#this is actually my first time drawing a character with an actual background lol

[doubleedgemode]

The Dandy with his Hand on his chest

I wanted to do a big piece before the month ended and I had been thinking on drawing a study of "The Nobleman with his Hand on his Chest" by El Greco with Slayer for a good while, because I adore that painting and believe it fits him, since it has a mysterious yet noble aura to me. Very dandy!

I love Slayer's Rev2 Color 4, so I got really happy when it returned as Color 10 in Strive, now with a very stylish nail polish, too.

[diagoose]

my dearest drow evocation wizard is done and fabulous boys.

[devilishdelights]

what do u MEAN I have to practice drawing backgrounds….

[brynn-lear]

🍵 𝒲𝐻𝒪𝒟ℛ𝒜𝒩𝒦𝐼𝒯? ‧₊˚❀༉‧₊˚: A Yandere!H:SR x Reader Otome Game

this is a repost because tumblr won't show up the original in the tags ;;-;;

✧ romanceable characters (© hoyoverse): Professor Veritas Ratio, "Your friend" Kakavasha, and "Gallagher" [for now]

✧ content warning: yandere themes, mentions of racial/species discrimination (your character is SEA/Filipino-coded), (y/n) uses they/them, the story takes place in a modern hybrid alternate universe where each planet (Belobog, Penacony, etc) is considered a country.

PLAY THE DEMO HERE (available for download on PC & Mac AND online play for any devices, though download is preferable to avoid pixellated graphics & misaligned textboxes)

You (name changeable) are a hardworking and full-pledged human cafe owner in Penacony City. Your Dreamjolt Cafe has been a go-to for residents and tourists alike. But your loved ones' lives took a sharp turn for the worst when you decided to take a much-needed vacation back to your homeland, Perlas. While your family eagerly awaited your arrival, you disappeared en route. Where did you go? How did this happen? Who did this? Was it...

☕ the prickly yet fascinating Prof. Veritas Ratio, your self-proclaimed avian-hybrid regular,

☕Kakavasha, your longest fellow human friend who always seems to have a secret or two;

☕ or Gallagher, your hound-hybrid roommate whose past is as peculiar as his loyalty?

☕ or are there two more you're forgetting?

... so...

𝒲𝐻𝒪 𝒹𝓇𝒶𝓃𝓀 𝒾𝓉?

Please support this game by reblogging the post & sending asks/comments! I put a lot of time and effort writing, drawing, and learning to code for this. Thank you so much, my beloved yandere!H:SR community and of course, @dreamjolt-hostelry, for being supportive friends!!! - @beloved-brynn

✧ Characters, Background Art and UI Credits

Hoyoverse assets sourced from the-astral-express-archive. I just tweaked em a bit!

Canva freestock images... Haha...

✧ Intro video, sprites & CG art Credits

Me!!! Hi <3 I hope you enjoyed them! I can't believe yall made me learn adobe after effects a bit for this-

✧ Music Credits

The main menu theme (the first song upon booting the game) is made by @naraven!

The rest of the royalty free music soundtrack (such as the music used for the video above) is sourced from Vodovoz Music Productions!!! Please show the creator some love!!! I was actually vibing so hard while listening to them lmao

✧ (Fan)Story

lol hi again!!! man. i feel like Argenti.

If you wish to support my work and want to see more of this in the future, please buy me a coffee! So I can at least prove to my parents that my work is at least worth one dollar ;;;;

[heretherebeturtles-comic]

Hello! Many people have said this but ill say it too, I LOVE YOUR COMIC SO MUCH ( ´ ▽ ` ).｡ｏ♡

I really wanted to ask you about how you do the backgrounds? (Something i struggle with) whats the process? Like from start to finish, also, to do the rise backgrounds do you use reference from the show and generally real photo of ny? Or do you come up with them? And last question- The shadow and light on the background- Like HOW

i know it’s a lot of questions but i’m just so curious qwq and wanna learn to be better, thank you again in case you read this and respond, in case you don’t, i hope you have a nice day and a wonderful life uwu keep up the great work! (≧◡≦) ♡

Backgrounds are a really broad subject and I'm always a little overwhelmed when asked this question. Just like drawing the human body, backgrounds take time, repetition, and practice!

My answer got a bit long, so it's going under a read more :) but if you digest info better in video format I found this on youtube

It pretty much goes over everything I wanted to say, but in a much better way. I wish I had found it before writing all this out lol

ok, first of all, I'm not a teacher nor was I built to be one of those cool helpful art tutorial people who do a full coloured tutorial filled with illustrations. This is just going to be a messy "how I do backgrounds / environment layouts from start to finish." kinda thing.

... lets start with a sight tangent.

Sketch from Life!!!

If you want to get better at backgrounds I recommend doing some sketching out in the real world!

When I was first getting into doing backgrounds I went to cafes and parks to just sketch the buildings and objects. Sketch rocks, flowers, clumps of grass, garbage cans, bottles, tables, street signs, etc. If you are drawing a tree observe how the trunks twist, how the bark flows, or how the leaves are bunched.

If you can't leave the house the same still applies! Sketch the interiors of your house, the walls, or common objects like chairs and bookshelves. How are objects stacked? items on the floor?

If you aren't comfortable with drawing outside or in public you can take some photos to draw from! They are good for practice and you can use them again as references later. Alternatively you can find pictures online of buildings and objects to sketch as practice.

All spaces have objects in them, it becomes easier to draw those kinds of spaces when you already have spent time observing and sketching them.

ALSO! They don't have to be good sketches! It's just to build out your mental catalogue and strengthen your perception of perspective.

now the actual thing...

BACKGROUNDS

(the pictures used for this are my own. I dug them out of my 2022 folder)

Backgrounds have slightly different rules based on what you are making them for. Videogame Environment Concept Art vs Animation Layouts vs Comic Backgrounds vs Illustration backgrounds.

They all follow the same basics, which I will go over here, but the intention and function of those designs are going to be different. It's all about how you set up the scene and what it's purpose is!

Brainstorming and Thumbnailing

I like to think about a location as though it is a character. An abandoned old house with creaky sagging floorboards is very different from a futuristic space ship with sharp metal floor panels. A gas station has a very different feeling from a library.

I usually start by asking what is this location's story? Why was it built and for what purpose? What kinds of things does this room need to fulfill that purpose? You don’t need solid answers, but its good to be thinking about it while you are working.

Next, sketch some ideas for how this place is going to look. For me, this usually involves drawing the idea from multiple angles and then making lists & small sketches of the objects I think should be filling the space.

Example: The main character of my original work is a Wanderer. They collect a lot of things on their travels, but those items have to be small enough to be easily carried in a backpack. I wanted his room to be in the corner of an attic, walled off by curtains, and filled with trinkets. You can see some of my brainstorming above.

References

I only look for references after I've done some sketching and planning; this is to solidify my idea first so that I don't accidentally copy anyone else's work. I will make a moodboard with pictures of lighting, colours, items, rooms with specific ceiling beams, old chairs, etc. basically whatever I feel fits the vibe.

Honestly, I don't use references as much as I should. For ROTTMNT fanart I look at backgrounds and screenshots from the series to study the style. I also reference actual photos of NYC to get a feel for how Rise condenses the visual information.

In general, it's good to have references of real life objects/locations, because there are so many details like cracks in pavement, stickers on polls, crowning on buildings, fancy fencing, weird chair legs, etc. that you might not think of. It's the imperfect details that can make a location feel more alive.

Perspective

Once you have your chosen sketch we move to.... the infamous perspective boxes. Doing backgrounds is just learning to be comfortable drawing So Many boxes and carving items out of them.

Many better artists than myself have made videos on perspective, vanishing points, and all the technical bits. Videos like THIS ONE and THIS ONE are helpful (this post is great too!!). There are probably a lot of classes to be found on Skillshare or Schoolism. I learned a lot of this in my college art course, so I can't give you a specific video which helped me.

You can get by and be a good artist without learning this stuff. There are quite a few successful artists who have admitted they never bothered to learn perspective (one of these people even made a whole graphic novel series).

I personally avoided properly learning this stuff until I was in my 20s because I thought it would be boring and difficult to do. tbh I really wish I had learned it earlier because it's so much fun to make those silly little boxes imo. It looks scary and complicated but, just like drawing humans, it just takes time, repetition, and practice to develop the knowledge and skills.

Cleanup

You have your boxes and lines! Cool! Now to make a scene out of it. Fill in the details, get everything placed were you want it! Generally, the lines of each item will point back towards the horizon line, but they can have different perspective points.

Generally you would want to clean it up and get your room completely sketched before doing the lineart. I tend to combine the steps (not recommended)

Lineart

I've mentioned how I do this before. Closer objects have thicker lines and more detailed inside. Further objects have thinner lines and less detail. I didn't quite achieve that balance with the image below, but it's close enough.

Colours and Shading will have to be a separate post. In the meantime, I highly recommend the book "Color and Light" by James Gurney. I used to borrow it from my local library and a good chunk of my knowledge was learned from it :)

[celestialalpacaron]

Ayo, someone by the name of Curly-B-Blog is redlining art of yours from 2020 (while pretending that it's actually Sai Scribble's work), and kind of being a dick about it. just thought you should know.

You know, originally I was just gonna brush it off, but then I went back to look at my old SU art from 2020 and did so much self reflection from then till now.

I think this was around the time I was just learning how to do perspective and tried to use the perspective tool on Procreate for the first time? :0 and I remember telling Sai “Sai I have this STUPID idea, I CANT believe it this stupid joke it’s so DUMBBBB, it’s living rent free in my BRAIN I SWEAR THIS IS GONNA BE SO STUPID DCIUWHEFIUWHIRFUIW4F” and being super excited to show her the finished product. People still think Sai created the Cursed Skin Gloves comic and I think it’s hilarious wjhwnuhwijwuiw

The comic was received very well and it made LOTS of people laugh and I’m still proud of this comic to this very day! :D and tbh if it wasn’t for my obsession for Sai’s Switcheroo AU I never would have found my passion in comic work! (love you you stinky hoe @saiscribbles 🩷)

HOWEVER…. I definitely still had lots to learn! I wasn’t very good at perspective at the time I’ll admit, but I was definitely having lots of fun learning :3

And throughout the past 4 years, ALOT has happened.

I graduated from college with TWO fancy pieces of expensive papers in Visual Development in Animation and Illustration learning from Will Kim and Jeff Soto, and as a I was working with the funny voice man Cougar MacDowall as a comic/story artist and reached in total around 7 million views for my fan series FNAF Security Malware Breached (it was even #21 on the trending list around the time of my birthday 🩷 what a lovely gift), had an insane opportunity to work with Mike Geno and with the voice cast from The Amazing Digital Circus for a fan song as a background and character asset artist, Vivienne Medrano liking and sharing my silly Overlord Husk AU comics, currently on my route to getting my certificate from Aaron Blaise’s Character design program and graduating from Marc Brunet Art School, and now I am completing my first year as professional colorist and art assistant for my storyboard and comic mentor Michelle Lam, aka Mewtripled! (Also I’ll be heading out to Lightbox Expo 2024 on October 26 with Michelle and the team so if y’all ever wanna meetup hahahajaj wink wink wink wink wink)

So you can say I learned ALOT and I enjoyed every minute of what I do :D I try to be humble about my accomplishments because blah blah being humble good yes yes but this time I wanna be selfish and say HELL YEAH I DID ALL THIS!!! AND IM SO EXTREMELY PROUD OF MYSELF FIUGEIURGERGGRS

Now here’s my most recent comic page that I posted like 2 days ago without the text.

That’s pretty freakin wild to me, I can’t believe I used to draw Steven Universe art like that back in 2020 LOL LIKE GUYS I DREW THIS!! WITH!!! MY HANDS!!! IS THAT NOT INSANE!!!???

Anyways moral of the story:

Learn from everyone and everything! Yes, even then mean ones too! If you can learn to work with anyone, I promise you’ll get to where you want to be faster. People can be a little mean on the internet, but that shouldn’t stop you from being where you want to be in the future. I’m so EXTREMELY grateful for all the opportunities and to all the kind professionals who were willing to give me a chance. Seriously, I’m so graciously thankful for everything, and I hope everyone here will support me and my silly little comics I will do now and in the future!

And one more thing:

Don’t be a jerk. Be to be nice to everyone :D nothing good comes out when you’re bad to everyone.

[queerfables]

Why all the crowd scenes look the same, aka: Something is WRONG in Soho

I'm not even gonna tease and draw this out because it's so cool it doesn't need the fanfare. Ready?

Season 2 takes place over the course of 5 days. During that time, most of the passersby in Soho - maybe even all of them - stay exactly the same. It's the same people every day, wearing the exact same clothes, and they wander through the neighbourhood in paths that don't make any sense. You won't be able to unsee it. I can't believe it's taken us this long to realise.

Don't believe me? Rewatch the scene from 2x03, I Know Where I'm Going where Shax confronts Crowley outside the bookshop, appearing in a series of different guises. Pay attention to the people going past.

I've marked out five people you see on screen when Crowley first exits the bookshop at 39:37:

Numbers 1, 2 and 3 are following the path right. Number 4 follows the path left. Number 5 crosses the road.

Here the five people are again, at 40:19, when Crowley goes to return to the bookshop:

Number 5 is still visible in the distance, in the direction she walked in. This makes sense! But numbers 1, 2, 3 and 4 are rounding the same corner they just passed. It's as though 1, 2 and 3 all decided to turn and head back the way they came just 40 seconds ago, and number 4 has circled the block to join them.

This on its own would be super weird, but they're not the only people to do that in this scene. The man in the purple sweater from the first picture crosses the road, then appears back next to the bookshop, then starts walking back the way he came again.

Here's the part that made me absolutely certain, though. At 40:05, a man wearing an orange hoodie with blue sleeves walks past Crowley, who is heading towards the bookshop entrance.

The camera cuts to a view from behind Crowley, and a moment later, at 40:08...

He reappears in front of Crowley and walks past him again.

It's such a distinctive outfit, there's no mistaking it. They are absolutely fucking with the background characters and they are absolutely doing it on purpose.

Your turn. There are at least three other characters in this scene who pass by multiple times. Watch it again and try to spot them.

This scene is really chaotic and obvious, but the phenomena I'm talking about is much bigger than just one scene. Let's go back to the first thing I said: the background characters don't change. All our leads do. Maggie and Nina wear distinctive outfits, clearly demarcating each new day. Even Crowley and Aziraphale, who in season 1 were like cartoon characters with wardrobes full of identical clothing, vary their looks. Crowley changes his (very subtly) each day; Aziraphale is less rigid on timing, but he has a few different coats that he switches between. The background characters, on the other hand, wear the same outfits every single day. They walk by on the street but they never actually seem to have a destination. They sit in the coffee shop or pub and don't eat or drink anything, and nearly everyone leaves together exactly on closing time. It's eerie.

For reference's sake, here's a rough timeline of season 2, with pictures of Maggie and Nina's outfits to show the passing of time. I had to outsource this section because my post was too image heavy, lol. The main point I wanted to make is that five days go by.

Five days, and all the same faces keep showing up in the background, and almost none of them change their clothes. I'm not entirely sure what it means, but there's no way it's an accident. It might, in fact, be a game changer. To me this is proof positive that something is not as it seems. I've been a massive Clue skeptic, adamant that I'd only be convinced by the most unambiguous evidence, and honestly? This is enough to move the dials. It's too big for me to ignore. Whatever grand explanation of Good Omens we come up with has to account for this. I don't have it yet, but my current working theories are that Crowley and Aziraphale are under some seriously heavy surveillance, that time warping is involved, or that reality itself is not what it seems.

It would take a really long time for me to go through all of the background characters who turn up over and over but I do want to show you what I'm talking about. To wrap up, then, I'm going to pick out some memorable characters and walk you through a few of their appearances through the week. I highly recommend looking out for this yourself on your next rewatch and seeing how many other characters you can recognise.

Yellow Skirt

The first person I kept coming back to as being not quite right. You probably remember her from the first episode - she's the one who waves and walks past Maggie and Nina the night they're locked in together. Incidentally, she's also Person Number 3 in the scene with Shax.

Day 1 (2x01 - 36:20):

Day 2 (2x02 - 42:03)

Day 3 (2x03 - 06:36)

Day 5 (2x06 - 30:00)

Coolest Leather Jacket In The World

It's not so easy to recognise people wearing lots of nondescript dark colours, but I love his hair and his jacket, so he stood out to me. I think there might be a lot more people who are wearing fairly nondescript clothes who I just can't recognise from episode to episode.

Day 2 (2x02 - 16:44)

Day 4 (2x04 - 41:20)

Day 5 (2x06 - 29:20)

Dressed In Mustard

Ms Mustard shows up everywhere. If you want to see what I mean about their paths not making sense, pay attention when she comes on screen, because she'll often show up a few times in succession and walk very purposefully to nowhere in particular. The thing that she is doing, essentially, is behaving like an extra in a tv show. Which of course she is, but you're supposed to make that invisible by not having the same person go back and forth in the same scene, or changing up their outfit each in-universe day to give the sense time is passing. Not doing that is a really deliberate choice.

Day 1 (2x01 - 22:37)

Day 2 (2x02 - 42:03)

Day 3 (2x03 - 01:49)

Day 3 (2x03 - 37:07)

Day 5 (2x06 - 29:59)

Swishy Dress

This character shows up a lot in the first episode. I've struggled to find her in later episodes, though. None of the characters seem to follow the same patterns or show up to equal extents each day, which makes me think this isn't a straightforward time loop. I haven't actually cross referenced character appearances to in world times, though. Possibly this is a project for someone who's more across the time-related shenanigans than me.

Day 1 (2x01 - 22:43)

Day 3 (2x03 - 07:01)

Yellow Vest

I've only seen this guy a handful of times, always around the French restaurant. I wonder if there's significance to that.

Day 2 (2x02 - 41:06)

Day 4 (2x05 - 12:49)

Fuzzy Blue Coat

Another background character who shows up frequently. The blue doesn't stand out quite as much as the yellows and reds some characters wear, but it's very distinctive.

While we're getting a lot of shots of the street, it's worth noting that I'm pretty sure the vehicles we see are also just the same few cars repeating each day. A lot of them are in neutral silvers and monochrome, but there's a couple of blue cars, one red, and one black and white that I'm fairly sure I've seen over and over through the season.

Day 1 (2x01 - 22:45)

Day 2 (2x02 - 42:04)

Day 3 (2x03 - 02:00)

Day 5 (2x06 - 40:10)

Day 5 (2x06 - 48:56)

Day 5 (2x06 - 50:06)

One final note: Whatever this is, Nina's employee who you see in the background at the coffeeshop sometimes isn't affected by it. He's wearing different outfits each day. On the other hand, some of the other shopkeepers do seem affected. I'm fairly sure Mr Brown and Mrs Sandwich wear the same outfits a few different days, only changing because of Aziraphale at the ball.

And that's it! Thanks for reading and I hope your mind is blown as much as mine is.

EDIT:

Hey I don't mind anyone pointing out production reasons that this might be the case or disagreeing with my analysis (over-analysis, some might say 😉). Please be kind about it, though. I'm not ignorant of the practical limitations involved in film making, but some of these costumes were really distinctive in a way I thought might be intended to draw attention.

For those of you who do find this theory convincing, I feel I should mention that I was working under the assumption that this stuff would have taken a few days to film, even filming it all together. That would strongly suggest that the actors were deliberately costumed the exact same way over multiple days of shooting, which made me think it had to be purposeful. @coranax was kind enough to point out, though, that behind the scenes videos said the extras were filmed separately to the main actors because of Covid protocols. In that case, they could have done it in just one day and that weakens my confidence in its intentionality.

Finally, all of my points about the scene with Shax in 2x03 stand. That was not a case of accidental continuity errors, it was really elegantly choreographed to enhance the tension in the scene. I say that with confidence because the extras are doing exactly what Shax is doing: circling Crowley, appearing where he doesn't expect them, creating a whirlwind sense of being off balance and out of control. I think it's really cool and effective, whether there's a deeper meaning to it or not.

[asaka-lucy-dr-rc]

Ultimate Talent Development Plan Halloween Manga #3

日本語版はこっち

Previous (#2) is here.

(It's completely unclear when it will be finished) #4 to be continued! Bonus (The scene with Izuru and Kaede while Shuichi and Kokichi are conversing):

▼ Below are the detailed settings for each character's costume and more.

Tsumugi: Nun Tsumugi usually only cosplays characters from specific works, so I struggled with what kind of setting to give her. I thought that if I made her cosplay seriously, she would no longer be recognisable as Tsumugi from her appearance alone. So I decided that she would fully embody an original character. Although she's a nun, she's actually holding what looks like a bible, but the contents are a grimoire for summoning demons. The reason I made Tsumugi a nun, by the way, is that I originally considered making her a witch, but among the V3 characters, it's clear that Himiko would take the role of the magician, so I decided to avoid the witch theme. I thought, "What else would suit Tsumugi... hmm, maybe a nun?" Later, I realised that the official Halloween merchandise showed Tsumugi in a nun's costume. It was a total coincidence, so I was surprised. I'm glad we have the same interpretation as the official one. lol In addition, some of the costumes of the characters in the manga were created by Tsumugi, who helped make the costumes. Of the characters who have appeared so far, she helped with the costumes of Nagito and Shuichi. Nagito is dressed as a Shinigami, but it is not strictly cosplay, as Tsumugi happened to think of a character that would suit him. (Otherwise it would go against her policy, which is first and foremost to reproduce them perfectly.)

Shuichi: Jiangshi (Hopping Vampire) The setting is that he is wearing a costume prepared by Tsumugi, but it was originally made for Tenko. However, in the hustle and bustle, Tsumugi mistakenly handed it to Shuichi, and when he was about to return it, he ran into Kaede, who said, “Is that your costume, Shuichi? It’s lovely! Let’s take a picture together later!” Caught up in the moment, he nodded and ended up unable to return it, so he ended up wearing it. (The background setting is way too long and not depicted even a little on-screen. lol) Honestly, I want to create a manga featuring interactions between Kaede and Shuichi... I have various ideas in mind, but it’s likely that I won’t be able to actually draw it until next year.

Kokichi: A Person Being Eaten by a Great White Shark (?) He wears a surreal costume that looks like he’s being eaten by a shark, but the way he’s breaking through the shark’s body gives the impression that he’s taking over it. I assume Kokichi brought many costumes for the occasion, and this is just one of them. Occasionally, he slips away from the group, changes, and returns. I thought it would be fun for Kokichi to wear a costume that’s “not really related to Halloween,” and since he’s short, I imagined he would wear something oversized when dressing up, which led to this choice.

Kaito: Astronaut I assume when he was told he could wear any costume he wanted, he responded with, "Then my costume can only be a space suit!" lol

I like the dynamic between Kaito and Izuru from UTDP, so I wanted him to be involved with Izuru a little bit, but this time he was just in the background.

[puckpocketed]

who is #43?

Hello !! First off thank u for visiting. If you clicked read more by accident rip sorry it’s a lot of text. ENJOY!!! <3

1. This was the photo reference I used. I really did mean it when i said he photographs well!! I really like how scrungly he looks at times lol. v paintable

2. here’s a timelapse for your viewing pleasure in video + gif form <3

3. Process breakdown below. I am not formally trained, so don’t take any of this as professional advice!! The way i paint has been compared to channeling some evil contract with a demon also. So um . Im saying that i dont remotely think that this is efficient or correct, its just whats comfortable for me <3

3a) the dreaded lining phase. I have 2 modes of operation when it comes to painting - either i go full-dick with fancy inking/sketching + cel shading (rare, unrefined, haven’t figured out a nice workflow yet) OR i do a very very basic chicken scratch set of lines like so:

It’s less about being realistic here and more about laying down some guide lines for the chaos ahead. If i thought i could get away with it, I would start every rendered painting i do with laying down colours — but unfortchh ive tried that before and it usually ends in really weird proportions. Even with the lines i still need to make adjustments. This is something no people except me would notice but look at the above sketch; the eyes are too big and slightly too far apart, the forehead is too small and thus the hair is also not quite big enough… I have a bad habit of drawing eyes too big on faces, they’re my favourite facial feature to draw.. i barely resisted giving him big cow eyelashes (I love big cow eyelashes… all of my OC’s and most of my more stylised fan art of characters get big cow eyelashes… god…. Big cow eyelashes SAVE ME……….)

Anyway. Structure of the face + hand somewhat established. <3

3b) Underpainting!! Okay stay with me here . Ever since i figured out i dont have to paint in 03925893853 different layers, I’ve joyfully painted on 1 layer as much as possible. I dont have the brain power all the time to be managing layers so I simply dont work with that many layers. For this painting, the skin in its entirety was painted on one layer, the hair on another layer, and the effects on the last layer. There was a placeholder background off-white/grey colour for a while there, and I duplicated the line layer — one for figuring out where to lay colours, and one hidden for later so i could check back to see how accurate to the sketch/proportions were to the actual painting. 6 layers, 2 of which i painted the bulk of the piece on, 1 more at the end.

3c) here’s where I started carving out features. I think about objects in terms of volumes and light rather than lines. i love painting and sculpting because of this!! Here you see where I’ve begun to define his features — his eyelids, his bags, his nostrils. Just refining what was there before. The suggestion of facial hair before i gave it up and left it for later (his face is so naked the WHOLE time)

3d) nose bridge highlight, suggesting his eyebrows, a cheek highlight. A touch more coral red and muted yellow pull away from the grey/blue underpainting. Strategically leaving some of it peeking through.

3e) i truly start messing with the fidelity of his features here. Red lipstick <3 and some violet/blue for shadows on the right side of his face.

3f) the part where it starts looking like q.hughes to me (though, my friend said i got his vibe pretty early on which is such a compliment.. waaaaa…..) I love this part of every painting i do. I know it’s definitely not the Correct order since other parts of the entire painting are simply Not Rendered or Done, but whos gonna stop me?? :3

I love love loveeee painting faces. Adding the little shinies to his eyes + lips + upper lip + nose … you don’t know how much of a difference it makes until you do it. Also i snatched his eyebrows

3g) i really pushed the red/coral/ochre/orange here. Note the yellow highlights on his cheekbones, the forehead, and the thin thin line of pink right between where his bottom lip ends and his chin shadow starts <- very important . To ME!!!!!!! Also highlighting his waterline and adding his lashes was so so fun <3

3h) FACIAL HAIR!!! And I started rendering his hand. Some micro adjustments made to his face for proportion check.

3i) i start painting his hair in earnest and realise his forehead is too small so i make the adjustment. I really love how it falls into his eyes in this photo. <3

3j) i make some final adjustments to his eyes — a bit smaller, closer together. And i refine the outline of his jaw, push the stylisation of it just a little.

3k) Finishing details; his flyaway hairs, his moles, a bit of texture on his face, shadows cast by his hair, his little forehead cut <3

3l) i adjusted his hand here, added more texture to his skin, refined his hair a tiny bit more, and made the decision not to fuck around painting his jersey because i wanted the focus to be his face <3

3m) Canucks blue and green. Captain at 23. His form bleeds into the background. He is the franchise.

theee most fun ive had painting anything. and i finally feel... warmed up? if that makes sense. art for me is like. if i dont do it in a while it feels like nothing goes right when i come back to it. i hate that feeling, and the most difficult hurdle to clear is letting myself feel that until i get back into my Zone. after all this time i feel like im BACK !!!!!!!

i loved painting this fella. hes SO Shaped. <3

Apologies i simply do Not have the energy to write the alt text for all of these so i hope the little blurbs are okay aslkjasdklj. i gotta post and go to bed . if u made it this far, thank you for reading!!

[xitsensunmoon]

Biting the Hand That Feeds au FAQ (Vampires + donor au)

Any general content warnings for bhtf au?

Yes. A normal amount of fnaf warnings, a normal amount of vampire warnings. For someone who doesn't know I elaborate... For vampire stuff, the most obvious ones are blood, hypnosis, bites, and animalistic behaviour. Less obvious - slightly suggestive themes. For fnaf - fnaf's usual violence, dark themes, a drop of gore and murders. The lore is uh. Very dark. I will try to decrease the amount of all of the cruelty but man. People who know, know how hard it will be. But I will tag everything properly so don't worry.

Is there a fic for your au?

No. And currently, I'm not even planning on writing one.

How do I find the story?

For now, we have two comics that are directly connected and one that doesn't have a specific place in the story but is about canonical lore.

[ 1 ] - [ 2 ] - [ x ]

In future, we will have more and I probably absolutely will forget to update this post so I recommend checking the tags. Here's the tag list

Tip: don't click the tag. Tumblr hides half of the results. Type it in the blog's search instead :)

Are the comics the only canonical thing about au?

No! I answer asks and draw a lot of doodles with bhtf au all the time and 90% of them are canon. You can, yet again, find everything in the tag list linked in the previous question.

Can I draw/write fan stuff for your au?

Yes, please!! I'm always happy to see fanart and fan writings and literally everything that you do! Just tag me when you post and use a fanart or fanwriting tag for au specifically so I don't miss it!

Can you include my characters in your story?

No, unfortunately, I cannot. The story is already written and I don't have any "space" for background characters either. Maybe it will change but currently, things are like this.

I asked a question with an interaction with my characters and I never got an answer, why?

I don't accept such requests. I'm not ready to spend my time drawing other people's characters for free(if I personally don't want to, of course)

Is there any limit to how many questions I can ask?

No, not at all! You can ask all you want just please make sure your question wasn't answered before. There is a big possibility I will just simply delete it if it was answered beforehand many times. Check the ask tag for it.

What about limitations? Any boundaries?

Please no questions about tickling🧍‍♀️ I got so many of those it already makes me uncomfortable. And for some reason, a lot of people send asks that include violence towards my characters and while I don't really feel uncomfortable with this I just idk what to answer and why are you even doing this lmao

What questions I should avoid?

Well, not really avoid but I will mention it anyway.

The things I have planned to draw right now:

- Sun and Moon and y/n's first meeting

- The creation of Sun&Moon

- Why S&M are sensitive to light and darkness

- How they hunt

So no need to ask me about these. I will show it, I promise.

What about sexual themes?

I understand that I post a lot of suggestive stuff and it may appear I allow such a thing but no.

You can create content with it tho, I don't mind for the most part. Just be ready that I may not reblog it, as my Tumblr is a SFW place. It's always 50/50.

Romantic themes?

I do draw some kisses and cuddles when I feel like it and you of course can send ideas for cute interactions but in the story we're very far away from it lol.

My question gets ignored even though I followed everything that you mentioned here. Why?

Answered in main FAQ.

Can I share the ideas for your au with you?

YES!!! Yes, yes and yes! I'm very open to that, like yes! The only thing that I definitely want to mention - you should expect that I actually can take your ideas and use them. Some people are protective of their ideas so if you're like this you probably should not share them with me :)

The information that you're using for your au is wrong.

Happens sometimes yeah. I know nothing about any medical stuff for y/n so I usually improvise. After all it's an au about robotic vampires man, this information is absolutely wrong. But! You're free to drop feedback/constructive criticism in my inbox!

Will be updated later

[neflil]

Hearthian oc time!!! Meet Nepheline

Below the cut for more info and doodles of them :3 vv

So I caved in and made an oc. This is the first time I'm really doing something like this so hhhhh.

Nepheline, or neph, a half self insert - half oc! They're a bit younger than the Hatchling, so still considered a hatchling but almost an adult.

They like to draw, paint rocks, and explore around timber hearth a lot! They're cool with everyone and friendly, but much prefer to sit in the background and listen instead of actively talking. That is of course until someone gives them enough time and trust that they'll listen to whatever neph has to ramble about.

They're interested in all kinds of things really. The nomai, physics, the weird quantum rocks ect. Even if they're not the brightest when it comes to that, they love learning about anything when given the chance.

As soon as any of the travellers get back from space, neph rushes over to ask them about what they saw or if something cool happened. Gabbro and Riebeck especially, as neph is interested in what they have to say the most.

As much as they value the village and it's people, they also value their alone time. Sometimes disappearing for days into the quantum groove or the old mines just... Vibing really, doing whatever. They also have a small piece of a quantum rock they call a "friend", of course it disappears every time neph let's their eyes off of it, but they compare it to the travellers going away and mainly- feldspar. It's a rock that keeps them company without actually needing to have someone *there*. Along with really liking to sleep in and let their mind wander in worlds far from here, people often joke that they remind them of gabbro (the pains of making a half self insert while relating to a character hhh)

Their interests and way the explain them isn't that common, so people often turn a blind eye to them. They mostly parrot cool facts people have taught them which results in situations like "but did you know that the nomai-" "yes neph, you've told us three times already". They just want to share the stuff they know

Esker is someone who likes to listen to them! But also share their own stories. Ever since neph was young they'd hangout nicely. Now they radio eachother. Neph is old enough to join the space program but seeing and they aren't that great with more technical stuff, they are afraid. They put off actually seeing gossan and talking about this so hey.

Their scale pattern covers a big majority of their face at the front, it's a mix of lines and ovals. But when I draw them I just... Blehhh color. Also! Nepheline is named that I spired by the Greek word "nephele" which means cloud (and is also my name, hi lol). Since the rock turns cloudy when exposed/put in acid. Therefore, to somehow reference this, nephs face turns a cloud blue color when they're frustrated of angry!

Once they fell asleep in the old mine (that sounds stupid but I swear I've imagined the whole situation, there's more than that trust, might make it into a comic) and people looked for them, worried as they couldn't find them. Once they got back they got grounded to not not leave for there again- especially alone.

Neph despite everything, went back. They drew a nomai, based off the skeletons there and everything they've seen so far. To prove that they need to get off their grounding since they're doing "work". They don't really have a speciality either so yyyea

They used to be named Nephrite but merry showed me a rock named Nepheline, so I HAD to change it because well- we have the same name lmfao

(if you saw me posting this before, no you didn't)

[smanfa]

a handful of my favourite drawings this year

gonna just bury a personal post in here too, give it a read if you fancy:

as i've said a few times, this is the first year in a long time where art has had no monetary component for me, and it still took a little while, but i feel like this is the year where i've actually managed to de-program myself from years of being a Twitter Artist, and switch over my mentality from drawing what i think people want to see, to what i want to make, and also learn not to force myself not to draw if i don't want to, and on that note i dunno if i'm just feeling residual burnout from the years of grinding out for twitter or what, but i was kinda surprised how small my appetite for drawing actually was

that said, when i do draw now, i know it's because i'm actually really excited to be doing it and i feel like it's shown in the results tbh, there's way less drawings this year where i felt like i'm just going through the motions and drawing for the sake of getting something out there, and i look back at basically everything i've drawn like "yeah, that was cool, and i had a lot of fun making it"

part of that is that i've also discovered just how important it is to actually enjoy every part of my art process, i've sorta just cut out parts i don't enjoy - i'm way more willing to just leave things looking slightly wonky, and i haven't done any fuckin lineart this year at all, i've cut that shit out entirely because i don't like doing it, instead i just spend 10 minutes cleaning up my sketches and go straight to colouring and it feels like nobody's even noticed, it rules lol, and i've put a bit more focus on making things that feel like "scenes" rather than just "pretty girl in white void (with optional background circle)", not that all my art needs to be that, but it's been satisfying taking the time to just draw little simple backgrounds or focus on building an overall vibe, rather than just the character

tl;dr dumbass girl learns to have fun drawing again by not giving a fuck

love u lot <3

[deoidesign]

if i may ask, is it difficult at all to re-edit/organize the comic pages from the webtoon format to fit the graphic novel format?

on another note, I'm so happy that your kickstarter was funded!!! I love time and time again, im so excited to see this all happen <3

I'll just turn this ask into something of a guide for the process! Because yes, it is difficult, but there are also many ways I have been preparing from the beginning for this very situation to make things easier for me!

I've worked in both print and scroll in the past, and have done this transition once before for a short story, so I already had familiarity both with my goals for print, and struggles with the transition!

How I prepared from the beginning for this transition:

1: My panels are 2500 pixels wide, so they can span my page (which is 8.3x5.8 inches) at 350 DPI (which is print quality)

2: My layers are organized: Text, FX, Foreground, Characters, Background

3: I draw one very large (twice as big as any panel would be, minimum) background for my major locations, as well as drawing furniture assets in isolation. This not only saves me time when making my actual episodes, but it also offers me INCREDIBLE flexibility when making this transition to print.

These 3 things let me pull the character art to the page by itself, scale it up or down to fit my panel, and then fill in the background behind the character.

So, I read the scroll version, decide how many and which panels I want on the page for the pacing (I also keep page spreads and page turns in mind while I am doing this), and then I pull those panels over from the scroll version to the page.

Then, I make the panel borders/page layout that I want, fit the character art into it, paste in the backgrounds, do any art editing that I need, add FX, and then re-do the text!

Sometimes I do need to draw parts that are missing (shoulders or elbows getting cut off is an extremely common one) and sometimes I need to adjust facial expressions, cut panels, or rearrange panels to make things read more clearly. Since it's my comic already, I know how to do these things while maintaining the original intent, but if I were working with someone else's comic I would need to work closely with them to know what can and can't be cut.

(original panel vs an expanded version)

Another common issue is that VERY tall panels will inevitably lose a lot of information when they’re turned to pages. Identify the purpose of the panel (pacing, showing a lot of detail, etc) and then replicate that with your page layout.

examples (in order) are: scene transition, being overwhelmed, suspense, and establishing shot. All of these were a single panel in the scroll version!

Another issue when converting pages is that panel order is a lot less straightforward than when starting from print format. Conversational back and forth that's fine in scroll often messes up the flow of reading in a page (characters facing out, not looking at eachother from panel to panel, etc) and so some creative solutions are necessary to keeping the reading order.

For the first page I had to delete and rearrange some panels, and in the second the dialogue bubbles guide us to read this page in a circle. (dialogue guides through a lot of my pages lol)

And the last really common issue that pops up is that height differences can be really difficult. Usually in print this is solved with clever angles, but I’ve already drawn everything. So, I’ll either resort to vertical shaped panels, panel pop-outs, or editing a character up or down to fit into the panel.

(examples in order)

So, yes, it is difficult! But I have a lot of experience with both formats, and having prepared for this from the beginning I've been able to make the transition a LOT more smoothly than I otherwise could have.

I hope this helps!

And, thank you about the kickstarter! I'm extremely excited I'll be able to print these, the proofs I've received so far look just absolutely stunning and I'm so so so excited to get to send them to people!!!

Obligatory self promo, if you want to see the kickstarter page and get these four books for yourself, then you can check it out here ^^ It's been funded, so at this point we're just reaching stretch goals and placing orders!

[brynn-lear]

🍵 𝒲𝐻𝒪𝒟ℛ𝒜𝒩𝒦𝐼𝒯? ‧₊˚❀༉‧₊˚: A Yandere!H:SR x Reader Otome Game

✧ romanceable characters (© hoyoverse): Professor Veritas Ratio, "Your friend" Kakavasha, and "Gallagher" [for now]

✧ content warning: yandere themes, mentions of racial/species discrimination (your character is SEA/Filipino-coded), (y/n) uses they/them, the story takes place in a modern hybrid alternate universe where each planet (Belobog, Penacony, etc) is considered a country.

PLAY THE DEMO HERE (available for download on PC & Mac AND online play for any devices, though download is preferable to avoid pixellated graphics & misaligned textboxes)

You (name changeable) are a hardworking and full-pledged human cafe owner in Penacony City. Your Dreamjolt Cafe has been a go-to for residents and tourists alike. But your loved ones' lives took a sharp turn for the worst when you decided to take a much-needed vacation back to your homeland, Perlas. While your family eagerly awaited your arrival, you disappeared en route. Where did you go? How did this happen? Who did this? Was it...

☕ the prickly yet fascinating Prof. Veritas Ratio, your self-proclaimed avian-hybrid regular,

☕Kakavasha, your longest fellow human friend who always seems to have a secret or two;

☕ or Gallagher, your hound-hybrid roommate whose past is as peculiar as his loyalty?

☕ or are there two more you're forgetting?

... so...

𝒲𝐻𝒪 𝒹𝓇𝒶𝓃𝓀 𝒾𝓉?

Please support this game by reblogging the post & sending asks/comments! I put a lot of time and effort writing, drawing, and learning to code for this. Thank you so much, my beloved yandere!H:SR community and of course, @dreamjolt-hostelry, for being supportive friends!!! - @beloved-brynn

✧ Characters, Background Art and UI Credits

Hoyoverse assets sourced from the-astral-express-archive. I just tweaked em a bit!

Canva freestock images... Haha...

✧ Intro video, sprites & CG art Credits

Me!!! Hi <3 I hope you enjoyed them! I can't believe yall made me learn adobe after effects a bit for this-

✧ Music Credits

The main menu theme (the first song upon booting the game) is made by @naraven!

The rest of the royalty free music soundtrack (such as the music used for the video above) is sourced from Vodovoz Music Productions!!! Please show the creator some love!!! I was actually vibing so hard while listening to them lmao

✧ (Fan)Story

lol hi again!!! man. i feel like Argenti.

If you wish to support my work and want to see more of this in the future, please buy me a coffee! So I can at least prove to my parents that my work is at least worth one dollar ;;;;

[linddzz]

ok your arcane blogging has almost convinced me to watch the show because it seems WILD and also, visually STUNNING like wowww

but I have absolutely no idea what the show is even about, could you give me a summary? (also what streaming service is it on?)

Yessss excellent! The show is indeed fucking nuts and also visually stunning. Just. Goddamn. Every single episode had moments of us going "that looks so pretty" and/or "holy shit that looks so fuckin sick"

It also does some of the best visual storytelling outside of the Spiderverse movies. They do so much playing around with 2D looking effects and light bursts, with music that slaps and is also used to create in-story sort of music videos to help drop character backgrounds and establishing where people are in episodes, which helps them handle the many characters really well!

Also the animation of micro-expressions in this show makes me lose my mind. I'm sure you've seen the gifs all over my blog and how much facial animation there is in them lmaoo

Good news is it's finished after 2 seasons, which I like as someone who prefers shows that don't just kind of go on for forever. It could have been 3-4 seasons but they did great nailing a rare mix of a plot AND character focused story that had a ton of moving pieces.

You also don't need to know shit about LoL and from what I can tell, it was more used as a base for the world setting and the first building blocks for the characters. They take advantage of the pre-made world really well and do this immersive style of world building where you may not know what all is going on in this world, but you can really tell that it's there and developed you know? But character lore wise we all tried to predict season 2 based on the original lore and then got cold clocked by how the basic character beats actually played out so. Yeah. The most video game aspect of this is the character designs and the FULL embrace of "what if this lady had a big glowing cyber arm she punched things with and what if it was the coolest shit you've seen."

As for what it's about...theme wise big points are

- love as both a destructive and restoring force, especially love between family and friends

-forgiveness and how one draws the line on what going too far means

-self perpetuating systems of classism that can pull even well meaning actors into being oppressors, and even how different forms of rebellion can begin recreating the oppression they're rising against (there are arguments on how this got handled in season 2 but I don't think there's any really solid storyline way to handle such heavy themes)

- the unexpected consequences of chasing progress as an ideal

-big buff hot women who punch!!!!!!! Women who are yoked!!!

-making you kind of hate how much you like that imagine dragons song

-beat drops that make you yell "LETS FUCKIN GOOOOO"

Plot wise it's about:

Set in a trippy art deco/art nouveau punk aesthetic city that has technology and where magic exists, but has been considered dangerous and only used by mages born able to harness it. Scientists learn how to access magic via mechanical and chemical technology. This causes a lot of problems. It mostly follows two sisters caught within the volatile time, along with a central cast from multiple parts of the city.

It's streaming on Netflix!

[sapphirestones09]

AAAAAAA FINALLY! I'm done playing @oneknightstand-if. As part of the celebration, here is Rosie's colored sketch (ﾉ◕ヮ◕)ﾉ*:･ﾟ✧ Lol, this looks like an anime title card And thus! The Stats!

Blobbed: Yep (We are what now?)

Bold : 205 (Is this high lol?) Sweet : 46 Sassy : 159 Optimist : 76

Health : 85 Mark Status : Healed Merlin Healing : 2 Merlin Forced Healing : 0

Caution : 9 Will : 7 Cloudcuckoolanderness : 42 (Not enough, we gotta go full cray cray) Silent : 7 Curse Level : 4 Fear Level : 6 Corruption : -5 (Is this low enough?) Mute : false Mindcontrol : false

Downtime : Had Breakfast | Snarfed Sweets | Shower Accident |

Route : Went into Store & Fought | (What I gotta use the hunting knives as soon as possible in some way right?)

New Inventory : Hairdryer | Sweets | Shower Mat | Everclear Alcohol (Molotov! Molotov! Molotov!) They Know : false | It Sees : Masked | You Replied False Some stats are missing when I scroll from the past posts in the forum. Such as Crazy Theory, Crazy Theory Level, Pottymouth, Serenades, Interpretative Dance, and a deep dive into the Adrian and Merlin's relationship stats (I WANT TO SEE HOW MANY TIMES I FLIRTED GODAMMIT!). I wonder if I can access it (╥ω╥) About Rosie!

You are currently known as Rosaline (Rosie) Bane a seemingly normal female wildlife biologist. You have red eyes, very long flowing icy blond hair, and a short and petite figure clad in a red cape with an amaranth face mask. People tend to take particular notice of your hair. At first glance, people tend to find you not very intimidating.

You excel at sword fighting, gardening, and having a magnetic personality. Meanwhile, you've got a weakness for prescription medications and enclosed spaces, as well as having anger management issues.

You have an ear piercing. You also have a couple of scars along your neck and wrist.

A tragic accident that claimed your whole family lies in your past and the fate of your future remains murky with the apocalypse ever looming in the background. At least no one has suspected that you are actually a serial killer.

Your final words were "And now for a final word from our sponsor—"

Note! I didnt know I could play something as chaotic and as fun as this game provided me. Its super fun and enjoyable and yet amidst the chaos I loved the characters that was shown and grown to get attached to them to a degree. Both Merlin and Adrian are mysterious and enigmatic in their own ways that makes me look forward to the story and how it progresses towards their character. Also seeing Adrian being exasperated over Cloudcuckolander MC's antics tickles my funny bones more than I can admit. I admit I was reluctant to get into the game seeing as its such a huge one, but after playing all I can say is MOAR! I NEED MOAARRRR! AND PLEASE AUTHOR TELL ME HOW TO SUCCESSFULLY PASS THE STAT CHECK FOR MOONWALKING ON THE FENCING ROUTE! I NEED TO MOONWALK! I NEED THESE PEOPLE TO CLAP FOR ME! And please can we apologize to Adrian for punching him? (っ˘̩╭╮˘̩)っ I know in the grand scheme of things, Adrian forgives us already but we still wanna apologize (ಡ‸ಡ) And oh boy, I think Im gonna draw lots and lots of fanarts now... Skill Stats!

Personality Stats!

Can we still claim to be a newbie after Merlin's extensive lore dump on us? Relationship Stats!

Inventory!

Your ultimate weapon is unknown.

You are currently armed with... nothing, at least as far as you know.

Cold Steel SRK survival knife

You also have on hand...

E-phone 7XL

several small bottles of prescription medications

photo of your family

Killer McKiller Face's favorite stuffed animal (Rip our micro pig (ಥ﹏ಥ))

well-worn Bible (To ward off evil of course!)

mystical Magic 8-Ball (Another holy item! I sure hope it does not contain anything otherworldly that will potentially endanger us and others ha.ha.ha (→_→)

small herb garden of eclectic plants including a mutant Venus Flytrap (The only queen Rosie will ever potentially bow to!)

collection of various survival & hunting knives

small bag of iridescent pearls

bottle of 95% alcohol Everclear (Molotov! Molotov! Molotov ⸜(*ˊᗜˋ*)⸝)

slightly squished pastry (I KNOW MY PRIORITIES! AND ITS SWEETS!)