#this isn't a joke this is literally what happened

[grendil9]

"removing the constitution from the website" it's stuff like this that gives hints to goy, just enough to keep the smarter ones quiet and uninterested, that all of the insane "reactions" are indeed the true and sole purpose of "the government" otherwise known as polslop.

You're supposed to say "Uh, actually, they were just taking the constitution down for maintenance". You're supposed to say that. They need you to say that, you dumb slave. The purpose of people talking about how they did that is to make you comment. The purpose of them removing the constitution for a few hours or whatever, and then drawing attention to it in every post by every liberal-team bot on social media, is to make you comment. There was no maintenance, they need your comments. They need your belief. There are no teams, one single entity decides on which funny things to do to keep you commenting, and this is just one of them.

Every "event" like this, is just, quite literally, just a dumb show. Browbeating the weak and innocent into insane beliefs, culminating in self-castration (trans), and demoralizing the intelligent and capable into submission. Making the more perceptive goy say: "Maybe we deserve this dumb show that hurts people and conquers peoples minds, after all look how effective it is on my foolish brothers and sisters."

Polslop's existence renders the masses incapable of unity. There's no chance people who actually believe the dumb polslop, and all the stupid cartoon characters like trump and michelle and biden and shit, and people who don't believe in any of it, could ever really get along outside of immediate necessity. And of course they're so easily mislead already.

The "trump will save us" people are a damned people. Anyone who believes that government is real is going to be left behind by God. It's idolatry. It's a gay drag show with trump making gay drag queen insults for Adult Men to lap up. It just fucking sucks, way worse now that all the pageantry disappeared with Obama. It's just so gay and hopeless and demoralizing. How could you still believe government is real? How can you believe that that wailing shemale bag makes any important decisions at all. What a joke!

As far as I'm concerned if you believe that any single actor or group of actors in any government in the world makes any decision at all, you're defeated. You're ruled by evil. Every politician on earth is a golem with a round golem-male body or stick-thin emaciated golem-female body. They just exist to zombie-walk around on stages with their flabby soulless conscienceless corpses, and beautiful expensive masonic suits, and shoulder-pads, and colorful occult-meaning ties. Sometimes they'll read off a script, written by an AI and approved by a Skeksis boy, to keep you talking and confused and angry.

That is their sole purpose. They take your energy and torment you when you're in the shower or in bed, with their dumb meaningless plotlines that never go anywhere. Distracting and misleading the people. No "news story" they show you publicly isn't planned years and sometimes decades in advance. Or otherwise is just some spur-of-the-moment oneoff joke by some rabbi. That's all there is to it.

If it's on "the news" you can believe without a doubt that it's a planned hoax. There are no exceptions. If it actually happens, it doesn't go on the news. Real events that genuinely happen aren't spread to the public, because real events have too many unknowns. A real event could wake people up, so real events are smothered. Likewise real "leaders" of any kind are hunted down, gangstalked, electronically tortured, and driven to low-energy lifestyles, effectively "removing them from play".

I suppose I can't blame people who suffer the false belief that politics and democracy are real. After all the Skeksis are constantly poisoning the water supply. But it's still an evil thing, and it dominates so many minds, and there's really nothing more to it than just a dumb show.

As an observer from outside of America I'm genuinely quite astounded at how quickly things seem to be ramping up. I don't know why but I believed they would have a cold period where they'd just act like everything is normal before going full with their ideas.

But nope. Straight in to removing the constitution from the website; talking about raiding the homes of immigrant families; removal of the reproductive rights page; saying there are only 2 genders and now it seems they have the intention to make it so women can only get birth control with the permission of their husbands, fathers or a priest.

Thereby completely destroying years of good work for, not only reproductive rights, but women's health care as a whole.

This is only day 2 of the Presidency.

We are in for a long, painful, ride.

[ngage2003]

There is a joke that always stuck with me from the blu-rays/cast commentary, that being that Jay is a nepo baby and that is how he kept affording motels and gas and food for years, even with no job and a growing obsession. Like a dog to a chewed on and wilting sock, this is an idea I have latched onto and grown unreasonably obsessed with, which I personally believe kind of explains aspects of Jay's character.

⟦content warning: serious headcanon territory, but also still a lot of character analysis bc im coocoo⟧

At the start of the series and even into season 2 of Marble Hornets, I think it could definitely be argued that Jay is a passive character before his continued exposure to the Operator.

Now, that isn't to say he is meek (quiet, gentle, and easily imposed on) but he is very guarded, very willing to fade into the background or just go along with other people. I honestly think that is part of why Alex chose him as script supervisor. Because Alex can be fun but he is bossy and has a very specific vision and likes getting his way. (A trait thats honestly pretty normal, especially in artistic types.)

It is important not to conflate Jay's willingness to avoid conflict with submissiveness, gentleness or a lack of care though. Jay still has his own ideas, and when left to his own devices, a deadly curiosity. (That is why Marble Hornets as an online series started.) He still gets angry too, like when Alex is leading him around in circles because he refuses to/can't kill Jay, but also refuses to tell him what is going on. Jay is forced into action after dealing with this behavior for months, but even before then we see him getting more and more frustrated behind the scenes. (Entry 39 is the first example that comes to my mind.)

It also is important to not misconstrue his selfishness, as many people in this fandom do. Jay Merrick is a bit of a dick. (That is why he gets along with Alex.) He lies to Tim very poorly the first time they meet to get information out of him rather than try to directly ask, he didn't help Masky to the hospital after his leg was broken—yes, he thought what Alex did was wrong but ultimately stayed with him and kept following him for answers. Even with Jessica, part of the reason he cares so much is because he feels guilty/responsible and he is, he pulled her into this out of his damn curiosity!

Statement: I believe Jay holds extreme guilt over Jessica being brought into this and what happened to her. Evidence: in Entry 77, when Tim is saying, "there is two possibilities for what happened to jessica," Jay out of the blue says, "It wouldn’t be my fault!" at about 2:43. Tim never implied it was and the only reason I can see Jay to unprompted say this is because he believes it was.

Jay Merrick is someone defined by curiosity and selfish, but while habitually passive. He lies to hide what he wants and what he is doing, sometimes for an understandable reason but also sometimes out of just, once again, habit.

The question easily comes, why is he like that?

Well! Stick with me here—I think is because Jay Merrick IS a nepo baby. Specifically, I think he grew up in a household where his parents were neglectful, and when he was visiblly upset, that was repaid with harsh rejection and then money or expensive apologies rather than concrete change. It was a situation where, while his needs weren't being met, getting angry at it also feels bad because of how we as a society (and his parents specifically too) worship money.

I think his curiosity partially comes from this neglect too, as growing up his parents brushing off questions and lacking support always left him wanting more but without a way to voice it, leaving him with this lifelong unease and need for answers. His parents kind of forgot what it was like to be a kid and how you literally don't know anything, and would often brush off certain things because of this. Additionally, growing up this way also left him a bit selfish, as coming from a place of wealth, being neglected, and being somewhat isolated growing up as a "weird"/visibly autistic kid, that all left him struggling to connect to people and with his own empathy, as we see in canon. This doesn't make him a bad person inherently or anything, but is just a part of who he is. Aside from the obvious case of Jay dragging Jessica into this, I think an example of this is how in Entry 66, when Tim is laying out all his trauma, there is an interaction that goes like this:

Tim: One of the problems I was having was hallucinations. I had a lot of them. [...] [W]henever they would find me [after i escaped from my room,] I would say that I was hiding from whatever it was I was seeing so they’d bring me back and they didn’t have much of a choice except to lock me in here. That’s when it was at its worse. I’d be clawing at the walls and screaming at all hours of the night, they had to up my dosage just to calm me down, to the point that I was almost numb. Jay: But these hallucinations, what did they look like?

You could say his disregard is due to shock, but in my opinion that'd be a bit too forgiving. Sure, Tim is talking about his awful childhood and he is being pretty vivid but, Jay already knew about it to some extent due to his records, and while generally he is closed off and hard to read, he seems more uneasy with Tim's yelling than shocked. Jay's default is just curiosity and wanting answers, that is just kind of a pattern with him, even/especially at the expense of others.

I think he is so passive also because of his home life. Specifically, that was what made living at home easiest, with parents who like having you as a trophy but don't actually care about you. Keeping your head down is how you survive, and he kind of just accepted that "ok this is how the world works." Everyone wants something from you (a compliment, a second opinion that is more vapid support than substance, praise,) and giving it to them makes it easier. I think Alex wheedled him sometimes to try to get him out of that shell, but to some extent also he liked it, liked having someone who agrees with him, and in turn Jay admired his outspoken nature, blatant hatred of his parents, and tolerance for Jay's "weirdness". (Hyperfixations.) They weren't necessarily super duper healthy, but they were two traumatized kids clinging to each other, and sometimes that's just how the cookie crumbles, especially when you're isolated.

I also think, due to being a late 80s-90s kid, Jay did grow up with the internet and probably to some extent was unmonitored, which definitely influenced and impacted him but also did inspire his love of technology. (Specifically film/cameras.) I think it also to some extent fed into his worse habits by accident though, just the unfortunately common attitudes highlighted by the internet, but also was the original way he sated his curiosity. I think his propensity to tell "white lies," could have easily come from this exposure too.

I have a lot of specific instances tie to Jay's childhood that in my brain define why he is Like That, but this is just an overview of my main thoughts and I hope it makes sense.

[rook-rot]

Y'all, I'm literally driving myself insane trying to figure out the Vol Dorma job. I have a physical murder board of it.

Is the contents of the Odes to Seven Antivans a red herring? What does it have to do with ANYTHING else we know about the Vol Dorma job?

What exactly was Neve after?

How are Sulky Willy and Furious Butch connected?

It isn't a coincidence that both Neve and Davrin met the mime, despite not meeting the other's respective dwarf with a weird name.

Elek was there, Neve did him a favor. He can't go back to Vol Dorma now- because he pulled a scam similar to purple!Rook's "pay for a Treviso manor up front" joke. Is his part important or just a distraction?

Did Sulky Willy leave or did something happen to him - since he was sure that the rageling was sent for him specifically.

If Sulky Willy was the one who pushed the page under Neve's door, why did he want her involved but not know that he had a part in everything?

The Mime.

More insane muttering based around 3 lines of dialogue at ten.

[lewyn-martell]

oh helena we have barely started and i already have to subscribe out of the major locked in fandom perceptions of you... i think making some jokes about it is fine but then it really took root and ppl started taking really seriously this most shy girl in the world who's never been kissed thing because of how she is regarding mark and that sounds a little premature to me. first because she is an adult rich woman with access to however much sex she wants and second because she is not a little girl at the playground, but a woman with an agenda.

like first things first, she rewound that footage not Only because of the display of an intimacy she isn't privy to and yet happened to 'her' anyway and the weirdness of seeing yourself have an intimate moment that you don't remember. she also doesn't see that part of herself as human. and yet she jokes around and is emotionally invested on a guy and enthusiastically kisses him. and wears her face. it's weird. literally who wouldn't rewind that. let alone someone who thought helly was just some spiteful work machine who should be subjugated to her lot in life as she is.

and i think it's safe so far to presume she is not running around the innie floor to get romantically involved with mark. helly fucked with her severely and she doesn't want more failure coming her way. for that she needs to pretend to be helly and helly was romantically involved with mark. she would Have to be receptive to him so she doesn't get found out and that means probably reciprocating if he made a move but with no obligation to do one of her own. of course, she is also curious (she keeps sussing out to find out how he feels about helly) and touched by the way he is into her, but she is not the woman who fell for him. she is just now being subjected to the vibes between them for the first time, so why is she like a Shy Girl who hasn't know romance a day of her life just because she didn't make a move? character-wise, it doesn't make any sense for her to be at that stage yet.

helena's ploy so far is to be as quiet and keep to herself as much as possible to not throw them off about who she actually is and she's doing this by necessity because she is supposed to be available for mark like an asset or object because he likes and wants helly and he is crucial for cold harbor or whatever. we are literally told that. of course as a markhelly i want her to fall for him too, but she barely knows him. i don't discard the possibility she could be yet another version of the repressed businesswoman who doesn't know how to kiss, but i wouldn't say what we got so far is strong evidence she undoubtedly is.

[strawberry-selfships]

waaaaa ok if this is an invitation (& I hope it’s ok for non mutuals bc I have not met you yet but you seem wonderful) I wanna talk about j jonah jameson aka that guy who really wants pictures of spider-man LOL

and this is really long so genuinely no obligation or pressure to respond.

ok here I go. he makes me so happy… he’s extremely passionate about his viewpoints and will say them to the world both by newspaper and by voice because he wants them to be known, even when being anti-superhero is an unpopular stance. he doesn’t care. he’s brave when people argue him, he’s brave when people slander him, he’s brave when literal villains come to try and take his life. both in the movies and in the comics. he may loathe spider-man (especially because he doesn’t know who spider-man actually IS) but he stands up for everyone else. he protects peter parker’s privacy and safety when green goblin is genuinely about to kill him. he stands up for marginalized people even when it has him in danger. he goes to work every single day in the building that says his newspaper’s name in bright big letters, knowing that anyone could come for him at any moment.

and his motivation? his motivation for loathing spider-man so much? well, they vary from iteration to iteration but two have stuck with me.

first is the one from the comics. his self loathing and his envy. this shit KILLS me because ALL of the positive things he says about spider-man are true of him too. (which I’ve rambled about in more specific detail in another post) he can’t see himself on the same level of bravery as spider-man so instead he uses his time to tear him down, be one opposing force to him that isn’t a masked villain. he’s so clouded by the popularity of spider-man and the tellings of him saving people directly that he can’t see that he also possesses these qualities, because the circumstances in which he is brave and heroic are different and not seen or praised by the public.

and the second one is from his radio show in the spider-man ps4 game which I can’t post as a video in a reblog so I’ll link it here and post this transcription:

I’m bad at distinguishing tone but I genuinely don’t think he’s joking or kidding or anything here. it’s passion. it’s all passion, and concern for the well-being of his city that he’s presumably grown up and spent his entire life in. because of the way his passion manifests, he struggles to not come off as angry. I'm sure sometimes he actually IS angry, but he's trying to say here that oftentimes he ISN'T and it just comes off that way because he gets loud when he gets passionate about what he's talking about. (happens to me too actually...) the presence of spider-man and his villains in his city makes him concerned for the future and it only comes out as anger, even if it is and even if it isn’t. but my point here which he said himself is that he’s motivated by love for his city and his passion for seeing it thrive and thus he sees the appearance of spider man as a threat to it, and that he's not trying to come off as angry. he just has a LOT of passion. I don’t know maybe that sounds really stupid. I’m not trying to say he does no wrong because I know he can genuinely be overly harsh, I’m just trying to say that he's not angry all the time even though he sounds like it, and that he’s capable of love and compassion, even if it seems like anger. and again I'm sure sometimes he does get genuinely angry about these things! I'd be pissy too if I was under the stress of living in such a dangerous city every day, especially as such an influential and recognized person! but it's not always the case.

MY WHOLE POINT ABOUT ALL OF THIS BEING…. I LOVE HIM. he’s brave, he’s loving, he’s compassionate, he’s concerned about the wellbeing of the future of his city as well as the people in it including those who are marginalized…. and yet he struggles to see good in himself…… I love him so much. I love him so much. I want to be there for him. waaa

uhhhh hey ! u there !!!! free pass to reblog n gush abt ur f/os or s/is n storylines n literally anything that makes u happy. i will respond (some tonight, most tomorrow) n we can talk abt it !!!!!! no amount is too much <3

dividers by @/saradika-graphics

[elbiotipo]

last night I spent 24 hours awake and dreamed up a new science fiction setting, I hate when that happens

[backpackingspace]

Okay but consider post Canon over protective Athena who is sick to death of her most devout being raped.

Athena sticking close to the whole family and promising penelope that she'll keep a close eye on odysseus the first time he has to go into the market and penelope can't go with him. (She was going to go anyway. She's never actually going to let any of them out of her sight ever again. And it's an easy promise to her dearest weaver who seems so distressed to have odysseus leaving her side.)

Athena fully manifesting in the market when someone grabs odysseus with godly flashes of snakes and owls and the drums of war to scream /release him/ (odysseus is feeling indulgent for both his patron and his wife it's so cute that they're this worried it's not like he couldn't defend himself just fine. Especially from whatever poor fuck just grabbed him who definitely doesn't deserve a goddess screaming in his face. Hes trying so hard not to laugh if he did athena would send him flying.)

Athena telling all the other gods that yes she knows odysseus is the favorite barbie doll she choose him well after all and to back the fuck off if any of them bother him again they will have made an enemy of her.

Athena disguising odysseus only as an old beggar from here on out instead of an irresistibly tall and handsome man. Because she saw how uncomfortable nausicaa's attention made him.

[ummmuhhidk]

everyone shut the fuck up and look at whats happening in the project sekai fandom right now. the previously "transfem (heavily heavily implied)" character is

wait okay spoilers for mizu5 event. read at own risk (if youre in the fandom) and if youre not um fucking hit read more RIGHT NOW

okay. so the previously "transfem (heavily heavily implied)" character is now "transfem (LITERALLY UNMISTAKABLY canon)". THIS IS 3 (EN) OR 4 (JP) YEARS WORTH OF BUILDUP FINALLY COMING TO FRUITION AND ITS SO FUCKING. GRRRAAHH

THIS IS THE MIZUKI 4* FOR THE EVENT. THE CARD IS TITLED "What Has Been Lost"

AND THE OTHER CARDS (KANADE, MAFUYU, ENA) HAVE THE CHARACTERS WEARING OUTFITS THAT ARE MOSTLY/ENTIRELY WHITE. SYMBOLIZING MOURNING.

READ THE STORY TRANSLATION LISTEN TO THE SONG ("Bake no Hana") READ THE LYRICS FUCKING TRY TO UNDERSTAND HOW EXTREME THIS SHIT IS.

this is like 9/11 to me

[cryptdfish]

“white mourning.”

[thetriggeredhappy]

now's surely not the time but i really truly do feel like in a lot of the circles discussing social progress, along the same line that we get people arguing about gender markers on official documents when the actual solution is to remove gender markers entirely because they serve no practical purpose, i feel like we have a lot of arguments surrounding sexism and expectations in relationships and marriage equality and equity and financial abuse and marriages of convenience that are almost completely inaccessible if you're any variant of asexual/aromantic/aspec or polyamorous. what if this isn't how any of that worked. is that so crazy?

[end-orfino]

strangelove and the boss make me fucking SICK honestly. in a good way. they're so fucking great

[fvckw4d]

The concept of queerbaiting annoys me. I was told that it refers to a work of fiction pretending to cater to a queer audience but then pulling back from it to avoid alienating homophobes, which is an incredibly specific thing. But a lot of people seem to think that it instead means "any time there's any gay subtex, metaphor, or ambiguity" or "whenever something from 1995-2012 was being a normal amount of homophobic for the era."

[snickerdoodlles]

📖 for kinnporsche the series? your ideas are just so good!

thank u nonny!! 😭❣

this one took me a while to type because it is my weird whacky fic child who i love very dearly but struggle to explain. so, uh.

✨ Necromancy AU ✨

Big dies in the warehouse. Porsche gets Arm to get his body out, gets Kinn to delay the cremation, and gets Chay to reanimate Big.

(because reanimating the dead is just something Chay can do, because he figured it'd be a good skill to learn and he's my most specialest boy.)

Kinn (who's at the morgue for Porsche) is flabbergasted, Khun (who's at the morgue by a miracle) is stunned silent, and Kim (who's here because Khun texted him but didn't say Chay would be here) is more shocked by Big than Chay's abilities.

(Kim is the only person other than Porsche to just accept necromancy as A Reasonable Thing For Chay To Know. this is why they're Chay's favorites.)

anyways so Big is now awake and surrounded by this family. this is hell. not just for him, his sudden undead status is causing a lot of problems:

Porsche just had Chay bring Big back, he didn't like...tell anyone what was happening or make a plan for what to do with him.

Kinn just figured out his new guard roster, and now he has to redo it to accommodate one very grumpy and very loyal Big who now doesn't need trivial things like sleep or food.

there's the looming specter of Khun's upcoming dry cleaning bill because he won't. stop. poking. Big.

Big is trying very, very, very hard to ignore that not only do people know he knew about Porsche and Kinn, but that he loves Kinn so much he died protecting Porsche.

speaking of, Porsche just thanked him for saving Chay and (in a quieter voice) for saving him.

Big is in hell.

despite all that, Big's plans for his new life are to just go back to being Kinn's perfect guard. he is ignoring the awkwardness, none of this is fine, none of this will be fine, but it will be NORMAL.

this is hampered by the fact that whoops, turns out the undead need to hang around their "masters" for at least a few hours every couple of days to "recharge" so to speak, as discovered by Pol when he screamed so loud he set a fire alarm off because he stumbled over Big's body face down in front of Kinn's door at 2am.

this is even further hampered by Korn, who will absolutely not stand for his preferred heir being guarded by someone who might be more loyal to someone other than him. Korn uses the "recharge" issue to force Big out by way of making him Chay's permanent guard.

so now Big, the perfect bodyguard who only got better at his job in death, is now stuck hanging around a high schooler who doesn't get into trouble and just wants to make music with his bitchy boyfriend.

(because oh yeah, mr. the untamed nerd Kim is obviously ridiculously into Chay being able to resurrect the dead and leaks feelings before he can run away and sabotages all future attempts to ghost Chay (insert necromancer joke here). Kim's fears of love and hurting those he loves will cause different problems.)

anyways, Big is suffering. not only is he stuck guarding Porsche's baby brother (who! he's realizing he likes as a person! will the horrors never cease!), Chay keeps being nice and thoughtful and looking out for him as a person and asking after his happiness and shit (the horrors!! are not ceasing!!!!). when Big finally has enough of all this Being Treated Like A Human Being business and asks Chay why he even cares, Chay blurts out "Big, do you even want to be alive?"

because this has been eating at Chay ever since he brought Big back at the morgue. because he never knew Big and never asked if he'd want to be alive again, Chay just did it for Porsche, who wasn't doing it for Big but for his own guilt. and then Big's old life was like an ill-fitting glove, because he and Porsche can't be bitches with Big's sacrifice hanging over them but don't know how to act when they aren't being bitches, Korn won't accept him back because he only sees his own paranoia and none of Big's loyalty, and Kinn might appreciate Big's loyalty but he won't fight for it either, not when he's trying to juggle the rest of Korn's messes coming to fruition. Big's been completely forced out of his old life and any ties he might've kept to the other guards (as few as they were) are ruined by the others' guilt and discomfort, because Big might not have died in the first place if literally anyone had listened to him during the Tawan debacle, which they could ignore when he was dead but can't when he's alive and there in front of them.

and the whole confession draws Big up short because no one's ever asked him what he wants before. Big was just the son of a mafia enforcer who got scooped up young by the main family as a personal guard for Kinn. Big's never even considered that what he wants could be an option. even when he first came back, his main considerations were on the ways he was a better guard for Kinn. Big's chosen more things for himself in his weeks with Chay than he has in his life, and he never stopped to think how he feels about that.

he does now. kinda. this is Big after all. but after both forty-three excruciating minutes and three days, Big finally answers Chay, "i never lived for me before. it's...nice." Chay, who's gotten quite good at reading between the lines after all the exposure from Kim and Big, beams and makes him help him pick his electives for his first semester of university, because Chay's determined to help Big find a hobby and he's overcome far tougher things than emotional constipation.

[[ ask me about fics im not writing ]]

Bonus

small scene snippet from shortly after Big's first brought back to life, right after Kim's walked into screaming, stolen Pol's gun, and shoved Chay behind him for protection, because i love themm

Kim opens and closes his mouth silently before sputtering, “But you— I heard— What…?!”

Chay worms his arms around Kim’s waist to get his attention and his head pops over Kim’s shoulder. “It’s okay, phi,” he says soothingly, “I brought him back.”

Big gets an eye full of Kim’s face flashing through four emotions he recognizes and thirty he doesn’t, which is thirty-four more emotions than Big can deal with. Kim twists around in Chay’s hold, just enough to squint at him from the corner of his eye without letting Big out of his gun’s sight line. 

“You know how to resurrect the dead?”

Chay drops his chin onto Kim’s shoulder with a huff. “Why do people keep asking me that? It seemed like a useful skill to know!”

“Obviously,” Kim scoffs, which is the first original response Big’s heard to that all day. “I meant you can do it? What, we’re you bored and just googled ‘how to make a zombie’ one day after school?!”

Chay rolls his eyes and pokes the undersides of Kim’s ribs. Shockingly, Kim pushes further into his hold, rather than away. “Don’t be silly. You have to be trained by a shaman to make a zombie.”

Kim actually turns to look at him dead on. His gun is still trained on Big. 

Chay cocks his head to the side. “What? I just googled ‘how to bring back the dead’ and went from there. It’s basically CPR!”

“That worked?”

Chay looks genuinely baffled. “Why wouldn’t it?”

Kim stares at him incredulously before suddenly going boneless in Chay’s hold, squishing him back against the wall. Chay does not protest being squished between Kim and a hard place. He actually looks delighted by it. Big would like to go throw up now. He doesn’t know if corpses can do that, but he’s willing to make an effort. 

“Of course it works, you’re you,” Kim grumbles. He knocks his head against Chay’s and rubs in a move so cute Big will throw up, death be damned. “If life worked for me like that...”

Chay beams and pats his stomach. “I’ll teach you!”

Turns out corpses can't throw up, but they can gag so hard they choke.

[bloodgulchblog]

While I sympathize with being frustrated that your favorite character wasn't the center of a story, I must point out that he had three fucking seasons where his character arc was at the core of the show, that was probably the best of it, and maybe it's fine somebody else got one that wasn't even particularly good.

[the-gay-prometheus]

I officially read the Flatland short story and I'm just saying

Gonna be calling Bill Cipher this from now on actually.

[p4nishers]

can we actually take a moment and remember swan upon leda? can we actually shut the fuck up and sit the fuck down and think about our lord and savior swan upon leda because i'm tired of doing it alone every single day guys