#this show (and the story in general) is too good not to get more

[alpaca-clouds]

Arcane Season 2 - How Bad Pacing Can Ruin Everything

So, Arcane season 2 ended. And I am sorry, I need to vent.

I am honestly not sure whether the rumors are true and this were originally meant to be more seasons. The Riot CEO apparently denies it, but then again, I have seen CEOs confidently go out on stages to talk about a project which they knew was cancelled at that point in time. So, sorry, but I will never ever trust a CEO. Lying is like 50% of their jobs. Being greedy is the other half. Sorry, not sorry.

I am gonna write something about disability in Arcane (overall) during the next few days, but let me just talk a bit about the pacing issues of season 2.

Spoilers for season 2 - all of it - obviously.

Believe me or not, but I know the exact issue of Arcane season 2. It is called: Too many characters. Too many plotlines. It is something that easily happens when writing an ensemble story (no matter what the format is you publish the story in - it happens in books, movies, shows, games). At times it works fine if you manage to weave the entire ensemble into the same main plot. But as soon as you wanna give everyone their own little storyarc with a bit of their own themes, it often goes haywire. Either you will end up dropping some characters to the side and not properly finish up their story, or you will end up rushing everything. Neither is gonna be good.

Here I am mainly thinking... Was the entire Black Rose/LaBlanc stuff planned to be there from the beginning? Was it put in later? I mean, given that the entire story felt like it might set up Mel as a Champion for LoL... How do I put it? Mel was too overdesigned in the show, to not be a future Champion. That was my feeling from the beginning. I don't know if they gonna make her a Champion, but man, it feels like it.

But no, the main issue really is the pacing. There is just too much stuff happening.

I will remain, that the thing that shows this better than anything was the second "arc" of season 2. Episode 4-6. And the general way the entire Caitlyn, Vi, Jinx thing plays out. We have the following things happen in the first six episodes of season 2:

Cait's mother dies

Cait swears revenge and asks Vi to assist her as an enforcer

Vi does not want to. Ends up getting drunk.

Vi decides to do it anyway.

They do a bit of chemical warfare for good measures.

They go down there. Fight Jinx. Vi cannot do it - partly because Isha.

Cait breaks up with Vi and becomes the evil fascist dictator

Vi becomes an alcohol addict.

Except, never mind, Caitlin is already feeling shitty about it next episode.

Jinx gets Vi and Magic Pixie Dreamgirls her out of her new-found addiction.

Jinx and Vi are good again. They go help Vander.

Cait meets Vi for the first time since the break up. They instantly are back on the same page.

Like, there is so many plothooks in this storyline alone that do go completely unexplored.

There are two characters here, that do play a role in the last three episodes too and that felt like they were some proper characters at some point. Those two are Maddie - the Scottish-dialect enforcer girl - and... Frankly, I do not feel like looking up the name. The big burly one, who after the break-up takes care of Vi.

Those two feel like they were at some point meant to be more real characters. But because of the pacing, they are barely ideas. Maddie starts making out with Caitlyn because...? I don't know. Because I literally do not know anything about this character but "she is an enforcer", "she is queer", "she is attracted to power(?)", and thats it.

And the other guy goes with Vi because... Uhm... I don't know. I know literally nothing about this chaaracter other than that he is big and an enforcer. *shrugs*

It most certainly feels like there was some planned version of this show, in which Cait and Vi both had a proper corruption arc. In which we really saw the two of them struggle. In which we actually saw Piltover and Zaun under the control of Commander Caitlyn and Noxus, and saw the horrible things they were doing and what it was doing with Caitlyn. In which we also saw Vi struggling with addiction and stuff.

But that was not the version we got in the end. Instead in this version... things go magically well.

Hooray?

Same with Jinx. Her mental health issues just magically get better when Isha is there, because that is what the story needs to happen now.

Here, too, it also feels like huge chunks of the story are missing. It feels like there was a story going more into the relationship of Sevika and Jinx for a bit. But if that story had been there once, it was most certainly no longer there. It was hinted at, yeah, but that's it.

And then there is the entire magic plot.

Look, I think among the fans of the LoL Lore I am not the first one to say: "Yeah, trying to marry the worldbuilding of Arcane to the established Runeterra worldbuilding does not work, because of the magic." Runeterra so far was always a fairly high magic world - at least that was implied by comics and short stories. Magic was a common thing in this world. Otherwise we could not have that many magic champions and a whole place whose entire thing it had been: "We are anti-magic Nazis building mage concentration camps!"

When Riot said, that Arcane was now the main canon, A LOT of fans of the lore were like: "You get that it is not gonna work." And yeah, Arcane Season 2 clearly shows how it doesn't work.

Because the way they put in the entire "Mel is magic, also the Black Rose is a thing" stuff just... It did not fit in the entire plot around it. Because Arcane had been designed as a world where magic was very rare and strange. But now Mel had to be magic and somehow had to be connected to the Black Rose.

Also... What the fuck even happened there in the end? Why put that in? Why make Mel go against LaBlanc? I am sorry, but that was simply too much for this plot. The entire Black Rose stuff stuck out of this plot like - pardon the pun - a thorn.

Generally there are several relationships that feel, like they had at one point been a whole more explored, but then got dropped to the wayside.

As I said, Sevika and Jinx are definitely an example. Ekko and Heimerdinger as well. I also feel like what was episode 7 of the show was probably originally more than one episodes and slower paced - though it still to me was the one episode in this, that kinda worked in of itself. And that the Ekko and Jinx relationship was better established.

I also feel that Viktor and that echo of Skye was probably at some point supposed to actually have talks. Like: "I will miss talking to you." - "No, you won't." Okay? THEN SHOW ME THEM TALKING PLEASE?!

Which kinda brings me down to the main thing that happened because of the pacing issue. Season 2 of Arcane knew only two extremes in terms of "Show, don't tell". Either it goes full "music video" in whcih indeed it just shows us shit without context or dialogue - or we get the information just via dialogue, in a complete tell.

This also shows in the last episode, with the entire thing of Piltover asking the Zaunites for help, after brutally surpressing them forever. Yeah, I see where they were going with this. About being the bigger people and planting seeds and what not. But frankly, there might have been a time and space for a story like that, if properly told (you know, with giving more of the Zaunites a voice in this story, showing more of the conflict and spacing this plot out over several episodes). But a) it was not properly told, and b) a world in which several genocides happen while Trump somehow won a second term is not that world. Yes, b) is not the fault of anyone working on Arcane. That was simply bad luck on their part. But a) is very much their fault - and even if we did not have a Palestinian Genocide and no second Trump term: Without a) being done properly, it would not have worked. It would have just not felt quite as miserable.

You know, the most frustrating thing about this was, that... While I think that one way or another I would still have hated how the show handles the topic of disability (again, I will write about this during the next few days), I generally might have liked the same plot, if it had been given the needed space to breathe.

Like... Sure, I would have never really been on board with "fascist Caitlyn", or rather with "fascist Caitlyn, who gets then forgiven by everyone". But I could have somewhat swallowed it, if that forgiveness had to be earned. But because of the breakneck speed of this show, it never got earned. I am not even talking about redemption arcs here - those are always a headache - but specifically about the fact that Caitlyn gets instantly forgiven by everyone.

Also, lol. The entire thing with Ekko convincing Jinx to come along off-screen. That was unelegant.

Heck, it feels in the first four episodes, as if there was an arc being set up for Sevika in general. And it feels like that arc needed to happen, given that Sevika ends up on the COUNCIL OF PILTOVER in the epilogue. However, that Arc just does not happen. Then, like... why set it up?

That is general the issue. There is a lot of set-up and very, very little payoff to any of it.

And here is the thing. I have heard people argue about whether or not this was meant to have more seasons. But frankly: I do not think that the writers who wrote season 1 would have written this story this way had they known it would be two seasons.

Mind you, compared to some people I would not rate the writing in season 1 higher than maybe 6 or 7 of 10. It was solid, but not overwhelmingly great. But season 2 in comparison is a 2 of 10, maybe a 3 of 10, if I am being gracious.

And frankly, I do not think any writer, who is in any way worth their salt, would write a story where a main character goes evil, and then do exactly nothing with it. I mean, sorry, us writers, we are a dramatic bunch. And we will not resist the drama being served on a silver platter unless we are forced too. I cannot imagine a single writer, who will go with the end of episode 3 and then not write a bunch of angst with Caitlyn and Vi - unless they were forbidden.

And mind you, CaitVi is by far the ship I am least invested in. But it is simply such a glaring example of where the plot is rushed in a way that it hinders the character arcs.

Oh, and also... Lest. Lest in the first six episodes clearly felt like a character, who was going to play a role. Only to then disappear to not be seen again during the finale. What happened to Lest? Is she dead? Is she alive? I guess we'll never know.

*sighs* I am sorry. I really am. I am just... very disappointed. This has been a mess. And I think it would not have needed to be.

Like, the animation is still the most pretty thing ever made in the world. But man... The plot? The plot sucks balls. And not in the sexy way.

[vidavalor]

Ok,Since the Good Omens Finale is only going to be 90 minutes,I have a feeling we might not get a flashback sequence.

Hi there, @rougeside4 💕 I made an apple pie, if you want some. 😊Allow me to offer a different take? I wouldn't worry about this. There will be flashbacks. It's not the show without them.

Short thing on why we're definitely getting flashbacks and on which ones we can maybe see as being very likely still in The Finale.

The secret sauce of Good Omens, imho, is that the real juice of the story is actually always in the flashbacks. The flashbacks that we see are not random; they're always written to support the story in the present. There's a point to why it is these flashbacks we are seeing-- and when and in what order we are seeing them--when Crowley and Aziraphale have been on Earth for over 6,000 years and we could see any of their adventures. They're designed to inform our understanding of the story in the present. The real beating heart of the story is in the scenes set in the past and the story in the present would lack... *searches for words* emotional resonance? thematic weight? general, dramatic oomph? all of these?... if they were to cut the past. Put more plainly: it would suck 😂, and they're smart enough not to do that.

I think some of the most exciting parts of The Finale are actually going to be the flashbacks, just like how they were always the biggest treats in S1 and S2. In the way that they roll those out to us, piece by piece, they're changing our understanding of what we're watching in the present. The meaning of the story in the present is driven by the flashbacks in the past to a point that you cannot have one without the other.

Good Omens is actually driving all of its suspense and anticipation through the story in the past and that's what makes its non-linear storytelling clever. After all, right now, most people know this thing has a happy ending and aren't worried about that, right? We know Crowley and Aziraphale will get back together and be fine and no one is stressing over that. (And if you are... really? Guys. Honestly?! It's called Good Omens. It's a romance. It's a sweet, cuddly show. It's going to be fine. 💕)

So, what are we curious about, if not where it's going in the present?

1941, Part 3, right? Whether or not there's an ancient times vavoom coming our way? What the deal is with Jane Austen and/or 1650? Whether or not we might be surprised with a flashback that hasn't already been set up earlier in the story and what that might be?

Our biggest questions in the story aren't about what will happen in the future but about what we might get to see that has already happened in the past.

There is actually no conceivable way to do The Finale without flashbacks because the entire story is built towards having at least a couple of essential ones happen in its end game. I would not be surprised if at least somewhere around a third of The Finale is set in the past. Are there ones that we would have had with a full season that will be cut? Yes, but, are there also ones, though, that are too essential to cut because the entire story for two seasons has been building towards eventually revealing them to the audience in the final part of the story? Oh, yeah. 😉

Guaranteed: 1941, Part 3. There is no chance that they cut this-- none. They have built the ending of this trilogy of flashbacks to support the ending of the story in the present so it has to happen. It doesn't need to be an entire minisode in length. Part 2 really did all the heavy-lifting with plot and themes here, and Part 1 was a single, brilliant, not terribly long scene. If Amazon reduced The Finale to 15 minutes long, I think the show would still find a way to put 1941, Part 3 in there. The first two parts were so pivotal to the themes and parallels of the story in the present and it's the only flashback that we keep getting installments of throughout the story so its Part 3 is going somewhere massive. If there's one flashback that's in The Finale, it's this one.

Extremely, extremely likely: the ancient times vavoom to which they have been building in clues and hints for two seasons that is going to flip the entire show on its head by going back to The Flood. It would parallel and add extra weight to all the conflicts we have in the story in The Finale that were set into motion by the end of S2-- the kiss, one of them leaving/them being separated, the threat of an apocalyptic-like event, etc.. It would, in almost no time at all, complete the narrative magic trick of the show by turning it inside out for the audience.

The show that shows everything backwards has been sitting on the real first kiss the entire time and saving it until the end game of the story and that end game is The Finale so expect that angel and that demon to be sheltering under a canopy from a rainstorm in the very long ago days and break the internet in the process.

If I were them, I'd even open The Finale with this flashback, just because of how much it's going to pull the rug out from under The Final 15. After all, the first two seasons opened with a canopy-and-rain-themed scene, did they not? Just one wing at a time, though... no under a canopy together yet. No gazing into each other's eyes and vavooming. That bit of the beginning of their story has always been going to be shown to us in the end of the story. It could well be the, well, beginning of the end of that story by opening The Finale. We'll have to see. Either way, it's in there.

It's also worth mentioning that both of these above flashbacks would be going back to eras we've already visited in the story so no time would need to be devoted to setting up the scenes. That would seem to make them easier to not cut, in addition to how narratively important they are.

Going To Be In There In Someway, Somehow: A flashback that sets up the South Downs Cottage ending, which is suspected to be the Jane Austen flashback because of her living in real life in the South Downs around the years that it was mentioned in S2 that Crowley and Aziraphale knew her.

When this was set up for S3 back in S2, the Jane Austen story felt juicy enough to potentially be a whole minisode in length. Maybe especially since it's probably how they are going to be build a history of the cottage between Crowley and Aziraphale to help give emotional weight to them going to live there in the present at the end of the story. I've no idea what this looks like with a shortened run time. They might abbreviate or maybe it was never even that long in the first place? They might do something different in its place? It's hard to say, since we don't know, but they've got to do something to set up the cottage, so...

Whatever this winds up being, though, we're now up to three flashbacks that have to happen because of how they connect to the story in the present in The Finale. These are three, non-negotiable ones, basically-- and we are obviously only looking at ones that we can see having been set up already.

There is also the fact that there's usually a surprise flashback that wasn't set up but which is crucial to the story, like the Job minisode was in S2. It fits in perfectly, retrospectively, but we were intentionally not really given enough in S1 to see it coming in S2 so that there was something unpredictable for us to enjoy. I'm not expecting anything as long as Job again but there could still be a scene more 1.03 Cold Open in length that we don't even know is essential at this point because we aren't meant to know at this point but, much like we did with Bildad 😊, we will see as vital to everything once we see it.

Including that as a possibility, we're now up to four flashback scenes that seem unlikely to be chopped from The Finale. What I just described, give or take and depending on the length of 1941, Part 3, is probably collectively getting within shouting distance of the run time of the 1.03 Cold Open-- and that's going really bare bones and only talking about the scenes that seem too story-essential to consider cutting. There's also one more that might meet that criteria...

Could Go Either Way: 1650. If this has nothing to do with Agnes Nutter, it's probably gone. If it's how Agnes has an appearance in the end of the story to pull stuff together, they'll probably find a way to put it in there because... Agnes. 😊

No one knows what this thing is supposed to be about but we do know that it was set up in S2 for S3 and, between Aziraphale mentioning it, the historical ties to eccles cakes to this era, the fact that it could potentially show a Whickber Street in early development and, most importantly, that it's set five years before Agnes Nutter died, whatever this thing is? It's intriguing. We don't know how long it was meant to be but if it's something that was minisode-length but could be reworked to be shorter-- or if just was always short in length-- it's probably still in there.

It's very possible to have many, quality scenes that hop throughout time in a very short period of time. The 1.03 Cold Open is about 23 minutes long and jam-packed with goodness. I have no idea if they're going to sprinkle flashbacks in throughout The Finale or if they're going to do a flashback sequence like 1.03/Ineffable Bureaucracy again but I do think that at least a third of The Finale-- so, roughly 30 minutes of it, give or take-- are likely flashbacks.

We are going into this movie a lot closer to the end of the story in the present than I think it may appear to some at this point. All the set up work to get the characters into place to overthrow The Metatron in The Finale was already done in S2. It's not going to take 90 minutes for Aziraphale to be in trouble, Crowley and Ineffable Bureaucracy to find out and rally the troops, everyone to challenge The Metatron, expose him as a fraud, and kill the threat of Armageddon by overthrowing Heaven and setting it up to be democratized. That's pretty much what everyone knows needs to happen in The Finale and what is likely going to be the main story in the present in S3.

We know what is going to happen because we know it has a happy ending and we know that we need the Armageddon threat gone for the South Downs Cottage happy ending to occur. We know the only answer is that they've got to overthrow The Metatron. Whether you think the plot is Supreme Archangel Aziraphale or whether you're like me and think the plot is that Aziraphale is in mid-fall as of the end of S2 and that's the thing that triggers the other characters to come together against Heaven, the end result is still going to be the same: The Metatron's gotta go and everyone's got to come together to make that happen if we're getting the happy ending we already know we're getting.

We are all sitting here knowing pretty much exactly what the story in the present is going to be in The Finale and that's because the story has set it up so that we do. Yes, there's going to be joy in watching that unfold but a story designed like a magic trick has to have suspense and give the audience a sense of anticipation. We feel that from this story and from where are we getting that?

The past. The flashbacks.

Everyone knows what the end of this story in the present is but no one knows for sure where, say, 1941 is going, or what new things about Crowley and Aziraphale the past will show us in The Finale. Every new thing we see in the past? Changes our view of the present. That's what makes the story clever. It's also what makes it enjoyable. They cannot cut flashbacks because they'd be cutting the most interesting parts of the story and what makes Good Omens the quirky, unique bird it is.

The present and the past are so interwoven in the story that I'm pretty sure that it is impossible to do Good Omens without flashbacks. The only question going into The Finale is which ones they're going to surprise and delight us with. Don't lose faith or sleep over it-- at minimum, we'll see Crowley's 1941 hat again and that, truly, is all any of us really need to survive.

[levandright]

im a very introverted person who takes a long while to get close n comfortable with people, but when im really close i turn into the weirdest, and most spontaneous person ever. i generally have a hard time trusting others due to issues from the past, and don't easily forgive ppl if they did me wrong. i tend to not take care of myself properly, and forget to eat properly. my love languages are quality time and physical touch.

‎im an aries, my ideal type is someone who can match my energy and shares the same interest, opinions and values on important things. someone who's kind and respectful to everyone but not touchy with people except close friends.

‎i love love childhood friends to lovers and trouples similar to that! im on the aromantic spectrum (demiromantic) so i need to know/been friends with the person before feelings develop. i love winter, and my fav hobbies are: reading, playing games, painting and dancing!

‎enha or dream <3 and a playlist for me! (thank you in advance pooks, hope your day is well 💜)

FINDING YOUR MATCH...

MATCH FOUND! your first match is... MARK LEE

MARK'S first impression of you was that you were the shy and quiet type, but that quickly changed after knowing you for a few months. your slow transition of shy, and introverted to loud, and spontaneous was quite the surprise if you asked him. he found it quite cute how you showed your true personality as you got to know each other more though!

MARK noticed that you seemed to hide things when you first met, but when you guys finally got together and told him how you had a hard time trusting people because of your past he's understanding about it! he makes it known that whatever you tell him will be kept between you two only.

MARK worries how you don't take yourself well, he will make you promise to him that you'll start eating better, and start treating yourself better in general. makes sure he takes the time to message you on his free time, and breaks to check up on you even in his hectic schedules!

MARK will always make sure he has time for you even with all the comebacks, and promotions on his way. when you guys are out on dates, he always has his hands holding your hands. but oftentimes, you guys will be just at home laying in bed cuddling, and basking in each other's presence while watching a show or movie.

MARK loves to go out on walks with you during winter, and drink hot chocolate together <3 cuddling in your bedroom while you rewatch classic christmas movies.

MARK loves watching you when you're painting, your focused expression being so cute to his eyes. he would love to hear you talk about your favorite books, and maybe he'll give it a read too when he's interested in the story(totally not to talk about it with you) will teach you the steps of some of their songs when you ask him too. will be so so patient when you struggle with a certain step, and would break the steps down in an easier way for you to get it <3

MATCH FOUND! your second match is... PARK JONGSEONG

JAY is such a gentleman, always always has you as one of his top priorities. when he's back home, not busy with tours, promotions, and back to back comebacks he's at your apartment cooking for the both of you. SPOILS you to heaven and back (get it? chase atlantic heaven and back? sorry i'll stop-), sometimes you worry how much money he spends on you... books you've been wanting to read, painting materials you ran out of and the list goes onnnnn.

JAY asks you to teach him how to paint! he loves watching you paint, but he loves it even more if he can join you <3 he wouldn't be as good as you, but he'd do his best to try and paint you! you always praise him for trying his best, and he LOVES it. enjoys going out on picnic dates where you can both paint!

JAY would teach you how to play the guitar if you showed interest in learning it! is a good teacher. probably gets distracted when you're focused on playing the guitar with your eyebrows furrowing, and your adorable focused look. he'll randomly kiss your cheek sometimes which breaks your focus, and turn you into a huge blushing mess once you realize what he did.

your custom playlist made by yours truly <3

✮ lev notes : first matchup for my moot honeychocos <3 hope you love this oomf, had a fun time thinking of your match hehe. i will note that i will write at least 2 matches in reqs with two or more groups but the 2nd matchup will have less content than the first one. ✮ want to find your own match? apply here! curious about other matches?

[lamentationsofalonelypotato]

@zepskies

I'm not kidding this might be my favorite gif ever lol. BUT I am so excited to read the last chapter of this series!! I mean, I'm sad that it's coming to a close, but I'm hoping that in the future there might be a fic with a little Elijah (or a little Jude) running around. 😏

I love the little details about him and Benny pranking each other, but it really just made me sad because Dean left them 😭 But at the same time they are opening up with one another and sharing their life stories and I couldn't be happier.

“I will protect you,” she says. Dean frowns. He doesn’t like the sound of that. On one hand, it warms him that she seems to really mean it. On the other hand, he doesn’t want to know what it’ll take for her to protect him.

Again I stan a strong woman and Mila is just so stinking badass that I love her so much. Also yes girl, PROTECT 👏🏻 YOUR👏🏻 MAN👏🏻

But if he only has two choices, then he at least wants to make sure Mila gets home safely…even if that means he won’t be. He’s come this far. If his career is worth the price of what he feels is right, then his life is worth it too.

Love that you're referencing the honorable choice title here, and showing that Dean is a man of honor and that he did make a choice that maybe messed up his life, but he cared more about doing the right thing. And I think you did a great job of titling the series and the chapters in general. Each one corresponds beautifully to the themes in the chapters so you should be proud!

It’s good that Mila rides that giant mustang; if she were on a mare, like Dean, she’d already be sunk up to her shoulders. Baby’s a big girl, to be sure, but Mila is nearly a foot shorter than him, with a smaller frame. He watches her carefully as she makes her way ahead of him.

I know that something dramatic is about to happen and that I shouldn't be thinking about this right now, but I just love height difference so much😭. When a guy is bigger than his girl oh wow it sends me to the moon. I think it's so cute and goodness the cuddles must be so fun.

“Dean!” Mila yells, for the first time using his name. The last thing he registers is the fear in her eyes—afraid for him.

Again, devastating moment, but... SHE SAID HIS NAME FOR THE FIRST TIME! And the running her fingers through his hair?!?!?!?!

Dean wants to sit up and take an inventory of his injuries, but he can’t make his body move just yet. He’s too tired and bruised. He also likes being in her arms. He likes her fingers in his hair, now moving to his cheek. He sighs through his nose in contentment as her thumb drifts over his overgrown stubble. 

“I guess you are pretty, for a White Man,” she says teasingly. Her fingers trace his brow, his jawline, even the tip of his chin. She seems to be avoiding his plush mouth, even though her gaze keeps dropping there. Dean pretends to frown. “Sweetheart, that’s not the way you talk about a man,” he says. Her brows raise. “No?” “Handsome. Strong. Toothsome, if you will,” he says, enjoying the way she begins to blush. “That’s what you wanna call a man."

I'm cackling. I love Mila so much. The sass, the teasing. Oh goodness they're so cute and I am so scared that there's going to be a last minute perilous situation and somebody is gonna die.

“It’ll be faster to dry our clothes if we’re not wearing ‘em,” Dean rumbles. His voice is deep with desire. He presses kisses along the side of her jaw, behind her ear, down her neck and shoulder. He earns her pleased hum, her heavier breaths, and her fingers once again in his hair.

Excuse me sir? SIR?! You know... he's right Mila. You should listen to your future husband.

Also him respecting her when she said that she doesn't have sex before marriage is just so HONORABLE AND WORTHY and why can't there be men that respectful all the time? Dean Winchester is really just ruining other men for me everywhere. 😭

She will bring him home to her tribe, and she will explain. If they still don’t welcome him, then she prays for the strength to keep to her honor. Because now, she begins to realize… Her heart has already chosen.

Girl it's chosen correctly. No remorse. No regret. Please oh my word let them both live at the end of this fic. 🙏🏻

He grunts in acknowledgement, but he turns on his heels and storms out of the tipi. Her mother comes forward next. She examines Dean from all angles. She takes his face in her hand, somewhat squishing his cheeks, so she can look deeply into his startled eyes.

So... the face squishing is a family trait I see. But man, Dean standing there while a random lady just squishing his face while his eyes are wide in horror is so funny to me.

“Sweetheart,” Dean says, cupping her cheek. Even with the hammering of his heart, he grins. “I’m pretty sure that’s where this was going anyway.”

AWW YEAH IT WAS GOING THAT WAY! lol

“Do you regret?” she whispers, reaching up to touch his chin with two slender fingers. “Do you regret helping me?” Dean considers her question. He knows he’ll carry his family in his heart until the day he dies. His brother, his mother, the memory of his father. Benny and Cas, even Jack, and so many others. It’s already a heavy burden, but he had always been prepared to lose his life on the battlefield, in service of his country. At least this way, he gains a new life.  “No. Never did,” Dean replies. “Not even once.”

This bit is so good. It's so true and honest and a little heart breaking, but it's such a wonderful thing for them to talk about, because Mila knows that he's thrown away his life to save hers. And it's so wonderful that he's able to give her that confirmation and reassurance that he doesn't regret the choice he made. Because it was the right choice, the -AHEM- Honorable Choice lol 😂

“If I’m your husband now, that means I get all of you,” he says with a grin. She gazes up at him, both in blushing amusement and affection. “All of me,” Mila repeats. She takes his face in her hands and brings him closer, until her lips are a whisper from his. “Then I want all of you.” 

Oh this chapter was so good my sweet friend! I'm a little sad to see that it's ending, but it was so wonderfully written and neither of them died. I was really scared about that 😅. AND it ended with a wedding (sort of?). Now little Elijah can run around the camp helping his mother and learn how to break in horses with his father. ❤️

The Honorable Choice - Part 3

Pairing: Dean Winchester x OFC 

Summary: June 1872. Captain Dean Winchester of the U.S. Cavalry is tasked with one job: break a wild mustang. He just didn’t expect the woman who infiltrates his camp, intent on freeing her tribe’s horse.

AN: The last chapter! Hold on, it's about to get bumpy...

Disclaimer: I got inspired after a recent rewatch of Spirit: The Stallion of the Cimarron (literally a perfect movie), as well as having Yellowstone in the back of my brain. I’ve done extensive research for this one, both on the American Indian Lakota tribe, and on American history during this time in the late 1800s (AKA: the Old West, during the American Indian Wars and the Sioux Wars). Of course, one of my main goals is to avoid inaccuracies, both historical and cultural.

**Pronunciation guide at the end!

Jacklesverse Bingo24 Prompt: @jacklesversebingo Western AU

Song Inspo: The Spirit Soundtrack

Word Count: 5.7K

Tags/Warnings: 18+ only. Protective Dean, survival situations, smut (mutual masturbation, fingering, and more), angst, and fluff.

🐎 Series Masterlist || Bingo Masterlist

🎙️ Listen to the podfic version here!

Part 3: Worthy

They travel together for two more days. Dean isn’t really a talkative man, but inevitably, he finds himself speaking to fill the comfortable stretches of quiet plodding across the grasslands.

He tells her about growing up on his family’s farm, where his father was firm but fair, and a larger-than-life presence when Sam and Dean were kids. His mother though, she was the only one who could ever go toe to toe with John Winchester and win.

“She tamed him,” Mila remarks with a smile. Dean’s lips quirk in response.

“I wouldn’t go that far,” he chuckles, “but he knew he couldn’t pull a whole lot of shit with Mom. She’s a real pistol when she’s gotta be.”

Talking about them makes his heart heavy and sobers his mood, so he deflects with other stories, other chapters of his life. 

He talks about going through basic training alongside Benny Lafitte. As privates, Dean pranked his friend by filling his lumpy old pillow with raw eggs and chicken feathers. In retaliation, Benny swapped Dean’s morning coffee with actual dirt and hot water. Their boyish games escalated until they were nearly kicked out of the military.

Dean managed to smooth things over though. He’s always had a way of charming people, even the gruff Sergeant Major, Bobby Singer.

Mila admits that she and her cousin Šóta used to sneak out of the village when they were younger. He taught her how to climb trees, how to fight and protect herself, and how to ride a horse astride, like a man. He was the only one who ever encouraged her to have the “free mind” her mother dreamed about.

The more she confides in him, her eyes sparking with life and her hands gesticulating along with her words, the more Dean listens.  

On the third day, it’s nearing mid-afternoon when Dean slows Baby to a stop. After miles and miles of forest and grassland covered, they’ve finally approached a large, wide river. Mila stops beside him.

“My tribe lives beyond the river,” she says, “but the current is strong now.”

Dean looks over at her. A question he hasn’t wanted to ask crops back up. He feels that now is the time to voice it.

“Yeah, about that…I’m thinking your tribe doesn’t take very well to outsiders,” he says. “White men in particular.”

Mila presses her lips together. He can tell she’s been thinking the same thing, but she turns to him with a determined set to her features.

“I will protect you,” she says.

Dean frowns. He doesn’t like the sound of that. On one hand, it warms him that she seems to really mean it. On the other hand, he doesn’t want to know what it’ll take for her to protect him.

“What’s that supposed to mean?” he asks.

She turns her face away and doesn’t seem to want to answer at first.

“Mila…”

“The Chief is my uncle,” she says at last. “He will listen to me.”

Dean blinks. Well, that changes things…maybe.

He’s still not convinced, but at this point, he really doesn’t have many options. It’s either take his chances with her tribe, or become a vagabond. He’s not sure how long he could survive in wilds of the West alone, especially while trying to dodge military patrols.

In the past three days, it’s taken Dean all that time to come to terms with a simple fact. He’ll likely never see his brother again, or his mother. It’s a pain that cuts into him deeply, down to his bones. It stings behind his eyes.

But if he only has two choices, then he at least wants to make sure Mila gets home safely…even if that means he won’t be.

He’s come this far. If his career is worth the price of what he feels is right, then his life is worth it too.

With that decision made, Dean expels a long, somewhat faltering breath. He locks away the rest of his uncertainty, his apprehension, and even his grief. He hides deep inside, where she won’t see it. 

“All right, the current doesn’t look too bad over here,” he says, pointing to farther north along the river. “The horses can make it.”

Mila nods in agreement. She still looks uneasy, though she tries to hide it too. She ventures ahead into the river. Dean follows close behind.

The water is shallow at first, but it all too quickly gets deeper. The horses plod over the river stones and vegetation under the surface, and the humans are led deeper, until they’re submerged into the water up to their waists.

It’s good that Mila rides that giant mustang; if she were on a mare, like Dean, she’d already be sunk up to her shoulders. Baby’s a big girl, to be sure, but Mila is nearly a foot shorter than him, with a smaller frame. He watches her carefully as she makes her way ahead of him.

That’s why he’s able to act fast when Mato slips, dunking Mila under the water. She gasps and tries to cling onto him, but the current is fierce. It pushes Mato down the river no matter how much he scrambles and kicks at the water, braying wildly in distress.

Shit! Dean tugs sharply at Baby’s reigns and strives to catch up to them. He grabs Mato’s reigns and pulls and pulls, until he and Baby are able to drag him to the other side of the river where he can get a foothold with his hooves.

Mila is starting to fall off his back. She struggles to cling on while the river pushes at her, with her wet hair falling in her eyes. Dean leans back as far as he can to try and pull her up.

“It’s okay, I’ve gotcha,” he calls out, even though his heart hammers with alarm.

She reaches out for his hand in turn. Just as his fingers begin to close over hers, a wave from the current crashes into her. A short scream tears from her throat after she loses her grip on Mato’s neck. Without her weight, he’s able to pull himself back up onto the bank along with Baby.

Damn it! Gut-wrenching alarm spears Dean into action. He leaps down from Baby and removes his gloves, his hat, and his uniform jacket, so he can dive into the water. Thank God he’s a strong swimmer.

Mila seems to be too. She carves through the water against the current the best she can and tries to keep her head above the waves, but Dean can see it’s a losing battle. He manages to grab hold of her arm, and then wraps an arm around her waist to keep her close. Both of them work together to try and cling to any passing rock or low-hanging vine as the current sweeps them out toward an ultimate end.

A waterfall.

Of course. Goddamn it. Dean doesn’t know how steep it is on the other side, and he doesn’t want to know. All he’s trying to do is keep himself and Mila above the water.

She hooks her hand around a sharp rock. It bites into her hand, making her cry out, but she clings to it for all she’s worth. She holds onto Dean just as tightly, even though the current wants to take him. She tries to pull him closer, close enough for him to get a hold on the rock as well.

This time, it’s Dean who loses his footing. The rocks slip beneath the soles of his feet when he attempts to gain some leverage.

A shout of surprise escapes from him when he fails, and it gets swallowed up by water rushing down his throat.

“Dean!” Mila yells, for the first time using his name. The last thing he registers is the fear in her eyes—afraid for him.

The river takes him over the edge of the abyss, and he falls.

He never expected that he would get to open his eyes again, let alone to the sight that greets him. Mila’s familiar face, framed by the dark, drying waves of her hair, is bright with firelight. It dances in orange-gold across her features. Her eyes are warm like rich molasses when she looks down and finds him awake.

She smiles in relief.

He realizes that he’s lying on soft grass with his head pillowed in her lap. She’s taken off his boots and half of his white undershirt; she tore one of his sleeves to wrap around a mercifully shallow gash in his shoulder.

The horses are drinking from the river nearby, with a pile of apples split between them. There’s a fish roasted over the fire, but all Dean cares about is the way her fingers are running through his hair. She sings a soft song under her breath while she passes her other hand over his injured arm without touching it.

He doesn’t understand the words, but he thinks she might be trying to heal him. He’s heard plenty of stories about the Sioux people, most he’s taken with a grain of salt. He does remember Cas saying that their healers are different from doctors.  

Dean’s never given their hoodoo much thought, but right about now, he hopes it works.

“Mornin’,” he croaks.

Mila’s relieved face becomes touched with amusement.

“It’s night,” she says. “You slept for a long time.”

Dean wants to sit up and take an inventory of his injuries, but he can’t make his body move just yet. He’s too tired and bruised. He also likes being in her arms. He likes her fingers in his hair, now moving to his cheek. He sighs through his nose in contentment as her thumb drifts over his overgrown stubble. 

“Thank you,” she says. Emotion is thick in her voice.

Dean meets her eyes again, and he smiles. He raises the back of his hand to touch her smooth cheek, gently. He lets his fingers glide across her tan skin, down the column of her neck. Her breath hitches.

She takes his calloused hand in her slender one. Her long hair falls like a curtain over her shoulder, almost like it’s shielding them from whatever is left to come for them beyond the forest. Dean wraps an ebony strand around his finger, just to feel it fall loosely again.

“You’re beautiful, you know that?” he says.

Mila graces him with another smile from her lips. He wants to know what they taste like.

“I guess you are pretty, for a White Man,” she says teasingly.

Her fingers trace his brow, his jawline, even the tip of his chin. She seems to be avoiding his plush mouth, even though her gaze keeps dropping there. Dean pretends to frown.

“Sweetheart, that’s not the way you talk about a man,” he says.

Her brows raise. “No?”

“Handsome. Strong. Toothsome, if you will,” he says, enjoying the way she begins to blush. “That’s what you wanna call a man.”

“Toothsome. I don’t know this word,” she admits. “Am I supposed to eat you?”

Dean resists the urge to say the first incorrigible thing that pops into his head. Instead, his body shakes with laughter.

It’s difficult at first, all his muscles pulling at him in protest, but he raises himself into a sitting position. He cups Mila’s cheek, dragging his thumb across her lower lip. Her lashes are dark and long. They move when she looks up at him. He knows the look in her eyes, wanting, desiring, but also unsure of what she should allow him.

Dean leans in slowly, giving her time to decide.

She tilts her face up to his. He noses at her cheek, his eyes falling closed along with hers.

He finds her lips with his own on instinct and feeling alone. Soft and tender movements, testing, asking.

She answers him. Her fingers tangle in the front of his tattered shirt as her lips begin to move against his. Dean wraps an arm around her waist and gathers her against his chest. His other hand glides down her arm, down her side and along every soft curve. Her clothes are still damp, and so are his.

“It’ll be faster to dry our clothes if we’re not wearing ‘em,” Dean rumbles. His voice is deep with desire. He presses kisses along the side of her jaw, behind her ear, down her neck and shoulder. He earns her pleased hum, her heavier breaths, and her fingers once again in his hair.

“I can’t,” she gasps. She says something in her native tongue, too fast for Dean to even register. He slows down so he can meet her eyes.

“What was that?” he asks. Her face falls, and she starts to trip over her words.

“I am not…how you say, married. I have to be…”

Dean smiles ruefully, sliding a strand of hair behind her ear.

“Chaste?” he offers. She nods, her brows furrowed. Her grip on his shirt tightens.

“Yes,” she says. “In the eyes of my people, it is…”

“I get it,” Dean says. When she still seems conflicted, he presses a kiss to her forehead. 

“Really, I understand,” he says.

His problem is that he stares into her eyes too long, and at her kiss-swollen lips. He dives back in for another taste.

This time, he’s a little less gentlemanly than he promised. His tongue sweeps along her lower lip, begging entrance. She makes a sound of surprise, but she opens up to him. Her gentle hands slide up his chest to hold his face, and her thumbs stroke his cheeks. He holds one of her wrists to keep her there as his tongue dances with hers. She tastes like the river, and like salty tears.

Had she cried for him? How long did she sit with his body, waiting to see if he would wake up?

Despite those worrying thoughts, Dean knows this feels right. More right than he’s ever felt.

It’s harder than he might’ve imagined, but he still pulls away, before he won’t be able to stop himself. Mila pants for breath. She seems to feel she should let him go, but also doesn’t show any sign of wanting to. Smiling, Dean caresses her cheek one more time before he turns to the fish she roasted.

“This looks good,” he says, clearing his throat. “What kinda fish is this?”

With a sigh, she attempts to steady herself and moves to join him by the fire.

That night, Mila dreams.

She dreams of wings, white and beautiful. She hears the cry of an eagle before she sees his great wingspan take off in flight. He soon finds his mate, and they dance together in the sky. 

When she wakes, the fire has gone out and it’s still dark in the night. It takes her a moment to realize that she’s safe. Finally safe.

And she’s lying securely in Dean’s arms.

She’s no longer conflicted when she stares up at his face.

She will bring him home to her tribe, and she will explain. If they still don’t welcome him, then she prays for the strength to keep to her honor. Because now, she begins to realize…

Her heart has already chosen.

“Kimmímila, what have you done?” her uncle asks in the language of their people.

He is Tahatan, Chief of their tribe.

Mila’s father, Chatan, and her cousin Šóta have tied Dean Winchester to a post in the center of the Chief’s large tipi. Dean kneels with his head bowed in respect, even though he keeps sneaking looks at Mila to try and gauge what’s happening. He doesn’t understand a word of any of it.

“You’ve brought this outsider into our village, this White Man!” Tahatan shouts, his voice deep and resounding.

Mila steps forward, despite her mother’s embarrassment and her father trying to grab her shoulder. For the second time in her life, she defies her father for what she believes is right. The first was to rescue a member of their tribe—because even a horse’s spirit should not be broken by greed.

“Uncle, I’ve told you the story, though you don’t want to believe it,” she says. “Dean Winchester saved me when he could have killed me, or worse. He defied his own people. He is dead to his own people, for me, and because of me. You may think they lack all honor, but this man is different.”

She looks over at Dean, and he meets her gaze. He wears an anxious frown as he looks between her and the chief, but she has a feeling that his fear is for her, not for himself.

She kneels beside him, then looks up at her uncle with all the stubbornness she’s ever possessed in her life. She feels it’s led her to exactly this moment.

“And we are one,” she says. Nerves trill up her spine as she says it. She predicts the way shock falls over the room. The way her father curses out loud, angry. The way her mother covers her mouth in dismay. The way the Chief takes a step back, tilting his head at his niece.

“You would take it that far?” he asks.

Her face doesn’t change. “It’s already done.”

Tahatan is beside himself, both angry and perplexed. He goes back to his chair of wicker and wood that lies centered in the room. He drops heavily into it. After a long while, in which he thinks in silence…he releases a heavy sigh. He gestures for his brother and his son to untie Dean. The men do so, but they don’t let him go free. They force him to stand and bring him forward to kneel again before the Chief.

“Dean Winchester,” Tahatan says.

“Yes, sir,” Dean replies.

“You prove yourself to be a man with honor,” he says in English. “Kimmímila has chosen you. She claims you have chosen her in return. Do you deny this?”

Dean glances over at her. She bites the inside of her lip, a bit worried about how he’ll react. She’s not sure he completely understands what Tahatan is telling him, but he nods, regardless.

“No, sir. I don’t deny it,” Dean says.

“Then, you will be allowed to stay, and live among us,” Tahatan declares. "We will see for ourselves what you are. We will see if you are worthy."

Dean gives a nod, crossed with a bow of some kind. He obviously isn’t sure of what he’s supposed to do, but he does say thank you. Mila wraps her hands around his uninjured arm and helps him to his feet. She smiles at him to let him know that the worst is over. He blows out a breath in relief.

“Is that it?” he whispers. He expected more of a thrashing, if he’s honest.

“Almost,” she replies. The two of them stop short before her father, Chatan.

Dean straightens up and holds out his hand. “Sir.”

Chatan glances down at the white hand extended toward him. His gaze raises back up to Dean. 

He grunts in acknowledgement, but he turns on his heels and storms out of the tipi. Her mother comes forward next. She examines Dean from all angles. She takes his face in her hand, somewhat squishing his cheeks, so she can look deeply into his startled eyes.

She seems satisfied by what she finds, and she lets him go. Afterward, she takes Mila’s hand and heaves a deep sigh.

She kisses her daughter’s hand and says nothing else, leaving them to find her husband and calm him down.

Dean turns to Mila with a look that says, please tell me that’s it.

She smiles more genuinely.

“Come,” she says.

She leads him by the hand out of the Chief’s tipi and through the village. Dean takes in the rows of other tall, cone-like structures covered in buffalo skin, as well as all the faces that turn to stare at him in a mix of curiosity, wariness, and even fear. Some of them whisper to each other, taking their children by the hand and keeping them close.

Dean’s still on guard himself, even when Mila takes him to a smaller tipi. It’s been closed up for a while now, by the look of it. Weeds have grown right outside the entrance. 

“This one’s yours?” Dean asks.

She pauses, giving him another small smile. “Ours.”

Dean raises a brow. Ours. Really?

She opens the flap in the front and beckons him inside. There’s still enough daylight to shine through the outer lining. Inside, his gaze flits over the old pile of stones in the center for heating, clothes folded in the corner, some cooking pots and utensils, paintings on wood and clay, and a couple of beaded decorations. Buffalo skin bedding is laid out on the other side with a couple of soft looking furs. 

Son of a gun. Dean doesn’t even blink as he processes it all. He’s in a damn tipi. This is really about to become his life.

Shaking his head a little, he forces himself to focus on Mila. She’s his anchor, and she seems to sense that he’s reeling. She guides him to sit beside her on the bedding, holding his hands in hers. After a moment, he reaches up to tuck a curling strand of hair behind her ear.

“You didn’t get in too much trouble because of me, did you?” he asks.

She shakes her head. “No. My father and uncle are very similar. Strong to anger, but it is quick to run out. At least with me.”

Dean thinks he understands. Short fuse, quick fizzle.

“There is just…one thing,” Mila says. Her eyes fall away from his, like she’s embarrassed. He squeezes her hands.

“What?” he asks, his brows furrowing. It gets her to look at him again, but she seems worried to tell him.

“To convince my uncle to let you stay, I told them that we…” she trails, trying to find the right words in English. “That we are married.”

Dean’s brows raise high. His heart trips up faster. Okay, “ours” makes a lot more sense now.

“I am sorry,” she says quietly. “I didn’t want you hurt—”

“Sweetheart,” Dean says, cupping her cheek. Even with the hammering of his heart, he grins. “I’m pretty sure that’s where this was going anyway.”

In fact, this is a best-case scenario, as far as he’s concerned. He leans in to kiss her, and it doesn’t take long at all for her to sigh in relief, melting against him.

“We’re married, huh?” he asks. “No ceremony? No white dress?”

“We are bonded,” she replies, nodding as she meets every one of his kisses. “Or, we will be.”

She tugs him closer and revels in the feeling of his hands beginning to roam her body, sliding down her waist, her hips and thighs.

“Guess that means we have to seal the deal,” he grins. His lips drift away from hers to burn a familiar path across her cheek. He takes to nibbling her ear, making her flinch and laugh as it tickles.

“Seal-the-deal. What does that mean?” she asks.

Dean chuckles lowly in her ear. “Oh, I think you know.”

He guides her onto her back, over the comfortable mess of furs. He wants to take his time exploring every inch of soft, tan skin, but he first sweeps her hair away from her eyes, the back of his hand brushing against her cheek. She smiles up at him softly.

“Do you regret?” she whispers, reaching up to touch his chin with two slender fingers. “Do you regret helping me?”

Dean considers her question. He knows he’ll carry his family in his heart until the day he dies. His brother, his mother, the memory of his father. Benny and Cas, even Jack, and so many others.

It’s already a heavy burden, but he had always been prepared to lose his life on the battlefield, in service of his country. At least this way, he gains a new life. 

“No. Never did,” Dean replies. “Not even once.”

He bows his head toward hers, and he proves it to her. His lips capture hers, fueled by passion and wanting. Mila’s hands slide over his shoulders and down his back. Maybe without her realizing it, she implores him to let go of the weight heaped on his shoulders.

When he begins to bunch up the hem of her dress, she sits up to help guide his hands. Her quickening breaths mesh with his as the first layer of clothing drops beside the bedding. His tattered shirt joins her dress, along with pants and shoes and boots, until all that’s left is skin against warm, bare skin. He lays on his side right beside her and explores wherever she lets him begin.  

“Beautiful,” Dean murmurs, as his lips follow the column of her neck, down between her breasts. Her breaths rise to meet him, especially when he begins to toy with a dark, pebbled nipple. Her fingers slip through his hair, and his name falls from her lips. He palms one breast while kissing and gently teasing the other, exploring sensitive flesh and grazing her sensitive fleshwith his teeth.

“No man’s ever touched you?” he asks, despite knowing the answer.

She shakes her head, her fingers gripping his hair tighter as his lips and tongue move against her skin.

“No,” Mila gasps a reply. Her hand slides down the back of his neck, and the more he teases her, her nails soon create faint red lines down his back, her thighs squeezing together. She feels a throbbing ache at the very center of her. Despite her inexperience with men, she knows what it means, and she knows what she wants.

Dean’s mouth drags away from her breast. He pulls back so he can meet her eyes. A smile curves his lips, and he takes one of her hands from his shoulders. 

“Have you ever touched yourself?” he asks. He guides her hand down her body, brushing over a wet, sensitive nipple, down her stomach, and between her legs. This time, Mila nods in answer. She stares up at Dean with eyes like molten honey. He leans in to kiss her neck.

“Show me,” he says.

She shudders at the depths in his voice. It increases the flood of wetness she already feels, even before she slips two fingers between the folds of her sex. She gathers some of that slick and circles it over the source of her pleasure, the small nub above her entrance.

Dean takes his hardened length in his hand. While she writhes by her own hand, he drinks her in with his eyes. A soft groan falls from his lips as he pumps himself a few times, sliding a thumb across the weeping head of his cock.

He can’t be a spectator for long though. He nips tantalizingly at her neck, creating a zing of added sensation across her skin. She whimpers, though she tries to stifle it, her knee bending further.

“It’s okay, sweetheart,” Dean says. “Let me hear you.”

He releases himself and replaces her hand with his own. He slips two long fingers inside her drenched entrance, earning a gasping moan from her. She latches onto his shoulders and buries her face into his neck. She whispers fervent things he doesn’t understand, but it only spurs him on.

His thumb circles insistently over her clit as his fingers pulse inside her. Her hips buck a needy rhythm against his hand, until her thighs begin to shake, and her inner walls squeeze even tighter around his fingers.

“Shit, that’s it, baby,” he pants gruffly against her cheek. “Let go for me.”

Warmth snaps and floods from her throbbing core, and she cries out near his ear, her nails biting into his skin. Her release coats his fingers.

Mila drops her head back against the furs underneath her. Her chest rises and falls quickly while she tries to catch her breath, her eyes tightly shut. Dean surprises her with a soft kiss.

“Mila,” he prods. He wants to see her eyes again, so pretty and wanton when she comes. He veers away from her lips to kiss her cheek, and then the other side of her neck. “Let me see you, sweetheart.”

She huffs a small laugh. Opening her eyes, she gestures to her bare body. “This is not enough?”

Dean’s lips tug at a smile. He shakes his head. “As a matter of fact, no.”

He shifts over her, finding his place between the cradle of her thighs. His elbows come to rest on either side of her head. She feels trapped by his body, even as she welcomes his weight and the feeling of his arousal, long and heavy and hard, trapped between their bodies. This man fills every corner of her world in this moment.

“If I’m your husband now, that means I get all of you,” he says with a grin. She gazes up at him, both in blushing amusement and affection.

“All of me,” Mila repeats. She takes his face in her hands and brings him closer, until her lips are a whisper from his. “Then I want all of you.” 

Dean chuckles. “You sure about that?”

She smiles in satisfaction, and her lips claim him this time. One kiss turns into many, each one mounting in passion and desire. Dean groans into her when she begins to touch him. Her hands are soft, but direct in their seeking; they caress his shoulders, run down his chest and stomach, and then, more tentatively explore the now painfully hard length of him pressing against her.

He makes a grateful sound of pleasure when her hand wraps around his cock, squeezing gently. His fingers bury themselves in her hair.

“I want all of you,” she says, this time a plea and a demand all at once as she strokes him.

Dean nods in agreement. He’s come this far. He can do that for her too.

He spreads her thighs a bit wider and encourages her to adjust the angle of her hips for him. His hand glides down her plush thigh and gets a healthy grip. Then he slides his hand under hers and guides his cock through her folds, first just holding himself at her warm, wet entrance.

He manages to wait for a second, in order to meet her gaze. She’s already holding onto his arms tightly, like he’s become her anchor. Her thighs wrap around his hips and beckon him closer.

Slowly, he pushes inside. He takes care in how he works her open. She winces at the sting of his girth stretching her, but his fingers once again massage her clit, stroking her arousal back into a keening flame. He swallows her gasps and moans as he bottoms out inside her, fully sheathed. Tears prick at her eyes, but not from pain.

Mila’s dream flashes like a waking vision behind her eyes. Wings take flight, along with the gleam of a golden beak and a sharp eye.

She blinks, and the image disappears. She’s left with the man who has become hers, making love to her with every stroke of him deep inside her. She presses grateful kisses across his neck and shoulder, wherever she can reach while she clings to his strong arms.

The thick head of him brushes a sensitive place over and over, one that tightens the coil in her lower belly and makes her core tremble again with warmth, until her body convulses against him, pulsing in pleasure, gripping him tight from the inside. Mila’s fingers clench in his hair just as tightly as her release hits her in a powerful wave; even her voice becomes lost to it.

Gritting his teeth, Dean grips the soft flesh of her hip and chases his own end. The way her inner walls choke his cock, he has no choice but to come hot inside her, his spend mixing with her own release. A strangled shout tears from his throat.

He has to brace himself before he crushes her. With his forearms resting on either side of her head, he lowers his forehead against hers. Her legs slip from where they’ve been tightly molded to his hips, her feet meeting the floor. Eventually he slips out of her. He watches his seed drip out and create a mess on the dark furs. The sight of it satisfies something primal deep inside him.

Later he’ll ask her about washing up (and about supper), but for now, he just turns onto his back beside her. She inches toward him, and he raises an arm so she can splay out against his side. They both lay there for a moment in the quiet, just catching their breath together. It marks the end of a long journey, and yet, the start of one too.

Mila turns to raise onto her elbow. She reaches over to wipe the sweat from his brow in a tender touch. Dean smiles up at her. He takes her hand and presses a kiss into her palm.

“I could get used to this,” he says.

Her eyes widen in surprise, but then she laughs softly. “Yes.”

Her hand moves down to his chest, over his heart. She sobers as she considers her people, and how much trust has yet to be bridged—not only her own father and uncle, but the entire tribe. When she led him through the village, they called him wašíču.

Fat-taker. Greedy White. Not one of us.

“It will be hard for you here,” Mila says. She worries it will be too hard for Dean.  

He just squeezes her hand, earning her attention through tumultuous thoughts.

“I’m not afraid of a little hard work,” Dean replies. His usual confident charm is infused in his smile, but she has a feeling he’s just trying to reassure her.

Sensing she’s not convinced, Dean reaches up to hold her cheek, guiding her to look at him and not the floor.

“Listen. I made my choice, and I’m sticking it out, come hell or high water,” he says.

Mila’s brows knit together. “Hell-or-high… What does that mean?”

Dean sits up on his elbow along with her. He takes her chin between his fingers and meets her gaze.

“It means if you want me, you’ve got me. The rest, we’ll figure out as we go along,” he says.

A smile slowly lightens Mila’s face. She tilts her chin up to meet him with a kiss.

“I will be with you,” she says. It’s a promise.

Dean smiles back.

“Good,” he says. “Because that’s just about all I need.”

AN: There we have it, friends. 💜 I really, truly hope you enjoyed this mini series! To be honest, I have more ideas for this little world (like how Dean might try to assimilate into this culture), but I'll leave it to you guys to let me know if that's something you'd be interested in reading.

Until then, I would love to know what you thought of this chapter! 

Pronunciation Guide:

Šóta ("sho-tah") Chatan ("chat-tan") Tahatan ("ta-hat-tann") Wašíču ("wash-ee-jew")

Join Patreon 🌟 For early access to new stories, bonus content, first looks at upcoming stories, send me requests, and more!

Series Masterlist

Jacklesverse Bingo Masterlist

Dean Winchester Series List

Dean Winchester Masterlist

Main Masterlist

Series Tag List + Dean W. (Part 1):

@hobby27 @kazsrm67 @letheatheodore @agothwithheavysetmakeup @jacklesbrainworms

@foxyjwls007 @wincastifer @iamsapphine @roseblue373 @this-is-me19

@emily-winchester @spnexploration @deans-spinster-witch @deans-baby-momma @iprobablyshipit91

@sanscas @sleepyqueerenergy @wayward-lost-and-never-found @kaleldobrev @spnwoman

@thewritersaddictions @just-levyy @samanddeaninatrenchcoat @pieandmonsters @globetrotter28

@adoringanakin @theonlymaninthesky @teehxk @midnightmadwoman @brianochka

@chevroletdean @agalliasi @venicesem @chriszgirl92 @lyarr24

@ladysparkles78 @solariklees @deansbbyx @candy-coated-misery0731 @curlycarley

@sarahgracej @bagpussjocken @deanfreakingwinchester @chernayawidow @mimaria420

@fics-pics-andotherthings-i-like @waywardxwords @waynes-multiverse @twinkleinadiamondsky @ajjustice

@ades106 @my-stories-vault @cevansbaby-dove @kayleighwinchester @rizlowwritessortof

@tmb510 @skyesthebomb @syrma-sensei @harleycao @king-of-milf-lovers

@pizzagirlxnsfwx @justsom3onesworld @beskarfilms @lunaticgurly @artemys-ackles

@malindacath @mrsjenniferwinchester @jc-winchester @charmed-asylum @fromcaintodean

@violetlilysunshine @traiitorjoe @tsofo26 @k-slla @jackles010378

@deanbrainrotwritings @urfav-tz @alwaystiredandconfused @torchbearerkyle @mrlonelycat

@deans-daydream @deanwinchestersgirl87 @rachiem4-blog @sweettimelady @leigh70

@aylacavebear @liopleurodean @brujaporfavor @xiphoidbones @xsophianicolex

@jays-bonnie-on-the-side @skoveu @nyotamalfoy @kmc1989 @ghostslillady

[raayllum]

What Is Up With Terry :: the Thread of Necessity

Intro

Terry is an interesting character in a lot of ways. He's unflappably kind and optimistic, accepting even to a fault, and he's an elf with no issue with dark magic yet doesn't seek out its use for himself. He's a non-traditional antagonist for starters, he's trans without being overly sanitized, and he most notably provides a sounding board for more overtly 'evil' characters like Viren in season four and Claudia in seasons five and six. Most of this is in service of Claudia's goals, with Terry not having many of his own goals outside of his support of Claudia and Viren; this is, mind you, not too dissimilar from Soren with Ezran in arc 2 as well, or even Amaya with Janai.

I also think he's a very important in a character in a lot of ways, for the ease with which he explores and exemplifies

You can love / support Viren and Claudia and that doesn't make you a 'bad person' in the show

You can be okay with dark magic without changing your mind and that doesn't make you a bad person either

You can kill someone in TDP and that doesn't automatically make you a bad person either

We know all of this is true (and will likely continue to be true) as we know in S7 there is an episode about Terry related to him still having a "true and pure heart," which is about as classical "good guy protagonist" speak as you can get. In those lenses, I think Terry was a fantastic choice in introducing a new character to not only contrast against Claudia and Viren, but also in terms of getting us to be more sympathetic towards them (particularly Viren) than we might've been inclined towards in arc 1.

That said, I think the most important thread that Terry carries is that he is a character who truly and wholly does whatever is necessary for his cause, nothing more, nothing less.

But what does that mean, tangibly, within TDP's narrative? Well, let's talk about it:

Necessity

The concept of necessity—I needed to do this, or I have to do this (even though I don't want to)—is one that has been central to TDP for a while. We see this characters who cite a lack of agency ("He was going to take Claudia's life, I had no choice" / "Every step I took, I took because I had to" / "I'm sorry. I have to do this") throughout the show, both dark mages and not, particularly Rayla, Soren, and Callum.

And in return for perceived necessity, as Harrow states, "I have done terrible things. I thought they were necessary. Now I don't know." We increasingly see people justify, or struggle to justify, worse and worse actions. Claudia's mindset has become very transactional, for example ("He saved you, and now we have to save Aaravos" / "It's a mistake! I saved you! You owe me your life!"). Generally speaking, the show treats these things labelled as necessary as unnecessary (hence the regret they experience, and even Terry disagreeing more adamantly than he ever has before).

This is, of course, because 4x09 and 6x09 together very clearly spells out what is important for Terry to believe something is necessary: it must be done entirely out of love, no more and no less.

I've seen you do a lot of awful things, dark magic things, but I always believed in you because you had a reason [saving your dad]. But what you just did, the way you tricked that Moonshadow elf? It was just cruel.

Maybe it started out as a story of love, but along the way it got twisted. [...] He isn't doing anything for love. He's doing it out of revenge.

To Terry, you do what you have to do but go no further; you don't give into anger, you don't give into revenge. You act entirely out of love, and keep acting out of love and let it temper you. This is why Terry resonates, I think, and seeks guidance from Viren after the mage's initial assessment of what's been happening, emotionally:

This is similar in practice to why Viren (and Claudia to a lesser extent) are characters with such fraught paths. Not only because of their dark magic use, but because of their denial. Viren violates Lissa's safety and trust to save Soren, but then blames Soren for it; Claudia heals Soren and brings back Viren, and doesn't understand why fixing things physically wasn't enough. "I had no choice" for them means "I have no accountability," and that's why they kept spiralling deeper till Viren broke out of it. He atones then not by swearing off dark magic (although it helps) but by taking full agency in the choice to do dark magic and in what manner (not sacrificing his family again) and without a desire for ego, which was his biggest character flaw in a lot of ways.

The reason I bring this up is to provide a contrast for Terry in a few ways, such as

Terry always being very emotionally open, rather than repressing or offloading blame onto other people

Mandates that he had no choice (4x03, 4x04) but to kill Ibis verbally, but is also aware that it very much was

Is able to accept that this was a choice and move on

Terry does what he believes is necessary. He feels things about it. He doesn't go further into outright self destruction, and he doesn't escalate to what harm is deemed unnecessary. That doesn't mean Terry's levelheadedness can't be a flaw (he absolutely should have told Claudia to give up magic in 6x04) or that what he believes is necessary always is / that his choices are perfect (they're not), but that in his contrast to Claudia and Viren, he continually provides that contrast. He can be held at sword point by Rayla, a total aggressive stranger, and still recognize that withholding her family from her is what he deems as unnecessary cruelty (but more on that later).

For now I want to talk about patterns, specifically two that he engages in with Claudia.

Patterns

The first pattern is unsurprising, perhaps, given that Claudia-Rayla have continually had parallels, given that:

1) Claudia keeps leaving him

This is, of course, most obvious in 6x01 when Claudia states her intention to do so, or even in 6x09 wherein Aaravos literally lifts her away from Terry:

But we also see it earlier on with even the choices Claudia makes in her mission. Terry is a passive person, much like how Claudia at her core is ("Tell me what to do" + 90% of interactions with Viren that aren't about saving him), and therefore Claudia leads the way, and Terry is happy to let her.

He never really considers that he might be a core part of her truth, and that she wants more active advice (see the way Rayla counsels Callum about his dark magic use, comparatively, in 6x03, or nudges him forwards elsewhere throughout the seasons). While Terry isn't wrong to encourage Claudia to think staunchly for herself, and in fact she very much should, it does leave her more vulnerable to the next first person willing to tell her what to do: Aaravos.

We also see Terry's passivity go even further back to one of his first episodes, as well as in the S5 finale.

Each entry in the pattern is a little different.

4x03: Claudia leaves / goes in alone and fails at her mission. Terry follows and saves her by killing Ibis at great cost to his personal emotional state.

5x09: Claudia leaves / goes in alone and fails at her mission. She goes further into Aaravos' clutches (the ocean here metaphorically) and returns of her own accord.

6x01: Claudia succeeds at bringing back her father but cannot make him stay. She leaves on her own in an attempt to break her family's cycle of abandonment without realizing how she's continually perpetuating it, but returns in a devastated and dejected state.

6x09: Claudia succeeds at her mission of freeing Aaravos, and the Startouch elf takes her literally into his clutches and away from Terry.

Each time it is her choice to leave, with only 4x03 firmly having Terry following without her returning by her own merit. Whereas Claudia plays out her family's cycle of abandonment with all its members—her mother, her brother, and finally her father—Terry plays it out with just Claudia, over and over again. This doesn't mean their relationship is bad or that some of these times are unreasonable—Terry is willing and supportive to let her go in 4x03 and 5x09 much the way Callum is supportive of Rayla in 4x09, 6x05, and 6x09—but it is a pattern that has then taken on a negative slant in S6 and will likely to continue to worsen in S7 before it gets better either in the season or beyond.

Then, we have the pattern of how

2) Claudia gradually stops listening to him.

This is probably more interwoven with the thread of necessity than the previous pattern, since as stated before, sometimes when Terry is letting Claudia go off on her own while it's imperfect in the narrative, it makes sense within their dynamic / resources. Like as previously mentioned, too, Terry is more often correct than he is wrong about the next moves people should make. He's right that Claudia will need help in 4x03, he's right that they should go look for her in 4x07, he's right that she needs rest in 5x02, and right to be wary and against Aaravos in 6x09.

In the beginning, Claudia listens to him.

But as the seasons go on, this gradually changes with twice back to back in 5x06.

T: It won't chase us anymore, you won. It's trapped. Please. C: You're right. It won't follow us. But not because it's trapped.

Season six is arguably the season where Claudia listens to him the least despite Terry reaffirming her agency most directly (6x04) as she ignores or doesn't listen to every reservation he has.

T: It's him. It's your Dad. C: Then I have to... T: No! Please! Please don't... I don't think you should see him like this. C: I have to! I came all this way to see him one last time. I need him to show me the right path. T: This won't give you answers. Only anger. Only pain. I'm so sorry. He's gone. He is gone.

And Terry, who does things only that are necessary, only out of love, would know the difference: unlike Rayla, or Claudia, or numerous other characters arguably in the show, he always has, particularly when given broader context the way he is in 6x09 (which hasn't always been true in his relationship with Claudia, either).

None of this is to say that Claudia is a Bad Partner or that your partner should always listen to you, either, because neither of those things are true in life or in TDP. Healthy couples in TDP disagree all the time in both healthy and unhealthy ways. Rayla left Callum when he explicitly made her promise not to, and Callum did dark magic to save her twice despite 100% knowing it's not what she wold've wanted.

But the first thing I want to address is the difference between Claudia leaving out of grief and trying to feel in control after losing everyone but her boyfriend, and Rayla leaving out of grief and trying to feel in control after losing everyone but her boyfriend because they are wildly different for one main reason.

Rayla left in the middle of the night while Callum was sleeping because "you’ll wake up and try to stop me… from doing what I know I have to do. Leaving. But I can’t let you stop me, Callum. No matter how much I want to. [...] And if you said even one word to me, I wouldn’t be—couldn’t be. If I stay even until your eyes open and you yawn your silly morning yawn, I’ll break" (TDP reflections, Dear Callum).

Terry, meanwhile, is actively begging and pleading with Claudia, and he is still abandoned. Granted, Claudia seemingly comes back within a day or two, not two years, so that does mitigate things, but the fact remains that Rayla thought she wouldn't be able to leave to protect Callum if she even heard him speak a word or yawn, and Claudia was able to leave to protect herself while having a full on conversation. Ouch.

Nor does this completely absolve Terry of the one time Claudia straight up asks him to tell her what to do, or what he thinks she should do, Terry doesn't (6x04). He's not wrong that she needs to choose the way and figure out what she needs, but him emphasizing that he can't tell her what to do and then immediately accepting her premises that Viren can and should tell her what to do is something that's already bitten both of them in the ass.

Terry also only asks Claudia to listen to him, really listen, and to tell her what she should do when he thinks it's absolutely necessary.

This is also one of the reasons why she and Terry are suited to each other. Both value and respond to necessity, scaffolding everything else on top of what needs to be done or doesn't need to be done. What's risky about this mutual understanding is the potential for it to stop being so mutual if they start to have different views on what's necessary. And as we see in 6x09, that's happening more and more. What is going to continue happen when Claudia keeps viewing Aaravos' actions as necessary, and Terry doesn't?

Questioning

So Terry is, presumably, going to increasingly be wary and against Aaravos. What is that going to look like?

We have a decent idea, honestly. As stated / noted before, Terry actually pushes back against Claudia fairly often. He's just rather gentle about it, and usually is trying to prioritize her wellbeing (or someone else's) when she isn't. Examples include:

4x09 over the coins / being cruel

5x01 ("You'd think if dark magic does this to a person they might not do it")

5x02 over resting

5x06 over attacking the dragon

5x06 over killing the dragon

6x01 over her leaving

6x04 with telling her what to do

6x08 over seeing Viren's corpse

6x09 in helping / freeing Aaravos

However, we're also yet to see him be angry in his questioning or when pushing back, which is what I think would be most interesting to see change (think the moment where Iroh finally yells at Zuko beneath Lake Laogai). His pushback with Claudia has gotten more and more consistent as well as more dire throughout the seasons, and just like how Viren and Claudia eventually disagreed and split up, I think Terry and Claudia will too. How permanent that split will be, I think, is up to her (I could see parallels happening between Soren and Terry teaming up to try and bring her home, with Ezran and Rayla doing the same for a brother-partner tag team Callum duo), but I do think that Terry's testament of "I love you, I will never leave you" is apt foreshadowing to see what it would take for him to break his promise, and do just that.

To what he knows needs to be done, even if that means walking away.

Misc. Season Thoughts

Terry also has some interesting things that don't fall under the necessity umbrella that I wanted to talk about as well. One of those things is

TERRY AND IDENTITY

This isn't to say I think Terry actively has an identity arc in seasons 4 through 6 the way other characters (Callum, Rayla, Viren) are, but that Terry like most of the main cast is linked to arc 2's continual increased emphasis on identity and choosing your own identity. This is true particularly in 4x01, which opens after the intro with Callum running through / clarifying his titles (or identity roles) and concludes with Viren and Terry being introduced to one another. Terry gives details on his name ("[Terrestrius] is a bit traditional, but my friends call me Terry") and then asks for clarification on what he can call Viren.

Later on in S5 and S6, we see Soren and Rayla respectively see through the 'monstrous' / threat of others by reaffirming their similarities ("I know what this is like. I know how you feel" / "This storm isn't your rage, it's your grief. I know how you feel") and bestowing agency through naming conventions. Rayla identifies the monster isn't a monster but a pet, and more than that, gives Esmeray back her name. Elmer does the same when he overthrows Finnegrin and Soren likewise affirms it: "We literally didn't [defeat him]. Elmer did."

Why is this relevant? Well, in an arc that's all about emphasizing over and over again to see other people's personhood by using their name(s), recognizing that you have a choice, and choosing who you want to be...

So often queer characters in media are regulated to their queerness being happenstance (i.e. they fulfil a certain story role regardless and just happen to also be queer) or it's all their character gets to be (a "figuring out queerness and/or a coming out" arc). One of the reasons I myself (as a queer and trans person) has always deeply appreciated Terry as a queer character, specifically as a trans character, is precisely the way that his transness is interwoven with TDP's broader themes of chosen identity, self-actualization, and knowing / name motifs. In having these themes and ideas for multiple cis characters, Terry's interplay gets to be enhanced by his trans identity and simultaneously let him enhance the thematic explorations the series has going on, and I think that's pretty cool. Identity is one of the main themes of s4, and for Terry as well, so it's nice to see the ways that's reflected.

I expect season 7 to challenge his identity further ("I'm going to be strong enough to do whatever I need to do and still have feelings") if forcing him to confront who he wants to be, who Claudia is becoming, and who he thinks they can still be together. In a lot of ways I'm expecting S7 to be a sister season to S4 thematically even as S7 builds on S5/S6 in terms of plot and character arcs, since S7 seems geared to be about identity directly even more than S4 was (and much more than S5 or S6 were).

TERRY AND COMMUNICATION

If season four is about identity, season five has a strong emphasis on communication. This is, again, likewise true for Terry, as he encourages Claudia to communicate in various ways across the course of the season.

The situation is urgent, and you're worried I'm not treating it that way.

Terry consistently having clear communication is also something that puts him in direct contrast to Aaravos, who is a master manipulator and very careful liar-not-liar in his own way. Terry is always open and while thoughtful does not really bottle things up; he communicates clearly with other people and is comfortable doing so, and is very good at validating others as well. Whenever he does push against Claudia, he always clearly explains why he's doing so or why he disagrees but leaves the choice of what to do next in making amends or carrying on up to her. Aaravos, meanwhile, continually withholds or omits information, and presents things in certain ways in order to get, well, his way.

I don't have as much to say for season six, given that Terry is only in about half the season (6x01, 6x03, 6x04, 6x08, 6x09) and one of those is entirely silent. I'd say his main idea in s6, like s4 with identity and s5 with communication, would be the theme of Questioning (scaffolded under 'supportive'). He's supportive of Viren and Claudia's searches for meaning alongside his own increase questioning of what they and Aaravos are doing and why. I'll be curious to see what his main character beat may be in s7 going forward.

Conclusion

There's more I could talk about with Terry (Viren dreaming in 5x03 of chasing after Claudia only for her not to listen, only for Terry to live out that worst fear in 6x01 directly, for example) but I think for now these are the main things I wanted to discuss without going further into speculation than I already have. I hope this maybe brought a new perspective or appreciation for Terry as a character and for his arc in the show so far! As always, thank you for reading and I hope you enjoy.

[ganondoodle]

okay i do have to do a mini (i call it mini now.. this is just letting my feelings about it out, so its spelled agressively bc im just so .. frustrated ... also not hate to the studio or the people working on it .. obviously >_>) rant about arcane-

SPOILERS AHEAD FOR ARCANE SEASON 2

its the most beautiful show ever produced, i mean it, its style, fortiche's (the studio) style, is just .... impossibly pretty, 3d and 2d, the animation is just so GOOD, the designs largely (like 95%) are too, the acting and sound design, the voice acting (at least the english one) is so emotional and good, the show in general is just good ... until the last episode

i have my own problems with riot declaring arcane the new canon out of nowhere and for no good reason since it was, im very sure, never conceived to be that, its a reinterpreation and works best as such, now literally everything is once again completely messed up, no one knows whats real and what isnt, no champion or story is safe, especially with the weird hexcore bullshit potentially erasing the VOID (whish is like ... half on which the canon was built on tbh) AND hextech- multiple champions being impossible to exist now .... but thats not what i wanted to talk about

i was pretty on board with everything the show did, though i wasnt a big fan of the whole hexcore stuff, but it all spiraled so far out of control, it just kept making everything worse, also with bringing in the black rose and leblanc, it kept piling stuff onto the plate despite them already compressing everything so drastically; espeically regarding viktor, but i kept my hope up even after season 2s act 2 bc it still seemed 'fixable', though not easily so

what i liked about it (in its writing) despite its pacing issues was that it was rather .. self contained for the longest time, focused on the characters and the class struggle of piltover and zaun, and doing so rather well imo, like it did and said things i did not expect riot to let through

i was worried with the alternate universe stuff that came with the escalating hexcore bullshit but held onto hope even until episode 8 and then ...man .. the last episode ... the fuck was that- like i hate timetravel and multiverses and whatever but the thing with ekko was done rather neatly ... they made all those chaarcter models and sets just for that short stuff and really .. was of little use other than getting heimerdinger out of the picture as well lmao maybe he will get his own series to advertise for 200 dollar skins in league hahaaaa but i guess the main point was to give ekko the z-drive ... which feels alot like what i feared about them forcing it to comply with the characters in game ,,,, even though that wasnt for everyone like warwick was done SO dirty after giving me hope in act two

everythings focused on the hexcore/arcane shit, theres the black rose shit (honestly i think it was a mistake bringing them in too bc .. noxus is its entire own region with so many champs and story itself that got connected via ambessa .. which was a new character the show made up until they made her a champ now .. its just too much to put into this one show already going at a breakneck pace), mel doing her bit with them then bam she mage now which felt like a champion teaser more than an organic part of the story, especialyl with how hard it got pushed later (poor little riots gotta sell more game cosmetics uwu), jayce just taking over control again and everyone going with it, singed reviving stupid version victor via using vander/warwick WHO WAS STILL ALIVE AFTER ISHA BLEW HERSELF UP TO STOP HIM FROM KILLING EVERYONE (which was ALREADY pretty cheap, but i guess jinx had to be even more suicidal than she already was heehoo), dont even ask me HOW, viktor was just whoops from corpse to im a cocoon now, ambessa being so obsessed with it, the entire class struggle being """"solved"""" by piltover and zaun fighting stupid viktors weird ass robot shitheads together and then acting like giving sevika a seat at the council is the solution to it, half the cast just dying horribly for honestly no reason?? ORIANNA being now i guess some weird viktor robot but without the mindcontrol part and singed just kinda ... winning i guess by giving her cocoon some goo of stupid viktors cocoon

it just all ... turning from this so drama, character and class struggle thing into weird ass dimension hopping magical world war that all gets solved bc we fought together once uwu AND it being a fucking timeloop WITHIN what ONE episode? and that being the ENDING (i know i know the hexcore bs was building up throughout the show but it still felt so .. unearned and sudden ... )

also i got personal gripes with the 'ending' bc .. was it REALLY an ending like they kept saying?? was it?? viktor, jayce, heimerdinger, jinx are just disappeared i guess, mel going back to noxus- the fucking 'our story isnt over' tease???? the last minute appearance of swains fucking raven???? pecking at something blue and shining like idk a hex crystal??? SHUT UP i dont want more to come, this story should have had its self containing ending, not this open ended bullshit that just reeks of corporate meddling bc they want their game to connect to their popular show as much as possible now so we gotta bring in as many teases and connections to other champions YIPPIEEEEE (yelling)

also if jinx is dead, wow, what a way to end her story, the traumatized suicidal character being tortured and tortured especially after seemingly having something good for once (i liked act 2 except for its ending the most bc ... man jinx was so enjoyable there, i loved her dynamic with vi and isha and half wolf vander warwick with the beast and man struggle i love alot, that part was genuinely beautiful, i wasnt a fan of the idea of idk ekko doing time stuff and them having a happy ending bc i just dont like going back in time to fix everything kinda stuff, but i would have much much prefered that, not changing the existing story into the perfect world where everythings happy (though i liked that part ... vander silco being gay husbands like that is just so goood) but to fix what is fixable in the present- them still having gone through alot but being able to live with it, so act 2 setup was honestly my favorite way to not invalidate everything and still have something happy .... but no we gotta kill the kid to make jinx even worse and vander/warwick too while we are at it

if shes not dead (given you see a blimp(?) flying away and her scribbles showing up and caitlyn looking at the blueprints of the hexgates) then ... ??? oh yeah lets make her leave zaun and just idk go be the main character in noxus or soemthing for the next show they are gonna do bc jinx is popular so putting her everywhere is a good idea!!!1!!11

ALSO since vander/warwick is my favorite .. i thought maybe after isha doing that, if they dont reverse it, hed get taken by singed again or ran away and turned fully werewolf like he is in the game (though i would have liked if they were able to be a weird family like in act2)- but no he just gets used as fuel for stupid viktor cocoon and then mind erased and made into the ugliest weird robot thing that looks more like galio than him JUST and i feel like it really is JUST to have Vi at the end do the scene that gets jinx 'killed' .. to lead into the 'more to come' teaser.. idk about you but that scene felt so .. forced, the typical oh no platform is slowly falling down but Vi suddendly gets emotional about weird ugly robot warwick (who conveniently comes back to life as ugly robot beast since his human mind got erased but not the beast??? i guess???) and completely ignores jinx yelling at her to get to safety, it felt so WEIRD to me (if you gotta do him like that at least let Vi listen to jinx, them embracing and then watchign emotionally as robo vanderwick falls into the hexgate thing .. that was still active somehow i guess??)

(poor viktor got done so dirty too .. i liked him .. until it all went weird wit hthe hexcore stuff ....... ..... also jayce weird speech to him .. why the FUCK did you not do that back in the cult camp instead of blasting him to bits, i get it he was fucked up from seeing the future, but then later hes just ... okay???? pretty fine all things considered??? and pretty aware of everything?? also his weird speech being all like vitkor actually you were perfect in your imperfection BITCH HE WAS SLOWLY DYING AN AGONIZING DEATH???? idk ??? it all feels so weird to me, like there episodes literally missing- ambessa dying also felt so unnecessary .. just so mel can take her place and go to noxus and have more shows maybe- )

i just .... and just like how i cant enjoy botw anymore after them fucking it all up with totk ... i dont know if i will rewatch arcane knowing it ends like that, what was that for, the most beautiful show ever made just to do a game of thrones ending in a single episode?

im so tired of it all ..... im so tired of being disappointed and feeling let down over and over no matter with how little expectations i go in with

this willl be the only arcane rant unless theres some .. big stupid reveal that gets me more frustrated than i am now, which i hope there isnt .. im tired of being and feeling like this .. i just want to enjoy things, everythings going to shit IRL and i cant even find something enjoyable to watch

[starstruckbyacomet]

On the Break-Up

Tarlos vs Tevan

People had mentioned that Tevan's break-up is similar with Tarlos', which may indicate a reunion in the near future. The only similarity I can think of is that both happened because one half of the pair wanted to move the relationship forward, while the other half was reluctant. On the other hand, I find several differences between the two which are quite alarming:

1)) Rafael Silva was/is a main cast. He wouldn't go anywhere. Lou is just a guest star.

2)) Tarlos is the only queer couple on Lone Star. 9-1-1 OG has already one queer couple: Henren. So far, I haven't found any shows marketed towards the general audience, which have more than one queer couples who got a happy ending.

3)) Both Tim and Oliver agree that Buck is always a bit promiscuous. This trait is even deliberately shown when Buck was tackily eyeing a woman in the middle of his anniversary dinner with Tommy! Neither TK nor Carlos has this trait. During 5 seasons of their up and down relationship, neither TK nor Carlos has ever shown attraction to other people. Tim also posted a video in his Facebook page about how a character shouldn't change so much on a TV show. It could be an indication that he has set Buck as an eternal bachelor, who was destined to always search for love, while bedding multiple love interests until the season finale.

4)) Tarlos' break up didn't feel out of character. Although it happened off screen, and the reason was disclosed much later in the storyline, the explanation made sense. On the other hand, Tevan's break up is out of character for everyone involved:

Tommy used to be very mindful about other people's feelings. In 7x04, he was aware that he had created a wedge between Buck and Eddie, so he visited Buck to clear the air. This Tommy wouldn't get into a relationship, if he knew he couldn't move to the next step.

Buck who had always been clinging and pursuing people who had left him (Abby, Maddie), would not let Tommy go without fighting for their relationship.

Bobby who has said Tommy was good for Buck, and Henren who have questioned Tommy about his intention with Buck, would not standby watching the break up without saying anything to either Buck or Tommy.

5)) Although in the middle of a break up, there was a sense of continuity in Tarlos' love story. We saw both TK and Carlos struggled with the break-up. We saw people around them were concerned and questioning, as if they want Tarlos to be back together. This doesn't happen in Tevan's break up. The only sign that Tommy has been struggling is #TommybubblesBuck. We see mostly only Buck is struggling, while people around him indicate that they want him to move on (by hiding his phone instead of encouraging him to talk to Tommy like an adult!). It feels like the purpose of showing how much Buck has been struggling is to remind the audience that Tommy is as important as Abby for Buck, because Buck was also struggling when Abby left.

6)) Buck didn't even seem struggling while he was interacting with his team or Brad on episode 8x08 "Wannabes". This is different with TK and Carlos who carried their feelings almost all the time during their break-up period.

7)) Overall, the way Tarlos' break up was executed more thoughtfully indicates that it is an important milestone in their continuing love story. Tevan's break-up seemed poorly written and rushly executed, as if just to put a lid on a box. It seemed that the way Tim viewed Tommy is similar like he viewed Gerard and Ortiz: as loose ends from the prior season which need to be tied up asap, before being discarded like used tissues. Tim even preferred to give more attention to Brad Torrence, his shiny new toy. This was not happened in Tarlos break up.

Despite all the discouraging signs, I couldn't put off the tiny hope which is still flickering in my heart. I love Tevan too much, and it feels like I have been fighting more for their relationship than for my own 😅. With all the above signs, I'm afraid that the only chance for their love story to continue is by:

keeping the rating/viewership low until Tevan reunited on screen.

[arcane-ish]

Okay, so about Mel

I have a lot of Mel fans on my "following" list, so know I'm on a different place than most of them. I thought I would still sit down as a more casual Mel enjoyer and try to explain why I listed Mel as one of the better things in the last arc and genuinely read her as having one of the better arcs.

First let me say, I think I get some of the disappointment. There apparently was a lot of acrimony in fandom. And there sadly is often always a lot of bitching about being right. It's also one of those really annoying instincts for fannish people to value being right or getting character/ship payoff over quality. The kind of crappy shows or reasons I've seen people defend just because their ship was in it.

And I include myself within that. Two of my favorite ships, Timebomb and Zaundads got some stuff, and that has deeply clouded my perception of the season, even though my more neutral opinion is that season 2 was extremely spotty.

I get that from "I had to fight people in fandom" point of view, Act 3 sucked. I get that from a personal fan engagement point of view, it is always easier to stay excited and produce media if have a ship to hold on to rather than just being the fan of a singular character.

I'm kind of in a special situation, that I've always lowkey not liked Jayce and really only found him tolerable around Mel. I thought the beginning of Act 3 was still reasonably respectful to them. They protect each other, they do a couple fight with each other.

Yes it's weird that Jayce brings up now of all times to complain about the past, but for me that was pretty much wrapped by them fighting together against Viktor. Then we have this moment where Mel explains her situation to Jayce, we have Jayce complimenting her. Honestly, before the last minutes went full on "zomg, looping timeline gifts and zapping into space together", I thought the MelJay was a bit muted, but decent enough in a finale that was generally super busy and where tons of other characters didn't have too deep writing either. But again, I see where characters wound up, completely changed people's perception of how they get there (ie that Mel and Jayce actually had a decent relationship throughout most of the show and that in my opinion both Jayce and Viktor always and Cait and Vi recently had some really spotty writing).

Somethign that is more easy for me to bear, because, like I said, I never liked Jayce that much, so it's easier for me to not care.

Everybody's Arc Was Kind Of Shit And Mel Was One Of The Better Ones

This is my basic premise of season 2. If I think of season 2, if I think of the characters who to me had the better arcs I come up with for example Sevika and Ekko.

They had better arcs because they stayed roughly in characters, formed some new relationships, got some badass moments and ended up in interesting places in the end. However both their arcs BRUTALLY suffered by lack of airtime and often missing from episodes or even arcs like Ekko.

I think Jinx had one of the better arcs, because it was very emotional and poignant, was constantly present, but even if felt choppy and all over the place at times and people are mixed on where it ended up.

I guess Jayce counts as somebody with a really meaty arc with lots of airtime, emotion, ending up in a different place, getting hero moments, saving the day etc. But like I said, I dislike Jayce too much to really think about whether his story was actually good this season.

I count Mel as among the better arcs, because she got at least semi-constent airtime, she imo stayed generally in character, she got to be badass, she ends up in a very interesting situation and they tried to be emotionally poigant with her and Ambessa. (her killing Ambessa giving major Jinx and Silco vibes even if the context was completely different) The pain of Mel's storyline has always been that she was a bit isolated from other characters, so I was happy that she at least got a badass fight together with Caitlyn. [honestly, in retrospect it's noteworthy that Mel got that spot with Caitlyn rather than Caitlyn fighting side by side with either her love Vi or her nemesis Jinx]

Just getting a badass fight isn't the same as actually getting poignant moments and developing a relationship with new characters. So that was definitely missing. People are just prone to not care as much about Mel's relationship with Ambessa, LeBlanc or Kino because from the point of view of the audience those are side or new characters and the audience only cares if the show really puts a ton of work in like in the case of Isha.

Overall the gist of Mel's storyline to me is that it seemed to be very League dictated. It's the origin story of Mel as a badass fighter, it sets up her character premise.

TBSkyen, a well known content creator in the League of Legends space, "reacted" to Arcane and he got quite angry at the finale, exclaiming something along the lines of "I thought this was gonna be a closed story, that the characters would complete their stories. But these stories are not complete, this is a sequel tease".

And that's exactly why Mel's story feels unfinished. She feels like she's part of that sequel tease (together with Cait looking at those strange map, maybe hinting at an alive Jinx).

There's a chance that Mel will get a proper resolution. But to be honest. I can't promise that. Maybe she'll get a badass Noxus based either animated or live action sequel... but we might have to wait 5-10 years for it.

Maybe the "Ambessa" novel is actually 95% about her. Maybe she will get a badass intro trailer like Ambessa. But I'm not gonna lie, even if the next season of League will be heavily Noxus based and they make heavy use of Mel in it. I'm not gonna lie, League's story telling can be very, very spotty. And even when it is decent, not everybody is particularly into collecting their infomation from short stories, splash arts, music vids, in game voice lines.

[mysticcrownwolf]

I have not watched arcane but I follow enough people that do to have to general idea of what it's about and I am calling it right now the only reason this fandom demonize Vi is because they like Jinx and by extension Silco so all the bullshit ass enabling he did with Jinx for years will be forgotten because Vi punches her for killing everybody she ever loved and then the people in this fandom who don't have even a quarter of a brain cell to rub together will be like well Jinx suffered so much because of Vi because she had suicidal thoughts and see people meanwhile Vi deadass saw everyone she loved die in front of her, then lose her only remaining family to Silco and then spend her whole childhood in prison. Like the people in this fandom can't comprehend morally grey characters or even think that their faves can be complex people who can do bad things if the narrative shifts that way.

Look me in the eye and tell me these people have a single thought in their head while watching the show because the writers said these two seasons are the Jinx and Vi story. That they will probably make more arcane stuff but these seasons are focused on the sisters and so why do I see post like I wish Vi didn't have so much screen time or I wish Vi and Cait story wasn't the main focus here and the show focused more on "insert any background narrative they wanted to see" like bitch go fuck yourself.

Like I have never seen such a large group of people utterly incapable of media literacy it's like they need to be handfed concepts like:-

"A doomed narrative means no happy endings at most you get a bittersweet one"

"Your fave can be a bad person and still be your fave you don't have to justify them as a good or reasonable person (and demonize their equally traumatized sister looking at you weirdly purist Jinx fans) to continue liking them.

"Metaphors and parallels shouldn't be spoken or spelled out for you. You as a viewer are suppose to understand then yourself using your brain"

"Good people can do some bad things this doesn't make then irredeemable and bad people can do some good things this doesn't suddenly makes them fully redeemable"

"If a shows ending is ambiguous it doesn't mean the writers were too pussy to commit to a proper ending it means they purposefully made it ambiguous so their can be more than one interpretation for it"

"Not all good stories needs have good or even satisfying happily ever after usually in a doomed narrative you just survive to live another day"

"Just because someone's trauma manifest in a more visible way doesn't mean another characters didn't suffer at all (still looking at you Vi haters)"

To summarise do I think the people who can't see a nuanced story like arcane without generalizing everything in black and white and then complaining about how it's bad are all brainless idiots with the mental capacity of a third grader with no capacity for media literacy or reflection. Yes. Is it probably a baseless generalization. Probably. Do I care. No,fuck you'll and all your arcane hate post you all tricked me into reading by disguise them as actually analysis.

If I can pick up on the subtle nuances and non linear narrative of arcane by just reading Tumblr posts and watching some clips on YouTube you people have no reason to have this shitty of an opinion when you actually consumed the full media.

[skzhocomments]

1437 - “I need your help; I have money to pay you.” - Lee Know (Stray Kids) - Hitman AU

General Masterlist

Request me a story

Thank you for your request ♥

---

1437 - “I need your help; I have money to pay you.” - Lee Know (Stray Kids) - Hitman AU

Word count: 4k words

Wattpad | AO3

~

Writing Prompt 1437: “I need your help; I have money to pay you.” - Lee Know

~

This sucks. Minho thinks, letting out a large sigh and picking up some painkillers.

He hasn’t eaten much today, or the past few days, really, so it probably isn’t a good idea to take another ibuprofen on an empty stomach. He’s surely going to regret it, already feeling an impending stomach ache, but his head just hurts so badly. It won’t stop pounding.

He’s already tried drinking water, but oh, God, the white light coming from the ceiling is making everything worse. He really needs to take this pill.

The one thing he hasn’t tried is sleeping, but how could he sleep when there’s so much work to do?

A new file came in just today.

~

Kim Soo-ah, 25 years old. Picture attached.

Waitress: Mon-Fri 8:00-14:00 Endstreet 34, Cornerstone Diner

Maid: Mon-Sat 16:00-12:00 Client’s residence

Requirements: Eliminate target during Diner shift. Target wears a silver ring, has a small brown mole underneath. Send finger and ring as proof once you finish the job.

~

What did this girl do? Minho wonders. It’s the second request to finish off a maid he’s received from this client, but he was too busy for the first one, so he passed it over to one of his associates.

Although he dislikes working for this particular client, he always pays generously, so this time, he decides to accept it.

He’s a bit curious to know why his client keeps wanting to get rid of his maids. In case they heard something they shouldn’t have, it’d be much easier to silence them through other ways rather than killing them. Less of a hassle for Minho, at least. However, he can’t ask. That’s not his job.

His job is to simply follow these instructions to the best of his abilities and get paid. Nothing more, nothing less. Curiosity has no place in his line of business, and he’s better off not knowing any other details.

Before having enough time to flip the page and look at her photo, though, his door opens, making him raise his eyes from the papers.

“Boss, someone’s here to see you.” His assistant enters the room with haste, making Minho raise an eyebrow.

No one should know of this location, so he is taken aback for a few short moments, before clearing his throat and deciding that he must know who found him, and why.

“Show them in.” Minho instructs, and his assistant rushes outside.

Damn, this fucking white light. He groans again and decides to end his suffering and simply turn on the lamp on his desk, even though he forgot his glasses God knows where and he can barely see the papers in front of him.

Moments later, his assistant comes back with a woman small in stature. She has blonde, wavy hair reaching her shoulders, and her eyes are a deep shade of emerald green.

She is intimidated, Minho observes, as he sees the way this woman is trembling in front of him, anxiously playing with her fingers and looking left and right just to not look him in the eyes.

“Take a seat.” He orders, and the girl is quick to sit down in the chair he offered on the other side of his desk.

“Thank you…” She says, her voice so small, it almost comes out in a whisper.

“Now, who might you be?” Minho asks confidently, his tone slightly bored, although he’s actually brimming with curiosity.

“Uhm… my name is Soo-ah. Kim Soo-ah.” She replies hesitantly, and Minho immediately looks at the papers on his desk and grabs her picture, and oh, what a pleasant surprise.

It’s not every day that the prey comes directly to your doorstep.

“Are you perhaps… Lee Know? And if not… could you please take me to him?” She asks, and Minho raises his eyebrow again.

He notices her clutching her bag tightly. She is quite literally trembling with fear, which makes him want to laugh. She is so painfully afraid of being in the same room as him, he can’t help but want to play with her.

“That would be me.” He replies with a cocky smirk. “Why did you want to see me, pretty?”

“I… uhm… if I understood your… profession… correctly, that must mean you are a… hitman of some sort?” She tries to thread carefully, and Minho can’t help himself anymore. He lets out a chuckle at this girl’s innocence.

“You are correct, doll. So, what brings you here?”

“I need your help. There’s someone I’d like you to… uhm… to k- to kill. I-I have money to pay you. Uhm…” She stutters and starts rummaging through her bag, pulling out a few stacks of rolled hundreds. “I’m not sure how much your services cost, but…”

“How much is in there?” He asks, his eyes sparkling with excitement. The rolls are far too small, and too few. It can’t be more than a couple thousands, if that.

“Around $3000. It’s not much, but… it’s all I’ve managed to save up so far. If it costs more, I could get a loan, or-”

“$3000?” Minho cuts her off with a laugh. “You can’t be serious!”

The woman’s expression falls, her eyebrows furrowing in a frown.

“Pretty, that much isn’t enough for me to even cut off someone’s finger, let alone kill a whole person.”

“Oh… how much would it be, then?”

“That depends. Who’s the target?”

“My boss…” She clutches the bag tighter, telling him his name and address. Of course, he expected it to be his client, so this doesn’t really surprise him.

“Oh, love.” Minho chuckles again. “That man is one of the most powerful in the country, you must know since you’re working for him. Taking him out would cost millions. You wouldn’t afford it in this lifetime.”

Soo-ah looks away.

“Why don’t you tell me why you want this man dead?”

“I think he’s planning to get rid of me… Actually, I’m sure of it.”

“Why?” Minho inquires further.

“I… I saw something I shouldn’t have.” She replies, clenching her fists.

“Be more explicit, doll.” He says, and Soo-ah shifts in her seat uncomfortably. By her mannerisms, Minho can tell she finds this hard to talk about, or she doesn’t know if she should tell him at all.

She hesitates for a few more moments until she eventually starts speaking again.

“I am a live-in maid… I woke up to go to the bathroom and his room is on the way… the door was opened, and there were some very influential people and a large stack of cash on top of his desk. They saw me, so I ran away and hid. There was this other maid that told me about something she’s seen, and one day, she simply disappeared, so I was scared… I think that's what's going to happen to me too.”

“I see.” Minho nods. “Wrong place wrong time, huh?”

“Yeah…”

“So, how did you find me?”

“Much like last night, I went to the bathroom a few months ago and overheard a conversation-

“Damn, you should really stop going to the bathroom at night.” Minho jokes, cutting her off. She doesn’t seem too amused and resumes immediately.

“I overheard a conversation about hitmen, and my boss told someone a couple of names and addresses.”

“My name? What exactly did he say?”

“Yes. Your name and many others. Lee Know, Hwang, Yongbok…”

“Alright. And this address?”

“Yes. This is the only one I could remember… Considering this… topic… I didn’t really want to hear much else or risk him catching me overhear anything I shouldn’t, so I ran back to my room.” Soo-ah nods, and Minho leans back in his chair.

They found out where he is, which is bad news. Of course, he has many other secret hideouts throughout the city in case something like this would happen, but still. The fact that he didn’t know about it is dangerous. And apparently, this man also has some sort of information about his associates.

This is bad news.

The most relevant thing in his profession is secrecy. If anyone would know where to find him, he would’ve been dead long ago.

“Thank you, Soo-ah. That’s great information you offered me right there. However, just for future reference, information is not free. You just missed out on your chance to negotiate with me.” He chuckles menacingly, and her expression only falls more.

She doesn’t know what to say, but noticing Minho’s piercing gaze on hers, she decides to look him right in the eyes and do something she never thought she would.

She stands up and walks slowly around the desk, his eyes fixed on her, and she kneels in front of him, beginning to tear up.

“Please. I’m begging you. Please help me. I’ll do anything. I… I don’t want to die… I’m so scared, Mister Lee Know. Please.”

Minho is taken aback, and something in his heart stirs at the sight.

Memories he’s long-ago repressed start surfacing back, and instead of seeing her kneeling in front of him, he sees a young boy with bruises all over his body begging for his life.

~

“Mister, please. I’ll do anything. Please help me! I’m begging you, please! I want to live!” Minho was barely able to get out between his tears, his forehead pressing against the cold, bloodied tiles.

“And why would I help you, kid?” The man in front of him laughed. “You’re young and stupid. You’re good for nothing. What can you give me?”

“Anything! I’ll do anything!”

“Anything?” The man laughed one more. “Will you kill someone for me, then?”

“K-kill? Mister…”

“If you’re not ready to lead such a life, you have no use to me, kid. You’re better off dead.”

“N-no! I will! I will kill! Please teach me what to do, Mister! I will do it!”

“What an obedient child.” The man cackled. “You know what, kiddo? I admire your fighting spirit. Even though life dealt you shitty hands, you still want to live?”

“I do! I want to live, so please…”

“Get up. From now on, your name will be Lee Know. And Lee Know, your first lesson is to never kneel in front of anyone, no matter the reason. That’s how we do things around here. Got it?”

~

“What can you give me, Soo-ah?” He asks, but this time, his voice doesn’t come off amused or menacing. It’s soft and filled with slight concern, and more than anything, with curiosity.

“Anything. I will do anything…” She cries.

“Anything?” Minho asks, and it’s such a contrast to how his former boss treated him. He is not being unnecessarily mean about it, and he is not forcing an answer out of her, although their circumstances are much the same.

He stands up and walks towards her, noticing how bad she’s still shaking.

He knows she’s desperate. However… how desperate is she, really? She’s been trembling ever since she came through the door. It’s clear to him that she doesn’t have it in her to ever be a killer. But still, would she give up her principles to stay alive, or will she stick to them?

He didn’t have the power to stick to his principles on that cursed day way too many years ago, and his whole life changed afterwards. He could never back down.

Would she do the same?

“Anything.” She replies determined, still looking at the floor.

“Will you kill someone for me, then?” Minho asks closing his eyes, his former boss’ words ringing in his head.

“K-kill?” Soo-ah shakes. It’s so difficult to see his past self in this trembling woman.

“If you’re not ready to lead such a life, you have no use to me, Soo-ah. You’re better off dead.”

The words are burning his tongue as he notices all the air disappear from the woman’s lungs.

She begins crying even louder, her hands moving on top of his shoes, holding tightly. Still, she is still not looking up at him.

“I… I can’t. I can’t… I can’t kill anyone. Please understand. I can’t…” She keeps repeating like a broken record, and Minho’s eyes widen.

She decided to stick to her principles, after all. She is better than him.

“Then-” He starts, but she immediately cuts him off.

“He will kill me. I’m so scared… I’m so scared of him, Mister. What can I do if you won’t help me? What if he’ll torture me to find out exactly how much I heard and if I told anyone else? Fuck, what do I do now? My life must be worth at least $3000. Please… please help me…” She speaks weakly, clutching his shoes tighter.

“Soo-ah, look at me.” He requests, but she just keeps shaking and crying.

Minho grabs her arms and helps her stand up, forcing her to look him in the eyes.

“Do you really want to live?” He asks, and she nods her head rapidly.

“I do. I want to live.” She cries.

“I want you to listen to me very carefully. I can’t let Kim Soo-ah live.”

“What?” She blinks, confused for a short moment, until it clicks. “Did… did my boss ask you to kill me?”

“He did. I received your file just this morning.” Minho smiles softly, his eyes filled with sadness.

“Then… I guess this is it for me. I was… I was a fool to come here. I thought… I thought I still had a chance…” She replies dejected. “Months ago, when I heard those names, I didn’t think much of it. However, today… I didn’t know where to go or what to do. I ended up coming here and hoped that maybe, just maybe… if I were to randomly pick one of those names...” She stops speaking, wiping away her tears from her cheeks.

“How did you remember my name and address, though? If it was months ago…”

“My memory is pretty good. Not that it matters anymore.” She smiles sadly and averts her gaze. “I came to the wrong person. It’s alright. It’s… If there’s no other way, will you at least make it quick, Mister? I don’t want it to hurt…”

“Soo-ah.” He places his hands on her shoulders, making her look at him again. “I said, I can’t let Kim Soo-ah live. We’re going to kill her tonight, do you understand?”

“I’m… not sure I do.” She tilts her head.

“From this moment forwards, Kim Soo-ah is dead. You will have to change your hair and your eye colour, and I will give you a new name… What about… Lee Saera?” He suggests after thinking for a few moments, his eyes rolling up.

“Lee… Saera?”

“Mhm. Isn’t it pretty?”

“I like it… but… why? Why are you helping me?” She asks, confusion lacing her tone. “Why are you helping me when you’ve been ordered to kill me?”

“Pretty, no one can order me to do anything.” He chuckles. “I was hired to kill you. But let’s just say… there’s something of me I found in you. Something long forgotten…” Minho replies, separating himself from her and putting his hands in his pockets. “I can’t kill your boss, but I can make sure he believes you’re dead, and in return… you will tell me everything you know about him, and everything he knows about us. You will stay here and help me.”

“Mister Lee Know, I can’t… I can’t kill people.” She whispers with a frown.

“And you won’t. You won’t walk down this path. I will do the killing, and you will do everything else I ask you to, in exchange for your life. How does that sound?”

He extends a hand towards her, and she doesn’t hesitate to grab it with both her hands and shake it.

“Thank you, Mister Lee Know. Thank you. Truly.” She looks him in the eyes, and Minho can tell she’s genuinely grateful. A small thought passed through his head that she could be a spy, but her feelings seem so genuine, he doesn’t doubt her one bit. She is just an unfortunate, young woman, who happened to work for the wrong people and heard and saw too much.

“Minho… Call me Minho, Soo-ah.”

“Minho?”

“Mhm. That’s my real name. Lee Minho. Use it only when we’re alone, and I will call you Kim Soo-ah. When anyone else is present, though, you are Saera and I am Lee Know, got it?”

“Yes, sir.” She nods.

“Good girl.” He smiles and pats her head two times. “Now, the first lesson you must learn if you are to join me, is… never kneel in front of anyone, no matter the reason. Not even me. Got it?”

“Okay... But Minho… how will you make my boss think I died?”

“Oh, right.” He sighs, grabbing her hand and dragging his fingers on top of her silver ring, taking it off and looking at the small mole underneath. “Soo-ah, your boss asked me to give him your finger as proof of killing you.”

“My… my finger?” She immediately snatches her hand back and looks at how closely Minho is examining her ring.

“Mhm. However…” Since she is now one of his people, he doesn’t want to hurt her. Not even a scratch. He doesn’t tell her that, though, because he doesn’t think he’ll have a choice.

How should he navigate this? Should he try and find a body with a matching mole? But what if they were to run any DNA tests?

“My ring… is a family heirloom. It’s extremely precious to me.” She speaks, interrupting his train of thoughts. “What if we would burn something and put the ring in the ashes as proof?”

“Oh?” Minho raises an eyebrow. “But what would we tell him to be convincing enough?”

“You found me hiding somewhere, and… I don’t know. You killed me, took my body to be incinerated to remove evidence, but almost got caught, so you burned it and brought back the ashes as proof?”

“I’m not sure that’ll fly with this guy, Soo-ah…”

“Then…” She raises her hand hesitantly in the air, and Minho sees how much she’s trembling. “Cut it… cut it off. It’s okay. It’ll hurt, but I’ll be alive, so…”

He shakes his head. He truly doesn’t want to hurt this woman for some reason. She doesn’t deserve to be hurt like this, not by him, not by anyone.

Still, there’s nothing he can do. Her former boss is a ruthless man, and he won’t believe him one bit if he were to just bring him her ring. He needs more proof than that.

“Soo-ah, will you forgive me if I hurt you deliberately?” He asks after a little while.

“Yes.” She answers without missing a beat. “You spared my life. You can cut it off, Minho. I will survive this.”

Despite her determined words, Minho knows she is just putting on a façade. She is scared, she is shaking, and he feels so bad. He’s never felt like this before, no matter who he had to kill. However, the prospect of causing this woman any sort of physical pain makes him feel terrible. He doesn’t want to do it, but if he is to prove he’s killed her, he must hurt her.

Minho grabs his phone from the desk and calls his assistant to bring in the doctor, and after ending the call, he grabs her hand and holds onto it tightly for a moment.

“I’m sorry. I am so sorry.” He speaks softly as he pulls out a knife from his pocket.

Her whole body is shaking, and she shuts her eyes tight.

“I won’t cut off your whole finger. I’ll only cut off enough skin to use as proof, and I’ll take your ring. Alright?”

“... Yes.” She whispers, anticipating the impending pain.

Minho takes in a deep breath as he presses the blade into her skin, listening closely to Soo-ah’s sounds. She places her other hand on top of her mouth and tries to be as quiet as possible as the blade rips through her skin.

She fights the urge to jerk her hand back, not that it would be possible with Minho’s strong hold of her wrist and finger.

“There. We’re done.” He speaks hurriedly as he grabs a clean cloth and covers her hand, pressing tightly on the wound. “The doctor will be here soon. Are you alright?”

“It hurts so bad.” She cries out in pain and Minho pulls her closer, hugging her tightly.

“It hurts, I know. But you are alive, and that’s all that matters. You are alive.”

“I am alive.” She repeats and hugs him back, and she can’t believe that so much could happen to her in a span of a day.

She wishes she would’ve never applied to that job. She wishes she would’ve never worked for that terrible man, but she got blinded by the large sum of money he offered, and she took the offer without any further thoughts on the matter, and she truly regrets it now. She always seems to only make bad choices.

The doctor comes in and cleans the wound, informing both of them that thankfully, it’s not large enough to require a skin graft. He is able to stitch it shut, although he informs Soo-ah that it will inevitably scar.

A scar is a small price to pay for her life, she thinks.

Left alone once more with Minho, she doesn’t know what to do. She stays silent and tries her hardest to stop crying and observes as he begins clearing off his desk.

“Soo-ah, you can sit down until I’m done.” He informs her, so she nods and heads back to the chair she sat in previously.

“What are you doing?” She asks after a little while.

“We need to go. This place is no longer safe, since your boss knows about it. I will also need to call my associates and let them know they should relocate.”

“And then… what?”

“I’m not sure I follow.”

“What will happen to me?”

“I told you, haven’t I? We’ll get you a fake ID, change your appearance completely, and then… we’ll see. I still need to think about which tasks to give you, since you’re so…” Minho looks at her and stops, making her raise her eyebrows in surprise.

“I’m so… what?” She tilts her head to the side.

“So… righteous and innocent. I don’t even know what to do with you. You seem like you’d tremble and cry at the slightest mention of a murder.” He replies, and as if on cue, a shiver runs down her spine at the thought of potentially seeing a dead body, and she shakes.

“I’m sorry, I…”

“Don’t apologise for being this way, Soo-ah. There’s nothing wrong with you.” He sighs. There really isn’t. Not everyone is made for this life, and he knows it. But unfortunately, some good people are forced into living like this, and she is one of them.

“I’ll do my best to not inconvenience you…”

“You can do some housework or… I don’t know. We’ll see.”

“Or… as I told you, my memory is pretty good. If you’re stumped with work and have too many documents to check, or information about anyone… I can read all of them for you and just summarize. I will certainly remember everything.” She suggests, and Minho smiles softly.

“That's good to know. But for now, let’s just get out of here, hm? We’ll see what tomorrow brings.”

“Alright.” She nods and smiles back. "Once we go to the new hideout... you should get some rest, Minho."

"Hm?"

"You seem tired... like you haven't slept in a while." She says, and Minho can't help but smile. She is observant.

"Alright. I'll make sure to sleep once we leave this place." He replies, and she smiles satisfied.

Soo-ah is glad that coming to him ended up being the good choice – the only good choice she’s ever made, she believes. She wonders how she could trust him so much in such a short amount of time.

Still, she trusts him, and he seems to trust her too, and she is alive. That’s all that matters.

~The End~

[tuxedoferret]

Arcane finale was good....but

Spoilers for the finale of Arcane season 2, Arc 3 in general.

I'm probably screaming into the void but I wanted to get these thoughts out and see what other people think.

In general, I liked the endings for most of the characters. Their arcs make sense.

Vi, Caitlyn, Ekko, Jayce, Mel, Singed, and Viktor's story conclusions, I think were ended beautifully! (And Jinx too but I'll circle back to her in a second). Their endings made sense and were executed very well! I'm content with how their stories end!

And MOST of the deaths make sense... most of them.

Of course most of the minor characters are dead, no surprise since a majority of them we don't even know the NAMES of unless you scour the credits in the VA section.

Ambessa's death was well done, with Mel finally getting her mothers approval through breaking free of her control and finally being able to decide her own life and Caitlyn becoming a true leader.

The only thing that really bothers me, is the deaths of Heimerdinger and Warwick/Vander. Out of all of the champions in the game they're the only non-humanoid ones that made it into the show. They're also the only (game first) champions to actually die and they barely get to do anything. (I am one of the believers that Jinx is alive because there's no fucking way they would kill off one of their chief money makers, also based on evidence in the show).

With Heimerdinger in season 1 we see him serve as an oppositional force against Jayce, and then a mentor working with him. He gets kicked off of the council as a result of his conservative viewpoint. And he reflects on this, he leaves to go help the Zaunites however he can but gets shunned away. Then the goes and helps Ekko with repairing his board and getting home. In season 2 this continues with Heimerdinger helping Ekko get into Jayce's lab and them having the discussion about wild runes before getting sucked up into the anomaly. His last episode is him in the alternate universe with helping Ekko build the Z-Drive to return to his own universe. He puts it in the amplifier, is about to go with Ekko, then runs out and puts a few more things together and just... dies. Thats it for him. MAYBE he'll come back since he's a Yordle but this is new canon and the man had flesh and blood squished out of him. But in general his death feels cheap and unnecessary. What was the point of his death? How did it impact the narrative and what did the story gain from it as a result? Not fucking much really. He's never mentioned again afterwards. I feel like his death had no impact on the story whatsoever. I honestly think it would've been better if he had survived and returned with Ekko to fight in the battle against Noxus and Viktor. I would've liked to see him, either returning to the council or not, atoning for his mistakes by trying to make things better in Zaun with his inventions.

With Vander/Warwick there was so much hype around the theory that Vander would be returning as Warwick. And we were all super excited when that came true! We love it when the narrative rewards us for paying attention! But we get like... 3 episodes with him before he becomes a Viktor automaton. He was also still very much alive even after Singed drained his blood, so Viktor was wrong about how that would kill him. Warwick's role in the end felt very lackluster, and it felt redundant to just, kill him off AGAIN. Maybe I'm just a little mad because I have read up on Warwick and I feel like he had more potential for the narrative than just... make Vi watch her dad die all over again. The fight scene with Warwick could've been replaced with any big evil bruiser really (coughBlitzcrankcough). In general Warwick felt more like a Vi and Jinx accessory than his own potential character. Which kind of sucks. And maybe I'm a bit salty that we didn't get a full wolf Warwick. I think the whole his mind was reset/erased bit could've still been done if the explosion damaged his head and it healed back wrong/if singed replaced his head with one of the wolves' heads to make him fully Warwick in the end.

Isha's death kind of feels... not impactful at all to the story afterwards aside from Jinx's spiral. I would've liked it if her death did more than just that (Like I said, permanently damaging Warwick/Vander would've been nice)

This is about the league of LEGENDS and you'd think that Warwick and Heimerdinger would have bigger roles than just being killed off to further another characters story after barely impacting the narrative.

Also I feel like Sevika being on the council is like... stupid. I think she wasn't handled well at all after episode 4. She just completely disappears after running away with Isha. Why do we never see her hanging with Jinx and Isha again? I would have LOVED to see how Sevika reacted to Vander not being as dead as previously thought, the man she betrayed and ultimately ended up mirroring in the end with her refusing to give up Jinx to Piltover. I think it would've been fun if Sevika was the one to tell Vi when she woke up that Jinx gave herself up, despite all of Sevika's protests, an inversion of what happened with Vi and Vander. Putting Sevika on the council in the end is just kind of weird for her character. I understand it's like, the idea of Zaun finally getting representation on the council, Sevika getting a say in what happens in the undercity. But I feel like that could've just as easily been accomplished with finally letting Zaun have its own independence with Sevika being the "Baron" of Zaun, being the new leader. Because we've seen she's a genuinely good leader! She has a good head on her shoulders. It would've been fun to see how she'd struggle with being the new leader of Zaun, struggling against the Chem Barons if future series ever decided to look into Zaun again.

In general I'm fine with the ending of Arcane. But I feel like the endings could've been written a different way for those 3 characters. I honestly feel like it would've been better if the show ended off where the game picks up, and I don't even play League, I just like the lore from what little I've been reading.

[applebuttercringe]

Pre-finale Arcane thoughts

I'm so glad we are getting more Arcane content tonight, I am so sad that we are never getting Arcane content ever again.

The writers have revealed that Act 3 will be the longest act by far, with the final episode being much longer than the average episode. It isn't specified how long, but it will be longer.

Despite this extra runtime, and the S2 pattern of getting multiple music video segments per episode, this Act has by far the least songs. Most of the songs have already happened. We only have 3 songs on the soundtrack that haven't happened yet. Then again that assuming the Blood Sweat and tears song will not make it into Arcane. This might be a good sign that they are going to use that extra time for more detailed plot. I know too much music was a big complaint of the first 2 acts.

Also there will be a Viktor song ♥️

I am hopeful for more Jayce and Viktor content, I am excited that they will have another confrontation and Viktors final transformation. I am of course sad about the figurative death of Viktors humanity. It seems from some leaks like the show will put immense emphasis on Viktor and Sky's relationship. It is still unclear to me if the Sky Viktor see's in the Hexcore is really Sky. From what we saw in S1 Viktor and Sky didn't have a very close relationship, we are only ever shown him brushing her off. His grief over her death is more a general guilt and grief of having taken a good persons life, not a personal loss because of a significant relationship between them. My interpretation is that Viktors visions of Sky are a manifestation of guilt. After finding out how much she looked up to him he wished that he had gotten to know her when he could. Believing she is with him now is a coping mechanism to avoid the guilt that he is grieving someone who he went out of his way not to give a chance. Maybe the show will take it in this direction, maybe she will be revealed to be the Hexcore controlling him, maybe they go all in on SkyVik as the new doomed romance.

I like Jinx and I look forward to the show furthering her recovery. If they do. Inevitable because of the death of Isha Jinx is going to spiral, we will get way more sad Jinx content. She will try and kill herself again, she will be absolutely destroying and isolating herself. It's the same thing we have gotten from Jinx for the entire show, she is just forever on the pain train. I am hopeful however that the show will focus on a recovery and that Vi and Jinx's relationship will stay intact despite Jinx's intense grief. I hope Vi will in some way be able to stay and comfort Jinx through the loss of Isha, and through Jinx's self blame. Both Vi and Jinx blame themselves for the death of their younger sibling (powder's emotional death) and perhaps they can both find solace in each other.

Caitlyn and Vi will get back together. Fingers crossed that we get a Cait/Vi sex scene. though honestly the hope is mostly for the memes. After their devastating breakup I am not sure how well the show will be able to just get them back together and make the relationship ok. From both characters perspectives the other has betrayed them in every way, gone against their deepest morals. Vi is in a close family relationship with Jinx, the woman who killed Caitlyns mother, after she promised she had no more sympathy for Jinx. Caitlyn betrayed Vi's trust and tried to shoot a child, then she attacked Vi and gassed the streets of her home. I really hope Arcane doesn't just gloss over this and get them back together. We know from the trailers that they at least argue about it, but most of the blame seems to be shifted to Ambessa, which is kinda weak.

Obviously we will get the Ekko/Heimerdinger Time travel plot. My only concern is that we will not get enough time for this. Even with the extra long act, time travel is an insane element to include this late in the story. Time travel as a plot point is infamous for creating massive problems for the story, it's almost never done well.

Overall I think episode 7 will start with a cold open flashback to Jayce's time in the Hexcore and show us both what happened to him that caused his turn against Viktor, I think this will be a flash forward to a future where Viktors commune has spread and the people don't really have free will. This flashback will also show us what happened to Ekko and Heimerdinger. This is where time travel will be introduced.

The next episode will focus on Jinxs grief, she will have another attempt on her life and be stopped by Vi. Vi and Caitlyn fight over Jinx's involvement in Caitlyns mothers death, but Caitlyn will see Jinx's grief and how it mirrors her own and come to the conclusion that war destroy all. Caitlyn and Vi will fight about Caitlyns involvement with Ambessa. Ambessa and Singed will be bringing Vander back to life as well as Viktor. Singed will strip Viktor of his remaining humanity so the "mutation" will survive. Viktor in some way will agree to this motivated by his witnessing how emotions tore down his commune and the betrayal of his best friend, accompanied by The Line song.

Jayce returns and finds out that Viktor is being resurrected, he once again wants to stop him in order to stop the Arcane from spreading. He will explain the Hexcores spread to Vi and Caitlyn to explain his action sagainst Viktor.

In the final episode they all team up to fight Ambessa, Jayce goes separately to fight Viktor. Ambessa will have revived Vander, except he will have lost his humanity and no longer contain Vi's father. This breaks Vi's heart, but she ultimately has to fight and stop him. Caitlyn and Ambessa will have a showdown that mirrors their training fight on the boat. This fight will take most of the episode and have a banger soundtrack. At some point in this Piltover v.s. Noxus battle Jinx will show up having made the choice to move forward and redefine herself, here we get the haircut and new design. Maybe she will rename herself.

I'm not sure how Mel fits in, her plotline seems so separate to the rest of the story. My assumption is she somehow makes it back to Piltover and confronts her mother about being the mystery child with magic powers. She will also side with Piltover against her mother. Being forced to fight against her daughter will shake Ambessa's resolve, as in her mind she is doing all this for her daughter.

I have the sinking feeling this will all end with the characters solving it with the power of friendship. It seems obvious that they will team up to fight Noxus, but there is no way they kill Ambessa, she is too profitable and promoted by Riot. Her status as a badass is being promoted on all the games and she has a tie in book coming out. I doubt they kill Vi or Jinx, too central. Caitlyn has to live to end up with Vi. Killing Viktor for a third time would be cheap. Jayce's arc hasn't led up to it.

I have a lot of ideas for cool things that could happen, and where it feels like the story is steering, But I can't see how these plot threads come together for a satisfying conclusion in just 3 episodes.

So much discussion about Arcane S2 ends with "but we'll see where it goes" this is the shows last chance to prove if it really was going somewhere with all of this, if the last few episodes were just set up to something great, like how so many people found season 1 act 1 boring/generic. or if the show is just fumbled. If these episodes suck then it will retroactively make these characters arcs all feel like they ended up going nowhere. In a heavily plotted show like Arcane where everything has always ended on a cliff hanger, where it finally goes will make or break the show. These character arcs and little animation details people have been obsessing over were either genius or a bunch of fluff that ended up amounting to nothing.

I am excited, a little worried. Mostly excited.

[lanalaynetalks]

Tenrou Island is one of my favorite arcs! I love this arc so much. I think this is possibly a controversial take. I don’t know. My favorite thing about shows is learning more about systems in the world. I think it’s just so interesting to see how wizards become s-class. This is going to be long. I am so sorry I love this arc so much. It’s a lot of Cana… I ADORE CANA. Plus a lot of Levy and Gajeel! I just think this arc features so many fan favorite characters so well. This is also before The Thunder Legon was nerfed so they have some cool moments. Just I love this arc so much!

1. I do think it’s crazy that they really just throw us into the arc with no filler episodes/arc between. I think this is one of the only arcs that doesn’t have filler episodes before or a filler arc.

2. Fairy Tail having a sacred place implies that other guilds do as well.

3. Something I find weird about S-Class wizards is why does the title follow you from one guild to another. Juvia and Gajeel were S-Class in Phantom Lord, but not Fairy Tail.

4. Silly thing time! Hiro Mashima trying to put all the main characters and main side characters on the island.

5. Lisanna and Juvia. I wish we kept seeing them as friends.

6. Evergreen and Elfman are one of my favorite ships and should be a main ship. It should be the big 5 instead of big 4. They were more together by the end than any of the other ships! I LOVE THEM!

7. Oh Mest… I miss your silly personality. Also how did he go from ok looking, to hot, to Nastu wannabe. I will be mourning when we see hot Mest for the last time.

8. Why did Makarov keep picking Cana? It seems a little cruel.

9. First Mavis mentioned. Mavis is one of my favorite characters of all time. I love her so much. Fairy Tail Zero is so good and made me love her more.

10. While pacing was my biggest issue for the last two arcs I feel like this is when the show found its pace. Without this arc the grand magic games would have not been as good as it was. I said what I said!

11. If I walked into the route and saw it was Mira I would have just walked away. Mirajane scares me the most out of all characters in the show.

12. I’m going to say it! I ship Lily and Carla! I said what I said!

13. I never got why Hades was so obsessed with Zeref. Because Zeref literally taught him how to use magic. I also wish we got more info on why he turned evil. It’s hard for to believe e he would attack Fairy Tail because he was a founder and was like best friends with Mavis. Him being Precht makes no sense because we never get a full explanation on how he turned evil other than he basically accidentally went down the alt right pipeline

14. I will never get over the Iron with a heart in the O. When I saw it for the first time I screamed and I still scream and fangirl over it!

15. Makarov talking Gajeel into joining Fairy Tail will forever be one of my favorite Gajeel scenes.

16. This arc is really when we start seeing Wendy come into her character and she becomes less of just the little kid to a true character.

17. It’s heavily implied you can’t say no to being Fairy Tail’s guild master. We see Makarov be like lol no and Precht being like lol too bad. Then we see Guildarts being like lol no and Makarov being like lol too bad! Then we see Guildarts being like lol as master you are now master again! Like can they really not say no?

18. I wish we could see Makarov in his prime. I know there has been discussion about how the series is going to continue. I don’t want next generation Fairy Tail I want to see old generation Fairy Tail. I want to see Makarov and his old team beating people up. I want to see Precht as guild master. Or even early days of Makarov being guild master! I would even be ok if it was like Fairy Tail Zero where it was a one arc story.

19. I do have a theory that Precht made Fairy Law. I don’t think it’s stated ever that Mavis made all the grand fairy spells but I maybe wrong. So that’s how he was able to make Grimoire Law.

20. Another theory I have is that Precht took care of Makarov after Yuri’s death.

21. Now this is an out there theory. I know it. I believe that Yuri called Laxus back to the island. HEAR ME OUT! We know that some things just happen in Fairy Tail especially with the living and the dead. Yuri promised to always protect Mavis also his son was in danger. His legacy (Fairy Tail) was in danger. I also think that it could have been Mavis, but I think it’s more poetic coming from Yuri.

22. Makarov saying it’s up to his successor and us being shown Laxus… I am going to call it right now. The end of 100 year quest we will be seeing Laxus becoming master. This would be a perfect way to end his character. This is not the post to get into it, but ya that’s my prediction.

23. God Slayers… oh the magic that was sort of forgotten about. How sad.

24. I will die on this hill. Laxus should have been the Lightning God Slayer. This would had been able to connect him, Ivan and Hades together in a perfect way.

25. This arc also has some of my favorite speeches.

26. One thing about me is I am absolutely sat every time Mirajane transforms.

27. Elfgreen is such an underrated ship.

28. I love Evergreen so much.

29. Capricorn is cool! I really like him even if he isn’t used enough. I love him! Probably second favorite spirit. First is Aquarius because I am an Aquarius and she is just awesome.

30. Favorite Juvia moment is when Meredy said she was wanting to kill Gray.

31. Also wow the show that has shown over and over again to become more powerful is to channel your emotions is showing how emotions makes people more powerful. I really don’t get why people give Fairy Tail so much hate using the power of friendship. It’s almost like we are shown over and over again that is literally how it works. More emotion = more power. It also makes me more mad now knowing the show was created because Hiro Mashima was lonely.

32. One of my favorite things to come out of this arc is Juvia and Meredy’s friendship.

33. Honestly Juvia vs Meredy is my favorite Juvia fight.

34. Cana my love. We both have daddy issues. She just like me for real!

35. Me realizing I’ve misspelled Gildarts name this whole time… oops

36. Seeing Cana’s mom’s will and seeing Cana’s cards being around it. I think her mom also used card magic.

37. Can we talk about how Cana was defeated by Laxus in her first S-Class trial. We don’t talk about this enough!

38. I truely believe that any minor inconvenience Cana threatens to use Fairy Glitter.

39. Fairy Tail having grand spells implies that other guild have grand spells

40. Rip thunder legion…. They aren’t dead they just get hella nerfed after this arc. Well more than they already were after the battle of fairy tail.

41. One thing about Gray is going to try to cast ice shell.

42. I love Ultear so much. She is one of my favorite villains.

43. Lily being scared of thunder and lightning. Adorable. I love him.

44. I do think Hades being a founder was added later on because when he revealed he was the second guild master he didn’t mention being a founder and I think that’s something that would have been mentioned.

45. LAXUS IS BACK BABY! ONE THING ABOUT LAXUS HE KNOWS HOW TO MAKE AN ENTRANCE!

46. We are so spoiled in this arc. We got so much of side characters showing their skills.

47. So Nastu just got the flame lighting power. Honestly don’t understand how it worked! But I don’t care because it’s cool! Wanna know what’s not cool? The fact that Wendy is the only 1st generation dragon slayer to not get an extra dragon slayer element. I hope by the end of 100 year quest she gets something. I want cobra to give her poison. Because that would be badass.

48. The exceed side mission is so adorable and goofy. I LOVE IT.

49. To think of Hades just kept his Fairy Tail emblem he would have been able to win the final fight because the tree was restore

50. People say it’s a plot hole that Ultear was able to restore the tree because she said she can’t use her magic on living things, but I think it was just bad phrasing and really it’s like humans and animals she can’t us her magic on.

51. The Laxus ship that makes the most sense to me is that him and the thunder legion are just a poly relationship. Yes Elfman is apart of this.

52. Another reason why I don’t think Hades was always supposed to be a founder of Fairy Tail is because how did he not recognize Zeref as the man who taught him magic?

53. I love Gildarts and Cana so much! I know if Cana told him from the start he would have stopped going on his long jobs to take care of her. He is such a girl dad.

54. Everyone begging Makarov to let them stay and fight is another moment that makes me cry every time. Honestly the whole episode does.

55. Most iconic scene in Fairy Tail is them holding hands and no one can change my mind.

56. Mavis protecting her guild. Her babies! I love her. The foreshadowing of fairy sphere being more powerful than Acnologia.

Tenrou Island is one of the best arcs. It is also a soft reboot of the show. I can’t wait for the grand magic games. I don’t know if I’ll watch the clock arc. I haven’t watched it in years. It is always a skip for me because I want to get to the grand magic games. I know I missed a lot during this arc and forgot to write things down. I watch the show while working on my school work. I love talking about Fairy Tail so don’t be shy send me things! Thank you for reading me fan girling over my favorite piece of media! The grand magic games post will likely be multiple parts because I think it’s peak Fairy Tail.

[thegirlwhorideslikeasamurai]

Thank you for sharing your thoughts! <3

To be honest, I don't know. The stories I'm reading and those I have read have a quite consistent audience that writes many (and even quite a lot of detailed) comments while these stories are being updated. But I usually read in other fandoms, so I can't tell if the demographic of these fandoms is generally more supportive of their writers or if these writers just know how to engage their audience. However, when I look at the stats of a couple of stories in the YOI fandom that started around the same time as CYHMH (summer 2022), I'm not so sure that it's just fandom demographics. Back then, there was one new story that had 10 chapters out with like 200 comments and I even saw one that had only 2 chapters out but already 300 comments. So, even back then and a long time before the movie cancellation, it was pretty much still possible to excite readers (For the record: I didn't look around for too long to protect my mental health, so the data I have to base my impression on is very incomplete.) Now that I know that many fans are very vocal about wanting more canon content, including some in-between-the-episodes stuff which CYHMH has in abundance, I'm genuinely puzzled. Having heard about the success of other novelisations and sequels, I doubt that's just about original content.

Interestingly, the movie cancellation didn't impact my stats at all. At that time I had a long-wished for uptick in engagement (supposedly due to the fact that I had resumed posting the improved & beta'ed version, but I'm not sure of that) and that uptick held on until about two months after the cancellation. It made me hopeful that I had finally found a steady audience. Interestingly, shortly after the eros-off ice chapter [about 2 months after the cancellation], comments and hits/chapter dropped massively and basically back to the low level they had been at in 2022.

The story has 477 comments (I'm counting the threads, not the total number), which is about 10 comments/chapter on average. From the outside that looks really good. However, a lot of that is from either readers who discovered the story later and made an effort to comment each chapter plus the success it had during the first half of this year. And don't get me wrong, I'm so happy every time a reader takes their time to comment on chapters that had been posted long ago because many readers seem to think that writers don't care getting feedback for these although most of us crave that. In many cases that finally got me the kind of feedback that I would have desperately needed to keep going in 2022, and if I had gotten that back then, the long break wouldn't have happened. Because no matter how much I appreciate these later readers (they're 3 in total, including you and I love every one of you <3), I also need some support and engagement when I post these chapters to keep staying motivated and not being on the verge of quitting writing again because just sharing them had made me feel so miserable.

Right now, there's still some engagement left. But knowing my experience with writing a series for my last fandom (before AO3), engagement drops with every instalment. So if, at this point, there is already so little excitement for my take on the ending of the show and my take on a continuation, I just know from past experiences that it will go down even further for the sequel. And for me, that really begs the question of whether I want to expose myself to another bout of losing my joy for writing and contemplating quitting it because I've already been there often enough.

At this point, I'm just at a loss about what to do. I feel like I did already everything that I could and it's still nowhere near enough: I did tons of research for this story, especially regarding Japanese culture and figure skating. I conducted a meticulous canon analysis to ensure that the characters are in-character and that everything that I add is a logical extension of canon to make sure that this story "feels" like YOI. I worked with a beta-reader because English is not my first language and in those chapters I've posted in 2022 it really showed. I respond to every comment and thank the commenter. And I post previews with little success, at least here on tumblr (not sure what the people on twitter do with them). There's hardly anything I could still try and it's not working.

Okay, I need to get this out of my system.

I have planned to post the sequel to my YOI novelisation in exactly a month from now. My beta said that the sequel feels like an actual continuation of YOI and a friend is even drawing a cover picture, which is just so amazing. But the more I think about it, the more it seems like I'm bound to regret releasing this story a couple of weeks later.

I won't lie. CYHMH had the total opposite of a dream start. I even paused the story for an entire year to get a beta reader because I failed to keep my audience interested and concluded that it was obviously bad. Or maybe it only did so poorly because it can't compete with other novelisations. I don't know and I don't want to know because if I learned the truth, I would probably shoot myself.

The story has 600+ kudos, but that's not reflected in the hits/chapter at all despite all the improvements I've made. The number of hits/chapter which had skyrocketed for a brief time span earlier this year (aka after I resumed posting the improved version) has decreased by 75% since June and hasn't recovered since. Often, I lose bookmarks and subscriptions within hours after posting a new chapter, which couldn't be a more obvious feedback.

I see this loss in interest also reflected in my chapter announcements and previews (not they had ever been great to begin with). Often, I'm the only person reblogging them because rarely anyone else does. On the other hand, my post that I would postpone the latest chapter due to the US elections was so popular and the contrast to the reactions when I finally posted that chapter was so huge that I wonder if people just want me to shut up and stop posting. To be honest, not posting would save me a lot of time and spoons because, let's be frank: writing for a mostly silent audience is just not it. (I have a little bit more engagement on other socials, but the downwards trend is the same there.)

There are only three chapters of CYHMH left to post. The story is at its climax and seeing the lack of interest and enthusiasm so close to the end is just so fucking disheartening after putting so much work into this story which I call my love letter to YOI. Maybe I don't write the kind of stories that inspire the majority of its readers to gush about it, but a part of me had been hoping for at least some people to be thrilled that the chapter was finally out. Or to be at least excited about the sequel. And I can't decide whether my writing just sucks that much to most people, if you're just silent because you only talk about my stories in some exclusionist fic club, or whether a sequel is just not wanted or needed due to the fandom being already saturated with that kind of story.

Would you guys prefer that I stop posting? If you really want to read my YOI sequel or just anything for that matter, I beg you to tell me and to support me.

[anyoldfandom]

I am actually. I am so emotional over the Salazar parents and I need to share this to tumblr too.

A lot of stories where the MC is adopted I feel. Either dismiss the biological parents and the impact they have on the kid's life, or makes them evil and abusive, framing the loss of the bio parents as a good thing, or at least something we shouldn't think about just look at this new family.

But Genrex doesn't do that. From the start, Rex wanted to find out more about his parents - it's one of his primary character motivations, next to helping people. He loves them, even though he doesn't know them.

And the more he finds out about them, the more he realizes they loved him. Rylander is consumed by guilt but as Rex's first connection to his pre-Event life, the first thing he does is hug him. And when he tells Rex about his parents, the two things Rex knows is that 1) they were scientists, and 2) that when he was in danger, they were desperate enough to use their secret, experimental technology to save him. Technology built from their desire to help the world, to save countless lives and end countless suffering.

And then. When he finds out that they were dead, he doesn't stop caring. It'd be so easy, too, to tie it up there - his parents were good people, he got his answer about them, the end. But they don't. He doesn't. Because the show is saying once again that they are his parents. He still calls them mom and dad, even as the show makes it clear Holiday and Six adopted Rex as their son. Even as the show even parallels Six and One with Rex and Six (and I will talk about that more later if I don't forget, trust me), to really drive home how much they're family. Rex even says he considers the two of them family, and later that he considers Noah, Claire and Annie family.

He has new family, the show tells us, but his old family still matters to him. He's upset that he never has the chance to meet his parents, that everything he hears about them, about his time with them, is secondhand knowledge. It tells us clearly that not only does Rex still love them, but that he still wants to know them. And everything we find out about them reinforces the love that they had for each other.

We see Abuela and the family in Mexico, who connect him to his birth family and tell him that he was so loved back then, and still is now. We see their office in Abysus through Rex's eyes. The picture of him and his dad on his desk. The drawing Rex drew, proudly pinned to the wall.

We see it in the familiarity of the drawing. That that robot, that build, was what Rex created when he was lost and scared and alone - that it was made to keep him safe. That it first appeared in his mind in a place he felt safe.

The show says, tenderly and softly, that the love is still there. That the fact these people died was nothing but a tragedy, that their love is a big part of what made Rex who he is today - that every molecule in his body is filled with their final gift to him. That every time he cures someone, every time he uses a build, every time he makes a machine - we see the love that they had for him.

And the way he quietly absorbs his father's face. The way he freezes and whispers "Mamá?" when he finds out Zag-Rs has their mother's voice. The fact that she even has her voice as a testament to Caesar's love, too - that it was meant to bring comfort and safety. The way Rex yells at Caesar when he finds out they have a family property, a connection to their past, the way he fights to protect it.

And, none of this takes away still from Six and Holiday being Rex's family too. None of this removes the work either set of parents did for him, the love either set has - the show says that it was unfair that the Salazar parents were lost. That Six and Holiday are not replacements, that they still love him as parents but play different roles in his life. They can not, and have no desire to, replace the Salazars. But Rex needs parents, he needs protectors, and so they will do what they can for him - at first out of necessity, to keep this kid they barely know safe, but then out of love. They aren't replacing what was lost, but are doing their best to do what Rex's bio parents would do. And they do mess up in it - they mess up in ways Rex's bio parents might not have. Six is clearly bad with showing affection, affection we saw the Salazars give Rex so easily, and Holiday is overworked and stressed constantly, sometimes breaking under the pressure and snapping at Rex and Six, things we never saw the Salazars do.

It's just. It's about how sometimes things will not be the same. They will be different. That doesn't mean the people you lost aren't still with you.

[perenlop]

okay so as a gen 5 stan who does adore the story in bw and bw2, and now that gen 5 has experienced both a vicious hatedom that wouldnt hear a single positive thing about the games, and now a super protective fandom that insists they were perfect and had zero flaws... can we admit now that the bw1 story at least was. a little mid.