#this is just some random stuff ive drawn while bored

[ghostboy-art]

Wordgirl doodle dump <3

[l0gitex]

15, 20, 24 for the asks! :>

tis a long one and also from a while ago

15. Biggest artist pet peeve?

LIKE.. IN OTHER ARTISTS? OR AS AN ARTIST? yknow what let me just answer both since i don't know in other artists.. gijinkas tbh sorry i really don't like them outside of few & far between rare cases.. i think it takes out all the wonder and imagination of a nonhuman character and particularly their design to go the most boring route ever and just maek them human IAIU#"/ though also ppl complaining about & being arrogant about not flipping their own canvases like why lol. it helps you. it supports improvement. its just annoying it isnt the boast they act it issss for myself ummmm.. i cant really think of anything so lets just say when my fcking computer freezes & i have to force restart it while im in the middle of drawing

20. What works have you drawn fanart of?

oh my god so fucking many dude fanart is my lifeblood being obsessed with media is 99% of my drive to make anything. i do make art otherwise but nothing activates my drawingbrain the way getting crazy about a new Thing does. sometimes unfortunate and something i feel kinda cringe for but whatevs here's some off the top of my head(...and top of my folder): futurama, sam and max, pinky and the brain, green eggs and ham, osomatsu-san, [REDACTED], yakuza, dan vs, undertale/deltarune, community, trolls, freakazoid, bill and ted, half life but the ai is self aware, regular show, mob psycho 100, count duckula, sonic, time squad, fallout new vegas, also a few obscurer movies or such. & of course some im embarrassed to mention bc they suck bad in some way or another ooor i regret ever liking. plus all the stray bits ive drawn for other people or just because of things im not actually into..

24. How do you deal with artblock?

either byyy just NOT drawing for a while, or messing around trying new / random / weird stuff. sometimes even just going to another medium entirely ie (physical) collage. idk if i fully believe in art block really being a thing but i also dont remember whatever stance i had in much detail so shrug. but like yeah generally if i am struggling with getting myself to make anything or amke anything i'm remotely satisfied with i either take a break or i push through it in whatever way. actually wait one more thing i do like to do is redraws of my own old art or like screencap studies & things like that. it kind of boosts your confidence seeing how you've improved especially when you are not feeling confident in your abilities, and i just find imitating references or others' drawings easier than doing anything from scratch in times like those

> Artist Asks &lt;-

[reidsnose]

doodles

overview: reader doodles on her hands a lot and spencer has to give into the temptation of coloring it in

genre: flufffffff

a/n: sorry ive havent posted a fic in like a week, ive been in quite a slump but i had this idea well after midnight but i just had to write it so lmk what u guys think of this one :)

masterlist

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doodling on your hands: a once nervous habit that had seeped into your everyday life and now is just a regular habit. nearly everyday you would come to work with clean hands and get home with a mini art gallery on your non dominant one.

Spencer admired this from the moment he noticed it. at first he thought you had a tattoo but when you came back the next day with it completely gone, he was a tad confused, only to catch you doodling on that very same hand a couple hours later on the jet. he thought maybe it was an occasional thing, a habit you'd quit once you got better situated into the team, but after nearly a year you still left work almost everyday with some cutesy sketches drawn on your hand.

Spencer found himself looking forward to your doodles, imagining in his head what you might draw each day, and thinking of all the colors you would add if you had the time. being the great profiler that he is, he noticed a pattern: you subconsciously correlated your doodles with your mood.

after especially hard cases or just bad days you always drew roses.

when you were very happy you drew all sorts of fruits.

anxiousness bore little swampy creatures and lily pads.

tired days filled your hands with random, intricate designs that you didn't even have to try hard to make.

and content was anything else.

he was so impressed and absolutely adored your little coping mechanism. watching you concentrate on making those teeny pieces of art simply for your own pleasure was definitely a sight to see. the way your eyebrows furrowed and tongue poked out a bit was absolutely positively adorable. and soon he had noticed that he was looking forward less to the doodles and more to watching you draw them. and after that he began looking forward to just you.

you were sat on the jet with your back to the corner of the last seat on the plane, creating a pattern of roses on the back of your hand. Spencer plopped down in the seat next to you, growing tired of watching from so far away.

"that bad, huh?" he asked, noticing the type of flower you were gracing your hand with.

"hm?" you looked up, confused.

"you only doodle roses on bad days." he explained, pointing to your hand.

"what? no i don't!" you defended, " i just think roses are neat."

to be fair, you were having a bad day but he could've profiled that without the doodle. he cant be right, can he? there was no way you had a mood system for your doodles! unless there was.

"repetitive strokes are therapeutic, so roses being rough days make sense. the spiral in the middle followed by however many layered petals you want is a perfectly repetitive while still interesting enough to doodle."

"if i didn't know any better i'd say you've been spying on me, Dr. Reid," you teased, enjoying the slight rouge that appeared on his cheeks.

"what! no! i'm- i'm a profiler i notice patterns! i just- spying sounds creepy." he stammered.

"ok. how about admiring." you jabbed, turning a little red yourself.

"fine. but you know coloring helps too." he flipped back to the old topic of conversation.

"unfortunately i only have the standard blue, black and red ink."

"roses are red." he chuckled.

"interesting point," you bent down and reached into your bag, pulling out a red pen and handing it to him, "knock yourself out."

"what?" he looked at you slightly bewildered.

"coloring is therapeutic, you said it yourself. and you and i both know that you need something to relax you after a case like that. we all do." you explained, trying to be as nonchalant as you could knowing his skin would touch yours.

he grabbed the pen and clicked it open, coloring smoothly and slowly inside the lines you had already made in black, careful not to go over them and smudge the ink. you and him both tried your best to ignore the warmth shooting through your bodies from every place your hands touched. his fingertips lightly grazing your knuckles as he worked.you worked your way up your arm, giving you both space to work and by the time you landed, you had a half sleeve garden of surprisingly well colored (and somehow shaded) red roses.

you went home that night and bought a pack of colorful (washable) pens, hoping this little rose garden with him wasn't a one time thing. and even if it was, you would want to add your own pop of color to your doodles.

thankfully it wasn't.

you and Spencer found yourselves drawing and coloring on your hand a lot. he would catch you doing it and pop in over your shoulder just to add a touch of color where he thought it fit. and you began to feel sad washing off what the two of you had created that day, feeling nostalgic for time that has hardly passed.

and sometimes on the jet you would get tired of your own skin, so you would draw little doodles on his hand, often times leaving a little heart at the base of his thumb. these little hearts he avoided washing off for as long as he possibly could because they felt like a part of you was always with him. he started doing the same thing to your hand, a sort of signature the two of you shared.

most days, the doodles on your hands were pretty much fully colored in.

but now Spencer began to worry. what if you get ink poisoning because of his coloring? sure, the risk was statistically low, improbable even; but never zero. so one night after work he went out and bought a little sketchbook and on the front he scrawled,

"y/n's super duper special sketchbook"

upon receiving it, after giving him a hug he never wanted to let go of, you took a sharpie and started editing the title he had given it. so it now read:

"y/n and Spencer's super duper special sketchbook"

the two of you used up a whole page that day, front and back filled with all types of fruits. Spencer smiled to himself, knowing this had made you very happy. you took a second to take a step back and admire him doing the very thing he admired you for. and you understood why; he just looked so precious and you suddenly realized you craved the feeling of his hand touching yours. so you leaned over and drew a little black heart at the base of his thumb. he looked up at you, smiling widely before returning a red heart to the base of your thumb.

and you guys tore through that book, using a page a day and filling it cover to cover in no time. your own personal handmade coloring book. it turned out to be both of your most prized possessions, a pang of sadness filling your chests as you finished the last page.

you felt bad taking it home with you that night, wondering if maybe Spencer wanted to keep it. maybe you should keep it at work so you can both have it. thats the fair thing to do. you looked down, smiling sadly at the little red heart on your hand.

he did want to keep it. but he had a better idea in mind. he looked down, smiling excitedly at the little black heart on his hand.

the next day when you arrived to work all your worries were solved. on your desk laid a new sketch book entitled:

"y/n and Spencer's super duper special sketchbook: volume ii"

you laughed as you read a small lilac post it note that said, "i want to keep this one please" signed with a little red heart in the corner.

-

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ultra mega super cool taglist:

@mac99martin @imhreid @spencersmagic @hollydaisy23 @raelady1184 @a-broken-pact @padfootswife @hey-there-angels @star-stuff-in-the-cosmos @sonnydoesrandomshit @coffeereid-deactivated20210303 @averyhotchner @laurakirsten0502 @reidyoulikeabook @rem-ariiana @spencerreid9 @vampire-overlord @takeyourleap-of-faith @s1utformgg @violetspoetic

[tartagilicious]

luke pearce relationship headcanons 🐹

WHERE ARE ALL THE LUKE SIMPS IVE SEEN NONE OF YALL IN MY INBOX?? anyways if you don’t like him or say he’s boring i don’t trust you

- you are and have always been his first yet most complicated choice. there is nothing he wouldn’t do to be with you, but for years forced himself to avoid you for your sake. it’s common knowledge at this point that luke only has three years to live, and the last thing he wanted to do was cause you grief by tearing such a strong bond so suddenly.

- when you met again outside of penny’s comfort foods, a thousand emotions went through his heart at once: overwhelming happiness, dread, love, even regret. because despite himself, he will always find his way back to you.

- he holds onto you in any capacity that he can, at any time. you don’t understand his need to have your hand in his all the time, or how his hugs seem extra tight certain nights, and you don’t for a while. but when you do, you’re guilty of holding onto him for a couple of extra minutes too.

- luke tinkers with things for you. he makes useful things better, and useless things pretty; some of which he’ll hand over to you as a gift if he’s particularly proud of it. a lot of self defence tools come out of this, just for the nights he can’t be around.

- you experience as much together as you can to make up for the years spent apart, and make a ton of amazing memories from them.

- occasionally he brings up the topic of what will happen after he’s gone. you never want to listen, but when he takes your hands in his, begging you to meet his eye, you can do nothing but comply. because he has no parents to fall back onto, he will scatter his belongings amongst his dearest friends, ending with you. he promises you that you will inherit the most important parts of him each time. each time, he reminds you that he will always remain with you in some form.

- anyways enough of that sad stuff!!! you have years together, let’s not worry about all of that down the road. you pray every day that by some miracle luke will be able to get help and start towards recovery, but only time will tell.

- a best friend type of boyfriend, totally. loves making bad jokes, or calling you sappy nicknames in public just to see you flustered. he would probably tell a waitress it’s your birthday when it’s not LMAO

- i’ve probably already made it obvious, but physical touch is definitely his love language! long kisses, drawn out mornings in bed, arms around your waist whilst you make coffee. random massages. all of it.

- as said in the game, there’s a certain tacit understanding between the two of you. this makes you great partners not only in life, but also investigations! you can communicate without words, and will never fail to put your faith in the other. there’s probably a fair amount of times wherein you’ve protected each other, too, whether legally or physically.

- randomly drops off lunch at the firm without warning. (there is a pattern, but you can’t figure out what it is and he intends to keep it that way)

- not jealous very easily, he knows you would never leave him — but he’s confident about calling you his. he would definitely show off to marius given the chance.

- he keeps a diary that documents your relationship, either by the day or the week to serve as a memento for the future

- ;-;

[wickedpact]

You can't just drop that "I read Forces Multiplied" bomb on us and not give a ten page written reaction.

[cracks knuckles] if u insist

nicky cant drive hc: destroyed. rip. also i loved how andy and nile stole those sports cars and were being badass and driving off the bridge & meanwhile joe and nicky were just absolutely vibing in the van

'heres the thing about power: people who have it think they deserve it' [shot of police car] i see u greg

5 whole panels being dedicated to booker not being able to unlock his door. booker not even seeing noriko sitting RIGHT THERE in the window at first. incredible

noriko being 24/7 horny was surprising. like wow all of the stuff i saw she did out of context was 100% equally horny in context as it was out of context. love that for her

i didnt think the 'andy + slavery' thing was handled as badly as everyone made it out to be when telling me about it. tho from the way it was talked about i had kind of figured the conflict between andy and nile re: slavery would be really racially charged (esp considering nile is a black american and would obvs have Thoughts on the subject in that regard) but like,, done in a cringey 'a-white-guy-obviously-wrote-it' kind of way? but it wasnt that. i mean. it makes sense that andy would be implicit in slavery through the years

i mean, like she says, is that not what people just did to each other in the aftermath of battles for thousands of years? and i really like how its pointed out that it was what she was raised with (in the beginning when you see her put shackles on that guy after the battle) but she also accepts responsibility for it and acknowledges that it was wrong and not just 'what people did'.

i like how from her expressions you can kind of tell baby andy knew it was off but she sets those feelings aside bc she felt angry. it explains how she felt but didnt make her out to be blameless in it. plus i mean. i dont know, the fact that andy was involved in a lot of morally shady stuff for 7000 years is not that wild for me. if you live that long youre just Going to be involved in some shit, and she didnt even have other immortals with her as positive community influences, she literally just did whatever the fuck she wanted for thousands of years

'i was worshipped as a god once' i mean, yeah no shit she wouldve been involved in some seriously fucked up stuff, gods were fucking scary back in the day

tldr it could use some polish but it wasnt that bad

tho everything people said about moose being boring was unfortunately a little true. sorry king i tried to be interested in you

joe and nicky writing verbal fanfiction about nile and moose was iconic. 'you seeing that?' 'i am definitely seeing that'

it was also extremely funny bc that was like 60% of their contribution to the whole comic, besides kidnapping copley. they came, they wrote some fanfic, they left. kings. at least in tog1 they had an excuse to be useless bc they got kidnapped

joe just found out his old friend who he thought was dead is alive (and also probably wants to murder them) and instead of investigating with andy he stopped to help nile up. champ.

nicky shooting noriko through andy was cool. rip to the concept since it wont happen in tog2

wanna see mr ejiofor deliver this line

on that note imo copley was. weirdly enough, more interesting in fm than in tog1. to me at least. the fact that andy let him live and he was so haunted by what had happened that he came back and sought them out despite knowing they would likely kill him for it bc he wanted to not only make up for what hed done but also to tell them what theyd done for the world was admittedly more interesting than andy just kind of drafting him to the cause and him going 'okie'

i like how nicky was drawn in this one. in opening fire he looks like a blob man but in fm he looks more like a very nice grampa with a very good dye job

'theres no pain like a broken heart' andy 🥺

noriko implying andy's never drowned. .. .idk about that one, she musta drowned sometime

joe and nicky came, they waxed poetic about nile's love life, they waxed poetic about grog, and then they left.

sports bras being a reason humanity is good. i mean..... okay, yeah.

i mean. wild but you cant exactly tell her shes wrong

i liked how noriko telling andy that their purpose is to make people suffer coincides with joe and nicky finding out that they actually did good all those years

joenicky in opening fire: jail for booker jail for booker for 100 years

joenicky when copley tells them he knows where booker is: WE'LL KILL YOU WHERE IS HE

joenicky when copley comes back: if your vibes come off as even remotely rancid we Will destroy you

joenicky 2 minutes later when copley helped them find booker: he made up some ground :)))) <3 lov you j cops

theyre forgiving af

moose: how old are you?? a hundred??? a thousand???

nile [vine voice]: I M 2 7 ?

alright andy you got me there

joe texts like my aunt

i dont know why noriko drowning andy in that car tickled me. Bad And Naughty Andromaches Get Put In The Pear Wiggler To Atone For Their Crimes.

the drowning sequence was cool

copley trying to talk to andy while she was like o_o at him was great

ive hit the picture limit but id seen that panel where nicky goes 'forgive me' as he kills a guy out of context and it was HILARIOUSLY anticlimactic for me to discover that there was literally no context to it. nicky just apologizes to random people he kills. i thought that guy was someone he knew or something. nope its just Some Guy that nicky didnt know from adam

nile's complaint that andy was especially brutal to the guys on the boat... i mean. . , how exactly does one kill a man with an axe and not be brutal about it?

it was funny how noriko kissed andy and the only people who seemed surprised by that were nile and also andy

nicky and joe's complete non-reaction to finding out noriko is alive And Evil Now is endlesly funny. they just left her on that boat and neither cared. i get book and nile not caring but joe and nicky knew her, and they just have 0 input on the subject of what to do with her

pinstripe suit guy!

joe and nicky and booker packing up and leaving with nile

andy blowing up at nile was A Moment tho

i dont know, i get why people didnt like the ending but its. .. . it makes more sense in the comicverse. bc the squad doesnt really. .. interact outside of jobs? i mean, think of the moon landing story in ttt. that was booker and joe and nicky doing a job and andy only showed up a for a couple minutes after it was done. or the brunch in the first issue of opening fire. the squad arent as tight in the comic, and andy often seems to do her own thing outside of work, so andy saying 'i dont want to do work anymore' and the squad being like 'alright bye then' makes more sense in this universe than the movie one

also i feel like greg was Trying to set up a thing where nile becomes the Leader of The Squad after andy dies but like. its not very well done since. . . i mean, nile hasnt spoken to booker since opening fire, (and she only knew him A Day). and shes known joe and nicky all that time, but there isnt really anything that indicates that they have any relationship at all, much less one that's grown. in all the comicverse the only time nile and nicky speak is in FM, and in that scene nicky tells nile about noriko. nile goes from someone who needs to be set aside to have background knowledge explained to her to being the Leader of the group with nothing in between. it kind of... comes out of nowhere.

on the other hand tho... i felt really bad for andy thru the whole thing. well, i always felt bad for andy, but in this one she seemed so miserable, especially since it really felt like none of the others actually.... cared about her. when noriko came back no one asked andy how she was doing (big question ik, but it wouldve showed they cared at least), nobody ever expressed any concern for her, no one even really seemed to want to be around her. in opening fire everyone was more distant than in the movie of course, but there were little moments where she would joke with joe, or nicky would try and comfort her, or stuff like that, but in FM it really felt like they just didnt really care about her. & in opening fire it felt a lot like andy's relationship with nile breathed some new life into her, but in FM it felt like all they did was argue. i get theyre not *as* close in the comics but it really felt like the only person who cared about andy at all was noriko (which was probably also how andy felt) but it just seemed to come out of nowhere. honestly i was reading and i was honestly agreeing with andy that she might just be better off if she did just die. opening fire, on the other hand, never make me feel that way

tho everyone made it sound like when the squad split up it was one of those cursed 'the found family leaves each other at the end of the journey' tropes. but guys i mean,,, this is the second installment out of three. that isnt the End. theyll come back in the third one and Dramatically Reunite to fight some baddies (probably those 'others' noriko mentioned). im guessing yitzhak fits into that too somehow.

anyways it wasnt That Bad but it made me kind of sad and the only Sweet Found Family vibes in it were when they saved booker. also they shouldve beefed up that nilemoose romance, it underwhelmed me. 6.5/10

i also ABSOLUTELY understand all of greg's comments about how you couldnt make FM directly into a movie, he always said that it had no plot and. i get it now. it really didnt have a plot sdfghjkl