#this is my latest hyperfixation

[stardust-ti]

I need a freaking intervention. I can't stop watching this damn video.

Someone take away my access.

[nicktoonsunite]

misc NU doodles part tres

last comic is based off off my nasb 2 clip

[ghosted-jazz]

I am not immune to this car salesman fairy and his traumaised iPad kid

[dezireymasterofsilly]

HIIIII sorry ive been gone uhhhhhh heres maxley !!!!!!

[boviform]

Shoot From The Hip + AO3 Tags

[ghouljamsdraws]

DEATH IS TEMPORARY, I'LL LOVE YOU FOREVER 💚⚡️

[slopdog]

Kim Katsuragi and Harrier DuBark in WEBFISHING!!

[z0mbiefvcker]

i do not care how many people have said it i am OBSESSED with the way creature looks at lisa throughout practically the entire time hes ever on screen. his eyes just have some kind of shine to it with this longing and absolute devotion to her like HE LOVES HER SO MUCH

[shouyuus]

considering the concept of whirlwind romance with ali roma!kageyama where you're the photographer assigned to him for a cover-story for monthly volley and you've heard that he's one of those "hot guy volleyball players" but seeing him play for the first time has you hooked, and you don't really wanna be one of those fangirls, losing their minds over a pretty face (but you are a photographer so you're allowed some indulgences in the definition of beauty, right?)

you just don't expect kageyama to fall just as head-over heels for you, but he's never been into anything except volleyball so he's not exactly very good at this -- it's a charming kind of awkwardness, you think, the way he stutters and doesn't know what to say, so different from the pure and utter command he has on the court, and oh god -- when he tells that he loves you, because there isn't really any other word he can find in the dictionary to describe what he feels, you don't know what else to say except that yeah, you love him too -- bc he's right, isn't he?

what else can you call this thing, but love?

[devereaux]

Via Simone Kessell Reveals How Season 2 Of Yellowjackets Steps It Up To The Next Level

+ bonus: this gif again but now LOOK AT HER ARMS.

[rei-is-hiding]

magnet

[non-sims]

Jill Rosalith.

[chardwic]

Me during Twisters🌪 about Tyler Owens:

Me during Twisters🌪 about Tyler and Kate:

If you feel something... chase it her.

[waldos-art]

Steddie Sun and Moon

My second art piece for the @strangerthingsreversebigbangThis one was paired with @just-my-latest-hyperfixation and @betty-boom from Ao3. God damn I love a good Jester/King, but you guys are going to be amazed by where these stories went from these two authors.

[anoant-haikyuu-dump]

Fukutora braindump

In first year no one sat with either of them at lunch—Tora scared people off cause he looks like a delinquent and Fukunaga has that "weird quiet kid who laughs to himself" reputation. As resident yapper Tora got bored eating alone and at this point the only guy he sorta knew was Fukunaga (Kenma eats with Kuroo), so he barged into his class one day and they've eaten together ever since

Thinking about this line from Fukunaga's stat sheet— I think after a good amount of pestering Fukunaga gives in but only in the form of whispering directly into his ear. It flusters Tora at first ("THATS NOT WHAT I MEANT") and Fukunaga's mostly doing it to mess with him but eventually it becomes genuine, Tora even leans over when he senses he has something to say. He's probably heard Fukunaga's voice more than anyone else. Kenma thinks it's really fucking gay.

Speaking of Kenma he's always staring at them like the homophobic dog. It's painfully obvious to him that they have a thing for each other but whenever he tries to bring it up to Tora he has a fit and insists he's not gay. When he brings it up to Fukunaga he just laughs and says he also knows, he's drawing it out on purpose to see when Tora will finally crack. Kenma wants to smash his head into the wall

It takes a while but when Tora finally gets his shit together they're a pretty affectionate couple. The rest of the team make fun of them relentlessly and pretend to gag everytime they so much as look at each other except for Shibayama, who's a bit of a sap and goes too far in the other direction (they high-five and hear a loud "DAWWWW" from the other side of the gym)

Genderfluid Fukunaga, Tora's the biggest wife guy in the world (tied with Tanaka of course). He's always buying her shit or bringing her up in conversations unprompted. Him and Tanaka scroll through their wife photo albums when they hang out

Fukunaga's really good at keeping a straight face but Tora's one of the only people who can get him to crack, and it's not even on purpose. He just says shit thats so dumb or out-of-left-field that Fukunaga fuckign loses it. No one understands why, not even Tora himself

ok that's enough for now thanks for coming to my ted talk

[mimicmockingbirds]

OK, but hear me out

Say Ride the Cyclone were to be adapted into a film; imagine how much fun it would be to see it animated.

Because for the main plot, like the intro song and the mostly dialogue scenes in limbo, you could easily do a stylistic, but still grounded in realism style that a lot of modern animated projects are doing right now (think Arcane or Into the Spider Verse). But once each of the kids go into their respective songs/fantasies for what their life could have been? What if those were done in completely different styles?? Imagine the additional, visual storytelling that would tell about who they are as characters?

Like say, for Ocean's number, WTWN, everything became more simplified, and the characters (especially Ocean herself) turned into a more rounded, chibi-like style to enhance just how cutesy and likeable she's trying to portray herself throughout that number.

Or for Noel's Lament, everything goes black and white, and the characters become even more 2D stylized, and the film scales down to a smaller millimeter frame, more reminiscent of cartoons from the early 20's, when animation was just starting out, to enhance his idealization of "the olden days" (as Ocean puts it).

Mischa's song, This Song is Awesome could be animated with a more choppy frame rate, and the character designs turn a little more jagged around the edges, kind of like animated music videos (I'm thinking a Gorillaz band vibe). But as he transitions into singing about Talia, the colors start to bleed out over their lineart, and become more paint-like and Talia herself moves like a rotoscoped character (think Loving, Vincent that came out a few years ago) to enhance the sense that she's somewhere between a real person and a fantasy Mischa's built in his mind.

Ricky's song would, of course, be stylized after those sci-fi cartoons from the 90's, like X-Men or Captain Planet.

For the Ballad of Jane Doe, I would love to see something like what Wolfwalkers did back in 2020, where most of the characters (in this case, the other kids) are for the most part, animated like traditional, 2D characters with very clean lines and neat movements, whereas Jane herself stands out for having messier, sketchy line art, and looks more and more unfinished in her animation as the song goes on, because she can feel more and more of her own identity being lost.

Constance's Sugar Cloud I could see done in the classic 2D Disney style (i.e., the Renaissance era of Disney, like the Lion King or Little Mermaid days) because not only is it really smooth and colorful and just all around nice to look at, but it reminds the average moviegoer of their childhood growing up with those movies (among others, obviously), which ties in nicely with Constance's preceding monologue about remembering her own life, and the good that came with the bad.

I'm even tempted to envision the first half of the finale song in a different style, when the stage production would show a quick projection of Jane/Penny's life after she returned to the world of the living. Imagine watching this animated film, and for that segment alone, it becomes that really hyper-realistic, almost uncanny valley CGI animation style, to show that she really has joined the world of the living, i.e. our world, among us, the living breathing movie goers watching this, and watching the other kids still in limbo fade back to that main art style for the final number.

I don't know; it just feels like something that would be so engaging to see from an already compelling storyline and characters. Especially with more experimental animation projects on the rise right now