#this movie was my childhood

[ncutii-gatwa]

Barbie as Rapunzel 2002 | dir. Owen Hurley

[your-stranger-halfblood-things]

Cat King when Monty and Charles are fighting over who is getting to hold Edwin's left hand (king already called right hand)

[chasingxstars]

how can the world want me to change? they're the ones that stay the same. they can't see me but i'm still here.

i'm still here by john rzeznik

[george228732]

"Of course you have blue hair and pronouns"

Ok hear me out

[bananaphone---t]

I'm having an overwhelming amount of nostalgia running through me, because I just rewatched Mickey, Donald, Goofy: The Three Musketeers, for the first time in literally years. Damn, I love that movie. 😭😭🥹💕

I also can't stop thinking about the amount of whump fics I want to write about them now, based off this movie. (One moment being when Mickey is drowning in the prison cell)

[ionlylikemycat]

i saw a tiktok that said davos from got was papa from a little princess and suddenly like everything made sense to me

[sessa23]

One of the most underrated movie theme/intro songs of all time

El Dorado (from The Road to El Dorado) by Sir Elton John

[freitag1607]

1.05 / Battle of the Labyrinth

[hobbitinthetardis]

[sleepys-circus]

I keep seeing critics talking about the fnaf movie being poor but it literally isn't for them. I saw someone else saying the movie's a love letter to the fandom and i WHOLEHARTEDLY agree.

This is how i took it: We, the fans, are Anton Ego, the critic from Ratatouille; the ratatouille was special to us because it was our childhood. I hate ratatouille (the food), but to Anton Ego it was everything. Critics don't like the fnaf movie because they only have the movie as context, but to fans, the fnaf movie is everything and we love it even though it's a little cringey. In fact we love it BECAUSE it's cringey in some cases.

Like no new viewers would get the chica's magic rainbow part, or the MatPat reference, or the whole ongoing bit about Dream Theory sucking, or understand how hype the whole ending part was.

I was lucky to be in a cinema full of fnaf fans, and we were cheering and laughing, and screaming at the references. People got up when the movie ended and SAT BACK DOWN when the living tombstone came on. We shouted the letters of the code, and screamed when Matpat said his line. People clapped and cheered at the end, and people were crying at the parts where they were treating the animatronics with love and affection.

No critics would understand how much fans want to interact with the animatronics in a positive way, or understand how much importance the five seconds of its me on the mirror means in implications of the lore. They wouldn't understand because they haven't been waiting a good part of a decade to see this movie. They came, they saw, and that's it, it was a second of their life, but to us it was everything. This is our ratatouille, made to impress us, not the other people in the restaurant. This was our movie, a love letter to the fandom, not the critics.

I like the changes to the story, because it puts us back at square one. We're fumbling to rearrange lore and timelines. We have to rearrange names, and start with a blank slate, and it feels like a homecoming where to critics, it might feel a little messy.

We've been given a chance to start the journey all over again and i fucking love it so much. Because i'm an adult, and all of a sudden, i'm twelve years old again and we're trying to figure out if phone guy is chica, and struggling our way through whatever the fuck was happening in fnaf 3 to get the good ending. The critics don't get this.

They don't understand how hype the midnight motorists reference is, nor did they care about the references on the chalkboard. Or the code at the end, or the song choices, or the lore implications. They don't understand the sudden lore drop of william afton, or the way he's acting, but we do. They don't understand the vengeful spirit, but we do. Nothing is explained to the audience, because we don't need it to be explained.

This is our ratatouille, and we love the rats in the kitchen.

[afacelesschampion]

This is a cruel world, especially for the little things. Not all of them are allowed to live.

LONGLEGS (2024) dir. Osgood Perkins

[atompalace-official]

in memory of and with gratitude to Rachael Lillis - first voice actor of Misty and Jessie among other characters in the Pokémon anime, who passed away at just 46

[dasketcherz]

"What if I lose control...?"

"You won't. And even if you do, I'll pull you back."

"How would you do that?"

"I'll find a way. We'll find a way, we always do... I promise."

[uselessalexis165]

guess what i recently watched