#this is like. not the end of the world but the most annoying example i can think of is when you ship a main chara w a side/supporting chara

[tennessoui]

would it be annoying or fun for y’all if I were to write a “choose your own adventure”/“vote on what happens to the characters next” fic vía tumblr polls?🫣🤔

[lesbiradshaw]

i think what’s worse than a mischaracterized version of your fav getting popular in fanon is people looking at a ship you love and switching their personalities cuz like. if you wanted all these traits THIS CHARACTER ALREADY HAD THEM! and you handed them over to the other character instead. WHY WASNT THE ORIGINAL CHARACTER GOOD ENOUGH FOR YOU?

[teenagefeeling]

people who try to spin all forms of animal agriculture to somehow be for the benefit of the animal instead of just being able to admit that the only reason humans domesticated animals at all was because they are useful to us are like the exact inverse of vegans who refuse to see any situation ever where using an animal product might be humane and insist that even shit like harvesting honey is evil. i think it's that thing my old psychologist taught me about called "black and white thinking"

[kaijutegu]

Alligator Body Language and You, or: How To Know When An Alligator On Social Media is Being Stressed for Views

Alligators are wild animals. Despite the idiotic claims of animal abusers like Jay Brewer, they cannot be domesticated, which means they are always going to react on the same natural instincts they've had for millions of years. Habituated, yes. Tamed, yes. Trained, definitely. Crocodilians can form bonds with people- they're social and quite intelligent. They can solve problems, use tools, and they're actually quite playful. Alligators are also really good at communicating how they're feeling, but to somebody who doesn't spend much time around them, their body language can be a bit mystifying. And it doesn't help when social media influencers are saying shit like this:

That is not what a happy gator looks like.

That's a terrified, furious gator who isn't attacking because the ogre handling her has her in a chokehold. She's doing everything she can to express her displeasure, and he's lying about it because he knows his audience doesn't even know how to think critically about what he's doing. He knows that because his audience doesn't know anything about these animals, he can get away with it. This I think is why I hate him so much- he deliberately miseducates his audience. He knows what he's doing is factually inaccurate, he just doesn't care because attention means more to him than anything else in the world.

Let's change that! Here are two really important lessons for understanding alligator body language on social media.

Lesson 1: Alligators Don't Smile (in fact, most animals don't)

So what's going on in this video? Jay Brewer is aggressively choking his white alligator Coconut while scrubbing algae off of her with a toothbrush. And make no mistake, he is digging into the creature's throat while she is visibly distressed. He claims she's happy- but she's not. He is willfully misrepresenting what this animal is feeling. That's a problem, because people... well, we actually kind of suck at reading other species' body language. The reason for this is that we tend to overlay our own responses on their physical cues, and that's a problem. For example, let's look at an animal with a really similar face to ours, the chimpanzee. Check out Ama's toothy grin!

Wait, no. That's not a happy smile. That's a threat display. When a chimpanzee "smiles," it's either terrified and doing a fear grimace, or it's showing you its teeth because it intends on using them in your face.

How about a dog? Look at my smiling, happy puppy!

Oh wait no, this is a picture of Ryder when he was super overwhelmed by noise and people during a holiday party. He'd hopped up in my sister's lap to get away from stuff that was happening on the floor and was panting quite heavily. See the tension in the corners of his mouth and his eyes? A lot of the time when a dog "smiles," the smile isn't happy. It's stress! Why Animals Do The Thing has a nice writeup about that, but the point is, our body language is not the same as other species. And for reptiles, body language is wildly different.

For instance, look at these two alligators. Pretty cute, right? Look at 'em, they're posing for a Christmas card or something! How do you think they're feeling?

Well, I'll tell you how the normal one is feeling. He's annoyed! Why is he annoyed? Because the albino just rolled up, pushed another gator off the platform, and is trying to push this guy, too. I know this because I actually saw it happen. It was pretty funny, not gonna lie. He's not gaping all the way, but he was hissing- you can actually see him getting annoyed in the sequence I took right before this shot. Look at him in this first shot here- he's just relaxing, and you can see he isn't gaping even a little bit.

By the end, he's expressing displeasure, but not enough to actually do anything about it. He's annoyed, but he's comfy and that's where one of the best basking areas is, so he'll put up with it.

Reptiles open their mouths wide for a lot of reasons, but never because they are actively enjoying a sensation. Unless they're eating. No reptile smiles- they can't. They don't even have moveable lips. If a reptile is gaping, it's doing so because:

It is doing a threat display.

It is making certain vocalizations, all of which are threats. Alligators are one of the rare reptiles that do regularly vocalize, but most of their calls aren't made with a wide open mouth.

It is about to bite something delicious or somebody stupid. Check out this video- virtually all of the gaping here is anticipatory because these trained gators know darn well that the bowl is full of delicious snacks. (I have some issues with Florida's Wildest, but the man knows how to train a gator AND he is honest about explaining what they're doing and why, and all of his animals are healthy and well-cared for, and he doesn't put the public or his staff at risk- just himself.)

It's too hot and it has opened its mouth to vent some of that heat and thermoregulate. This is the main reason why alligators will often have their mouths part of the way open, but sometimes they'll open all the way for thermoregulation. This is what a thermoregulatory gape looks like- usually it's not all the way open, kinda more like < rather than V, but you can't say that 100% of the time. Additionally, a thermoregulatory gape... typically happens when it's hot out. If they're inside, maybe they've been under their basking light for too long. Heat's the dominant factor, is what I'm getting at.

There is another reason that a captive crocodilian might be gaping, and that's because it's doing so on command. Some places have their gators trained to gape on cue, like St. Augustine Alligator Farm and other good zoos. They have the animals do this in presentations that are genuinely educational. They ask the animals to open their mouths so that they can show off their teeth and demonstrate how their tongues seal off the back of their mouth. They'll also do it as part of routine healthcare, because looking at their teeth is important.

In this case, the animals aren't gaping because they're stressed, they're gaping because they know they're gonna get a piece of chicken or fish if they do it. And what's more, they're doing it on cue. They have a specific command or signal that tells them to open wide. It's not an instinctive response to a situation. It's trained. If the animal provides the behavior after a cue, the situation is much less likely to be negatively impactful.

It's also important to remember that there's a difference between a partially open mouth and a gape! As discussed above, alligators will often have their mouths a little bit open just to maintain temperature homeostasis. It helps them stay comfy, temperature-wise. These guys are all doing thermoregulatory open-mouthed behavior- that slight open and relaxed body posture is a dead giveaway. (That and it's the hottest spot in the enclosure.)

Lesson 2: A Happy Gator Is A Chill Gator

So if alligators don't smile or have facial expressions other than the :V that typically signifies distress, how else can you tell how they're feeling? One way is stillness. See, alligators subscribe to the philosophy of if it sucks... hit da bricks.

Basically, if they hate it, they'll leave. Unless, y'know, somebody has their meaty claws digging into their throat or is otherwise restraining them. (Restraint isn't always bad, btw. Sometimes the animal is going through a medical thing or needs to be restrained for their safety- which a responsible educator will explain.)

Let's look at a very similar scenario, in which a captive alligator is getting his back scrubbed.

As you can see, it's quite different. First, he's not being restrained at all. Second, look at how relaxed he is! He's just chilling there vibing! He could simply get up and leave if he wanted to, because he's not being held. Towards the end of the video, as he lifts his head, you can see that his respiratory rate is very even as his throat flutters a bit. I'm not sure what this facility is, so I can't comment on care/general ethics, but like. In this specific case, this is an alligator enjoying being scrubbed! And you can tell because he's not doing anything. A happy gator is content to be doing what they're doing.

Why Should I Listen To You?

Now, you should ask yourself, why should you listen to me? Why should you trust me, who does not own an alligator, versus Jay Brewer, who owns several?

Well, first off, there's no profit for me in telling you that what you're seeing on social media is in fact not what you're being told you're seeing. I'm not getting paid to do this. That's the thing with people who make social media content. The big names aren't doing it just for fun. They're doing it for money. Whether that's profit through partnerships or sponsorships, or getting more people to visit their facilities, or ad revenue, you can't ignore the factor of money. And this is NOT a bad thing, because it allows educators to do what they're passionate about! People deserve to be paid for the work that they do!

But the problem starts when you chase the algorithm instead of actually educating. A "smiling" alligator gets the views, and if people don't know enough to know better, it keeps getting the views. People love unconventional animal stories and they want those animals to be happy- but the inability to even know where to start with critically evaluating these posts really hinders the ability to spread real information. Like, this post will probably get a couple hundred notes, but that video of Coconut being scrubbed had almost 400,000 likes when I took that screenshot. Think about how many eyeballs that's reached by now. What I'm saying here is that it's just... really important to think critically about who you're getting your information from. What do dissenters say in the comments? What do other professionals say? You won't find a single herpetologist that has anything good to say about Prehistoric Pets, I can tell you that right now.

Another reason you can trust me is that my sources are not "just trust me bro," or "years of experience pretending my pet shop where animals come to die is a real zoo." Instead, here are my primary sources for my information on alligator behavior:

Dragon Songs: Love and Adventure among Crocodiles, Alligators, and Other Dinosaur Relations- Vladimir Dinets

The Secret Social Lives of Reptiles- J. Sean Doody, Vladimir Dinets, Gordon M. Burghardt

Social Behavior Deficiencies in Captive American Alligators (Alligator mississippiensis)- Z Walsh, H Olson, M Clendening, A Rycyk

Social Displays of the American Alligator (Alligator mississippiensis)- Kent Vliet

Social Signals and Behaviors of Adult Alligators and Crocodiles- Leslie Garrick, Jeffery Lang

Never smile at a crocodile: Gaping behaviour in the Nile crocodile at Ndumo Game Reserve, South Africa- Cormac Price, Mohamed Ezat, Céline Hanzen, Colleen Downs (this one's Nile crocs, not American alligators, but it's really useful for modeling an understanding of gape behaviors and proximity)

Thermoregulatory Behavior of Captive American Alligators (Alligator mississippiensis)- Cheryl S. Asa, Gary D. London, Ronald R. Goellner, Norman Haskell, Glenn Roberts, Crispen Wilson

Unprovoked Mouth Gaping Behavior in Extant Crocodylia- Noah J. Carl, Heather A. Stewart, Jenny S. Paul

Thank you for reading! Here's a very happy wild alligator from Sanibel for your trouble.

[zemnarihah]

my graphics teacher is like one of those high school teachers whos always like "this is so important youre gonna use this in college!" except hes like. "youre gonna use this when youre working as a graphic designer!" and today he was like "guys youre all gonna need this next semester when you're in the next level graphic design class!' Except this class is a basic level graphic computer applications class that every single visual arts student has to take regardless of specific major so like. personally i know I will most likely never have to open indesign again after this class is over. And also that i do not have to nor will i elect to take any other graphic design classes for the rest of my major. so i dont think thats true.

[mumblesplash]

i know it’s like years old at this point but i love that one collab mumbo and grian did with tommyinnit bc it’s like the single most concentrated example i’ve seen of mumbo’s Chaos Nullification Powers

you get to see a bit of it on hermitcraft, mostly via his interactions with grian, but until seeing that collab it didn’t really hit me just how completely mumbo can no-sell other people’s attempts to control a situation. tommyinnit is possibly the single shoutiest, most chaotic minecraft youtuber out there, and in most videos i’ve seen he pretty much overwhelms everyone else and sets the tone for interactions because of this. but mumbo just. doesn’t let him. no matter how much tommy escalates in intensity, mumbo reacts with *exactly* the same energy he always does. grian largely comes across in the whole video as annoyed and reluctant to engage with the whole thing, but mumbo’s not even affected. he just rolls with anything he finds funny and basically ignores anything he disapproves of, only seeming more and more unflappable the harder anyone tries to get a rise out of him.

AND imo, this is the key to my favorite interpretation of him as a character

see, when the people around him are being more reasonable/calm, i think mumbo often comes across as anxious and a bit easily overwhelmed. the thing is, his nervous wet cat vibes do not scale. he has one setting. his responses to the last life ‘ah-ha!’ jokes and to hermitcraft 8 starting to crumble to pieces under a falling moon are almost identical.

mumbo jumbo is inexorably and eternally Just Some Guy, but that gets stranger and stranger the weirder his surroundings become. the giggly incredulousness that makes him an easy target for goofy puns looks Very different when it’s also his reaction to the impending end of the world.

[tanaor]

Want simple tips to heavily improve your skills with character voice??

(📝Note: character voice is the way you convey your character's personality though their pov or dialogue when you write. No two characters speak the same📝)

I speak from experience when I say character voice is hard to get right. Characters, like people, have lots of layers that affect the way they see the world around them and how they interact with other characters. That's why character voice is so important in stories, and why if you write it in a compelling and effective way it will hook people into your story. I hope you learn something new in this post!!

When writing character voice, there's a list of things that you should take into account:

Where are they from? Their past and what they've lived plays a huge part in character voice. Maybe your character grew by the ocean, and so they compare things from the present to the beach, the rocks or the sea itself. You will rarely read about a sailor that is an expert in pants and compares scents to flowers. They might, instead, talk about how a house smells like the wet wood of a ship.

Think about how their personality shapes their language. If they are insecure, they might end most of their sentences with "isn't it?" or "right?" and ask a lot of questions, whereas if you have a confident character, you might find them saying things like "we should do this" or "that will be fun" instead.

What their "lense" is. This is more of an ethic aspect of the character. What have they learn it's okay, and what do they find uncomfortable? Would they find it gross if their friend left laundry on the floor?

Give them special traits (both for dialogue and narration). Maybe character A quotes a lot when they narrate and uses long paragraphs, or maybe B speaks about their past a lot and uses popular sayings. Personally, one character of mine has the tendency to repeat himself when he speaks, as in "yeah, yeah, I'll do it" or "no, no, no. Never" because he is really enthusiastic, and it fits really well with his character.

Pay attention to how they would talk about themselves. Maybe your character doesn't like people to know they're sad because it makes them feel vulnerable, so they will just say they feel annoyed or don't want to talk in that moment. This also means that they will not tell the reader something they are not comfortable saying in the first place.

How is their education? Education is also very important in this context. Did they went to university and have a rich vocabulary and structured sentences, or where they rised in a little farm far from town? You can also play with both a bit: maybe your character did go to university, but maybe they also came from a low income family, and characteristic of both things merge when they talk. Example: long, structured, sentences but a simple and sight forward vocabulary.

That's all for now and happy writing!!

Other tips for writers: previous | next

[eu-nicola]

enemies

summary: the love-hate relationship between Rafe and you

warnings: small mention of violence

word counter: 4151

author's note: english is not my first language

The first time you met Rafe Cameron, you were barely six years old. You clearly remember how his stepmother, Rose, welcomed you into her home with a perfect smile, while your mother insisted that you play with him and Sarah so that you wouldn’t be alone. 

The Cameron house was as intimidating as its miniature owner. Rafe was nine years old and had an attitude that made him seem much older. He looked down at you from the top of the stairs as if you were an intruder, someone who didn’t deserve to be in his space. 

“She’s the Davies’ daughter?” he asked in that mocking tone that would become his trademark. 

“Yes, and I want you to be nice to her.” Rose ruffled his hair before turning to you, but Rafe’s gaze was already fixed on your shoes, which were muddy from playing outside before coming in. 

“I hope she doesn’t touch anything, Rose.” His voice was dry, as if he was already tired of you before he really met you. 

From that day on, your relationship with him was marked by constant clashes. Every visit to the Cameron house felt like a cold war disguised as childish games. He always found ways to make you feel out of place, like the time he took your doll from your hands while you were playing with Sarah and threw it across the garden.

“If you don’t know how to play well, don’t play.” That phrase of his stuck in your mind.

In adolescence, the gap between you grew wider. While Rafe became the most popular boy among the Kooks, you began to spend more time with the Pogues. Your visits to the Cameron house became less frequent, and when they coincided, things always ended badly.

“Look at you, you’re a Pogue now.” His tone was always hurtful, accompanied by that arrogant smile that got on your nerves.

“And you’re still the same idiot as always.” Your response was almost automatic, as if after so many years the discussions between you were a rehearsed routine.

But the real problem wasn't just his words. It was the way he always found a moment to annoy you. During a beach party hosted by Kooks, for example, Rafe made sure your drink ended up spilled all over your new dress.

But it wasn't all enmity, when the search for gold began, your world became more complicated. You spent your days with the Pogues, planning, looking for clues, and trying to avoid Rafe, who seemed willing to do anything to get the treasure. The tension between you, which was already high, skyrocketed. It wasn't just childish enmity now; it was real danger.

Rafe had no limits. His eyes were always filled with that spark of arrogance, but behind it was something darker, something that made him unpredictable. Despite that, you never imagined you'd find yourself in the position you found yourself in one afternoon in the dense woods surrounding the Outer Banks.

You were following a trail of marks on the trees along with JJ and Kiara when you heard a noise. You broke away from the group, promising them you’d be back quickly. What you found was Rafe, kneeling beside a steep slope, holding his leg in a wince of pain. The ground beneath him was wet, almost muddy, and it looked like he might slide down any second. 

You stopped dead in your tracks. Part of you wanted to turn on your heel and pretend you hadn’t seen him. After all, Rafe wouldn’t have done the same for you, would he? But another part, that part you always tried to stifle, knew you couldn’t just leave him there. 

“What are you doing here?” Rafe snapped at you as you cautiously approached. His voice was heavy with distrust, but there was also a hint of relief he tried to hide. 

“I should be asking you the same thing. What happened?” You couldn’t keep the tone of your voice from being harsh. After all, he had done a lot of things that warranted your hatred. 

“I slipped. My leg… I can’t move it.” His face was pale, and his hands shook slightly as he tried to brush away the mud that covered his pants.

There was a long silence. You could have left him there. You could have turned and gone back to the Pogues. But something inside you wouldn’t let you.

“This doesn’t mean I owe you anything,” you said as you crouched down beside him.

Rafe looked at you in disbelief. “Are you helping me?”

“Shut up and don’t make it harder, Cameron.”

You offered him your arm and helped him up, leaning his weight on you as you slowly moved forward. It was an awkward process; his size made each step harder. But there was something odd about the silence you shared, a momentary truce amidst all the hostility.

When you finally dropped him off somewhere safe, away from danger, Rafe looked at you with a mix of wounded pride and something you couldn’t quite place.

“I’m not going to thank you,” he said at last, breaking the silence.

“I didn’t expect you to,” you replied, wiping the sweat from your brow. You turned to leave, but his voice stopped you.

“Wait.” His tone was softer than you’d heard before, almost vulnerable. You turned slowly to look at him.

“What?” you asked, tired.

“Did you see anything?” His question was direct, his gaze piercing.

You understood immediately. Rafe wasn’t just hurt; he was there for something related to gold. Maybe he’d found a lead, something he didn’t want the Pogues to know about. You could have told him the truth, that you’d noticed a map in his pocket when you helped him, but you chose to lie.

“No, I didn’t see anything.” Your voice was firm, although inside you felt a small knot of guilt.

Rafe seemed to relax a little, although he still looked at you with distrust.

Later, when the Pogues found a clue that fit too well with the area where you had seen Rafe, he understood what you had done. Someone, perhaps Sarah, told him that you were near the area when you separated from the group. It didn’t take much for him to put the pieces together.

The next time you saw him, his expression was completely different. There was no vulnerability or truce anymore, only fury.

“I knew I couldn’t trust you,” he snapped at you, coming dangerously close.

“What are you talking about?” You tried to remain calm, although you knew exactly what he meant.

“Did you think I wouldn’t find out? You lied to me. You took what was mine!” His voice was filled with rage, and though you knew it was unfair, there was something in his eyes that made you feel a pang of remorse.

“I don’t owe you anything, Rafe.” Your response was cold, though inside you felt more affected than you wanted to admit.

Rafe was silent for a moment, his jaw clenched, his gaze fixed on you. Finally, he took a step back, but not before making his feelings clear.

“Don’t ever cross my path again, Pogue.”

That was the beginning of a new phase in your feud, more bitter and personal than ever.

Your relationship with Rafe Cameron had reached a point where hatred seemed to be the only thing that united you. After your “betrayal” during the search for gold, any vestige of truce between you vanished. Although you would never admit it, there was something inexplicable that brought you back to square one: an enmity filled with tension, resentment, and something deeper that neither of you understood.

One of the worst fights you had occurred during a rainy night in the Outer Banks. The Pogues had been following Rafe, convinced that they had found another important lead to the gold. The chase led them to an old abandoned port, where you finally confronted them face to face.

“Always after me, aren’t you?” Rafe looked at you from the shadow of a warehouse, his soaked hair sticking to his forehead. The sound of the rain beat hard against the metal roof, but nothing could drown out the intensity of his voice.

“You have no right to that gold, Cameron.” Your words came out loaded with defiance as you clenched your fists. You knew you were probably playing with fire by facing him, but something in you couldn’t stop.

“And you are?” he replied, taking a step towards you. His eyes, dark under the rain, were filled with rage. “What makes you think you’re better than me, Pogue?.”

“For starters, I don’t try to kill people for him.” Your words made him laugh, a dry, bitter laugh that made you feel a chill.

“You think so?” Rafe leaned a little towards you, his voice lowering to an almost whispering tone. “You know perfectly well that you would do anything to protect your own, too. We’re not that different, even if it pains you to admit it.”

The argument soon turned physical. He tried to take the map from you, and you fought back with all your might. It was as if you were both so consumed by rage that nothing else mattered. You fell to the ground, feeling the cold wetness of the cement against your back, as Rafe tried to hold you down.

“Let me go, you moron!” you screamed, kicking him in the stomach.

“Give me the damn map!” he roared, clinging to your wrist.

For a moment, you thought it would all end there, that one of you wouldn’t walk away from this fight. But something changed. Rafe looked you straight in the eyes, and for a moment, his grip softened. He looked confused, as if he couldn’t understand why he couldn’t keep hurting you.

Finally, he let go of you and stood up, breathing heavily.

“I can’t do this.” His voice was barely a whisper, and it took you a few seconds to process what he had said.

“What…?” you were speechless, still lying on the ground.

Rafe ran a hand through his hair, taking a few steps away from you.

“Go away. Take the damn map and go away.”

But not everything always ended in a truce. There was another time when it was you who had to decide between helping him or letting him face the consequences of his own actions. It was during a smuggling operation that Rafe had organized to finance his obsession with gold. You found him cornered in an alley, with a group of men who clearly did not have friendly intentions.

“What the hell are you doing here?” he snapped at you when you appeared at the end of the alley. He was bleeding from a cut on his eyebrow, but he still maintained that defiant attitude.

“I saw your truck nearby.” You approached cautiously, analyzing the situation.

The men paid you no attention at first, but soon realized you could be a problem. One of them advanced towards you with a menacing smile.

“Another friend of yours, Cameron?” he said mockingly.

“Get out of here, Pogue. I don’t need your help.” Rafe’s voice was firm, but there was something in his gaze that made you stay.

Despite everything that had happened between you two, you couldn’t just leave him there. You picked up a rock from the ground and threw it hard at one of the men. It was enough to distract them and give Rafe a chance to fight back.

You helped him escape, though as soon as you turned the corner, Rafe turned to you, furious.

“Why do you keep butting into my business?” he shouted, grabbing you by the shoulders.

“Because I’m not like you, Rafe. I can't let someone die, even if they're an idiot like you.” Your answer made him let out an exasperated sigh, but he didn't say anything else.

In the end, it was always the same. They hurt each other, they hated each other, they betrayed each other... but they also always found a way to forgive each other. You didn't know why you did it. Maybe it was because you saw something in Rafe that others didn't see, or maybe it was because deep down you knew you weren't as different from him as you wanted to believe.

The only thing you knew for sure was that, no matter how hard you tried to hate him, something always made you go back to him. And the worst of all was that Rafe seemed to feel the same way.

Rafe Cameron drove you crazy in every possible way and that made you uncomfortable and annoyed, despite always finding gold on your path, you also found it on your path when you were calm, reminding yourself that you couldn't get rid of it even if you wanted to.

There were nights when the air was so thick that it was hard to breathe. The humidity was sticking your clothes to your skin, but it wasn't just the weather that made you feel this way; it was him.

Rafe Cameron always managed to find you, even when you didn't want to be found. His mere presence seemed to charge the atmosphere with an almost palpable tension, something that only existed between the two of you. Like that time on the dock, under the dim light of a broken streetlight. You were alone, waiting for JJ and Pope, when you heard their footsteps, firm, sure, approaching.

Your body tensed before you turned around. There he was, standing, with that arrogant posture that you detested so much. His messy hair and clenched jaw gave you every reason to hate him more than you already did. But as you looked at him, feeling his gaze sweep over every detail of you, there was something different, something that made you stop.

There was anger in his gaze, yes, but there was also something deeper, something dark that you recognized because you felt it too. Your hands clenched into fists, not because you wanted to hit him—though that was of course a tempting option—but because you wanted to stop the impulse that made you think about getting any closer than necessary.

It was a constant tug-of-war. One moment you wanted to push him into the water, make sure he disappeared from your life forever. But then, a part of you wanted to do the complete opposite, you wanted to get closer, erase the distance between you, and find out if that tension could transform into something more.

Rafe leaned against one of the dock posts, looking at you with a mix of defiance and curiosity. Everything about him seemed designed to provoke you. His gaze fixed, his shoulders relaxed but ready to move at the slightest hint of threat. It was so unbearably irritating, and yet, there was something you couldn’t ignore.

The wind blew hard, and you felt a chill run down your spine, but it wasn’t the cold that made you shiver. It was that unmistakable feeling of being on the edge of something dangerous, something you couldn’t control.

You wanted to kill him. For all the times he had made you feel less than, for every hurtful word, for every betrayal and fight. But at the same time, you wanted to get close enough to know if that spark you felt between you could catch fire.

But you didn't. You couldn't.

Instead, you took a deep breath, ignoring how your heart was pounding. You turned your back on him, your steps firm on the wood of the dock as you walked away. You knew that if you stayed one more second, the line between hate and desire could blur forever. And you weren't ready to face what that meant.

You felt him stand still, watching you as you left. You didn't need to look back to know that that feeling would continue to haunt you, just as much as he did.

And you were right, a few days later that line blurred.

There was a storm that night, one of those that seemed to split the sky in two with each flash of lightning. The rain was pounding on the roof of the old abandoned cabin where you had taken shelter, trying to escape the chaos that the Pogues and Rafe had caused in the last gold hunt. Your hands were shaking with rage, not so much from the cold, but from the frustration of knowing that Rafe had, once again, gotten you into this situation.

You were alone, at least that's what you thought, until you heard the door slam open. You turned quickly, looking for something to defend yourself with, but seeing that unmistakable figure enter soaked to the bone, your heart stopped.

Rafe.

"What the hell are you doing here?" you thought, although you didn't bother to say it out loud.

He slammed the door behind him hard, shaking off the water like a rabid dog. His dark hair, and his chest rose and fell with each heavy breath, as if he had run a marathon. His gaze met yours almost immediately, filled with that mix of fury and something more that always seemed to burn between you.

You didn’t say anything, but you didn’t look away either. There was something about him that night, something different. It wasn’t just the usual anger you two shared, or even the constant tension that seemed to surround you like a force field. It was something rawer, more real.

The silence between you was almost deafening, broken only by the roar of the storm outside. You felt the air in the cabin grow thicker, charged with electricity, as if lightning was about to strike right there.

“What? Are you just going to stand there staring at me like an idiot?” You had crossed your arms, trying to hide the trembling that ran through your body.

He didn’t answer, but he took a step towards you, slow, deliberate. You could feel the intensity of his gaze fixed on you, as if he could see past the facade you always tried to maintain. Your heart began to beat faster, and you hated that he had that effect on you.

“Rafe, don’t start,” you warned yourself mentally, even though you weren’t sure what it was you wanted to avoid.

But he kept coming closer. You could see every detail of his face now: the raindrops sliding down his jaw, the way his lips were pressed together as if he were holding something back. His presence filled the small space between you, and suddenly, the hatred you’d always felt for him didn’t seem enough to explain what was happening.

You didn’t know who made the first move. Maybe it was you, maybe it was him, but in an instant, the distance disappeared. His hand slid behind your neck, pulling you closer to him with a force that made you gasp. His mouth crashed into yours with an intensity that left you breathless, as if all that pent-up rage had finally found an outlet.

Your hands clutched at his wet shirt, trying to push him away and pull him in at the same time. The kiss wasn’t gentle, it wasn’t tender. It was an explosion of everything you had bottled up for years: the hatred, the frustration, the attraction that neither of you wanted to admit.

You felt his body press against yours, trapping you between him and the wall of the cabin. His breath was hot against your skin, mixing with the cold of the storm that continued to rage outside. His every move seemed to call out something you didn’t know you’d been holding back, and for a moment, you let yourself go.

But it was only a moment.

Suddenly, you pulled away, your hands on his chest as you tried to catch your breath.

“This… can’t happen.” Your voice was barely a whisper, shaky but firm.

He didn’t say anything, but the way he looked at you said it all. There was something in his eyes you hadn’t seen before, something vulnerable that completely disarmed you.

The storm outside continued to rage, but inside the cabin, all was calm. Rafe didn’t try to come closer again, and you didn’t dare look him in the eye as you turned away, your heart pounding so hard you felt like it might explode.

After that night in the cabin, something changed, though you both tried to act like it hadn’t. That first time was an accident, you kept telling yourself, something driven by rage and storm. But what happened next made it clear that there was something more, something that went far beyond hatred or tension.

It wasn’t long before you met again. It was in one of the alleys behind The Wreck, where you had hidden yourself after a fight with Sarah and the others. Rafe appeared as if the universe was conspiring against you. He didn’t say anything at first, just looked at you with that mix of arrogance and determination that seemed to be part of his essence.

“You’re not here to worry about me, Cameron. What do you want?” you had snapped harshly, crossing your arms as if that physical barrier could protect you.

He didn’t answer right away, but the glint in his eyes made it clear that he knew exactly what he wanted. What followed was just as impulsive as the first time: his lips finding yours with a burning urgency, your hands clinging to his shirt as if the world could fall apart at that moment and you wouldn’t care.

Logic disappeared when you were with him. All you had left were pure emotions: desire, rage, need. In those moments, you didn't think about the past or what was coming next. You didn't think about the fights, the betrayals, or the reasons why you were supposed to hate him. There was only his hands on your skin, the sound of his breathing, and the way he managed to make you forget everything else.

But the next day, there was always something that reminded you why you hated him. Like that time you saw him bullying Pope at the dock, his overbearing attitude making it clear that the Rafe of last night and the Rafe of today were two sides of the same coin.

"You're an asshole," you had yelled at him later, when you faced him away from the others.

He shrugged, as if he didn't care, but his gaze searched yours, almost defiant.

"Don't expect me to change for you," he seemed to say without words.

You walked away furiously, promising yourself that this would be the last time. You couldn’t keep falling for that game, not when he was still the same cruel boy you’d known all your life.

But then, something always drew you back. Like when he found you after you were almost caught in one of John B’s crazy antics. He helped you escape, even covering for you when the Kooks passed by. It was an unexpected gesture, one that left you bewildered as you shared a moment of calm on an old boat hidden in the swamp.

“Thanks, I guess,” you’d told him, though your words were filled with skepticism.

He smirked, the kind of smile that always got on your nerves.

“Don’t think about it too much.”

But you thought about it. Every gesture of his, every glance, every clandestine kiss was etched into your memory, fueling a cycle you couldn’t break.

Of course, you had your part in that dynamic, too. There were times when your own actions infuriated him, like the time you stole information from him about the gold hunt and shared it with the Pogues. His reaction was explosive: he found you on the dock, his gaze filled with betrayal and fury.

“What the hell did you think you were doing?” he said, his voice deeper than usual.

For a moment you thought he would leave you there, that this would be the end. But no. Even though you had betrayed him, even though you had defied him in every way possible, he always came back. Just like you came back to him.

[theirisianprincess]

Something that really annoys me is that whenever there's an ambiguous depiction of queerness in fiction is that whenever an alternative explanation is given, certain people will assume the alternative to be true despite queerness being just as likely. These explanations aren't even necessarily wrong, it's just that people will run with those if it means not acknowledging that characters might be gay.

Like, for example, they never outright say that Marcille loves Falin, but a lot of people (myself included) believe this to be the case. But the fact that an alternative explanation for their closeness is provided is often used as a reason why it couldn't possibly be romantic. The alternative explanation in this case is that learning that her best friend got eaten forces her to confront her fear of outliving her friends. And that motivates her to try to save her. The problem with this is that it doesn't actually disprove the idea that Marcille loves Falin. Marcille loving Falin is just more motivation for Marcille. And sure, Marcille could be just as motivated if she thought of Falin as her platonic bestie, but why do people use the possibility of that as a reason to discount romance as a possible motivation for her?

Anime fans did the exact same thing with Madoka Magica. They cite Homura's solitude as the reason for her obsession with saving Madoka. But once again, that doesn't contradict romantic attraction. And when it gets confirmed that Homura loves Madoka (and that Sayaka and Kyoko love each other) in Rebellion, people just claimed "fan pandering" and "translation error".

And when an alternative explanation isn't provided, some anime fans will provide one for them. Like, in Watamote, Asuka constantly tries to get closer and closer with Tomoko. Some people suspect that this means she has romantic interest in Tomoko, but others choose to interpret her interest as curiosity and intrigue. Except curiosity doesn't explain the lap pillows or the nude FaceTime or offering her boobs to her or wanting to go to the same college or saying she spends most of her time thinking about Tomoko.

Would this problem be fixed if characters just said they were queer? No.

Dungeon Meshi is complete, so they won't confirm or deny Marcille's feelings. And Homura, Sayaka, and Kyoko had all been confirmed queer, but people still denied it. And Asuka has good reasons not to admit her feelings for Tomoko. Most notably, the world of Watamote is incredibly heteronormative, so people generally won't admit to being queer. And despite Tomoko being in a glass closet, she still doesn't even admit her bisexuality to herself, so it makes sense for Asuka to hold off on telling her anything. I would like Asuka to admit her feelings by the end, but as we are right now, it's better that she doesn't.

Insisting that we must always immediately confirm queerness and that it can never be ambiguous because some people will run with any chance to deny it will greatly limit the kinds of stories that can be told.

[doki-doki-imagines]

Hybrid!Cow Nagi x Reader

tw: Smut, afab reader, use of she/her, hybrid x human sex, Nagi is a bit mean, but he is also very very in love.

a/n: a small piece of a much bigger fic inspired by this official art. This is just the smut part, but I wanted to get this idea out of my system. It was set in a world where most people are hybrids, and just a few (like reader) are born human. Nagi is one of the local mailmen and the first person to meet you. It was going to be a long, fluffy fic ending with filthy smut. So take just the cherry on top, lol. Maybe one day I'll complete this.

Seishiro isn’t used to rough nights like he isn’t used to scratched knuckles and sore muscles, but it seemed the only right thing to do when that shit poor example of a cat hybrid treated you like that.

He lays on your bed, white hair sprawled on your soft sky-blue pillow, his large-fitting hoodie and blue pants miraculously clean.  “Smell nice” Seishiro thinks, cow ears fluttering when your smell on the pillow hits his nostrils. It’s relaxing after such an intense fight. For that dude, not for him.

“It’s an honor to be my partner-“ “Nobody wants a simple human as a partner, I’m doing it just because my parents asked, and anyway they should thank me since I could get much better-“ “I don’t want a loser nerd as a partner, they should start to dress and eat better-“ 

Seishiro doesn’t remember what came first, but the clear image of you crouched on yourself, lips trembling and fat tears hanging on your lower lashes keeps playing in his head. His tail beat nervously on your mattress, remembering the entitlement in that loser voice. Nagi bites the inside of his cheek, hard enough to draw blood, your pillow now pressed to his face, trying to calm himself down with your smell. His leg twitches, remembering how hard he kicked that douchebag,  straight on his chest, making him hit a table behind and surprising all his friends.

It was already a pain to go out with everyone, but seeing you on a date with a guy that wasn’t him, and treated that badly was the cherry on top of his already poor patience.

“Is everything okay Nagi?” A shiver runs down Seishiro’s body, making every muscle twitch for the surprise. He moves away the pillow, side-eyeing you, before plopping it on his back to look better at you.

“I have to ask two things-“ You nod, prompting him to ask whatever he wants, while sitting on your bed, eyes locked with his ones.

“Call me Seishiro-“ You nod “and-“ He gulps, throat dry from the moment your figure met his sight. “Are you trying to seduce me?” His voice is calm as always, but the intensity of his eyes makes you jump on the spot.

“Seduce? I mean, I usually dress like this to-“ You turn around, not wanting to look at him, embarrassed by his comment. Your sheer nightgown, with cute sunflowers embroidered on it and matching panties, left very little to the imagination after all. Not to talk about you being braless, a sight that sent in short circuit his brain.

 “Usually, so not always-”  He whispers, almost into your ear. He can see a shiver running down your spine making you arch. The desire to run a finger from your neck to your lower back is tempting.

He lay his chin on your shoulder, letting out a sigh, annoyed by the whirlwind that is happening in his stomach. “Can I kiss you?” His greyish eyes lock with yours, trying to read your emotions. Seishiro doesn’t move, waiting to understand your intentions.

You nod, and to Seishiro's surprise, you make the first move. Your soft lips touch his ones, it’s a butterfly touch that lasts way too little for the white-haired guy's tastes. “Is it good?” Your voice breaks a little and Nagi has to keep himself from pinching your cheek. “Yeah, but let’s improve.” He mutters back, full lips locking with yours, tasting a different shade of love from the previous one. Seishiro’s eyes are closed but he can feel your softer hands cupping his cheeks, before sliding lower to his chin and neck. He worries that you may have pyrokinetic powers since every time you touch his naked skin he seems to get hotter.

You moan into his mouth when his big hands start to wander, one groping your mound, protected by his rough touch thanks to your thin nightgown. The other pushed you towards the mattress, making you both slide lower into your bed.

“Sei-“ You break the kiss, breath heavy and barely open eyes, just to notice your lover laying at your side, the end of his tail tickling your right thigh.

“Can I go further?” He is surprised by himself. Seishiro, Mr. Hassle man suddenly asks for more and more, knowing exactly that he’ll have to do most of the work. You nod, neck turned in an uncomfortable position. Nagi notices and decides to leave little pecks down your throat, trying to make you relax.

Such a gentle gesture as opposed to his deft fingers lifting the end of your nightgown, exposing the soft skin of your leg to his rough handling. Hand groping and slapping your thigh with no finesse and for his own enjoyment.

“Ngh, Nagi-“ You get interrupted by another slap to your leg, making your ass grind into his lap, a gesture that generates a choked moan in Seishiro’s throat.  “I told you to call me Seishiro-“ He spits out, leaving a small bite on your shoulder, not too hard to bruise, but still leaving a sign.

Nagi’s lips find yours again, his tongue prodding at your entrance, asking, wanting, to lap into your mouth, to drink your moans, and to taste your spit. You surrender immediately, your tongue weakly fighting against his, lost to the pleasure this entire situation is bringing you. The hand that was massaging your leg is sliding closer to your core, bunching your nightgown to your waist. A deft finger slides into your panties, playing first with one curl of your hairs, before pulling it, making you groan.

“She kept herself untouched for me, maybe she hoped to scare that loser off-“Seishiro thinks, pushing his hips, and therefore his boner against your ass, that idea clouding his brain even more.  “I like them, keep them for me, mh?” He pants in your mouth, your lips still slightly open from the previous kiss. A high-pitched moan leaves your lips and Nagi takes it as consent to his order instead of a response to his forefinger assaulting your clit.

Seishiro has never been a patient guy, and it shows even now when his fingers caress your outer folds before digging a bit deeper, but never enough for your taste, edging you constantly while playing with the bundle of nerves with no grace. He wants to see fat tears roll down your cheeks, he wants to hear you beg for him, he wants to feel desired, and he wants it now.

“Sei-Seishiro!” You half scream, closing your eyes and finally, making tears escape. Nagi keeps himself from smirking, but his heart roars in pleasure at the sight. “Good-“

“You-you are a bully.” You interrupt him, your own phrase is broken by sighs of pleasure. Breath gets caught in his throat, not expecting to hear that from you, dick twitching when hearing your voice in strain.

“So, you don’t like me anymore? You want me to get out?” Seishiro teases you, speeding up the movement of his fingers. Your head moving left and right tells him all he needs to know, together with the hand that keeps pulling at the collar of his hoodie to keep him close. He finally pushes his middle finger inside your wet core “So wet, for me.” He mumbles biting his lower lip, thrusting faster, and soon adding the ring finger, curling them so deliciously that your eyes cross in pleasure. You are a mess, but Seishiro is no better, grinding his clothed boner into your ass desperately searching for relief, while his tail keeps trashing on his side of the bed, trying not to hurt your softer, human skin.

“Ah-ah” You moan, almost into his mouth, tears still rolling down your cheeks.

“Why do you keep your mouth open? C’mon if you need to say something, say it-“ The malice in his voice is clear, teasing you so meanly, but he can’t really stop himself from trying to push your buttons.

“Ngh-bully!” You groan back, your hand sliding to his hard-on groping it through his gym pants, noticing the big wet patch.

And how big he is.

“Ah-“ He moans too, the touch of your smaller hand driving him almost immediately to completion. It soon becomes a competition on whom would crumble first, both your bodies hot and sweaty trying to pull away but at the same time searching desperately for each other touch.

You reach your end first, throwing your head back into his shoulder, and letting out a high-pitched moan that Seishiro is sure to remember till he breathes. He pulls away as soon as possible, laying on his back and immediately pushing down, just the needed amount, his pants and boxers, freeing his erection, which hit his still-covered abdomen.

“Angh-“  He groans half in pain and half in pleasure for being finally able to free his cock, all flushed and angry for being edged for so long.

“Sei-“ You turn around. The mixture of your sweet, wet eyes and soft voice almost makes Nagi cum on the spot. “G-give me a moment. Then I-I can try to ride you.” You say in between heavy breaths, still swimming in the pleasure of the previous orgasm.

But as much as Seishiro would like to accept “N-No, turn around like before.” He orders, but to your ears, it seems more like he is begging you. Nagi notices and damn himself for sounding so pathetic, but the image of you on top of him, wet eyes, pouty mouth, and trembling legs, still wearing that damn sheer nightgown, wouldn’t make him last.

To say the truth just that image is sending him over the edge.

You nod at his request, turning around just like he asked; you must have thrown your panties somewhere since your back is completely exposed to him. Some droplet of your essence stains the apex of your legs, making Seishiro damn himself for not going down on you, having now to settle for his fingers to taste you.

Seishiro doesn’t indulge too much in your taste, even if it matches your smell, intoxicating, therefore he rolls on your side, grabbing your waist to pull you closer, his erection grinding against your back, slick with all the pre that copiously rolled down during your intercourse.

“Is-Is it gonna fit?” You look at him, and Nagi doesn’t have in him to lie to such sweet eyes “Maybe. I’ll go slow. If you were a cow hybrid it would have been easier-“ He brushes away some hair sticking to your forehead to land a sweet long kiss there “But I want you. More than any hybrid, ever. If it hurts I’m gonna stop.” He kisses your cheek, now dry after all those tears, before pushing just the tip inside your core.

Seishiro sees you wince, but you don’t tell him to stop. His left hand that was holding your waist is now entwined with yours, the other massaging your bosom, but not resisting the desire to pinch your pert nipple. Nagi pecks down your neck, to your chest, while sliding his throbbing member inside you, trying to ease your pain.

“Ngh-“ He groans, irises become liquid bliss. You are so warm and welcoming, sucking him in like you were made to fit together. All those hybrid theories could go fuck themselves because the white-haired guy is sure nobody could make him feel so ecstatic. “You are so good- so good for me.” He moans in between kisses, pushing your nightgown up to touch your trembling tummy, mouth now kissing and sucking your covered chest, pulling sweet moans out of your throat, while his tail tries to encircle your lifted leg to keep you impossibly close.

“You-You feel so nice Sei-“ You breathe out, scratching the little hair on his nape pulling a guttural groan from his mouth. He looks back at you, and you twitch feeling his hot mouth leaving your bosom, missing it already “Can I fuck you?” You tighten around his length and nod, biting your lower lip eyes looking at him so deeply he thinks he may drown in them.

He starts slowly, never really pushing out, not wanting to be separated long from your warmth. But things start to go downhill when your sweet, almost mellifluous moans meet his ears, calling his name so deliciously that he soon gives up on rationality like a sailor enchanted by a mermaid’s voice. His thrusts are deep and fast, making you both mewl out each other names.

“I’m-close-“ You slur out, one hand gripping one of the small horns on Nagi’s head to find purchase to reality in this frenzy. Seishiro just nods at your words, having noticed way before you told him, his length almost slipping out for how wet you are. His deft fingers return to your clit, rubbing furious circles on it to bring you to your apex “Ngh-no, together.” You grumble, trashing a bit and trying to pull away the hand that was bringing you so soon to delirious pleasure.

He looks at you from the nook of your head, not sure you are serious about this. But the look in your eyes, so determined and confident makes him crumble. “Ngh, ah-“ A pathetic mewl escaped his throat making him wince for how cringe he sounded, his thrusts now sloppy and with no finesse, just trying to grind the both of you to the apex. Seishiro kisses your already swollen lips when you reach your peak, too worried about the pitiful sound he’d make, but damning himself for losing the occasion to hear your voice one more time. Your walls spasm around his length trying to suck everything from his cock, desperate to have all of him inside you. He thrusts a bit more into your core, not wanting to leave your warmth so soon, but the overstimulation feels soon overbearing.

You break the kiss, both your breaths are heavy, lashes hanging low like you are waking up from a dream. You cup his cheek, your thumb tracing little hearts making his heart thump harder than before. It seems like you want to say something, you have a cute little smile on your face but Seishiro doesn’t give you the time, his plump lips against yours, tongue already begging for one more dance. The overstimulation subdues to desire, and from the twinkle in your eyes, Seishiro knows you are on the same page.

The night ahead is still long.

[lustlovehart]

Hi! It's me again, I was wondering after recalling some stuff about reader and Rollo how would the twst monster cast react to Reader, I don't know, them asking about the earring she's always wearing and her telling them is from her partner (house husband). I mean, I know they'd react hella jealous but in different ways.

I know is annoying buuuut I like to imagine a what if, instead of going all alone towards the missions, Crowley allowed Rollo to accompany her and meeting all this creatures and Rollo being the bad (hater) policeman and Reader the (extremely) good one.

I'm sorry for asking so much Rollo 😭😭 it's just that he's so silly!

I love your works sooo much! And also how you draw the M!cast, they're all so pretty!! Love love 🫶

Cw: Jealousy, Marking mentions, gaslighting, Obsession, Rollo torturing Epel at the end

Omg! What a coincidence getting this ask after just writing a jealousy prompt in my inbox 😭

I’ve made it pretty consistent that you’re always referencing Rollo some way in your daily life. So I love making characters hear his name once a week and twitch their eye(s) at his mention. But for the most part, they all do act jealous!

The Pouty/Angry jealous: Riddle, Ace, Ruggie, Floyd, Rook, Epel, Malleus, Sebek, Skully

Whenever you mention Rollo’s name, they’re quick to cross their arms, possibly even give you a stink eye. They’ll ask you what’s so great about this ‘work husband’, he did make you do this alone. If he really cared, he would’ve came with you right? He might’ve cared for you at the foundation, but now he just threw you to the dangers of the world. They would never do that to you… So stop talking about him already.

The Sad jealous: Deuce, Cater, Jack, Azul, Kalim, Rook, Idia, Malleus, Silver, Neige, Fellow, Skully

The moment they see the way your face lights up looking at that star pattern fabric in your hand, they feel something. For some of them, it’s guilt, they can’t give you what he can, so maybe… he’s the better option for you than they are (Deuce, Jack, Silver, Neige, Skully). For others, they’re sad at the feeling of envy in their heart. It’s really not fair… This Rollo, gets to see everything side of you, your happiest, your saddest, your angriest, even your dearest. They want to see it too… Won’t you let them?

The ‘I’m just gonna leave my mark on you too’: Trey, Leona, Floyd, Jade, Jamil, Vil, Rook, Malleus, Lilia, Neige, Chenya

So, he gives you that earring. You won’t take it off. Ok. Easy fix, they’ll do something much more obvious. Whether it’s wrapping you in themselves, drawing a symbol of their soul on you, adorning you in their clothes/feathers, or even simply using their mouths, they’ll be more seen. He hopes if when you return to him, Rollo sees this mark.

Why be jealous when murder is a capability: Malleus

I hope everyone noticed he’s in each section, and he does go through these in the exact same order. Essentially, Rollo’s house sees no mercy, nor does his garden, or himself when he steps foot outside. Lightning… everywhere. Rollo get’s a certain sense of who it’s from, and he has to be physically stopped by Crowley from leaving to find you.

LMAO I love the Good cop bad cop energy Rollo and Reader would have if they went out together. Rollo is essentially the overprotective third wheel who blocks any potential suitors from you.

Anytime you’re nice to them, it’s immediately cancelled out by Rollo doing something devious.

An example:

You: Letting Epel drink your blood for like 2 minutes.

Rollo: Stabs him through the heart with a stake, Throws garlic at him, touches him with a silver fork, leaves him in the sun, places crosses on him, and dumps holy water on him. But places a really worn down bandaid on it because you’d be upset at him. He dgaf abt Epel 💀

Bonus: Rollo and Reader Dynamic

Synopsis: Absolutely smitten with you, and everyone else hates it 💀

[communistkenobi]

I’m watching FD Signifier’s new video about edgelord white guy movies. He spends a decent amount of time talking about how creators have responded to their edgelord fanbases, using The Joker and The Boys as two examples, where these creators feel uncomfortable with how their art has been received and taken up by “angry white men,” and that in response to this, they have followed up these artistic products with sequels or new seasons of television that are incredibly blunt and obvious about how you shouldn’t think of Homelander as a based chad or Arthur Fleck as a motivational figure in your life. And like he ends the video saying this is insufficient because these audiences won’t care about the messages in these follow-ups (largely bc these are downstream of larger social issues), but his framing of it in terms of “the death of media literacy” is still really frustrating and annoying because it’s buying into the idea that the main problem with people “not getting” art is literacy/education. And its not just his video, this framing is a popular memetic phrase across social media, and he does a better job than most people in talking about it

But like I just straight up do not accept that the audience of these edgelord movies “didn’t get” that they are portraying bad people, that audiences of mass media are “taking the wrong message” of “very obvious” pieces of art. Not because I think they do secretly get what these films are ‘actually saying,’ I don’t care about what’s in their hearts, but because this concern with people ‘not getting it’ feels wildly off-topic. I think it has been demonstrated over and over again that mass media is not an educational tool where people go to “learn lessons” or “take away a particular message.” I think the very fact that we have a consumptive marketised relationship to these artistic products structures and produces a specific set of responses, which is, above all else, “getting my money’s worth.” Who gives a shit what the movie is ‘really’ trying to say! That’s unimportant when faced with the question of did I get what I paid for? And I don’t mean this in an annoying lib “consumerism is making us all stupider” way I mean the economic structure of artistic production is the primary determinant of how commodities on a market are received. The idea that, under these conditions, we can purchase a piece of art that will “teach us” something about the world is laughable, that art-by-itself contains the authority to impart political knowledge. The idea that we can purchase our way into good values, good politics, that we can buy a movie ticket and see the error of our ways is buying into this same exact consumptive framing.

“The death of media literacy” implies a point in recent history where this economic relationship to art was unimportant, that we used to be able to participate in mass standardised artistic production and be unaffected by this arrangement. I think about Adorno & Horkheimer’s argument in The Culture Industry, that the profit motive is itself an object of consumption under capitalism, that advertisements are themselves products & as a result, all mass standardised artistic products are advertisements for their own capitalist production processes and logics. 

I think when people “don’t get” that Starship Troopers is depicting a fascist society, when people “don’t get” that Travis Bickle is a bad, un-admirable person, they aren’t stricken by a sudden deficit of education or literacy, they are responding to the conditions under which these things get made. Being able to get art’s “true message,” no matter how supposedly clear or compellingly-articulated, is to argue that ‘message’ and ‘meaning’ can be made independent of the conditions under which those things are created and presented to people. The industrial capitalist machinery outputting standardised artistic products is itself an authority telling you how to interpret its own products, much the same way a cathedral is presented as evidence of god. There is a material & physical authority in their presence and social arrangement that are themselves arguments. Adorno talks about this with the radio - that this vast industrial infrastructure of radio towers, broadcast stations, systems of wires and cables, and the production of standardised radio receivers (available for purchase, of course) is utterly incomprehensible to most people and amounts to hearing the voice of god when you turn on the radio. The arrangement of artistic production & presentation is itself the structure through which you experience art, and that structure is an authority you can neither comprehend nor alter. And again as A&H say in The Culture Industry, the techniques, narratives, and genres of the culture industry become standardised themselves, cookie-cutters on a production line, and therefore dictate meaning above and beyond any particular semantic meaning injected into an individual film or story. “Romcoms” are a cultural authority above and beyond the sum total of every romcom film ever made, and it is these genres and techniques that transmit the justification for their own continued reproduction. Under this arrangement, the meaning of this film or that television show are rendered marginal - not unnoticeable or irrelevant, certainly, but secondary to the cookie-cutters they were produced from 

Now does this lead to a widespread ignorant, impoverished, reactionary view of art? Of course, but that is not because the guy who likes wearing V for Vendetta masks is illiterate. To place the blame on individual education, discipline, or literacy is to take Hollywood for granted as a natural eternal entity, to take it as just another church. It’s a goofy fucking argument! 

[cyborg-3005]

SPOILER TADC EPISODE 4 ANALYSIS BELOW

so, generally, these episodes keep getting better and better. one is with the facial expressions, pomni’s and jax’s especially felt very nuanced and added more opportunity to read their characters. but i do also mean writing-wise.

this episode definitely felt like it gave us a much larger glimpse into these characters as people:

while she’s “high,” ragatha mentions a lot of things (horses, dancing, etc.) that seem to be memories of her past life. she’s also more genuine about her feelings regarding the other characters, saying that especially harsh thing of gangle being more annoying with her comedy mask. generally, we’re getting more of a peek at how ragatha feels internally.

zooble is given a chance to be a bit more of the straight-person or the emotional stability for other characters to lean on, and is just more present than ever before.

pomni hasn’t evolved as much from her previous characterization, but she’s more in a position this time to be stable and not in constant mental peril.

jax is forcibly toned down as the day goes on, his underlayer of apathy and depression beginning to take over for his usual sadistic vigor.

there’s so many examples with gangle, but i’ll be getting into those later.

notably, especially by the end of the day, the humans aren’t acting like it’s the end of their adventure, but the end of an actual shift, as if this is their actual job that they drive from to their actual home somewhere. i find this interesting, especially for someone like pomni, who seems to take the idea of closing the shift most seriously—as if it’s real—despite her previously being the one most conscious about the artificiality of the adventures. i think this speaks to how in a normal setting, the characters kind of assimilate into it much quicker; the normalcy of this artificial mockery of real life attracts them as respite from the existential dread in being in a world that isn’t theirs. it also seems to awaken a bit more of their underlying selves.

pomni and gummigoo, man that was a powerful scene. we had all been dreading it, but i think i was pleasantly surprised at how mature and quiet pomni was in handling the situation—so many in the fandom tend to kinda infantilize her and so assumed that when she’d see gummigoo that she’d have some sort of breakdown, but the more frazzled and nuanced reaction she actually had feels much more realistic and true to her character.

i noticed gummigoo at least has the same name as before, as when pomni speaks it he reacts by reaching his hand out with some expression of concern. some have interpreted his mannerisms in this episode as that he actually remembered pomni and his previous self when she called his name but didn’t want to say anything to make the situation more complicated, which isn’t exactly 100% confirmed but is a cool theory regardless. i just really like him as a character in general, so it’s cool to see him again.

and i also really like how pomni’s interaction with him ended on a resolute and bittersweet note. like yeah, she’s definitely sad over the situation, but she’s not completely heartbroken—she seems glad to just have seen him again, even if he didn’t quite remember their time together beforehand. her feelings when seeing him are equally positive and negative, not this abject heartbreak that makes her drown in sorrow. she’s even briefly sorta infatuated with him at the counter, which is fun considering how ragatha on an offhand comment basically confirms funnygummy to be canon.

gotta say, maybe a little sadistic, i like seeing jax actually frightened. it seems like the only thing that ends up bringing out any remote amount of good in him, which we implicitly saw in episode 1 when he seemingly pulls gangle and kinger away from the kaufmo situation (perhaps out of fear for their safety?). i’m hoping we get to see his facade further broken down.

ragatha being high was really funny and very intriguing, as we get more of a glimpse at her “true self” underneath her mary-sue-esque facade.

zooble, i love zooble, man. i think to an extent they’re possibly one of the more heartwarming characters in the whole show just on the merit that their “coolness” isn’t quite a facade to distance themself like jax and they actually show care for their friends. i feel like zooble is less of a character we’ll need a dedicated episode for, and moreso one that will consistently show a bit more of themselves throughout.

and then

GANGLE.

i love how many layers there are to gangle’s “dissection” this episode. we see a glimpse into an excellent representation of bipolar disorder and manic episodes, and so much beyond that with her specifically. i love how her mention of the comic artist thing in jax’s “training video” was clearly a projection of her insecurities over her inability to chase her dreams in her past life, which is set up in the beginning by her mentioning her experience as a shift manager. the adventure’s promise of “normalcy”—a relief from her emotional instability, perhaps—quickly devolves into the horror of being left alone with your thoughts and surrounded by the infinite horizon of crushed dreams and mediocrity, that being the spudsy’s itself.

this adventure clearly awoke some old memories of her past life, making her wallow further in her grief over her not being perfect or excelling all the time. i found it amazing how well the pacing of the episode was able to add these layers one scene at a time to build up both the viewer’s understanding of gangle’s struggles and gangle’s struggles building up with the increasing stress of her job.

that scene at the end with her dancing into the traffic felt very reminiscent of a certain scene in DanDaDan episode 7 (i won’t spoil any of that). it’s interesting how happy she appears, yet it’s revealed to be a suicidal moment in some manners—her joy is derived from a destruction of self and the feelings of pressures being lifted that comes with that. when she throws the weird mask away, she’s lifting the burdens of “normalcy” and social responsibility off of herself, and her joy is not necessarily happiness itself but a cathartic feeling of being able to have a true moment of her own. it highlights, perhaps, why people engage in self-destructive behavior—it lets them let go of the burdens and expectations weighing on them, even for a moment.

i like the touch of how this moment doesn’t actually end in making her feel better—she ends up devastated over how she “ruined” everything by having that moment and being emotionally “selfish” for once. zooble makes her realize that no one is mad at her for having that moment (although the circus might be pissed over her time being all of their boss). i do find that in particular interesting, as it’s sort of a continuation of the sentiment both ragatha and jax express that they find gangle more tolerable with her tragedy mask. they’re unkind words, but the episode, and zooble’s moment of comforting her makes clear why those two were saying that—gangle is more of her “true self” without these overlaying masks (with the mask in this episode specifically, i think it represents the expectations of success and normalcy that capitalistic society imposes on us). it’s not that it’s wrong or unwarranted for gangle to want a happier mask, but the show demonstrates that gangle is the most genuine with her tragedy mask, when she has shed the masks that present her as being “acceptable” in a way that actally makes everyone more distant from her.

the “normalcy” of this adventure seemed to be what got to gangle, as the societal expectations of “normalcy” that come with that might have been gangle’s biggest struggle in her previous life. i love that ironically, the two characters that read the most “normal”—pomni and zooble—actually end up being the ones that connect with her, not to demonstrate that normalcy is good but the opposite: expectations of “fitting in” are bullshit, no one fits in or needs to, and pomni and zooble are demonstrating that.

one more thing i have to mention is i actually like how the show is aware of the pattern of “pomni sits and has a heartfelt conversation with another character in the dark at the act 2 low point” of episodes 2 and 3, and breaks the pattern during that scene with pomni and gangle outside in two ways, one of which being pomni’s “here we go again” attitude with the scenario when it begins, and how gangle forcibly ends the conversation before it gets too far for comfort, leaving the emotional resolution a bit more ambiguous and taking more of a journey to get resolved by the end.

my rambles only make slight bits of sense, but i hope you found something interesting to talk about in here. chat with me in the comments if ya want!

[tizeline]

Giggling at the fact that Donnie probably has a lot of only child habits like only getting food for himself and eating it Infront of them and getting genuinely annoyed if they try to steal some. Astonished when they borrow anything of his without permission (WHO MOVED MY PENS?!). Being genuinely perplexed when one of his chores gets done randomly 😭

Poor Donnie isn't in on any of the inside jokes probably 😔

LMAO yeah I've been thinking about Only Child Donnie a lot XD

For example, Donnie having no idea how to differentiate between normal sibling bickering and genuine fights. After Raph starts hanging out with Donnie and Leo, he'll get to see way more of that classic sibling bickering in action. And considering Leo's tension with the rest of his family during this time because of the whole Dark Armor incident, he'd worry that Leo and Raph still feel some actual resentment towards each other. Leo and Raph are arguing with each other to the point they start play-wrestling and Donnie is all like "shit shit what do I do they're gonna hurt each other" and the next second Leo and Raph are laughing at random some joke and Donnie is just left confused over the whole interaction because what even was that?? Weren't they mad at each other just a second ago??

I will say though, me and my sibling weren't the type to just share each others stuff freely. Well, we did when we were young, most of our toys we both played with. But maybe because of that we got a bit possessive over our own stuff as we got older (we also shared a room until I was like 10-ish, so we were probably both a bit desparate to become separate induviduals at that point). Point is, if my bastard of a sibling even DARED to step foot into my sacred abode (my room) without my express permission, they would be forced to face my unbridled fury (I'd gently beat them up with pillows)! And if they were to steal as much as a single pencil from my treasury, my wrath would lead me to even more drastic measures (I'd snitch to our parents)!

That being said, I have no idea how The Drax Bros behaved regarding this when growing up. IF they were the type to just yoink each others stuff constantly (which I definitely think is possible) you are completely right that it would drive Donnie up the wall if they did the same to him XD

In my experience and from what I've observed with others, when you have siblings close in age to you, you tend to develop a very intense obsession with everything always needing to be 100% fair and equal. For example, if you're cutting up cake and your siblings piece is as much of a millimeter wider than your own piece, it's basically the end of the world. I can see Leo and Donnie sharing a pizza and afterwards Leo's all outraged over Donnie getting more pizza than him. Donnie's confused cuz they each got an equal amount of slices, but then Leo accuses Donnie of getting all the SLIGHTLY bigger slices and as such got a LITTLE bit more pizza than Leo! Completely unfair!

Actually, Donnie being a math nerd would be good at measuring food in this scenario, his brothers would constantly try to get him to divide any food they're sharing to make sure it's as even and equal as possible. Donnie quickly gets tired of this, but the alternative is the other turtles all arguing with each other over who gets which piece which is even more annoying so he just goes along with it lol.

And oh yeah, Donnie definitely feels quite left out whenever his brothers joke about or even mentions something they did growing up that he did not get to partake in (little does he know that his brothers feels similarly whenever he and April do the same thing and references stuff from their shared childhood that they did not get to be part of)

[raven-at-the-writing-desk]

octavinelle’s “happy endings”

***SPOILER WARNING: This post will go into detail about the dreams Azul, Jade, and Floyd experience in the book 7 part 10 update.***

OKAY, so there’s a debate in the TWST fandom about whether or not Azul and the twins consider each other “real” friends or just business partners. I’ve shared my own thoughts on this topic in the past (which you can read here!). After the most recent main story update, it’s now more clear to me than ever that they do treasure each other even if they don’t express that in traditional ways.

Let’s discuss them in order that they appear in book 7 part 10!! I know there’s some vagueness surrounding how much of the dream is Malleus actively controlling the scenarios (hence the limited and shallow scope of them) and how much the dreams actively pull from the innate desires of the dreamer, but for the sake of the argument let’s assume the latter is more influential in shaping and structure of the dreams.

First up, Floyd!

So Floyd is known as the “I do what I want when I feel like it” guy. He hates two main things: 1) being told what to do/having his freedom restrained and 2) being bored. To ensure that Floyd is happy, the dream consistently shifts to locations so he vanishes explore and experience new things.

What you might notice is that Azul and Jade aren’t around in Floyd’s dream. This doesn’t mean they don’t exist or that Floyd doesn’t know who they are though. When asked, Floyd replies that Azul is simply doing his own thing (focusing on his business ventures/schemes) and Jade is there supporting him, thus leaving Floyd to his own devices. The fact that Jade and Azul are still present in Floyd’s dream, just not in an immediate capacity, makes complete sense.

In the waking world, Floyd loves to stir up trouble with his brother and Azul. The thing is, Floyd also dislikes it when they tell him off, order him to do something he’s not in the mood for, or punish him for acting out. Yes, Jade for the most part enables Floyd to misbehave, and yes, Azul has largely learned by now that it’s best to sit back and let Floyd fuck off/finish throwing a tantrum rather than intervene. However, there are still times when they order Floyd around or get upset with him. For example, Azul scolds Floyd for damaging the vault where they keep the contracts in book 3 and for not selling the drinks he’s supposed to in book 5. We see numerous examples across vignettes as well: Jade forces Floyd to stand in line at a famous patisserie for Trey as penance for eating special fruits meant for a VIP client (Trey Labwear vignettes), Azul and Jade wring Floyd for his eel slime (Azul Ceremonial Robes vignettes), Azul orders Floyd to secure the rights to Sam’s Mystery Drink even though Floyd shows a clear disinterest in the task (Floyd Dorm Uniform vignettes), etc.

In spite of these grievances, Floyd doesn’t entirely despise Jade and Azul, nor would he be happier without them. They’re an important part of his life, hence why they still linger in the dream, just in the periphery where they can’t butt in with whatever Floyd wants to do. Jade and Azul aren’t present and compliant since that, too, would quickly bore Floyd. He loves those two goobers in part because they’re chaotic and unpredictable, not because they’re yes men to his every action. The dream might not be able to keep up with that demand; it only seems to operate in extremes rather than conjure enough nuance to keep Floyd stimulated and content. This is why all the places Floyd already visited bored him; he got showered with too many conveniences and eventually got fed up with it all.

If you need even more damning evidence, all previous dreams would manifest someone closely tied to the dreamer in an attempt to keep them in the dreamscape. Who does Floyd’s dream summon? AZUL AND JADE. If Floyd genuinely found them annoying or didn’t want them near, the surely the dream would spawn other people. BUT NO, it specifically spawned THOSE TWO in an effort to convince Floyd. It can be argued that they could very well be a source of hatred since Kalim and Neige showed up for Jamil and Vil respectively, but I genuinely think Floyd doesn’t feel that degree of negativity toward Jade and Azul; the kind of hatred that Jamil and Vil have for their respective counterparts has never been expressed by Floyd toward Jade or Azul.

Floyd reacts to dream!Jade and Azul in a manner that’s very different from the dreamers that came before him… with anger. And a LOT of anger too. He immediately clocks them as phonies and, he, fully waking, demands to know who the fakes are, because they certainly aren’t Jade and Azul. Floyd points out their faces and voices may resemble theirs, but they’re acting in a way that they never would (suggesting a “boring” way of living). That pisses him off to the point where he cuts the fakes down all by himself. Brutal violence aside, this tells us a lot about Floyd... as well as Malleus.

We see that Floyd has become lethargic and bored despite the dream's attempts to sate him, which just demonstrates that Malleus, whose magic has a hand in crafting these realities, has a shallow understanding of what makes people happy. (Edit: to be clear, Malleus having a “shallow understanding” of happiness is not a personal take; this is a direct statement made by Idia in-game and this is where I am pulling my phrasing from.) He thinks that removing all obstacles and challenge to what you want is what leads to a happy ending when, in truth, it clearly isn't the case for Floyd, who craves stimulation and change. While Malleus is motivated outright controlling the details of Floyd’s dream down to the wire, his autonomous magic has decided to get rid of any challenges Floyd may face in his pursuit of happiness. (I would continue about the Malleus portion, but since this post is about the Octatrio, I will instead direct you to this post, which shares many of my own thoughts ^^) I think that's why Floyd truly "woke" when he was faced with dream!Azul and Jade; a part of him recognizes how wrong it is for the two people he chose to spend his time with because they're so fun are now turning around and preaching complacency. It tells us just how well Floyd knows those two and values their... unique perspectives, shall we say?

Next, just Jade!

What's immediately fascinating about Jade's dream is that it's also underwater, despite Floyd and co. suspecting it would be on land/in the mountains. Floyd even changes from his merform to his human form prior to hopping to Jade's dream because he was under the impression that it would be on land. This ends up not being the case, although Malleus's magic does manifest the underwater equivalent of "mountains", which are volcanic vents at the bottom of the sea.

We see Jade happily exploring alongside a dream!Azul and dream!Floyd, who are both very different than the real ones. Dream!Azul has big, watery eyes and is much more of a coward and crybaby than the real Azul is. He also seems to be very dependent on Jade, who derives great joy from watching dream!Azul flail about while trying to attain his goals (in this case, access to a gold vein). This is in-character with what we already know about Jade; he amuses himself by watching others struggle--especially Azul, whom Jade frequently teases, such as tricking him to dance as a mummy in the first Halloween event and comparing Azul's greedy attitude to the positive traits of other dorm leaders. Jade also prefers to have control over the circumstances, so he likes it when people defer to his word or advice. So what better to hand him than an Azul that listens to his every word and also provides entertainment value in his tears?

As for dream!Floyd, he presents with a very goofy face and seems to lack his usual aggression and flippancy. Instead, he has a fixation on eating other sea life around him (crabs, shrimp, etc.) and happily goes along with Jade's mountain exploration. Like dream!Azul, dream!Floyd acts dependent on Jade to guide him and even acts cowardly in a fight. Now we can sort of get a glimpse of how Jade feels about Floyd too. Dream!Floyd's pliant and agreeable nature may come in part from the dream seeking to provide Jade with more free entertainment, but it could also be that Jade wants Floyd to share in his interests. But here Floyd is not gung-ho about mountains; instead, he acts very innocently, almost like a kid going along with whatever his parents decide to do for the day. It gives me the impression that Jade doesn't see Floyd as threatening but as someone cute and child-like. This idea is reinforced when, in an attempt to keep Jade dreaming, dream!Azul tells him that Floyd is cute and not some thug (like the real Floyd is). AND JADE 100% BUYS IT. He 100% believes that dresm!Floyd is the "true" one, that his Floyd and Azul would be useless without his support.

Idia makes an important comment at this point in book 7. He explains that Jade is having a hard time waking up because he believes in himself too strongly. That also means that Jade is distrustful of others; he is the only person he counts on. This reflected in how dream!Azul and dream!Floyd present. Both are heavily reliant on Jade to tell them what to do. In real life, too, Jade uses his competency to get into others' good graces (including the notoriously hard to please Vil; see his Dorm Uniform vignettes) so then he can reap the benefits that relationship offers. Jade is just that confident that he can succeed. Indeed, he often is the one coming close to tasting success when all others have failed. If we look back at Ghost Marriage, Jade was about to win over Eliza's heart before Floyd rudely interrupted and pointed out the flowers Jade was gifting were poisonous. Back to Idia's comment; because this is dream's Jade world, he's perhaps too invested in the dream that he has made, thus Jade is choosing to believe the dream that he conjured over the reality staring him in the face. It takes fistfighting with Floyd AND a jolt from Sebek's UM to properly shock some sense into Jade. He is otherwise too stuck in his own head to consider a truth that isn't one he has constructed for himself.

Still, I find it revealing that even though Jade is essentially stuck in his own headspace, dream!Floyd and dream!Azul are the only other people around. Floyd and Azul’s dreams feature way more NPCs, but Jade’s dream is pretty lonely. He could theoretically have several influential people to whisper in the ears of, but instead Jade’s desire is grounded… just being able to explore nature with his twin and Azul. They’re the ones he chooses to spend his time with. No one else. And Jade actively, fiercely defends this simple thing despite usually not being one to resort to violence right off the bat. The only major time in the main story where Jade does this is in book 2, when be noticed that he’s being tailed and does not appreciate the violations of his privacy. That’s exactly what this dream sequence is. It’s another violation of his privacy, and he detests that. You shouldn’t be here interrupting his happy, chill time with his friends business associates. It’s best for you to clear out.

I think it's also worthwhile to note that Floyd and Jade's waking sequences mirror one another. To quote myself from another post:

Something I find interesting is that the twins’ moments of waking mirror each other’s usual approaches to a task. Floyd usually foregoes a plan and prefers to use his fists to get the job done. However, he is slowly roused by reminiscing about his memories at NRC and the promise of being presented with a challenge. The final blow that shocks him awake is the presentation of a dream!Azul and dream!Jade who attempt to lure him deeper into the dream. Floyd doesn’t fall for it; in fact, he gets mad instead, and that fury, so biting and clear, snaps him awake. The opposite is true for Jade. He is someone who meticulously plans before acting, and would rather control the circumstances and use other roundabout methods before resorting to violence. But ironically, the master manipulator Jade is the one who falls for his own dream’s manipulations—all because he trusts himself above all else. He only wakes up because of a very strong physical force (ie Sebek’s UM) striking him. Prior to this, Jade was putting up a very good fight and the blows be was taking were not sufficient to wake fully him. So… Floyd, the brother who prefers brawns, woke up after reflecting and experiencing strong cognitive dissonance between his fake reality and bis true reality. Jade, the brother who prefers brains, woke up after being smacked the right amount. They woke up after experiencing an intense shock related to what is essentially the opposite of their preferred problem solving strategies.

And last but not least, Azul!

We’ve arrived at what I think is the juiciest part to dissect on the subject of the Octatrio’s friendship. To start off with, everyone suspects that Azul’s dream will be one in which he is a highly successful businessman with Mostro Lounge as a chain with even more locations stretching as far as the Coral Sea’s depths. That isn’t the case though! They quickly come to learn that Azul is the leader of Golden Trident, a reigning Coral Rush team. In this dream’s reality Azul was always popular and well-liked. Because he was never bullied, he never started up his shady business in middle school and thus never attracted the interest of the twins. Notably, Jade and Floyd still exist in the dream (as Azul remembers the Leeches from elementary school), but they never got close.

Before we get into the Octatrio’s dynamics, I want to say that the setup of this dream already tells us that a lot of Azul’s desire to become a successful business owner really stems from the longing to be accepted as he is. He uses his businesses and accumulation of contracts to reinforce and inform his self worth. Azul has formed a false belief and identity entering around the concept of success and likability equating to talent and material goods. This explains why he’s so fixated in his public image and being perceived as smart, confident, reliable, and trustworthy, and why he loses it so quickly when he’s denied his collection of golden contracts. Azul is insecure as heck about his shortcomings (athleticism being one of them) and the dream may be latching onto that, as well as his desire to be liked by his peers, to overcompensate.

A little thing I'd like to call attention to is that Jade refuses to divulge the private details of Azul's past in which he was bullied. This is significant because most other instances of the twins bringing up Azul's past usually results in them making fun of him for it and continuing to rag on him to the point where Azul becomes annoyed and tells them to quit it/reminds them that they swore to not talk about it. In those other instances though, the twins never tread that far; they'll at most comment about how different Azul looked or acted back then. They never went so far as to point out how badly he was bullied and here we see Jade respecting Azul's privacy by vocalizing that he refuses to release that information. And this JADE we're talking about, the one who has zero qualms with scoping out prospective new students for their personal info so Azul can later hold it against them (Jade Ceremonial Robes vignettes). Jade even blackmails older students to attain what he wants (Ortho Athletic Gear vignette). It says a lot that, when given the option to openly blab about what Azul experienced and have a laugh about it, Jade clams up.

sdjbaslidbasib OKAY I GOT SIDETRACKED, BACK TO AZUL'S DREAM. So he remembers the Leeches from elementary school, meaning that their existence was not entirely purged from his dream world. It's just a different timeline of events since he wasn't bullied in this reality. Azul is quite friendly to the twins and invites them to join his Coral Rush team at his mother's restaurant for a celebratory dinner. When we arrive at the restaurant, Azul and his team mates start to make fun of the land creatures for very similar things that he actually got bullied for in the waking world. (For example, being clumsy and uncoordinated in their swimming.) He's no longer the bullied, he is a bully. In a twisted way, Azul is getting validation of his own identity by looking down on others; this mirrors his behavior pre-OB in book 3, as he also mistreated his anemone'd peers back then. Tellingly, the only people he doesn't bully are... that's right, Jade and Floyd. Azul instead asks them to play Coral Rush with him. Again, this parallels what we saw in book 3: Azul is asking the twins to essentially "join" him in the midst of him abusing his power and lording over others. He still cares deeply about Jade and Floyd's approval specifically. Nowhere is this demonstrated so clearly as the method by which the twins finally get Azul to start questioning the construct of the dream. They start smashing up the restaurant but then grow bored and make as though they're going to casually leave. That triggers a memory from book 3 in which Azul is angrily shouting about how he'll always be alone. Alone. That's what Azul fears, being that lonely little octopus crying in his pot. That's why he's surrounded by adoring team members and fans in his dream. That's why he breaks down emotionally and OBs after the twins refuse to hand over their UMs to him in book 3. That's why he becomes distraught enough to shake the dream at the suggestion that Jade and Floyd, his two closest friends, are threatening to leave him. In book 4, Azul tries to be cool and play off this fear as the inevitable, that he's fully aware that the Leeches will discard him if he stops being entertaining to them, and that he's prepared for that when it happens. But... is that really the truth, given how Azul reacts in book 7? Everything leading up to this moment seems to imply Azul was just lying to himself, perhaps in an attempt to quell his own anxieties about the possibility. And given how Azul is shown to be calculated in cultivating a put-together public persona, I would not be shocked to learn that. It wouldn't make him seem strong or confident if he displayed weakness or fear over losing his right-hand men. I don't even know that he's purposefully telling a lie. It could very well be something Azul tells himself and believes in, but deep down he cannot truly know how emotional he would get if it ever happened.

As soon as Azul starts to wake, the mermobs of his Coral Rush team are the ones who come in and pull him deeper into the dream. Interesting to have just mobs doing this rather than a dream!Jade or dream!Floyd, given how important they seem to be to Azul. Maybe that's just how the surface level of the dream works? Like, it prioritizes lavishing Azul with general attention rather than the attention of two specific people since, in this dream's reality, Azul never bonded with Jade and Floyd (so those two wouldn't be as convincing?).

When Azul is being dragged into the darkness, Jade and Floyd don't go after him. Instead, they kinda just sit back and claim it's Azul's choice to dream more deeply so who are they to interfere? It takes some convincing from Ortho to convince the twins to pursue Azul into the next layer of the dream--but after the twins depart, Ortho wonders if Jade and Floyd being this cold is actually their way of showing trust. This sort of behavior is why I stress so often that we cannot take what the Octatrio do and say at face value all of the time. They have completely different ways of expressing that they care, and they don't always mean what they insist they mean. (KEEP THIS IN MIND BECAUSE IT COMES BACK INTO PLAY SOON.) In the second layer of Azul's dream, we revisit the events of book 3 had he been successful. He's setting that final class trip picture on fire and relishing in his total conquest of Night Raven College. Azul has ~500 golden contracts, the UMs of the other dorm leaders, and even has Crowley under his thumb--and this time, there's a dream!Jade and dream!Floyd to enjoy that victory with him. The rescue squad has to trick Azul into accidentally sanding his own contracts again, and it's that loss that finally breaks him. Again, we see how much of his own self-worth and value Azul places in that which he collects. It all ties back to that fear of not having anything of worth--not even allies to call his own--if he loses what he believes makes him desirable. At this point, Azul begins to sink into that final layer of his dream (the part where he confronts his OB self). This time, the twins lunge after him, calling out Azul's name and instructing him to grab onto them (+ Jade tells Floyd to help him pull). UM, HELLO????? The "take my hand" imagery, that symbol of trust and connection, from all the way at the start of the game is rearing its head here 😭 AND YOU KNOW WHAT'S EVEN CRAZIER???? The twins just... let go after that??? But not because they don't give a crap about Azul--no, it's because they care and believe that he can fend for himself, that he's no longer a weak person who cries and needs their support to stand on his own. Jade sends him off with a "good luck" and Floyd asks of Azul to not go to hell. Azul casually says the same right back to them before descending. And, just as the twins suspected, Azul is able to win against his inner demons and return to them, safe and sound. They were right about Azul, and Ortho was right about the Leeches. For as cold as Jade and Floyd seem to act, it's actually a front for how much they care.

In the segment where Azul faces his Phantom, he cites that the weight of everything he has taken from others has made it difficult to move. Taken literally, it of course could refer to the tentacles of his merform making it hard for him to swim. Metaphorically though? It can easily mean that he can't achieve personal growth if he's burdened by the weight of his sins (stolen talents, items, etc.). These things he stole may glitter, but they are not gold and he now realizes they aren't things he actually finds valuable. Azul wants to go out there and find things of "real value". I interpret this to mean intangible things that can't really have a price put to them, things that cannot be bought in stores... like friendship, the very thing he has with the twins but failed to call it that this entire time.

Everything in these dreams, and more specifically Azul's dream, demonstrates the Octatrio's mutual respect and trust in one another. Jade and Floyd acknowledge Azul as a strong individual, and Azul's subconscious reveals that he deeply values the twins and seeks their approval even when they've been removed from the picture.

[bobateaqwq]

dabihawks ship template thing bc I got boredd last night .. explaining more under the cut!!!

CW FOR LIGHT SEX TALK!!!!!!!

Big spoon and little spoon: I thinkkk it would be uncomfortable to be held from behind for hawks bc of his wings n stuff, even if he sheds all his feathers. so he tends to like being the big spoon!!! at first dabi would be against being the little spoon bc he thinks it makes him vulnerable and weak or wtv to be held but he does like being held by hawks. he just wants to be held and cared foorrr once he opens up more and their situationship develops more dabi is more open to being the little spoon.

Lends clothes, borrows clothes: hawks doesn't really have his own clothesss I think the commission definitely controls everything all the way down to what he wears. The most he has is sleep clothes, but he usually only ever wears his hero uniform. either way all of his clothes have holes in the back of them, so dabi isnt particularly fond of wearing his shirts LOL. maybe he'll steal a pants or two but other than that yeah dabi don't wear his clothes. I don't think hawks would wear dabis clothes either bc dabis clothes probably stink and they're all ripped HELPP ok so maybe they don't lend each other clothes help…

Pet names vs no pet names: hawks calls dabi dabs... hot stuff, firefly...... dabs... or whatever annoying nickname he can come up with. I think he also just likes calling dabi annoyingly sweet pet names like sweetheart bc it pisses dabi tf off and hawks thinks it's the funniest thing in the world. dabi almost never calls hawks hawks he only ever calls him birdie or birdbrain or heroo or literally anything condescending. hawks never takes it as that way tho no matter how much tries to mean it in a mean way hawks thinks it's just silly and sweet.

introvert and extrovert: this one's obviouuus for dabi at least he hates people... hates EVERYONE!!!! he'd rather stay in solitude and plot his revenge against his father or smmmthh hawks on the other hand was basically trained to deal with the public and overall be a social butterfly. so naturally yeah, hawks is around people and it's not that he doesn't mind being around people. but when his social battery dies out I think he definitely getss ehhh like usually he's good at keeping his silly chill attitude but I think at some point it does get too much and he much rather be alone. when it comes to dabi i think dabi is much more annoying and open and chatty w hawks which ultimately breaks through his sort of bad boy persona and feels more touya. while hawks eventually doesn't bother keeping his public persona up with dabi and just fills the silence hawks provides. it's nice i think they bring out touya and keigo out of each other

affectionate through words or actions: I think they both crave physical touch. growing up hawks was never rlllyyy cared for in the way he needed as a child, same w dabi i think they both just need a hug. I dooo think that they both definitely need words of affirmation from each other, with dabi growing up not feeling good enough or wtv and hawks growing up into believing he wasnt even his own person. but they both suck at it and they struggle to express how they feel for each other so I think they much rather show their care towards actions. for example hawks showing up to his and dabi's meets with extra take out to share with dabi and let him stay over, or dabi would help hawks preen his wings and hawks will sometimes wake up to breakfast or WHATEVER IDK but yeah. i think doing stuff for the other person makes them feel less vulnerable.

confessing first, or waits for confession: they don't confess. end of story. LOL. in boba yaoi world dabi doesn't die yaayyy and he's put through this whole rehabilitation process yada yada but eventually they confront each other after not seeing each other ever since dabi burned hawks' wings. whenn it comes to confrontation dabi is very good at pointing out hawks' bs and such but he struggles with opening about his own...feelings n stuff I guess while hawks has a hard time with confrontation in general. i think hes constantly deflecting dabi's jabs n stuff or wtv but errmm IDK. hawks never knows what to say during confrontations since he needs time to really... think about it and carefully calculate his words. normally he's good when it comes to making up stufff or reacting quickly I guess but when it comes to his ACTUAL feelings. to KEIGOS feelings and not hawks' then he's like.... he blanks... he doesn't know how to think for himself whooopppsss

screams about bugs, squashes with shoe: ok the more i think about it the more i think dabi would just squash the bug w no mercyyy and hawks would be more reluctant... i think neither of them are scared of bugs since dabi literally grew up in filth for most of his life and hawks just... isnt scared of them... dabis had to deal with insects all the time when he was homeless so he's just like... Done w them. IDK it's silly it's goofy theyre stupid

drives car. can't drive: dabi can't drive. period. he doesn't know how, if he were to, he'd fucking crash the car into anything in his way. shitty driver, never learned, never got his license, nothin!!! hawks on the other hand doooess knowww how to drivveeee but he doesn't like to. he flies everywhere, doesn't like driving bc he can't fit his wings in them and when he hates shedding his feathers just to fit in it bc it makes him feel all too VULNERABLE. and UNGUARDED!!!! so yeah he doesnt like to drive but he can. i think hes a crazy driver tho like with being the second fastest hero in japan hes like used to going super fast so he like drives so fucking fast bro ... other speed limit... takes sharp turns, stops abruptly, and overall he's freaking crazy. I think dabi also gets motion sickness so he hates riding with hawks HAHA hawks likes to carry him and fly anyway.... dabi hates it ....

can't cook for shit, makes dinner!: hawks dont know how to cook. his fridge is filled with expired foods. he only ever eats what the commission gives him bc they control his diet, and he's not really a picky eater. he also just never has time to cook sooooo yeah he doesn't have a lot of home cooked meals. but then dabi comes in and he's had to learn how to  do things for himself almost all his life so he definitely knows how to cook at least a lil. he clears out hawks fridge after he basically hangs out in his apartment and sometimes he decides to cook breakfast after hawks let's him sleep over ....... he likes to cook for hawks... secretly tho. if hawks ever brings it up he won't cook for him again for like a few weeks.

pda yes or no: hawks likes to show dabi off. in boba yaoi world where dabi doesnt die and instead goes through rehabilitation process and him and hawks start over as keigo and touya yada yada yada hawks LOVES to show dabi off... he'll be like yes!!! that's my boyfriend!!!!! giving him kisses n everything... dabi hates it. ok he doesn't hate it he does enjoy the attention and does enjoy being shown off but hes just sooo not used to experiencing like .... attention. not used to being pecked on the cheek outta no where, not used to being touched really. i think it's the same for hawks hes not used to physical contact but he deals w it differently in a way where he tries to do it MORE u know. but pre-war during their situationship era umm i think dabi still doesn't like it, and tells hawks to stop doing it until post-war. but even then situationship era they werent very pda anyway, so ya.

overprotective vs chill goin: i think they're both a bit possessive over each other. they both grew up without nothing, dabi more physically and hawks more emotionally. dabi grew up (orrr u know after his coma or wtvvv) living on the streets, used to not having anything nice ever in his life. even before, after enji deemed him unworthy touya got nothin. hawks grew up without having anything that was ever HIS. everything he's ever done or taught or grown up to do was all the commission. all his decisions were under the commission's influence. but hawks and dabi were each other's first thing to want for themselves, to HAVE for themselves. hawks also just instinctively becomes more possessive over dabi, w all his weird ass mate callings n stuff. and i think dabi just yearns for attention and hawks or whatever idk hawks was the first good thing that was ever in his reach, so dabi latched onto it very very quickly.

relationship experience or no relationship experience: they have. absolutely. zero. maybe dabi's had a fewwww hookups every now and then, but very very scarce since no one wants to be sleeping w a villainn!! and also bc he doesn't find use in finding someone since he's sooo dead set on plotting revenge against his father. the reason why hawks is different in this case bc he never meant to involve himself in something romantic w hawks, it just... happened. with hawks ermm i think the commission wouldn't allow him to date at alllll they wanna keep his personal life a minimummm they don't treat him like his own person. i think hes slept w ppl before but only bc it benefited the commission or smth IDK SMTH MESSED UP LIKE THAT yeah idk they dont know how to be good to each other relationship was nor how to properly navigate it. post-war they try though. they try for each other. SIGHHH I HATE THEMMM

horny level: idk. the reason why they start talking more is bc they hook up while exchanging info LOLL there's so much sexual tension between them it's CRAZY. I thinkkk sex is like a super important to their dynamic funny enough bc they begin to trust each other a lot more through it I guess. they need to blow off steam and theyre both weirdly attractive to each other. they match each other's freak!! yes!!! they are switches and i stanndd byyy thisss I dont think they have dom sub undertones i HATE when ppl make hawks a twinky sub stop it leave him alone. dabi's a pillow princess. putting this out there. LOL OK BUT SRSLY I think bottoming for dabi is just smth soooo vulnerable for him that when he eventually lets hawks do it it makes him trust him so much more bc hawks is SO so gentle w him like... idk how to explain it. it just makes sense in my head.

awkwardness level: dabi is one awkward freaking motherfucker. bro grew up alone in filth w the only thing driving him was his hatred for his father. past all the assholey and psycho behavior, he's just sooo freaking awkward. he's a loser. a lameo. he don't know how to speak!!!!! he also just hates people so yay. hawkss on the other hand was raised to know how to deal w the public. raised to interact easily w other pro heros and civilians, raised to be overall super chill and know how to talk to interviewers. hawks is good at talking to people, he knows what to say and when to say it to sweet talk his way into things. so for the most part hawks is never really awkward. keigo, on the other hand is def a tad bit more awkward. of course he's definitely still good at talking n all that bc u can't erase over two decades of training and practicing properly talking to people, but keigo is juusttt he's a lil less hawks. hes more unfiltered, not aiming to please everyone anymore. he lets himself feel other emotions, just lets himself relax n not be on guard all the time.

jealous level: with hawks bird half n all that comes lots of possessive traits... all his weird MATE instincts UGHHH. WEIRDO!!!!!! but yeah I think it just makes him a wee more protective over dabi in the sense that "he's mine!!! my bf!!!!!! go away!!!!!!!" but other than that he's not rlly jealous at all. he's very chill. very yas. DABI ON THE OTHER HAANNNDDD ohhohoohoho ok. like i said b4 hawks is literally the only good thing he's ever gotten to call his. during situationship era he's so fucking jealous bro bc people arent even supposed to know about their secret situationship thing. hawks can walk around w people fawning over him bc they don't knowww of what goes on between him and dabi. dabi HATES it bc hawks is a very popular hero with a shit ton of fans and fangirls and fanboys and whatever and dabi thinks it's the most aggravating thing in the WORLD. but post-war when they make it official dabi shows him tf off. like very subtly tho. in public he'll snake an arm around hawks' waist when fans are around ... or he'll glare at fangirls who get too close n all that IDK he's very jealous bratty silly billy. hawks treats him like a princess.

OKAYYY THATS IT. I did not intend on saying this much LOLLL goes to show how freaking crazy dabihawks is making me and how yaoi is RUINING MY LIFE. okay thanks for reading if u actually read this farr I lovee dabihawkksss okay bye