#this is kinda satirical but genuinely i don’t know why but my social anxiety gets so bad sometimes 😭😭😭

[lordcoolington]

everyday i fight so hard to not ghost the people i love for 3 whole years 🫡 shoutout to me for fighting the battles you don’t see. i am stronger than any us army soldier

[365days365movies]

April 8, 2021: Swiss Army Man (and Black Comedy) (Review)

Let’s look at the week’s other black comedies, shall we?

I’m a bit behind on the reviews (and the Recaps, but that’s a little easier to fix at the moment), but I decided to give something a shot. While I’ve still got full Reviews for each of those films, it occurred to me that the ones left to review are the black comedies. The Great Dictator is technically a part of the category as well, but I’m letting it skate by under satire. Plus, I already reviewed it. And, since Swiss Army Man is the last black comedy I’m covering this month, what better time than now to summarize the rest! Again, I’ll be giving more comprehensive reviews in due time. But until then...

Arsenic and Old Lace (1944), dir. Frank Capra: 90%

Wow, I get why this movie is so very loved, by everybody and my mom! Told her I watched it the other day, and she was very happy to hear it! This is a VERY funny movie, and while it is a black comedy, it’s more of a straight-up comedy than any of these other films! The acting’s a little cheesy sometimes, yeah, but Cary Grant is goddamn AMAZING in this movie. It’s mostly his supporting cast that serves the cheese platter (Raymond Massey especially). Plot and writing by Julius and Phillip Epstein are spot-on smooth, but directing isn’t one of Frank Capra’s best in my completely uninformed opinion. Production and art design is great, especially given that we’re mostly only in one place for the whole movie. Still, that place looks good regardless. Finally, the music by Max Steiner is also pretty fantastic, although it’s not going on my playlist anytime soon, to be honest. Editing by Daniel Mandell is also great, and the pacing of this movie’s plot is...mostly perfect. Lags a little when Jonathan comes in, I think. Anyway, highly recommended, and a must-see!

Recap (Part One | Part Two)

Withnail and I (1987), dir. Bruce Robinson: 86%

OK...this one is kind of hard for me. Because I think I was supposed to get more out of this film than I actually did. Maybe that’s because I’m a filthy American and all that, but this film came off as good dramatically, with some ribald humor in it...but not really that funny. But, OK, to briefly go through the points here: Richard E. Grant, Paul McGann, and Richard Griffiths all turn out fantastic performances here, and they’re extremely memorable. Plot and writing by director Bruce Robinson is very good as well, and it’s also autobiographical to an extent, which is interesting. Very wittily written and performed, so no complaints there. Directing is...fine? It’s fine. Nothing to write home about, although there’s one nice scene on a mountainside which sticks out. Same with Charles Lang and his cinematography, although that fares a little more memorable for me. Production and set design is great, and the music (by Adolph Deutsch)...leaves a little to be desired. In that I don’t remember it at all, not gonna lie. Editing by Arthur P. Scmidt is fine!

Recap (Part One | Part Two)

In Bruges (2008), dir. Martin McDonagh: 90%

Take my feelings on the humor for the preceding two and combine them, then make the tone WAY darker than either, and you have In Bruges. And HOT DAMN, I love it! All of the performances are ridiculously strong here, from Colin Farell and Brendan Gleeson, to Ralph Fiennes and Clémence Poésy. Although, Jordan Prentice and Jérémie Renier are mostly just OK, to be honest with you. And that was nothing to do with the writing and directing of Martin McDonagh, because GODDAMN, those are spot-fucking-ON. Seriously, if this movie has nothing else going for it, it’s some fast-paced writing and delivery that’ll knock your socks off. Love it. And Bruges is framed like a painting, and a nice one at that! It’s also a good looking movie, even if the color palette leaves a little to be desired sometimes. Production and art design is...well, it’s the city of Bruges, for the most part, let’s be honest. It looks good. And finally, music by Carter Burwell is...fine. It’s OK, it’s definitely not very memorable for me, to be honest. But, uh, this is a grizzly, dark, rough movie...and totally worth watching again, hot damn.

Recap

Swiss Army Man (2016), dir. Daniels: Well...keep reading!

Recap is here and here!

Review

Cast and Acting: 9/10

These two, Paul Dano and Daniel Radcliffe, are a hell of a pair...kind of. Fact of the matter is, Radcliffe is heavily restrained in his role until the very end of the film, but is also VERY GOOD with these restraints. I mean, is this one of those “disappear into the role” moments for him? I mean, it definitely is for Dano, but for Radcliffe...I was watching Harry Potter. Never didn’t see the boy who lived, ironically. But, that’s not really on Radcliffe at all, to be fair. Like I said, dude is legitimately fantastic, seriously. He does a fantastic job in the role of...well, being a dead body. And Paul Dano’s Hank is a genuinely interesting character, and one that I’d like to know more about, honestly. He does a great job with what he’s given. Oh, and Mary Elizabeth Winstead was there, too!

Plot and Writing: 8/10

Look...this is a weird-ass concept for a movie. I mean, come on, it’s a movie about a guy with intense social anxiety who makes friends with a semi-resurrected corpse that has multiple abilities and is slowly coming to terms with an new life. And yes, there’s definitely some symbolism in here, whether you see this as a story about depression, coming out, coming to terms with yourself, social anxiety, friendship, existential crises, personal development...dead bodies. Yeah, this film can be read in a LOT of different ways, it turns out. And is that a bad thing? No, of course not. But it is a little nebulous as a result, and you end up focusing less on the sybolis, and more on the whole “dead-body-Victorinox” thing. That plot and the writing, both by the Daniels (Daniel Schinert and Daniel Kwan), are well-done and very funny in a lot of instances (MOST instances, to be honest; this is a very funny film), but I can’t say that I think the plot itself is perfect. But then again, this may have just gone over my head.

Directing and Cinematography: 8/10

I mean...it’s good. Both the directing by the Daniels and the cinematography by Larkin Seiple are both quite good. Lighting is usually pretty great, framing is consistently good, I really don’t have any major complaints...or major comments. There are some good shots, to be clear, but I’m not going to say that it’s perfect or anything. To be fair, this is the Daniels’ first feature length film, so that’s interesting. But yeah, like I said, it’s good!

Production and Art Design: 9/10

This is a great looking movie! And that also comes down to the fact that there’s a pretty realistic looking Daniel Radcliffe puppet in here, and I genuinely didn’t notice until after the fact. It’s pretty great, though, and Radcliffe’s makeup is especially good. The setting of the Pacific Northwest woods is fantastic as well, and the whole thing is simply a great looking film overall. Not much comment outside of that!

Music and Editing: 9/10

MY LORD I love the music in this movie! I meant it when I said I’d be putting some of this on my playlist, because it sounds great. And it’s not just Andy Hull and Robert McDowell’s orchestration, but how the score is integrated with the plot and characters of the film! Look...I love it. Go back to my recap and check out the links embedded within to listen to my favorite tracks, if you’re curious! So, if I love the music so much, why not a 10 here? Editing. There are a few moment where the editing is a little weird. Faster cuts than needed, scene with the bear’s kinda weird, that kind of thing. Nothing huge, but it did come to mind when I was rating this section. Still, Matthew Hannam did a great job; just saw a couple spots I thought were weird.

86% for this one! I had a really good time.

This is the last straight-up black comedy I’m covering this time around, and it’s one hell of a film to end on! So, let’s go back to...well, the ‘50s, this time. Let’s start at the most imfluential comedy of the time period. And hey...might as well start with a near-certified banger, huh?

April 9, 2021: Some Like It Hot (1959), dir. Billy Wilder

[casper-has-a-cat]

AJR appreciation post

because i don’t think enough people have heard neotheater.  some background, their previous album, the click, is a masterpiece in its own right, it came out when i was in college and it captured all of my college feels, not to mention the song about the office (yes, the tv show) which had me genuinely laughing aloud.   but this post will focus on neotheater, because i’ve only just recently finished college and this album perfectly captures new-to-the-real-world feels.

like this album has made me cry so much and in the best ways, it’s been the biggest reassurance because i’ve been on my own for a month and a half now and hearing people that i respect articulating everything surround the fears and pain and sadness of growing up is as heartbreaking as it is comforting.  i’m not the only one who is filled with doubts and uncertainty and having those feelings doesn’t make me a failure, thank goodness.  thank goodness someone put that into music because now i can hear it whenever i need it.

and let me just say, this album has an odd sound.  even for ajr, it’s odd.  it’s extremely theatrical sounding, and that’s not so much my style of music, so at first i was iffy on it, but... it directly ties in to the meaning of the songs and the story that the album as a whole is telling.  the idea of feeling as though you’re being judged and watched and that everyone has expectations for you whether you want an audience or not.  it was a brave move and adds to the authenticity of the album.

so, let’s get on to more specifics!

lyrics that make me cry:

“i wanna be next up forever, find a way to never hit my peak” - next up forever (these made me cry on the first listen, because like, i know they’re talking about music, but that’s such a big mood post-college)

“you’ll sail the ocean finding where you should be.  and if you’re broken, you’ll find your own thing” - next up forever.  there's???  so much in these two lines???  like the idea that life is just one big search is huge, its releases so much stress surrounding the feeling that you should know where you should be as soon as you graduate.  and the second part?  that reassurance that you’ll figure it out, even if you don’t fit, it’s so good

“i wanna move out, i don’t wanna move on” + “i’ll come by when i’m grown, it won’t be the same though, i can’t even go home” - don’t throw out my legos.  honestly the whole song just hits me hard if i’m in the mood.  the profound sadness that comes with growing up and going out on your own is so well articulated in this song, and the metaphor of like.  wanting to keep insignificant things around because if you do, then maybe your younger self can still stick around too.  and then this idea of not having a home, i didn’t even realize it until i heard this but that’s maybe the most painful thing that i’m dealing with right now.  because it takes time to make a home

“you say that i'm better, why don't i feel better? the universe works in mysterious ways, but I'm starting to think it ain't working for me. doctor, should I be good, should I be good this year?” - karma.  i have so much to say about this song and i could’ve included a much longer quote here but this gets the point across.  i think anyone who’s struggled with mental health can probably relate to this.  and i love that it’s (imo) very clearly not dismissing counseling- they’re being honest in that counseling is not a magic solution, it takes work and sometimes it doesn’t seem to be working as well as we want it to, even if we do still see value in it.  and the transition right here, at the end of the song, from the “i’ve been so good this year” to the question - should i even be good this year if it’s not making me feel better?  that’s what really got me.

“dear winter, don’t move too far away.” + “will we still hang out and talk when i’m no longer in charge?” - dear winter.  this song makes me cry every time i hear it no lie.  apparently when ryan (the lyricist) played it for his brother for the first time, his brother also sobbed so i guess it only makes sense.  but yeah this specific verse kills me a lot because this is exactly where i’m at right now.  i moved too far away.  i hate how painful that is for my parents.  i had to do it but it still hurts every time i hear this.

“they wanted heaven from me, i gave ‘em hell.  now they want something bigger, i’m overwhelmed” - finale.  this lyric is preceded by 4 repetitions of the line “they wanted,” and the first two times it’s sung in a deep tone, but the third and fourth times it’s sung in a higher tone, and the singer sounds more energetic and maybe even high-strung, it’s like he’s rejecting “their” opinion.  and then you get this lyric about heaven and hell and you see that he did something unexpected, he’s decided not to be “their” version of perfect and done something that “they” didn’t want, and maybe he thought he’d be free from “them” after that, but it turns out just the opposite happened.  

“just don’t forget about me when you get out of college” - finale.  it’s such a good double meaning.  it’s playing off of them being scared that they’re music will lose popularity when their audience graduates, but it’s also like... talking to college friends.  don’t forget about me.  and also the world?  and this is where things get complex with the idea of having an audience.  on one hand the expectations are oppressive and confining, but at least someone’s watching as we grow up, but when we graduate it does feel a bit like society no longer cares about us so much.  at least, it did for me.  so i guess this line could have a triple meaning?

lyrics that make me laugh:

“thank you for coming to my birthday party, i am one minute old today” - birthday party.  honestly, every lyric in this song makes me laugh, it’s just such a fucking hilarious song, and like, dark humor all the way???  but this specific lyric is said in such a funny way i love it.  i actually can’t think of any other song that’s made me laugh so hard.

“what doesn’t kill you makes you ugly, life gives you lemons, at least it gave you something” - break my face.  there’s a whole aspect of this song that’s really tongue-in-cheek.  like it’s funny because they’re taking an idiom and really looking it in the eyes and being candid, like okay let’s stop sugarcoating things, what doesn’t kill you might not make you stronger but it’ll make you ugly!  but then the song as a whole can totally be read as a satire on people who are so critical of anyone who complains, or those people who are always like “look on the bright side” and “why can’t you just be happy!” and anyway it’s so genius

extra notes:

100 bad days hasn't made me laugh or cry aloud but it’s still such an important song imo.  “a hundred bad days made a hundred good stories, a hundred bad days made me interesting at parties, no i ain’t scared of you, no i ain’t scared of you no more” it’s such a powerful mantra to keep in mind when things get rough.  idk if that last part was meant for this, but as someone with social anxiety and probably agoraphobia, it’s just been really empowering

turning out pt. ii... i don’t personally relate to this song as much as most of the others, and yet it still makes me profoundly sad.  honestly i don’t like listening to it because of that?  but also it kind of... doesn’t feel as clever to me as the other songs.  like i could’ve written those lyrics.  which is something i rarely feel about ajr songs.  idk, maybe it’s better if you relate more! and i’m biased probably because of how much i loved and related tot turning out pt. i and this wasn’t what i expected.

the entertainment’s here articulates something that scares me a lot?  how easy technology makes it to ignore real life, how tempting it is to just watch netflix or youtube videos or whatever.  so i avoid this song a bit as well.  i think it’s clever as hell, but it scares me and i’m a coward

beats: i’m just gonna say it, it’s my least favorite song on the album.  the idea is funny but to me the implementation isn’t the best?  it’s not that clever imo?  it’s very repetitive and i think that was supposed to like, go along with the meaning of the song, of echoing and doing what others are doing for success, but for me it’s just ultimately kinda... meh.

wow, i’m not crazy: kinda like 100 bad days, hasn’t made me laugh or cry aloud but this song is really important to me.  it makes me happy.  the idea of finding people who are crazy in the same way you are, and how that can make you love yourself so much more.  i love that.

okay yep we stop here!  honestly there are more lyrics that i love but this is an essay already sooooo.  yeah.  i love this album.