#this is just how I choose to interpret her

[itz-pandora]

Guys watch this before clicking read more

I have so many thoughts

THE PARALLEL BETWEEN MARIA'S WOUND AND THE DESTROYED MOON?!!! OH MY GOD!!!! OH MY. MY GOD. That's the entire reason I started writing my thoughts down because that's way past important. Where's that post about the symbolism and correlation between Maria's name and the moon because that's all I can think about

AND I LOVE how they're choosing to portray Maria recently, excited and eager for everything, even though it hurts her. Also how fascinated she is with earth makes me happy. I love the idea she'll just endlessly ramble to Shadow about Earth. Also her VA does a good job at letting you know how out of breath she is and how she's still all upbeat even tho she's literally about to pass out

Also ?!!! I AM GOING A BIT CRAZY AT SHADOWS PORTRAYAL!! I'm so hyped to see how he's interpreted in Generations. He seems so confused, and like each time period he's in impacts his personality heavily, like he's still with them on the ARK. He wants to save everyone even though he knows he can't and I'm SCRATCHING AT THE WALLS because of it. I think the way that they'll try to portray him going into the past is with him being only half-aware of everything, OR, HE'S TRYING TO LIVE A LIE TO MAKE HIMSELF FEEL BETTER. Ohmygod the second one makes me feel ill because he just wants to be happy, he wants to keep his little family together and safe, but he knows that the fate is inevitable, just wondering if he could've stopped it. It's haunting to him. The feeling of not being in control is present throughout the entire episode, where he's constantly dragged through each event, each one being more exhausting than the last. Everything is happening to him, he's not the driving force, and that's the sad part, he had an entire game about defining his identity, and still, he's always been a puppet to someone else, bent to their will.

I'M SO CURIOUS ABOUT WHAT THEY'RE PLANNING WITH GERALD BECAUSE ITS DEFINITELY SOMETHING. SHADOW WHAT DID HE DO TO YOU??? Shadow had to PHYSICALLY CLASP HIS HEAD BECAUSE OF THIS. I NEED TO KNOW.

Dude is this supposed to be Shadow's second traumatic flashback regarding the ARK, since in the hero story of SHTH, there's an entire level about the ARK where he plays with Maria as his sidekick, and it was triggered by hearing the sirens of the ARK (which I LOVE btw. Of COURSE he'd associate the noise with events since it's been drilled into his psyche before the amnesia)

I LOVE how scared he is at the end. He's sooooo panicked. I love how they give him the sparks when he's overwhelmed, it makes me feel so happy.

Who is HE?! It can't be Shadow before his memory loss, that guy did NOT SURVIVE. Also idk if they're going to return to the "pre and post amnesia Shadow are different people" thing they implied, because I think it'd be best to have it be like his memories are fragmented, and it's all about remembering, and THEN WE GET A NEW INTERPRETATION OF SHADOW?? Pls? Like not new but somewhere in between SA2 and after that, but with more little brother energy because MARIA IS HERE!!!!

GUYS WHAT ARE THOSE FLOWERS AT THE END AND WHAT DO THEY MEAN. PLEASE TELL ME SINCE THEY PROBABLY HAVE SYMBOLISM

This is so disorganized sorry I'm not normal at all

And ofc Eggman's piss was still on the moon. We love continuity

[saucy-mesothelioma]

In honor of my partner and I finishing our first Slay the Princess playthrough, I started a little project against my better judgment and wanted to share a little bit of it. This bit contains spoilers for the beginning of The Nightmare's route as well as how you get on the route in the first place. I've already written for The Tower as well as the offshoots of The Fury and The Apotheosis, but The Nightmare is my girl and I love her, hence why I'm posting what I've written for her so far. It didn't format well from the doc to Tumblr, so just be warned that there's a few giant blocks of text below the cut

He sits in front of you, weaponless and vulnerable as he gives his interrogation. But you do not strike. Instead, you play the victim. There’s no reason to make this harder than it needs to be, and if you can convince him to simply free you, that would make things far more simple. You maintain your facade of the defenseless and scared princess, taking extra care to assure that your voice never loses that pathetic waver. You’re certain that he finally believes you and that you’re about to be set free from these confines, but then he makes the suggestion of keeping you down here to chat. That is enough to make you lose your patience. Your face immediately drops the big doe-eyes and trembling lip to be replaced with a look that is far more cunning and threatening. You assure him that one way or another, you are getting out of this cabin. And if he doesn’t help you, he won’t like what happens. If it’s from dropping the act or testing your threat you aren’t sure, but he makes the decision to simply walk out and leave you here. Your voice shakes with barely-contained hatred as you watch him leave and hear the door to the basement shut, leaving you alone and cold in the dark once more. You start to hyperventilate, adrenaline born from fear and anger coursing through your veins. You have spent your entire existence trapped in this godforsaken basement, and when you finally meet another living creature, someone who could’ve been your hope and salvation, they turn away and abandon you. You can’t do this anymore. You can’t be alone. You won’t be alone. You refuse to be alone. And as your fear and panic and anger rises, you let out a piercing wail that could shatter glass. You free yourself from your chains and make a frenzied dash for the stairs. You trip over yourself as you scramble to reach the door, your nails leaving scratches in the old wood as you grab onto anything to maintain your ascent. And when you finally reach the door, you pound on it and throw yourself against the wood. He’s blockaded the door, you can tell because of the resistance every time you smash your body against it. But you refuse to stop even as bruises begin to blossom over your skin and splinters dig into your flesh. You will not be abandoned again, and you will do whatever is necessary to keep that from happening.

You call out to him as you bang on the door, your voice broken and crazed. You all but beg to be let out, assuring him that this door can’t hold you for long and suggesting that he get on your good side. When he doesn’t respond, you increase your efforts tenfold, threatening to tear him apart. You will never forget what he’s done to you, nor will you ever forgive it. And then he has the audacity to call you a monster, for putting on an act. Your mind reels at that accusation, and your voice begins to grow hoarse as you accuse him right back of teasing you with the fresh air and freedom you so desperately crave. He doesn’t answer once more, and you bite back a scream of despair as you throw yourself against the door again and again and again and again. You don’t know how long you abused your body with these repetitions, but finally the door gives way and you burst through to the other side. You stand there for a moment, breath coming in ragged, wheezing pants as you crumple to the ground. Your body aches with every breath and you can’t stop trembling. Your throat is raw from the screaming and your hands are bleeding, nails horribly broken and fingers and palms covered with splinters. Your wavy hair is matted with sweat, dust, and blood. But none of that matters, because you can feel the night air through the windows of the cabin.

You choke out a sob of relief as you sit there, letting the tears fall down your face. You’re finally free. But your job isn’t done yet. When your eyes clear, you can see him asleep against the opposite wall, and your heart is filled with a cold vengeance. You could easily kill him now, but you want to make him suffer for what he did to you. As you stare at his sleeping body, something in you snaps. You twitch, and your body twitches with you, blinking in and out of existence. So he thinks you’re a monster? Well, then you’ll make him wish this was a nightmare. When he wakes up, he’s immediately in a panic as he notices the door is now ajar. And then you appear before him, grinning madly. His terror intensifies, and you can feel it feeding directly into your newfound ability. As you move closer, blinking in and out of reality like a ghost, you notice that he is quite literally paralyzed with fear. Your manic grin widens, and you taunt him. You’re going to play with him. And you’re going to make it last. As you move forward step by step, you can feel his organs shutting down one by one due to your mere proximity. As his lungs and heart finally cease, you look down at his still body and can’t help but be disappointed. He didn’t last as nearly as long as you’d hope to get your revenge, but at least he’s dead. You have lost your toy, but you have gained your freedom. Or so you thought. The cabin wouldn’t let you leave, even if you tried to drag his body with you. You’ve been abandoned once again.

You awaken to find that your basement has become a dark and barren wonderland. It is filled with shifting shadows and watching eyes: the perfect playground. You feel his presence the second he steps into the basement, and you smile. Your toy has come back to play, and you’ll make sure that he doesn’t break so quickly this time. Even though you’re nowhere near him, you tease and taunt him, letting him know just how much you look forward to playing with him once more. He descends further into your maze and cold joy spreads through your body. You have your toy back, and you’re going to ensure that he will never leave you again. And when he turns right, you finally come face to face with him. You approach him, and already his body begins to shut down. The power you had gained before has increased dramatically, although there are a few setbacks. Your body is unstable and acts more like a phantom as you float and blink in and out of reality at a far more rapid pace than when you started. But to say you didn’t like it would be a lie; you’re far more terrifying this way. And terror is exactly what you need from your little toy. You’re barely inches from his face now, and he almost collapses as his organs immediately fail. But against all odds, he somehow manages to pull himself back from the brink of death. You’re surprised, but you couldn’t be more delighted. It’s more fun this way. He asks you questions and you answer, teasing him occasionally by coming even closer to bring him closer to death before allowing him to claw his way back. You need him alive to leave, but that doesn’t mean you can’t have some fun with him first.

[each-uisge-enthusiast]

the modern villainisation of demeter will never cease to enrage me bc it wasn’t ENOUGH to just take a story of a girl being torn from her home from everyone who loved her and dragged away to be forced into marriage and twist and corrupt it until it was a romance story about female empowerment that wasn’t ENOUGH they HAD to take the original hero of the story the mother who went to every length to find her daughter again to bring her home and demonise her character until she was this horrific overbearing unloving mother. overprotective controlling without love. they turn the story of her grief at her YOUNG daughter being torn from her without her knowledge into the story of a misunderstood bad boy and a horrible cruel mother who won’t give him a chance and i really find it sickening. it’s ironic, that the ever misogynist age of hellenistic greece, has a better grasp of how disgusting and horrifying this situation was that a modern, self proclaimed ‘feminist’ era.

[possamble]

What are your headcanons about Marcille's mom if you have any? It's interesting that what drew Donato to her was cause she lived the history he studied, or that was said somewhere at least. She must've had an interesting life.

so this was going to be just a normal answer but then I realized I have a Lot of Things To Say. so here goes, a compilation of what we know for a fact from the canon, what I've extrapolated from the visual cues and details, and my theories based on all of that.

Things we know for a fact about Marcille's mother because they were explicitly stated in the manga and supplemental materials:

She was a court mage for a Tall-man kingdom at the southern part of the Northern Continent

Donato, a court historian, fell in love with her because she had lived through the history he was studying, and he courted her for 17 years (age 15 to 32) before getting married

She was a cheerful person who rarely showed extreme emotion and took things as they came

She always cooked a huge meal for Marcille on her birthdays

She remarried a gnome after Donato's death and a short distance away from Marcille's childhood home

Pipi, Marcille's pet bird, was actually older than Marcille and originally belonged to her mother (bird died at 62)

She was extremely heartbroken when Donato died and ultimately ended up instilling a deep fear of mortality in Marcille with her words

the only time she showed extreme emotion in front of her family was when Donato could no longer eat his favourite dish near the end of his life.

She scolded Marcille for being cruel to ants (implying she can have a stern side when needed)

Things that are explicitly shown but mostly through visual cues

She has a very distinctive style of dress always involving a ribbon choker (mirroring Marcille's habit of always wearing a matching choker with any of her outfits that don't cover her neck)

She was almost stereotypically good at housekeeping and traditionally "wifely" things (very frequently depicted wearing an apron or doing some domestic chore when not at work, seems to have been an avid cook).

She knits? (also, note the affectionate smile as she's looking at Donato and Marcille reading a book together in the full panel)

She was as excited for Marcille's milestones as Donato was.

She didn't tell Marcille much about elven food

(there are a couple things that this panel in particular implies:

She lived a good deal of her life (if not being born and raised) in a mainly elven country in the West, implied by her knowing enough of an elven region's cuisine to prefer Tall-man food over it

seems to have a pretty carefree and casual demeanour overall, if this is how she replied to Marcille asking her about it (sounds like she never gave her culinary preferences that much thought to begin with)

slightly related to number 2, it seems like she and Marcille had a fairly casual parent-child dynamic (especially in comparison to the Toudens' memory of their father)

(local elf tastes Italian food once and never goes back))

However, she seems a lot more... serious in most of the other times we see her? Almost like the very stereotypical archetype of a graceful elf.

Subsequent conclusions about her personality:

Usually pretty carefree and cheerful at home, has been a loving and attentive parent throughout Marcille's childhood (while not being so doting that she didn't discipline Marcille).

Slightly more conjectural theories on her personality:

Had a much more graceful and professional personality at work, which would explain the more serious portraits we see of her.

Given that both she and Donato had positions at the royal court, it seems a little odd that she'd go out of her way to do all the housework herself, so maybe she just enjoyed doing it?

Now taping all the evidence together and toeing the line between analysis and fanfiction:

It's clear that she loved Donato very much and was utterly devastated by losing him. But there's one thing that really stuck out to me in what little we see of her:

Doesn't she seem... angry? The way she's gritting her teeth, clutching the tablecloth, and how this is the first and only time we see her eyes opened that wide. In the following panel, you see her being quiet and dejected after her initial outburst. She's still crying very intensely, but her brows are furrowed, and she's not really responding to Donato's affection in her body language.

We're not told the details of how she felt about losing Donato other than that it upset her. But this, to me, implies that she was angry and resented that he was aging, that the end of his life was approaching. An "it's not fair" type of preemptive grief. And if this was the first and last time she cried like this in front of her family, she was either very good at coping in private... or very bad at letting herself feel unpleasant emotions until they become unavoidable and end up overwhelming her.

It's not too remarkable a detail on the surface. It's even reminiscent of what the audience has seen of Marcille. But... when it comes to the big picture, you'd think an elf who voluntarily chose to marry a tall-man and have a half-elf child would have been better prepared for this.

It kind of recontextualizes her cheerfulness to me.

"I'm sure everything's gonna be okay!" (or some variation thereof, depending on what translation you have).

And this is stated to contrast her extreme grief when finally confronting Donato's failing body and eventual death. But I'm wondering if... maybe this optimism was why she was so upset. What if she went into all of it thinking "everything's gonna be okay"? What if she was a little young by elven standards, and just followed her heart thinking that her own resilience would get her through anything?

Of course, only to get completely overwhelmed when she actually loses Donato. She turns into a completely different person. And that's heartbreaking on its own-- but what the audience sees is the effect it had on Marcille. Can you imagine being her, watching your invincible and upbeat mother suddenly lose all the light in her eyes in one go?

I've already made a huge post about how I think Marcille models her "work persona" off her mother, but another thing that stuck with me as I was looking for more details in the manga was this:

copy pasting from the other post i made about it lmao it's like... the second she resigns herself to lifelong pain and terror, there's another portrait of her mother facing her like this. with their heads bowed, in mirrored body language of resignation and despair and sorrow. Except it's posed like Marcille is still looking at her mother but her mother is looking away.

It took me a second to realize, but I think that it's a visual metaphor for the fact that Marcille's mother was the only long-lived role model she had-- and she failed to model healthy grief for her daughter. I don't say this as an accusation or to disparage her as a character, but just as a matter of fact. In her, Marcille was seeing herself older and losing a short-lived spouse or loved one of her own, and all she saw was hopelessness.

But her mother didn't mean to instill hopelessness and terror in her. She wasn't really thinking of how it would truly affect Marcille at all (at least, that's how I'm interpreting her looking down and away from Marcille in the metaphor), she was just sad. And she, in her own way, was trying to protect her daughter and help her prepare for future losses.

What she meant was "loss is inevitable, and you have to learn how to be in pain but live on anyway." What Marcille heard was "loss is inevitable, and you will be scared and hurt for the rest of your life."

Again. Marcille's mother doesn't feature explicitly in the story the way her father does -- but in so many ways, her shadow, her silhouette, her reflection is always hanging over Marcille.

All that to say... headcanon-wise (everything from here on is 100% without evidence lmao), I'd like to think that she matured and realized that she failed Marcille. I imagine her being regretful about it, wanting a chance to fix it but never finding a way to insert herself back into Marcille's life when Marcille is so so so busy becoming the most accomplished mage possible. I imagine her being herself again, now, so many years after her loss and after remarrying -- but with her cheerfulness tempered with a lot more wisdom and the pain of having gone through loss like that. I think the second Marcille actually tells her what happened in the dungeon, she'd want to go running to her daughter again -- if Marcille tells her the full truth instead of just being embarrassed she let things get that far. (oh, the tragedy of her wanting to be more like her mother and an accomplished adult who doesn't need to be babied... being embarrassed to actually tell her mother how much she fucked up...)

There's also the tension of her having remarried -- I know that there's at least a little bit of resentment that Marcille harbours about that, because she's childish like that at heart even if she makes an effort not to externalize it. I think that her mother would be aware of that, potentially adding to her sense of guilt and apprehension at trying to reappear/intrude on Marcille's life. I honestly don't think Marcille has met her stepfather -- or even considers him a stepfather rather than "mama's new husband" and kind of a total stranger. I think she and her mother actively don't talk about it in their correspondence, like an elephant in the room.

but, ultimately, I think her mother is on her side no matter what. Ancient magic? Dark necromancy? Sure, she'll feel guilty and like she was partially responsible for setting Marcille down such a painful path, but she wouldn't care. that's her daughter!! she would've moved back west and been petitioning for her at the court, buying a house right next to the Canaries barracks and visiting her every day that she wasn't on a mission. And if her husband had opinions on Marcille becoming a "dark arts user," he either gets over it or it's divorce with him. Yes, she might have had her optimism completely humbled by losing Donato like that -- but she's still headstrong and self-assured and she doesn't care what people think of her. It's her way or the highway and she's always going to be in Marcille's corner.

(She also needs a name lol. I went with Juno, just to be cute about "Marcille"s closest real life equivalent being Marcella, which is the female version of Marcellus, which in turn is a diminutive of Marcus, which was derived from Mars. Absolutely in love with Marcille potentially being named after Ares/Mars the fucking god of war btw)

[aroanthy]

i love how fraught and complicated discourse around various utena characters ‘dying’ is when anthy is literally stabbed to death eternally by a million swords imbued with human hatred. and then utena gets stabbed to death by them also. like. ‘death’ is incredibly interesting in rgu because most of the time it’s this ambiguous figurative thing that has interesting implications re: ohtori as a closed-off world one can escape. we are all trapped in our coffins. mamiya is the only named character with a grave. nemuro memorial hall functions as one all the same. ruka is implied to have died in the hospital— was he dead all along? who was the boy we saw for these two episodes? is this dead boy the same boy, or is this just another coincidence from the shadow girls, cutting like a knife? it’s heavily implied that akio and anthy murder kanae by poisoning her, adding to the previous implication that they were poisoning mr ohtori too, but there are no perceptible consequences of this. kanae’s absence is not felt. she’s fed an apple slice. what happens to the bodies? we know what happened to the 100 boys, but what about everyone else? and so on and so forth. ‘death’ is a tricky thing in utena, i think it’s constantly functioning on figurative and literal levels in very different ways for very different purposes. dios died. dios was dying. dios didn’t die. he grew up. etc etc

[fountainpenguin]

Things that happened in Martyn & Cleo Double Life canon:

Cleo hoping to find her soulmate and start a life with them

Cleo dumping Martyn without giving him a chance to explain his side of the story, but hearing him out when he comes to her later

Martyn watching Cleo through his spyglass and telling the audience she seems safe and happy even though he thinks it's weird she's outside at night

Martyn, after he's had time to consider how he wants to play this, spinning a story about trying to be a provider for her and Cleo explaining that she wanted him, not things

Cleo not being remotely impressed by the "I was providing" sob story, lol

Martyn calling Cleo selfish for choosing to be with Scott because she's supposed to be HIS soulmate and he wants a partner

Cleo willing to forgive Martyn if he meets them halfway

Martyn refusing to meet them halfway because he doesn't think he did anything wrong

Martyn screaming about how Cleo's building bridges with Scott but "When will she think about mending our bridges???"

Martyn explaining to Cleo that he doesn't understand why his Session 1 actions bothered them

Martyn centering his character arc and roleplay on trying to win Cleo back without actually apologizing

Cleo giving Martyn a flower and stating that if he loses it, she'll be real cross with him

Cleo chasing Martyn out of her yard because he tried to put an HOA sign on her base and she wanted to make it clear that she wasn't associated with them and their hate for his base (even though she does think his heart base is strange)

Martyn attacking Cleo after she said attacking is a form of affection to her

Cleo setting boundaries with Martyn and explaining what he can do to get her back

Cleo sighing when Scar set her up on a date with Martyn, but taking the chance to talk to him instead of walking out

Cleo genuinely wanting Martyn in her alliance

Martyn and Cleo giggling constantly when they chat

Scar asking if Martyn wanted him to play a romantic music disc for him and Cleo (and Martyn getting excited and saying yes)

Martyn offering to take Cleo's armor and weapons to the deep dark so he can enchant them and bring them back while she stays safe

Cleo gifting Martyn diamonds, expecting nothing in return but not wanting him to die from lack of a good sword

Martyn and Cleo forming a secret alliance that allows Cleo to live with Scott while being on good terms with Martyn

Martyn expressing frustration that Cleo wants to keep this alliance secret because he wants them to be public allies; Cleo softly shushes him when people approach and might overhear

Martyn telling Cleo that she's putting out a lot of mixed signals because she keeps reeling him in and then pushing him away, claiming he is very confused about where he stands with her

Martyn teasing Cleo by punching her off a cliff and accidentally killing her and feeling so bad about it that he apologizes profusely despite roleplaying as someone who refused to apologize for Session 1

Martyn and Cleo immediately threatening Bdubs together when he said hi to them while they were hanging out, sdkfj

Martyn genuinely apologizing to Pearl for dumping her after Session 1

Martyn hiding under Cleo's bed while she defends him from an enderman attack

Cleo offering to let Martyn move into her house after Etho and Joel grief his base; Martyn saying he might take her up on that

Cleo and Martyn agreeing to move out and base together at Box

Cleo trusting Martyn with the location and resources of her red life base

Martyn rushing to Cleo's aid in the deep dark and trying to turn everyone against him instead

Cleo responding to Martyn's panicked shouts for her to eat by opening her inventory to get food (and drowning because she forgot she was in water)

Cleo hanging back and letting Martyn attack Scott while she does nothing to stop him from doing so, implying as much as she likes Scott, she won't kill Martyn (and herself) for him (and/or she trusted Scott to handle himself even though he ran away while Martyn was shooting at him)

Things that did not happen:

Cleo unwilling to forgive Martyn or consider being his friend and partner

Martyn and Cleo hating each other

Thank you for coming to my TED Talk

[femmikoto]

i see so many contradictory takes on mikotos childhood so out of sheer curiosity im running a poll

[fallenbhaalspawn]

one of the things about Orin that fascinates me is how she definitely is a dedicated bhaalist, but not nearly as dedicated to bhaal and how that's shown in a bunch of little (many unintentional) ways! her outfit being red instead of the traditional bhaalist black (or that weird bronze/gold some bhaalist armor gets), her title of the Red given to her not by bhaal nor fellow bhaalists, but by her cognate doppelgangers, the jewelry she shares with her mother but is worn by no other bhaalists, etc.

even before she says "I did all this for [Sarevok]!" and finding her Helena's corpse in Orin's room even after her mother attempted to kill her, a fact which she is clearly and justifiably caught up in, you can still see the breadcrumbs leading to the fact she is primarily driven by her more direct familial connections instead of her god

[hadesknockedupintheunderworld]

Watching the Sonic Frontiers cutscenes like SHIT

Sonic and Tails never told each other about their experiences in Forces😭

[dazzle-art]

Two meat lovers pizzas, please!

The silliest going out for a pre-dinner snack!

[variousqueerthings]

actually you know whose reaction I'd be really curious about, potentially coming across fourteen in the shops? Francine!

[lala-blahblah]

i finished watching the uglies adaptation and it was mid...... except casting for shay was so good and i appreciate the racial diversity in casting. Idk I feel like adaptations should only exist if they have a vision for interpreting the source material but i am so so biased bc i wanted a sapphic interpretation of tally and shay

[catastrxblues]

hi so i just finished bridge to terabithia and now i’m unwell and my eyes are red because i’ve been crying before i’d even reached 20 minutes of it for i actually knew what was going to happen and by the time i reached an hour something something i just straight up sobbing screaming into my pillow. and now it’s 12 am and i’m still thinking about them. because god, look at them, how they were, the little world they lived in, wouldn’t you just love that, to run away, to escape, to grasp that childhood naivety and innocence that you lost a long time ago, to feel the sun in your skin and the air in your lungs and to paint fantasies and laugh and play and run hidden away from the world and find an old run down tree house and decided to make it your own little shelter and pin up canvases on the worn wood and paint and let your creativity goes wild and have someone understand you and gets you and do it with you, and wouldn’t you just love to have something so constant, so sincere, so genuine, so pure, so real, that there wasn’t anything else. if i knew i was going to cry this much, if i knew how much space this movie would make in my life, i wouldn’t have started this movie tonight. i would have been in peace on the floor of my room, not realizing how badly i actually want something like this even though i would never unironically admit this to anyone in my life or even myself when i’m outside of the familiar place of my mind, for that matters

[angorwhosebabyisthis]

every now and then i think about my one interpretation of emma as a deeply closeted trans man radfem with a ton of internalized transphobia and antimasculism, who takes her issues with her identity out on the people around her instead of unpacking them and accepting herself. and i think, i need to draw a comic about this

[remyfire]

In old roleplaying circles, I used to have people get really angry at me because they found a lot of catharsis in taking their characters those agonizing angst without necessarily giving them an end point of healing whereas my characters would always try to prompt that moment of healing—would be an end point they could come to whenever they were ready, would love them through the pain instead of drive it higher—and I don't think I've really changed at all in that regard, and I hope that ends up being all right.

[shslpookiebear]

i be defending junkos characterization like its the navy

WANT TO CLARIFY NOT HER ACTIONS AT ALL BUT HER EXISTENCE FROM A NARRATIVE PERSPECTIVE

shes the ultimate (haha) form of nihilism the type that makes you wonder what difference would it make if you just went apeshit because every awful thing thats happened to you has already occurred

to put it simply shes teenage girlhood shes the epitome of: