#this thought brought to you by me watching the extended versions of the fellowship and two towers for the first time today
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renfriscreyden · 1 year ago
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the thing about samfrodo is that on the one hand it's such an important example of intimate male friendship that's loving and tender but on the other hand: those hobbits are kind of gay
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opbackgrounds · 4 years ago
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so I was doing some research after watching movie 6...
...and apparently it was originally written as a comedy
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Yeah, I was surprised, too
Baron Omatsuri is not my favorite One Piece movie—Film Z has too many of my favorite tropes to be usurped from that position—but I do think it is the most daring. Of all the supplemental material I’ve seen and read, it feels the least...One Piece-ish. 
Yes, that includes the noodle commercials. 
If you haven’t seen the movie and can stomach a little spookiness, do yourself a favor and give it a watch. Unlike movies like Strong World or Z that have the look and feel of a manga arc, Movie 6 transplants the Straw Hat Pirates into a world that doesn’t feel like a One Piece story, taking risks and exploring themes that would never fit in the manga proper. 
In addition to the obvious changes in art and animation style, there are supernatural elements that don’t make sense within the One Piece world. None of the Straw Hats win a fight—Luffy included, although he is heavily implied to have killed the big bad at the end. The moral of the movie, if it can be said to have a moral, is if you lose the people closest to you, the answer is to forget about them and make new friends. The story ends with many questions left unanswered and the main drama between the crew unresolved.
And, if you allow me to get philosophical for a moment, I wish there were more movies like it. As I wrote in my review of Novel A, I don’t go to supplemental material or side stories looking for a repeat of what’s in the manga. Oda has written 1000 chapters of One Piece—why not spice things up a little and try something different for a change?
I know the answer isn’t that simple, and by their very nature not all risks will pan out. There will be people who don’t like this movie because it’s different, both in look and tone. But there’s something to be said about a creator putting their heart and soul into a work and having it show in the final product. 
Which brings us back to the original premise. How does a movie go from a light-hearted comedy based on a variety show theme to...this
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Baron Omatsuri was directed by Mamoru Hosoda and came out in 2005. To put that into perspective, the movie was in production when the Luffy vs Usopp fight was first seen in the manga. Manga!Luffy had not yet faced the challenge of an inter-crew disputes when the story was being written and boarded, nor did the creative team have the events of Sabaody and Marineford to see how Luffy would react to the loss of his loved ones. They were working without a full understanding of Luffy’s character, and to a lessor extent the character of the Straw Hat Pirates, and it seems like Oda was much less involved In production than has been in movies since Strong World and beyond. 
Likewise, Hosoda had just left a tumultuous situation at Studio Ghibli while working on Howl’s Moving Castle, and if this interview is anything to go by (https://instrangeaeonsblog.wordpress.com/2016/04/24/mamoru-hosoda-on-omatsuri-danshaku-animestyle-interview-part-1/) was going through a lot of personal shit when he was brought on as director. The script he was given was originally written like a variety show—something that was carried over into the various trials seen in the final movie—and meant to be a lighthearted affair after the relatively serious Movie 5 (which I have not seen am thus unable to compare tone). 
With that backstory in mind, it’s easy to see how the bickering and backbiting between the Straw Hats early in the movie is a metaphor for Hosoda’s time at Ghibli, which is something he admits to in the interview. Movie 6 feels different than any other One Piece movie because it’s the project of a man who has had to endure the loss of those who he was close with, at least in a professional capacity. 
There are moments in Movie 6 where Luffy doesn’t feel like Luffy. More than once a member of the Straw Hats ask him to intervene during arguments, moments Luffy either ignores or doesn’t notice. It’s a version of Water 7 where instead of fighting Usopp, Luffy ignores the underlying differences within his crew, and as a result loses everybody. 
The structure of the three trials follows a clear path of deterioration within the crew, the initial goldfish scooping game showing the Straw Hats at their best and inciting the jealousy of the Baron, the ring toss sowing discord among the crew even as they snatch a narrow victory, only for them to be utterly crushed in the third and final challenge as they’re unable help one another survive. 
It is somewhat implied that the Breaking of the Fellowship(TM) is magical in nature—that like the One Ring, the Lily Carnation was able to influence the Straw Hat’s thoughts and actions, but this is never stated outright and I prefer the more mundane interpretation: That without strong leadership the Straw Hats fell victim to the manipulative machinations of the Baron, and simply self-destructed as a result.  In the end, it’s up to the interpretation of the viewer. 
And speaking of things up to interpretation, I love how the Lily Carnation isn’t explained in the slightest. The plant that initially absorbs the Straw Hats looks more like the stem of a devil fruit than a flower, it for some reason rings like a gong when hit, and somehow is able to turn pieces of itself into facsimile of the Baron’s old crew who can somehow move around despite being plans. It’s weird, it’s wonderful, and the element of the unknown works so well in the horror-lite setting. 
My personal theory is the island somehow managed to eat a devil fruit which manifests itself as the Lily Carnation (which due to the L/R conflation in Japanese, is pronounced ‘reincarnation’, which I think is a nice touch of foreshadowing that may or may not have been intentional).
(Also, I can’t decide if little chewing animation it makes when it’s eating people or the weird bullseyes it makes when shit gets real are the most terrifying thing in the movie.)
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Hmmm, tasty.
Anyway, this is getting long, so here are some final thoughts:
1) This movie has some low key fantastic outfits. The Straw Hats all look very cool without being over designed like a lot of recent movies. Big hat Robin is of course a fave, and makes me really want to see her in a Carmen Sandiego getup.
2) Screenshots do not do the animation of the movie justice. It’s very fluid and has a lot of excellent expressions/poses, although I admit the 3D is jarring at times. Do not let the art put you off if you haven’t seen it 
3) Also, I don’t think there’s any shading? Like at all? The movie does a lot of cool stuff with color instead. For example, the scene where Luffy initially loses to the Baron his skin goes all grey, and I thought it was because he was fighting at night, but it stays grey even in the better lighting of the underground tunnels and stays that way until he finds out the Straw Hats are still alive, where it returns to his normal color
4) There’s an extended Benny Hill-type gag when Luffy first chases after the little mustache pirate that’s perfectly timed to the music, and ends when Luffy just uses his power to grab him. The comedic timing is amazing and it’s probably my favorite funny moment in the movie, of which there are several despite the overall darker tone
5) The extended jungle shot from Nami’s POV? Very cool
6) I love how from the earliest scenes nothing is as it seems. The opening text is Robin reading the map, but the storm that’s seen on screen is the one that sank the Baron’s crew. Likewise the whole fancy city is shown to be fake panels early on, the goldfish catching game is a trap, etc., etc. It does a good job clueing the viewer in early that’s something’s very wrong on the island, even if they don’t realize it at first
7) I don’t think this type of movie would work in modern One Piece without somehow nerfing Luffy. Horror works best when the protagonist is weak and vulnerable, and that fits best with a pre-Gear 2/3 Luffy (same with the rest of the crew, tbh. I was waiting for Nami to use her lightning stick during the games, forgetting it hadn’t been boosted yet). 
8) I like how there are four captains on the island representing different levels of loss—the Baron has lost his crew and wants to destroy all others because of it, mustache pirate lost his crew and is willing to put it behind him to make new friends, Luffy has freshly lost his crew and hasn’t decided what path he will go, and coward dad hasn’t lost his crew yet but is at risk if he doesn’t change his cowardly ways
9) I think the reason why Chopper was the first Straw Hat to disappear is he’s the most likely to play the part of peacemaker. He’s also the only crew member needing rescuing at the end of the goldfish scoop game, when Luffy foolishly puts his life at risk trying to save him from drowning, just like he recklessly charges the Baron at the end of the movie. Except that time there was no Sanji to save him, leaving Luffy to get his ass thoroughly kicked
10) This is a very good Halloween movie, and I’m glad I watched it in October
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dooofusrick · 6 years ago
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Mellyn Nin
 I have always been a fan of LotR. When I was young my brother read the trilogy to me even though I could read it myself. I don’t know who read the books first my brother or my pa but either way all three of us were hooked.
I remember back when the Fellowship came out in theaters, those were good times my pa used to leave the house back then and the rest of us weren’t scared when night fell. He took us to the theaters, even more excited then us kids to go watch the films. Everything about the movie was so grand! The fight scenes, the acting, the sets, the special effects, THE MUSIC! (I was already a fan of orchestras but this just blew me away). 
Over the years our love for the lore continued to grow and grow. When the next movie came out we’d rewatch the previous and go see the new one.  My pa always making fun of me on my crush on Legolas. He was a little creeped out by it, but his need to make fun of others always came through and when Legolas would dash on screen he would turn to look at me with this dopey look on his face and laugh at my embarrassment. Although he never did comment over the doodles of Anton Greenleaf  on my stuff.
I remember some days I’d just be watching t.v. and he’d come whistling, rummage through our DVDs and plop it in without asking me, but I’d always watch. 
And it never really hit me, the sadness of the movies. Sure I cried when Boromir or Haldir died but that was mostly because the atmosphere. At that point I had never experienced death. My family was a small one, six, all deaths were of distant relatives I don’t remember. So while I am sad at most deaths I see in movies or on television, I could never imagine what it felt like to loose someone. It never even crossed my mind. It didn’t occur to me that sitting down to rewatch these movies would hit as hard as they did. 
I have not rewatched the trilogy since before my own pa passed. Not in its entirety. It is kind of tradition for my brother to put them on either during Christmas or New Years. I did not sit down to watch this passed one, there was a black friday sale I wanted to go to and New Years I got drunk and cried outside by the chair my pa passed away in.  I never sit down to watch them myself because they are long and the few hours I had after work was usually spent with my partner who does not like fantasy. 
But now I am unemployed, after household chores and searching for work I have little to do and Netflix had the Fellowship streaming. Even though I own all the DVDs and the extended versions, I’m a lazy POS so why not. 
I cried, I mean I usually cry when Boromir dies but this time it wasn’t just my brain that felt the loss. My heart fell and it made all the air in my lungs vanish. It was quickly replaced with anger (that Uruk will be the worst villain in the series to me, far worse than Saruman and Sauron). 
I continued with the series over the next couple days, flinching when Theoden is standing over Theodred’s tomb, looking away when Haldir fell and again crying when Theoden calmly looks away and Eowyn sobs. 
The last one hit me the most even though I never particularly like Theoden. I didn’t dislike him but he was never one of my favorite characters. But I guess since he was more the father figure than the others it hit close to home. 
I also thought since I was watching the last film on my birthday (the one year anniversary of my cat passing just two months after my pa) I was a little emotional. But that was the end of all the heart break wasn’t it? No one else of major importance died so it was smooth sailing from then on. 
That was until the credits rolled and for some reason a sense of dread fell on me. I couldn’t breathe, I couldn’t see from the tears clouding my eyes and as cliche as it sounds all I could hear was the same cry I let out when I came rushing home and seeing the police officer give me a sad look before leading me to my family who were all huddled together, eyes red. 
I’m thankful I was home alone other than my partner who also did not have to hear that pitiful sound since he was wearing his sound proof headphones. 
I do remember him coming into the room though, doing his customary workout dance just to stop and kiss my head as I let out big uncontrollable sobs. I don’t think he knows why I was crying, he probably thought it was over our cat, our baby, seeing as when he got home I asked him if we could get flowers for her. 
And although I was sad about her it was more the fact that something I had started with my pa, always associated with my pa was over. Something that when either of us was watching the other would always stop what they were doing to come join. Something that I had not watched in its entirety without him, was just that...watched without him. No one to laugh with, to quote lines with. No one to clasp their hands in content, sigh and say “Whelp I’ma go smoke a cigarette” when it was all done. 
Something that I truly enjoyed and one of the few and only things I had in common with my pa I just watched alone and it tore me to ribbons and what made worse was the fact watching the last movie fell on my birthday. Only the second time ever I didn’t have him awkwardly shuffle out of his room to find me to wish me a happy birthday and purposely get my age wrong so when I corrected him his eyes would go wide in fake shock say “Really?” in his heavy accent, whistle in astonishment, smile so his eyes would crinkle and laugh calling me old. Because even though at times he was a guy who was downright awful to us he never ever forgot our birthdays. 
And I will never get to see his eyes crinkle in laughter, never hear him whistle merrily through the house, never have him pretend to forget how old I am, never have him tell me to be safe when I leave the house, never see him wait up for me to make sure I got home safe, or see his reading glasses sitting crooked on his nose while reading LotR or GoT for the hundreth time.
But at least I guess, while it’s sad we can’t enjoy it together anymore. I still have something that will always be ours. Something that for a little while brought him closer to the rest of us. Gave us a time where we didn’t need to be scared of him, or angry at him. Because movies, especially LotR brought out the good in him. Because he loved heroes, always wanted to be a hero. 
And he was my hero, despite all his flaws, no because of his flaws he was my hero. Because he was a broken, sick, depressed man but he still worked quite literally to the bone to make sure we were all taken care of. Even now, only a year and two months having gone West to Valinor  he is the reason we live comfortably. We will always be taken care of. So I hope he knows that he is, in fact a hero and because of him I can truly appreciate something beautiful as Lord of the Rings. 
So rest Pa, know that when ever LotR plays in this house, you are remembered fondly and you are loved. 
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ragsandmuffins · 7 years ago
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Musical Theatre Themed Ask
Okay, I’m gonna answer... all of these! (Because I have a paper to write and zero motivation. And also: musicals.)
Oh, and by the way, I’m going to assume that every “Broadway” is a “Broadway/West End” because Tumblr is a free platform.
1. What was the first musical you saw?
Mary Poppins, West End, 2006 (not 100% sure about the year)
2. What musical got you really  into theatre?
Les Misérables - saw the film, started stalking the actors, you know how it goes.
3. Who was your first Broadway crush?
Aaron Tveit (he’s the main one) and Samantha Barks - like I said, stalking the Les Mis actors...
4. Name three of your current Broadway crushes.
Um... still Aaron Tveit? Plus Rob Houchen (Les Mis London) and Cleve September (In the Heights London and soon Hamilton London) - Also, I get “talent crushes” not physical attraction crushes.
5. Name four of your dream roles.
Only 4? Natalie Goodman, Enjolras, Maureen Johnson, and HERCULES MULLIGAN!!
(I can’t sing, act, or dance, nor am I a man, so...)
6. Favourite off-broadway show:
Heathers and The Last Five Years
7. Favourite cast recording.
Gotta be Hamilton, it’s just such a well-produced album. Bonus points for including nearly the entire show.
8. 2013 Tony opening number or 2016 Tony opening number?
2012? The Book of Mormon thing is just pure gold!
9. Favourite show currently on Broadway.
Broadway: I guess Hamilton - There are way too few that I actually know.
West End: Les Misérables forever!
10. A musical that closed and you’re still bitter about. Rant a bit.
In the Heights London! Though I can’t really complain, they extended their initially run several times and now they’ve cast my amazing Sonny as Laurens/Philip, so... But it was just so good!!
11. Best stage to screen adaptation?
Les Misérables. Controversial, I know, but I usually kind of hate movie musicals. With this one they did something new and different and I think it works. The Last Five Years is pretty good too, though it lost a lot in the adaptation (couldn’t be avoided).
12. Worst  stage to screen adaptation?
Rent. I’m sorry, I love the show, I love the cast, but it all feels so staged and wrong and meh. Also, they cut Goodbye Love and left in fucking Santa Fé which adds exactly nothing to the plot!!
13. Favourite #ham4ham?
Gotta be the Schuyler Georges, but there have been so many great ones...
14. A musical you would love to see produced by Deaf West?
Oh, tricky... Maybe Next to Normal? That has a lot to do with people holding things in and failing to see each others’ struggles.
15. If you could revive any musical, which one would it be and who would you cast in it?
Not exactly a revival, but bring Next to Normal to the West End already! That show’s got a sodding Pulitzer. And London’s only a 2 hour flight away from where I live, not a transatlantic one, so I might actually be able to go see it.
Oh, and give Spring Awakening another chance, West End. Maybe adapt some American Sign Language into British Sign Language and...?
Also, maybe revive Rent, Broadway? (And cast Aaron Tveit as Roger... please?)
16. If you could go to a concert at the 54 below, who’s would it be?
That list would be waaaaaayyy too long...
17. Do you watch broadway.com vlogs? Which one is your favourite?
I’ve seen a few, but I don’t really watch them on a regular basis, so no favourites...
18. Make a Broadway related confession.
I really, really hate South Pacific. It was part of our American drama syllabus, as an example of a musical. Quite apart from the fact that I think it’s a godawful, sort of racist and sexist show (it’s from the 40s, go figure), it displays LITERALLY EVERY cliché about musicals!
19. What do musicals mean to you?
Hard to say... Apart from hours and hours of ALL the emotions, some awesome internet buddies (looking at you, @frei-und-schwerelos), I’ve got generally more interested in and knowledgable about theatre, which is a great asset when you study English. Musicals have also introduced me to a wide range of music I wouldn’t normally listen to and so many talented people I wouldn’t have known about otherwise...
20. Express some love for understudies and swings!
Okay here goes: I went to see the West End production of Memphis because of Killian Donnelly and then he unexpectedly wasn’t on that night - bummer. But then Jon Robyns just knocked it out of the part (and I only ever listened to Avenue Q and Spamalot because I watched clips of him when he was in those shows).
My first Thénardier was Adam Pearce and his version of “It was me wot told you so...” is the funniest one I’ve ever heard (he kind of went “No? Sorry, fair enough.”).
The second time I saw the show Adam Bayjou was Valjean and his Bring Him Home was one of the best I’ve ever heard (effortless high notes).
Also, Charlotte Kennedy was Cosette that time (she’s principal Cosette now) and her performance was so incredibly sweet! (She also brought some brunette power into the sea of blond that were Marius and Éponine.)
And Jordan Lee Davies was Bamatabois both times and he was great!
Oh, and my Christine from Phantom was the wonderful Lisa-Anne Wood.
21. Best Disney musical:
Mary Poppins - My first ever musical, fond memories, I still wear the Supercalifragilisticexpialidocious shirt my dad bought me (11 years ago... didn’t fit then, fits now).
22. Which Disney movie should be made into a musical?
Uh, I don’t know. Tangled’s funny...
23. Which musical fandom has the funniest memes?
Hamilton and Les Mis. I mean, the Les Mis/Mean Girls crossovers alone...
24. Name a character from a musical you would sort into your Hogwarts house.
Well, the test sorted me into Hufflepuff (great house), but I know that I am a Ravenclaw (and, as we know, the hat listens to you). Okay, Ravenclaw... maybe Melchior from Spring Awakening?
25. Name a Broadway star you would sort into your Hogwarts house.
Ugh, that’s even harder! Sorry, no clue.
26. Best on stage chemistry?
Hmm from what I’ve seen live, Rob Houchen and Carrie Hope Fletcher were pretty darn amazing together.
From what I haven’t seen live, Jennifer Damiano and Adam Chanler-Berat, and Justin Johnston and Michael McElroy seemed fantastic.
27. A Broadway duo you love.
I’m gonna say Jonathan Groff and Lin-Manuel Miranda, but I’m not sure I understand the question...
28. What book, tv show, movie, biography, video game, etc. should be turned into a musical?
Umm... I don’t know. Supernatural sort of is a musical... A Lord of the Rings musical in the style of A Very Potter Musical might be fun. The Fellowship of the Sing? I’ll show myself out.
29. If you could make a jukebox musical, what artist or genre would you pick?
I doubt many people know her but: Vienna Teng. For three reasons (aside from me liking her songs): 1. Her songs tell stories. 2. She often writes from the perspective of “characters.” 3. Her songs are actual poetry!
30. Favourite role played by _________________?
I don’t get it. What am I supposed to put here?
31. What musical has made you cry the most?
I don’t actually cry often at musicals (internally I do), but It’s Quiet Uptown from Hamilton got me bad the first time. And I once listened to Next to Normal when I was already feeling like shit - bad idea! (Don’t listen to There’s a World when you kind of want there to not be a world, kids...)
32. What musical has made you laugh the most?
Probably Avenue Q and Something Rotten
33. Current showtune stuck in you head:
Well, you just put Hard to Be the Bard in my head!
34. A musical that has left you thinking about life for a long time or deeply inspired you.
Les Misérables... I haven’t spent a single week without thinking about that show (or, indeed, the book) since early 2013.
Next to Normal also gave me a lot to think about.
I keep discovering new little bits of genius in Hamilton lyrics. Also, I’m writing a paper on the early US for the second time in under a year and characters from Hamilton (otherwise know as historical figures) keep popping up. Seriously, I’m writing about the Whiskey Rebellion and every time I read Hamilton’s name my brain goes PAY YOUR FUCKING TAXES!
I’ve also thought quite a bit about Heathers and The Last Five Years, because both of them have had productions where they genderbended (genderbent?) a main character, which made me think about how it changes the story and why.
35. If you could perform any ensemble number , which one would you pick?
“If you could...” Are you implying that I don’t?! Come on, any theatre geek who claims never to have done a solo rendition of One Day More is definitely lying! Oh, and I rapped myself all the way through One Shot the other day and made only one mistake - one that Lin’s made before, so I’m proud!
36. Name a musical you didn’t like at first but ended up loving.
I don’t think that’s really happened... There have been shows where I thought “What in the holy hell is this?!” and ended up loving it. I mean, what in the holy hell is Avenue Q?!
37. What are some costumes you’d love to try on?
Give me that red vest! Also, let me play Enjolras! Yes, I know I’m a woman and can only hit that low “foooorm” when I’ve got a really bad cold, but fuck all that!
I’d also really like to try on Elphaba’s Act II dress, because it’s epic!
38. Favourite dance break.
Hmmm... I don’t really have one? The one in Cool and the ballet in Somewhere where they sort of replay what’s happened are pretty amazing (both West Side Story).
39. Favourite Starkid musical:
A Very Potter Musical is the only one I know... Sorry...
40. What’s a musical more people should know about?
Well, where I live, most people have heard of Cats, Phantom, and Mamma Mia and that’s about it.
But in general, I’ve never met anyone who’s even heard of Assassins (although many people who have met me have now heard everything about Assassins - I’m that kind of person).
41. What are some lines from musicals you really like?
Okay, this is gonna take a while...
"Can you remind me of what it was like at the top of the world?” (In the Heights)
“Oh, my friends, my friends, don’t ask me what your sacrifice was for.” (Les Misérables - internal Niagara Falls!)
“Here, put some hail into the chief.” (Assassins)
“But the sky’s gonna hurt when it falls. So you’d better start building some walls.” (Heathers)
“I’m not mad that you got mad when I got mad when you said I should go drop dead!” (Tick, Tick... Boom!)
“My God, in God we trust, but we never really know what God discussed.” (Hamilton)
“What doesn’t kill me doesn’t kill me.” (Next to Normal)
And just for fun: “Honest living, honest living, honest living, honest living,...” (Rent)
42. Name a Tony performance you rewatch and rewatch.
In the Heights, Next to Normal, Hamilton, and Spring Awakening (both versions).
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hackquarters · 5 years ago
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Lord of the Rings: The Story of an Entrepreneur
(If you did not watch or read the Lord of the Rings trilogy, things I will mention in my blog will make no sense to you. Also, come on… You didn’t watch that masterpiece yet? You need to. Otherwise, you will get spoilers. *SPOILER ALERT*)
In a previous blog that I wrote, I mentioned “3 Idiots” as my favorite movie of all time (and now I remember that we deleted that part). But for me, that’s because the Lord of the Rings trilogy is in a completely different class than movies. I probably watched complete trilogy more than 5 times; and every time I watch the extended version, I notice something new.
There are lots of myths about the Lord of the Rings trilogy. Some say that J.R.R. Tolkien got influenced by Norse mythology, some say he got ideas from Epic of Gilgamesh and some even say that he got influenced by early nomadic Turkic tribes while creating orcs. But today, we will assume that he foresaw entrepreneurs and their problems.
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The main characters and their roles in your startup
I think almost all of the main characters in the Lord of the Rings can be applied to a startup in various ways. I will tell about them in detail and what you can learn from them in the following paragraphs.
Samwise Gamgee = The Founder Frodo Baggins = Your Product The One Ring = Your Growth Strategy Merry and Pippin = Your Team Aragorn, Legolas, and Gimli = the Accelerator Team Gandalf = the Mentor Lord Elrond = the Investor Sauron = the Corporate Gollum = Your main competitor
It starts to make sense now. Right? There are a lot of side characters that you encounter on your way to success, but we will talk about them later.
Main Characters
Gollum, the Fuckup Story
You might be asking “Why are you starting with Gollum?”. The reason is that Gollum and ring bearers before him are all bad examples. Gollum came across the One Ring by chance and for that power, he even killed a friend for the love of this Ring.
Gollum has been carrying the ring for ages before he lost the ring. He fell in love with the idea of power that the Ring provided, he didn’t even notice that it is killing him from the inside. One Ring gave him an eternal life, but he was just surviving. Gollum still had a good side of him, before he was Smeagol. But he lost all of it during the time he carried the Ring. He can be helpful to you, but not to be trusted. You need to stay on your feet during your own journey. He lead Sam and Frodo to a secret path, but that path might lead to Shelob.
Lesson to learn: Do not fall in love with an idea. Fall in love with your business. Learn from the mistakes of other startups who failed while trying what you are trying to do.
Samwise, Frodo and the Ring
If you ask people about the main character of the Lord of the Rings, you will see that most people think that Frodo Baggins is the lead character. But if you ask the real fans of the series, you will probably hear that Samwise Gamgee is “the one”. And also as a fan, I can relate to that.
Story of a founder.
Samwise was the founder of the startup to solve a problem. The problem is that One Ring needs to be destroyed, to give the power back to free folks of Middle-Earth. There is a lot of potential in Frodo, but he is yet to discover. He needs to destroy the Ring with Frodo so that Frodo can be free of his chains. The One Ring is Frodo’s burden, and Samwise needs to carry this burden to lead Frodo to success. Sam needs to carry Frodo to Mount Doom to get rid of the One Ring. Sam takes a leap of faith while in cornfields outside of Shire, as he gets as far away as his home he has ever been.
As you can see from the whole paragraph above, I’m not very fond of Frodo. Frodo is a useless pile of shit without Sam’s guidance. Sam needs to shape Frodo as a character. And one-time he gets so bored of his bad trips that he abandons Frodo, only to save him from death later on.
As the founder (Samwise) of a startup, you need a product (Frodo) and a growth strategy (the One Ring). Your growth strategy is not always a pretty thing. It might help you grow, help you get more people around you, but it is not necessarily the main thing you want out of your product.
I don’t want to name any startups, yet I can use them as an example. One of our beloved startups are trying to create a platform for their customers to use, which aims to be an autonomous system them fulfill their needs. But while they are growing, they are working just like an agency and they are completing tasks for their customers that their platform is supposed to do. That’s their growth strategy. But when they reach enough customers and show people that “their platform can do that”, they will abandon their “working as an agency” strategy and move people onto their platform. They are looking for the day that Frodo throws the ring into the fires of Mount Doom.
Lesson to learn: Your growth strategy is not necessarily a thing you want to do at the end of the day. But if it will move you to the top, you need to go for it.
The Team: Merry and Pippin
Merriadoc Brandybuck and Peregrin Took are overlooked characters in the Lord of the Rings trilogy. They are friends to Frodo and Samwise, but they were not supposed to join the journey of the One Ring. Their paths have crossed with Sam and Frodo and the situation made them form a team. Another interesting fact is that in LotR lore, Merry was aware of the One Ring, way before Frodo and Sam started their journey. Merry saw Bilbo use the ring once and then read Bilbo’s journal to learn more about the ring, But he kept this information to himself, probably thinking that no one would believe him.
In the movies, Merry and Pippin were the ones who took care of Frodo, Samwise and the Ring at the beginning. While Ringwraiths were following them in the woods, Merry and Pippin got them out of a sticky situation. Merry and Pippin was not parted with Frodo along the way, even in the council that formed the Fellowship of the Ring. They even brought down Saruman without help from anyone but Ents, that they convinced that Saruman is hurting their forest.
They have fuckup stories as well, of course. You remember the fire atop Weathertop? Because of their foolishness, Ringwraiths found their place, but thanks to Aragorn, they got out alive. And the reason they got alive was that Aragorn convinced Arwen to help them.
They fought for Frodo till the very end and they did everything they can for Frodo. Did they cause problems? Definitely.
Lesson to learn: Pick guys who believe in you and can give everything they have on your way to success. They don’t need to be superstars at the beginning but have the potential to be one. It’s not the size of the dog in the fight, it’s the size of the fight in the dog.
Gandalf, the Mentor
Gandalf is the superstar of Middle-Earth. He has a mighty beard, a cool-looking staff. He can talk to butterflies and call-in giant badass eagles. But he has experience that no other mortal can provide, and that’s his main thing in the movies. You would love to have someone like Gandalf in your team.
Rather than taking the Ring for himself, he brings together Sam and Frodo for this opportunity (or burden). He believes that together, they can destroy the Ring, but he is also aware that they will need help along the way. He helps form the Fellowship of the Ring, which can lead the quest to success. Gandalf helps the team of Hobbits meet with “big guys”.
At the end, Sam and Frodo needs to take the journey. Even if they got a lot of help, and certainly would fail without it, they got to Mount Doom by themselves.
Lesson to learn: You need experience on your way to success. A mentor can talk the talk, yet you have to walk the walk.
Lord Elrond, the Investor
After first funding from Lord Elrond.
Lord Elrond is also one of the overlooked characters in Lord of the Rings. He is the Lord of Rivendell, home of the Elves, and he believes in Sam and Frodo. The reason why is that he believes with his investment in them, they can defeat Sauron by destroying the Ring. So he calls his friends (I know, I know. Dwarves) for aid in this quest. As he also wants to destroy Sauron, he gives a shot to the Fellowship of the Ring. He knows it is not easy to defeat Sauron on a battlefield. That’s why he also doesn’t want the ring in Rivendell. He doesn’t want to piss off Sauron (for now).
In the past, he was in a team which reached the top of Mount Doom and was so close to destroying Sauron for good. Yet his team was not up to the task and rather than following his instincts and experience, he let it slip.
Lesson to Learn: An investor can help you meet with right people and those people can guide you to your success. He may have valuable experience and power that you can use on your quest.
The Fellowship of the Ring: Accelerator
Basically the life of an entrepreneur.
We all know that Frodo and Samwise would lose the ring easily to Sauron if the Fellowship wasn’t there. Aragorn, Legolas, Gimli, and Boromir are warriors that can help the Hobbits overcome obstacles on their way. They came across Aragorn while he was still known as Strider in Prancing Pony Inn. Even if they were not very keen on joining him, Aragorn helped them stay alive with his experience.
Except for Boromir, they are all selfless guys who just want Middle Earth to be a better place, so they help Sam and Frodo on their quest. Boromir, on the other hand, wants the power for himself. He thinks that the power of One Ring will be much more helpful for his personal goals.
Lesson to Learn: An Accelerator can put your team and your business on the right path. They also work as one of your team and help you reach your goals faster. (I’m talking about Hackquarters, of course. The article is on our blog. Have you really thought that I would not include Hackquarters in some way?)
Sauron and his Entourage: Big Bad Corporation
Sauron is our bad guy in the movie. He created the One Ring in secret and by distributing his other rings to leaders of Middle-Earth, he became the most powerful guy of his time. He just gave the leaders of Men, Elves, and Dwarves the sense of power and made them his slaves. He lost some of his power as he lost the Ring, yet still controls a lot of power from his prime. Sauron wants back the power, so he sends all of his forces against the people of Middle-Earth, hoping to get the One Ring back.
The One Ring is also dependant on Sauron, which is a pretty bad thing on Sam and Frodo’s quest. But they need to resist his power and use it only when they need it the most.
#JusticeForSaruman #GandalfTheTraitor
Sauron sends his lawyers, accountants, marketing and PR guys after Frodo and Sam. Those Ringwraiths also have day jobs. Do you really think that running a place like Mordor is easy? Of course, Sauron has guys like Ringwraiths to do his bidding. Those poor guys followed Arwen to their Doom so that they can use it as a PR campaign against the Elves. Don’t you remember the news after that river incident: “Ringwraith lives matter”. Also, do not forget barbarian Ents destroying Saruman’s R&D center.
Lesson to learn: Disruptive is a word that startups use a lot. Being disruptive helps you make enemies on your way. You either die a hero or live long enough to see yourself become the villain (What? I love Batman trilogy, too)
Other Characters
Theoden, the Lord that may be of help
Theoden is the Lord of Rohan, who got mindwashed by Saruman to do his bidding. The Fellowship of the Ring (or at least the ones who are left) help him break free of Saruman’s chains. In the end, Theoden helps in the Battle of Minas Tirith, to return the favor for the Fellowship’s help at Helm’s Deep. In the end, he helped them stay alive longer, but if he wasn’t there at Minas Tirith, Aragorn would’ve swept the remaining Sauron forces with Army of the Dead anyway.
Lesson to Learn: Some people may be helpful on your way, but they have their own agenda. Even if they can be of help, they are not necessarily helping you directly. Try to get as much help from them as possible.
Galadriel, the potential Investor
Galadriel is Lady of the Woods. She was a potential investor for the Fellowship as their paths crossed. Galadriel thought about getting the ring for herself, but at the end, she decides that rather than taking it for herself, letting Frodo keep the ring was for the best. She even blessed Frodo with the Light of Eärendil, which helped Sam and Frodo overcome Shelob.
Lesson to Learn: Don’t be shy of meeting people with power. Even if they don’t directly invest to your cause, they may be of help.
Tom Bombadil the “Who?”
Blockchain is…
As a fan of the Lord of the Rings movie trilogy, I’m not very familiar with Tom Bombadil. I’ve read about him, as fans of the books were talking about him a lot. But I agree with Peter Jackson on not including him into the movies. Peter Jackson justified his omission of Bombadil from the film The Lord of the Rings: The Fellowship of the Ring by pointing out that he did little to advance the story, having nothing to do with the Ring storyline, and serving little purpose when it came to getting the hobbits to Rivendell, and putting together the Fellowship.
Tom Bombadil is the “blockchain” of Middle-Earth. Everyone knows about him, they think that he is a crazy but lovable guy. But they don’t know what to do with him.
Lesson to Learn: Don’t include technologies and features to your startup, just because they sound sexy.
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