking organization acting to defend, promote and represent the best interests of some of the world’s most high-risk, high-profile and fiercely persecuted whistleblowers and journalists. Courage was established long after WLCentral was discontinued.

Therefore the idea that their interest in either of the aforementioned principles was somehow bestowed upon them by a departed third party is frankly, disingenuous.

With regards to horizontal governance, it is true that GeorgieBC has done some really innovative, thorough and challenging thinking and writing on that topic and made many proposals through her personal blog and elsewhere. However, YAC is clearly no expert on how WikiLeaks currently operates or is structured behind the scenes.

The proof is in the pudding really and whatever WikiLeaks are doing, they are doing it right. The stats are long since in – they were the most impactful and most significant media organisation on social media during the recent U.S. election. They sport an unblemished record of relentless publishing. It is simply sour grapes to deny them the credit they are due for having achieved so much, in such dire and drastic circumstances as having intelligence agencies, particularly those of the West, set against their success and continued livelihood at every turn yet triumphing regardless.

Tweets 17-18/25: YAC bizarrely suggests that Jeremy Hammond having leaked the GIFiles from Stratfor was the sum total of WikiLeaks work against ‘corporate tyranny’. But their established record of publishing huge leaks on (not to mention confronting in court and winning) corporates goes back to 2007 and stretches to the current day. As a campaigner against the TPPA I can tell you that WikiLeaks consistent publishing and analysis of the TPPA, TISA and TTIP texts was hugely consequential in helping to grow the movements against those ‘trade’ agreements – which were not trade agreements at all, but corporate coup d’etas undermining national sovereignty for the benefit of the bottom lines of giant transnational conglomerates – and that is just the most recent example. To swing the pendulum all the way back, it was 2007-2008 when WikiLeaks first took on banks and won.

Tweet 19/25: “People thought @Wikileaks wanted to support the weak against the powerful. That was #Anonymous, not Julian Assange.” What else is there to do but shake one’s head at this inanity? Compared to the entire might of the Western Empire and its military-industrial complex, WikiLeaks *was* the weak. They are quite literally David vs Goliath and they have delivered time and time again. The false dichotomy between Anonymous and Julian Assange is a deliberate attempt at divide and conquer. The vast majority of Anonymous supports WikiLeaks and Assange and always has. Their genesis is from the same community. They cannot be separated just by someone with a Twitter account who desperately hopes they can be. When Assange’s internet was cut by Ecuador in 2016, what happened? Vast swathes of the connectivity of the East Coast of America (and elsewhere) was taken down in retaliation. No matter how much B.S. YAC circulates to the contrary, YAC cannot break solidarity between hackers just because they wish it were so.

Tweet 20-25/25: Bereft of any actual evidence and not having posted a single source link in the entire 25-tweet diatribe, YAC resorts to ad hominems. Assange is this, Assange is that. The WikiLeaks Party, which it is well known was infiltrated, just as its parent organisation had been repeatedly in the past, and then smeared for supporting neo-Nazis, just as Anonymous itself was once smeared for supporting neo-Nazis, just as Occupy was smeared as supporting neo-Nazis, just as any significant activism movement or group supporting any kind of radical change is, is hauled into the exact same smear because it is a known tactic of the state to do so. According to YAC, somehow Julian’s support of the First Amendment of the US Constitution is also bad – despite Birgitta Jonsdottir having expressed exactly the same admiration for it in the above video.

“None of the people who have ever been involved in @Wikileaks have changed…”

Well, the people involved in @YourAnonCentral have definitely changed and it sure as hell wasn’t an improvement.

By Suzie Dawson

The post Smearing Snowden and WikiLeaks In The Name Of Anonymous appeared first on We Are Change.

from We Are Change http://wearechange.org/smearing-snowden-wikileaks-name-anonymous/

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