#this is so interesting i love reading these

[yellowmoya]

The notes on this are just full of lovely people talking about their delightful special interests [nonfictional]

an interaction im very tired of in online autism spaces. aka when you don’t have a special interest / when your special interest isn’t [character] or [fandom]

[pseudowho]

You and Kento bustled through the kitchen, and with your arms full of plates, you couldn't resist giving the top of Yuuji's head a nuzzle and a kiss as you passed.

Yuuji smiled at you both, full and warm for the first time in years. You and Kento felt his eyes on you as you weaved past each other, in a practiced after-dinner-clean-up Tango.

"Ah...hey, Nanamin, I-- I've got, uh...I've got a, uhm..."

Kento's interest was piqued. He stopped washing up and, with one raised fine eyebrow, turned to regard Yuuji while he dried the suds off his forearms.

"What is is, Yuuji?"

Yuuji looked awkward. Eventually, he stuttered out through a sheepish grin.

"I've uh...I've got a date tomorrow, so I won't be home for dinner."

A gasp. A smash!clinkclinkclink as you dropped a mug to the floor, and Kento closed his eyes in wounded resignation for the death of his favourite mug. You stepped across him, pressing your palms to the counter, wild-eyed at Yuuji.

"A date?"

"Uh...y-yea--"

"A date date?"

"...I...Nanamin, I'm scared--"

"--she can't hurt you, Yuuji--"

"A date!"

You could barely contain your excitement; Kento huffed, plucking pieces of porcelain from the floor, while you squished Yuuji's cheeks and cooed.

Yuuji barely escaped in one piece that evening before bed, grilled for any piece of information you could get your hands on. Eventually, he escaped, the lock clicking behind him as he shut his bedroom door.

Flopping onto your back into bed beside Kento, with enough force to make his reading glasses bounce on his nose, you sighed with one dramatic arm across your forehead.

"I'm just so happy for him, Kento."

A warm little smile; a folding of the book. "Yeah. Yeah, me too. Did he say who it was?"

"You know, of all the things I asked him, I didn't ask him that."

A chuckle, a hum...a silence. A rustle of pages. A gentle removal of reading glasses, and Kento looked over you with quiet scrutiny, as if your state of undress in a t-shirt and nothing more stirred memories for him.

You blinked up at him, "...what's wrong?"

Kento's nose flared, and he laid down beside you, switching the light off. You could hear him blushing in the dark.

"Do you think Yuuji's a virgin?"

You felt a thud of realisation, and answered, "I...should think he probably is. I...what should we..."

"Don't worry," Kento answered, clipped and looping an arm over your waist, "I can handle that."

+-+-+-+-+-+-+-+-+-+-+-+-+-+-+-+-+-+-+-+-+-+-+-+

"Yuuji. If you have a moment, could you come and speak to me, please?"

You felt an alarm bell in your soul. The sun was setting, on the evening of Yuuji's date, but Kento was still fully dressed. He'd even buttoned his suit jacket up and redone his tie. His pocket rustled. You could have sworn you saw a droplet of sweat drip down his temple.

You paused your murder documentary...and watched, for this would surely be more horrifying. Yuuji leaned round the bathroom door, innocently curious, and padded over with his hands in his pockets. He pulled out his phone.

"Ah...y-yeah, I think they'll be here in a minu--"

"Sit down. Please. Yuuji."

You could have sworn Kento left dents in the top of the chair that he grasped. Yuuji sat slowly, wary, looking between you and Kento. From your place on the sofa, you shrugged. Kento spoke.

"You're...a young man now, Yuuji."

"Ah...yeah. I-I guess I am. Thank--"

"--and sometimes young men have...urges."

You wished for death, but would take the entertainment before you expired. Yuuji's blush started at his chin, and climbed slowly upwards, a sun-ripening peach.

"...Nanamin. Please, you-- you don't have to do--"

"--and it's important to understand the difference between lust, and love."

"Oh god, Nanamin, I'm begging you--"

"--and while it's only natural to follow your urges, it's important to do so responsibly--"

"--Mrs.Nanamin, I'm scared--"

"--he can't hurt you, Yuuji--"

Kento pulled the rustling packet from his pocket, and placed it before Yuuji on the table. The room was thick with silence. Yuuji spoke, his voice breaking and his soul sweating.

"...Nanamin, please say that's candy--"

"I've bought you these condoms--"

"--please just let me die, Nanamin--"

"--ribbed, dots, big, small, strawberry I think--"

"--please-- I have to go--"

"--and I only ask that you're sensible and treat your partner with the respect and dignity they deserve--"

"--please treat me with the respect and dignity I deserve and just kill me Nanamin--"

"...and be home by midnight."

Silence. You had held your breath through the whole thing, and held one hand over your mouth. You studiously avoided Yuuji's gaze. Yuuji's mouth puckered, staring up at Nanami, who looked as serious as a car crash.

Yuuji's phone rang. He snatched it up, and made for the door. Kento called after him, mild, "Your condoms, Yuuji--"

"--oh well shit yeah can't forget those, fuck--"

"--language, Yuuji--"

Yuuji stood at the door, considering answering back. He took a single deep breath. He swallowed hard, and stopped himself from scarpering immediately, and turned back to Kento.

"Hey, uh...was that, erm...was that difficult for you, Nanamin?"

"It was the worst thing I've ever done in my life."

"Yeah, it--it felt it, uhm..." Yuuji waggled the bag of condoms with a smirk, pocketing them, "Thanks, dad. Nobara and Megumi are waiting. We'll go for a date, and the other idiot's our chaperone apparently."

As the door clicked closed, Kento released one great heaving breath, and arched back with his hands over his face, releasing an enormous, animalistic groan of agony.

You bubbled over, snickering, and traced one toe up Kento's thigh from behind.

"...oh hey, Mr.Nanami, sir, can you teach me about the birds and the bees--"

"Quiet."

[anxiousapplepie]

Just spent every free second of my day drawing Traveler!Odile. So might as well take this inspired opportunity to talk about her? maybe? If anyone is interested, read some of my vibes below!

As I might've mentioned before (or maybe not, I can't remember what I have and haven't said) Traveler!Odile's deal is that she's been living in Vaugarde for roughly 20 years before the King started freezing the country in time. Long story short, after her mother left her as a child one of her many, MANY uncles reached out to her dad and gave them both the option to connect with his Vaugardian in-laws one day. If they wanted to! They didn't have to! But the uncle made it clear the extended family would love to meet Odile one day, if she ever wanted to do that too. And during a bad year failing to cope with studying in college, Odile decided she'd give it a shot. See what "the other side" was like. Amongst other reasons. So she took a study break, meeting the uncle who first gave her father the addresses where some of her mother's family could be found. Then she extended her study break, traveling and meeting with various cousins and relatives. Which then turned into an indefinite break, where she just....... didn't go back to Ka Bue. Always moving around, finding more roots of a family tree she hadn't cared to be a part of until now. And longer, LONGER story short, she got so interested in all the Familytales that belong to her mother's side, she started diving deep and began connected stories and filling in blanks and accidentally became the unofficial editor and chronologist of the family. Yet despite being allowed access to all these Familytales, being invited to family dinners and homes and being seen by everyone else as "part of the family" she never let herself get involved in relationships beyond reading about them in all the books she studied more than anything she had in Ka Bue. And of course she never included her own stories or experiences in any of the Familytales. Why would she? This wasn't about her. This was about her Vaugardian family. Something nobody else could fathom or understand her logic for. Which of course means she's ripe for the picking when a bunch of young adults and a child claiming to be blessed by the Change God walk into her life and give her an impossible hope and a chance to do something more interesting than rewrite family secrets or edit genealogies. Maybe writing an accurate account of the journey a Child Hero took to save the country from being frozen in time would be more fulfilling.

[notbecauseofvictories]

also I've spent the last couple weeks reading some older historical romance novels, and my made up, wholly unverified hypothesis that in the 2000s romance authors finally grasped that the old-fashioned "no, don't! stop, you brute" etc. scenes were not really landing with audiences anymore. So they faced a conundrum about the future of the genre. Ultimately, I think they chose to quietly stop writing those heroes, and switch them out for a more sensitive model. Still dark and brooding! But with limits, often a Heart of Gold, and more general emotional intelligence.

Still, somewhere out there is a parallel universe where these authors decided to take the opposite approach---to write heroines as unhinged, cruel, impulsive, and emotionally ignorant as their heroes. I don't know if I want to live there, but I wouldn't mind a trip to their library sometime.

[chithereader]

first impressions / aaron hotchner

pairing: aaron hotchner x f!reader

word count: 2.6k

genre: fluff

cw: shy!reader / naive!reader, hotch has a crush!! a bit of mutual pining

a/n: i feel like this is a little all over the place but i love a pining hotch too much so i just had to post it!!!

Anderson has been doing his case reports in the pantry for the past four hours. Perhaps it does have its perks– one, he’s closer to the coffee machine and two, he’s farther away from all the chatter that is coming from the place he should actually be working in– at his desk. 

That’s because for the past four hours, the whole BAU team or what’s left of it– being Derek, Rossi, Garcia, and Reid– have been crowding the rows of desks directly across Hotch’s office. Occupying desks and chairs that are definitely not theirs. 

The rowdy bunch has been debating, gossiping, and most importantly, profiling their unit chief for the past four hours. Figuring out which applicants impress him, disappoint him, or straight-up irritate him– all through his office window. 

They’ve seen a total of seven applicants walk out of his office without a handshake, which is Hotch’s tell on whether he would consider that candidate or not. Out of those seven, two were way prettier than they were smart, three way too confident than they were competent, and two solely able to step foot in Quantico because of their last names. 

As for those that did walk out with a handshake were… well.. non-existent. If anyone were to ask someone from the team, they’d insist that they don’t need a new member. They don’t need anyone new to replace the beloved ones that have left. 

However, remembering the previous cases from the past two weeks– the truth is, they all felt a little like they were drowning. It felt like the more days that went by, the more cases there were to filter, solve, and close. The more killers there were to profile, hunt, and stop. The more reports there were to fill out, file, and submit; 

Each member of the team was doing double the workload of what they usually handle which had started to take its toll on their health, both physical and mental. And Hotch being the responsible leader that he is, recognized what had to be done. Especially after Reid fainted while running and Morgan’s strength notably faltering while in a tussle with an unsub. 

Now, the team didn’t know if it was perhaps because Hotch was measuring all these potential agents against Emily and JJ but none of them appeared up to his standard. Although accepting applications was his idea, judging by the way his brows had furrowed permanently they could tell Hotch was starting to regret it. Rossi, who knows Hotch a little better than everyone, could tell that he was about to give up. 

He could tell by the way he had his lips pressed in a thin line for the past forty minutes unwaveringly. 

He could tell by the way his shoulders were more obviously rising and falling, his breaths deeper- like he was calming himself. 

He could tell by the way Hotch would stand with clenched fists, unclenching them slowly on his sides. 

He could tell by the way Hotch was staring at the files, not reading. 

But just as Rossi was about to go up to Hotch’s office so they could all call it a night. To give his friend a pep talk about being there for each other and how tomorrow’s another day. Out of the corner of his eye, he sees someone entering the BAU walking briskly. 

The profiler in him skims over the figure quickly: 5 foot 3. Tiny. Mid-20s to early 30s. Young. Cardigan, jeans, sneakers, and a messenger bag. Is this kid Reid’s twin or what. Soulful round eyes, cute nose, pink lips. Pretty. 

“Uhm, hi.. I’m here for an interview? with uhm.. Mr– Agent Hotchner, sorry. Could someone point me to his office? Please?” Interesting. 

For some reason, none of the members of the team spoke, mainly surprised by the sudden addition of this stranger’s presence. One by one, like falling dominos, they slowly pointed to Hotch’s door. Simultaneously taking their precious time assessing whatever they can from what they’re seeing. 

Their observations didn’t stray far from what Rossi had seen. You’re pretty. That’s the first thing one can deduce. The incredibly-adorable kind of pretty, Garcia thinks. You seem smart, the same way anyone knows boy genius is smart– darting eyes like you’re thinking at a thousand miles per minute. Like you’re studying your surroundings, assessing threats, friendlies, and potential threats. 

You’re shy. You speak softly as if scared to intrude. Your movements are precise as if scared to impose. You stand still as if scared to take up more space than necessary. But your posture says otherwise. You may be introverted but your intelligence reeks in your diction and the way your head is held high, a part of you you’re sure of. Literally a lot like Reid, it’s creepy. 

You’re young. Young enough to steal pretty boy’s title as the baby of the team if you were to be accepted. To be honest, you look like a college student. Like a straight A, extra credit, shy and quiet type of student– and they weren’t wrong. 

You didn’t find anything weird about their behavior, the silence with which they responded to you. Probably because you were too nervous about your interview. Everyone knows the BAU is the team that’s the most difficult to get into, and that their unit chief’s the most intimidating man in the FBI that the Director himself avoids running into him altogether. 

So it was definitely a surprise when you were called in by Erin Strauss. A fresh graduate from the academy, you had no field experience at all. You’d only been working as a forensic scientist for the Organized Crime Division for a little less than a year, and more often than not you were in laboratories and morgues. Mainly there as a junior consultant than anything, having the more seasoned agents out in the field, on active crime scenes. 

Your gaze followed where they were pointing to, nerves permeating through your body. As you make your way up the stairs to get to his door, you’re trying to even your breathing- desperately. You don’t want to seem incompetent and inexperienced, pathetic even. 

Raising your hand to knock, you take in one last deep breath. Suddenly aware of all the people watching you from behind, possibly profiling you– you knock. Loudly. Like you were trying to prove something, show false strength and confidence. 

Maybe a little too loud, you realized. Shit. 

You’re in your own head when the door whips open and you see him. You knew he was good looking. You’ve seen him on TV and in pictures but god they did not do him justice. Just as you were processing how good-looking he was and how it would be a crime to embarrass yourself in front of him, your body decides it’s time to let out that big breath you inhaled before knocking. 

Now it appears you’re just blowing cool air into his chest, frozen while he stands there towering over you, most likely curious about why you knocked on his door so hard, why you are blowing cool air into his chest and more importantly, who the heck were you? 

“Hi, I’m, uh, here for the interview. For, uhm, the vacant position at the BAU team, Sir– Agent!” clearing your throat you scramble to make a good impression, or at least salvage what’s been established. 

Swallowing your pride, you bow your head in embarrassment, softening your voice as you say “Sorry, Agent Hotchner. What I meant to say is that I’m applying to be on your team. I’m here for the interview.” Looking up at him eye-to-eye, to hopefully convey your sincerity, you held his stare and his breathing stuttered. 

Let’s be honest. Hotch just went through four hours of his personal hell, getting to know people he doesn’t want to get to know. Asking questions, engaging in small talk, studying mannerisms and language– all to assess whether that person could be the much needed addition to his team. And the last thing he wants right now, as it nears the end of the work day, is another applicant to entertain. 

So Hotch, along with the rest of the team, becomes quite surprised when he moves his body out of the way to let you in his office when seconds ago he looked like he was about to give a very tempered advice at whoever just banged on his door. 

While he gestures for you to sit walking around his desk to sit on his own chair, he convinces himself that it’s because he is a good person and because he would do anything to help his team even if it meant enduring another painful interview. 

Definitely not because of your eyes. Or pouting lips. Or the adorable way blood rushed to your cheeks in embarrassment. Or your soft, soft voice that said his name in such a way that he’s dying to hear it again. 

Nope. It is simply his duty to lead and care for his team, and that means interviewing you. Somehow. 

-

It was quiet. You were nervous. It was obvious. He was waiting for you to talk but you’ve been staring at his tie instead of his face. You’re fiddling with your rings, wiping your palms on your jeans. And you were still very obviously trying to even your breaths. 

Observing these were enough to make him soften his voice slightly as he spoke, “Could you tell me about yourself?” He said slowly and softly– soft enough that if the air conditioning was a little louder you probably wouldn’t have heard him at all. 

Hotch became extremely conscious about coming across as demanding. He simply didn’t want to intimidate you further. He knew that if he wanted you to talk, open up, and present yourself justifiably, he would have to tread lightly. 

Now, he didn’t know when exactly he had started to care about whether he came off as intimidating or not, nor does he know why he’s the one adjusting for someone applying to be on his team– but apparently the times have changed. 

He’s brought out of his thoughts by your faint reply, “Well I, uh, have a bachelor in Psychology and in World Literature. Uhm, and.. I also have a Masters in Criminal Psychology but pursued Forensic Psychology for my doctorate.” You sounded almost hesitant to list all your achievements, which made him think you’ve probably been told once or twice that it is impolite to talk about such achievements to one’s face. 

The thought of someone invalidating your achievements, your brilliance infuriates him. You’ve achieved so much so early in your life, you deserve to be celebrated. There’s a subdued smile on his face, hopefully one you interpret as encouragement to continue. 

With a small smile gracing your face at his kind reaction, you added, “I only recently finished actually– I did it simultaneously with the academy’s progr–”

He cut you off, “Congratulations– sorry.” Too eager. Since when am I the one doing the impressing? “You like studying,” he observed. The smile on your face, although small, seemed genuine. Your face and your posture increasingly relaxed the more you talked.

You breathe out a laugh, “A little.. A little too much maybe.” Looking at your hands, rearranging the rings that adorn your nimble fingers. 

Hotch’s face has softened. He didn’t notice by how much, but it has relaxed a lot more the longer he observes you, everything about you. He commits your every movement to his memory, every mannerism, chalking it up to some part of his assessment. Words that describe you flashing in his head: introverted, intelligent, beautiful, accomplished– He hasn’t read your file. He gave up on reading files three candidates ago and has been relying on his profiling skills to get him through. 

But there’s something about you. Something that he can’t figure out, can’t name or explain. He felt it the very first time your eyes met, which isn’t even an hour ago but feels damn near to ages ago. He’s feeling it deep in his bones– a tingling feeling, an electric current, a rush of excitement. His heart has been beating slower yet louder. He feels it strongly in his chest. 

It had made him silent for a minute, so you look up from your hands subtly to check if he’s alright. For a second you were worried that he had said something that you just didn’t pick up on, and he’s been waiting for you to respond. 

But as your eyes meet again, he feels he’s suddenly in unfamiliar territory, treading powerful waters, and he can do nothing but go along with it. 

You’re surprised by the look in his eyes, but the sudden silence is at the forefront of your mind and you try to diffuse it, “Uhm–”

He cuts you off again, “Tell me something about yourself that I won’t read on your file.” He had the same idea- to talk. But for you, it was to diffuse the silence you thought was a dead giveaway of how disastrous your interview’s turning out to be. To him, it was to get somewhere, anywhere.

He’s got this weird feeling– a desire to get you talking more, even though soon enough there will be an awakened part of him that is certain there will be more talking in store for you two in the future. 

“What?” You don’t know why you said that. You understood what he said. Now you probably helped him affirm in his head that you’re ditzy and possibly the least reliable candidate to make agent. 

But..you just caught him looking at you like he was in love with you. Now you’re officially crazy. Dark, compelling eyes calling to you– it threw you off. It wasn’t even the usual sickening look of love, it was more of this serious, earnest yearning- almost pained.

- 

Now while the two of you were battling awkwardness and inexplicable feelings, the team was watching the whole thing unfold through his office window like a silent film. In fact, Garcia and Derek were already sharing a bowl of popcorn he ran to microwave the second they all saw Hotch’s entire existence falter at your presence. 

“What– what is happening? They’re barely talking!” Garcia worries. You’re tiny and adorable, and you look so kind and so incredibly soft and fragile. She just wants to protect you regardless of having met you less than briefly, minutes ago. 

“Baby girl, look closely. Both are just nervous, blushing idiots. They’ve just gotta push through this. Aren’t I right?” Derek’s smart mouth smugly adds. Looking to Rossi for any confirmation that he had guessed right: Hotch has a crush. 

Ever the skilled lip-reader, Reid comments “It’s been six whole minutes and Hotch has only asked her to tell him about herself.” He ponders for a moment, tilting his head “And judging by his relaxed jaw movements, gestures, and the decreased amount of strain his neck shows, I’d say he’s speaking softer than his usual volume.” 

Essentially Hotch’s best friend, every member looks to Rossi for his reaction. If they need any sort of confirmation that they’re reading their boss man right, they only ever have to read his right hand man Rossi who wears how he feels and what he thinks like Garcia wears her individuality. 

But Rossi’s only looking back at Reid with twinkling eyes and a smug smile growing bigger by the second. He lets out a quiet laugh, turning back to see Hotch smiling at the girl who is unaware of the fool grinning at her, “Addition to the team my ass– he'll be adding her to his life."

[luveline]

𝐜𝐡𝐚𝐧𝐠𝐞 𝐲𝐨𝐮𝐫 𝐦𝐢𝐧𝐝

You try to break up with your boyfriend. Aaron just wants to know why. (And what he can do to fix it.) [4k]

c: fem, stripper!reader, angst, hurt/comfort, fluff epilogue, suggestive themes mdni. requested here 

˗ˋˏ ♡ ˎˊ˗

I don’t want to see you anymore. 

The text doesn’t compute at first. He reads it twice. Reads the sender’s name, his heart stopped clean in his chest. 

He puts down his pen.

The idea that the text wasn’t meant for him crosses his mind, but that might further break his heart. He knows you have clients, but you don’t contact them outside of the club. 

His second thought is that he’d been a client unknowingly, but he made it clear to you those few months ago that he liked you as you, not as a service provider, and not as something to be bought. You thought he was trying to acquire you as a private escort. He explained it as what it was truthfully, if vulnerably.

He’s being broken up with, he surmises. Over text. By a woman he adores, who he’d thought was happy. Aaron opens his phone to call you, clicking your contact, bringing it to his ear. You don’t answer. He calls again and he’s clearly declined three rings in. 

He puts his phone down and has a few minutes of unbreathable heartbreak. Just a few minutes, his hand to his stomach, trying to think of things as reasonably as he can. 

Aaron doesn’t care that you’re a stripper. He might’ve at first. Denied his attraction to you, because of course he had feelings for you when you were standing against the side of the club in your dancing lingerie, who wouldn’t fall in love with you? Every fool lucky enough to see you undressed must assume the same thing. He thought it wouldn’t work, and that you’d never be interested in a man like him. 

Interviews for information lended themselves to rare moments of conversation. He liked how you talked, how your eyes moved to his, the way you watched his mouth. Your unusual friendship with Spencer drew you closer, and activated a rare seed of jealousy within him that helped him place you in his life. He had real, tangible feelings for you. 

And now it’s over. 

He scrunches his eyes closed and gets up from his desk. Puts his coat on, but leaves his things where they are on his desk. 

“Hotch?” Morgan asks as he descends the steps down from his office into the bullpen. 

“I’m not sure when I’ll be back.” 

“What happened?” 

Aaron turns to Morgan, hiding his panic as well as he’s able to. “I have a small emergency. It’s fine. Can you make sure things are okay here?” 

“Hotch?” Morgan asks again. 

Aaron keeps on going. He tries your number again on the way down. Three times, a fourth by the time he’s at the parking garage. 

The fifth time, you answer. 

He almost breaks the phone, its plastic body creaking in his hand. “Honey?” he asks. 

“I don’t want to see you anymore, Aaron. Is it hard to understand?” 

He’s taken aback. Some part of him had held onto the hope that it was a mistake. “Yes,” he says slowly, struggling to pull his keys out as his car comes into view, “it is.” 

“I don’t want to be with you.” 

“Have I upset you?” 

“Would that make it easier?” 

“No. I don’t think anything would make it any easier. Honey, this feels so sudden. Can’t we talk about it?” 

“I don’t want to see you.” 

“Please.” He can’t imagine never seeing you again. Just a few days ago he was sitting at the dinner table with you laughing opposite, your socked toes brushing his ankle. “Please, give me the chance to fix this.” 

“Aaron, it’s not really fixable. Please don’t call me again.”

“Y/N,” he says, firmer now. Anger leaks into his tone —what’s going on? “Let me come over. We need to talk about this.” 

“No–”

“It’s not fair to me for you to do it over the phone.” 

“…Okay. Fine. I’m at home, but I have work at six.” 

“I’m on my way.” 

He hangs up. Your terse allowance is all he needs to get in the car and drive, checking his watch. There’s plenty of time between now and six. He can figure out what’s wrong and hopefully change your mind.

He thinks about it more seriously as he’s parking outside of your place. Perhaps he doesn’t want to change your mind. You aren’t acting like you, none of your kindness can be found in such a swift dismissal, but he thinks of your foot under the table, your sock rubbing along his ankle without comment. 

He takes the stairs to your apartment. It’s not the nicest place to stay, but it’s far from a slum, either. He doesn’t worry about you when you’re home beyond the usual everyday fears: Is she eating? Sleeping? Having a good day? 

Now he’s thinking, What did I do? 

He gets to your apartment and pauses at the threshold. After a moment's deliberation, he knocks. 

“Come in, Aaron.” 

He pulls down the handle and lets himself in. You’ve mail piled on the sideboard and your shoes tucked under it, a coat rack further in bragging scarves and coats and jackets of all different colours. He’s always liked the interior of your apartment. It doesn’t feel as cold as his own, parts of your personality peeking in through everything, from the flowered tiles in the bathroom to the glass lampshade in the bedroom. 

You’re sitting in the kitchen with the light off. “Hey,” he says, voice already laden with relief he doesn’t mean to share. 

“Hi.” 

“Can I sit down?” 

You gesture for him to do as he likes. 

Aaron sits down at your table. It’s a small square just big enough to share dinner, plain wood edged in a darker slate grey outline. Sometimes when you’re feeling especially pretty, you’ll lean heavily on an elbow and grin at him, enticing him in for a kiss.

“What’s this all about?” he asks quietly. 

“I just think we’re… at the end of our relationship.” 

You don’t sound truthful. He knew there was something strange in your voice over the phone. 

“What’s making you feel that way?” 

“Does it matter?” 

Again, avoiding and evasive. 

He meets your gaze unflinchingly. “I care about you. I love you,” he says. “I know I can’t be who you pictured for yourself, and if you really can’t see a future for us, then… I’ll have seen it alone. I just wish I could understand this sudden change. Did I do something wrong?” 

“You’re not who I picture for myself,” you agree. 

“No?” he asks. 

“No. You didn’t do anything wrong, but I can’t see us together. We’re not the right fit.” 

You twist a ring around your middle finger. He thinks he’s starting to understand. “Do you think we’re not the right fit?” 

“Please don’t use your psychoanalysis on me.” 

“It’s not psychoanalysis, sweetheart, it’s– I know you.” He grimaces. “I’d like to think I do. And I’m allowing myself the audacity to believe you were happy with me just a few days ago. What happened between then and now to change your mind?” 

You stare at your two-toned table. Your mouth opens to talk, little but air making it out. Your shoulders begin tightening like you’ve been keyed between them, twisting and twisting. 

“What do you want me to say?” you ask. 

Dramatic, he’d hope you could say you don’t love him, or don’t care about him enough to let him convince you the rest of the way. “Is this really what you want?” he asks instead. 

Your staring turns to squinting. With a start, he watches a small tear drip from the corner of your eye to your nostril, to your cupid's bow. 

“No,” you say carefully, “it’s not what I want. I don’t like you being against me.” 

“Then what’s making you feel this way?” 

You cover your eyes with one hand. “I wanted to do this over the phone,” you say in a squeeze. 

He reaches for you but doesn’t touch. “I couldn’t let you.” 

“I just want you to be happy,” you say, so high he can barely understand you. “I’ll never be like you, Aaron. You’re so smart, and you’ve done so much. You’re a hero, and you must look so stupid with me. What do you think people say when they realise what I am?” 

“It doesn’t matter to me what they say. I know you, and they don’t.”

“What about what I think?” 

“What do you think?” 

You wipe your face roughly, eyes lit with an anger he’s unprepared for. “I told you, don’t psychoanalyse me. I don’t want to have to explain it, I just want to say what I have to say. I don’t want to be with you because you won’t be happy, and neither will I.” 

Aaron isn’t too prideful to recognise when he needs to fight for what he wants. He reaches over the table and takes your arm into his hand, picking it up, feeling down The length of it until he’s curled his hand over your smaller fingers. “We are happy,” he says softly, giving your hand a small shake. “I understand where you’re coming from. When we first met, I couldn’t have predicted that I’d be here with you now. I do wonder what people think when they ask me what you do and I tell them you’re a performer. I know we agreed to it, but there are moments where I feel like I’m being cruel to you. But just because there’s a stigma surrounding what you do, it doesn’t mean that you’re any lesser than me. You’re not less intelligent, or less accomplished. We chose different paths and I’m glad we did. If you weren’t a dancer I never would’ve met you.” 

“Do you know how it feels for me to come home to you sometimes?” you ask weakly. 

“I’d hope it feels as it does for me. Every time I see you, I’m relieved.” 

“Aaron, I get this rush of safety, like you’re– I’m finally safe. I can take care of myself, you know that, but now I have you it’s that I don’t even want to. And that’s stupid. I know that that’s stupid.” 

“What I’m thinking,” he says, soft, not as worried about being without you now as he is of the horrible way you’re feeling, “is that you’ve thought about all of this a lot. I’m glad you’ve taken time to reflect on us and your life, but I wish you’d thought more about what we both want.” 

“I want you to be happy,” you argue, as you had a few moments ago. 

“And I’m never happier than when we’re together.” He shrugs. “Love isn’t about work. Your job shapes you as mine shapes me, but you have to know that who you are is what’s important.” 

“I don’t know who I am…” 

“I know exactly who you are,” he says, rubbing a loving thumb over your knuckles. 

“I’m… I’m sorry for the way I spoke to you, on the phone. I knew if I talked to you like this I’d be too much of a coward to really see it through.” 

“I see. You’ve planned my heartbreak weeks in advance.” 

You shake your head sadly. “Aaron, we’re not good for each other. You make me this awful, weak version of me, and I’m no good.” 

“We have been nothing but happy since we met.” Aaron pulls your hand up and kisses the side of your wrist. He isn’t ashamed of you. He doesn’t make you weak, you aren’t. “I don’t know how to explain it. Sometimes it feels like we’re from different worlds, but it’s not that melodramatic. You’re my partner. I love you. It’s hard not to think about what others think of us, but I know exactly what I think of you, and I know what you think of me, too.” 

You share a look. 

“I’ve never heard you talk so much,” you say, your frown fading. “I’m sorry.” 

“You haven’t done anything wrong.” 

“When I thought I couldn’t get any more embarrassing,” you mumble. 

“You aren’t embarrassing. Please, put the thought out of your head.” 

“Thought out of my head,” you repeat, still mumbling as you flex your fingers, pushing them between his and intertwining your hands. You bring them linked to your forehead and take a heavy breath. 

“Do you really want to break up?” he asks softly. 

Your breath warms his arm. “No.” 

“You can have the things you want, you know? I imagine that there are people who laugh when I tell them about you, but you have to know that their opinions would never matter to me.” He pulls his hand from your head to encourage you to meet his eyes. “No one else matters but me and you. We don’t have to factor in other people. We can just be together.” 

“I’m not worth all the fuss,” you say under your breath. 

“What, this fuss? Honey, a few weeks ago you cried in my lap because I got you that cake from the bakery. And you know what? I didn’t want you to cry, but getting to rub your back?” He chances a smile. “That made my night.” 

“You like making girls cry.” 

“Yes,” he says, trying not to grin like a fool as you stand from your chair and put yourself in front of him. He is no saint. He pulls you onto his thighs and wraps an arm around the small of your back, your legs either side of him. “That’s my goal in life, sweetheart.” His voice falls to a whisper as you hang your head against him, tip of your nose to a rough cheek. “Making you cry…” 

Your arms creep to his neck. Resting on him, rather than hugging. He doesn’t mind, he’ll do the hard work. 

“I’m sorry,” you murmur. 

“It’s okay.” He turns your face with his to press his lips to your cheek. “It’s alright, honey, bumps in the road happen with everyone.” 

“All my fault.” 

“Maybe next time, if you feel so strongly about something, you can just extend me that little bit of faith and… know that I’m here for you. Even if it did mean we wouldn’t be together, it doesn’t have to be that you’re alone, making such a big decision. Valiant,” he adds, enjoying the warmth of you seeping into his shirt, his face, his neck where your wrist is laid against it. “You’re not a coward. But I wish you wouldn’t be this brave about breaking my heart.” 

“Stop making me feel guilty.” 

His laugh is a breath against your cheek. “No, it’s fine, isn’t it? Use me and abuse me.” 

“Shut up. Stop, what is this weird guilt tripping you’re doing?” You laugh at his absurdity. “I’d never abuse you.” 

“I know. Just step on me a bit.” 

“Stop, stop,” you mumble, your voice turning slowly from self-pitying to honey, all that love for him he knew you still had like threads of gold shooting through it, “I don’t wanna step on you, I never would…” 

“Just rough me up a little.” 

“Never.” You press your face to his neck. “Thank you for not letting me do it.” 

“I won’t let you go so easily.” His hand trails up your back, feeling the softness of you beneath your t-shirt. Fat, muscle, all of it familiar, and treasured by his touching. 

He squeezes you rather tightly, then, but you don’t complain, you just sigh. 

“It’s not that you’re not who I picture for myself, like I said before,” you confess, leaning all your weight against him, barely held up by your legs either side of him. “You weren’t, but I didn’t realise that I could have you. I didn’t really know men like you existed. I should’ve known I was looking in the wrong age bracket.” 

“That’s not very nice. In my line of work they call that a feedback sandwich, honey. Something cruel between nice things to distract me.” 

“Sorry. Just had to get it in.” 

He considers your teasing a return to normalcy, guiding your head away from his with a hand to the back of your neck. “If this was a ploy to make me leave work early, consider it successful.” 

“I know your attention usually falls to other places, Mr. Hotchner–” You burst into giggles as he pinches the back of your neck, but it’s only to pull you in for a kiss, smiling against your parted lips as your laughter fades away.

You scrunch his shirt in your hand and kiss him nicely. 

“Sorry,” you say. 

“Forgiven.” Even if he did almost go into cardiac arrest at his desk. “I like begging to stay. It builds character.” 

“How long will you be like this?” you ask, shaking your head slowly, your smile poorly hidden. 

You’d needed a reminder, is all. Aaron isn’t solely business and sternness, he’s an idiot, your idiot, who likes to tease you, and doesn’t care who knows that. When he’s working he’s one person, and when he’s with you, he’s another. Both have their qualities and faults, but only one version is the one he needs to be with you. 

“At my age it’s perfectly normal to have a young and beautiful wife,” he says. “You’ve seen some of the other Section’s worker’s wives.” 

“I’m not that young,” you say. 

“So you admit it?” 

You reward him with a tired sigh, cuddling into his collar. 

—

…I'll never be your beast of burden. So let's go home and draw the curtains…

Aaron’s humming from the bedroom. He knows every classic rock song to exist, every word to every Beatles song. When the chorus comes, he sings under his breath, but you can hear him regardless. “Am I rough enough, am I rich enough? I’m not too blind…” he fades off. 

The music hums under your feet. Record player open on the floor, his Some Girls vinyl on the plate. 

You press a hand down your side. 

To inspire less worry on your part, you and Aaron are trying to be more open about the other sides of your lives. His work feels alien to you, and you worry that yours is dirty to him, despite reassurance that a job is a job. You know that already, but you can’t make yourself believe that he’s as happy as he could be if you were, say, a checkout girl. 

You’d make a cute checkout girl, he’d said. 

This is cute, too. Babydoll lingerie with feather edgings, starkly white against your skin. You fluff out the ends and neaten the crotch of your panties. Nothing is on show that shouldn’t be, but it’s still lingerie. It’s meant to excite. 

“Honey,” he says, dulcet tone carrying to the bathroom, “are you stuck again?” 

You laugh. “I bet you hope so.” 

“That’s accusatory in nature.” 

“I’m coming.” You give it a last glance in the mirror and head into the bedroom. 

Aaron’s sat against your headboard, flowery pillowcases behind his head and back. He discards the little figurine he’d been playing with out of boredom and looks you up and down, corners of his lips curling. 

“Home only,” he says. 

“I knew you’d say that.” 

“You look stunning.” His eyes seem darker. All pupil. 

“I have to wear some of these at the club, Aaron, that’s why I bought them.” 

Something in your voice makes him smile. “You said I could veto the ones that are too beautiful.” 

“I said too slutty.” 

“Honey, they��re all revealing in their ways. And I don’t have a problem with it…” He takes a breath. “Much. But some of these are meant for…” 

“The man who loves me?”

“Exactly.” 

He’d said something similar about the light blue set with darker flowers, the black set that showed the curves of your chest, and especially about the pink one-piece with white ribbons. That one gave him pause. 

“Spin?” he asks. 

One day it might bother Aaron that you dance, but for now he’s gently approving. Just wants you to be happy. So you do a little spin without any attempt to be sexy and beam when he whistles. 

“Beautiful. Really, honey, that’s the nicest so far.” 

“I have a confession.” 

“Yeah?” 

“This one was for you.” 

He’d know if you were lying. “For me?” he says, in that tone bordering stern, as much of his professionalism as you’re used to hearing these days. 

“Yes, sir.” 

“Don’t,” he says, seductions gone as he tips his head back into a pillow patterned with lavender and peony. “Unless you’re done trying those on, I don’t want to hear it.” 

“This is the last one.” 

“In that case.” He covers his face with a cushion. 

You look down. Your stomach is a little bloated from lunch, and you have a shaving rash on your left knee, but Aaron won’t mind. He never does. Without worry, you tread to the side of the bed and climb onto it, one leg over his lap. The last time you’d been sitting in his lap, you’d been teary-eyed and regretful. Fuck, what was I thinking? you ask yourself, slipping a hand under his rising shirt to feel his abdomen. It’ll never not be weird, the FBI man and his stripper girlfriend, but it doesn’t have to make sense to anyone but him and you. 

You ease the pillow down his face. 

“Are you blushing, Aaron?” you ask. 

“Not purposefully.” 

“You look a little… hot.” 

“That makes two of us.” 

It starts slowly. The heat of you atop him, the pillows moved out of the way. You didn’t expect him to stay unbothered as you paraded your new spoils, but his willpower is remarkable, and he only breaks when you let yourself settle on his lap. His big hand cups your face. 

“That’s funny.” You lift up enough to be in kissing range, but don’t kiss. You just wait for him to react, holding your weight off of his chest. 

He finds the small of your back and drags. Your gasp isn’t your own, a breathy, excited thing as he brings your face to his for a kiss. Your lips almost immediately part in anticipation of his eagerness, of his hand on the back of your neck, and the unflinching heat of his mouth as he turns his head. Your noses brush. He wades in deeper, his own breath already failing him as the bridges of your nose press hard. 

They aren’t rough kisses, but there’s something desperate there. He holds you to him until he can’t, ushering you onto your back, his weight bearing down sudden and steady. 

“I can’t believe I nearly lost you,” he utters, stroking your cheek, edging back in to kiss you before you can reply. 

You wrap an arm behind his back and hike your leg, soft thigh naked and waiting for his touch. You didn’t nearly lose me, you think. To be lost, you’d have to be something worth losing, and you’re not sure you are, but Aaron? 

“I don’t think you could,” you mumble, forcing him to kiss your cheek, your jaw, the line of your throat. He nips at your neck, a shudder racing through you. 

“I have no intent of letting it come that close again, sweetheart.” 

His hand dances up your side to the soft hill of your chest. 

You hold the hair from his face and let him kiss you. He’s here to stay, no matter how odd a pairing you might make. You love him. That’s all he cares about. 

“Want me to do that thing you like?” you offer softly, mildly playful. 

He laughs into your neck. “No,” he says, “I think tonight is about you, hm? You’re all dressed up. I think that deserves a reward.” 

You knew he’d like the white babydoll. 

˗ˋˏ ♡ ˎˊ˗

[hinamie]

humble beginnings 

after months of prep, chapter 1 of Like the Moon Haunts the Sun,  the jjk atla!au collab with sam @philosophiums is officially live!  I know it’s been a long time coming but thank you so much for bearing with us! Please please please give sam and the fic some love, they’ve been working so hard and i couldn’t be more proud to call them my creative partner <3  you can read chapter 1 here! there is also a dedicated lmhs blog @lmhsfic if you’re interested in fic production updates; in addition to posts we each make on our respective blogs, everything we make for this project will also be archived there. and we’re happy to answer any questions or chat with you about the little sandbox world we’ve been playing in :D

[poguehearted77]

Between The Lines

Summary-> It's the little things that go on behind the scenes between you and Drew that makes your chemistry electric.

Belongs to my: OBX Season 5: Payback for Maybank Series

These can be read in any order!

"Park place." Maddison narrates where Drew lands his dog piece across the monopoly board. "I'll buy it." He says but your hand is in his face, "Not so fast. I'm sure you would love to buy it if I didn't already have a hotel on it. You owe me $1500. Pay up." You show him your open palm, ready for lots and lots of cash.

"He's so cooked. Look at that pathetic stack of cash Drew has. I've got piggy banks with more than that." Jonathan's comments send the four of you erupting into a fit of laughter which eventually dies down to a patient silence. "Sometime today would be great." Madison clears her throat.

"Josh is coming!" Drew points, appealing to our gullibility and youall fell for it. By the time you realized he was bluffing, the board was tossed and the pieces were all out of place. He gets up and runs off as if he already knew you'd be hot on his heels.

Your outburts left JD and Madison alone to pick up the pieces, but not without an interesting conversation. "50 bucks they're together by the time we finish the season." Madison says it so casually as she reaches underneath the couch for the pieces.

"So I'm not crazy? You see it too?" He looks almost relieved. "Trust me, I've got a knack for these things." JD seems skeptical about the timeline of the bet. "I dunno, we finish filming in four months. That might be too soon, I say by the premiere."

The both of them look up so Carlacia who seemed to have been streaming live on her istagram. She enters the room mumbling something about getting winded by you and Drew sprinting past her.

Madison scoffs, "That's like nine months from now. They could get together and break up by then, but you know what-- If that's what you wanna bet, then be my guest." She holds out her hand and JD shakes on it. "You're on."

"We're ready for you guys." One of the assistants notifys them that it was time to head to the screening room where the weekly table reads were held.

Today would be your first look at the script for the second episode, and to say you were shocked was an understatement.

Script Summary:

Eventually the pogues put their trust in Piper and she gives them a fair exchange of some arms that they can handle, while she opts for her weapon of choice, a steel pipe.

"How do you think I got the name and the scar?" She says and it puts an odd sense of comfort among the group, minus a skeptical Rafe, to know you were confident enough in your skills that you didn't need a gun.

They beleived they were in good hands, until they realized they weren't. There was movement coming from the bushes and it made the pogues stand on guard, beckoning them to come out. Soon, the figures finally revealed themsleves. More mercenaries.

"Nicely, done Piper. It seems you can still make yourself useful after all." The red-headed woman speaks up, tossing you a pouch of money that you caught with one hand effortlessly.

"Never doubt my capabilities, it's insulting." You warn, tucking the pouch into the bag strapped across your back. The british woman continues, "Y'know, Mr. Finch could use your talents again. Once we're done tying up loose ends, we're headed back to home base in Lisbon."

Rafe is livid. He knew he couldn't trust you. It couldn't be by pure coincidence that the mercenaries popped up in the middle of this oasis when you were leading. "Lisbon? You told us Finch was here-" Kiara exclaims and Rafe interrupts.

"It was all a lie, from the very beginning. Mr. Alami, the merchant from Agapenta, he was working with you, wasn't he? You knew he'd send us to you, and now you got your sad little payout from these dipshits for bringing us to them." Rafe seethes.

"I'll neither confirm nor deny that claim, love the enthusiasm though." Your attitude remains unbothered throughout the ordeal until Pope demands, "What do you want from us? We don't have the crown! Groff took it." The red head shrugs casually, sharpening her blades as she approaches the group.

"Don't you worry, Groff will get what's coming to him. For now, it's time to repay the debt that is owed. You get blood on your hands, I get blood on mine." Your eyes bulge, "Hang on, you never said you wanted to kill them." You step in and the woman pays you no mind.

"Perhaps because It's none of your concern. You've got your cut, now's a good time as ever to leave. It's about to get messy." She retracts her hand, about to plunge the blade into Pope when she's knocked out cold by a flying piece of steel.

The group looks over to you in shock, fear, and a hint of gratitude, but there's no time to gush about it when there's suddenly a brawl that breaks out between the mercenaries and the pogues.

You all hardly take them out before escaping.

"Piper, what the hell?!" John B yells and his anger is heavily agreed on in the group, you take it on the chin before offering the most sincere apology you could come up with. They're unconvinced. "I deserve that. Everything you heard back there is true. Finch's Fortress is in Lisbon. If you find him, you'll find Groff," You trail off, reaching into your bag, handing Cleo the pouch of money you'd just gotten.

"Take this. It's more than enough to get you a boat big enough to get across the atlantic and even have some leftover for food for a few days. When you arrive on the coast of Cascais, you'll need to head north in-land."

There's silence.

A long silence, nervous glances between the pogues and Rafe's eyes roll. "You guys cannot seriously be considering trusting her. She almost had us killed! Am I the only one who cares about making it back home?"

"Just shut up, Rafe!" John B silences him, and Pope speaks up. "Listen, I don't know about you guys but Piper just saved my life when she didn't have to. We've already lost someone. Going after Groff could be a suicide missison for all we know. But we all know this isn't about our safety, it's about revenge. For JJ." His speech is moving, the expressions agree.

"For JJ." They all agree.

"To Lisbon we go." Cleo chimes, and the group moves on.

End of Script*

You had just finished reading the script and you were blown away. The cast never knows what to expect whenevfer a new script is dropped in front of them.

"Wait a minute... If the pogues are going to Lisbon in the next episode then," Madison trails off and the director ties in, "So are we. Pack your bags, flights are booked for Saturday morning at 5am, please do not miss these flights, we're not opposed to writing you out!" Josh jokes and there's excited and shock all around the table.

You knew that the last season of the show had implied that the pogues would be on their way to Lisbon but it never dawned on you that it would be so soon, even though it made sense.

"You ever been to Portugal?" Drew leans in, a soft whisper in your ear tickled your skin and made the hairs on the back of your neck at attention. "Never, have you?" He thinks about it, "If a layover counts then yes, yes I have." You're not sure if the joke was funny or if it just left the mouth of an incredibly attractive man, nonetheless, it made you giggle.

Madison kicks JD from under the table, jutting her chin towards the two of you giggling in secret and he rolls his eyes. "Patience." He says it calmly, but Madison is impatient, she knows she'll reign triumphant by the end of it all.

-

It’s a Friday night—or, more accurately, the early hours of Saturday morning. The world outside your accommodations complex is still cloaked in sleep, and you should be too. But no. The responsibility of making your flight in two hours has ripped you from the warmth of your bed. Groggy but determined, you scrambled to gather your belongings, knowing you wouldn’t be back.

After a last sweep of the room, you opened the door with a flicker of confidence—only to jump at the sight of a six-foot-two figure standing in your doorway.

“Drew! Oh my god, you scared me.” Your hand flew to your chest in a theatrical gesture, your pulse thrumming in your ears.

A small smile tugged at his lips, his eyes crinkling slightly. “Sorry. Just wanted to make sure you were actually up. Everyone else already left. There’s one driver still waiting downstairs.” His voice was smooth, annoyingly easy to listen to this early in the morning. Too easy.

“You sound oddly refreshed for 3 a.m.,” you quipped, your own voice still husky from sleep as you grabbed your suitcase.

“That’s the beauty of insomnia.” He shrugged, gesturing to his temples with a finger like it was some kind of genius life hack. “You can’t wake up tired if you never really sleep.”

The elevator dinged open, and the two of you stepped inside. The silence that settled was heavy, charged with something you couldn’t quite define. It hung there until you both spoke at once:

“So where are you—” “How did you—”

You broke into quiet laughter, and Drew’s mouth twitched with amusement. “You first,” he said, giving you a slight nod.

“How did you know I hadn’t already left with the others?” you asked, tilting your head curiously. For a moment, something flickered across his face—an emotion too quick to name—before a light blush dusted his cheeks. He masked it with an easy tone.

“I did some askin' around,” he replied, the answer short and almost vague. It was just enough to spark your teasing instincts.

“Ah,” you said with a smirk, “so you missed me?”

Instant regret settled within you. The elevator seemed too small, too still as Drew turned to look at you, his gaze steady and disarming. For a heartbeat, he didn’t respond, and your cheeks grew warm under his stare.

“You could say that,” he finally said, the ghost of a smirk curling the corner of his lips. His attention shifted to the elevator doors as they slid open, leaving you to wonder if you’d imagined the whole thing.

The ride to the airport was longer than expected thanks to roadwork that forced a detour. You should've been annoyed, but at some point, your head found its way to Drew’s shoulder, and your eyes fluttered shut. The fabric of his hoodie was soft against your temple, and his warmth lulled you into a half-dream state.

Drew didn’t dare move. The weight of your head against him was almost too perfect, and he fought the sudden urge to reach for your hand resting on your lap. Instead, he focused on the ticking clock in the back of his mind and the quiet hum of the car.

When you arrived, he sprang into action. “C’mon, we don’t have time to waste,” he murmured, grabbing your suitcase and his carry-on in one hand while ushering you toward the terminal with the other.

You barely had to lift a finger. Drew handled everything—tickets, baggage check, even navigating customs—with practiced efficiency, his jaw set and his movements quick. He wasn’t just organized; he was determined.

“Do you always walk as fast as a drill sergeant?” you teased as you reached the gate, breathing a little easier now.

He shot you a look, his lips twitching. “I'm not a huge fan of being late,” was all he said. But the way his eyes lingered on yours for half a second longer than necessary told you there was more to it than that.

Finally, you made it to your seats in first class. You settled across the aisle from Madelyn, who flashed you a bright smile.

“I was starting to think you two wouldn’t make it,” she teased, leaning toward you with a glint in her eye. There was an underlying subtext to her words but you were too tired to decipher it.

“Drew made sure that didn’t happen,” you replied with a soft laugh. The words were simple, but they carried a warmth you couldn’t quite suppress.

From behind your seat, Drew caught the sound of his name on your lips--and god did he love the way it sounds. He didn’t know what you’d said, but it didn’t matter. The fact that you were talking about him stirred something in his chest.

As the flight began, you glanced back once, meeting his gaze. He held it for a fraction of a moment before looking away, his expression unreadable.

And yet, for the rest of the flight, he couldn’t stop thinking about you. Couldn’t stop replaying the memory of the weight of your head on his shoulder—or wondering what it might feel like to hold your hand in his.

Taglist: @percysley, @lilithblackkk, @rafegf-real, @eternallovers65, @drsza, @wearemadeofstardust0, @cadhlabear, @thepopcultureaddict, @citr0us, @sabrina-carpenter-stan-account, @madi44444,

[threeacttragedy]

Entry 12: The One Where We Start Laying the Yellow Brick Road to Italy

I realized the other day that, even though I like to bounce around from place to place in the Lukola timeline, I probably needed to start tightening things up on the ship if I ever wanted to get to the end of the story. And, yes, dammit, this story better have a finale at some point because there’s nothing more annoying than an open-ended ending, particularly in the romance genre.

Today we’re going to take a quick jaunt over to Italy because –

NO! Not because Luke is allegedly filming there. If you’re into real-time stalking, you’re in the wrong blog. But, I’m sure there’s a Discord for that.

It’s because I’ve had several people ask for my opinion about the change in behavior between Luke and Nicola during their Day 1 interviews there. Wait – people are interested in my thoughts? Wow, that’s actually kind of nice. Thank you! Okay, back to what I was saying –

Was there a change in behavior when Luke and Nicola reached Italy? Yeah, actually, there kind of was.

By May 9, we had been gifted with a slew of material from Luke, Nicola, and the Bridgerton cast and, I must admit, those early interviews are some of the most entertaining of the tour. In the very beginning, Nicola appeared as the utmost professional – charming, intelligent, and witty at the right moments – and Luke played her likeable counterpart to “Book Colin” perfection – bouncing between being awkwardly boyish and wickedly roguish, all while looking at Nicola like she had just served him homemade peanut butter crumble.

The two of them together, playing off each other, in my opinion, was better than Bridgerton Season 3 (you cannot beat the World Tour being 99% Luke and Nicola, with only a few random side characters taking up screentime). There was some major “Electric Love” radiating from those two throughout the tour, but it seemed very much heightened in the beginning (probably because they hadn’t yet answered the same question 67 times). By the way, if you haven’t heard that song by Børns, go have a listen. It will, at the very least – hopefully – put you in an upbeat mood for the day.

Now, where was I? Oh, yes – was there a change in behavior between Luke and Nicola when they reached Italy?

Absolutely.

Do I know why?

Absolutely not.

Perhaps Luke was bent because someone spilled his coffee, or Nicola was upset because her stylist made her to wear that little silver bow in her hair. In my opinion, the most intriguing part of Day 1 of the Italy press junket was that Luke and Nicola struggled with answering the question, “What is love?” I swear they both babbled on like two kids in debate class who hadn’t bothered to read the material given to them before taking their respective podiums. They finally seemed to settle on Luke’s “Maybe it’s, like, connection.” Well, they seemed to be missing the “connection” that day.

Honestly, no one can explain their “don’t stand so close to me” vibe during those first day interviews except Luke and Nicola. But, we can at least have some fun and speculate about it with a bird’s eye view. At this point, you should know that I love spreading the puzzle pieces out and seeing how they might all connect. Most people – when putting a puzzle together – start with the side pieces, right? You’ll get my joke in a moment (I hope).

In March 2024 – I don’t know the specific date because my timeline is rather murky going back that far (I was unaware Lukola even existed!) – Luke traveled to Los Angeles for a photo spread with InStyle magazine. I’ve heard two versions of this story. The first being that Luke traveled to Los Angeles with Antonia alone; the second being that he traveled to Los Angeles with his friend group, which included Antonia. I couldn’t tell you which is true, and it really doesn’t matter because it doesn’t necessarily add or take away from today’s story.

Before I get started, I wanted to give a “hurrah” to The-One-Whose-Group-Chat-Fills-in-Lots-of-Missing-Bits-for-Me-Including-the-Part-Where-Video-Footage-of-Antonia-in-Los-Angeles-Seemed-to-Indicate-a-Celebrity-Was-Not-the-Videographer-and-There-Were-So-Many-British-Accents-in-the-Background-One-Would-Fancy-a-Guess-She-was-Traveling-with-a-Group.

Moving along…

On April 7, 2024, Antonia posted a series of photographs and clips to her Instagram grid indicating she had been in Los Angeles, including one where she was laying on a blanket in front of the Griffith Observatory and one where she was sitting at a table marked with the number “95.” On April 14, she posted a second set of photographs, tagging her location as Beverly Hills, California and using “End of Beginning” as her audio (yes, I side-eyed this choice of music so don’t feel bad if you did as well). The second photo dump included her lounging on a rooftop.

I’m not going to delve into posts made by Luke and Nicola during that timeframe. I mean, I’m sure Nicola’s comment, “’Friends’…sure Jan,” on Luke’s April 11 reshared post about Bridgerton Season 3 was only meant to be applicable to Polin. And, if Luke wanted to use yellow and black hearts to represent the colors Nicola and he were wearing in his April 12 post, that’s cool, too. And, I am definitely not going to speculate on Nicola’s April 15 post (for Big Mood) that Luke liked, and she captioned, “I will bite off anything that dangles.”

By April 21, Luke and Nicola were in Australia at the World Premiere of Bridgerton. I am only going to provide a quick overview of Australia instead of a full-fledged recital because, at some point, I will almost certainly dedicate an entry to this country. Let’s start with Luke pulling off the hottest walk-up in Netflix human history (I mean, have you watched it in slow motion?). Then, we had the hard launch of the handholding business (because why again?). And, we had Luke tripping over his words, “We’re very, like, giving…I’m not talking about those scenes…” Oh, and Nicola telling an interviewer that, “[y]ou can’t keep a good girl down,” and, in response, Luke’s lips curling into a wicked-ass Cheshire cat's. We had them in the garden, with Nicola bending down to hug Luke after she had scratched/hit/petted his head. Perhaps I should not mention the possibility of a man’s shirt being visible on a bed behind Nicola (I said possibility not that it was). And, Nicola telling Luke, “You’re the funnier one,” when he was concerned that perhaps Benedict was funnier than Colin. Then we had the “Nicola-in-the-green-dress” day where, as they were going down the steps, Luke seemed to instinctively reach for Nicola’s hand, but she played it cool and took his arm instead. Oh, and that entire “green dress” day in general (I mean, there was so much shit going on that day). And, best we do not forget Nicola saying, “the best foundation for love is friendship,” which mirrored the bracelet “someone…in Australia” gave Luke that read, “Do you believe the best foundation for love is friendship?” Because that’s not suspicious at all. Alright, let’s get the fuck out of Australia – but not before I mention Nicola commenting on Luke’s April 27 Instagram post with “Ready for the next?” and Luke replying, “Absolutely.” Yeah, yeah, yeah, their shenanigans in Australia expanded the USS Lukola tenfold.

Oh, also, let me throw this in here because, if you are a “ring truther,” this fact plays a significant role in the Lukola timeline. If you do not know what a “ring truther” is, that’s perfectly fine. You can catch up by reading Entry 6 (The One Where I Explained the Claddagh Ring to My Dad) of my blog. I mentioned in Entry 6 that some Lukola sleuths have stated the metadata they pulled from the sketches of the Claddagh ring uploaded by Chupi indicate they were done as early as April 26. In other words, it means the Claddagh was likely commissioned between Australia and Italy. In fact, if we are to believe Chupi when it said it took four weeks to make the ring, then it had to have been commissioned by May 9, 2024, at the latest. Oh, lookie there, that’s Day 1 of the Italy interviews.

But, before we get to May 9, let’s pause on April 29. That was the day Luke’s InStyle spread was published – yes, the one I mentioned earlier. Luke has pictures from this photoshoot still on his Instagram grid – in fact, Nicola commented, “Yess dude!!” on them – but those aren’t the pictures I want to talk about. No, I want to talk about the pictures InStyle posted on its Instagram grid that day. These photographs came directly from Luke, which was confirmed by the InStyle article when it said, “…the actor delighted the InStyle team by delivering the polaroid photos he’d taken for this story tucked oh-so-carefully in a little brown bag for safekeeping.” The pictures Luke provided, among others, included one where he was laying on a blanket in front of the Griffith Observatory in Los Angeles; one where he was sitting at a table marked with the number “95;” and one where he is sitting in a lounge chair on a rooftop. If you want to see the pictures, InStyle still has them available – you just need to go through hundreds of posts to find them. Luke did not like this InStyle post, which was kind of odd because he was tagged in it, and they were reportedly his pictures.

Why did these InStyle polaroids seem so familiar?

Oh, that’s right, because they were.

Remember that April 7 post of Antonia’s I mentioned a bit ago? Yeah, the one where Antonia posted a bunch of random pictures from Los Angeles and – only after InStyle posted Luke’s polaroids – fans realized Antonia had preemptively posted her version of some of Luke’s polaroids.

I am not going to speculate too much about these pictures or their implications in this blog post, but these pictures may resurface in future posts because I find myself side-eyeing the fact they even exist. And, we should probably accept that Luke was aware of them before his pictures came out on April 29 because he threw a like on Antonia’s April 7 post. Could it have been a “blind” like? Sure, I guess, but the logical side of my brain says he probably looked through them at the time she posted. Let’s not worry too much about it right now, though.

After trying to write out my “general” opinion about the pictures several times, I finally decided that the best way I could articulate my thoughts was through the conversation I had with my father. Yes, Dear Dad returns again for another insightful Q&A.

I started by showing Luke and Antonia’s three “matchy” pictures to my dad and then asked him to compare them. To be clear, the pictures were their respective Griffith Observatory, Table 95, and Rooftop Lounging pictures.

Me: “So what do you think?”

Dad: “About what?”

Me: “Ugh! Why did Antonia take those pictures?”

Dad: “Well, to show she’s part of the ‘in’ crowd. The only reason I can see them being taken is if she was going to put them on the Internet.”

Me: “Uhh, as a matter of fact, she did put them on the Internet! Approximately three weeks before Luke’s were published.”

Dad: “See! I’m not as dumb as you think.”

Me: “Whatever. So, you really believe that? She took them to show people that she was, like, there?”

Dad: “Yeah. Why else would she take them? They’re not the kind of photos you’d take normally. What’s she going to do, put them in an album and show her friends in five years and say, ‘Look, I sat in Luke’s chair?’ Who does that? Nobody. Plus, Luke’s pictures look like they were taken with a polaroid camera and Antonia took hers with, I guess, a phone. Why use two different cameras? Again, it doesn’t make sense. Seems to me like she knew what pictures he was taking, and she was trying to copy them so she could put them on the Internet.”

Thanks, Dad.

You do not have to accept my father’s thoughts on the photographs. Everyone is entitled to their own opinion. However, I think we can meet in the middle and opine that, at a minimum, Antonia’s pictures caused the weak Lukolas to jump overboard; at most, they gave some people stalker vibes; and somewhere in between, they introduced Antonia's negative influence over the fandom and what some may consider trolling behavior (even if it wasn’t recognized then).

Now, before we land in Italy on May 9, let’s summarize what has happened during the preceding two months.

First, we had Luke traveling to Los Angeles in March with Antonia, either alone or as part of a friend group. Luke had pictures of himself taken while there.

Second, we had Antonia posting pictures in early April that would be linked directly to Luke’s pictures by the end of the month.

Third, throughout the month of April, we had Luke and Nicola traveling together for the World Tour. We have all seen these interviews, and we have all formed independent opinions about them.

Fourth, based on Chupi’s own words, we know the Claddagh ring must have been commissioned no later than May 9.

Okay, now we’ve reached May 9, Day 1 of the Italy press junket.

Besides the press interviews, what happened on that day?

Well, Antonia reposted Luke singing Coldplay’s “Yellow” to her TikTok account.

Uhh… Huh. Interesting.

I mean, it’s possible that this was just a coincidence and she just liked Luke’s version of it. Or, it’s possible Antonia knew that “Yellow” was the Polin wedding song and she anticipated trolling Nicola and/or the fandom with it. But, if we believe she knew “Yellow” was the Polin wedding song, that means either Luke told her, or someone with that knowledge told her (i.e., someone from Luke’s team or family/friend group). We also know that Luke mentioned this song in the May 16, 2022 Netflix Tudum article when Nicola and he were asked about their song choices for Season 3. Luke stated his frontrunner was “Yellow” by Coldplay “because of Penelope’s dresses.” Regardless of why Antonia posted the song, I find it hard to imagine Netflix, Bridgerton, Shondaland, Nicola, or Luke were too impressed by Antonia resharing it on TikTok. I mean, at this point, Netflix & Co. would surely have been aware that Antonia’s “copycat post” went over with the fandom like a wet blanket in December in Canada. I imagine some questions were being asked and Luke may very well have received a hand slap from Corporate – and maybe even from Nicola.

But, that’s not the only thing that happened on May 9.

Luke posted his Homme magazine spread to his Instagram grid on that day, too. He captioned the post, “Chatting through all things S3 with @hommeplusmag [o]ut next week x.” Nicola commented, “Yessss,” and Luke tagged his post with the location of Hackney, London. That last part – about Luke tagging the location in Hackney – apparently sent the fandom into a deep-dive of…Nicola’s backyard. Why? Because Nicola lives in Hackney (Nicola herself confirmed she lived in Hackney in a March 18, 2024 interview with Derry Now), and rumors started to circulate that Luke’s pictures were taken at her home.

Hmm, I didn’t realize May 9 was such a busy day, did you?

So, which came first – the chicken or the egg? Did Antonia repost “Yellow” to her TikTok before Luke posted his Homme in Hackney images to Instagram, or vice versa? I’m sure someone out there has this information. The answer might help shine some light as to why Luke and Nicola seemed “off” in the early part of their Day 1 Italy interviews. But, then again, does the order really matter? Regardless of who posted first, it would seem to me that “Yellow” was a very possible culprit for the different energy on set that day.

That, or Luke really was peeved over someone spilling his coffee.

[livingsurreal]

More thoughts and theories about our favorite Necromancer

My darlings, I have too many thoughts and my obsession is running wild. (How I missed you, hyperfocus). If you have read my last meta post about our Emmrich, here it is: First Meta Post

That is not a required read however. I am still wondering why anyone is reading my word vomit U_U

Anyway, I love reading other peoples theories, so please, send me yours. <3 And a lot of thanks and love for all you darlings who make this fandom such a beautiful and nice place. Especially to @jaal-ama-daravv - who makes the most beautiful videos, and writes such wonderful character studies.

Warning, from here on there will be spoilers as well as mentions of sex. If you don't want to read about any of that, do not read the rest.

Also pictures and way too many words. This is a ten page word document, save yourself while you can. I tend to go off on a tangent once I start writing. I am also well aware that not everyone will agree. This is just my personal read on Emmrich.

Now, after my first essay I have some more thoughts on Emmrich and Rook and specifically their intimate relationship.

Emmrich is such an interesting and baffling contradiction. On the one hand he is confident, self-assured, all manners and poise. He is smart, and he knows it. He has special gifts, and he knows it.  He is confident without being proud. He likes to teach others without being arrogant. He still likes to learn about new things and is, as far as I’ve seen, never judgmental about different beliefs and ways of life. (Unless someone treats him with disdain or bully him)

He is a man who is confident speaking of his thoughts and feelings and fears. How he just casually drops his thanatophobia is just astonishing. He is honest and open-minded in the best ways.

And then there is the other side of him. The wet kitten side of him. As open and honest as he is about his emotions, when we get to the meat of it, to the scary bit, the real feely bit, he locks up completely. As long as it is surface level (or he can pretend its surface level), everything is up for discussion. But once we reach deeper and touch *love* he gets so scared and refuses to admit and commit to his feelings. And as much *death* scares him, love scares him more.

So how does that influence his intimate relationship with Rook?

According to the banter with Lace “everyone knows about it”. He was rather surprised by that.

That tells us two things:

They were trying to be sneaky or at least keep their private business private.

They failed, massively.

Add to that Laces comment about them moving rather fast (when, where? I would have loved to have seen that. Comments like that just give me the feeling that we should have had some more cutscenes after the dinner date, to show us those two besotted fools).

But back to them moving rather fast. I would guess that they both did a lot of gazing lovingly at each other, blushing, spacing out while watching their darling, stollen kisses in the hallway when they thought no one was watching, stuff like that. Just being to besotted fools.

But moving fast usually includes sex. Lots of needy, sweaty sex. The inability to keep their hands of each other.

That moves us to the question of the day – did they have sex before their coffin time?

Let’s look at what we know about Emmrich. Emmrich is no virgin. That man has experience. He had past lovers. But what he tells us at that sweet diner date – “nothing serious for years.” We know not much else besides his crush on a boy in his youth and his fling with the Orlesian Art Lady. He is not someone to kiss and tell and that is appreciated. That man has class, and we love him for it.

So - nothing SERIOUS for years. If he hadn’t had ANY relationships in the past years, he would have said so. But what he says is that he did, in fact, have UNSERIOUS relationships in the last few years.

I would read that to be somewhere along the “fwb, lovers, affairs, paramours, companions, a fling, a little romance” line. Something not purely, but mainly physically driven. Someone you like and respect, you can go out and have a good time with, have lots of amazing sex with (b/c he is a living being and has his needs). Spending time with people he liked, was sexually attracted too, but nothing as serious as love. A physical relationship. A little thrill, some fluttering, but never that deep.

Not to say that those situationships would not have been romantic. He is (buried under all that resignation) a deeply romantic man. I am pretty sure he went on nice romantic dates with his previous paramours too. That this is something he just enjoys too much. Treating a companion with some quality time, not just in, but also out of the bedroom.

But after he’d given up on his dreams, he did not have any notion of those flings being more than a “enjoy the moment”. There was never the expectation of deeper feelings, beyond friendship, attraction and/or respect. All those romantic gestures were nothing more than a little bit of “play pretend”. To give himself the illusion of true romance, just for a little time.

Take the fact that you can go a “everything you do is creepy but I still flirt with you and I want you to throw me over that tombstone” and his comment on “the attraction of the forbidden”? This is not a relationship born of mutual respect and deeper feelings but out of purely physical attraction. And he is OK with that.

I want to repeat – Emmrich is very much okay with a casual, sexual affair. He does not require love to have a relationship with someone.

And then think about that Johanna calls Rook specifically his “paramour”. Which is a lover, especially an illicit one. This word was very specifically chosen by Johanna. For various reasons, I would think.

For one, I do believe that it is a dig at his dreams of the eternal flame. It’s a dig at him, that Rook is not his love, but his paramour. A lover for a time. To be parted from soon enough. B/c that silly dream of his, as if it ever would become reality.

Second, I think it is a comment on the way his relationships often went, especially in the past years. Those unserious flings of his. Never to amount to anything substantial.

Did he try to have something serious in the past? Oh yes, for sure. But it never worked out. Then he gave up his dream and just let himself have a good time with people he found to be nice and attractive.

To pick up my point of self-sabotage from my last meta post – I’ve come to a point where I believe Emmrich is a kind of chaser. I know someone like that and it’s so fucking tragic.

Emmrich feels deeply and strongly. When he falls in love with someone it’s a lot of emotion. But at that point it’s all dream, want, wish. As soon as someone returns these feelings - those dreams, wants and wishes become reality. And reality is scary. In this wishful dream about the eternal flame, there is no fear. No fights. No loss. But that is not reality. As soon as it becomes reality, he gets scared. Before, his feelings were no threat, because you can’t lose what you don’t have. Once those feelings are returned, there is a clear possibility of losing, of being lost, of being left behind.

Emmrich is not a chaser because he enjoys the hunt. He is a chaser because being loved by someone is scary. So damn scary. So, he starts to pick fights and is looking for excuses. From being the chaser, he becomes the chased. He is hunted by his fears, and his fight or flight instincts go all flight.

After years of this cycle he gives up. Resigns himself to flings and little romances without even thinking of more. Or so he thinks. Dreams like that don’t die, they just get buried.

And I’d think that there was not many, even of those short term flings, lately. His life revolves around work and Manfred.

Now remember he comments on Rook “showing unexpected interest in a new companion”.

First of all – unexpected.

They are a daring adventurer. He thinks of himself clearly as the more boring one, compared to Rook. He never expected any of those flirts. But he is clearly flattered.

Second – companion.

That was such a weird way of saying “hey do you like me?”. This whole “companion” thing does not scream “I have FEELZ for you/you have FEELZ for me” but rather, “I think you might want to spend some quality time with me”.

The possible answers - dashing good looks, kindness, his way of words.

He feels he is fortunate if Rook thinks him good looking. Hallo, Mr. Professor, sir… Have you looked in the mirror lately? Consider that he is meticulously grooming himself, takes his exercises daily in the morning. That man does not like himself aging. I think it is a reminder of how his pending death is a step closer every day. But it shows, to him, that his efforts of taking care of himself are not in vain. Or maybe it shows him that his age does not matter. Rook finds him attractive despite (or because) of his physical age.

Rooks comment on his very charming way of putting things makes him hope his years behind the lectern have proved useful. Hey *years* behind the lectern. Again, this is a way of saying his age is NOT a problem but a benefit.

If Rook remarks his kindness, he answers “you humble me”. It’s the one answer that does not touch his age/experience/looks. It’s a remark on an innate character trait he possesses. Kindness. His whole demeanor in this option shows he is actually touched. And maybe a bit baffled. He did not expect this, at all. Its like he sees his kindness not as an attractive trait. Which he should. He is nice without TM and its sexy as hell.

The next part is his statement “If your attentions go beyond charming flattery… that would interest me, indeed”. This reads to me not necessarily as “do you have feelings for me” but as “do you just enjoy the flirting, or do you want to do more than flirting?”

And oh boy, does he want to do more than flirting. I want to repeat my earlier statement – this man has given up on love. But some little fling with an exiting young adventure who was constantly, awkwardly flirting with him? Hell, yeah.

(I want to remind you that we were able to have mutually enjoyed flirts with Dorian as fem!Inky. You can flirt with someone and still never want to fuck them. And you are also perfectly able to want more than flirting without having deeper feelings. Like sweet, dump Shepaloo said it so eloquently “Lets bang, okay?”)

Again, I want to pick up a point of my last post, that this is all surface level thoughts. I do believe that their emotional attraction and depth of feelings go deeper, from the start. But how often does it take quite a bit of time to realize one’s own feelings. Especially this wonderful, silly man whose modus operandi is running away.

Now, an interested Rook can answer in an open “lets see where this goes” way. Mirroring his rather open idea of a little romance, a fling, some quality time. Something that does not have to end in an eternal flame, but a simple enjoyment and exploration of the moment.

Rook can also reply with a “I think they do.” – What Rook actually says is “I think they already…”

And conveniently Rooks answer here is cut short by our sweet boy Manfred. They get cut short, no matter what answer you choose, but in this specific case, I am convinced this was very much on purpose. What would the whole sentence have been?

“I think they already go way beyond flattery.” (?!?) Something along those lines. But that goes into danger zone. WAY into danger zone.

If Rook had finished that sentence, at that point in their budding romance? It would have been over before is all started. Too much, too soon. Too much for him, period.

Now we have the hard lock – their sweet romantic moment in the Memorial Gardens. And he is smitten. He fell hook, line, and sinker for his own play pretend. Just a little romance, but that man is falling, fast. (Not that he would admit that to himself).

A beautiful date, all arranged by Emmrich, to spend time with Rook. Because a couple should have a quite moment to get to know each other. I mean there were menu cards with gilded edges, ffs. And, oh yes, they were “lets dig into the feelings”, he said couple. He is falling, falling, falling fast. But it still hasn’t hit him, how deep he has fallen for his darling Rook. Poor Emmrich.

Then a fight, where we really see the wet kitten side of him for the first time. A little wet, feral kitten, hissing at the hand that’s trying to feed it.

Emmrich is lashing out for no good reason (or no good reason for anyone but himself). There is no real confidence there but a desperate act of pretending. An iron (slipping) grip, trying to control himself and the narrative. Shoulders squared, back straight, an arrogant stance, raised chin, turned half-away from Rook, and a condescending way of talking to Rook.

Like I said in my last post – he is working his way up to breaking up with them. And he tells himself it’s like ripping off a bandaid. Be strong and confident and say what you have to say, and they will see the wisdom of that.

It’s only that, they don’t. Because there IS NO wisdom in what he is doing right now. They don’t take his bullshit but throw it back at him. They don’t accept his mock excuses.

Look at him here, how he looks down ON them. I can’t recall any other time he looks down on Rook, despite him being a tall king.

Especially the route where Rook throws it in his face that he DOES in fact love them. Speak what he can’t even think.

“I can’t… At my…”

“I can’t love you. At my age…” Why not? Does he not deserve love, just because he is a bit older? It’s just heartbreaking how he views himself.

And again, he lashes out.

“I am perfectly serious.” So is Rook.

“One of us has to pay attention to these things.” As if Rook is not paying attention. They got to the meat and bones of his problem in just a few seconds.

No matter what route you go here, the gist is the same. He is scared shitless, treats Rook like a child, and goes on how the is the only one thinking the important thoughts.

When Rook in reality way ahead of him. They thought about it and came to the conclusion that being with Emmrich is a really good idea.

Rook knew they were falling for someone older than them. (Even if that age difference is just a decade, with a mid-40s Rook.) They knew it, and still went with it. They are not a child who is too inexperienced and stupid to make decisions about their (love) life.

But now, here, at this moment? Emmrich treats them with disdain. Like a silly little person, who does not think things through. He holds himself above them. Physically and mentally. They are too young, he knows better.

And not once has he done that before. He always treated them as an equal. He follows them into the most dangerous situations ffs. He trusts them with his life in a fight against would-be gods.

All that fear and anger at himself that reaches a new high get redirected at Rook.

The next day they are off to Tearstone Island. That night must have been hell. For both of them. But its going to get much much worse.

In any case, Emmrich seems to have come to some conclusion or realization, because on that island? He apologizes.

They both did react very emotionally, but he came at Rook with superiority and, to a certain degree, dishonesty. All fueled by his fear. So that he is the one to take the first step and apologize to Rook instead of doubling down? An important step. As I said in my last post – he NEEDED to be called out. A sweet and nice counterargument would not have had the impact Rooks raw an honest emotion hat on him.

Emmrich “Rook? Darling? I wanted to say-“

Rook “Yeah, about that argument…”

Emmrich “(Sighs) It’s no time to apologize, is it?”

And here we have the most heartbreaking line, in hindsight. “We’ll talk back home, Emmrich. I promise.”

(Narrator: but they would, in fact, not talk about it back home. Because someone would not go home.)

One fight and weeks of horror later, they find themselves in a private crypt and finally they do more than share a kiss.

Now - to the point I originally wanted to explore with this post – is this in fact their first time? (I am sorry, but my brain is a circle and nothing makes sense)

Let’s look at what evidence we have from the cut-scene.

Rook did not know he is an early riser.

That leaves two possibilities:

They never had sex up until that point.

They did have sex, but never spent the night together.

Now what does that mean?

This depends a lot on your personal Rook and how they feel about sex in general. If Rook wants to wait, or is not ready, he will absolutely accept and respect that.

But for the sake of this analysis lets go with the idea that Rook is not opposed to sex at an earlier date.

They never slept with each other

Why? He clearly was not opposed to casual relationships in the past. What would hold him back now? Especially if you recall Laces comment about them moving fast. Why not jump into the bedroom?

Now my first crack theory is that they get interrupted, like every time. (Rook interrupted The Dread Wolf, and now he cursed them to always be interrupted when they want to have some private time)

But now, in all seriousness, maybe it’s just that part of him DOES realize that this goes beyond a very unserious relationship. That they both have deeper feelings, that spark of something greater, something beautiful.

So, he holds back. He does not give his all. He is charming, he is flirty, he takes Rook on dates. But it’s all very technical. Very performative. Yes, he is a very romantic man, yes he enjoys those moments. But there is always a feeling of control.

Those moments when you see him let go a bit (that kiss beneath the eternal lovers, “I think, sometimes you indulge me”), are so beautiful and you glimpse a bit of the man behind those walls.

He has a tell, you see. (I am telling you about it further down)

But generally, he feels very much in control of himself. And to lie with Rook? To go all the way? Too dangerous. Who knows what happens in that sweet moment after la petit mort? What secrets would his lips spill?

2. They slept together, but did not spent the night together.

They do have sex, but sleep alone in their own beds. Casual sex is fine, but to fall asleep in each other’s arms? Too much. Too real. Sex okay, but sleepy post coitus cuddly? Woah, slow down your horses.

So, they have sex, preferably in Rooks bed. First, does he even have a bed? Second, it’s way easier to leave Rooks bed after the act, than throwing them out afterwards.

Oh, and how many reasons he has. Rook needs their uninterrupted sleep; they are stressed and must have proper rest. He wants to get some reading done before he retires. He needs to look after Manfred.

Oh, he is a bad liar, for sure. He is lying more to himself than to Rook. I would think that (if this is the build up to their fight) Rook realizes that he is giving poor excuses.

And the sex itself? A technical 10/10. He knows his anatomy, after all. But his heart is not really in it. He can’t allow himself to. He holds back, keeps a tight lid on his emotions. They both are well spent afterwards, but like so much else, it’s performative. Technically very well executed, but rarely do you see HIM, the real him, behind all that performance. Whenever something slips through, he reels back and closes up.

And then we are in that crypt. Rook was gone for weeks. The last thing they said that night before were words of anger. Rook called him out on his feelings and from that point on there was no possible way of lying to himself anymore. Those feelings were there. They were real. Rooks feelings were real. And those weeks spent in desperation, trying to  get them back? Those walls came crashing down.

His true face, when all the walls are gone? You see that face when Rook leads him to the coffin. There is no pretense anymore. No performance. Just him, and all his love for Rook. The amount of emotion the animation team packed into those short moments in the cutscene? Mindblowing. Who ever crafted that expression on his face? They are the GOAT. I watch this part of that scene on repeat, and it never gets old.

So, I told you about how he has a tell, yes? Okay, two actually, but we all know surprised pikachu Emmrich. In that last scene it is resolved in the most beautiful way.

He looks down, when something touches him deeply, when he goes into his feels.

A few (way to many) examples:

And the worst wet kitten look? After the fight, when Rook leaves.

Its a look of shame. Of hurt. This man is hurting so badly.

Now here at the end we have that moment when Rook leads him to the coffin. His face turns down, like before. But here he looks up at Rook. He does not turn his eyes away but looks directly at them. Ahhh my heart.

Now, think about the fact that ROOK is leading in that moment?

In those moments where Rook leads or startles him (or is simply annoying enough so that the truth slips out), you see the most emotion from him.

Rooks flirting startles him, and he has a pikachu face reaction every time.

Their first kiss? Rook leans against the monument, and leans up, telling him without words that NOW is the time for a kiss. How can he not go for a second kiss?

That moment when Rook calls Manfred “our son”? He very conveniently ignores the word “OUR” and goes in defense mode over the word “son”. But called out on his feelings for Manfred? How can he deny them? He has tears in his voice when he says how he would not exchange this moment for anything? A real, deep emotion.

In their fight Emmrich is again all technical, all performance, so logical (or what he sells himself as logic). But Rook wrestles that moment from him and takes lead, calls him out on his bullshit.

In the crypt Rook pulls him up into a kiss and then leads him to the coffin, guiding him, taking him with them.

Most of the other times he takes the lead, very much in control. But the most emotions you get from him, are those times Rooks leads, when he lets go of this tight control over himself, or he is startled in to a reaction. For all the age difference that is played up in their relationship, in the important moments Rook is the one who guides. And he follows where they lead.

Those little moans he makes? If they did have sex before, I bet he did not make those sounds then. Where they did have some incredible sex, now they are making love. Open, vulnerable. He gives in.

And then they fall asleep together. Skin to skin, arms and legs intertwined. Their hands caressing, no sound but that of their heartbeats and soft breaths. Pure and utter contentment. In that moment nothing exists but them. Can you imagine that moment he woke up? The amount of emotions he must have felt then? This need to speak those little words? Those huge little words. He does not say them, not yet. But he is almost ready.  

Finally, they stand there, on the battlefield of Elgar’nans madness. And he tells Rook. The last wall falls. Gives the most precious thing he can give to anyone.

“I love you.”

[vigilskeep]

Do you think maybe Villa Dellamorte has one of those massive pantries/root cellars and that that's where Lucanis used to hide away as a child? Tucked in somewhere dark and cool, reading his wyvern books by lamplight, the cooks and sculleries checking in on him and keeping him secret from Caterina? Maybe he found a blanket someone "accidentally" left there, or a small cushion, and never questioned the little basket of snacks that found its way into his nook.

i’d believe it! it definitely seems like the kitchens were a safe place for him and that’s one of the reasons he has such positive associations with cooking and being around the food. when the crossroads magically smell like home and comfort: “coffee. like illario and i smelled in the kitchen where we grew up.” and from banter with emmrich; “i used to help the kitchen staff in the villa when i was a boy. it gave me something to do between lessons with caterina.” “so it’s not a crow skill for hiding poisons in food.” “it’s good for that, too. but mostly i just wanted to know how to make churros.” something he was allowed to do just out of interest, that can even be passed off as useful for his training. remembered kindnesses from the staff would mesh well with how much compassion he has for the household slaves in the wigmaker job. i can see them letting him hide away in the pantry like you say and pretending he’s sooo good at assassinning that they couldn’t possibly notice

less directly connected to his pantry-based living habits, but i also think we have a canon version of something like what you describe that he kept completely to himself: the secret “escape route” you take into the villa dellamorte, about which he says “illario doesn’t know it’s here. caterina didn’t even tell me about it. i found it playing here alone as a boy.” and it’s a sort of cave-like passageway under the house. you KNOW that was his little wyvern lair and that he really loved it if he didn’t even share with illario

[star2fishmeg]

ᴛᴏɢᴇᴛʜᴇʀ, ᴘᴇʀғᴇᴄᴛʟʏ | sᴍᴀʟʟ ᴡᴏʀʟᴅs

Pairing | Quinn Hughes x afab!reader Summary | six years later Quinn and y/n find themselves back in the place it started and old memories truly are precious...but so are new ones Authors Note | enjoy the (long) blurb @thehugheslover, sorry it took so long! This is only going to make sense if you read Feel This Way!!

The familiar clink of pool balls hitting each other, music at a moderate volume but mainly muffled by laughter and chatting and the back doors wide, opening the basement onto the patio where meat roasted on the barbeque under the balmy sun. Everything had stayed. The world was almost the same as they were back as teenagers but this time, they weren’t as naive, and everyone had grown up. Really grown up, into adults with jobs and lives, new ambitions and what happened six years ago were nothing but fond memories protected by the walls of the lake house. 

Y/n and Quinn sat on the sofa, turned slightly to face each other so they could look out into the rest of the room, her finger gently brushing over the stain between them. The second her skin touched the fabric, it all came flooding back like film tapes, the night Brady stayed over in particular. 

“We were so stupid, but it was a lot of fun,” she began with a chuckle, Quinn turning his head in interest, watching her trace around the splotch, “The Vodka Incident, when Brady brought that vodka, and we all thought it was fucking amazing.”

Cole’s voice groaned out from the distance, followed by Trevor and Jack’s obnoxious laughing, clearly relishing in Cole losing their game of pool. The couple giggled, glancing over at the group, their memories fading in and suddenly they were bought back to that night, and they were sixteen with three fifteen-year-olds and little Luke sat in a circle. The way Cole’s face had screwed up hideously, Jack and Trevor’s attempts to be ‘cool’ but landed them both in the bathroom and gagging and Luke tucked into her side most the night. 

“Yeah, Luke used to cling to you all the time, he was literally your shadow,” he said, watching Luke take a cocky bow after a successful turn, “and Brady, oh my God, you two used to torture me, like, come on, ‘who do you currently have a crush on?’ while you were sitting on my lap? You two killed me.”

Y/n laughed fondly, watching Brady enter the basement waving tongs like a magic wand, passionately interrupting the guys by fact checking them about something too muffled to make out from where she was sat. She then remembered the argument she and Brady fell into that everyone retold as if they’d thrown fists at each other, “Honestly, I thought you’d be jealous that I’m close with Brady too, but I was so wrong.”

“How about we not bring up my teenage insecurity, I felt so lame,” he smiled, hand taking hers and interlacing their fingers. He remembered that part too well, Jack and Luke loved to bring it up with him because for them, it was peak comedy and a learning curve on what not to do. Watching it happen was not as funny, but Quinn was their older brother, so how could it not be funny? “You don’t even understand, y/n, I got a scolding, from Jack.”

“Well, I was also lame so we’re even. Luke told my brother about the whole thing and that fucker did not let me live it down.” She grinned and placed a kiss on his nose, “You know what he said? ‘Yeah, everyone knew Quinnifer was, like, in love with you’ the little loser.” 

He groaned playfully at the nickname, even after all the years her brother still called him that. He really couldn’t escape that one, he’d somehow obtained it during college, y/n’s brother just started calling him Quinnifer out of the blue and his only explanation being that the women love it and it’s catchy, but it was better than other thing’s he’d been called.

Looking back over at the group, their friends that’d grown up with them, but whose personalities hadn’t changed, they wondered what it’d be like if they were sixteen again, and what they’d do differently. But they weren’t sixteen anymore and all the angst had been and gone, that chapter closed. Quinn was captain of the Vancouver Canucks and y/n was flying in her own career, and while they’d achieved so much by twenty-five, Quinn still had a list he wanted before he could feel satisfied.

Moonlight shimmering over the ripples of the lake, warm lanterns illuminating along the dock just like it always had. Y/n and Quinn’s bare feet padded along the wood leisurely, hands encased in each other’s and not a word spoken between them, they just needed a bit of peace away from everyone, even just for a moment. Passing the boats harboured up, Mila came to mind. Not in any other way than what happened that day and how he felt y/n’s desperate, burning glares from the other side of the boat, how he wished it was y/n breasts pressed against his shoulders and not some random girl’s. 

“I should’ve just told you how I felt from the start,” Quinn mumbled, but his voice clear from the serenity of the dock, nothing but crickets singing and distant chatter, “Like, we wouldn’t have had to go through that confusing, are-we-are-we-not phase. I can’t believe I was such a pussy.” 

Y/n giggled, swinging their arms, “Don’t blame yourself, I was also responsible. I told most the story to some friends in college, and even they thought it was obvious we liked each other. I sort of wish we hadn’t had that situationship, like, we were just hurting ourselves.”

“Yeah, no, I agree. Had me crying myself to sleep, it was fucking stupid.” 

“I know, Jack told me the night of the Vodka Incident, he saw you crying when we were going to sleep.” She didn’t need Jack to tell her Quinn cried that night, she felt his tears on her skin and the way he’d squeezed her like she would evaporate, his favourite teddy bear. She just never said anything, no need to bring up the painful past when they were living in their own paradise in the future. 

The more time she spent in the lake house, the more the memories swirled in her mind, not dwelling just remembering the times she couldn’t during the hockey season. The lake was a sanctuary, a museum of youth that held so many minor details you’d never see unless you were searching for them, like the names etched into the decking, aged but still prominent.

Quinn glanced down, barely reading the names scratched into the wood until he walked over something he distinctively remembered scratching with Brady, right before they were off to college; Q + y/n in a heart. He stopped right above it, tugging y/n back to face him, sweat forming on the back of his neck with butterflies in his stomach. Y/n blinked twice at him before raising a brow. He pulled his hand away, wiping both on his shorts before taking a deep breath.

“Uh, hey, listen…” his eyes shifted to her ‘Q’ necklace, to her eyes and then back to the etching on the floorboards before her necklace again.

“Q?” she asked, head flooding with multiple scenarios, piecing together location and their ages, his sweating, the fizzling in her chest and down to her stomach, “Oh God, you’re not getting traded, are you?”

His eyes widened, “Huh? No, no, Jesus no. It’s uh…well…um, just wanted to tell you how much I love you and appreciate you. You’ve, um, been by my side forever and I’ve been, uh, thinking about the future…”

He dropped to one knee, sliding a little, velvet box from his pocket and held it out in front of her, eyes sparkling under all the little lamps but more importantly because when he looked at her, he saw the most beautiful woman he’d ever met. The most caring, supportive, girlfriend. His best friend who, no matter what, never gave up on him. He gazed at her with dilated pupils that may have well been hearts. Y/n’s eyes widened, her lips parting slightly as she gasped gently, hands covering her mouth, and she struggled to hold back the tears welling in her eyes.

“Y/n L/n, I have loved you since we were fifteen and only you can make me feel this way. There isn’t anyone else I’d rather spend the rest of my life with, in sickness and in health. Will you make me the happiest man alive and marry me?” Quinn’s voice shook, not a filler word tumbling out for once. All those days rehearsing his speech in the mirror paid off, all that stress lifting off his shoulders and she watched his hands tremble.

Y/n nodded desperately, tears spilling down her cheeks, “Yes, of course!” 

He grinned from ear to ear, corners of his eyes creasing as his eyes watered, wiggling the ring - polished with her birthstone - from the cushioning and sliding it onto her finger, his arms wrapping around her waist firmly. He held her close into his chest, spinning her around with his face buried in her shoulder, his heart swelling. When they rounded back to their original spot, they melted into each other’s bodies as they always had, t-shirts soaking up the salty tears of joy, the realisation of how far they’d come hitting them like bricks. Y/n and Quinn Hughes, forever and always. Their new chapter, with new adventures and the start of their own little family one day.

small worlds | @bunbunbl0gs

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[erinwantstowrite]

bear with me here because i'm gonna ramble about something i've been thinking about for a while... and i'm not complaining, i'm just noticing

sometimes i think we've leaned so far into the vigilante side of the batfam that we miss out on what really makes their characters: detective work. we need more mysteries in their lives that don't lead up to some big bad "we already know who's doing it" or an "end of the world" or "yet again: this fucking guy." we need more stuff where spy movie music plays in the background and dumb adventures that don't lead up to some huge grand event with a big name villain. the shock factor stops being shocking or interesting in any capacity if we're like "Gah! the Joker! ... Again!" or whatever

does that even make sense? like "yeah sure they're blowing up a building again and there's hostages. oh look they're gonna poison the water supply." these aren't bad and that's not what i'm getting at because obviously this is a classic for comics. you need to have characters/antagonists that show up more than once and who can make a story better by being in it. and i did say to bear with me- that's because im tired. so like i hope im getting this across the right way? it's just that sometimes i don't wanna see a huge explosion, i want these motherfuckers solving a regular murder or a disappearance or regular corruption in a local office without it being tied to a grand reveal like "actually this person knows you as a long lost relative" or "they were at that circus can you guess which night they went?" that kind of thing? if you get me? like... more of the small time stuff makes the big stuff important, it makes it stand out more. at some point, the format gets repetitive even if you're switching up the villains. you can make these situations/mysteries still fun to solve for the characters and fun to read for the audience if you do it right

the concept of a detective dressed as a bat and having a sidekick in traffic light colors is inherently goofy as hell??? but that is what is so charming about it??? i think we have lost the balance between them being silly while also being intelligent with important conversations that criticize the world as we see it and teach lessons and can go over dark topics. nowadays it's always end of the world problems or just straight up the most gruesome true crime you can think of?? or they can ONLY do the dark stuff and the criticism without offering a balance of the good in the world. or we keep coming back to the FUCKING JOKER-

like yes they are vigilantes and with that comes a different level of their work, but their brand should be a mix between a black and white detective film that can get very nitty gritty and a classic spy movie, that kind of thing. at the end of the day, it's what makes them so different from the superheroes. that's what appeals to me.

seeing them in the big superhero groups is fun, don't get me wrong. it's always funny to see them standing next to people who are so powerful they never really fit in with anyone but each other, who chose to step up and use their powers for good. the Bats' specialty is Gotham and yet here they are stopping a god or whatever. and they do stop the god or whatever, all the while being an important leader and strategist to their teammates. they're important to have in these cases. but if there's a world ending event every time i pick something up, it's not as fun

the fact that they are so very human and not fantastical is why i like reading them. it's what makes the joke of people, even Gotham citizens, theorizing about them being cryptids, funny. they're fucking weird but that's because they're detectives. people who love to solve mysteries usually have a fatal flaw of curiosity. they forget the bounds between social interactions sometimes because they're used to working through problems or being intertwined with partners that understand them. but they're very much human. so human that it hurts them in many ways. and idk i've just been thinking about it lately and idk what point i'm trying to get across actually

it's just that in my eyes that's how it really is for Batman- a black and white movie narrated by a very serious man who took up a job to help people, one that has a deeper commentary on the world and viewed outwardly as pessimistic but actually has a deep hope for his city and who tries to help even the people who have wronged others. He's a stationary man in the belief that him being a constant can serve to soothe others and help them move forward. He stays in the middle of the path so he can tell everyone what is up ahead. he blends into the Gotham rainy night to serve justice but in a way that saves both the victim and the perpetrator. (the way he tucks a Robin into his cape is the same he does for Gotham with his mere presence.) and his background is actually so important to his story and yet people still somehow gloss over the lesson from it? he lost his parents because of a man who was on the opposite end of the spectrum to where he was in life. and yet he chose to help the people like the man that killed his parents. he could have done anything else with his power and money, but he instead is choosing to bring as many people up with him as he can. He's Mr. Serious that no one else can get a read on. and yet he walks into a room and he's already piecing together your life and what you're going through because he thinks it matters. he comforts people who have lost something or someone or themselves. I picture Batman and I don't picture a man trying to save the world, I picture a detective walking around a crime scene and trying to save at least one person every time he puts on the cape. and he put on the cape and became a vigilante because then he could go out of the bounds of what laws have been set up- and specifically, Gotham has other people in power who are corrupt, keeping the system that way. that's why Batman being a billionare and throwing himself into helping people at the risk of his own life is so important. he knows that if you are alive, you have something or someone to lose, no matter who you are. the dude is a bleeding heart but he doesn't know how to express it, in fear that if he gets too close, if he moves down the path with them, he'll be lost again

and then he's met with someone who should be a complete opposite, but isn't at all, because they're two sides of the same coin. his partner in crime, his son, a boy that is nothing like the black and white world that he sees. and that's the point in his life where he first sees that potentially getting lost is worth the risk. Robin is color and passion that needs guidance to move forward, but can not do so unless the stationary man learns to move with him. the kid is loud and reckless and you'd think he's from a different genre from the detective but they aren't so different, really. not when you look close enough. Dick grew up moving from place to place and seeing the world, knowing so many different people from different cultures. He's been learning to fly and jump and embrace the free fall his entire life. He's clever and he's sharp, and he thrives in the action and adventure. it's that perspective that compliments the stationary man. one is steady and the other pushes. he's the same genre but a different generation. and Batman introducing him to the way of life he chose for himself was another way he could save someone. because let's be real for a second? Dick would have gone down a very dark path had he not had Bruce, who understood, who saw not just himself in the kid but also saw who the kid has been his entire life until now. he saw Dick's parents, he saw the family he had in the circus, he saw the joy he had in what his family was doing. he saw the grief and the fire and the color that Dick's world was made of. because to Bruce, it always matters. Dick had to come to terms with Bruce's perspective to help anyone who they come across, to always give more chances, and it kept Dick from losing his color

what gets me is that the man who lives in the black and white world can actually see many different shades of gray (because black and white always needs the medium), whereas the boy in a world of color and light can get so focused on the bright that he can become single minded. and yet the boy sees a world of color and delves deeper into the lives of the peolle they come across and can be much more open minded, and the man in the black and white world sometimes forgets the shades of grey are right there. they are just like each other. they can exist without the other, but do they want to? because the black and white can be built up into the colored image, like the inking and shadows drawn on a comic book page before the colors are added in. they meet in the middle to complete each other. Bruce has been passing the story over to the next generation for a long, long time, even before his story was complete. and just like with the first Robin, it was so for every Robin afterwards. they each color in the lines differently, but that's what makes Robin so special, so unique. they are an art style that branches into their own life, but can not forget where they started: tucked into Batman's cape and the inky black of his world

and so detective work really frames their hunanity to me. the mysteries they get their hands on, the glimpses into the lives of Gotham citizens that they swore to protect, it's fascinating. it's what makes their story stand out compared to the people who can lift trucks or cast spells or run around the world in seconds. so yeah ig that's what i'm trying to say? that i want to read more of that? in both canon and fanon. cause even the small time villains we see can be like. AWFUL people and it takes out the fun of their gimmicks. and if it were any other day this would be a more coherent post but alas, it is not any other day

[fantasybuff3186]

So I did a thing because i was bored. What do you think?

“Hey Delilah.” Todd suddenly asked, breaking the peaceful silence he found himself in with his girlfriend. “Yes Todd?” she was quick to answer as she looked up smiling from the book she was reading as Todd sighed contentedly, he’d always liked how attentive she could be to him. It didnt matter what she was doing or where they were, she always responded whenever she was close by. He counted himself extremely lucky to have such a beautiful and kind girlfriend and he tried to remind her of this everyday with small gestures like gifting her pink chrysanthemums(her favourite flowers) from the garden he specifically grew for her or by making her favourite dishes which he had specifically learnt to make for her. All Todd really wanted was to make sure his princess, his everything lived the most comfortable and the happiest life she could.

“Um Todd, you wanted to say something.” his girlfriend interrupted his thoughts. “Oh yes sorry, I just wanted to ask what you’re reading.” he said on being brought back to reality. “Oh I’m reading Hamlet.”

She answers immediately causing him to frown. “All over again?” he enquired to which she nodded her head enthusiastically, making him smile, he always enjoyed her enthusiasm and even more when she spoke with the same enthusiasm like she was right now.

She said, “its just such an interesting story and I really like Hamlet’s character in the story! Hes the only character I find interesting….” Todd couldn't hear the rest as he got lost in listening to her voice, so sweet, so beautiful and so kind.It was only when she tapped on his shoulder that he was jolted from his thoughts.

Once she was sure she got his attention she asked hesitantly, “D- did I bore you?” the hesitation and fear on her face made his heart wrench as he immediately touched her cheek and reassured her, “Hey hey nothing like that, I just got distracted, I love to hear you talk and sometimes your voice is the only thing I can focus on.”

On hearing that she smiled, flattered by his compliments as she shyly returned the compliment, “I like listening to you speak too.” Now it was Todd’s turn to blush at the compliment.

“Oh um..” he trailed off as she continued to speak, “But you know what I like the most?”. He looked at her curiously and raised his eyebrows quizzically as she asked, “What is it?”

Delilah spoke sincerely, “I like it when you smile, that sweet, sincere smile because when you smile like that all my fears, my worries seem to drift away. I like it when you smile but I love it even more when you laugh, that rich, comforting laugh. The laugh that fills my entire being with pleasure, that laughter that feels like the warm sun, that which sounds sweeter than music, sweeter than the ripest mango. So tell me Todd, why aren't you laughing?”

She said as her skin became bone,her face frozen in an expression of pain as she leaned against a tree, his hand still touching what was her cheek.

Write a happy story without conflict. Then with the last sentence, turn it into a horror story.

[saucyexe]

Imagine:Lab Partner Viktor.

Lab partner Viktor: who is already not delighted about the project but he’s definitely not excited about being paired up and sitting next to somebody he doesn’t even know.

Lab partner Viktor: when you first meet him and exchange numbers for then project proceeds to leave your message asking when you should meet up on read for hours. Only to respond at 2:37 am with, tomorrow.

Lab partner Viktor: who ignores your entry to the study hall and your wave until you are standing right next to him, Hi Viktor I’m happy we were able to work tod-, I think I should do the research and you should do the slides.

Lab partner Viktor: who looks at you so plainly as if he didn’t just basically call you stupid. Where does he find the nerve? Sure he may be top of the class but that doesn’t mean you’re an idiot! You almost wanted to slap him then and there but you kept your cool, deciding it wasn’t even worth it. Sure viktor, that sounds delightful.God he looked so smug.

Lab partner Viktor: who meets up with you several more times, not understanding why you were so interested in every tiny detail about him, you might as well being asking for his diet as well. He shuts you down of course giving short blunt responses

Lab partner Viktor: who can’t understand why his mind is plagued with the thought of you, of your smell, your hair, the swell of your hips as you walked, the arch of your back as you leaned over the table, and the curve of your smile when he said something you thought was funny. His mind was filled with thoughts of you, and his body was filled with reactions to these thoughts.

Lab partner Viktor: who thinks if he just throws himself into the project and ignores your presence, that it will all go away, so he does. He works and works and yet all he can think about is you.

Lab partner Viktor: who decides it’s time to finally own up to it, so he decides to text you and see what you’re doing.

Viktor stared at the phone in his hand, he had proof read the message multiple times; no spelling errors or grammar mistakes, and yet he struggled to press send. His lips held firm in a straight line, he was an inventor who had overcome so much in his life, he could message one pretty girl, so he did. As his finger finally pressed the send button he reread the message, Would you be able to meet up tomorrow? He clicked his phone off and set it down on his nightstand as he played back in bed when his phone started to ring. He picked it up to see it was your contact, he definitely wasn’t expecting you to answer immediately, he picked up the phone and pressed it to his ear,

Hello?, he was meet with a weird clapping noise until he heard a man’s voice

Why are you texting her? Are you her boyfriend or something? The unknown voice said.

No, I’m sorry who is this?

The voice chuckled, I’m the man that’s balls deep in your girl friend right now.

Viktor jaw dropped, balls deep? Were you being? It all made sense, the clapping noise. God, you were being fucked right now.

He heard a shuffling sound as the man spoke up.

Tell him how much you love it. A woman’s voice, you spoke up. I-I love it. A pornographic moan followed after which viktor quickly hung up.

He placed his phone on his bedside table as he tried to relax, his raging boner noticeable under his sheets. God, why did that turn him on so much. You sounded so blissed out he could imagine that your face was probably in the pillows as you arched up. His hand traveled to his pants as he continued to think.

Your lips were probably parted and your face tear stained. Your hair snarled from being tugged on and your ass read from being slapped. He could imagine the way your mewls and moans would get louder as the thrust got deeper and quicker , his strokes getting faster, and faster. Your little pleas the way you would say his name when you cum. He groaned as he imagined the way your body would convulse as your released wrecked through you, his own releases coming causing him to spill onto his hand with your name on his lips.

As he looked down at his cum stained hands his resolve hardened even more, he needed to talk to you tomorrow.

[chocoqtelle]

inner child pac reading

🦀 pile one,,

I know we're used to being super helpful, but it's good to help yourself too. you should always make sure you're okay first. It's important for us to be okay, even if other people don't think so. we should think so. things are gonna be okay for us. they always are. I want to do the things we like. I don't understand why you care about what people think now. I think we should try doing what we like more, even if it's embarrassing. it doesn't have to take a lot of time. it's just good to have fun sometimes. maybe you can get back into some of our old interests if you want?

it seems like this pile had to mature quickly and was overly generous in childhood. this likely led to some people pleaser habits. when the world said "be nice" and "care about others" you took it to heart, but it felt like you were the only one who did. you felt like you had to be the adult in your childhood and care for other people around you. for some of you, you may have had to care for a parental/older familiar figure or your siblings. you're used to changing your words and your personality to be more digestible and gentle because this strong fear of conflict. you were scared of people being mean to you, so you avoided making anyone mad. it was like you were always tiptoeing over eggshells. now, you don't have to, so there's no point in worrying about people who don't worry about you. you'd be doing yourself and your inner child a favor by doing what you want. it might feel wrong to be yourself, but at least try. I won't delve too much into this part, but I believe some people in this pile also dealt with being oversexualized or being hyper sexual at a young age. I think it's important to know you're more than what you can give others for this pile. please also take a break for the love of god.

🐸 pile two,,

It's hard to feel loved if nobody shows you. at the same time, i don't think I'd want to be loved. it seems weird and uncomfortable. I'm not used to it so it's scary. I still wish that someone would care at least. it feels like nobody else cares. I'm really tired of things being silent and boring all the time. I want to do something fun. I want friends but I want to be by myself. people think I'm weird, but I think they're the weird ones. they can avoid me but I wouldn't wanna be friends with them anyway. it doesn't matter if it's lonely, I don't feel less lonely around people anyway. some people think I'm mean. I don't think I'm mean. i heard I look mean or I act mean sometimes, but what if that's just who I am? I don't try to be mean to people. I just don't want people to hurt me.

holy neglect trauma... there's a lot to unpack here 😓 first off, I hope you're alright. it seems like this pile never really learned how to interact with people and is probably still a bit of a people hater. this pile has had to keep strong boundaries and walls on to protect themselves from unfamiliar experiences (being spoken to positively.) if you've never experienced something, it can be scary but you have to stop thinking every little thing is gonna go wrong in your life. it's fine. separate note but I think someone's ancestors are very present here, might want to connect with them if you don't already. you can try to shut down the feelings of loneliness and pretend connection won't help but it does. you're probably not connected with your inner child or you're ashamed of yourself for some reason. trying to be cold won't undo anything or save you from the feelings you're hiding. you'll have to acknowledge them at some point. escapism and forcing ignorance wont help forever. hopefully it'll be sooner than later, but that's your choice. it's okay to be soft, btw.

🐕 pile three,,

I know what I'm talking about. I'm serious. I wish people would take me more seriously. i get good grades, I study hard, I always prove how smart I am. for some reason, people still act like I'm too young and stupid to have opinions or that what I say is just silly, especially with emotions. they act like having emotions makes you a less rational person. some people look down on me for who I am, too. it's not something I can change. whether it's gender, age, or whatever, people always want an excuse to ignore how I feel or what I have to say. I know I'm right though. I don't want us to stop expressing ourselves. I wanna share how I feel to the world.

this pile is extremely opinionated and knows how to share their emotions. this pile is for the "bossy" kids who "should have been lawyers" or "a CEO" according to every adult around them. you were emotional as a child and it was always ignored or joked off as if your feelings were invalid. this pile is definitely natural-born leaders so if you aren't/never have been aspiration-driven or "extra" this pile probably isn't yours. the most healing thing you can do for yourself at this point is speak up. continue to speak about everything. share your opinion more, it's safe now and people will actually take you seriously. be emotional, be too much, be annoying, be talkative, be over-opinionated, be everything you feel like being and don't let anyone talk you out of it. lead your life how you want to. call everything out, even if it means being weird. I definitely feel like some people in this pile had the gifted kid experience or liked to read a lot when they were younger. there's also some unresolved anger that might need to be taken care of. I think speaking up more instead of bottling feelings up will definitely help that, though. you're not stupid or weak for being emotional. just be yourself unapologetically and that's the best thing you can do for your younger self.