#this one is like. real life consequences.

[nadvs]

the act of unravelling (part two)

pairing rafe cameron x pogue! female reader

rating mature 18+

summary you never expected you’d get tangled up with a kook, least of all, rafe cameron. one night, you make a life-altering decision to get revenge on someone you both despise. after you vow to keep what happened a secret, your relationship begins to twist into something more.

tags very dark! violence, homicide, drug and alcohol use, parental neglect, mental illness, s/a, trauma. no smut.

< prev

Rafe stands and looks down at the body, his fists clenched tightly. Reality is setting in now. He could go to prison. His future could be ruined.

He’s perpetually at the mercy of his impulsivity, thinking only of the minute he’s living in, burdened with the consequences later. But still, even with his head a little clearer, he doesn’t regret this.

Ripping away the life of a man who wronged him was a thrill. He spends every day feeling like he’s losing and the power he had in his hands tonight felt so fucking good. He won for once.

You feel heavy as you push yourself up off the floor. You wish you could curl up in your bathtub under hot, gushing water, washing away everything that happened tonight.

The corpse is harder to look at with every second that passes. You glance up at Rafe, blood splattered on his face as he stares down at what he’d done, at what you’d done, chillingly unfazed.

“We can’t leave anything that’ll point back to me,” he mumbles, his voice low over the fireworks still crackling outside.

“Or me,” you have to remind him tensely.

His eyes land on yours. He’s always only looking out for himself. He doesn’t know what it’s like to have to worry about someone else.

“I’m serious,” you urge. Your survival instinct rushes through you for the second time tonight. You refuse to let Rafe throw you to the wolves. “I saved your life. You owe me. I won’t take the fall for this.”

“Well, neither will I,” he snaps.

“You shot him.”

“I could say you did,” Rafe replies. “And it’d be your word against mine. What then?”

You scoff, in disbelief of his selfishness.

“I saved your life,” you repeat. “Does that mean nothing to you?”

Rafe swallows hard. He’s not sure many people would do what you did for him tonight. They’d watch. They’d let him die. The possibility that you might feel something for him makes his chest twist with an unfamiliar warmth.

“We’ll look out for each other, alright?” he relents, letting his guard down for a moment. “Let’s just clean this up.”

Your phone buzzes in your pocket again. You pull it out, seeing Pope’s name. Twelve missed calls.

You hope your friends don’t get so worried that they come up here, ignoring the Off Limits sign Porter had put up across the stairs. But they don’t know where you went. You’re almost certain.

“My friends keep calling me,” you whisper.

Rafe’s jaw tightens. His friends aren’t worrying about him.

“You can’t answer them,” he snaps.

“I know.” You let out a shaky sigh, tucking your phone back into your pocket. “We have to be fast. What do we do? Do we bury him?”

Rafe takes a beat to think.

“We dump him in the ocean,” he finally says. “We go to the marina and drive my boat out far enough where nobody will find him.”

“How do we move him so nobody sees? We can’t go through the house. We might run into someone.”

Rafe looks to the glass door on the other end of the room, the balcony offering a view of the inky night sky.

“There,” he says. “We’ll push him off and put him in the back of my truck.”

You consider it. Of the limited options you have, it seems like the only one worth trying.

“Okay. We have to clean the blood off the floor,” you say. “And everything we touch needs to be wiped. Maybe there’s something with bleach in it around here?”

For the first time since you entered this room, you feel hope. There’s a chance, a real chance, you could get away with this. You look back at the desk Rafe ransacked.

“Pick that stuff up,” you say. Frustration rolls through him. He never liked being bossed around. “I’ll try to find something to clean with.”

“Don’t let anyone see you,” Rafe mutters.

“How stupid do you think I am?” you huff before you turn towards the door.

You tiptoe through the second story, peeking into a bathroom cupboard. When you find a spray bottle that reads Cleaner and Bleach on the packaging, you grab it and head back to the room.

You and Rafe move quickly and quietly, using clothes you found in the closet to wipe everything with bleach. After a loud, consonant cracking of fireworks that you assume is the grand finale, the show ends. And you know people are on their way back to the house.

The neighbor’s private beach can’t be that far away. You have a minute. Maybe two.

You’re glad Rafe thinks to find the shell of the bullet. He puts it in his pocket. You spray the bleach over the floor again, cleaning every drop of blood you can see.

“Tuck this stuff under his shirt,” you say breathlessly, handing Rafe the bottle and the blood-soaked clothes.

You can’t do it. You know you’ll need to touch him when you move him, but you’d rather limit the contact you have with his body. Even dead, when he can’t hurt you, touching him is terrifying.

You pick the gun up off the floor, then open the balcony, relieved you can’t hear any voices yet. You peer over the edge to see the sandy ground. The balcony overlooks the side of the house, dark and secluded.

Rafe grunts as he drags the corpse out onto the balcony. You have to muster up every bit of strength you have as you help heave Porter’s body over the railing. He falls with a hard thud, facedown in the sand.

You have to jump the balcony. You can’t risk going downstairs. Rafe is wide-eyed as you hitch your leg over the railing, looking down with shaky breaths.

“Wait,” he whispers. “Let me go first. If you break something, we’re fucked.”

He shifts down as low as he can before letting his feet hang over the edge. He lets go, dropping hard, his ankles pinching with pain from the impact.

“Okay,” he says. “Go.”

You feel a splinter dig into your palm as you clutch onto the wooden railing with one hand while the other holds the gun. You make the split-second decision to keep the balcony door open to air out the smell of bleach.

You hope you cleaned away every drop of blood in the room. There’s no going back to it now.

You sink, hanging as low as you can, looking over your shoulder before you drop. Rafe’s arms wrap around you as your feet hit the ground, his chest hard against your back, breaking your fall.

“If someone comes,” he whispers in your ear, “run.”

Waiting for him to get his truck is torture. The humid night air presses against your face and you can’t bear to look down at the body on the ground.

Rafe returns and you move quickly, straining as you carry the body over the uneven terrain, the soles of your shoes slipping on the sand.

Once the body is in the trunk and Rafe unfolds the cover, blanketing the cab and concealing the evidence, you feel a shred less frightened.

You glance back into the darkness just in case. A glow of a phone screen is in the sand. Rafe is already behind the wheel, demanding that you get in, his voice carrying through the open rear window.

You feel for your phone. It’s still in your pocket.

“Do you have your phone?” you whisper.

He responds after a moment, “Yes. Get in.”

“I think his phone fell on the ground when we were carrying him,” you say. “We should–”

Faint laughs in the distance interrupt you. There’s no time to run back and get the phone without being seen.

“Get the hell in,” Rafe mutters angrily.

You obey, swinging open the door, barely closing it in time as Rafe peels away. Your muscles prick from the weight you’d just carried as you drive past the partygoers coming back from watching fireworks.

“Holy shit,” Rafe chuckles, near elated. “We did it.”

You stare ahead, your head foggy.

This will haunt you for the rest of your life. The thought forces a torrent of dread through you worse than you’ve ever felt before.

What if you’d run out of the room when Rafe and Porter came in? What if you’d left Rafe to deal with the body on his own?

What if you’d never gone upstairs?

You’re destined to agonize over the what if’s of tonight forever.

You gaze down at the gun in your lap and hold your hands out in front of you, skin stinging from the bleach. You’d wiped away the blood, but you think you’ll always see it on your hands.

You figure out that it’s a good thing you left Porter’s phone. If he was sharing his location, you’re sure the police could track where it was last before you threw it into the sea with him. They’d know exactly where to look for his body.

“We should shut off our phones,” you realize. “I think they can track GPS history from cell towers.”

Rafe digs into his pocket, glancing down to watch the screen go black.

“How’d you think of that?” he mumbles with a laugh. “Is this not your first time doing this, Pogue?”

“Nothing about this is funny,” you reply.

“Relax,” he says. “We got away with it.”

“You can’t be so sure,” you say. “One fingerprint in that room and…”

You can’t think about it.

In the paroxysm of emotions you’re already feeling, guilt digs a hole into your stomach when you see Pope’s most recent text before you power off your phone.

Answer the phone. We’re worried.

·········

The clock on Rafe’s dashboard reads 10:44 when you reach the marina. He parks right by the main dock. The place seems quiet, the water crowded with seemingly unoccupied boats.

“I’ll take a walk around to make sure we’re alone,” he says, pulling his key out of the ignition.

The car door slams shut and you’re left with a gun in your lap, a body in the trunk, and your tormenting thoughts.

Maybe you missed something back in that room.

You picture Porter’s phone lighting up in the sand. His last text to you said to come upstairs. When the cops inevitably start searching for answers, you’ll be questioned.

A minute later, Rafe swings open your door, pulling you out of your daze. You meet his glare, his hair tousled and sweaty.

“We’re good,” he says. “Move.”

Having to haul the body over the dock past darkened, quiet boats is unnerving. Ater you leave it at the back of Rafe’s boat, you stand behind him at the helm.

Your arms are crossed and the gun is tucked by your elbow, because if you learned anything tonight, it’s that you can’t trust anyone.

Rafe’s still a man. A man who takes what he wants when he wants it. A man who killed someone because he didn’t obey him. He could hurt you if he wanted to. It’s best not to be alone with him.

“I should wait in the car,” you mumble. Rafe shakes his head in frustration, driving the boat forward. The boat’s motor hums as you rock with its movements.

“No,” he mutters condescendingly. It reminds you of why underneath the stubborn pull you’ve always felt towards him, you’ve also harbored a quiet fear. Rafe is violent. Possibly enough to hurt you the same way Porter did.

You feel for the gun again. If two men have to die tonight, so be it. The fact that your mind went there chills you.

Rafe looks over at you, lips twisting in annoyance.

“Don’t feel bad for that asshole,” he mutters. “He asked for it.”

It’s the worst possible thing he could’ve said. Your throat is raw with the threat of tears. Asked for it. Would he say the same about what happened to you?

“I don’t regret it,” you tell him, sure that he’s assuming that that’s why you’re so tense. “I’m just worried we missed something.”

“If we did, nothin’ we can do about it now,” he says. You look ahead at the dark sea, moonlight shining over the water’s ripples.

“We need to figure our story out,” you say. “How’d you end up upstairs? Did anyone see you?”

“I stopped him while everyone was going outside to watch the show,” he recalls. “Told him to show me where he was keeping his coke because I heard he was selling again. It was loud. I don’t think anyone heard, but maybe someone saw. I don’t know.”

“Why do you sell?” you ask, face pinched in confusion. “Why did you even care that he was selling, too? You don't have enough money already?”

“I gotta keep your tips coming, don’t I?” he says smugly. You scoff, jarred by his blasé attitude, despising his cold arrogance.

He notices the angry scowl on your face. He’s convinced he’ll never break through the hatred you have for him.

“I want to make my own money. That’s why,” he admits. It’s half the truth, but it’s good enough.

It’s surprising to hear that Rafe, a man you thought coasted on the wealth he was born into, possesses a work ethic. Even though he uses it to deal drugs.

“Did anyone see you go upstairs?” he asks.

“I don’t think so,” you say.

“Why were you there?”

You chew on your lip, the truth sitting on your chest like a ton of bricks. There’s no point in telling him. He thinks your motive was the same as his. Money. And you’ll let him believe it.

Besides, talking about it now, merely an hour afterwards, will only make you cry again and your head is pounding from how much you’ve already wept tonight. How could you possibly say it out loud?

“To buy pot. Then I smoked too much and passed out.” You keep talking before he can ask anything else. “Are we far out enough?”

Rafe looks back to make sure the marina is out of sight before he kills the engine.

Pushing Porter’s body over the guardrail is harder than the other times you’d carried him tonight. The water is rocking the boat so much now that you’re far into the ocean. Your breath is strained as you heave him over the metal, his body hitting the water with a loud splash under the bright moon.

Rafe pulls out the bullet shell in his pocket and tosses it in the water. You know you have to throw the gun in, too. It’s hard to. But you do it.

Rafe looks over the edge now that everything is sinking to the bottom, his forearm brushing against yours. He notices how quickly you jerk away, refusing to let him touch you. The pull he feels towards you is obviously one-sided. Your eyes flit away when you look at him.

“You have blood on your face,” you tell him soberly. His temper flares, feeling stupid for thinking a girl could feel anything but afraid of him after he shot someone right in front of her. Even though she was the one who told him to do it.

You might have a deadly thirst for revenge in common, but that’s where the similarities end. He stalks past you to wash himself off in the bathroom below the deck.

You let out a shaky breath. The unexpected contact with Rafe startled you. After tonight, you’re sure you’ll always be scared to be around men you don’t know all that well. Even the ones that seem decent are just lions in sheep’s clothing. The monster that proved that to you is below the ocean’s surface now.

You look into the murky water, and despite the fear and the anxiety and dread weighing on your heart, you’re glad that this is how it ended. Porter paid the ultimate price for what he did to you. He doesn’t deserve to live, to smile, to feel anything ever again.

·········

You and Rafe sit behind the hull, the boat swaying with the tide. You start to piece together an alibi and decide to admit you were upstairs together. If even one person says they saw either one of you go up there, you won’t be caught in a lie.

As you talk, Rafe can’t take his eyes off of you. You’re clearly scared, but trying to stay level-headed. He doesn’t get how you do it. He’s always been bad at keeping his mind steady. He never had a reason to even try.

“So, I went up first after he texted me to come buy from him,” you say, hoping your voice doesn’t shake. “I got high and passed out. Then you came up with him to find his stash. We’re obviously going to have to come clean about the drugs.”

“What do you mean obviously?”

“You’re going to be a suspect the second the police start talking to people,” you tell him. “Everyone knows you had an issue with him. And why. You can’t lie about the coke. And they’ll have evidence that I was buying weed from him. We have to be honest about it. They’ll find out anyway.”

Rafe sighs, knowing you’re right.

You hug yourself as a cool breeze carries over the water. The weakness in your gaze reminds Rafe of the way you’d cried on the floor earlier tonight. Before all this, he only ever saw you as strong-willed and sharp-tongued.

Even though calming a man like Rafe down when he’s angry sounds like it’d be impossible, you figure it’s the only direction your alibi can go.

“We’ll say I talked you down and…” You shake your head. “It doesn’t make sense that we’d stay up there. I think we say we left him in his room and sat on the beach alone in front of the house to watch the fireworks from there.”

You worry it’s not enough. You’re certain that no one who knows either one of you would buy that you voluntarily spent time together.

“Maybe the cops would believe we hung out,” you mumble, “but nobody else would.”

Rafe stills. His friends like to give him crap about how much time he spends talking to you when he supposedly hates Pogues. If he told them he was with you all night, they’d say they saw it coming.

“They could,” he says after a few seconds of silence.

“My friends would never believe it,” you scoff. He purses his lips, pissed off at your tone, at the clear implication that you talk shit about him with your friends.

“It’s our only option,” he mutters sharply.

“You’re right,” you give in. “Then what? We went home before people got back? I guess that way if anyone saw us leave together, we have it covered.”

“Yeah.” He clears his throat. “That’s the story.”

“Okay. It’s not great, but it’s the best we can do.” You check your phone for the time, only to remember it’s turned off. “Can you drive me home now? I’ll say my phone died. You should do the same when people ask where you’ve been.”

Rafe doesn’t admit to you that nobody was checking up on him, that nobody ever does. He only stands up to drive back to the dock.

·········

Your first priority when you get home is to text your friends, guilt consuming you now that it’s been over two hours since you last saw them and they have no idea what happened to you.

You turn on your phone to see a string of missed calls and texts from the guys. You open the group-chat and type: I’m so sorry. I’m okay. Got too high and lost track of time. Home now.

They video call you to be sure that you really made it home safe, drunkenly rambling on about how they assumed you went to see the fireworks early, leaving them to search the neighbor’s beach for you.

As you listen to them talk over each other on the phone, it’s the first time you see your reflection since you left the house, when you were oblivious to the fact that the impending hours would change you forever.

You can see it in your eyes that you’re not the same. You can only hope that they don’t catch on.

·········

It’s been three days. You haven’t been sleeping. You’ve hardly been eating. And no matter how many times you tell yourself there’s no use in thinking about how different the night could have turned out, it doesn’t stop your head from spinning into hypotheticals.

All you told your friends was that you were with a boy and that they didn’t need to know any more. Because they all see you as a sister, they were happy to be spared the details.

If only they knew. A few nights ago, you promised them you wouldn’t talk about Rafe ever again. You never would’ve thought the reason would be because you’d committed a crime together.

You’re back at work. Smiling and chatting and serving drinks and acting like everything is fine is harder than you expected.

The thought of seeing Rafe again is oddly comforting. No matter how twisted it is, you have a bond now, held together by secrecy and shared trauma. He’s the closest to knowing what you’re going through.

Even though you were afraid of him on the boat, when he dropped you off, he waited until you got into the house before he drove off. Maybe he sees you as someone he needs to protect, even if it is for his own selfish reasons.

No matter how unhinged he is, having someone like him in your corner is comforting after what you’d suffered through.

You spot Rafe sitting alone at the near empty club bar on your way out and your heart settles, but when you catch a glimpse of the flatscreen mounted on the wall a moment later, it drops. You knew it was inevitable, but it doesn’t make it any better.

Rafe swallows bitter whiskey, gazing up at the tv. Under a photo of Porter reads MISSING as his parents speak to the press. What if he went missing? Who’d care? What would his dad say – at least it wasn’t Sarah?

He looks down at the bartop. The thrill of what he did has faded. It’s not a surprise. His life is nothing but a cycle of short-lived highs.

When he sees the look on Porter’s parents’ faces on the tv, jealousy and loneliness screw a hole into his heart. He knows it’s fucked up to envy the man he killed. He doesn’t care.

His eyes drift over the bar to see you standing on the other end. You’re in shock as you stare up at the broadcast, looking guilty as hell. He glares at you until you finally meet his eyes.

Rafe curtly gestures to you to sit next to him. Even though he looks mad, you’re relieved to close the distance between you.

“You’re being obvious,” he says quietly once you sit next to him, an edge to his tone.

You look back to see only a few other people sitting in the restaurant area behind you, far from earshot. You won’t be heard, but you both know you have to speak vaguely just in case.

“Someone I know is missing,” you reply. “It’s normal to be worried about that.”

“What do you know about normal?” he scoffs.

You lock eyes, sure that you’re both replaying the night in your minds, sure that you’re both far from sane after what you did. His gaze is cold, a reflection of how angry he is that you’re not handling what happened as well as he is.

“Great talking to you,” you snip sarcastically, shifting to stand up.

“Wait,” he sighs, pinching the bridge of his nose. He looks at you again, this time with a bit of the hardness in his eyes gone. “We need to talk.”

(to be continued)

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[venusbyline]

Treatment ࿐ྂ Kinktober. 29, oct.

(late post)

— pairing: Spencer Reid x college student!reader

— type: smut, Kinktober (Criminal Minds Edition)

— kink: praise kink

— summary: Spencer needs to take out the frustrations of his professional life during sex with you, his girlfriend and his favorite student.

— tags/warnings: kinktober 29th day, female!reader, girlfriend!reader, professor!Reid, praise kink, aftercare, vaginal sex, rough sex, overstimulation, vaginal fingering, body worship, hair-pulling, butt slapping, biting, teacher-student relationship (NO UNDERAGE), secret relationship, dumbification, squirting, dacryphilia, creampie, cum dripping, subspace, fluffy ending, table sex, rough kissing, soft!Reid, dom!Reid, sub!reader. no use of y/n. english is not my first language.

— tagging list: @thatredlipped-classic @purplehaze206 @ehedrick012110 @hotchsmutrecs @slutcakes00 @emma-e-a @helo1281917

Ever since Spencer arrived at university stressed after a week solving an important case at the BAU, you knew he would need to take out all his frustration with you on sex. It was no longer news to the two of you how high Spencer's sex drive became after dealing with maniacal Unsubs, especially when he had to put up with so many students who seemed to have a below average IQ inside his classroom.

The opportunity to teach subjects focused on criminology, sociology and psychoanalysis had been incredible at first, but started increasingly unbearable as the final exams weeks approached. He was trying to get his students used to his assessment method little by little, giving them short and quick tests that contained only some topics that would be included in the final exams.

However, with each test he corrected, he cursed a different teenager. Spencer could barely read the answers without wanting to rip his eyes out of their eye sockets or tear his own skin. Maybe most of the students were really stupid and irresponsible, or maybe he was being very demanding due to the stress he was going through with the latest criminal case. After all, he could not judge someone's intelligence as truly inferior just because he had a real genius brain.

When Spencer saw that he would not be able to concentrate on correcting the tests, he huffed and threw randomly the pile of papers on his table, taking out his phone and sending an urgent text to you, his favorite student and secret girlfriend too.

Even though you were busy in the library studying for another professor's classes, you were more than a little eager when you saw the text from Spencer, or rather Doctor Reid, demanding your presence in his office immediately. You knew what was coming as soon as you had caught a glimpse of him walking through campus hallways earlier that day. He was stressed. And if Spencer was stressed, that meant you would suffer the consequences and be very rewarded later.

"T-This fucking good pussy!" Spencer growled, gripping your waist tighter, giving your ass a slap that made you roll your eyes in pleasure as he moved his hips deeper, more brutally, almost as if he wanted to break you into two parts.

You whimpered when the head of his cock almost hit your cervix, making you see stars. "S-Spencie!"

Your trembling moan came along with a sob, your legs shaking as you gripped the edge of his marble table, trying to steady yourself with each thrust, even though your legs were so weak that you were sure all the paperwork would fall to the floor soon. "You're doing so well, darling. Taking my thick cock inside you like a good girl..." He growled, lowering himself until his chest was against your back, biting your shoulder uncovered by the neckline of your dress. "My best student. The only one smart enough to be admitted to this stupid university."

You knew he was overreacting, but that did not stop you from smiling between moans, your pussy squeezing his cock even tighter while he praised you, fingers pressing the soft flesh of your ass and his lips whispering how smart and hot you were. His favorite. You would always be his favorite student.

Spencer pulled you by your hair, until you were standing as he held himself still inside you, grabbing your chin for a sloppy and aggressive kiss. His free hand pulled just one of your legs up onto the table, the new position making him hit deeper inside your tight pussy. "Fuck... You have no idea how much I needed this." Spencer moaned, taking advantage of the fact that you understood the angle he wanted to fuck you at and he held your hips to help you keep it that way. "I love your little pussy crushing me like that. So tight, even when I'm about to fill you with my cum. You want that, darling? Going around campus with my cum running down your thighs? For everyone to know that you're the best student ever?”

You did not answer your boyfriend, as you were too busy feeling your orgasm coming. Spencer's eyes rolled back as your ass began to bounce faster by the second and you started to moan loudly, forcing him to release your chin to cover your mouth. "Shhh, little girl... You don't want people to know that you're getting special treatment from your professor, don't you, darling? You want them to know how much I love fucking your pussy until you're a whining mess?"

You shook your head immediately, muffled sounds escaping when Spencer licked your neck, continuing to whispering and dirty talking to you, the fucking starting to get more intense after you climaxed and your hole started to get creamy due his pre-cum and your juices.

Noticing how your body began to shake more than normal and your walls were spasming, Spencer let go of your hips only to finger your clit, rubbing it so roughly that you screamed into his palm and finally came again, followed by the transparent liquid squirting from your pussy while Spencer continued fucking you. He stimulated your clit until he also was cumming, moaning in an almost guttural way as he watched the scene of you crying out and squirting, feeling you milking his cock until the last drop.

Spencer sighed at the overstimulation, withdrawing himself from you, causing you to groan in pain and melancholy at the sudden emptiness. "It's okay, darling. You were so good, you're always so good to me... my good girl." Spencer whispered, picking you up to lay you down on the table. It was not the most comfortable place possible for the aftercare, but both of you knew it was the most that having sex hidden in your university professor's office could offer you. He stroked your hair, taking a tissue from his briefcase so he could wipe off the remnants of his cum running down your thighs. He gave you a soft smile because you reflexively tried to pull yourself away, your mind still trapped into the subspace. "It's just me, darling. You're okay. I just need to clean you up now. Is that okay, my girl?"

You nodded weakly and also a little confused, low but less scared whimpers coming from your lips. Spencer was careful not to hurt your already so sensitive and sore core. "My beautiful little girl. You're so perfect, darling. I'm so proud of you..." You smiled with your eyes closed, hearing his husky but loving voice.

Spencer took charge of taking care of you during that moment, placing a soft kiss on your temple, putting your panties back on and fixing your dress. Spencer caressed your head, admiring your weak and sleepy form, trying his best to hold back the giggle that wanted to escape as he noticed that the papers containing his students' tests were damp with random drops from your sudden squirt.

He would have to think about some convincing explanation to give to the university president regarding the stains on those papers. However, for now, the only thing Spencer would do was make sure you were physically and emotionally fine again so both of you could return to your proper responsibilities when the next class started.

Criminal Minds Edition - Masterlist

HOTD Edition - Masterlist

Venusbyline's Kinktober 2024 - Masterlist

[bat-mom-writer]

Impulses

Bruce Wayne(Husband) X Reader(Wife)

Summery: you can be very quick to act on your impulse, usually being done with a kind heart. But can sometimes lead to you and some others being hurt.

Note: Something tells me Bruce wouldn't go to therapy, but this isn't real so...

Rate: Loving Bruce, the very small almost of angst

------------------------------------------------------------------------------

"So, tell me Bruce, are you happily married?"

"Of course."

"Then why are you here?"

"Well," Bruce pauses, thinking over his words carefully, "it's not exactly that simple."

The therapist's office was quiet, the kind of silence that felt like it was holding its breath. Bruce Wayne sat in a chair that was a little too small for his broad shoulders, his eyes darting to the clock on the wall. It was a simple room, with a few plants scattered around and a faint scent of lavender in the air, but it was the last place he ever thought he'd be. He was a man who dealt with Gotham's problems from the shadows, not one who talked about his own in a well-lit space with a box of tissues within arm's reach.

"How so?" the therapist asked again, her voice gentle but firm, bringing Bruce back to the present.

He sighed. "Well, my wife… she's incredible. She's kind and she's the glue that holds our family together."

The therapist nodded, her expression neutral. "But?"

Bruce leaned back, rubbing his temples. "But she's… impulsive. She does things without considering the consequences, especially when it comes to the boys."

The therapist made a note in her pad. "Could you give me an example?"

Bruce sighed heavily, his mind racing with instances. "Once we went hiking, and she found a baby wolf, injured and alone. She insisted on bringing it back to the manor to care for it herself. Most of my sons thought it would be a great idea—until we realized it had a pack out there looking for it, and suddenly we had a bunch of very unhappy wolves on our backs."

The therapist looked up, raising an eyebrow. "I see. And how did that situation resolve?"

Bruce chuckled, a bit nervously. "Let's just say there were a lot of stitches involved. And I haven't heard anyone wanting to go camping again ever since."

The therapist's eyes widened, but she remained calm. "It seems she has a heart of gold, but maybe a bit of an overactive sense of adventure."

Bruce nodded. "Exactly. And it's not just with animals. She once tried to organize a surprise street carnival in the middle of Gotham because she thought the city needed more joy. You can imagine the chaos that ensued with all the traffic rerouting and permits she didn't bother to get."

The therapist's pen stopped mid-stroke. "Ah, so her intentions are good, but the execution could use some work."

Bruce nodded emphatically. "You have no idea. She's the love of my life, but sometimes I worry she's going to get us all into trouble. The boys look up to her, especially Dick and Damian."

The therapist leaned in slightly. "How do Dick and Damian react to her impulsive nature?"

"Dick tries to be the voice of reason, but he's young and still learning the ropes of being a responsible older brother. And Damian," Bruce sighed, "he's more like me—he's intrigued by the chaos she creates, but he's also the one who ends up getting hurt when things go awry."

The therapist nodded understandingly. "It's natural for children to look up to their parents, especially when they see the love and good intentions behind their actions. But it's also important for them to learn about boundaries and the potential consequences of impulsivity. How does your wife react when you bring this up with her?"

Bruce leaned forward, his expression a mix of affection and exasperation. "She's… well, she's stubborn. She sees the world as a place full of possibilities, and she wants to experience all of them. I get that, I do. But we can't live our lives on the edge like that, especially with the kind of enemies I've made over the years."

The therapist nodded, her gaze thoughtful. "It's a delicate balance, isn't it? Wanting to keep your family safe and also allowing them the freedom to live their lives fully. How have you been managing this?"

Bruce's smile grew a bit wistful. "Well, my wife is also the lively part of our lives. Without her, the manor would be just a fortress, not a home. She brings laughter and light to every room she enters. She's the one who convinced me to let Tim build a skateboard ramp in the garage, and even though it's a hazard to my cars, I can't help but smile when I hear them all out there, having fun."

The therapist nodded, understanding the complexity of the situation. "It sounds like you appreciate her spirit, but it's important to establish boundaries to ensure everyone's safety. Have you tried discussing the potential dangers with her?"

Bruce leaned back, his eyes drifting to the floor. "I've tried," he admitted. "But she's… she's like a tornado of love and enthusiasm. It's hard to say no to her."

The therapist nodded, her expression understanding. "It's clear you care deeply for her and the boys. Perhaps it's time to find a way to channel that enthusiasm into safer outlets."

"I know," Bruce said, running a hand through his hair. "But she's so… so alive. It's like trying to cage a butterfly."

The therapist nodded. "It's not about caging her, Bruce. It's about guiding her. Teaching her and the boys to weigh risks and rewards. To channel their energy into something positive without endangering themselves or others."

Bruce sat in silence, contemplating her words. He knew she was right, but it was easier said than done when it came to his vibrant wife. Her zest for life was both infectious and overwhelming at times. He thought back to the street carnival she had organized. The look of joy on the citizens' faces as they played games and ate cotton candy was something he hadn't seen in Gotham in a long time.

"There not all bad," he murmured, a small smile playing on his lips. "Her impulses have led to some amazing moments, too."

"Like what?" the therapist prompted, her curiosity piqued.

Bruce's smile grew as he recalled a recent incident. "Last week, she found out about a fundraising event for an underfunded children's hospital. Without asking, she decided to host a masquerade ball at the manor. She convinced Alfred to help, and together they transformed the place into a fairy tale. The kids had the time of their lives, and we ended up raising a fortune for those kids."

The therapist returned his smile. "That does sound wonderful. It seems her spontaneity has its benefits."

Bruce nodded. "It does. But it's also a double-edged sword. I want to support her, but I also need to keep everyone safe."

The therapist leaned back in her chair. "Communication is key, Bruce. It's about expressing your concerns without squashing her spirit. Have you tried talking to her about how her impulsiveness affects you?"

Bruce sighed, his eyes reflecting the weight of his words. "I've tried, but she takes it personally. She thinks I'm trying to control her."

The therapist nodded, her expression empathetic. "It's a common misconception. Setting boundaries isn't about control; it's about care and safety. Have you framed it that way?"

Bruce furrowed his brow. "I'm not sure. I've usually approached it from the perspective of the danger it could pose to the boys."

"It's important to express your feelings," the therapist said. "Tell her how her actions affect you and why you worry. It might help her understand your perspective better."

Bruce nodded slowly, considering her advice. It was true; he hadn't shared his own fears with her, only the potential risks to the boys. Perhaps that was where he was going wrong.

"Thank you, doctor," he said, rising from his chair. "I'll think about what you've said."

The therapist stood and offered a warm smile. "Remember, Bruce, it's about balance. And sometimes, that means taking a risk to find it."

Bruce nodded, her words echoing in his mind as he left the office and stepped into the Gotham night. The city was alive with the pulse of its inhabitants, a stark contrast to the calmness he'd just left behind. His thoughts were racing, trying to find a way to bridge the gap between his need for security and his wife's boundless spirit.

As he drove back to Wayne Manor, the grandeur of the estate came into view, the gothic architecture a stark contrast to the chaos of the city beyond its gates. The manor was more than just a home; it was a bastion of hope in a city that desperately needed it. The lights were on in the windows, a warm glow that promised sanctuary from the cold outside.

When he walked in, the smell of freshly baked cookies filled the air. You was in the kitchen, humming to yourself as you pulled a tray out of the oven. You turned to him, your face lighting up with a smile that never failed to melt his heart. "Hi, honey! How was your day?"

Bruce took a deep breath, steeling himself for the conversation he knew he had to have. "It was… interesting," he said, trying to keep his tone light. "How about yours?"

"Oh, you know," you replied with a shrug, placing the cookies on a rack to cool. "Just the usual—keeping the boys out of trouble, planning the next big surprise for them." you winked at him, her eyes sparkling with mischief.

Bruce felt a twinge of both fondness and dread. He knew that look all too well. It was the look you got when she had another harebrained scheme up your sleeve. He walked over to you, wrapping his arms around your waist and pulling you into an embrace. "How about we talk about these surprises together from now on?"

You tilted your head back, your smile fading a bit. "What do you mean?"

Bruce took a deep breath. "I mean, I know you love surprising the boys, and I love that about you. But sometimes, your surprises have… unintended consequences. I want to be there to support you, but I also need to make sure everyone is safe."

You leaned back, looking up at him with a slightly defensive expression. "Not all of my surprises turn out bad," you said, your voice a bit softer than before.

Bruce felt his heart squeeze at the sight of you, flour smudged on your cheek and apron, looking so earnest. He gave a tight smile, trying to ease the tension. But his face was screaming, "Are you sure?"

You took a step back, "Okay, okay, maybe most of them," you conceded. "But the good ones make up for it, right?"

Bruce sighed, his arms dropping to his sides. "They do," he agreed. "But it's the potential for danger that I can't ignore. And not just for the boys, but for you too."

You rolled your eyes, brushing off the flour on your apron. "Me? I'm fine. I can handle myself."

Bruce's grip on your shoulders tightened slightly. "You know what I mean," he said, his voice serious. "How many times have you ended up in the hospital because of one of your… adventures?"

You winced, remembering the last time you had tried to rescue a cat stuck in a tree, only to end up with a broken arm and a bruised ego. "Okay, okay," you repeated, holding up your hands in surrender. "I get it. I can be a bit… much."

Bruce's expression softened, his eyes searching yours. "You're not 'much', you're amazing. I just don't want to lose you."

You took a deep breath, the weight of his words settling in. "I know," you said, your voice small. "But what about you? You're not much different, Bruce. Maybe even worse. You go out every night as Batman, risking your life."

He stepped back, his expression unreadable. "That's different," he said firmly. "That's for the city."

"Is it?" you asked, looking up at him with a hint of challenge in your eyes. "Or is it because you've convinced yourself that it's your duty? That you're the only one who can do it?"

Bruce's jaw tightened at your question. It was a fair point, one he'd wrestled with in the quiet moments of his life. He knew that his crusade as Batman was driven by his own fears and the need to keep the city that had taken his parents safe. But he also knew that the stakes were higher for him than they were for you.

"I've been trained for that," he said finally. "You… you have the biggest heart in the world, but sometimes you don't think about the risks."

You nodded, looking down at the cookies cooling on the rack. "I know," you murmured. "But it's just so hard to resist when I see something that could bring joy to people, especially the boys."

Bruce stepped closer, placing a gentle hand on your cheek. "I know your heart's in the right place," he said. "But we can't keep playing Russian roulette with our lives, not when we have so much to lose. I don't want to lose you. Or see you get hurt. I'm just asking, please, consider the risks before you act. And come to me, talk to me, let's find a way to make this work."

You searched his eyes, the gravity of his words sinking in. You knew he wasn't trying to stifle you; he was just worried. "Okay," you whispered, leaning into his touch. "I'll try."

Bruce's expression relaxed a bit, his thumb brushing against your cheek. "Thank you," he said softly. "Now, how about we sit down and talk about what's been on your mind? Maybe we can come up with some ideas together."

You nodded, swiping a strand of hair from your forehead. "Alright, I'll finish up on the cookies and then we can talk. Until then, want to help? Just to make sure I don't hurt myself?"

Bruce couldn't help but chuckle at your attempt to lighten the mood. "Sure," he said, taking the spatula from your hand. "Let's do this together."

As you both worked side by side in the kitchen, the tension began to ease. You chatted about the different flavors of cookies and which ones the boys would like best, while Bruce carefully placed the finished ones on a plate. The rhythm of your conversation was soothing, and it reminded him of the first time he had met you—how your laugh had filled a room and made him feel alive again.

[opal-kitty333]

So, I like Horror Sans, and being a nerd, I've been thinking about him a lot during my recovery with brain damage. A lot of people treat his wounds like brain damage, giving him memory problems, chronic headaches/migraines, speaking difficulties, fugue states, just issues collecting his thoughts. All understandable and reasonable symptoms, but there's something about just what truly horrific, completely life altering, brain damage to such an extent can do to a person that hasn't been explored very much. Yes, he doesn’t technically have a brain, but considering someone with head trauma like him would be in a comatose like start for weeks to a month, we can choke up him taking that hit like he did and being able to walk and talk to that. Plus, we can take inspiration from real injury and science and have wiggle room for it to not be 100% accurate. Anyway-

This is Phineas Gage.

It is one of the earliest extreme cases of brain damage where the patient survived while psychology as a scientific practice was getting on it's feet. If you've taken a psychology class, you've heard of him. He was a railroad worker foreman who had a rod blown through his skull in an accident, destroy most of his frontal lobe.

If you don’t know what the frontal lobe is it's where your ability to reason and make decisions, the ability to control your muscles voluntarily, and your ability to process knew information and recall old information. It's well known for being the part of your brain that inputs logic, the part gives you the ability to remember what happened last time you picked a fight with someone, so instead you choose to walk away despite how much your want to punch them for being a prick.

As I stated before, this man was a foreman, well known for keeping a level head, being responsible, and hard working. After the injury, that completely changed. Everyone agreed he was barely recognizable as himself. He was impulsive, prone to extreme mood swings, impatient, making massive plans only to almost immediately abandon them, and generally seemed to have no control over his desires or ability to distinguish between a want or a need.

Now, let's look at Horror.

I'd say it's safe to say his frontal lobe but also part of his parietal lobe would be utterly fucked. Your parietal lobe controls your ability to process sensory information (mostly touch) and to understand not only where you and your body is, but to process the world around you. You see a massive enough tent, some clowns running around, the right music, and your parietal lobe is what does the work to label that as a circus.

To have these two structures damaged, or the closest equivalent in a monster, would radically alter Sans' personality, his ability to move, his understanding of the context around him, and connect with others.

He'd become rather self centered on his own desires and beliefs, struggling to even have the patients let alone the want to give other people the time of day. His actions would be impulsive, made on his emotions in the present moment and with little concerns other than the immediate consequences. He'd be prone to loud outbursts, not just rage, but any other emotions like sadness or glee with little ability to realize how he's acting may be overblown or inappropriate. Not only could his ability to put his thoughts into words be a struggle, but his ability to say those words could be affected as well. He'd be very present focused, with pass relations or responsibility mattering little as he keeps marching to the beat of his own drum.

That is, if he could march. He'd not only struggle to know where his limbs are or what he's touching, but his sense of balance would be awful. He'd likely have a constant wobble, having to go slowly and potentially hold onto or lean on things if he wanted to move quickly. God forbid how much he'd bump into furniture or trip and struggle actually grab onto something to catch himself. It's entirely possible he'd have difficulty reading and writing or confusing his left and right regularly. He'd need more time to process a situation and could very easily misidentify what's actually going on could likely lead to him acting even more unpredictable as the world around him is so much more dangerous and he's struggling to fully understand what everyone is doing and trying to keep two steps ahead of everyone around him.

But here's the thing. The brain is also incredibly adaptable in ways your wouldn't believe. Phineas Gage slowly recovered over time. He died twelve years after the incident from epilepsy but over time he slowly regaining his social skills and general functionality. He picked up a job as a stage coach four years after the indecent even. He was never quite the same person he was before, but he wasn't doomed to be what he first was after the indecent.

Imagine what this kind of thing could mean for Sans. Not only would the betrayal cut deep enough and the world falling apart put him through trauma that would shred the soul, but people he trust literally damaged his ability to think logically and control his impulses. Of course he's going to lash out, focus on doing anything he can to survive with little respect for what anyone else thinks. Even forcing his brother to do things and refusing to listen to him unless given no other option. All while he thinks the biggest problems after the indecent is how much his head hurts, how his memory is shot, that it's harder or even down right painful to think, and how he's struggling to cling to his independence while never having the patience or resources to give himself the ability to heal. He doesn't even realize how much he's changed. If you point it out Sans would likely get defensive and aggressive, or brush it off as everyone underground being awful people out to eat each other alive.

But then he gets out to the surface. He gets stable food, a safe place to live. His brother is recovering and as the years pass his mind can finally start pulling itself together and healing, finally. Sans begins to regain his ability to think critically on his own actions and others, his emotional outburst and vindictive behavior start to wind down and fade. He's able to think and start sifting through all the shit he remembers.

The guilt of what he did, the people he hurt for no reason other than pettiness. The stupid decisions he made that hurt himself and/or Papyrus in the long run. All the hindsight he has now. Imagine how much he would bury those memories and thoughts. Justifying everything he could and insisting he had reasons, or that it's just how it was and that everyone was as awful and cruel he was. Or just accepting that what Undyne had done to him and the famine after had ruined him, broken and rotted all the good he had and left him vile and malicious. That he'll never have a chance to truly be who he was before.

[deluweil]

WHY IS THIS AN ARTICLE? HOW DID WE END UP WITH THAT?

Do the showrunners actually remember there are regular cast members who's stories have no yet been told because we keep getting more Bobby and Athena stories who are all but settled down and are close to the end of their journey rather than the younger ones like Buck and Eddie who still have many years to go and are no where near settled in their own skins 8 ridiculous seasons in??

Or maybe it's time for Hen and Chimney to move on and develop beyond Bobby's people. They have the experience and the ability to take on command roles.

Are they lieutenants? What is their rank? How developed are they inside the lafd?

Do they have any plans beyond getting married and have babies??

Is that really all life has to offer?

Is that peak development? Wtf?

Does the LAFD know better than to insert new rookies to Bobby's team? No new firefighters are circulating into the 118 anymore?

And now we're getting this stooge who will be in the field with his dumbass accent and make-believe costum, giving firefighters everywhere a bad name.

Someone send his ass to the academy before you let him in the field. If he dies or gets someone killed liability to the LAFD will be disastrous.

Do the people writing this show even know that liability and consequences are a real thing in the real world. Life is not a parody and firefighting is not a dumb game.

Why are we talking about Brad?? Give Josh a storyline, bring Ravi back, bring a sweet newbie to dispatch and maybe this time don't make him a poor kid who's in over his head.

I miss May too!! She was amazing. And where is Linda?

I'm not missing the copaganda, because we all know it will be alive and kicking with Athena making the transition from anti social to TO with very little patience for idiots.

I am just about done with these dumbass decisions. I just hope tm didn't bring in kr to write this mid season finale, because then we can all waste our time just watching S6 finale instead of staying up watching 8x08 and wanting our last hour of our lives back.

[maxdibert]

“Sirius killed people-“ so did Snape, supposedly loved Lily but betrayed her location to Voldemort because he was jealous of James actually winning her heart, not to mention convincing Harry the abuse was his fault, nearly giving Neville PTSD to the point where his boggart was Severus Snape himself, being a racist pos to anyone born of muggle parents, and becoming a high ranking member of the death eaters so what? He could protect Harry?

“It’s easier to cry in a Ferrari-“

it’s easier to defend a terrible character and play the racism and eat the rich card when you can’t understand context and inference clues that JK Rowling laid out.

What’s easy is inventing canon. What a load of made-up nonsense, mate.

1. Learn to read. I didn’t say Sirius killed anyone, but he did attempt murder. And he did it because he thought it was funny to torture Severus.

2. There’s no evidence that Severus killed anyone before Dumbledore asked him for euthanasia. This is made quite clear when Dumbledore talks about his concern for Draco’s soul, and Severus immediately questions him about his own soul. If Severus is so worried about it, it’s implied he hadn’t killed anyone before—or at least not in cold blood.

3. Have you even read the books? The only person who knew the Potters’ location was Peter. He’s the one who betrayed them.

4. There’s no evidence he was a racist. First off, equating racism with the concept of blood purity not only trivializes a serious social issue but also makes it clear that some of you have no idea what racism is or its history. The discriminatory dynamics and their foundations are completely different. But anyway, putting that aside, there’s no evidence whatsoever that Severus discriminated against Muggle-borns. The only time he makes a comment is during the incident with Lily—which, conveniently, happens when James and Sirius are sexually assaulting him, and Lily seems to smile at James. I don’t think you can judge someone’s ideology based on a comment made in an extremely tense moment. Canonically, Severus doesn’t treat Muggle-born students worse in class or make comments about their heritage. Nor does he badmouth Muggles. At most, he makes condescending remarks—which, let’s be real, all the characters do, even the “good ones,” because they’re ridiculously patronizing toward Muggles.

5. Severus was literally a double agent and reached the highest ranks of the Death Eaters to, yes, protect Harry. That’s literally why. He’s following Dumbledore’s orders. Like, have you read the books, or are you just pulling this stuff from fanfics? 99% of what you’ve said so far is pure fantasy, mate.

6. Yes, love, it’s actually pretty easy for me to defend people whose actions are a direct consequence of their life circumstances, and whose poor decisions were directly influenced by a lack of opportunities, security, and the violence of their environment. In fact, that’s literally my job. That’s what I do for a living.

Look, I don’t give a damn if you’re a Sirius fangirl. You can love a character while admitting he was a massive piece of crap. I love The Penguin, and there’s no way to justify him at all. Like, it’s fine, you know? You also have every right to feel sorry for him—I’m not going to judge you for that or anything. I’m not invalidating other people’s feelings if they think Sirius’s life was super tragic and feel a lot of compassion for him. Everyone has their own feelings and points of empathy. But that’s not the case for me. I don’t feel sorry for him. There’s no excuse for being an abusive bully with sociopathic tendencies toward someone who was canonically in a position of social and economic disadvantage. If Severus had come from a good family, with money and power—or if Sirius had been someone without a name, wealth, or status—then I’d view the situation differently because they would have been on equal footing. But just like the Black family chose Muggle-borns to torture because they knew they could, Sirius chose Severus because he knew he could. He’s a hypocrite and a piece of garbage. At least Bellatrix admitted her tendencies.

[ultravioart]

On a positive note, the comic for Hazard actually was interesting enough to make me look past his 'safe' for a punk character design. I'm hyped!

I did not expect overwatch to directly call out systemic ableism and classism in the story.

Kids in poverty being funneled into a military pipeline only to be spat out and cast aside as disabled vets in poverty is a very real issue in the world.

If Hazard was rich, he could have afforded prosthesis that actually fit him, ones that didn't cause him pain. Instead, only bc he could not afford better ones, the system gave him the bare minimum for survival, and instead of actually dealing with the root cause and issue they gave him pain meds. In his eyes, this was done so that the system could pay him to shut up, or face consequences. No different than what his parents went through. They wouldn't even give him the respect to tell him WHY the deadly crash that maimed him happened, nor do anything to prevent OTHERS from being hurt in the same way. The system is working as intended. The system didn't care about him, nor others. The system uses it's citizen's bodies for profit.

This panel hits so hard because visual story telling wise it says so much.

In this panel, the stray animal that saved his life is the only one who cares, as the fellow human beings he fought to keep safe as a veteran walk past him at full pace.

How in this panel, his disability is 'blocking the path' of the able bodied, his very existence a 'hindrance' to the able bodied, when the hospital path really ought to be the one taken into account for. Pushed out the door into a system that was never designed for him. Yet, anyone could be in his shoes. Anyone could become disabled, poor, or neglected. Anyone could become just another 'stray mutt' in the system.

How in this panel he is posed in a way where he has the choice to turn and 'go with the flow' of the system and follow the crowd and not look back.... or go 'against the flow' in the opposite direction of the crowd looking for other 'strays' like him left behind by this system.

Honestly props to the comic creators for even discussing systemic oppression to dorectly.

I also am incredibly interested in seeing if Sombra got her spine mods from the Phreaks or not, because it looks like similar tech in her short.

I just hope that the Phreaks are more RobinHood and 'guerilla warfare against the system to spark change', rather than purely anarchists blowing everything up bc lol. The Phreaks being anarchists would be a waste of story, just another gang that became radicalized and corrupt and causes harm and must be defeated by Overwatch. (I am only worried about this because Ramattra became radicalized and demonized for trying to prevent the extinction of omnics. Ramattra is fully in his right to physically resist omnic extinction bc omnics ARE finite and being killed. We STILL don't know what those null sector helmets are for... but for some reason Ramattra is written as emotionally hasty(???) to the point of horrible accidents happening, which makes no sense since he is a R-7000 built for war TACTICS, not an emotional human that can misremember. The way Ramattra's story is handled doesn't make sense imo, they write him as if he's a biological being.)

I hope Hazard aims for accountability and dismantling of oppressive systems, rather than having no rules at all thru anarchy (he as a child saw what no rules in small doses gave him: bad homelife, bad school life, no accountability, no fostering of the mind and well being. That's why I think making the Phreaks anarchists would be stupid to do. There are systems that CAN foster mental and physical wellbeing, cooperation is one of those systems and Hazard is pro cooperation.) He did have an "eye for an eye" against the forces that took out the Phreaks in Morocco, but to be fair Oasis is using minority report 'predictive crime ai' bs so I can't blame Hazard for wanting to hit Oasis where it hurts by stealing thier most secret tech. (Perhaps Sombra helped the Phreaks/gave them that clue since Sombra is against the eye conspiracy, and that eye conspiracy is connected to Oasis)

I also hope Hazard's character is used to discuss the discrimination disabled people face in the Overwatch world, because they really dropped the ball with Soujorn on that front. (Her book used ableism... as a metaphor for racism?!?! Awful stuff. Cyborg (life saving surgery for disabled) people canonically face discrimination in overwatch.)

Because of that, I am super interested in hearing Hazard's voice interactions for lore, I hope we get more lore on omnics and Oasis and the Sombra eye conspiracy, and I am curious about Hazard's kit and what he will bring to the table matchup wise. We will probably get more eye conspiracy lore with the release of the Morocco map tho, tbf.

[silentmouthpiece]

I hate to say it, but i might as well.

It would be so easy to become a Jimmy. Hell, there are Jimmy's everywhere, but no one wants to admit or even realize that it would be easy to be just like them.

A problem we have as a people is that as soon as someone commits a horrible or unforgivable act we dehumanize them call them monsters. I'm guilty of it as well. It makes it easier to separate them from us, to believe that no real human could commit such acts. The thing is...they are human. They are like us and we are like them.

Jimmy is human. A severely fucked up one who's gone unchecked to the point of catastrophe, but he's human like us. He sounds and acts like a human, and his actions are very fucking human. His issues that spiraled so out of control are so very human that when I look at them in a certain way I see my reflection in the mirror. I see Jimmy in the ways some people walk and how they talk, but no one ever wants to see Jimmy within themselves. I wish I could say I'm nothing like Jimmy, but I can see all the ways I'd turn out like him if just a few things were different.

If I were a man, would I have absord the toxic masculinity of the fathers and guy friends in my life and all that entails? If I was less empathetic, would I let my resentment at the state of my life control me to the point I can only see the worst in others instead of force myself to maintain a sliver of compassion and optimism? If I wasn't desperate to be self-aware, would my crippling fear of failure and lack of self-worth blind me to the reality that I allowed them to hollow me out and leave me with nothing to be proud of? If a younger me didn't convince myself that I can only punish myself for anything that happens, would I have turned my anger and listlessness into a blade that cuts others instead of turn it inwards or share it with my friends? Would I inflict pain on others once I realized I could fullfil a need by doing so? I could go on.

I am also ashamed to admit that one of my knee-jerk reactions to hurting someone badly (albiet unintentionally) or realizing I was increadibly wrong about something is denial. It doesn't last forever but I will obsess over it for a long time afterwards. It's a nasty feeling and it's an instinct that literally feels like a chain yanking my brain to follow it. Primal fear feels like that as well, and it rears it's ugly head when I'm faced with confronted with reality and consequences of my actions.

I want to go back to college, but whenever my mother brings it up I get locked into a state of primal fear, insecurity and hopelessness because I crafted a reality where I have no skills, goals or ability to pursue a higher education or a life that suits me. Confronting that reality sends me spiraling down a very strong wave of depression that often debilitates me, though I've gotten better at climbing out of it so I can at least focus on my job. It still feels like I'm being compelled to enforce that reality, and that instinct overrides all better senses. It's an unchecked issue that controls my actions.

When I talk to my friends all I can see is that they have something they're skilled at or passionate about, and that they're doing what I told myself I can't. I never thought I was a jealous or envious person, but I think that's because I never resented anyone for what they had. However, I see so many instances and depictions of resentful and malicous envy/jealousy that I know they are typically linked. In a world that's more competitive than I ever was, these emotions drive people to harm each other all the time for any reason one could think of. The worst part is those people can also happen to be friends and family who love each other deep down. It's so damn common that it must be human.

I don't understand the need to force myself on anyone for pleasure or control, so I can't relate or speak on that. It's happened often enough that others can speak on it and that's terrifying, and what I see is so beyond my ability to comprehend as an actual thought process or mentality but it's still very real and human. Animals do it to and humans are animals, but we're not talking about that. I suppose the closest I can get is the callousness I can feel sometimes when I'm absolutely out of patience with someone.

All that to say is... I think I get Jimmy and his inability to accept responsibility and the cognitive dissonance of wanting to be seen as good and capable as he destroys everything and everyone he touches. I get his resentment and jealousy of Curly and that it's so tied deeply with his love for him that it twists into something noxious and all-consuming. I get how his warped perception of others didn't stop him from caring for others (mostly the guys), but it affected how and how much he cares for them. I get the casual cruelty he can dish out and I understand being locked in the worst mental autopilot to avoid the fallout of your reality that you made because couldn't accept yourself.

I hope that all made sense. Jimmy really got me thinking.

[jack-of-heartstrings]

Some of us take it very seriously. There are a few things you have to accept if you want to enjoy Miraculous Ladybug, is all.

First is just that it's built like this:

You have to accept that watching it means dealing with the extremely over-the-top aspects, the stupid and the absurd, whether funny or frustrating in a given case. You have to accept that the world as a whole is heavily exaggerated, that Marinette memorizing Adrien's schedule for three years is this world's equivalent of an awkward teenager learning her crush's class schedule and going out of her way to bump into each other a few more times a day in the hall, etc.

You have to be willing to accept that everyone is frustratingly stupid. There are like four characters who own 98% of the world's braincells, and Marinette is only allowed to use most of hers when she's fueled with overwhelming anxiety on the behalf of others rather than her love life. Everyone else is surviving by passing around the last 2%. In that regard, yeah, maybe you've gotta not take some parts too seriously, be willing to groan or laugh or both at the absurdity.

But if you can deal with that or are the sort of person to find it fun more often than frustrating, then what Miraculous does well, it does really fucking well.

It's not always right away, and I feel like a lot of dissent in this fandom comes down to impatience or lack of faith in the ability to achieve a satisfying payoff when things aren't going like people wanted Right Now. (Ex: Chloe was set up for failure from the start, Marinette made numerous bad choices discouraging her progress and encouraging her to backslide, s3's finale explicitly said she lost hope, the most comically "evil" parts in season 4 follow a distinct pattern, and now she's finally had lasting consequences and been removed from the easy comfort enabling her behavior, but rather than think breaking down the world around her could be room to finally rebuild something new, all I see anyone take from it is a "bad ending", as if they don't think she's coming back, as if she's not living in the city where Felix, now a part of the team, also lives, and as if Audrey's words didn't hauntingly echo Tomoe's to Kagami. Like.... There's potential here guys. Yes this was a whole tangent mini-essay, I digress.)

But the themes? The symbolism? The subtle background worldbuilding from the very beginning? The rewatch value when you realize how long Adrien has had A Weird Relationship With Feathers, or you see the statue outside his house and how it differs from its real life counterpart, or you look into the painting Emilie's portrait is based on, or you've watched long enough to develop a Pavlovian chill down your spine when anyone says the word "Perfect" anywhere near Adrien or Kagami? The direct acknowledgement that Marinette's romantic fantasies are straight up turning her anxiety into a form of escapism so that she never actually has to DO the things she's Too Worried About and thus can escape the risk of rejection, and the fact that she's aware of what she's doing?

The way they've built Lila/WHATEVER-her-name-is up slowly but surely over time, starting with the chronologically last episode of season 1, and the first of the series to REALLY say, "Hey, this won't always get resolved in 22 minutes, actually"? The way her whole thing is LYING, and that's treated as horrible, and at the same time, a literal requirement for all heroes? The degree to which Marinette lies all the time? The bad excuses world champion? To the point that Luka, whose entire character was so deeply tied to truth and openness, experiences one of his biggest moments of character growth via embracing a bold-faced lie? The way season 5 set The Big Liar up as the new main antagonist while simultaneously setting up the biggest and most soul-crushing lie Marinette has ever told?

And yeah, to OP's point, the way characters parallels interact. Gabriel and Marinette, the humble tailors who fell for the beautiful rich blondes who never actually cared about being rich, but wanted to be free and loved. Gabriel and Adrien, the only two Agreste Boys to ever exist (with Gabriel's name change reveal and all), and the way Adrien's love for Ladybug was often all too much like his father-- obsessive, needy, prone to angry outbursts-- never on the same level, but something that might have gotten there, given time. Marinette, who has been desperately trying to stop overplanning for every single thing, but has been validated for doing so again and again, and punished numerous times when she didn't account for enough. Marinette, who wants so desperately to ensure that everyone and everything is okay that she ends up trying to control everything, precisely the kind of thing Gabriel spiraled from.

And yeah, Nathalie seeing those tendencies sounds like exactly the kind of thing we can hope to see, and dear GOD I hope you're right OP in that she'll oscillate between enabling habits and trying to do better as a mentor than she did as a peer.

Yeah man. Miraculous Ladybug has an insane amount of stuff that can be taken very, very seriously. It's not everyone's cup of tea. The writing in early seasons is very different than later ones, and if people would like the later ones but can't get through the earlier ones (or lack the same investment for trying to skip them) that's fair, and if people liked the more light-hearted silly adventures and don't like the show taking itself so much more seriously, that's fair, and if people like the serious parts but find the remaining absurdity too tone-clashy for their taste, that's fair! It's not flawless. But for what it is and what it's trying to do and be, for those who like the things it's trying to do and be, it's really, really good.

thinking about how Marinette and Gabriel are the same

and how Nathalie is going to be uniquely positioned to be able to see that from within the narrative

i wanna see season 6 Nathalie project Gabriel onto Ladybug. i wanna see her fall in to old habits to both her and Marinette's detriment.

and i wanna see her recognize the worst aspects of Gabriel in Marinette and guide her away from them

[binarybitex]

i have been researching something extremely niche (for my fic wip) for 4 hours straight. FOUR. hours

[baronessblixen]

Eyyyyy, saw your tags! :DDDDD

I will say: knowing more about an actor doesn't change my perception of their work; but I know a lot of people-- older generation, mostly-- who do think the way that he does. To them, the more they know, the more they can't "forget" the actor/actress in a role.

Maybe it's an older generation thing? A thought process left over from the world of 90s-and-before-media, before the advent of smartphones? Or maybe it's a broad audience thing: the type where people aren't so invested in someone's career or anyone in particular, and just want to go to the movies on a Friday-- the normies that fund most of the ticket sales. I do know I've been hearing a lot of sentiment lately from others who are over-saturated with celebrities talking about their opinions rather than marketing the product... maybe that's the modern day equivalent? Maybe that's what he was trying to articulate. (Sometimes he communicates in half measures when trying to work something out.) I think so, anyway.

But today's landscape is also so different: people are selling themselves-- branding, as he called it-- their personalities to sell their products. It just is that way. Hopefully he doesn't feel the pressure to do so, as well (I don't think he does, or would care. But it's a thought.) Maybe there's pressure there, but there's also freedom (or can be): the landscape for his professional fears have changed... but they've also changed in ways that are, to him, a net negative. So. XD

Hope you have a great weekend! :)))))))

When I read your ask, I realized that most people I know - regardless of age - don't care about actors' private lives 😂 that's slightly different though than not wanting to know as it might skew the viewing perception.

I guess it makes sense. DD was born in the 60s when Hollywood's star system was breaking apart. Back then the actors were brands too - though different than today. The studios gave them new names more often than not and a personality. They needed them to be certain types to lure the audience in.

The history of the star system is really interesting. Back in the very early days, actors didn't have a name. Audiences didn't know who these people were - but they wanted to know. Same with the first magazines. They'd be about movies originally, but people wanted to know about the actors instead. That's not at all a new thing.

So I don't think it has anything to do with social media and smartphones and more like you said with the broad audience. Before social media, tabloids were HUGE. That was the only way to glimpse more into the private life of your star. I just don't think any of it is new. The means are just different.

There's middle ground between putting your whole life out there and being private. It's not just DD, but one thing I've noticed with celebrities saying they're private is that usually, they have no problems talking about their kids or their family - people, weirdly enough, who didn't choose to be part of this life. Then when it's about their romantic life they're like, oh no, I'm private. That seems like a cop-out.

This is already half an essay but don't get me started on celebrities becoming a brand these days. Why do celebrities need to sell us products? That is a trend I really hate. Maybe I'm too old to get it and thankful for every celebrity who doesn't feel the need to create a drink/food/candle/skin product.

Hope you have a great weekend too 😁

[blueskittlesart]

do you have any thoughts on zelda not staying as a dragon? me personally I like it and am very cool with it mostly because I think zelda should get to be happy forever (and because I'm smart enough to know she changed back because of recall and not some ambiguous power of love lmao) but a lot of people seem to dislike that it made the draconification inconsequential?

i think there's like. some valid concerns surrounding inconsequentiality/"curing" the physical problems characters have as a way of giving them a "happy ending" but I think those concerns don't necessarily apply to totk in the way people seem to be applying them, especially irt zelda's draconification and link's arm.

most of the time when the criticism of this "magic cure" trope is applied to media, it's because the trope is used as a cure-all to erase a character's suffering or trauma and make them "normal" again, and often ignores the character development or themes of the story in favor of giving the character a happy ending. I don't think that applies to totk, though, because the "curing" link and zelda experience is both within the realm of possibility given the worldbuilding present in the game (recall could easily have done it, as you mentioned) AND thematically consistent with the rest of the game. One of if not the most important central themes of totk is the idea of failure and second chances. we see a hyrule that has been given a second chance after link's initial failure with the calamity brought it to the brink of destruction. we see characters who were deeply unhappy and entrenched in the shame of their precalamity mistakes like purah and zelda become active, beloved members of their communities. we see the people of lurelin village take back and rebuild their destroyed home. we watch this kingdom and its people make an unprecedented comeback after a century of struggle and ruin.

Similarly, totk's gameplay is LINK's second chance, his comeback from the initial mistake of losing zelda, of specifically being unable to reach her with his injured hand when they fell. The consequences of that--the master sword's corruption, the loss of his arm, and zelda's draconification, are all supposed to SEEM irreversible, because that's how LINK initially sees them. he believes that he doomed both himself and zelda all because of that SINGLE moment in which he wasn't enough, a viewpoint which is obviously left over from the pressure he experienced to perform to an impossible standard of perfection pre-calamity. The story of totk is about deconstructing that belief and proving it wrong. the mistake he made caused harm, but it's never too late to repair things. he can fix the regional phenomena ganondorf causes and rebuild those communities. he can revitalize the master sword. he can GET ZELDA BACK, with his own arm, uninjured and able to reach her this time. no matter how impossible those things may initially seem, no matter the perceived finality of his mistakes and their consequences, there is always hope. there is always a second chance. no one person's single mistake can doom an entire kingdom for eternity. the fate of hyrule was NEVER resting on link's shoulders alone. he was never their final hope. there was always going to be an after. the whole POINT of the draconification and the loss of link's arm is that they AREN'T final. they ARE inconsequential, because they were born of one mistake and ONE MISTAKE IS NOT THE END ALL.

[skunkes]

[frizzle-mcshizzle]

wow y’all where no where near this supportive when i was witch hunted holy shit

the posts that where made general attitude was “if you’re prolife fuck go yourself and block me” or “im pro choice if you have a problem with that block me” i had to literally tell the only person who supported me the whole time not to say anything out of fear they would get targeted too, i didn’t have this kind of support. what i posted wasn’t even supposed to go on that blog, it wasn’t reblogged intentionally, and it was taken down quickly. i was still witch hunted for it two months later.

its just a little funny to see who and what you’re all willing to publicly support and what you’re not.

[johnny-depplyloveyou]

I know there are many bad takes about Gale on this site, but the worst takes I’ve seen on another social media site in another language are much more abhorrent than anything here tbh, the recent one I’ve seen even gets some popularity among his “fans”... They were basically saying it’s Mystra who made him the humble man he is now, without her influence on him he would be as egotistical as in his god ending, and more than a hundred of reblogs are all thanking Mystra for “training her lapdog so well” for them🤢

Did we even play the same game? Isn’t his god ending a direct result of Mystra making him think he will never be enough as he is, and he can only find his self-worth through gaining more power? Didn’t Tara say he’s not himself anymore and she would no longer be his companion in his god ending, she knew him long before Mystra made him her chosen, he was powerful enough before his relationship with Mystra, if he’s anything like god!Gale at the time wouldn’t Tara just leave him? I’d imagine he would have been more confident and had a more stable self-image if Mystra had never contacted him, therefore he didn’t even need the Gale of Waterdeep persona. He would always have been Gale Dekarios in that timeline. And people glorifying Mystra’s grooming and abuse towards him and unironically calling him “her lapdog” is just... I have no words. But what do you expect from an online space that’s infested with terfs and radfems? They just won’t recognize or acknowledge any abuse from women towards men...

[nyxofdemons]

i think what it comes down to with shows like helluva boss and the fact that antis are allllllways complaining about it being "toxic" and "romanticizing unhealthy relationships" is that like. that's the point. like i truly don't get how you don't understand that that is the point. i like toxic romance in fiction. i like complicated messy unhealthy dynamics. i like characters who are flawed and hypocritical and bad people.

listen, there are some genuine criticisms to be made about this show, but ultimately so much of what it actually is in this fandom is just... people hating on it for being an adult show. the characters are, largely, not good people! you're not supposed to idolize and aspire to be like them! like sorry that you've only consumed escapist children's media for so long that you believe that all protagonists are supposed to be self-inserts but you are actually supposed to disagree with some of their actions and behaviors for this one. and claiming the show is "romanticizing abuse" just because it portrays an unhealthy relationship (that neither party is happy with!!!) is just. downright conservative and functionally puritan lmao

like. have you never read a whump fic. have you never watched a "dark" show. portraying unhealthy behaviors =/= condoning those behaviors in real life. i truly do not know how to make this any clearer for you