#this is a little all over the place idk

[talktonytome]

There are many reasons I’m grateful for season 8, but I gotta say, the fact they finally figured out Tommy’s look is high up there.

[feelbetterlove-books]

Even when you have a hard day just remember, Bucktommy "has anyone ever told you you're a vision in a cone?" will always be there. Tommy Kinard looked at his adorable boyfriend with a silly party hat on and thought Evan, you're beautiful, you're stunning, you're ravishing, you're a sight for sore eyes. I could never get tired of looking at you. I cherish you. There's nowhere I'd rather be than behind this couch at your side. And he was so real for that.

[spacespore]

The guys lol

[lavaflowe]

“I can't afford to wait

Life's a procession that begins around the corner from the grave

Absurdity is all it is and then we're gone too fast

Felicity I strive for but it always waits beyond my grasp

In a foggy haze a holy being intensifies

And I pray to her to take me

And I beg for her to save me from myself”

[flowercrowngods]

part 1 | part 2 | part 3 | part 4 | part 5 | part 6 (these make one big story, you won't understand this part without the others)

day 07: free space a happy ending

Wakefulness embraces him so slowly and gently that Steve’s not entirely sure he isn’t dreaming when he sees Eddie lying next to him, watching him with an easy smile as his fingers tap out a slow beat on his pillow. Steve looks at him, blinking away the remnants of sleep, not quite daring to do anything more than that for fear of it being a dream after all, scared that Eddie would disappear if Steve reached out to touch. 

But then Eddie’s smile widens. “Good morning, sunshine.” 

Steve gasps a little and moves his hand to Eddie’s cheek, tucking a few strands of hair behind his ear, his breath hitching when Eddie leans into the touch. 

“You’re here,” he whispers, his gaze wandering over Eddie’s features, taking it all in and looking for any indication that this is a dream. 

Eddie hums. “And you’re pretty.” 

It hits him out of nowhere, the open sincerity in Eddie’s voice, the fondness in his eyes, the honesty in everything about him. The love, open and free now — or getting there, at least. It’s still so raw, though, so new, that Steve doesn’t know how to handle it yet. 

“Shut up,” he huffs once he’s caught his breath, rolling over to hide his face and the way his cheeks are heating up. He rolls right into Eddie's chest, though, and he's so warm, so close, smells so good that Steve wants nothing more than to bury his face in his neck and stay there for the rest of the morning. Or maybe the rest of his life.

The reflex to pull away is there. The urge to run and hide, to laugh it off, to freeze up and find something else to do, something to occupy his hands and stop them from reaching for Eddie. Years and years of muscle memory telling Steve to leave. 

But Eddie's arms come around him, holding him close and pulling him even closer. And Steve breathes him in, remembering that it can be okay. Remembering that they get a chance now. 

Remembering the words. 

What are you doing? 

Changing the world. 

So he tries that, too. Changing the world. He tries by winding his arms around Eddie, too, and breathing in again and again, learning that Eddie won't disappear if he does. 

Slowly, he dares to move his arms, stroking along Eddie's back in slow, gentle patterns, lulling himself into a safety he hasn't felt in a while. Maybe ever. At some point Eddie begins to hum, and Steve thinks that it's just another one of his audible smiles, inviting Steve and the rest of the world to join in if they're so inclined. But then he detects a familiar melody in the vibrations of Eddie's neck against his skin, and he holds his breath to find out what it is. 

His heart jumps when he recognises the song as one he used to listen to on repeat like a lovesick fool around the time his feelings for Eddie turned into something more, something better, something infinitely worse. 

It skips and he forgets how to breathe as he lets his hands travel over Eddie's back, slowly and tentatively daring to slip underneath his shirt and touch his skin. 

Eddie begins to sing, then, and Steve wonders if he's even been in love with him before, because nothing of what he's ever felt compares to Eddie's gentle, hoarse, sleep-rough voice as he sings Somebody to Steve, to their little bubble, or to the world outside. 

"I want somebody to share, share the rest of my lifeShare my innermost thoughts, know my intimate details."

He closes his eyes as he listens, focusing on the vibrations, on the warmth, on the closeness, on how this moment is everything he's never even dared to want. Everything so perfect that he couldn't even dream it up. 

Everything. You're everything. 

He needs to be closer still, so be buries his nose in Eddie's neck and breathes him in, tangling their legs, filled with a breathless kind of joyful bliss when Eddie's breath hitches, too, and he stumbles over the words of the second verse as Steve tries to climb into his skin. 

"I want somebody who cares for me passionatelyWith every thought and with every breath."

You have me, Steve thinks, pressing his lips to Eddie's pulse point. It's not a kiss, not quite. It's something deeper. It's a promise. 

Eddie's hands come up to hold him there even as his voice carries through the drumbeat of Steve's heart in his throat, running fingers through his hair, lightly scratching at his scalp, making him purr along to the melody. 

"But when I'm asleep I want somebodyWho will put their arms around me and kiss me tenderlyThough things like this make me sickIn a case like this, I'll get away with it."

When the song ends, Eddie's words faded out, replaced once again by the gentlest silence, Steve feels raw. Vulnerable. Open and exposed. But he also feels safe, and loved, buried in Eddie's skin and held there, as though Eddie is just as scared of fading away as Steve is. 

He lifts his head just slightly, enough to meet Eddie's eyes – only to find that they're closed, an expression so serene like Steve has never seen before. Mesmerised and overflowing with affection, he reaches out to trace the line of his brows, down to his cheeks and all the way to his lips, where his eyes are glued for a second. 

The thought of kissing Eddie is right there. The opportunity is, too. But he doesn't. He barely dares to move as it is. But he does roll them over the rest of the way until he lies comfortably on top of Eddie, and tucks his head underneath his chin, finding one of his hands and lacing their fingers. 

"You've got him," he breathes eventually. "That somebody. If you—“ 

"Yes," Eddie says, his other hand finding its way to the nape of Steve's neck to play with his hair again. "I want."

"Good." It's lame; far from what he wants to say. From what he has already said last night. It feels like they're doing this backwards, starting with the I love you and catching up with the slow build-up afterwards. "Good. Me, too." 

"Good," Eddie hums, and there's that smile again that Steve can't help but mirror. 

They fall asleep again like that even though it’s already late in the morning; cuddling and holding and cradling each other, still trembling slightly. Maybe that's what changing the world will do to you. Maybe that's the bravery more than the love. 

Or maybe it's just Steve and Eddie. Steve and Eddie. SteveandEddie. 

I love you. 

~*~

It takes a bit for Steve to relearn loving Eddie. To not associate it with tragedy and sadness and a bone-deep loneliness that'll leave him breathless even on the best of days. 

It takes a while for Steve to learn a whole new kind of breathlessness, a whole new kind of aching when it comes to Eddie. 

And Eddie's not much better than Steve, pulling away when Steve wants him closer, swallowing his words and needing a second, third, fourth try until he learns that he gets to love Steve now. 

Years of unrequited love, or feelings unreturned, of words put out into the universe with no one to receive them, are not easily or quickly unwritten. But every time Steve's breath gets lodged in his throat and he wants to run away, Eddie is right there to remind him of what they can have now. Every time Steve tries to be a little less of who he really is, Eddie is right there to coax him out of his head with gentle touch and a lot of hugs. 

Every time Eddie starts to doubt himself and all the ways he makes Steve the happiest person on the planet, Steve is right there with the words he only has for Eddie. Words that don't get stuck anymore. Words that finally get a recipient. 

~*~

Their first kiss, the first real kiss, doesn't happen that first morning. They spend the first week only holding each other, barely wanting to let go, hiding their vulnerabilities within each other. 

Steve is worried about it at first, seeing Eddie so quiet, so reverent, lacking his usual cheer, his energy and snarky comments. He asks about it one night, ready to prove right that he isn't and can never be enough for him, that all he will do is steal the things that make him Eddie. 

Eddie stops then, lifting Steve's chin with a finger when he's too scared, too ashamed, too vulnerable to meet his eyes on his own accord. 

"Stevie," Eddie says, his voice so gentle that Steve immediately feels stupid for doubting. "I have loved you for ten years. I've had you for three days. Let me bask in it. Let me be unable to be myself with how absolutely and utterly overcome I am with the knowledge that I have you now. That I get to hold you. That I get to kiss you and keep you and... God. I'm not unhappy. I'm so much the opposite of that that I'm not sure there's a word for it. Other than devoted. Smitten. Bewitched, body and soul."

Steve wants to kiss him then. Almost does, with the way they're just staring at each other, breathing the same air —air that smells like Eddie now. In the end, Eddie just holds him, brushing a kiss to his cheek, his forehead, his temple, and whispers, "Let me bask in it." 

And so they do. 

Wayne called Eddie not long after with the words, "Chrissy just told me the wedding's off. Please tell me that means what I think it means." 

Eddie just blushed, reaching for Steve, tucking a strand of hair behind his ear. "Yeah, I, uh. I finally talked to Steve."

There was a very loud cheer on the other end that made Steve laugh, falling into Eddie's side, holding him tight, a weight falling off his shoulders knowing that Wayne was okay with them. 

You know, I always figured it would be you. 

No matter what happens, you'll always be a son to me.

It made his eyes sting again, but he basked in the moment and in the knowledge that Wayne was on their side. Always has been, always will be. 

"You better come here on Sunday, and bring Robin and Chrissy, too." 

"Robs and Chrissy?" Eddie asked. 

"Oh, you're in for a treat. I'll see your asses on Sunday, boys." 

And with that, he hung up. Steve immediately went to call Robin, hopeful and giddy with Wayne's implication, knowing that Chrissy was Robin's person just like Eddie was his. 

"She loves me," Robin said, on the verge of tears, and Steve joined here right then and there. "She's– Steve. She's so– She... God!" 

"Yeah," Steve laughed at the ceiling above his bed, grinning because Robin sounded so happy, not even caring that she didn't have the right words for it, because he could hear Chrissy laughing in the background, too. Laughing and saying hi to him and interrupting Robin's ramblings and groans and giggles with kisses that always left her dumbstruck for a good two seconds each time. 

When the call ended, he went right back to the living room, where he and Eddie started watching Pride and Prejudice before, and fell right on top of him with a happy, happy smile. 

~*~

It happens at Wayne's, exactly one week after Eddie showed up at Steve's in the middle of the night. One week after the phone call. One week after I love you. 

It happens in the soft glow of the fairy lights Steve and Eddie helped him put up years ago. I happens after Wayne hugged him tight once more, after he pulled Chrissy to the side and promised her that she's still his kid, that he still loves her, and that he's happy to see her smile like that. After he promised the same to Robin.

It happens when Wayne's inside to refill their drinks and Chrissy and Robin are caught up in each other that they're blind and deaf to the rest of the world. When Steve turns to find Eddie looking at him with the softest, gentlest expression. 

"Eddie," he whispers, leaning in to rest their heads together, lacing their fingers and stroking his thumb along Eddie's palm.

"Yeah, baby?" 

Baby. It fills him with butterflies, with the urge to scream, to shout from all the rooftops that he loves Eddie, and more importantly, that Eddie loves him back! Baby. Baby.

"I love you." 

"Hmm. I love you more." 

No, you don't. Just longer. "Can I kiss you?" 

He can feel Eddie's little gasp before he leans in even closer, rubbing their noses together, cradling Steve's face with his free hand. "Please," he whispers. 

And Steve does. He captures Eddie's lips, pouring into it everything he feels and more. Sealing the promises he's made and all the ones he's yet to make. The promises to love and cherish Eddie. To be brave. To be there. To stay and keep and bask. 

It's nothing like their first kiss all those years ago. There is no question behind it this time. Only declarations, only promises, only the beginning of a shared future. 

And there are many, many more after this one.

🌷🤍🌷 THE END 🌷🤍🌷

tagging: @sexymothmanincarnate @mcneen @livsters @eddiemunchondeeznuts @abstractnaturaldisaster @steddie-as-they-go @hyperfixationgoddess @goodolefashionedloverboi @stxrcrossed186 @eddiemunsonswife @bidisastersworld @ghost-ly-s @romanticdestruction @walkingaftermidnight07 @anaibis @rainydays35 @mightbeasleep @sunfloweringstories @korixae @tuesdaycats @totoroinatardis @ilovebookshowboutyou @musical-theatre-gay @theluckyalien @copingmechanizm @srra @changelingbaby @sassygoop @obsessivelyme @r0binscript @hardboiledleggs @estrellami-1 @bisexualdisastersworld @space-invading-pigeon @swimmingbirdrunningrock @y0urnewstepp4r3nt @oxidantdreamboat @spilled-jar @phirex22 @littlemsterious @captaingigglyguinea @animecookie95 @sharingisntkaren @haluton @littlemsterious @animecookie95 @suddenlyinlove @bisexual-bilingual-biped @jinx-nanami @makewavesandwar @scheodingers-muppet @morcantinon @hexdbog @homosexualhomocide13

god i can't believe it's over. i thank you, every one of you, who cheered for me, cried with me, screamed and yelled at me, and stayed with me throughout this past week. i have no words right now other than thank you 🤍🌷 and i hope this is okay

[badnew2005]

SUNNY IS A LOVE STORY @badnew2005

Lighthousekeeping, Jeanette Winterson | @boymiffy | @maccymacdonald | Rob McRlhenney, Philadelphia style | Is the Cast of Always Sunny Irredeemable? ceicocat | True Blue, boygenius | @dennisboobs | @starpeace | @chilledmac | @bitseventimes | Rat A Tat, Fall Out Boy | Its Always Sunny In Philadelphia (2005-)

[radiorumble]

Just the thought that Lucifer's seen through 1000s of deals over the millennia but this guy here, he's a bit more entertaining, his sense of pride is amusing, the guy's ego is so big he can't see how much he's humiliating himself in front of the Devil himself, but better yet, this human just doesn't care what anyone thinks, even the devil granting him power, kinda cute, not like your usual witch in the woods, or robed elite in some underground temple, this was a guy who didn't want to have to fear anyone, oh how much fear must lie in his heart, "precious" is what comes to Lucifer's mind. Maybe he can tend to this soul a little more closely~

[deoidesign]

something that makes me sad is when people tell me the healthy communication in my writing is "unrealistic."

like guys this is how me and my partner talk with eachother... I'm writing from personal experience...

[sayakxmi]

Saiouma Puella Magi AU, but Kokichi takes Madoka's role and Shuichi takes Homura's.

For one, Kokichi's too naturally distrustful to just hear "I can grant you any wish :)" and not think ok where's the hook. So he just does what no one ever has & essentially interrogates Kyubey, so he knows it all even before he gets to make a contract. So, some of his classmstes are MGs & he won't become one himself BUT he still ends up tagging along to just protect them in his Kokichi ways. (Though I'm entertaining Kokichi lying about being a magical girl, because, well, it's Kokichi).

(I also got a small idea of Gonta being a magical girls and Kokichi originally tagging along him into labyrinths, Gonta also makes him a magic gun from the toy one he had, and at some point witches out & Kokichi manages to kill him with that gun. So he always has that spare Grief Seed on himself, bc it's still his best friend & he can't handle the idea of just giving it away or using it himself (he does anyway in the end).)

Shuichi prolly ends up being a new kid & it isn't like MadoHomu, the ppl who reach him first are Kaede & Kaito, classic. Kokichi's there, too, but he's his usual sus self. He's actually discouraging ppl from making a contract when they find out magic and miracles are real, which absolutely includes Shuichi. He's very vocal abt it, but he won't explain stutf, bc 1) he's a liar, so who'd believe him? and 2) he doesn't want them to witch out upon finding out the truth or, idk, murder everybody Mami-style.

Anyway, fast forward, bad things happen bingo & by the end of the run most charas are dead, there's Walpurgis nachting, and he makes his wish to bring back the ppl who died notably not as magical girls. Contract signed, he fights & fails, rip. I also thought it was similar to how he thought he could end the killing game by himself - he though he could finish Walpurgisnacht by himself, too. And he failed in both times. Whatevs.

Shuichi doesn't actually make his time travel wish for Ouma specifically, he wants to save all his friends. Timelines are messy esp at first bc he either tells then or it backfires or just makes himself look very sus bc he's trying not to tell them. He also realizes why Kokichi hadn't told anybody aby witches at some point, bc, yeah, it messes them a lot, assuming they believe it.

Still, Kokichi ends up one of the few people who are nearly always giving him a chance, not necessarily out of belief, but out of pragmatism - bro can stop time & knows the truth, that's just too useful. So they often work together & Shuichi grows closer to him but still we ain't there yet. But the thing is, Shuichi's time travel still makes Kokichi more & more powerful with each timeline, bc Shuichi usually goes back after Kokichi dies, so the universe figured out this guy's life's important. Anyway, another notable thing is the iconic Homura kills Madoka scene, but it's Saiouma with guest stars of Kaito & Maki. It's Walpy, it's not defeated yet, but the training trio are spent & just kinda accept their fate of turning into witches together. And then, boom, Kokichi appears & steals their Soul Gems for a sec & he's like did u know you can cleanse your Soul Gem with a darkened one? But it's a lie & he quickly tells them so, he just had a spare Grief Seed after cleansing his Soul Gem & he needs them to do some stuff. Shuichi can travel back in time & fix things, and Maki & Kaito are needed to fight Walpy here. He actually questions what happens to the timelines Shuichi leaves behin, and ofc he doesn't know. There's a chance they remain, so Kokichi needs Maki & Kaito to fight Walpy here.

Kaimaki leave, and Shuichi finally looks at Kokichi & realizes sth is Wrong. Kokichi struggles to hide how he's trembling & grimacing, and it's Kokichi, so obviously it must be extremely bad. Shuichi dreadfully realizes something worse, and he weakly asks Kokichi why aren't his wounds healing. And Kokichi just falls, laughing weakly, and Shuichi catches him & searches for his Soul Gem and, God, he knew it. It's nearly completely black. Kokichi laughs & admits he lied abt having two Grief Seeds, he only had one he never wanted to use. But they'll have the second one soon, so no need to worry. He asks Shuichi to maybe destroy his witch form as it's hatching, so he'll have the Grief Seed without any fighting… and he admits that he hates fighting, he hates this magical world and all its violence. He says that Kaito was right in calling him a coward, even here he just can't handle the idea of fighting any longer, he's so sorry. And Shuichi tells him he ISN'T a coward. He was scared, but he always followed everybody, trying to help, and when push came to shove he would always make a contract for the benefit of others rather than himself. He's a lot of things, but a coward isn't one. Kokichi actually tears up hearing that, and Shuichi promises he won't let him fight ever again, and especially he won't let him turn into a witch and hurt anybody, because he knows it's the last thing he's ever wanted. Even now he only accepts turning into a witch to help them fight to keep others safe. So Shuichi won't let him. Kokichi probably apologizes and thanks him and then he dies.

Keeping Kokichi from fighting starts off as a side quest that gains importance with time, bc it's something Shuichi won't compromise on (ah, trauma), which leads him to occassionally neglect others a bit, which makes them more likely to get hurt & ironically Kokichi more likely to make a contract, especially since he gets more powerful & Kyubey is more interested in him with each timeline. And that also makes him witch out super quick. Shuichi's paying more attention to him & over time grows resentful of others for how they're treating him. To Shuichi it's no question that Kokichi cares & is just doing his best to help, but nobody realizes that.

But the biggest obstacle in keeping Kokichi from fighting is actually Kokichi himself, bc he's too smart and nosy, lmao. Even if he knows nothing, he will find out quickly. Doesn't help that Kyubey wants him to make a contract.

Also, obviously Kaito is Sayaka-coded and Maki could be Kyouko-coded, so that's a thing, BUT it's usually Maki that witches out. Kaito is usually pretty close, but Kokichi intervenes & he survives, but Maki later cracks on her own (and since in the new timeline Kokichi isn't there, Kaito's the one to die, so he's still the secretary). So it's Kaito who gets the dramatic sacrifice. I imagine he genuinely hoped you could bring somebody back if you tried Very Hard & Kokichi called him a moron bc obviously it's not possible. If it was there'd be far less witches that there are. But it's Kaito, he doesn't listen to reason. So, Kokichi follows him to the labyrinth. At first Kaito's mad cuz what if Kokichi being there ruins the plan? Maki hates his guts! But eventually he gets hit pretty hard, and Kokichi is near immediately by his side, trying to help him get up, which kinda makes Kaito short circuit a little bc wait Kokichi's trying to help? But witch!Maki attacks them & Kokichi pushes Kaito away & gets caught himself (and choked until unconsciousness, naturally). Anyway, Kaito gets him away, Shuichi catches Kokichi & Kaito makes up his mind about going down with Maki & asks Shuichi to tell Kokichi that he's sorry. He doesn't get him, but he got hurt trying to protect him, so he'll believe in that if nothing else. F.

As for The WishTM, in the last timeline Shuichi lashes out at Kokichi for his willingness to just become part of the system. In no timeline has his wish actually helped, it did NOTHINHG, which OUCH but it also makes Kokichi think out of the box more & he becomes the Law of Cycles. And Shuichi realizes what is happening & freaks out bc Kokichi's doing it bc of what he told him & like Homura they end up having a momentTM in space & Shuichi remembers. He feels a lot of guilt even tho he also questions whether anything was real, but if it was, he pushed somebody he far too realized he loved into erasing himself from existence.

[haroroka]

horse dipper & mabel silliessss

[trans-leek-cookie]

listen I'm not gonna be a Curly apologist he did Fucked Up as captain but I genuinely recommend ppl watch a playthru that goes thru the game in chronological order. It kinda helps clear up the events and gaps between them, bc even tho u See the times, you still experience it out of order.

The stuff Anya says definitely sets off alarm bells but it doesn't seem like he Fully Understands what she means, and I'm going to be 100% honest I think she was trying to repress it herself. This isn't to say that she is AT ALL "at fault" for what happened after and she should've gotten help even if she wasn't ready to fully discuss the issue but I genuinely think she herself was still coming to terms with things, so she didn't necessarily process the full impact before talking to Curly, and a lot of what happens occurs after they're laid off- like this delves into personal interpretation but I genuinely think Anya only registered Jimmy as a serious danger after his outburst towards Curly. Ofc my interpretation is limited bc of the limited pov in game and not having gone through what she has, but it personally reads more akin to coercion over time than a singular Obviously Violent incident (like. Not to say that Sexual Assault isnt violent in nature, just that coercion often specifically works to obfuscate the fact it is a form of violence.) The layoff is a Massive catalyst for her bc of Jimmy, in that she now has a very clear understanding of his capacity for aggression.

To extrapolate a little from the "Dead Pixel" conversation, she starts by saying she Likes The Screen (even though it's fake). While Curly has his quotes about the pixel "not ruining the illusion" which. Y'know is Symbolic Of His Flaws. She doesn't say the pixel ruins it, just that she can't get it out of her mind.

If we take the pixel to represent her Or jimmy, either way the way she talks about it kind of downplays things, like it's a Minor Thing that's Slightly Upsetting, but she's still okay with the big picture. Idk I could be 100% wrong but that is my take

Besides that, Anya tells curly she's pregnant 2 days before the crash, and it isn't until she outright states it that he starts Putting The Pieces Together. I want to note, he says "I'd do anything" and "this doesn't have to go on our performance evals" 1. Before he knows shes pregnant 2. Under the assumption she might attempt suicide, and I doubt he even thought about her using the gun on anyone else before she brings that up. He says literally before the line where she tells him she's pregnant that "being laid off isnt a reason to hurt [herself]". Like I've seen ppl talk about the performance evaluation thing like it's about her and jimmy, but I think he's referring to (his belief) that she might attempt suicide or similar which might genuinely be a consistent thing he's seen her struggle with, given she's able to go through with it. Also just to note: assuming their society is like ours (hellish) reassuring her he won't blab Abt her mental health is like. Genuine reassurance- lots of mentally ill ppl will Not Open Up bc it could have long term consequences (like. For example. On employment) ANYWAYS I hope it doesn't come off like "Curly never failed Anya" but rather "Curly approached this specific situation without the context of why Anya is panicking and (possibly validly) assuming she's dealing with a very different issue"

Also let me say again the time frame is 2 days. We don't Really see what happens, but we know Anya tells Jimmy without Curly knowing. I genuinely believe he maybe didn't do a Great Job in those two days (the fact he says Anya should've talked to Him before telling Jimmy is uhhh. Mm. 1. Your job to create an environment where she comes to you my man 2. Weird to tell her what she should do with HER OWN PERSONAL INFORMATION) but like.

I get a lot of ppl want immediate consequences but consider that they can't really get rid of Jimmy (co pilot. Which is. Y'know it's Own Problems) but also like. Curly knows Jimmy, and we know that Jimmy tends to lash out. Curly should probably Not Confront Jimmy Unless He Knows Exactly How To Keep Him From Hurting Anya. Like I'm not an expert but this is something genuinely important- when confronting an abuser you NEED to take into account the impact it can have on their victim, and sometimes for the victims safety you need to wait until you have a Solid Plan. It sucks but it's important.

And theres discussion to be had about Curly kinda going along with Jimmy saying "well what if we all died" and like. I do believe he Didn't Realize What Jimmy Said. Like he was just processing/trying to keep the situation under control (and failing because he underestimated how willing Jimmy was to hurt everyone including himself).

Like he's definitely an enabler but I would say his problems are mostly before he understands the gravity of the situation, in that he's friends with Jimmy and assumes the best of a man with abusive tendencies, and fails to create an environment that can keep Anya and the others safe. Like, he definitely doesn't handle in game events perfectly (psych evaluation for one- he does do it instead of Anya which is actually helpful, but he still treats it like. Weirdly.)

Idk I have a lot of thoughts about this game and I don't necessarily want to defend Curly but more like. Anya's situation is very delicate (and light on details) so sometimes the way ppl talk Abt it feels like they aren't actually focused on what she wants and what it means to prioritize her safety y'know?

Edit bc I just now figured out kinda how I want to word it: curly is an enabler and making things worse bc he doesn't put a stop to Jimmy's BS, but in the specific scenario we see in game I think he's trying to use his Skillset of like, people pleasing not for Jimmy's sake but for the crews (like "if I nod my head and say I sympathize he won't lash out and hurt them") which like. There are situations which that is unfortunately the safest option (on an individual level yes, but sometimes it's also necessary to prevent abusers lashing out in response toward ppl who are more vulnerable) but it was the Wrong Choice.

It's like. I think Curly was trying and had good intentions, and understood that he needed to protect the crew, but he didn't have the toolset/experience to realize he can't Just go along with things and that he needs to be able to set hard limits, even for ppl he likes and trusts. Like he failed but the failure was "for want of a nail", where it began way before what we see (for want of an understanding of power dynamics I guess.) Again, don't think this makes curly more forgivable or whatever, I just think he's a good example of trying to make the right choices when you never realized you'd have to make these kinds of decisions and therefore are unprepared and/or unaware

Second edit: personally I don't think you can really incapacitate jimmy without there being serious risk (again he's the copilot) but curly should've given Anya the gun when she told him Abt the pregnancy

[professorsta]

Spirited was heartfelt in a way I didn't expect. I've read A Christmas Carol before and seen the many adaptions as I'm sure all of you have too, but I loved how this one tied in the Old Scrooge with the New One. Clint meeting Present who is so similar to him yet so different, for the fact that the whole time Present seems as if he's looking at a horrific fun house mirror, while Clint is meeting maybe the only person who has deeply and intrinsically connected with him. Clint learns that Present knows what its like to be a cruel controlling money hungry leach who desperately fears that when he tries to make up for it, no matter what he does, he won't ever be able to rectify the pain he caused. And yet? Present still tries, and inevitably is able to convince Clint to as well. Wasn't really a Christmas Carol beats wise but it was a realistic answer to the question; what happens after the story is over? Does the mean old Scrooge become a good man indefinitely? Or does he realize that it's not about desperately grasping at the idea of what is good, but instead about embracing and excepting his past, present, and future so he can move forward with honesty and without shame? Realizing he had to choose everyday to not say Good Afternoon, even though he knows he'll fail sometimes, and try to give grace when he does. It's the age old question; Can a bad person be a better one if they try? The movies answers, yes, everyone can do a little good.

[phantom-thieves-official]

something I really like about p3p compared to p5 is the extra bits of narration. I don't know if it's because the game doesn't have scenes with animated models or if regular p3 is like that, too, since I haven't played it. But like in Junpei's rank 10, when he's talking about going to see his dad, you get an extra text box that says 'Junpei's hands are trembling.' and in Shinji's rank 10 you get a few of them, one saying he toys with the pocket watch and one saying he looks down at his feet for a long time. Idk. They're nice. In p5, they use pretty much only the talking sprites and the character model animations to show emotion but things like trembling hands or staring at their feet are little things that probably wouldn't be animated but that add a lot to a scene I think.

[spotaus]

Late Night quick thing (New Age Sillies)

Bad news: That joke post about including Reset + Orchid is definitely not canon. (I legit got sad thinking about Reset being in a universe where Orchid isn't- because their stories are so so intertwined- but Nightmare 100% would NOT risk the whole twins exploding Error's soul thing.)

Good news: This means I COULD include Kane (Reset's older brother who usually dies in timelines where Reset is born) and use it to develope his character a bit more! Also! Perhaps a Blue × Dream kiddo is finally in the stars for me to design?

[codgod]

the thing about qslime is like. he’s BEEN in denial about flippa’s death ever since it happened. when the eggs were taken away when the brazilians first arrived he was fully expecting flippa to show back up with them, he actively went looking for her. this thing with codeflippa isn’t like… new. at all

also, tangentially related, i honestly feel like etoiles reassuring him that tilín’s death wasn’t his fault may have had a negative effect? at least in regards to how much guilt he feels. because his emotions are all in extremes — he either loves mariana or hates her guts. he either feels so guilty that he runs off thousands of blocks away and tries to summon an angel to bring tilín back or he doesn’t care anymore because it was “just an accident” (a sentiment which doesn’t extend beyond himself because he is, ultimately, as self-centred as he is self-unaware). charlie said it himself when going through the element rooms in cellbits castle — his character is entirely driven by emotion, and he’s an absolute wreck about it. that’s why his character would be blood (even if charlie himself chose energy/chaos)

the other islanders are very much used to how.. volatile he is. so they just kinda let it go (at least on the outside) as seen with cellbit, roier, phil, etc. hanging out with him and codeflippa and helping them do her “tasks” which obviously probably isn’t the best approach (except on an information gathering front, but i mean for slime specifically here) but like… how do you even help someone like that? someone so deep in that they can’t even see that they’re losing themself to something that isn’t even real. he’d have to get to a point where he actually lets himself realise that something is wrong but he just. can’t

[onesnoopyaday]

Snoopy #33

3/11/2024