#this is not in response to anything specific I've been working on stuff like this for years and never completed one

[omnium-gatherums]

My apologies for being incapable of having short responses, ha.

For one, this post is mainly addressing a common sentiment I've been seeing throughout the years online with regards to DID about people seeming to think that seeing alters, say, have their own names and Tumblr side blogs and pronouns and profiles as a bad thing.

A lot of people see alters expressing themselves online and will fake-claim that system, will claim that this is "glorifying" DID or "romanticizing" it.

I see this CONSTANTLY! I see this on Tumblr, I see it on Reddit, I'm certain it's on plenty of other websites I don't use.

Because these types of people have a grave misunderstanding of what DID is, how it works, what and who alters even ARE. They see alters as the side thing that just happens to DID, when the person with DID is always an alter. These people will sit here and act like the mere act of, say, me expressing and introducing myself online as a specific alter and they'll look at that and fake-claim and act like it's romanticizing or glorifying DID and, pray tell, I just have to ask these people what part of me am I allowed to express? Do you see DID as "the host, and then the alters" and you think I'm a host right now, and it's acceptable to express myself because you think I'm a host, as if "host" is "the main/actual/real person" and not just another alter? What part of me is acceptable to express? What part of me is allowed to be expressed, online or not, and which parts of me aren't?

I never brought up anything about covert or overt, and that's actually for a very specific reason (the tags mentioned covert/overt, but that was that person specifically, not us). We haven't said a single thing about overt or covert in this entire post, and this is actually partially why - what I'm saying and what I'm talking about is being incorrectly conflated with meaning "Being Overt" or "being separate, distinct People" when that isn't what I was saying or implying. Being covert or overt has nothing to do with this.

I'm talking about alters expressing themselves, and I think this is incorrectly being conflated to meaning overt or meaning "distinct, separate people" when that's not what it means.

Let's take away the DID and alter stuff for a moment:

Humans express themselves through many ways - we express ourselves with our names and having our own hobbies and interests, yes, but we also express ourselves just in terms of, like. Talking to a friend about the stress we're going through.

When you, as a person with DID, are expressing yourself - by talking about your trauma to your therapist; by communicating with the different parts in your system; by allowing parts to simply BE who they are instead of suppressing them and trying to hide them - it is alters expressing themself.

That means nothing about whether or not those parts exist with a separate name, separate hobbies, or just generally are their own "distinct person."

Remember my example with my part 'Tea' - I came into therapy one day, very excitable, energetic. I felt embarrassed for Being The Way I Was in that moment and my brain switched to someone else almost immediately, because of that embarrassment.

Months later (or even a year later, I don't even know anymore lmfao), I came into therapy pretty energetic and excitable again. But this time, I felt safer and more comfortable. We didn't switch to another part out of embarrassment, I felt safe to be myself in that moment.

This is what I mean.

Overt/covert has nothing to do with it.

What self-expression means to me is going to be different from other people, and what self-expression means to them is going to be different from me. For us, it means allowing ourselves to exist as we are and not trying to force us into a closed-off box of "Being One Person." For you, maybe it means simply ripping up paper to express anger (i.e. a specific part in your system ripping up paper to express the anger they feel). And that's still self-expression, and that's GOOD!

I will clarify, though, that my second addition/reblog was more talking about my personal thing about our own journey, just as an added ramble-conversation to do with what the tags said. It was not meant to be applied to other people - I did feel that that person's tags were important, but it's not meant to be a generalized Rule of "everybody with DID must be like this to heal." I did not feel the need to put disclaimers about "just to be clear, this isn't about covertness or overtness, and being covert or overt has nothing to do with this" because it didn't feel necessary, but to clarify:

Being "overt" does NOT mean "lower dissociative barriers"

Being "covert" does NOT mean "higher dissociative barriers"

Alters expressing themselves does NOT mean "overt"

Having lowered dissociative barriers simply means communication between parts has improved, amnesia has been lowered, etc.

Whether or not a system is "covert" or "overt" is less to do with dissociative barriers, although it CAN play a role, whether or not a system is "covert" or "overt" is actually more dependent on that specific person - their life, the trauma they went through, the environments they were raised in.

Nearly every single ""OVERT"" system I have known have had very specific life experiences that have lead them to develop this presentation. When you hear about these systems and they explain things about their life, how they were raised, their trauma, it becomes clear that the presentation their DID took the form of had way more to do with their personal, specific life experiences and less to do with anything about how high or low their dissociative barriers were. Although, yes, again, that CAN play a role, but not as big of a role as you might assume - MANY, MANY "overt" systems have very high dissociative barriers.

To be a bit more clearer: alters expressing themselves can give an idea of whether or not a system is "overt" or "covert" (I think this terms are shaky and muddy and blurry anyways and ultimately don't think they're very helpful, but that's a discussion for another day), but alters expressing themselves doesn't mean anything about being overt. It just means expressing themselves, and that can be in "big" ways (having your own name, pronouns, and personal hobbies and interests) or "small" ways (allowing yourself to express your anger in a healthy way; talking to your therapist about trauma and finally feeling safe enough to do so, etc.).

It took awhile to write this post, and I hope this helps.

"DID is most often hidden and unnoticeable" as in "MANY symptoms of DID, including the symptom of switching from one alter to another, are easily passed off as something else more 'normal' and not readily understood as switching from one alter to another" but you people seem to think that it means "alters don't really have differences actually and if you're allowing yourselves as different alters to know yourselves and express yourselves, you're lying/faking/wrongly self-diagnosed/glorifying DID/romanticizing DID-"

What part of dissociative IDENTITY disorder don't you understand?

You see someone with DID simply existing as themselves (alters existing as themselves) and see someone faking or roleplaying DID or wrongly self-diagnosing or "making DID their whole identity" when really it is literally no different from somebody expressing a side of themself to a friend that they otherwise feel scared to express. It is literally just self-expression.

Tea is an alter in my system who is extremely hyperactive, energetic, exciteable. She stands out. And one of the first times she was fronting in therapy, when I was noticing how different I was and how hyperactive I was, I felt embarrassed and switched immediately. And then many months later, the next time Tea was fronting, and me and our therapist realized it was her who was fronting, we didn't switch! We/she, felt safe and okay enough to behave the ways she does. I didn't switch in order to not behave in those "weird" ways, and I didn't try to suppress the ways I wanted to behave and just Be.

This is huge! It was a huge thing for us in that therapy session. And we've only been continuing our journey with finding ourselves, finding out who we are, and allowing myself to "be" "different."

Alters expressing themselves differently is merely allowing yourself the right to self-expression. It is allowing yourself to truly "be cringe." It is allowing yourself to know yourself. To know who you really are. It is an important and huge aspect of recovery with DID.

Alters are not Nothing, that is an entire aspect of this brain's identity that could not integrate into the rest of the brain's identity.

You people continue to see DID as "the actual person versus the alters that just influence that Real person" when it is more like "all of us are That Real Person. That Real Person is different alters sometimes" like people will say these things about DID being treated like an "identity quirk" just because you see an alter expressing themself when in reality what you are doing is not that different from someone making fun of some kid because they're pretending to be a cat.

You are seeing somebody with DID merely expressing an aspect of their identity, merely expressing themself, and that's bad to you because you continue to incorrectly view DID as "the actual, real person and their alters" when those alters ARE "the real person", just dissociated into its own box.

You continue to see "The actual person, the Host, who is actually a person, oh they can express themselves! :)" but it's suddenly bad when it's not what you think is "the host/the Real/Actual Person" because, again, you people are continuing to incorrectly view alters as these Side things that just pop up and they can't self-express or have their own names or have hobbies and interests or Tumblr side blogs and act like that's bad and it means someone is "roleplaying DID" or faking or "romanticizing" when it is LITERALLY, and I mean this SO literally. It is LITERALLY just expressing another side of yourself.

[fallloverfic]

Sourcing guide for images

So you found an image on Google/Pinterest/Instagram/Facebook/Twitter/Wattpad/Wherever and don’t know where it’s from? Here’s a guide to hopefully help. This seems like a lot, but a lot of the time this stuff can take a minute or less in practice once you get the hang of it. And always remember to repeat after me: art on Pinterest/Wattpad/Weheartit/Google images is not free real estate.

I would also highly recommend using a translator extension on Firefox (just google "translator extension Firefox") or browsers like Chrome with built-in translators so you can translate pages. It's a lot easier to navigate what people are saying that way. And I recommend using a pop-up blocker.

Please support actual artists: if you love their art, show it directly by supporting their posts! That's a very easy way to get them to do more art! Like/kudos/heart/bookmark/retweet/reblog/whatever directly on their post, leave them comments! Artists often get discouraged if people just repost their work, particularly on the same platform (and especially on pinterest), and will sometimes delete the work or all their art entirely, or even give up making art entirely.

Also, this is mostly something that works for fanart and maybe photography. Sourcing videos and text is a bit different.

Most importantly, you can usually ask the community for help! Tag the character, the series, go to a fandom discord, and ask. Typically there are folks who will either recognize the art and/or even know the artist, or can at least help with sourcing.

Sourcing

1. Is there a watermark/signature somewhere? Does the name on the account match it? If it doesn’t, is there other art on the account that has that watermark/signature (artists rebrand all the time)? If everything matches, are there comments on the post saying “hey stop reposting my art”/”stop reposting x’s art”? If there is a watermark, does it look obviously photoshopped (a lot of clickbait reposters will add fake watermarks)? If everything matches and looks fine, probably this is the artist and you need go no further and can reblog/like/share from there.

2. Is there a link in the post to the actual artist/at least a name? Sometimes on pinterest, there will be a link to the original post, usually on twitter, either in text or as an actual link. Reposters on tumblr often include links to pixiv and twitter. Please go to the original posting place - assuming that's what it is and it's not another reposter or deleted - and support it there, if possible, rather than the reposter. And maybe they have other socials that you also use, so you can support them in places you’re more familiar with (e.g., you want to retweet on twitter, but someone linked their tumblr; see if the artist has a twitter and if they’ve posted the art there so you can RT from them).

3. Has someone in the comments linked to the artist/the original art post? Or has the artist come in and said “hey this is my art!” Problem solved. Go there and support the art there. If there’s no link but there’s a name, try googling the name with “pixiv”/”deviantart”/”twitter”/”Tumblr”/[other art-sharing platform].

4. You have a watermark/signature but it doesn’t match who’s on the account.

If it is legible, try googling the name/title and “pixiv”/”deviantart”/”twitter”/”Tumblr”/[other art-sharing platform]. Support them there. Artists sometimes spread their art across multiple platforms, and sometimes take down fanart (particularly stuff that gets stolen a lot)/older art in particular, so be prepared to check multiple accounts. Artists will also sometimes change their screenname. Usually this can be spotted if they've shared a lot of art with both the old and new names, and sometimes they'll even list somewhere "formerly known as" or something.

5. Look at the account that posted it.

Are they an art account? If they are an art account, do they say they’re an artist? If they’re an art account but not an artist (e.g., they’re a blog that just reposts any art they find), chances are that’s not the creator.

Is that the only art image they’ve posted? Are the other images on the account similar in style and/or content? If they aren’t similar, is there a reason given for the change in style/content type (e.g., “I’m an artist who experiments in things”/multi-fandom accounts)? Also check the dates: if art pieces are posted with a long time between, sometimes the stylistic/content differences are just because the artist developed a lot between posting or switched fandom. But it shouldn't really be a radical change without explanation. If they’re an artist, but the art doesn’t generally match the style of the other images on their account, they also probably aren’t the artist.

6. Dates

Take note of the date of posting: if you're struggling to tell who's done a thing, chances are the person with the earlier posting date is the actual artist, because the art thief had to see it first to share it. Sometimes this doesn't work because an artist reposted their own work and/or deleted the original, but it's good to keep an eye on. This is mostly more valuable for tracking down videos, but it can be helpful for images, as well.

Image searching platforms and how to use them:

Google image search

If you know you have a repost on a reposter's account, you can use Google image search to try and source it.

If you're on browser on a computer, go to Google's homepage, go up to the top right of the screen, and click "images".

This will reload the page in the image section.

In the new search bar, click the little camera next to the magnifying glass. This will bring up a pop-up window, where you can drag an image, upload an image, or paste an image link. Personally, I have the most success saving the image to my computer and uploading it that way, but all methods generally work. To get an image URL, right click the image, and then click "Copy Image Link". If you just paste say, a Tumblr page, chances are that won't work. If you can't save an image or copy an image URL, screencap it, cropping as much non-image as possible, and use that. If you're trying to source fanart in a video compilation, pause the video and screencap the image.

Once you've done that, Google will take you to a new window with the image on the left, next to suggestions and visual matches.

Sometimes, the visual match section will list the actual source, usually a twitter, deviantart, pixiv, maybe a vk. If you click it and everything checks out, you're done. Follow the steps above to make sure it's the right account and not another reposter.

If this only gives you sourceless pinterest reposts, look at the left side of the screen and click the bar that says "Find image source" with an outgoing link icon. This will take you back to normal Google search, and you can browse your options, looking primarily for actual art sites like Tumblr, artstation, deviantart, instagram, etc.

Sometimes, if you're desperate, and you see in the link preview for a pinterest or a Youtube or w/e a reference to an art site, click there and see if that'll get you to the actual artist. Pinterest or another reposter is not your end goal. You're looking for someone, somewhere, who's actually listed the right artist and where to find their art.

Note if you've only got part of an image/a blurry version of it

If you search and all your search comes up with is at least a larger version of the image or a higher quality version of an image, perhaps with a signature or watermark, this is a great new starting point, because it helps search engines find things better. Heck, maybe you can just type in the name on the image and find an account that way. In this case, start the image search over with the better quality version of the image.

Sometimes, going to the search bar and typing in the name of the character in the art/a description of the image or what seems to be the artist signature (next to the uploaded image) and hitting enter will help the search engine.

Yandex image search

Yandex image search is honestly where I have a lot more luck finding things these days. If you just google yandex, click the images icon above the search bar, and it'll take you to the right page.

Once on the images page, click the camera icon in the search bar (you do not need an account with yandex for this).

You can drag an image in, upload it, or share the image URL. Again, I find generally saving the image to my computer and uploading it gets better results. To get an image URL, right click the image, and then click "Copy Image Link". If you just paste say, a Tumblr page, chances are that won't work. If you can't save an image or copy an image URL, screencap it, cropping as much non-image as possible, and use that. If you're trying to source fanart in a video compilation, pause the video and screencap the image.

The page will reload.

The image will be in the top left. Similar images will be on the right. Links with the image will be on the bottom left. If you scroll through the links, look for a legitimate art account, and check all the stuff at the top to make sure it's the right one, or maybe links to the right one. Remember, pinterest is not your end goal (unless that's actually where the artist posts, which is 1 in a million). If need be, check the non-art sites (like pinterest) to see if they've listed a name or a URL somewhere you can go to in order to look there.

Note if you've only got part of an image/a blurry version of it

If you search and all your search comes up with is at least a larger version of the image or a higher quality version of an image, perhaps with a signature or watermark, this is a great new starting point, because it helps search engines find things better. Heck, maybe you can just type in the name on the image and find an account that way. In this case, start the image search over with the better quality version of the image.

Similar images is good for this, because it's a fast refresh of the page if you look for the right one.

Sometimes, going to the search bar and typing in the name of the character in the art/a description of the image or what seems to be the artist signature (next to the uploaded image) and hitting enter will help the search engine.

SauceNAO

I haven't had much luck with SauceNAO in a while, but it is typically good if the artist posted on either pixiv, deviantart, or twitter.

Go to the page, and you can select the image to upload or paste the URL. I have far better luck uploading images than pasting URLs, particularly with SauceNAO. To get an image URL, right click the image, and then click "Copy Image Link". If you just paste say, a Tumblr page, chances are that won't work. If you can't save an image or copy an image URL, screencap it, cropping as much non-image as possible, and use that. If you're trying to source fanart in a video compilation, pause the video and screencap the image.

When the page reloads, it should have a list of suggestions. Follow the links or google the names with websites it suggests. If that's not the art at all, or it doesn't suggest any links, but shows "Low similarity results have been hidden. Click here to display them...", click that bottom link. It'll show you the low similarity results. Sometimes this will get you what you're looking for. Sometimes it won't, but it's worth checking.

TinEye

I haven't had any luck with TinEye in ages, but it is there as an option, and it was useful once upon a time. And maybe it'll be useful with something. The helpful thing is that TinEye actually has a guide on how to use it.

Specific websites:

Tumblr

Go to the original source account. Sometimes this will give you an "this page does not exist". This does not always mean the artist deleted. It might mean they changed their URL. Try going to the closest reblog and see where they reblogged it from. There might be a "source: " section that can get you there, or a name you can at least type into google and follow up that way. It's also important to remember that even if you do find the source post for an image, that may not be the actual artist of the image, but just a reposter. Sometimes they will list where they got the art from. Sometimes someone in the notes (replies and/or reblogs) will list where the art is from. Follow the steps above for checking if the account posting it is an actual artist account who actually made the art (e.g., if the name on the account matches any signatures or watermarks, if the signature/watermark isn't clearly a photoshopped thing by someone else).

Twitter

A lot of the time this is as simple as checking who is being quote retweeted or retweeted. But if you're on an account that has an original post: to make searching easier and to figure out if they're an art reposter, go to their media tab. If there's no art there and it's just GIFs or a variety of dissimilar art, possibly with other names on it, chances are that's not the actual artist, and potentially a serial reposter. Twitter's archiving sucks, and it's possible the artist just deleted the art, but this is an easy way to winnow out the chaff. Sometimes it can be helpful to browse the regular twitter profile to see if they've retweeted the piece from the original artist. Again, sometimes going to the "original" twitter post doesn't mean that person is the artist. It might just be a reposter. Use the above steps to be sure the person who posted it actually made it.

Facebook

On Facebook, go to the original sharer. Often people will just keep sharing forever. Check the description: does it have a name? A date shared? A company website? Read the comments: perhaps someone else has already shared the link, or even the artist has commented. If you find the artist on Facebook, check their about section and see if they have accounts on the platforms you prefer.

YouTube

Check the summary for a name and/or links to the actual poster. If all else fails, check the comments to see if someone else has done the work for you.

Reddit

Has the poster listed a username? Has someone in the comments listed a link and/or username? Check there.

Pixiv

This isn't so much search on pixiv as it is finding pixiv accounts outside pixiv: if you get a pixiv ID, which should be a string of numbers, google "[the pixiv ID] pixiv" and that should get you to the right account. Unless they've deleted, which unfortunately happens.

Weibo/Lofter

Unfortunately if you're not Chinese it's very hard to get an account on Weibo, so if this is your only source, you may have better luck asking your community if they know where the art is from. They might be able to link you directly to the Weibo/Lofter post. I haven't been able to use it as a search engine, but it is at least sort of like an art archive if you can find the right artist.

VK

VK is, at least for this post, a Russian art hosting service. There is a lot of reposting on here, but if you find the right artist, you can browse back through their archive to see if you can find their work. I would highly suggest getting a free account on there. It's, well, free and easy to make, and makes browsing easier. Plus, you can keep bookmarks and follow artists.

Edits/Spotting style differences

Unfortunately there is a part of this that is just about getting better at spotting edits and stylistic differences that usually indicate edits/a reposter who takes from multiple accounts. A lot of the time, you don't have to go into depth on this: if most of the results you see when you say, use an image search engine, have a part of the piece that looks very different from what you have, chances are either the version you have was edited by a reposter, and the common image is the original, or the piece has been buried under folks reposting an edited image.

Some basic edit spotting help: does part of the anatomy of a figure look odd, often in the hands or expression (e.g., the hands might look broken or the perspective is off)? Does part of it look blurry? Is there something off about the coloring in part of the image? Is part of the image covered by what looks like a low quality border/effect?

Artists tend to keep the same general style over time, e.g., how they draw eyes, mouths, body shapes, what effects they use. But a lot of artists will experiment with mediums and their style will evolve over time. If you look at an art collection that comes from one account, you should start to see similarities (e.g., they give everyone black lipstick on their upper lip, they draw squarish eyes, their way to draw hands is very specific). If there are no similarities, and particularly if all the fandoms are different, typically that means a reposter.

One of the easiest ways to spot this is if someone else has said in a comment, "Hey stop reposting my art/this art belongs to x (please take it down!)". Very easy.

Blurriness and cropping

Another easy way to tell something is a repost is if it's weirdly blurry/fuzzy and seems to have been cropped. Sometimes artists will post cropped works in progress ("WIPs")/slightly fuzzy versions of WIPs as previews, but unless this is marked as a WIP, generally fuzzy/cropped stuff is a repost. If you plug these into Google and can find higher quality and less cropped versions of the image, chances are the original thing you were looking at is not the origin post.

Hopefully something here is helpful! If there's anything that's confusing, let me know! I'll try to keep this up to date over time.

[martian-astro10]

Solar return observations- Part 5

If you have Saturn in 12th then sleep well, that is....if you manage to fall asleep in the first place. (I have it this year and IT SUCKS, I have literally not been able to sleep, I've tried every single tea, every meditation, white noises, NOTHING WORKS, I also have mars in 12th, so I'm just fucking tired the whole time)

North node in 2nd is an indication that you'll start earning money for the very first time in your life, it doesn't have to be a full time job (I have seen this a lot of times when a person starts working for the first time, like a part time job or something. You get to experience what it's like to have "your" money)

I'm pretty sure that an astrologer has already said this, but I don't remember who, so I'll say it again, Uranus in 3rd means getting a new cycle, bike or car, basically anything that helps you with short distance travelling. (One of my friends have it this year and he already had a cycle but it got stolen and he just decided to buy a car, since he has money saved up for one)

This is very specific, but if you have Jupiter in 9th/ 11th then GO GET THAT RECOMMENDATION LETTER. (If you are graduating or planning to get a new job, this year is good for that. The years in which my sister, my friends or I have had this, our teachers, bosses or colleagues were SO impressed with us and we got really good reference letters, we slayed so hard in those years)

Vertex in 6th can be a VERY busy and exhausting year. Too many responsibilities and not enough knowledge of how to deal with them. (I had this the year in which I started living alone, It was also squaring my moon and dude, TW the suicidal ideation was STRONG. I wish I could give some sort of an advice but I don't know what to say, you just need to learn how to deal with the problems as they come)

Mercury square Neptune....the level of miscommunication is insane. (One of my closest friends has this and she...I love her but she's being very annoying. We were on a trip and she was talking to some people, so me and my other friend, we started clicking pictures, cuz we didn't want to disturb her and she comes up and says "why are you guys doing this without me, why are you not including me, if you don't wanna hang out with me anymore just say it" like GIRL) if you have this, don't start unnecessary drama, communication will be difficult so just stay quiet

Chiron in 12th is one of the shittiest years in regards to mental health, I hate this. (My friends have had this before and it's there in my 2025 solar return chart and I'm already dreading it. Everything bad that can happen...happens. I don't care what anyone says, this placement is just pure EWWWW and NOTHING can convince me otherwise)

Aries in 8th can be the year in which you lose your virginity (If you WANT to) I know quite a few people who had this the year they lost their V-card. (It's completely okay if you don't though, take your time and do it with a person who you trust and love, no pressure)

Mars in 9th is such a good placement for travelling and studies. (I had this in my 1st year of college, I remember I was so excited, studying was very easy, I loved learning new things and stuff, it was very nice. I was also travelling a lot, discovering new places. I had a lot of energy, really fun year)

Sun in 7th is a great placement if you want to work with others. (My mom has it this year and her business is ON FIRE, every time she has a meeting, it goes so well and she always gets a better deal than what she expected) this is a really good time for working with others, in partnerships. If you are a student, then you're going to do especially well in group projects.

(all pictures are taken from Pinterest)

© martian-astro All rights reserved, 2024

[merchelsea]

sacrifice - lando norris

pairing: lando norris x fem!reader

summary: you and lando have a long distance relationship due to your hard work. you rarely have free time to attend to his races, the only one you actually attend every year is monaco's. you understand things will have to change when lando gets into a crash and that makes you want to be there with him at everytimes.

author’s note: i hate making myself go through this.

word count:

warnings: lets pretend lando crashed duriung the interlagos gp, not the LA one, for the sake of the plot :)

"hey, babe!" you mumbled as you stirred from your nap. originally meant for a quick rest before the race, it turned into a marathon of sleep that spanned the entire duration of the race. checking the timing, you muttered, "shit."

"were you asleep?" he chuckled.

"yeah... I'm sorry babe. I was just trying to catch up on some sleep debt before the race. I am just tired..." you explained with a low rumble. lando always had a away of understanding things. "anyways, how did it go?"

"not so well, i am kind of glad that you didn't watch it, you would've freak out unnecessarely." he sighed

"why? what happened?" you sat up, eyes squeezed shut in alarm.

"it was nothing serious, just a crash." he reassured. the word 'crash' froze you, an unsettling feeling settling in your chest. "I'm fine now; I'm at the hospital doing some tests."

you didn't answer him and he immediately sensed your worry, it was your usual reaction whenever he had an incident. it was your own way to deal with stuff. "I'll have to stay here in brazil for some extra days. we don't want to rush things. everything is alright, but still."

"yeah, I know. how are you feeling? any pain? wasit bad? why are you at the hospital? is there anything they're worried about?" your thoughts rushed out, anxiety evident. you wished you could've been there with him, knowing how much he disliked going through hospitalization alone.

"calm down, baby. I'm fine, no pain. they gave me painkillers for my headache," he began, his voice carrying weariness and sadness. "the crash felt horrible from inside the car, but I've seen the footage, and it wasn't that bad. I don't think they're worried about anything specific, just my racing career," he added with a hint of self-deprecating humor.

"shut up. you know those jokes aren't funny, right?" you retorted, hating his tendency for such jokes. "anyways, I miss you so much. you have no idea." placing your phone on the bed, you awaited his response as you searched for your notebook.

"I know babe, I miss you like crazy too. and i won't be able to be home for some more days, as i told you. i hate it." you both sighed. "but it's okay, i'm glad you weren't here this time."

although you felt the honesty in his words, you could also know that it was pure bullshit. he wanted you to be there more that anything, and the fights you two had over the past weeks showed that clearly.

lando felt your support fading away and, as always, he talked about it with you, but there was nothing you could do, you could not just leave your work and follow him around the world.

your life had to come first. you couldn't be financially dependent. you had never wanted that for yourself.

"I love you, lando. you know that, right?"

"i know. I love you too." anuncomfortable silence lingered, more apparent to him than to you, as you were preoccupied with booking a flight to brazil. "look, I have to hang up to do some exams. I'll call you as soon as I can, yeah?"

"yeah, okay. keep me updated, for the love of god." he laughed and silently hang up.

as soon as you were able to, you called your boss, letting her aware of the whole situation, who, understandingly, granted you a week off, more than you needed. grateful, you expressed your thanks in every single way you could.

as you couldn't just fly there without someone knowing, you called lando's dad to let him know that you were going. he was thankful that his son had found someone who cared so much about him, and as so helped you through everything.

you would obviously be staying at lando's room with him, so you didn't need to worry about that, but there were things you actually needed to deal with and that's where he was an absolute angel, taking care of everything for you.

the flight proved to be torturous; sleep eluded you, your mind consumed by worry for your boyfriend, presently hospitalized in a foreign country that held no appeal for him. the inability to communicate with him intensified your anxiety, and the endurance of such a long flight was a challenge unfamiliar to you.

the only thing keeping you focused on trying to sleep was knowing that you'd see lando soon and that you needed to be sane.

once you arrived in brazil, adam had already sent an uber to pick you up and drop you at the hotel. you were eternally grateful for him. your appreciation deepened when, upon entering the hotel, you found everything seamlessly taken care of, allowing you to reach his son without delay.

he drove you there himself, the casual conversation during the car ride centered uiquely around the topic most dear to both of you—lando's health.

every detail adam shared heightened your awareness; lando was okay, but not as well as he should be. the information failed to ease your mind, creating a lingering unease.

after reaching the hospital, the attending doctor informed you that lando was still asleep but encouraged you to enter. you opened the door to his room, and an immediate sense of tranquility washed over you. lando's peaceful slumber tugged at your heartstrings, and the sight of his features made you want to cry; you had missed him so damn much.

you took his hand, staying by his side as he slept. despite your exhaustion, the anticipation of his awakening kept sleep at bay.

lando woke up and confusedly stared at you for five minutes straight. in his head, he was trying to figure out if you were real or if his desperation had just made you up. you squeezed his hand and that seemed to clear his mind. you were in fact there.

"love?" he muttered, scared of being wrong.

"hey baby" you whispered to him, smiling softly.

"you're here? what are you doing here?" he hurriedly sat up, his expression filled with worry, like he wasn´t the one on a hospital bed.

"i'm here to see you." you extended your hand and let it travel through his face. "got the week off, couldn't leave you alone." his smile was priceless. he rushed his arms around your waist, since you were standing now, and pulled you closer to him, head in your belly.

when he told you he had missed you like crazy, he didn't define it well enough.

he locked his lips with yours as soon as he had a chance. you missed that feeling, you missed it too fucking much. you missed everything about him too fucking much, and maybe this misfortune was just what you needed to realize that something had to change. you couldn't miss him like this all the time.

it was literal hell, for the both of you.

adam entered the room after some time and, from his face, you could see he carried good news.

and you were right. "you are free to leave today, all the exams cameback with positive answers. you still have to stay in brazil, of course, a flight so long could jeopardize your health, so you'll have to stay for a bit longer, but you two can go stay at the hotel for tonight.

you and lando celebrate this little "victory" with each other and then you start talking about going home, anticipating what you'd do.

the room was uncharacteristically quiet as he payed attention to the TV and you lost yourself in your own mind.

"I think I might quit my job." you let out with your head layed in his chest. he twists his head to look at you. "what?" he asks, clearly confused, in his head, trying to figure out where all of this was coming from.

yes, it's true that he didn't like to travel around the world every year and leave you behind, and it's also true that this past year, he felt your support fade away, but he didn't want you to leave your life in second place for him. he knew, and understood, how important for you it was to have your financial independence.

he had started to feel guilty, even though this was not his fault.

you thought and rethought about it during your flight, since it was the only thing you could do. of course you never wanted that, but you also couldn't bare the distance anymore, and his accident showed you that.

you wanted to be there, to be able to celebrate every single one of his podiums by his side and not over the phone, you wanted to be able to hold and support him whenever he needed you to do so.

six years into your relationship, neither of you envisioned it ending anytime soon. if it did, you had your savings, but for now, you craved closeness.

"seriously. i want to be with you. i think i never noticed how affected i was by your absence, but i am a lot." you admitted with a sigh. helistened intently. "I want to be able to be with you."

"are you for real?" he asked, concern in his eyes. "I don't want you to feel pressured to do that. I love you whether you're here or on the other side of the world."

"I know, lan. it's not like I would stop working. I just have to find something within my capacities that allows me to travel around the world with you. and it's not like you're going to break up with me, leaving me with nothing. I have my money."

"it's not like I'm gonna break up with you, period." he smirked. "we're a forever thing."

turning you around as if you were as light as a pillow, you wrapped your arms around his neck.

"I love you," you whispered against his lips.

"I love you too," he whispered back.

[elodieunderglass]

It's not really my business, but honestly it feels like it would be advisable to hire a copyright lawyer. Like I don't feel like you're in it for the money, but it might be gratifying to have the guy milking your idea at least have to formally acknowledge you. I think I'd do it just for the peace of mind to know if I've been "legally" wronged or not. Either way, hope you continue to inspire, and live out a peaceful life.

(In reference to this post about the guy who pretends to have invented “Elder Teletubbies,” specifically how he is now kickstarting DnD minis of them.)

Ha, well, it’s all a little tricky I think. I might, hilariously, post on the r/legaladvice Reddit (even though they’re all cops lol) because the only thing I want here is for him to stop selling my “transformative work,” and ideally to stop pretending he invented it (which might be difficult as he appears to fully believe his work is creatively independent.)

I think if anything, my post counts as protected commentary or a transformative work of BBC’s Teletubbies, and I think it’s stinky to profit on that stuff in general (like I’m 190% okay with buying LotR fanart on stickers ! but I wouldn’t dream of trying to publish a fic with the serial numbers filed off. Why?)

I think ultimately I’m not a grifter, I’m a grownup, and I think it’s several levels of eye roll to sell fanart of a tv show on this level. I would be embarrassed to touch money made on that. I’m too fucking scrupulous and artisanal. I have toyed with a silly original novel for funsies since 2019 but keep saying things like, “oh, people will think this is too similar to something else that already exists” as if a silly original novel I write for fun has to somehow pass a Bar of Originality higher than anything salary-writers aim for.

I’m also pretty anti-intellectual-property myself in that leftist sense where I don’t believe people should be acting as if creative works are, like, oil. Like the resource extraction angle of intellectual property freaks me out, I don’t think getting super high-horse and snotty about Magical Brain Property is entirely compatible with the artisanal temperament I personally got going on here. I am like snufkin about this, simply smoking a pipe and making a flower crown saying “poor fools! Producing works for market, and serving as the guard dogs of the market, lest their work lose value if it becomes more common!” I do not have a high horse. I am not going to post 6900 words about the importance of defending fucking… Mickey Mouse. I buy those lotr stickers on Etsy! I do have a horse, but it’s a pretty low horse.

If it was his own work I would not care about this guy doing this in the least (apart from loftily calling it stinky - but hey, nerds are common and nerds are stinky, it’s not rare) IF he wasn’t STEALING FROM MY ANTI-COMMERCIALISATION DREAM TO DO IT.

That’s the bit that PISSES ME OFF too much to ignore: that and accepting compliments for being original like 😌 yes my twisted mind did this idk lol.

Like if you asked him point blank about the artistic choices he’d be like idk my twisted mind just sees the Teletubbies this way teehee! but if you ask ME why, for example, the adult Teletubbies live in the forest I’ll explain that in 2017 I was at a major life crossroads and this dream was ABOUT that. It was goodbye to my identity as a foreigner from the pine forests, and full steam ahead to settling permanently in the fucking shire (where the baby teletubbies on the bbc show live). It was about going back to work having had my first child, and saying goodbye to my various career dreams for myself (famous scientist! Published author!) as I chose instead, finally, the responsibility of working humbly as a public servant for the actual good of society. It is about witnessing the wild and saying “I am not of it, but it is my job to be its witness and voice.” That’s why the adult Teletubbies are dancing in my native forests while I’m watching them from the English hills. This guy doesn’t know that he just vaguely heard “spooky forest cryptid” and didn’t develop it at all, I do more work than that with FANFICTION in my time off!!!

So it’s really about nebulous stuff and ethics and not something worth paying a lawyer for I think!

But thank you so much for this, I think the thing that gets most perennial about it is the TOTAL GASLIGHTING of the “outside world” of the rest of the internet like, fully believing they invented this, and they DIDNT. They’re so wrong on the internet and they don’t know

[cassandraclare]

*sighs a bit* Okay. Guys. I have been asked this question a lot, and answered it a lot. I don't know how to give a better answer — Dru & Ty&Kit share significance as main characters — so I guess I'll talk a little about comparison and structures.

First, all series have different structures. I don't think it's super useful or predictive to try to map an upcoming, unknown book series onto an existing series. In TLH the main character was Cordelia, everyone else was secondary to her, and people's roles and the significance of them altered from book to book. It was a big ensemble cast and they mostly stayed put in London especially in book 1.

TWP focuses on a smaller group of people. It also has a very different structure. In book one, Dru is not with Kit and Ty. They are in different places, both of which have their own stories that are significant to the plot. There is no way to see Place One without following Dru. There is no way to see Place Two without following Kit and Ty.

I know that TWP is a long way off. I know there are people who are very angry with me that there's such a gap, but there isn't anything currently I can do about that, or about the fact that I don't yet have the schedule for my upcoming books. That rests in the hands of several different publishers who must coordinate the release times and production schedules for four different series. I am not withholding any information about when these books come out. I simply don't know it yet.

I understand that TWP being a long way off makes for anxiety, and that those who are worried Kit and Ty will somehow be secondary are looking for tiny clues in microscopic details — micro-reading the of placement of the word "and" in my newsletter and such — that are meaningless, but I get that it all comes from anxiety. (FTR, those worried Dru will be secondary are equally anxious.)

I think there is only so much I can say. Because there's a big gap between TLH and TWP everything I do say or every image or hint about it is freighted with a weight of assumption it can't really support. Anxiety is always going to trump reassurance. And truly, at the end of the day, if you only care about Kit and Ty and find the idea of a Dru story tiresome, you will feel like they got shafted because when you absolutely hate a plotline, you will always feel like it's taking up way too much space. That's just how our minds work.

I've been doing this long enough that I know no book can survive a hostile reading. I know that Book Three of a trilogy is the one people hate until they don't. (When Clockwork Princess came out people hated it so much I considered quitting writing!) I know that it's wonderful to love a character but can also be a problem for people when I put out books that aren't about that particular character or dynamic. I know that for a lot of people, Sword Catcher and Ragpicker King are just tiresome things that have no business on my schedule because they're not Shadowhunter books. And I get it. But I also have to block it out, because I've been writing a long time, and I've gotten to a point where I know that I have to write the thing I want to be writing, because if I don't, if I sit down and try to force myself to write something I'm not feeling like writing at that time, I'll be making myself physically and mentally sick. And that's no good for anyone, really.

I suppose the positive thing is that, while this would not have been true five years ago, I am at the place where I want very much to be writing Wicked Powers. I missed these characters and am glad to be back with them. I consider this a story in which there are three main characters. And that is all I can say right now because it's all that I know.

(And this was much more of a general response to a lot of things than a specific response to this question, but I did feel like it was stuff that I needed to say. Creators are at the end of the day, just people. Sometimes we are powerless to reassure. Sometimes we are tired. Sometimes we are wrong. Sometimes we try things and they don't work. Sometimes we can't explain to you what our story is going to make you feel, because only reading it is going to tell you that. This may be one of those times.)

[hyperfixatedbastard]

do you write hypnosis stuff?? it's not specifically against the rules but idk it's kind of an iffy era for a lot of writers-

if it's okay with you, could you write some Vox x Singer!Reader who he uses his mind control on to sell their soul to him so they remain under the VoxTek label? (im sure remaining with him is an ulterior motive of his as well lol)

thanks :]

I can absolutely do that! I’m a little iffy about NSFW hypnosis, but I can do a SFW oneshot :)

siren songs

Obsessed!Vox x Singer!GN!Reader

Word Count: 1.4k

WARNINGS: Yandere-ish behavior, hypnosis, manipulation, toxic behavior, all that good stuff

A/N: I told y'all I'd be back with some toxic Vox!! I wasn't entirely sure how to end this one, but I've spent enough time rewriting it to stop caring. This one is only romantic in theory - nothing actually romantic happens between Vox and Reader, it's more mutual pining than anything else This is also my first time writing obsessive behavior, so I hope I did it well!

Dividers

You’ve been working with the Vees for years now. You were originally recruited by Velvette, who’s like a bloodhound for new talent. She saw some popular videos of your singing online, and she made you famous.

But you don’t work with her that much, oddly enough. Over time, you gradually started to see her less and less. Vox was the one to take her place. By the time you noticed, there wasn’t much you could do about it—you’re certainly not an equal to the Vees, so there wasn’t much you could do. Sure, you could’ve quit then and there, as you’d never signed a soul-binding contract, but you really liked your job. You were getting to do what you loved for a living! Who wouldn’t want that?

Well, you. You don’t want that anymore. You’re getting burnt out. You feel like you’re out of creativity for writing songs, and singing no longer has the same appeal it used to. It feels like a chore. Getting on stage doesn’t get you excited—it just fills you with dread.

Then you saw the videos of the annual clown pageant down in the Greed Ring. How Fizzarolli, Mammon’s favorite little jester, just…quit. Just like that. 

Can you do that?

You don’t have backup like Fizzarolli did. There’s no Prince of Hell to protect you if the Vees lash out in response to your resignation. But the Vees aren’t Mammon. They’re powerful Overlords, sure, but they wouldn’t kill off an easy cash grab like you. And they don’t have any leverage to use against you—you’re a fucking superstar, you learned to stop keeping secrets a long time ago.

Yeah, you can totally do this!

You spend the next week making a plan. You currently live in V Tower, so finding another living arrangement is a priority. Luckily, your standards are just as low as before you got famous, so snatching up an apartment doesn’t take long. You’ve been building up savings for some time now, just little bits here and there that wouldn’t look suspicious among your bank withdrawls, so you have enough money to last you a while. You’ve made a go-bag, but you’re not too worried about bringing anything with you, as you have enough cash to just buy new shit. By the time the end of the week comes around, you’ve got your escape plan ready to go. All that’s left is to actually quit.

You decide that directly speaking to Vox is your best option. Velvette and you don’t have the same rapport that you used to, and Valentino is just… no. During your time working with Vox, you like to think there’s some sort of friendship there. The two of you chat amicably, and he always makes sure you’re okay when it comes to creepy fans and the like. You feel like there could be something more than just friendship, but you don’t plan on staying long enough to find out. As much as you like Vox, you’re not willing to spend the rest of your afterlife hating every second of your job just for him.

You stand outside Vox’s lair, mentally preparing yourself for this conversation. You take a deep breath, and right before you can knock on the door, it opens.

Okay, here goes.

⋆⋅☆⋅⋆

You aren’t as sneaky as you seem to think you are.

A normal boss wouldn’t have noticed the small transactions in your bank account, or the little trips you’ve been taking to go look at apartments. But Vox isn’t a ‘normal boss’ by any means. And he noticed.

From the moment Vox set eyes on you, he knew he wanted you. You’re beautiful, and fuck, your voice—he just can’t get you out of his damn head, no matter how hard he tries. And he really fucking tried. But he couldn’t avoid you, thanks to VoxTek being such an integral part of your performances. And you’re like a damn siren with that voice of yours, even though he’s supposed to be the hypnotizing one here. Eventually, he just gave in and accepted that he was more than a little obsessed with you. That’s why he started drawing you closer to him, pushing away Velvette and taking control of your brand. He doesn’t like sharing.

Obsession isn’t a particularly new feeling for Vox. He certainly has… tendencies. But this isn’t like whatever the fuck he’s got going on with that deer-headed, old-timey bastard Alastor. It’s not a lust thing, either. You’re certainly attractive, and Vox most definitely would sleep with you, but that’s not the main factor at play here. This is a deeper obsession than any of that bullshit.

Vox knows that he doesn’t own your soul. He’s well aware that he can’t truly stop you from quitting. Even if he managed to trap you inside V Tower, he can’t force you to keep up the performances. If he had you under a proper soul-binding contract, though…

He would own you.

Now, he’s not Valentino. He doesn’t plan to take that kind of advantage over you. He doesn’t want to change a damn thing. He just wants you to stay.

And he will make you stay.

He knows when you approach his office, and he opens the doors with the touch of a button on his desk. He plasters that casually perfect smile on his screen and turns to face you as you enter. The doors shut behind you.

“I wasn’t expecting to see you today, my dear,” he lies easily, the charismatic mask fitting into place like it was never absent in the first place. “How can I help you?”

You hesitate, your anxiety starting to get to you. But you’re determined to do this. You clear your throat and step forward. “I’m resigning.”

Vox’s smile doesn’t falter, nor does his screen glitch. His demeanor is…unnerving, to say the least. You’ve known him to be temperamental, emotional. You expected some kind of reaction. But he’s just smirking at you like he always does.

“I don’t suppose there’s anything I can do to change your mind,” he replies smoothly, tilting his head to the side just slightly.

“No,” you confirm, trying to sound confident in your answer. You’re not sure if you succeed. “I’ve already made my decision.”

Vox sighs, though he doesn’t sound very defeated. His smirk hasn’t gone away, either. “Well, then. It’s been a pleasure working with you, darling.”

He holds his hand out for you to shake. The gesture immediately worries you, as it’s the well-known sign of a deal. But you reassure yourself that there’s no deal being made here. Hell may be chaotic, but there’s rules when it comes to these kinds of things. Neither of you have offered anything, therefore there’s no harm in shaking his hand. It’s just a respectful gesture of a boss wishing their employee farewell. It all feels too easy, but you’re too relieved to think too hard about it.

You go to take his hand, but as you lift your head up to meet his gaze, everything goes fuzzy.

Vox grabs you by your wrist before you can shake his hand. He’s not rough with you. He’s careful of his claws, ensuring they don’t put too much pressure on your skin. Not that you’d notice, either way—your mind is far gone at this point, thanks to those spirals in his eye.

“In exchange for your soul, you’ll remain under the VoxTek label and continue working for me. Your work will remain the same as before. You’ll forget about leaving. You will want to stay here. You will want to stay here with me.”

A golden scroll appears out of thin air, and it floats in front of you as it unfurls. “Sign it.”

Your body moves on its own. You sign your name on the line at the bottom of the page.

Vox releases your wrist, and takes your hand in his own as his eye reverts back to its normal state. When you come to just moments later, he’s shaking your hand with calm professionality.

“I’m glad we got that sorted out,” Vox remarks smoothly, his smirk looking almost proud now. “I look forward to your next performance, my dear.”

You blink a few times as you become more lucid and aware. “Uh, yeah. Can’t wait!”

You smile, and Vox releases your hand, seemingly satisfied with your answer. You don’t remember what exactly you came in here for, but you’re happy with the outcome.  “Perfect.”

[midnight-mourning]

❄️MIDNIGHT'S DCA DECEMBER❄️

Hello! I've decided to have a little bit of fun this December and will be opening up requests for the month! Please see below for more details (With subheadings!):

Requests Overall

I will have 31 slots available for requests, first come, first serve. Each piece will range from 1000-2000 words in length and may (MAY) include a little doodle made by me.

Requests can be anything! They just have to be winter/holdiay themed (do NOT have to be releated to Christmas) and DCA-related

Winter/holiday themed means movies/stories too! Ex: i am a BIG fan of The Nutcracker (went insane when I saw @/robinette-green's au for the Barbie version lmao)

As most know I am an X reader writer, but as long as my general request rules are followed, I don't mind writing for ocs, canon, etc. 

For those who don't know my rules, no nsfw (suggestive is FINE), and if you want something specific, be specific. Besides that, it's fair game, request what you want

Potential Issues & Schedule

If there is overlap between request ideas, they will be combined in some manner of speaking (if possible). If needed, I will reach out to you about adjusting ideas or the likes, though I don't forsee this happening. This would occur if for example, someone wants gift shopping with Sun with their oc, and someone else wants the same thing with a reader-insert. Whoever requested second would be who I reach out to. 

I will be posting these throughout December, ending on the 31st

In order to have enough time to write, I will be starting these as soon as I get the first request. To speed things up a little, requests will be open from 11/29 to 12/13 OR until I receive 31 unique requests. So that's maximum two weeks to think of an idea and share it with me. 

If I don't get enough overall or get anything prior to Dec. 1 I'll probably come up with some ideas of my own, but only if that happens! Additionally, if I don't get enough, I may open it up for people to request multiple times, again only if I don't get enough or run out of ideas (genuinely don't know how many I should expect so just trying to cover my bases lol)

To keep things organized, please request in the comments of this post. This also helps to potentially keep from overlap in requests, as you'll be able to see what else has already been requested. If you request in my ask box or such it'll make things a bit more difficult, so please avoid that.

HOWEVER, there is one exception to the above, which is if you wish to request anonymously, which is completely fine to do! But please only request in my ask box if you want to be anonymous. If overlap happens in that case, then y'all may just get two responses with similar vibes on the same day (essentially a bonus lol)

Confused Spirit

For those who may be concerned (as I was before making this post lmao) Confused Spirit's schedule will not be affected by this! Now that it's back I'd like it to stay back lol. We may stick to an every two weeks schedule for a bit, or may go back to weekly, it will depend on life stuff, not on other writing things. I promise ^_^

Having little things like these also help prevent writers block, and thus stay more consistent with updates

Sharing & More

Please feel free to share this post around, and request if you want to! Once I hit 31 unique ones I'll reblog this post with the announcement that requests are closed, so make sure to double check they aren't closed already prior to requesting!

I'll also post updates every couple of days regarding the status of total requests as well ^_^

Unrelated but similar, @/quilteddreams is working on a DCA Advent Calendar for December that's also really cool! (I'm helping out with beta reading :D) Highly reccommend you check it out once it starts posting! 

Everything related to this will be under the tag #MM dca December, just in case there's another similar tag out there and I'm not just taking it for myself

Alright, that's all for now, excited to see what you guys ask for!

Adding the tag list to this since y'all enjoy my writing lol:

@scarletcowboy @beemyhuneybee @fishm0ther @deviouscrackers @elsajoyagent8

@luckyyyduckyyy @zenkaiankoku @jogimote @local-shrub @amarynthian-chronicles

@robinette-green @everlightreader @sinister-sincerely @starredeclipse @dangerva

@juukai

[agender-witchery]

On Project Moon

Hey, this is gonna be long, I'm putting most of it under the cut. This post is about the recent firing of VellMori from Project Moon, I know that it warrants some tags for triggers, but I have no idea what's commonly used, so if I miss something, please tell me.

Additionally, I have written this up in a way that if it escapes the target audience of Project Moon fans, it can still be understood, so with that in mind, there will be Library of Ruina spoilers.

The tl;dr for those who don't wanna read the full thing is that Project Moon was put in a very bad position with some violent extremists targeting them and that I'm not happy about any of what happened.

So, for those unaware, Project Moon has fired VellMori, the CG artist for Limbus Company. Now, a not inaccurate statement that can be made from this is "Project Moon fired a woman for being a feminist" but this is... somewhat reductive. Let's immediately get out of the way that VellMori did absolutely nothing wrong. Some people have said she is a TERF. I've seen no evidence of this. Some people have said she wished death on all men. I've seen no evidence of this.

What I HAVE seen is that VellMori thinks sexual abuse is bad. Now, why would this lead to a firing? The short answer is that a bunch of violent incels, one of which was literally dressed as a clown, came knocking at their office doors.

See, Limbus Company has a "beach" event coming up. In this event, we are getting a water themed outfit for two of the characters, one male and one female. For Sinclair, the guy, he has been given an EXTREMELY slutty mechanic's outfit. For Ishmael, the woman, she has been given a very skintight wet suit outfit. Now, I wanna take care to note that VellMori is the CG artist - she had no hand in these designs, a man made them. I would also like to mention that both outfit designs are amazing, and I will be including them at the end of this post for reference.

Now, upon revealing the wet suit design for Ishmael, a bunch of whiny incels on what is basically Korean 4chan got upset that Ishmael, instead of being in a bikini as is usual for gacha games, was wearing a wet suit. Nevermind that the designs in Limbus Company have always been conservative and that the Sinclair design is the most skin we've ever seen and it's just an open shirt. Again, the wet suit is still super revealing, it's skin tight and this is literally the first design of her that doesn't make her look flat chested. They're not rioting over the lack of sex appeal, they're specifically mad that it's not a bikini.

The incels come to the conclusion that the lack of any skin being shown on Ishmael's outfit is a result of evil feminism. No, I'm not exaggerating. They initially begin harassing the artist who is actually responsible for drawing the outfits, but upon learning that he is a man, set their sights on VellMori because she's a woman, and being an artist is good enough I guess. What they do from here is they start digging and digging and digging on VellMori's twitter, making use of archived pages because many of the "offensive" tweets had been deleted.

I'd like to take a moment to point out that VellMori never actually tweeted anything out here - it was all retweets from a 4-6 year old archive, and retweets that have been long deleted. These retweets contain such transgressive statements as "I'm sick of misogyny" and "If being against patriarchy makes me antisocial, then so be it" and just... mirroring back to men what those men were saying to women. Some people would like to have you think she was calling for death to all men. She wasn't. She ALSO retweeted all this stuff while she was a teenager and well before she worked for Project Moon.

Nonetheless, the incels had decided that feminism was the reason Ishmael had a wet suit and not a bikini and they had found a feminist working for Project Moon. It is at this point that we must take a brief detour and talk about Library of Ruina, Project Moon's previous game.

See, in Library of Ruina, one of the protagonists, Angela, has this whole arc about escaping her abuser and becoming a human. Yes, she is literally a robot, but Project Moon isn't exactly a stranger to symbolism in their stories and a feminist reading of Angela is ridiculously easy. The main antagonist in Library of Ruina is Argalia, the Blue Reverberation, and his crew is called the Reverberation Ensemble. Every member of the Reverberation Ensemble is a violent lunatic who each want to reinforce the status quo in their own unique shitty way. In addition to this, typically in order to reach the titular Library, you would need to be invited. The Reverb Ensemble are the "uninvited guests", the ones who managed to reach the Library and knock down the door without an invite.

Why am I talking about this? Well, the incels decided to start calling themselves the Reverb Ensemble, and referring to each other using names of the Reverb Ensemble members such as Pluto, Elena, and Oswald. Having taken on the moniker of the uninvited guests, they then showed up to Project Moon's office to protest. Over the lack of a bikini. Now, remember how I mentioned someone was dressed up as a clown? One of the Reverb Ensemble members, Oswald, is a clown with an extremely tenuous grip on reality. So much so, that his ideal world is one in which there is no meaning whatsoever. That is the character they chose to dress up as. This is either a case of extreme self awareness or extreme self unawareness.

Eventually, the incels were let into the office possibly as a form of damage mitigation to prevent the crowd of protestors from getting any bigger. This was a questionable decision, but they had a group of violent incels at their doorstep either way, and I don't exactly have full details on this. Regardless, Project Moon had on their hands a group of violent protesting incels, who they felt compelled to let into the building, and who had demands including the firing of their feminist employee. (7/28 update: a translation of the transcript posted to DCInside has surfaced. Please check the reblogs for it. Project Moon was verifiably threatened.)

So while "Project Moon fired a woman for being a feminist" isn't inaccurate it also isn't the full picture. More appropriately, it'd be "Project Moon fired a woman because a group of violent incels who weren't satisfied with a form fitting wet suit instead of a bikini showed up to their office demanding that an artist who did not make the wet suit design be fired because she retweeted some feminist stuff 5 years ago while she was a teenager".

I'm not happy with this. None of this is good. People are allowed to be feminists, and Project Moon stories have always presented progressive ideas to anyone with half a brain to do some basic literary analysis. I can understand why they would cave to the demands of people who were threatening them and showed up to their actual place of work, but at the same time, that's someone's livelihood gone and proof that in the future, the same sorts of people can use the same sorts of tactics to bully Project Moon into doing whatever they want. All of this sucks.

For those who would like to see the retweets in question alongside translations: https://twitter.com/danghwangs/status/1683884236888223744

And for people who would like reference as to what the artworks these incels were up in arms about, Ishmael in the wet suit and Sinclair in the mechanic's outfit.

[fancyfade]

2009 era Damian reading

As I've been doing my 2009 era Damian reading, I'm trying to condense the good stuff and bad stuff, and things I believe are relevant for his character. These are in addition to what I assume is obvious (Batman and Robin 2009, the comic where he has a starring role).

Battle for the Cowl: this has how Damian becomes Robin. It's not necessarily good. Daniels really does not understand Damian, especially this early in his writing, but it does have some important context for things going down b/c Damian helps Squire save Tim's life, and we can see Dick viewing training Damian as something he is responsible for.

Secret Origins (2014) #4: This is a much more in character Damian becoming Robin, though fit for a condensed new 52 timeline that leaves some stuff out (like Damian's rocky intro with Bruce).

Batman #688 (Long Shadows part 1): Winick seems one of the early writers who does a Damian as he lines up with later characterization (views himself more as a professional assassin), so I think this one's good.

Batman: streets of Gotham #1-6: damian makes some minor appearances here.

Batgirl #5-7: Always take Damian's guest-starring stuff with a grain of salt, as often times writers just go with "how would an obnoxious 10 year old boy act here" without understanding he's a specific kind of obnoxious 10 year old boy... that said I do like some of his interactions with Steph, and I think it's incredibly important that we see Damian defends his competence based on his training, not on his blood.

Like he'll sometimes justify why he belongs based on his blood (which like... no one acts like they want him around), but he isn't going around saying "I'm better than you b/c I'm batman's son". he was trained intensely since birth (and that's why he should say he's better than you :P)

Batman #692-697: not a ton of Damian in this, and it is Daniel's writing, but he's a little better than he was in Battle for the Cowl. We see Dick training Damian some.

Batman: Streets of Gotham #7, #10-#11: love this plotline for him. Good show of competence and characterization.

Blackest night: batman: More focused on Tim and Dick, and Tomasi sucks at writing Babs, but at there is some Damian content that I remember enjoying.

Red Robin #11-15: as long as you read this one with your brain turned on, it's good for explaining some Tim and Damian stuff. Sadly some fans are like "woooo arrogant 10 year old gets beat up". Nicieza makes some missteps (frames Tim's thinking around Damian as coldly logical, when it is anything but and he is reacting from a place of emotion), but one can ignore those.

Batman #703: shows Damian's character pretty well in a default Batman and Robin adventure, and his relationship (or lackthereof) with Bruce and his dynamic with Dick and Alfred

Teen Titans #88-92 (including Red Robin #20 in a crossover plot): surprised by how well I liked this one. I think it portrays Damian pretty fairly, and we can see that he is trying hard, but hasn't been given a lot of support up until now (or even now, Dick kind of just drops him off with a bunch of older kids who all also have issues and are predisposed to disliking him XD). His dynamic with rose is fun and I think it is notable how quickly he does acquiesce to following Cassie's orders when she's like (at first) the only Teen Titan who is OK with him being there and assures him its not personal when she makes a comment he doesn't like.

Bruce Wayne: The Road Home: Batman and Robin: Has some nice Dick and Damian banter, showcases how they've worked together well

Batgirl #17: more damian and steph interactions.

I will probably add more (either editing this post or in a reblog) as I keep reading.

[somerandomdudelmao]

ok wait hold up can we actually just like talk for a second about Donnie's behavior in these last few pages??

Before he found out about the infection, Donnie was still very nonchalant about a lot of situations, but he always had a sense of care and compassion for certain things, like for example, his family and friends. He used a lot of sarcasm and was overall just the snarky autistic tech dude who had more love than he could even imagine giving. He had a relentless grip on his bad-boy image, was stubborn as all hell, but was a well-rounded, lovely guy!

And then the realization hit that he was going to die sooner than expected. Then...

Poof!

Now he's just a shell (Hahaahahahahaha) of who he used to be. Now all he has for himself is a bunch of self-deprecating jokes, responsibilities to pass on to others, and a lack of hope that is just so incredibly unlike him. He still has the sarcasm, sure, but this time it's a lot more dry and emotionless. There's no brevity or lightheartedness to his words anymore, it's all just a monotone mess of half-assed goodbyes and thrown out dreams for the future. Any method of survival has seemingly been lost to time for Donnie, so now he's just kinda... Accepting the fact he's gonna die soon, which only leaves him with his own decaying body and a voice he doesn't even want anymore. And judging by the way he just ignores or shrugs aside everyone's concern, it's all basically just him saying, "Welp, guess I'll die. Here's my shit, no will required."

Also another thing I noticed is that Donnie is basically not allowed to really do anything anymore because he's at risk of dying sooner than he already thinks he will. If he gets more rest and works less, his death come significantly slower.

Meaning he must feel incredibly useless right now.

I think I've also pinpointed the time when this all started happening to Donnie btw. It's a very small moment and I don't have the screenshot on me rn but I think it was in the robo-Raph comic, specifically the moment when Donnie was zooming over to Casey and went "Past" that Kraang alien dude on the way. I imagine he didn't really go past and instead went through, because u know, he's Donatello. If given the chance to commit murder, he will commit, and he very much had the chance right there. I think he went through that Kraang alien, (Very plausible given how fast he was going like jesus- ) got its blood inside a cut or something, and it infected him via his veins or something. Kind of a stretch to assume this since it literally could've been something that took place before the time of this comic series, but this was the earliest instance of foreshadowing/possible infection that I can think of.

I also want to apologize for making all those jokes about like taking you to court and throwing you in jail and stuff because maybe they came off as mean or rude at some points. And for constantly flooding your inbox lol-

Thanks for existing and for making this comic, and congrats on beating the deadline at work! I think you deserve a cookie for that! *Gives a million more cookies* oh yeah and those are for you being you

Oh my fuckiNG GoD...

I don't even know what to say to that

I guess I just want everyone else to be able to read it too because..oh shit...oh wow.

[cloudyskydreams]

Hi, I love the way you write and represent Sans with every detail, I was wondering if you could do a SFW AND NSFW headcanon of SansxReader. If you don't mind of course

Hi thanks so much for requesting, you asked and I shall deliver!! I'm just assuming they're general headcanons since it wasn't specific, I've been meaning to get around to some general headcanons because I feel they're a good way to work out some personality✨ I did masc and femme sans nsfw headcanons and left the reader ambiguous, As always hope you enjoy!!

Sfw:

•Expect alot of lazy cuddle times, they're his favorite he just loves being near you really, and his constant state is tired so being able to just take it easy with you is nice.

•On a completely opposite note you do motivate sans to do stuff he normally wouldn't. He'll get off the couch and out of bed to spend some time outside with you, his favorite date place is still grillbys but he'll try out new places with you sometimes.

•He sends you memes that make him think of you or he finds funny even if he's right next to you and can just show you. He'll send it and then watch you for your response, he'll make a joke about your phone going off if you don't check it immediately.

• The patrons at Grillbys get updated on you occasionally. Sans feels comfortable there and he knows most of the people so he lets his guard down and you're really special to him. So he ends up gushing about you and what you've done together ,nothing private of course, after a few drinks and his buddies are all really happy for him. They think you're good for him he seems a lot more stable since you came into his life.

•Sans will absolutely drag you out of bed to stargaze, he gets excited like a kid on Christmas his eyelights big and shining as he drags you outside with his telescope. He always plans little dates when there's going to be a space event like a super moon or meteor shower. He loves being able to indulge in his interest with you and hopes you have as great a time as he does.

•He loves making you actually laugh with his jokes and it makes him feel good and he loves hearing your laugh. It makes him feel proud of himself anytime he gets even a smile out of you.

•Sans just loves being close to you he'll follow you around the house, if you're doing dishes he has his arms wrapped around your waist and his head on your back. On the couch? His head is in your lap or he's just sprawled out over you. In the bathroom? If you're comfortable with it he's sitting in there with you on his phone looking at memes. Just enjoys being in your presence in general.

NSFW:

•One of Sans favorite things is giving oral, he gets to be between your thighs and can go at whatever pace he wants. He's an absolute tease and is definetly into edging while doing this as he wants to spend as much time in between your thighs as possible.

•Sans is a switch preference towards bottom. Not saying sub because he's still a teasing prick when he's underneath you but it's not hard to get him to sub. He looks pretty cute face flushed cornflower blue, moaning underneath you as you ride his cock/eat him out while his hands are tied to the bedsheet.

•Cockwarming is a big thing with him too, he likes to just lay there cuddled together while he's inside you watching a movie or on your phones. He likes to see how long you can last before you start moving as he's pretty patient. He might grind into your occasionally if he's in a teasing mood.

•On the opposite note if you want him to be on top he's more than happy to help. He enjoys snail position alot because he's close to your calves and can bite on them, or anything that really gets him close to your legs as he is a leg man.

•Feel like his ecto-cock is about 5.7 inches not the biggest but it's girthy and has some vein to it, his ectobody itself is chubby. In femme form he's got d cup tits and his chub is still there but he has more of a hourglass figure than before, and a cute blue innie pussy. (There's innies and outies y'all you're welcome for the info)

•His go to is the masc form but if you want femme he'll give you femme. Squeezing his plush thighs as you eat him out. A blush across his face as he watches you eyes lidded praising you for doing such a good job slipping a joke in there somewhere while he gently presses your face closer with a hand on the back of your head.

[gabrielsbubblegumbitch]

Hello again! LOVE op's posts about static moth so so much they are giving me ungodly amounts of serotonin ... It's genuinely been such a joy reading your interpretations of their relationship and what makes them work the way they do. Even with the limited amount of content we have of them I believe you've nailed their respective personalities and behavior patterns spectacularly and every single post has been extremely interesting to go through and to analyze off of!

Regarding the reasons as to why Valentino likes vox as a romantic partner, I also believe part of it has to do with some of Vox's more stalkerish tendencies as well? His (not yet canon but close) Voyeurism, his constant need for control, etc.

This is more of a head canon than anything else, but I do genuinely believe Valentino enjoys the obsessive attention he can get only from Vox as it does wonders to quell his constant sense of emptiness, his subsequent feelings of abandonment, and the anxieties that follow. The fact that he knows Vox enjoys stalking him, (probably) gets off on it and is actively deriving pleasure from simply watching him go about his day may be adding to the thrill and content as well. The thing is, as generally absurd and problematic it is, this behavior seems to bring a sense of security for both Partys involved: Throughout the show during all 4 episodes that feature Valentino's presence, we have yet to see a single scene with him without at least one camera tracking his movements. They are everywhere. They follow him wherever he goes, Vox can follow him wherever he goes whenever he so chooses, even to Vals own personal quarters. They are a massive, glaring red flag and quite frankly would bring a suffocating amount of pressure and sense of captivity to any other person under the same circumstance. But Val never brings this up, so I feel he either doesn't think he's in a favourable condition to complain, or he likes the idea of Vox always having his eyes on him. For me I think it's the latter, and I think for him to act so nonchalant around vox's cameras and his potentially constant, 24/7-hour surveillance, it has to have offered him some form of comfort. It has to have made him feel good, either about himself, about the state of their relationship, or both.

(apologies for the sloppy wording, hope you have a wonderful day!)

Awww, Anon, you are so sweet! Reading your question brought me so much joy <3 I think your perspective is spot on, and I wholeheartedly agree with it. I must admit I initially omitted this aspect of their relationship from my initial response because the question specifically focused on love rather than "sexy and toxic stuff." For me, voyeurism and stalking kink are more closely related to the latter category.

That being said, Val undoubtedly enjoys having Vox's eyes always on him. Being a diva and a performer, he relishes performing for Vox, especially knowing Vox's likes all the deranged shit but desperately tries to hide it underneath his clean façade. So he’s basically like “I’m going to hit this bitch for you, Voxy. As a treat.” recognizing that Vox couldn't do it himself without tarnishing his image. In return, Val receives even more attention and admiration, perpetuating the cycle.

Since you've given me the opportunity to delve into Vox's voyeurism further, I'll add some additional insights (I've been meaning to write a proper post about it for some time now but that rabbit hole is just too deep). It's fundamentally about control, of course, and it's simply a kink. However, kinks are not merely about arousal; they involve complex psychological dynamics. People a lot smarter than me wrote a shit ton of essays about voyeurism, especially since it is a very relevant topic in the visual media era. One sentence about Lacan's interpretation of it grasps really well what I have in mind when I think about Vox:

By appropriating the other as image, the voyeur makes it an object of pleasure*, while remaining uninvolved in the other's intimacy.

It’s a parasitic relationship. A voyeur gets symbolic control over their object and it gives them the sense of being powerful. And they don’t have to offer anything themselves – no effort that is required to gain control in situations with two subjects involved, nor the vulnerability necessary in consensual relationships. They can just freely feed on others without offering anything in exchange.

Without delving too deeply into philosophy, Vox's inability to live authentically stems from his obsession with his image, his guardedness, and his need for control. This sets a lot of limitations about what he can allow himself to personalmy experience. So he derives dopamine from "stealing" others' experiences and emotions, while avoiding the effort and vulnerability required in genuine connections.

*In a broader sense, voyeuristic pleasure isn't necessarily sexual; it can manifest as the thrill some people experience from watching macabre imagery in movies, eavesdropping on neighbors' drama, or even watching overly personal vlogs.

[linkspooky]

Does it ever frustrate you (like it bothers me), that the heroes and civilians (and many of the fans) have no concept of "the big picture"?

I mean being optimistic is one thing, but the hero kids are going back to class, hero society is being rebuilt and the same structures are getting back in place with barely a question of what might change, if anything will...

Like shouldn't they know by now??!!

Hawks looked into the league of villain's pasts.

Deku was told directly by shigaraki what was wrong with their society in the last war.

There was a whole (plausibly canon) movie revolving around the threat of the quirk singularity, and still nobody cares.

Judging by the recent chapter, the civilians are the same as they always were, or have become even worse in their mindset.

And at least so far, the heroes haven't shown anything concrete in how they plan on doing things from now on, if their actions or beliefs made any real impact.

At this point it really feels like either:

A. The Lov (Toga, shigaraki and some others) make a miracle resurrection/recovery.

or

B.it's the cycle of violence until inevitable extinction...

Do you feel differently or the same?

Hello, friend.

I definitely share your frustrations.

I think this post by Tumblr User BNHAObservations might be onto the type of societal reform that Horikoshi might be going for in this epilogue.

So there's two approaches that you can approach to MHA, and specifically it's endings. BNHAObservations is using Literary Analysis. That is they're not talking about the work in terms of "thing good, thing bad", but rather assuming that everything Horikoshi put into his work is intentional analyzing the themes which Horikoshi is putting forward. What is the theme of MHA and how does Horikoshi demonstrate that theme with characters and events in story?

That's the question to ask if you're taking a literary analysis angle.

(By the way if BNHAObservations sees this I'm not criticizing your post in any way sorry if I give that intention I'm just using it as an example, and also reccomending people read it because it's a good post. This post isn't a response to this post I promise I'm just linking it to provide an opposite point of view from my own).

The second is Literary Criticism. While I prefer Literary Analysis, I've been taking a Lit Crit approach as to late because. My question is not "What is the theme of MHA?" but rather "Does MHA use the tools of storytelling to communicate it's theme to it's audience well?" So, let's discuss how Hori chooses to convey the themes of the fictional world he created.

So as I said BNHA observations has an answer to your question from a literary analysis perspective. The gist being "Horikoshi seems to be suggesting that the improvement to society will come from the public being more involved with stuff like community outreach to assist the heroes, and maybe with Spinner's comic the villains voices will be heard on top of that." Which is a valid perspective and why I linked it.

However, from my literary criticism angle I don't think that particular theme is communicated well by the story. This is why while I think acknowledging the cultural context of the story is an important perspective, it's just one perspective because MHA is still A STORY and it has to use the tools of storytelling to get those messages across. MHA can exist as a piece of cultural commentary and still be confusing about what exactly kind of commentary it wants to make, because it doesn't function as a story.

So here's the literary critcism angle of: Why is it so gosh darned frustrating that the public at large doesn't seem to have changed at all by the ending of MHA?

When you are a writer you can write anything you want. But if you want to write a story that people want to read you have to follow the rules of good storytelling.

There are reasons why storytelling rules exist. A story is a bond between author and reader, readers to other readers. It is a communication between humans and humans work in a certain way.

I'd also argue that literary criticism is something that exists across cultures, like for example I watch Japanese Horror movies with my friends. Japanese Horror movies are very different from american ones because what that culture considers scary is different. However, if I'm watching the movie that has bad lighting and uncreative camera work, and I criticize it on that grounds, I think the rules of what makes good and bad camera work and shot composition work across cultures.

To quote this post:

Storytelling rules are rules of communication. Rules for handling expectations and saying what you intend to say without it being misheard. Rules for tugging at emotions and pulling heartstrings in a good way rather than a bad way. Storytelling rules are lessons learned by authors of the past that failed to communicate what they needed to. They are not that subjective.

So to address your ask finally friend, I believe a lot of audience comes from Horikoshi's inability to get his theme across in his own story with the tools of storytelling, just what he wants to say about the the society that he's created in his fictional world.

The first is the very obvious discrepancy between setup and payoff. As an example I read the Sam Vimes discworld novels, which you could say is copaganda about a good cop who does his job. However, the story is not trying to be a deep analysis about the crimminal system, it's a fantasy story taking place in a deeply corrupt medieval city where the main character is a parody of Dirty Harry. In other words it doesn't bring up any of those deeper issues so I can just read it for what it is, knowing it's kind of dated.

MHA sets up these deeper issues in a way that calls to be addressed. It's made clear several times in both Shigaraki's walk, and his speech during the first war arc that there's already enough heroes and yet problems in this society persist.

Theme is basically the story asking a question and then providing an answer. The question is: If there are so many heroes then why are there so many people who don't get saved?

It seemed like the answer we are building towards is that heroes need to change the way they deal with villains, hence why everything post War Arc focuses on the main trio trying to save their villains without just putting them down. You have Twice's death at Hawk's hands, and the question of why heroes only save the good victims. You have the parallels between Shigaraki and Eri. You have Deku say "ONE FOR ALL IS NOT A POWER FOR KILLING."

Hori is an author who makes choices and he chose to deliberately bring up these issues and not address them, and that makes the story feel unsatisfying to read because serialized stories hook the audience by promising future development.

Read this story because you want to see how the Todorokis will find a way to unite their family. Read this story because you want to see how Bakugo and Deku will become the greatest heroes, by saving by winning and winning by saving.

Twice's death, Toga's question about if Uraraka is going to kill her, Shigaraki's walk, OFA is not a power for killing these are all things that mattered in the story and then suddenly didn't. If you promise a story is going to address something and then you renege on that promise the audience will find it unsatisfying. If I'm reading a murder mystery and it ends with everyone eating cake and the murder hasn't been solved (and that's not the point of the story) I will feel like the story has wasted it's time.

So it's not just a case of "MHA was never going to be a story of deep societal reform because it's a shonen jump manga" but these themes are brought up, and then never addressed again.

Which is where we get my second layer of criticism, the massive tonal whiplash. My Hero Academia seems like a story of how kids are going to grow up to be better heroes by saving their villains, until it's not.

My Hero Academia is not a tragedy, until it becomes a tragedy in the last five minutes. Every single person thought Shigaraki was going to be saved somehow, until he wasn't. Everyone thought that Twice's death was going to be the last death in the league of villains, because the kids were going to realzie they have to find another way than killing the villains, until it wasn't. The audience isn't stupid for thinking this was going to happen, that's what Horikoshi was foreshadowing in his story until he threw it out.

The worst part is the tragic tone doesn't work, because it's poorly written as a tragedy. Greek Tragedy revolves around the fall of the heroes (this is a japanese work and japanese theatre is different, but Superheroes are inspired by the greeks). If the villains failed to get saved, then it should be a failure on the heroes part, it should be devastating on the heroes.

Hawks failed to save Twice but he's fine, Deku failed to save Shigaraki (OFA is not a power for killing) but he's fine, the only hero who seems personally affected by their loss is Shoto who is losing his brother. If this is a tragedy then heroes should be the ones to fall because tragedies are about the tragic flaws of the heroes.

However, we get this tonal inconsistency instead where no consequences stick to the heroes and every single bad thing that happens to them gets magically done away with by plot convenience.

So Hori has shown that he can just handwave away whatever kind of grievous injury he wants, and yet he still chooses to go out of his way to unnecessarily punish the villains for their actions, in the manga that's supposed to be about saving them.

And even if we go with the "Well, their hearts were saved" approach, the manga fails to demonstrate how their hearts were saved. Naruto, a manga running in the same magazine, does this so much better with characters like Obito.

Look at Obito's sendoff in the manga. A character who also is responsible for directly harming the main characters and who went to war with the entire world.

Obito has a dream sequence where he realizes he could have always gone home and still tried to become Hokage and he wasn't beyond redemption. He lives long enough to assist Naruto in the fight against the final villain. He gets called awesome by Naruto for trying to become Hokage because they shared the same dream.

His last moments in the manga are Rin the girl he loved comforting him in the afterlife, by saying she was watching his suffering all along. His literal last action is to lend his power to Kakashi his best friend in order to fight together once more against the villain.

Shigaraki on the other hand doesn't even get the majority of screentime in his own death chapter, he gets two pages compared to AFO's five.

It's not just the fact they get unsympathetic deaths, the story also bends over to show that they deserved it. Toga doesn't want to accept prison for her actions so it's okay for her to commit suicide even though she's a young girl. Shigaraki didn't want to give up being the hero to the villains, so it's okay that Deku didn't save him.

People are discussing whether or not Spinner should be held accountable for not saving Shigaraki because of his character flaw of deciding to not think about things and go with the flow, but that ignores the fact that once again Spinner is not the main character. Yes, characters should be held accountable for their flaws, but the protagonists are the one who should be held the most accountable because the story is not about them.

Spinner and Deku both failed to save Shigaraki, but let's look at their punishment. Spinner is in prison for the rest of his life probably, almost became a Nomu, and has survivor's guilt for being unable to save Shigaraki in time due to his own actions.

Deku... has to live with the fact he killed Shigarki and will "never forget it."

If we are going for a tragic ending, and Deku is the center of that tragedy, than Deku should be the one suffering for his failures. Deku should be held just as, if not more accountable than Spinner.

Spinner is held accountable and that makes him a good character - but to what end? I know what it's to slide blame away from Deku, which is also why Spinner randomly says something racist at the end of his scene.

So in all it's not frustrating because MHA isn't some deep, thoughtful criticism of Japanese society. It's frustrating because it violates the rules of setup and payoff, and it also is extremely tonally inconsistent.

A common response to this is I've seen is "You should just like MHA for what it is, and not what you want it to be."

However my underlying problem is that MHA as a story seems to be very confused about what kind of story it is. That confusion shows in Horikoshi constantly throwing out his own foreshadowing, and the wild swings in tone from tragedy to a story about optimistic young kids who are going to be the best heroez eva. Hori can tell whatever story he wants, but that doesn't necessarily mean he's telling it well.

As I said Hori's indecisiveness shows by this point in the story. I've already discussed this with Class1aKids but it really seems like Horikoshi is setting up two things with scissors-kun:

He'll either be A) A new villain that Deku and the kids prevent from becoming the next AFO or B) a resurrected Shigaraki who can save the rest of his league and fulfill his role as hero of the villains.

At this point there's equal foreshadowing for both, and this is my personal theory but it truly seems like Hori is gauging audience reaction to see which path he should take. If the japanese audience is satisfied with the villains "hearts" being saved, or if he should bring Shigaraki back to let the villains end on a more hopeful note.

[runa-falls]

scratches and bites - 2

Pairing: Miguel O'Hara x Reader

Warnings: Could be a little off-canon for some characters, lots of plot, slight angst, Miguel is an helicopter mom, reader just wants some friends :(

a/n: ok. i didn't realize how much i wanted to put into this chapter so spicy stuff is coming NEXT chapter. promith. i've already written some of it. anyway, i'm glad y'all are enjoying my O'Hara content. I hope this lives up to your expectations lmfao

Summary: Miguel O'Hara is a grumpy man and you make him grumpy. You regularly go against his orders, create chaos, and invite danger. This is what you've been doing since he swept you away.

w/c: 2.2k

series masterlist | main masterlist

----

So being “Spider-Woman” turned out to be harder than you thought. It’s not all swinging from and shooting webs like you imagined. Apparently, there’s a spider-specific physical regimen you’re required to keep up with. Every day. 

You’re almost convinced that you’re being hazed into the spider-verse community because you are yet to see anyone else doing upside-down web squats on a 100-story building. Not to mention the life-threatening training simulations you were thrown into as soon as you arrived in Nueva York. 

“They can’t hurt you, Kid. They’re holograms.” 

“Yeah, that’s what they want you to think O’Hara, but my ass has been kicked enough to prove differently.”

“Alright, well they can’t kill you.”

Miguel has been “training” you for the last few months to become the best Spider-Woman you can be, pushing you harder than you’ve ever been pushed before. Though these days, this “training” is actually just him telling Parker to drill you in whatever he thinks will work. 

O’Hara attempted to do it himself for like three days, and it turns out he’s too impatient to take in a spider apprentice or even be in a room where you do anything but exactly what he commands. 

You should’ve expected it. 

Sure, Miguel is a naturally grumpy man, but you swear he has it out for you. He literally tenses whenever you enter the room and makes sure to barely meet your eyes when he’s forced to talk to you.

Actually, ever since you were dropped in the middle of Spider-Central, O’Hara has been ignoring you. Treating you like the plague. Always making the excuse that he’s too busy with things that are far more important than anything you’d ever have to say. As if he wasn’t the one who forced you to come with him in the first place…

It’s not fair. He was literally all you had. 

Months ago, he showed you a side of him, the one that convinced you that he actually brought you here for a reason, but now he can’t even look at you. Sure, you’re a particularly slow learner, and one that never really liked PE, but you deserve some slack. You left everything for him – for them. 

Meeting people who’ve gone through similar circumstances as you was quite interesting, to say the least. And it doesn’t stop at people either. Spider cars, dinosaurs, and cats were just the beginning. 

You’ve made a few friends. There’s Gwen, a 15 (or was it 16?) -year-old who mostly talks about her friend Miles, music, and…uh, Miles. It’s sweet how she gushes on about some guy without fully realizing how into him she is. Miles sounds great, really great, but you’ll probably never get to meet him because of the number of restrictions placed on your watch. Fucking O’Hara and his parental controls. 

Gwen is cool, she plays the drums and can do a bunch of acrobatic things that you’d never even attempt, but she’s also almost a half-decade younger than you. There’s only so much you can talk about before you start getting homesick. Of course, despite her young age, she’s still given more responsibilities and missions than you. If Miguel has one hobby, it would be undermining everything you do. 

“She’s been in the game longer than you have.” He always makes that excuse. 

And you always counter it with: “But I’m older! I can do more than just scream for help!”

“This isn’t a discussion.” That honestly might be his favorite phrase to shut you up these days. “You’ll be called on when you’re ready, Kid.” And that. 

“I am ready. And stop calling me that. I’m not a kid, I’m 20 years old!”

“Yeah, whatever.”

There’s also Peter Parker, your reluctant coach. He’s…something else. Sure, he’s your friend, but he’s more like a substitute teacher and crazy uncle type of guy. Usually, he listens to everything Miguel says, acting like a glorified babysitter, but sometimes, he’s up to bend the rules on some things.

Once he let you visit his dimension, claiming you’d need some real-life experience as a “friendly-neighborhood spider-woman”. You spent that day chasing down petty robbers and helping old ladies cross the road. Sure, it was a small field trip, but that was only the third dimension you’d traveled to at the time. 

Parker is also always trying to get you to hold his daughter whenever she comes to work claiming that “it’ll be good for your mental health, trust me.” Of course, for Parker, every day is “bring-your-kid-to-train-the-new-spider-woman-day”. And really, you don’t mind holding her, but not when you’re in the middle of sparing 5 of Doc Ocks tentacles. 

The baby is adorable, but you do worry about how she crawls up the walls. Parker doesn’t seem fazed. Actually, neither does O’Hara. 

Sometimes you wonder if O’Hara wants kids one day. He certainly handles Mayday like a pro, letting her crawl over his shoulders and paperwork. Would he possibl– No, actually, it doesn’t matter. It shouldn’t matter, because he left you. He’s not – couldn’t even be an option. – Anyway…

Parker and Mayday are nice company and the only real constants in your life, but you really just want to be a consistent part of the team. You don’t know how much longer you can spend your days doing swinging drills and spider crunches (don’t even ask). But Parker has actually been your rock these past months, to give him credit. He’s one of the few people that makes you feel like you belonged in this distorted array of spiders and dimensions.

Then there’s Hobie. 

The first time you met him you probably had literal stars in your eyes. Donned with a spiked vest and several facial piercings, he caught your attention right away. He catches everyone’s attention. Even his suit is cooler than everyone else’s with a spiked mohawk that surely gets in the way.

Unfortunately, just as you were hoping to take on the Brit as your mentor for all things spider, he was decidedly off-limits, courtesy of O’Hara. Apparently, his rebellious nature and brash energy make him a “bad influence”. 

“Seriously? You should be glad that I’m taking a bigger interest in my training.” You have your hands posted up on your hips, trying to make yourself look bigger than you actually are. Damn, O’Hara and his domineering presence!

He rolls his eyes openly, genuinely already done with the conversation. “Yeah…your ‘training,’ sure.” 

“What is that supposed to mean!” You practically whine it out.

“Don’t get distracted gatita, just do as you’re told.”

“Ok, what does that mean? I don’t speak Italian.”

“That was Spanish dumbass.”

Of course, that doesn’t stop you from hanging out with him anyway (though he’s not around as much anymore). Who knew making friends as Spider-Person would be so hard. You’d think you’d have a lot in common with everyone around you, but really, you’re all alone. Sometimes you think the spiders actually resent you deep down because you’re the only one that has never lost anything. Or had anything to lose in the first place. 

For now, you’re just moving through a sea of spiders, trying to catch a glimpse of what you’re supposed to be doing here. Trying to figure out why you were chosen over the infinite other versions of you in the multiverse.

—

So far you’ve been on 2 and a half missions. The half was when you were forcibly sent home and effectively grounded for a week. Apparently, talking to civilians while standing guard is prohibited, even when they’re selling dip’n’dots. What? It was a long ass mission. And it was hot! 

This one is your official third mission. It’s quite simple, in theory. Just travel to Earth-275A, infiltrate a tech lab, pick up some – worryingly volatile – equipment, and go home. Easy. 

Except, it didn’t exactly go that way. 

It’s just you, Miguel, Gwen, and Jess on this mission. You and Jess were placed on lookout duty (you on the roof and Jess on the ground with her bike), while Miguel and Gwen broke in and out of the building. It was all running smoothly, each spider occasionally muttering quietly through the radio whenever their positionings changed. Otherwise, it was silent. And frankly, a bit boring. 

You idly kicked around some pebbles that somehow found their way onto the roof of this tall ass building, sometimes smacking them against the half wall separating you from falling a thousand feet downwards. You were actually dying to get back to HQ because you briefly spotted Hobie talking to Parker and Mayday before you had to go. He’s been quite absent lately, and you want to show off some of the new moves you learned this week.

Then, there was suddenly action. 

A huge explosion surges out the right side of the building that O’Hara and Stacy were infiltrating. That mission plan was not kidding when they described the ‘volatility’ of the shit inside of those supply crates. Deep creaking and smashing objects follow the blast. You watch as the tallest building in the city starts to tilt. Shit, the explosion must’ve taken out some of the support beams.

You hear Miguel yelling your name through your earpiece, as well as heavy breathing and crumbling concrete in the background. 

“Y-yes? Copy–”

“You and Gwen collect the crate and get out of here. I already called for a portal. Jess and I will get surrounding civilians away from danger.” 

“Understood, sir.” You don’t usually call him anything like ‘sir’, but the stakes are high and complete compliance is needed at this moment. 

“Crate is located on the top floor, Stacy is already there waiting for my word.” You briefly shake yourself out, mentally preparing yourself to scale the larger building in front of you.

With a quick fwp, you attach your web to the nearly as tall building next to your target to give yourself some leverage. You jump without even giving yourself time to think about it, tugging slightly at the web, making sure to collect as much kinetic energy as possible. You release the web when you get to the highest point and spit out another web to get you to the top floor of the building. Luckily the blast took out the windows so you could easily enter the floor. 

There, Gwen stands next to a crate with several scientists and guards nicely pasted onto the walls with perfectly placed webs on each limb and over their abdomens. 

“Took you long enough.” 

“It’s been 30 seconds!”

“Relax, I’m teasing.” She shoots out a couple of webs and connects them to the crate. “Here, help me out with this.” You follow her movements, pulling at your webs slightly to get a good evaluation of its weight. Surprisingly, it moves quite easily, almost three inches from your soft tug.

“Why’re we both doing this when it weighs 100 lbs. We have super strength.”

“I dunno, Miguel just gave us the orders. There’s probably a reason. It doesn’t really matter.” You frown realizing you could’ve been down there helping O’Hara save actual lives but instead, you were ordered to assist a teenager on a one-person job. “The portal is opening in a few seconds on the roof of the building behind us.” Gwen doesn’t seem phased. “We can just swing it with us.”

“Isn’t this shit going to blow up if we move it too harshly?”

“Not when it’s in this protective crate.” She steps closer to the broken window, mentally measuring and planning out the escape route. “That explosion earlier was from an open container.” You hum, still torn over leaving Gwen to do the delivery so you can help people get out of the way faster. “You ready then?” She’s been watching you. Clearly, your thoughts are painted on your face.

You nod briefly, “Let’s go.” Together you take each side of the crate and use your other arms to swing yourselves over to the portal that magically appears. This time, that odd purring sound of the portal is completely blocked out by the chaos going on around you. Somehow the building has still only tilted a little bit since the explosion. 

As Gwen pushes the crate into the gateway, you look down at the streets, watching as Miguel and Jess work impeccably together as they save hundreds of civilians from falling debris and the inevitable demolition of the building.

Then you look back a Gwen, who’s ready to head home. Then you look down at them again. 

Then your eye catches on a red sedan sheltering a terrified family that sits under the chaos.

Gwen catches your eye. “Don’t.” 

“I have to.” 

“Migu–”

“Would do the same.”

“--Will mur-der me.” You sigh, but quickly shoot a couple of webs downwards without looking. Gwen has her arms folded, sharing that unamused expression that Jess loves to sport. Her feet are now temporarily stuck to the floor. You’re sure she could get out of it in a second, but you can tell, she’s not going to stop you. “Don’t die.”

Right before jumping off the ledge, you send her a cheesy smirk, “Me? Never.”

----

Taglist: @deputy-videogamer @danaeaurelia @reuxxi

[conspicuous-clown-car]

what a morning,,,

here's a rant about the pressure community

I've been kinda lurking on pressure twitter for the past few weeks while all this shit went down and i just gotta say... jesus fuck.

I practically had a heart attack as soon as i opened my phone when i woke up and saw zeal was trying to sell pressure. Considering how he changed his profile last night to a strictly corporate one and then this? It seemed like a really hasty decision, and something serious was going on with him.

And yknow what, with all the hate being directed at him right now i don't blame him one fucking bit. I'd probably end up doing the same thing if i was in his shoes. Being autistic as well, i would just want to completely distance myself from this overwhelming bullshit. I think that's why he started to distance himself from the community in the first place (which unfortunately is kinda what led to some issues getting overlooked).

The tweet was deleted and pressure isn't for sale anymore thank GOD, but I'm honestly more worried about the actual people behind pressure than the game itself.

I agree that there's issues they need to fix, but its not an entirely black and white situation, and its pretty fucking complicated. With the sheer amount of people in the community its crazy to expect them to handle and manage everything themself, especially since they blew up in popularity in such a short amount of time, how the hell would they know how to deal with this???

Yes, there are certain things they need to actually address and take responsibility for that they sort of haven't, but attacking them to where it gets to this point isn't the fucking answer.

I wouldn't blame any of the devs if they never touch the game again, the way the community has treated them and has completely blown things out of proportion is insane. I feel like the main issue is the discord server itself but that's just me. From what I've seen its mostly just the community self cannibalizing, attacking each other, sending death threats, and doxxing people over shit that literally doesn't matter at all.

I'm not one to really delve into fandom drama, but this whole issue with certain possessive Sebastian fans and those who took it upon themselves to attack those fans is the stupidest fucking conflict I've ever seen in any fandom. Especially when this stuff reaches the people who work on the games who have nothing to do with it.

I agree that this is something the devs need to talk about head on with full transparency, no matter their feelings on it, because a main problem I've seen with them is lack of community management.

But again, y'all are forgetting the devs are REAL FUCKING PEOPLE, people who are bound to make mistakes, and get overwhelmed, and not know how to deal with suddenly having a giant fanbase. Harassing them and sending death threats is going way too fucking far and wont solve anything, because clearly all its done is made things worse.

Also god forbid they have boundaries and don't want to see certain things in the discord server. I'm not gonna get into the specifics, but as a queer trans person I think some of y'all are reading too much into the things they don't allow, seriously.

Reminder, I'm saying all this as someone who self-ships with Sebastian, and who's not entirely thrilled about him being canonically married. BUT PRIORITIZING A FICTIONAL CHARACTER OVER REAL PEOPLE????? THE FUCK IS WRONG WITH YALL???

And to the people I've seen disappointed in zeal's response to all this on twitter, I'm with you, not seeing whats happening in the community doesn't mean these problems don't exist. But think about the shit he's going through, put yourself in his shoes and genuinely try to understand how fucking overwhelming this whole situation is, for him and the rest of the team. Especially after what's happened in the past 24 hours.

Tangent, but am i the only one who's seen a drastic change in the way fandom communities operate in the past few years? Like after lockdown fandom spaces have gotten more and more hostile, and people are just being so fucking mean to each other over the most trivial shit??? Listen I Get being chronically online, because i am, but at a certain point you just gotta log the fuck off and touch some grass, man. christ.

I really hope the devs take a break, they need it. I was excited about the update that was supposed to come out this month but I don't think it will now, and I honestly don't think we deserve it.

TL;DR: Pressure fandom, do better. Speaking from both points of view, no matter the various mistakes the dev team has made, the majority of this is on y'all.

And lastly, I'd honestly rather keep pressure exactly the way it is with no updates and no new stuff ever again than for it to turn into roblox slop like most of the games that are sold off on that platform.