#this is a good ep for the main team all around

[httpknjoon]

quite an impression | myg

plot | that time where the afterparty left quite an impression on the not-so-friendly relationship between the popstar and her bassist.

w.c | 5.1k

pairing | bass guitarist!yoongi x popstar!reader

genre | enemies to lovers, popstar x bassist

main masterlist | series masterlist | want to request?

After the show, everyone, including the band and the show's crew members, was told that you and your management prepared an afterparty for everyone in one of the known yet private hotspots around New York City.

Everyone agreed to come, including Yoongi due to the band's persuasion. Plus, he doesn't really have anything to do back in his hotel room. The holiday EP's done. The concert tour just finished its first leg, which means their one-month holiday break basically started the moment you closed the show a while ago.

"What happened to your Valentino suit?" Fred was the first to ask when Yoongi joined the rest of the band on their ride to the afterparty venue.

Yoongi shakes his head lazily, "Don't want to ruin it at the party."

Before getting back into his usual clothes, Yoongi had to convince Paul to let him change. But your stylist was eager to make him wear it to the party tonight. He told him that there would be paparazzi there to take pictures of them arriving.

"I don't really care what I'm wearing if I ever get photographed tonight," Yoongi replied to Paul. It's not like I'm the main star, he thought.

He was so sure that the paparazzi were not interested in taking photos of them, but the moment their ride stopped in front of the private bar, Yoongi could hear the little commotion outside. There were paparazzi waiting by the sidelines with their big cameras and as soon as a car stopped, they got up to prepare to whoever is in the vehicle.

"This is crazy." Akio gasped as they all looked outside their tinted windows.

"Okay, put on your sunglasses if y'all don't want to be blind before we even get to the party." Noah, who has been a part of your team for years now, told them.

Yoongi was thankful he followed what your lead guitarist advised because the moment they got out of the car. There are flashing lights everywhere. He can hear some people calling his name, which is something he still needs to get used to. He doesn't remember getting much attention when he was at other artists' shows. Hearing various voices call his name everywhere makes him feel weird— not in a good way. They didn't stop for photos, heading straight to the private club's entrance while being guided by one of your security staff.

"I love playing for big artists," Akio whispered when they entered the venue, already eyeing the cocktails not too far from where they stood. "They know how to party."

It was obvious, the moment they got in, that the afterparty was well-prepared and expensive. Although the lights were dimmed and colorful fairy lights mainly provided lights for the place, there were customized holiday decors everywhere to celebrate your EP, which plays in the background. There are ice sculptures of your brand's logo and even a few mistletoes on entryways with your signature kiss mark placed on them.

"Yeah, YN's label is never scared to splurge money on her," Noah said, pulling out his phone to take a picture of the place.

Who will be scared anyway? You are one of the biggest pop stars in the world currently. Your songs earn hundreds of thousands of streams every day and almost everything you do gets praised by your fans and critics. Everyone, even you yourself, knows you are the top cash cow of your company at the moment, considering your recent tour and EP release. You are an investment worth investing in.

Yoongi stayed quiet while his eyes scanned the whole place. He never really cared about parties, but he could not deny that your label made an effort to make tonight's celebration impressive.

Everyone was invited, from your concert staff down to the late-night show crew members. While the band was walking through the crowd, Yoongi took a glimpse of Art, chatting with the producers of the late-night show you just hosted. Your dancers also came, already enjoying the dancefloor with other guests. There are more faces Yoongi had recognized, but there are some he still hasn't seen yet. Paul... Cal... You.

"Yoongi, over here!"

Suddenly, somebody called his name, snapping him out of his trance. Yoongi turned and immediately spotted another familiar face waving his hand across the room. It was a friendly gesture from Ben, one of the tour's sound engineers, Yoongi raised his hand, offering a small wave before walking deeper in Ben's direction. Along the way, one of the waiters offered him a drink and Yoongi got one, quickly taking a sip to hopefully give some energy to him to socialize. Nods and smiles were exchanged once Yoongi joined the small group, which included a few of your staff and a couple of writers from the late-night show. Ben was in the middle of telling the others of something.

"Yeah, the tour just ended its first leg this week. I think we'll be back touring internationally in the last week of January though. Right, Yoongi?"

Feeling a lot of eyes on him, waiting for him to say something, Yoongi's eyes widened slightly before he looked away, "Yeah, I think so."

Ben went on to talk about the work he does in your shows. Yoongi, as usual, just listened and observed the lively crowd.

"I saw you on the show earlier, you are a great guest." someone in the group spoke, making Yoongi look back to them.

A woman in a ribbed-knit, V-neck, white sweater smiled at him, offering her hand, "I'm Bea, one of the writers of The Late, Late Show."

"Yoongi, YN's bassist." he shakes her hand.

"And favorite band member?" Bea teased, referencing the question in the show earlier. They both laughed.

Yoongi smiled, shaking his head before sipping from his glass, "Not sure about that."

"Oh, trust me. Based on our team's research, you seem to be YN's favorite." the curly-haired brunette smirked.

"What research?" he asked, now curious about what she said.

"Well, you know, our team does research on our guests before writing for them. Then, we noticed how many times you two interacted on stage during shows, even your outfits aligned during her Halloween shows," she answered casually. "She always seemed to gravitate towards you."

Her tone seemed to be implying something, making Yoongi shake his head again.

"She just likes to play around on stage." he denied whatever Bea must be thinking.

"Yeah, sure. Whatever you say." she sneered, hiding an obvious smile while drinking from her cocktail.

Yoongi looked at her, trying to decode her thoughts, and when she felt her stare on him, she simply smiled, "I mean, I kinda get her."

As the music gets louder and the crowd gets bigger, Yoongi finds himself chatting with Bea ever since they met half an hour ago. They occupied one of the booths in the club alone while they talked about their jobs in the entertainment industry, something they are similar to.

Bea is funny, witty, and smart, Yoongi thought. He likes that she doesn't force him to speak in their conversation. He didn't really mind her telling him about her experiences as someone who moved here to New York eight months ago. It's better than being forced to jive on the dancefloor, something he's not really fond of.

"Yeah, I was actually scared to come here tonight." Bea shared, chuckling.

"And why is that?" Yoongi asked, slightly leaning closer to hear her over the loud music.

"I heard that staff members from other shows have to pay for their own drinks at after-parties like these, and I just can't do that right now. I have rent to pay!" she exclaimed, making both her and Yoongi laugh. She then rested her chin on her palm on the table, "How about you? Do you enjoy these parties?"

"Not really..." he was quick to answer, not bothering to conceal his dislike for social events. "Everything's too much at parties. The drinks, the people— even the music, it's too loud."

That's another thing he and his ex used to be contrasted about. Sara will always be at parties back in LA because of her job. It's a place for widening her networking in her perspective. Sometimes it is necessary for her to attend, sometimes she just wants to. Yoongi, on the other hand, is not a fan of networking. As long as someone is interested in collaborating with him, he's gonna be fine. But he cannot deny that Sara helped him get more people to work with him whenever she pulled him along with her at parties. She literally introduced him to Art years ago.

Bea chuckled, "Isn't it ironic that you're literally a bass guitarist and you hate loud music?"

"There's a difference between music and what's basically a noise." he joked.

Just when Yoongi took another sip of his drink, there was a sudden change of energy in the room. The music lowered slightly, and the whispers and turning of heads at the main entrance got more noticeable.

"Looks like the woman of the hour has arrived." Bea mused next to him.

Everyone can hear the main door opening, along with the sound of cameras clicking and people calling your name. Then, it was followed by familiar voices laughing and chattering. Yoongi didn't bother to turn around to the doorway until Bea murmured.

"Oh, they arrived together."

He finally glanced at the doorway, catching sight of you at the center. You were glowing with your gold closed-fitting, thin-strapped mini-dress. He wondered if you got cold outside while wearing that glamorous dress, but then he saw Cal next to you, holding a fur that he assumed was yours.

Then, he also noticed who was standing on your left. Harry was holding your waist as you greeted the first people who approached you. You two were a pleasant eyesight, a perfect eyesight for everyone. It was obvious how you two were comfortable with each other. Harry leaned closer to you to whisper something, and you would easily laugh like he was the funniest person in the world. Yoongi looked away, back at minding his business.

"They used to date, didn't they?" Bea whispered next to him.

Yoongi shrugged, "I don't really know."

"You should. You were Harry's bassist during his first album, right? I heard he wrote songs about her in there." she went on.

He raised an eyebrow, "You really did your research, huh?"

"Told ya." she clicked her tongue before looking back to you and Harry. "They still look cute together, don't they?"

"Yeah," Yoongi mindlessly replied even though he was not looking anymore.

He took another scan of the whole room. He stops when he sees you looking at him while everyone in the circle you're in is having conversations. Your eyes traveled from him to the woman next to him. Your eyebrows raised and you looked back at him again. Just when lines form between his brows, Yoongi sees you joining your group's conversation once again. It was a brief and quiet interaction— confusing for Yoongi— that seemed to be only known by you two.

"That was... interesting." Bea, the best observer, smirked into her drink.

The night went on with you and Yoongi being on separate sides of the room. Yoongi introduced Bea to the band, joining them in their booth. He ignored Fred's teasing stare ever since his new writer-friend sat with them. Noah also has his boyfriend with him, adding more fun to their conversations. At some point, Yoongi excused himself from the booth, getting up next to Bea.

"Oh, where are you going?" she asked with her hand on his arm.

"I'll get another drink, want some?" He answered, nodding at her empty glass.

She smiled, "Yeah, sure."

"Don't try to escape the party!" Noah teased him as Yoongi walked away, rolling his eyes at his friend.

He was about to walk to the bar, but decided to stop midway, heading to the restroom first. After doing his business and enjoying the quick solitude, Yoongi rinsed his hand and walked out to the dimly lit entryway. He was not paying much attention to his surroundings, just aiming to get to the brighter entryway to the party, causing him to bump into someone.

"Oh."

It was a light collision, but you were wearing your strappy God-knows-how-high heels, causing you to lose balance a little. He was quick to catch you and help you steady yourself.

"Sorry, didn't see you there," he mumbled.

"Clearly," you looked up with a snarky reply and the same smile you always give him. "Enjoying the night?"

Was it a little unexpected question from you? Yes. But maybe you've been asking everyone that since you are the host of the party. Yoongi wouldn't want to overthink it.

"Yeah, it was fun." he replied like he didn't spend his time talking to people he only knows except for Bea.

You hummed, "Bea seems nice though."

He paused, staring at you for a second, "You know her?"

Shrugging, you replied, "Met her during preparations for the show earlier. She seemed pretty smart and witty."

Were you watching them? Yoongi starts to wonder since he sees you vibing with Harry and your other guests whenever he catches glances at you in the crowd. He cannot tell by your tone if you are just being friendly, casual, or just teasing. But the way you were looking at him got his throat running dry, making him gulp hard.

Before he could figure out what to say next, a voice piped up from one of the small circles near the entryway.

"Oh my gosh, look up!"

Your eyes widened. Yoongi frowned. Right above you, it's one of the few mistletoes in the place. The small circle cheered, getting more attention to their direction.

One of your dancers urged, "You have to kiss now!"

"Ugh, seriously? Do we really have to do this?" you tried to play it off, acting dramatically.

But Yoongi can feel the tension growing in the small space between you, making everything more awkward. All while your concert staff enjoy how you are both caught off guard, knowing your childish and petty relationship behind the scenes.

"It's a tradition!" someone sing-songed.

Yoongi rubbed the back of his neck, "But it's just a plant."

"It is!" you laughing awkwardly.

It felt like high school— or even middle school. Like they were stuck in a game of truth or dare. The cheers for them got louder and clearer. Yoongi only looks at you, trying to read your thoughts. But you were exchanging jokes with the small audience.

“Wow, you guys are really committed to this tradition, huh?” you let out a breathy laugh.

In all honesty, Yoongi would not mind kissing you. Will it be awkward? Yeah, probably. But you both know that the easiest way to end this scenario is to just get over it. A quick kiss, then move on! It's not like everyone will make a big deal out of it.

But why? Why is it so hard?

You took in a slow inhale as you looked at your bassist standing in front of you. How can he still have the same blank expression on his face while you were shitting bricks, trying not to make the atmosphere awkward? You swallowed. Hard. You wondered where's the liquid courage when you need it. Kissing is never a problem with you. Hell, you were the one who suggested putting mistletoes everywhere tonight, unprepared that you are your own victim.

Yoongi's lips parted when you took a step closer to him. So close that he can smell the same sweet vanilla scent he sensed when you gave him a quick hug earlier after the show. He cannot help but study your features as you stand this close to him.

"Let's just do it?" your glossy lips whispered.

"Okay." He replied, almost breathless.

When he unexpectedly yet gently held your waist, you unconsciously held your breath like his soft touch burns your skin. You can still feel the tightness in your chest when his lips brushed against yours, like a feather. It would have been meaningless if one pulled away as soon as your lips touched. But for a half second, no one moved. You felt like leaning it when you felt his slight squeeze on your waist. But before anything could happen, it was over.

Brief and light.

Everyone cheered as you went along in this stupid holiday tradition. Yet the noise was all drawn out in the background as you and Yoongi slowly pulled away from each other.

In that quick second, you swore you felt his warm breath as he pulled away. You blinked, but still, stared back at him. Your heart was beating too fast, you didn't like it.

Yoongi didn't like that when he pulled away, he could not think of anything to say. It was like his brain into a factory reset, resetting everything he knew. He remembered you singing this close to him during one of your shows, thinking you looked like an angel. He still thinks the same thing.

After getting your souls back on the ground, Yoongi let go of your waist and you took a step back. Everyone is still having their reaction. Someone even whistled, making you turn back to the crowd. You forced a laugh.

"Satisfied?" you played it off with the crowd.

Yoongi's jaw clenched as he turned around leaving the entryway, ignoring the warmth that was still lingering on his lips. The image of your face close to his cannot get out of his head. He walked straight to the bar to get another drink.

You, on the other hand, ran back to the restroom. Looking back on yourself in the mirror, your fingers slowly touched your lips as you felt like they had been tingling ever since Yoongi pulled away. Realization sets in as your bite your lower lip.

Fuck, you wanted more.

For the rest of the night, you and Yoongi got some unspoken agreement to not stand within a six-foot distance between them. Yoongi found more comfort, sitting next to Bea, who raised a brow, when he came back to their booth after the kiss. He simply shook his head with that. She took it that he didn't want to talk about it.

"So are you guys playing tonight?" she asked him.

"I don't know, really," Yoongi replied, resting his arm behind her seat.

"I mean, it would be really cool to see you play at this party." she drew circles on the rim of her cocktail's glass before playfully tilting her head to him. "You know, just throwing the idea out there... Only if there are instruments laying around at this par— Oh, wait. There it is!"

Yoongi laughed at her feigned yet coy innocence as she tried to convince them to play. He scanned the room, looking for the instruments Bea was referring to. Instead, he catches you looking at him before quickly turning your back. Something in his stomach flipped before he finally found what he was looking for.

"You alright, angel?"

As soon as you turned your back to your bassist, Harry, who had his hand on the small of your back, asked. You looked up, putting on a smile before nodding. Ever since he said about your nose flaring when you lie, you try to be careful about not saying the truth around him. He smiled, pinching your nose.

"Looks like that kiss did something to you." he leaned into your ear as he teased you.

You moved away, glaring at him, "It's just a mistletoe kiss. Nothing too special about it, H."

"Okay, okay, if you insist." he chuckled.

You rolled your eyes, "I feel like you're trying to push an agenda here and I am just gonna ignore that."

Feeling your face warming up, you walked away to distract yourself with something else. It's nothing! You repeated in your head as if to remind yourself. Yoongi seemed to thought the same thing since you saw him getting comfortable with the same girl he's been talking to ever since you arrived.

There is a tightness in your chest. You had to stop one of the waiters who was going around with shots of espresso martini. You took one and immediately let it slid down your throat before returning the glass to the same guy.

Out of the blue, you hear a familiar beat of the drum playing along your song that was playing in the background. The small crowd in the dancefloor started cheering. Turning around, you see your live band on the small stage back in their element. The lights were dim, but you can see your bassist pushing his hair back, which somehow made your throat dry.

"I think we need a vocalist." Noah spoke on the mic.

Your eyes widened, you know he sees you with your shimmering gold dress. And the spotlight that landed on you didn't help for you to hide in the corner of the room. Shaking your hands to your sides, you exhaled before walking up to the stage. The last thing you want now is to stand next to your bassist, especially when you're confused and having a meltdown in your head. But your forever motto plays in your head, fake it 'til you make it.

The band continue playing along with the song that was already playing in the background. You took a sip from a bottle of water Cal handed you before catching up on the song. Shaking it off, you put on your usual popstar persona. The one who's confident, spontaneous, and maybe a little annoying to your bassist.

An idea pops in your head, making you signal to the band to repeat the song from the start. They followed, same with the DJ who turned down the music. Noah began counting and Yoongi almost crashed out in his head when he felt you standing close to him.

Unexpectedly, you lifted his chin, making him look at you. You silently hoped he is under the same spell as you are, not knowing that your touch burns his skin. Looking straight to his eyes, you sung,

"Oh, I leave quite an impression..."

The moment you saw a hint of something familiar in his gaze, you tried to bit off a victory smirk, letting go of him and turning to the crowd. A spur of energy grew quickly in you, knowing that you're not the only one struggling here.

The crowd sings along throughout the whole song. Yoongi was quite relieved that you didn't try to pull something on him again. He knew you got him earlier in the song, hence why you are suddenly more confident now, dancing on stage. Your hips swayed along with the beats and he finds himself almost getting out of tune, distracted. He played it off, adding a cool riff in your song, which made you turn to him.

"Show off." you scoffed in the mic, making the crowd laugh.

"Every time you close your eyes, And feel his lips, you're feelin' mine..."

That gave you another reason to annoy him. Yoongi felt you resting on his sides like he was a wall. You slowly slid down as you sang the bridge before getting up to let the crown scream the line,

"Yeah, I know I've been known to share!"

Yoongi tried to stay as far as possible from you after that performance. Harry sang too after you called him on stage, which didn't really distract Yoongi as they played the song your ex wrote about you. Only Angel. What a fitting title? He thought.

After that, they played a couple more songs before getting back to their booth. He was so ready to get back to the hotel, but he didn't to leave Bea alone, who he enjoyed talking with tonight. She just finished her fourth glass of the night when she noticed the time on her watch.

"Oh, it's almost midnight." She murmured as the corners of her lips dropped.

"And? Are you Cinderella?" Yoongi quipped.

Her eyes narrowed behind her glasses, "Well, yeah. Fairy Godmother will take away this thick ribbed-knit sweater once I don't show up in Central Park on time."

They laughed. She continued, "I have a flight to catch tomorrow morning. Need to be home before Christmas."

Bea began saying goodbye to everyone. Yoongi said he'll go back to the hotel too, and got a knowing look from his bandmates. He rolled his eyes, lifting his middle finger at them, which made them laugh. The party is dying down anyway. Yoongi saw you saying goodbye to Harry before he left after he performed on stage. Then, he didn't catch sight of you again.

"How about you? Going back to LA for the holidays?" Bea asked as they walked out of the private lounge.

Yoongi clicked his tongue, "I don't know. I have no plans yet."

They stopped on the pavement. The paparazzi are long gone, it's just them and the distant noise of the city.

"Maybe you can come to Seattle with me? Want to meet my parents?" she joked. "But seriously, I enjoyed talking with you, Yoongi."

He smiled, feeling a warmth on his chest, "Me too, Bea."

As if on cue, a yellow cab stopped in front of them. Bea looked at him before getting on her tiptoes to give his cheek a soft peck.

"Contact me. Let's see each other again once we're in the same place again. Okay?" she smiled, hopeful.

He nods at her with a small smile before she gets in the cab, waving at her before the car drives away. For a few seconds, Yoongi stood there alone. He looked down, remembering the last time he went on a date. As an image of Sara came up in his mind, he shook it off while walking away.

Yoongi did not mind walking from the party to the hotel. It was a twenty-minute stroll. He needed it with so many thoughts in his head to organize. His dating game, the mistletoe, Bea, your gold mini-dress that exposed your back, his plans for Christmas, your face when you pulled away, his house back in LA... the kiss.

What the fuck.

He paused just right before the hotel everyone in your staff is staying at. You kept on reeling back in his head, he did not even notice it. Suddenly, he's recalling your scent and the softness of your lips on his. It lingers. He sighed, running his fingers through his hair. Then, he remembered your own fingers running through his jet-black hair when he was asked to show up during your Bed Chem performance. Your gaze under the red lights. His Adam's apple bobbed as he thought about it.

As he walked into the hotel elevator, Yoongi thought of hopping into a quick shower before sleeping tonight. Maybe it will clear up some of his thoughts. Just when the door began closing, he heard a scream from a distance.

"Please hold it!"

Yoongi, although distracted, followed. He held out his hand between the doors, slowly opening it up again. That's when you showed up, chest heaving, still wearing the same dress Yoongi was thinking about. He squeezed his eyes closed as he turned his head down. The amount of curses he let out in his head.

"Thank you." you tried to say it softly, but you were breathless from running. You push the button to your floor and you notice that he still hasn't clicked his. "What floor?"

"Hmm?"

You turn around and catch him staring at you in a way you've never seen before. You felt your stomach twist. Your eyes moved down to his lips. He was biting too hard, turning the skin red. You watched as he inhaled, lifting his shoulders like he was trying to stay still.

"Same as yours. Twenty-nine," he mumbled.

His voice was too deep, your voice ran dry. You nodded, standing back next to him. Silence hummed for the first few seconds as the door closed. You didn't know that this tension joined you two in this elevator, making the atmosphere heavy and honestly, a little warm. You felt it again. Your lips. They're tingling again.

You can feel that he feels the same way. Your heart starts to beat too fast when you look at him again, still biting down his lip. Hard. Maybe talking would help.

"So, what happened—"

You were not even done with your question about Bea when Yoongi moved forward, crashing his lips on yours. It felt urgent. And hot. Like he was thinking about it for a while now. It was like you broke him.

Your gasp barely made it out of your lips when he swallowed it. He got his one hand on your cheek, while the other was squeezing your waist. His fingers held you down as you squirmed too much.

You don't really have much thought except him. His scent. His lips. His hair. Oh my god, his hair. You ran your fingers on it, tugging on it as you felt the temperature rising in your body. He groaned before pressing you on the elevator wall. You tilted your head, deepening the kiss, while your hands explored each others' bodies. Desperation and hunger reeks from the way you two taste each other's tongues.

Wanting to hear him again, you bit on his lower lip. He groaned lowly, feeling the vibration in your chest. You smiled into the kiss. Suddenly, you felt both of his hands on your waist. You instinctively wrapped your arms around his neck, feeling the kiss getting gentler.

Your chests were heaving as he pulled away, resting his forehead above yours. You unconsciously licked your lips after seeing how his got redder and glossier due to your own. You noticed his Adam's apple moved up and down, making you meet his eyes.

Ding!

Your heads snapped to the side when the elevator door opened. Yoongi's hands clenched when you slowly stepped back, exiting the elevator wordlessly. He followed behind you while still tasting the strawberry taste of your lipgloss.

Your rooms were right before each other's. Turning your back, you didn't say anything as you opened the door. He didn't either and faced his door, but didn't reached for the key card. The moment he heard your door closed, he turned around.

Fuck it.

Determined, he knocked on your wooden door. And almost in an instant, it opened with you pulling him inside.

note | thank u for @momma1 for commenting this song months ago! 🩷 please consider as the conclusion for the first leg of this tour. the next drabbles will be set after their "tour break". lmk what u think of this one?

SERIES TAGLIST

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[halflingkima]

drawtectives rewatch: 1.07 ↳"Why don't you tell us what happened last time?" "Do we have to?"

[fulcrums501st]

Honestly I think the main thing I can’t look past in s2 is how it offers super simple solutions to incredibly complex and nuanced questions that s1 set up so intricately.

How can someone like Jinx ever become stable or well adjusted? Oh her hallucinations basically cease cuz she just becomes depressed and then before she can get over that brief period of apathy and go back to her psychotic self, she adopts a kid that basically brings Powder back. So the super crazy Jinx we expected to see after the cliffhanger of s1 never gets the chance to form! Isha serves as a plot device to avoid a complicated answer to Jinx’s mental issues and question of identity.

How can Vi and Jinx ever become sisters again after they’ve changed to much, is it even possible for them to reconcile? OH their dead dad comes back and reminds them of the good old days so we can ignore all the present and much more recent shit that has happened! And we’ll just really reaffirm that Jinx is Vander’s kid and not Silco’s after ep 4! This is the easy way out to the sister conflict, literally just reminding them that “oh yeah! We did used to be sisters!” And then Jinx can just die so we don’t need explore a complicated road to recovery that Jinx would have needed to embark on! Wow. What a cop out.

Will Zaun and Piltover ever be able to escape the cycle of violence that plagues them that is rooted in complex systemic oppression and inequality? Is violence the answers? Or will it only perpetuate more conflict? How can compromise come about with the rising extremism on both sides? How can Zaun and Piltover ever progress while acknowledging the horrors of the past, but still retaining optimism for the future? OH! Let’s actually just not even BOTHER exploring Piltover/Zaun at all!! They’ll team up to fight foreign 3rd enemy (literally foreign cuz Noxus is literally another nation interfering) and an incredibly simple exploration of forgiveness is the answer! Definitely not cliché as crap.

Complex questions, basic, uncomplicated answers. I simply wish the writers had chosen to prioritize themes and exploring interesting nuances more than big plot climatic style battle in the end. I see visions of nuance there, but they fall flat cuz of the fast pacing and what plots the story chose to prioritize, which don’t organically continue the setup from s1

And the season doesn’t do enough to properly explore these answer to justify them answering those questions. They use plot point through plot point to force the characters to where they need them to be without doing anything interesting with them to explore these complex themes from s1. and after speeding through all these arcs and themes they turn around and pretend like they perfectly answered these questions without putting in any of the work to bother exploring them

[aryas-faces]

This episode proved Team Green is the better team

TG had all of 10 minutes, and they were the most riveting parts if the episode

Team Black on the other hand? Boring

Putting aside the fact she shouldn’t be the hero, Rhaenyra has no personality. Neither does Jace. Neither does Baela. Neither does Corlys. Name one personality trait any of them have. You can’t. Because they are blank slate good guys that you can project onto. You can be a hero and still have a personality. Just look at the HP books. You can take out “Harry said,” “Ron said,” and “Hermione said,” and still know who said what because their personalities are so distinct. Just look at the Starks. Arya and Sansa are completely different. You can do the same, and still know who said what. If you did to Team Black you’d have no clue who said what. This is a huge problem. Your main character is indecipherable from the secondary characters around her. The dynamics are also nonexistent

The only one with personality is Daemon, and look what he’s been reduced to. We got a scene of him chopping wood. Same with Rhaenyra, we got a scene of her hair being brushed

Because they have no personality, there’s nothing you can do with them. Even the way mourned Rhaenys was so bland

The first episode to really focus on the main character, and Aegon/TGC stole the show with one word

Really let that sink in. This is the first episode to really focus on Rhaenyra, and Aegon is still the most talked about. And he only said one fucking word

And the ep is otherwise seen as unwatchable

We are in for a rough second half of season 2, which is said to focus on the Blacks, if this ep is anything to go by

[dock57]

[If you haven’t already noticed, I just really like talking about how much I love this series.

I’m not sure what it is about this particular shot of the first episode, but this one is what really got me in.

We have a build up to the plot of the first episode, where we’re introduced to the continuing plot itself of the series, but a build up to the introduction of the main characters. We’re given a glimpse of who Shrike and Beebs are, not just based on their icon alone, but as who they are based on the information given along with them. As I have said many times, I really love MW and its details. Including this shot.

We’re told here the difference between Shrike and Beebs. We’re given a dose of who they are as well of how the two work together. Which is something I would really like to talk about another time.]

[I think EP 4 has pushed the understanding of Shrike’s and Beeb’s relationship and their character and well, the overall story. Shrike is considered a loser to well, majority of the people who know him. We also know that Shrike is quick to make decisions- usually not good ones and seems to “get by” by either luck or, having Beebs with him. Which is why Shrike’s description of being a low threat and easier target to take out before Beebs, makes sense. It just gives you an idea how little Shrike is considered to others, enemies or rivals. Even if Shrike did make Kara look like a fool at the end of the first EP- it was really by chance- luck really. I will say it is funny how it’s mentions he is awful with close range- despite doing a great job in EP 2 doing close range sword fighting- guess the only times cartoons did save him.]

[Then you have Beebs, or Bulldog Browns is the first name given. I always look back at this shot for Beebs. Because even before EP 4, we’re told he’s a threat- which is odd as before EP 4, we’re really only shown a more chill side of Beebs. I know in EP 3 though, we are given a taste of how Beebs could potentially be dangerous, or well, he has a limit. Even so, EP 4 is when we really start to get a taste of how much of a threat Beebs could be. Not just from what we saw from Ajax too and what Ricket said, how Beeb’s kinds can be “a lot,” but how Beebs can haul weight around with no problem. Opening closed doors with his own strength and like Ajax, has his eyes light up red as well when he is frustrated. So the 9/10 threat makes a lot of sense now. I remember when I first saw that, I was a bit surprised? He doesn’t seem like the type who would hurt a fly? Now seeing EP 4, makes you wonder how much he can handle before he loses it? Its clear though, that Beebs is seen as a threat, not just species alone, but also seems to taken more seriously compared to Shrike, he is set up in the team to be the “straight man,” the middle guy, really the one to well, solve all the problems. Even in his little description, it says that you might have an easier time with Beebs if you take out Shrike, who really is not. Taken seriously.

Also Shrike being 6”3’ and Beebs being 8”11’? I love ridiculous heights for characters. These two are tall, man- even Shrike who appears “short” compared to others.

I’m not much of a theorist or type to create headcanons, I just really like talking about what I love about a series. And what I love about this shot? The set up. We’re introduced to the characters, a glimpse about them and watch the development, and the overall plot itself.

I’m just a rambler, but hope you enjoy.]

[smok3r7]

They Always Come Back

Aaron Hotchner x f!reader

Explicit, 18+

Can It Work?

Main Masterlist & Series Masterlist - My AO3

Summary: You and Aaron met in college, Criminology Major, funny enough. Throughout your five years at George Washington College, you and Hotchner had this on and off again relationship; it was all fun until you started to realize that you loved him. After graduation the two of you cut ties and left it as dumb college love, going your separate ways. After a decade you finally land your dream job, a seat at the BAU; however when you notice the name copied on the email, you can’t believe your eyes.

Chapter Summary: Your first case doesn’t go as planned or at least not how you wanted it to go. Are you fit for this?

Word count: 4.3k

Season 8, Ep. 8 “The Wheels on the Bus” is incorporated in this chapter, I hope you guys enjoy, I had a fun time with this one<3

—

As you sit in the black leather office chair, staring at Aaron with pure intentions, your hands grip the armrests tightly to conceal their shaking. The cold air in the room makes you shiver, but you will not let him see your vulnerability. Aaron's piercing gaze meets yours, and you feel the nerves inside you threatening to unravel.

You take a deep breath, steadying yourself, pleading your facade will hold. Despite the icy chill running through your veins, a fire burns within you, a fierce determination to face whatever challenge lies ahead. You square your shoulders, meeting Aaron's gaze head-on, a silent battle of yearning unraveling between you.

You refuse to let fear control you or take over, ready to confront whatever obstacles you’ll face.

But when Aaron's gaze wanders from your eyes to the glinting gold chain peeking out from beneath your button-up shirt, a rush of anticipation courses through you. With bated breath, you observe the subtle shift in his demeanor as his pupils dilate upon catching sight of the golden heart pendant that he gave you so many years ago.

In that moment, a strong sense of satisfaction wraps around you, knowing that he has noticed the intimate piece of jewelry nestled against your skin. You can almost feel the invisible thread of connection tightening between you, a silent acknowledgement passing between the stares to one another.

"So how've ya been?" you ask into the cold office.

He takes a moment before replying, moving his amber orbs back to yours, "I’ve been fine, just trying to stay on top of everything. You?"

You're hesitant to tell Aaron, so you give a quick response. "I've been busy, but good." Despite the smile on your face, Aaron senses something off. He looks at you intently, waiting for more. You can feel the weight of your secret pressing on your chest, threatening to spill out at any moment. But you push it down, putting on the facade of normalcy.

The truth is, things have been far from good. You've been struggling with something that you're not ready to share yet. There are just some things that shouldn’t be shared immediately, and the fact that you still have feelings for him, is one of them. But you almost feel compelled to tell him, but the need to keep this job fights that feeling.

"We can’t let…whatever this is-” You point your finger to yourself, back to him, and to yourself again, “Get in between the job. It just can’t.” You express it mainly to Aaron but also as a reminder to yourself. “People are counting on us to help them and their community. Our problems are minuscule to theirs.”

Aaron nods in agreement, his determination matching yours. "I agree," he nods, "We both can be professional, right? As long as that happens, you will be a perfect fit to the team."

“I can keep things professional. It’s my forte,” you chime as you stand up and soothe your button up. “It was nice to meet you, Aaron Hotchner.” You figure this is a chance for you both to start over again, you reach your hand over his desk, waiting for him in return. The unexpected warmth in his smile caught you off guard as he reciprocated your handshake.

“It’s nice to meet you, dear.” In that moment, the icy facade of Aaron Hotchner melts away, revealing a glimpse of the person behind the stern exterior. The person who once used to be your person. The person who you used to love.

As you walk out of his office, you can’t shake the feeling that something is going to happen. And little did you know - this encounter marks the beginning of an unexpected connection that unfolds in the weeks to come.

—

“Abducting a bus, a form of transportation, gas masks, shock collars, dividing people into teams. This sounds a lot like Gods of Combat." Rossi announces, but the room stares at him in pure disbelief that the older Italian man knows something about video games. “This is a video game.” He backs himself up, shrugging his shoulders just a bit.

“These guys are replicating a video game?” Derek asks, almost jokingly folding his arms in front of his broad chest as he leans against a desk.

Rossi nods his head and moves towards the big round table, pointing at crime scene photos, “In the game, you take over a form of public transportation. Subway, train, bus. That's how you get your players.”

“Wait a minute. You've played this game before?” You blurt out, you truly are taken aback by Rossi knowing so much about this so-called game. You lean back in the office chair and stretch your legs out in front of you, folding your arms against your chest.

“Well, I may have played it once or twice. But, with how similar it is… it seems like they definitely pre-selected these kids.” Rossi moves his eyes between the whole team.

“I’m sure they got all the kids' personal information from social media sites and they knew when the kids would be most vulnerable. And which bus route they’d be on.” JJ bounces her thoughts to everyone, with which you all agree.

“How do you win this game?” You and Hotch ask at the same time, even though you’re on opposite sides of the table. The whole room goes quiet and the awkward stares between you and Aaron begin, but you try to stay focused on Rossi who apparently knows it all.

You can’t help yourself from looking over to Aaron once more, you instantly see him looking at you but not at your face. You calmly raise your right hand to the golden heart that lays high on your chest. His eyes move off of you faster than the speed of light, almost too fast to catch, but you do.

You’ve caught him staring at it a dozen times since the first day you saw him after so many years, it’s like he can’t stop because he can’t believe after a decade you still have it, let alone wear it.

Two peas in a pod, Derek mumbles to himself as he turns around and fills his second cup of coffee of the morning. You can’t help the small smirk that quickly appears, but you pull it down before too many people notice. But still playing with the small heart.

“Well… That’s why we gotta hurry up and find them. Because the player with the highest body count wins.”

Your stomach drops instantly. You weren’t expecting that information, because now if you are too late to find these kids, they could all end up dead. That responsibility alone, terrifying.

—

The FBI vest clings to your sweaty body as you carefully make your way through the dimly lit building. Your arms feel like stone and jello at the same time, the weight of responsibility heavy on your shoulders.

Despite the physical strain, your mind remains sharp and focused. You have a mission to accomplish - to save the innocent children trapped in this nightmare.

As you navigate through the dark abandoned corridors, you hear faint cries echoing in the distance, urging you to move faster. These kids don’t deserve the horrors that await them.

With each step, you draw closer to the source of the cries, and your heart pounds in anticipation. You prepare yourself for what lay ahead, ready to confront whatever challenges stood in the way of rescuing the children and bringing them to safety.

Continuing to navigate the dark abandoned factory with your team, you can feel the adrenaline coursing through your veins, with Derek leading the way and Aaron covering the rear.

Your heart races as you watch Derek check a hallway to his left, prompting you to swiftly move towards the doorway on the right. With your gun raised, you enter the room and release a silent breath as you find it empty. The tension is high as you three press on, each step echoing in the empty space.

“Just shut up!” Echoes through the cement hallways, in the direction Derek’s heading towards. The three of you quicken your pace, still checking rooms that appear here and there. The arguing becomes louder and louder, until Derek tells you and Hotch to stop along the wall while he slowly moves into the open room, where you can only assume are the unsubs.

“FBI, drop your weapon!” he yells out, “I’m SSA Derek Morgan, I'm here to help you.” You glance at Hotch to make sure he’s thinking the same thing as you. Which he must because he nods once, allowing you to slowly follow Morgan and he follows you.

As the tension hangs in the air, you announce your credentials and last name, followed by Hotch doing the same. The three of you spread out cautiously, not wanting to startle the unsub and trigger a dangerous or harmful reaction. A group of a dozen or more kids are behind a chain link fence with a padlock on the door portion, and two of them have dog shock collars on.

Each step you take feels deliberate, every movement calculated to maintain control of the situation. But from the look of things, you can tell this isn’t going to go smoothly. Your gut instinct is in overtime.

Knowing that one wrong move could escalate the already precarious situation. The stakes are high, and as you brace yourself for whatever might unfold, the weight of the moment is nearly suffocating. But yet, you are calm, cool, and collected.

The brown haired boy looks no older than seventeen, this must be the younger brother, the least dangerous of the two. “C’mon kid, we don’t wanna hurt you,” you firmly plead with him, his gun still aimed at Morgan but his eyes on you. You’re not sure what convinces him to do it, but he lowers the gun to the ground and puts his hands behind his head.

Go, Hotch tells Derek to cuff the kid. But before he gets to the seventeen year old, his older brother comes around the corner with his gun aimed directly at you. Instinctively, you shoot, hitting him dead center in his chest.

A deafening shot echoes in the narrow space. Shock and disbelief mingles with the smell of gunpowder as the reality of the irreversible act sinks in. You watch as the dark brown haired man hits the wall behind him and quickly sinks down to the dirty cold floor, motionless.

You stand frozen in disbelief, a faint screaming from the kids going in one ear and out the other. Your hands tremble, but your grip on the gun remains steady, pointed at the fallen figure before you. In that moment, time seems to stand still as the weight of what you just did settles in. It wasn't just any man you had shot – it was the slick unsub you had been hunting down for days.

The gravity of the situation hits you like a ton of bricks. Your first case on the job, and you have taken a life. The scenes of your own life play out in your mind, a blur of memories and emotions. If you hadn’t taken action, you would be the one on the floor…not him.

You acted on pure instinct, driven by adrenaline and the need to protect the victims, your team, and yourself. But now, as you stare down at the consequences of your actions, you know that this moment will change you.

“A-are you okay?” Aaron’s voice is faint as he asks repeatedly, which shakes you awake from your panic. His right hand on the top of your gun, where your fingers are still tightly wrapped around the handle. You let him take it from your hands, but you still stand there motionless as you stare at the body no more than five feet away from you.

“I will be.”

—

As the sun sets over the horizon, creating this painting-like sky with the brightest oranges and pinks melting into each other, Emily and Derek sit across from you at the jet table, waiting to hear your thoughts about the job. You take a deep breath, trying to gather the many thoughts you have as you begin to debrief them.

You tell them about the adrenaline rush of cracking the case, the satisfaction of bringing justice to the victims. But you also fired your weapon for the first time and ended up killing him, and even though he was your unsub and an evil person - you still took a life.

You’re battling inside if you want to share these thoughts, but this is the time to be truthful about how you’re dealing with something so heavy. It’s the moment you have to decide if this job works for you or not, because if it doesn’t then you have to move on to something else for work, which is okay to do.

“I think I’m just… Still in shock? I’m not sure…” You state but it comes out as more of a question than anything. “I know this guy was the worst, but having to kill him still doesn’t sit right with me.” Leaning back just enough in your seat where your lower back releases some tension in your sore body, “But at the same time… It- it does.”

Morgan and Emily both chuckle to themselves, but in a sympathetic rather than mocking manner. “You may feel that way for a while, or a little bit. First time, it took me two days to get back to myself again. I just didn’t feel real or good about myself, I guess, is the best way to explain it,” Emily truthfully tells you, taking a sip of water to follow as she glances to her right, where Morgan sits.

“It took me a day, but that day felt like months. I almost didn’t come to work the next day… But when I woke up, I told myself that it was me or him. I ultimately had to do it.” Morgan admits, “That’s all you can do.”

You give a forced smile as you play with your fingers and he stands up with his headphones and phone in hand as he moves towards the long couch behind you. But before he passes you, he gently lays his hand on your shoulder. Take your time, he sincerely tells you.

It finally hits you, the importance of having a team that truly cares about each other can make all the difference in the world. Emily and Morgan's unwavering support is your anchor in this weird time in your life.

However, a part of you yearns for Aaron's reassuring presence; his comforting words and warm embrace are sorely missed. A simple, I’m glad you’re safe, would bring you back to solid ground immediately.

—

“Can we talk?”

As you reach your desk the voice you’ve been wanting to hear so bad, finally it’s here. Even though you just wanna go home and escape from this nightmare of a case, you weren’t going to pass up the opportunity of being with Aaron.

“I’ll meet you in your office, gotta use the ladies room.”

Aaron nods his head and turns back towards his office, speaking with Morgan about something, it turns to mumbles as you get farther. As you walk down the hallway towards the bathrooms, you hear the distant sounds of chatter and laughter from the bustling office. You’re surprised how many people are still at work, considering it’s close to midnight.

You quicken your pace, eager to get back to Aaron's office. As you enter the empty corporate bathroom, you take a deep breath and try to calm your racing thoughts.

I’m okay. I’m okay. I’m okay.

After a few moments of deep breathing and building yourself up, you splash some water on your face and stare at your reflection in the mirror. Everything from these past few days replay in your mind, each detail vivid and haunting. Sticking to you like leather seats on a hot day, ripping your skin. You shake your head, willing yourself to focus on one thing at a time.

With a determined look, you straighten your shoulders and head back towards Aaron's office. Quantico may never sleep, but neither do you when there’s work to be done - since you fired your weapon, paperwork is necessary.

On your way back to his office you spot Reid, Emily, and JJ waiting for the elevator, looking ready to go home and sleep. I wish that was me.

JJ calls you over with her arms open, waiting for you. Your face warm with a smile, you go to her and welcome her warm embrace that’s full of love and worry. Her motherly traits have become a huge part of JJ’s personality that it pours out of her at this point. And you’re glad she’s here.

“You’ll be okay.”

“Thank you… You guys get some sleep.” You tell them, wanting to say you’ll see them tomorrow, but you’re not sure if you will.

“You too,” Reid tells you with a small smile on his face, one you haven’t seen much of yet, but you’d like to.

The elevator dings and opens, you step back with a small wave as they walk in and return one to you as the metal doors close. Inhaling deeply, you start your journey back to his office over again with the only intent to listen.

“What’re you still doin’ here?” you question Derek, who’s at his desk busy with what looks to be paperwork of some kind.

“Gotta tell the director it was a good shooting,” he responds, putting his pen down on his desk, he takes in the sight of you standing across from him for a moment, “You’re doin’ well, I can tell you’ll be a good part of the team already.”

You smile and tell him thank you, and to have a good night, which he reciprocates with a playful wink. You like Derek a lot, he’s a great guy all around and he can lighten the mood quickly when things get too serious or he asks the hard questions - the ones that need to be asked.

Walking to what almost feels like the lion's den, you’re nervous. Even though you trust this man with your life, it’s impressive and intimidating he made it as far as the Unit Chief. The relationship now being a boss and employee one, it scares you just enough - your career is in the palm of his hands, he can do whatever he wants.

Without really preparing yourself you knock on the door that’s slightly ajar, come in, and you do without a second thought. Swiftly taking a seat in the same black leather chair as when you first joined the team. You swear you see Aaron wipe his eyes so the tears won’t show, but you don’t say anything.

"I'm sorry you had to do that today," Aaron confesses with a tone you haven’t heard in forever, his amber eyes filled with regret and worry. "I should've been on top of it, that's my fault." His words hang heavy in the air, laden with genuine remorse.

You can see that he means every word he's telling you as he reaches out to comfort you and make sure you’re dealing with this situation the best you can. As you look into his sincere eyes, a wave of gratitude washes over you, knowing that his support is unwavering and is still in him.

Even after a decade, this man still looks out for you and honestly, really cares about you and your well-being. That’s something you don’t find too often anymore… A bond like this one is sacred and holds a lot of meaning

“Don’t be… I had to learn one way or another,” you naturally bicker back, “So now it’s done and out the way.” Shrugging your shoulders, but your right leg bounces rapidly from your anxiety of today. It’s starting to catch up to you and you’re not the only one to notice it.

Aaron doesn’t need to move his eyes to know what’s going on, he just knows. “Well, I’m gonna do your paperwork for you because you need to get home and sleep.” He leans forward with his hands folded together on his desk full of papers and folders. You try to protest but he’s not having any of it, he barks your name to stop your rambling protests - which works like always.

He stands up and moves to your right side, putting his hand out in front of you for you to take. You hesitantly place your hand in his, feeling a jolt of electricity run through you as he gently pulls you up from the seat. As you rise to your feet, there's an undeniable spark between the two of you, like there was back in college.

In that moment, time seems to stand still as you both lock eyes, a silent understanding passing between you. And in that fleeting moment, you kiss him passionately, like you’ve been wanting to since you first laid eyes on him. Your hands naturally find their place on the back of his head, lightly scratching his scalp with your nails.

Aarons body reacting like yours; his hands finding their home on your hips and his tongue gliding its way to yours, itching to take over. It seems like he missed you just as much as you missed him, which you thought was virtually impossible.

But just like that, you stop. What am I doing? He’s my boss…I can’t be doin’ this. What the fuck?

You pull away hesitantly, Aaron sighing but doing the same as he takes one step backwards to give you space. At least he understands, even without words yet again. You open your mouth to say that you’re sorry and that you should’ve known better, but nothing comes out - practically speechless.

As Aaron's voice whispers, "Goodnight," the office feels heavy with unspoken emotions. His words are filled with both sincerity and sorrow, a reflection of the lingering sadness in his heart. You hesitate to walk away, feeling the weight of his feelings and the depth of his longing. It was clear that he struggled to hold back his emotions, for he had missed you the same as you did him.

Before leaving, you give him a smile you haven’t made since that last year in college and you know that he recognizes it. In that moment, you realized the depth of his feelings and the strength of his unspoken love. And as you leave his office, a mix of emotions wash over you, leaving you both yearning for a connection that seemed just out of reach.

—

As you sit in the comfort of your home, a couple hours after you got home and showered as much of the scum off of you as you could, and you still feel sick. Now you’re wrapped up in a soft blanket while Golden Girls plays on your tv in front of you, and a bottle of vodka that you take shots of here and there.

The weight of the case crushes down on you, just as Emily and Morgan had warned.

The image of the kids behind the fence, some with shock collars on, and the man slumped on the ground from your gun burns your retinas, you can’t escape it. The tears finally flow freely, a release long overdue. Something you haven’t been able to do and you thought you wouldn’t, but you are.

The first night back is always the toughest, Emily’s voice reminds you that this is normal, the silence echoing the chaos left behind.

The weight of the case you carry is supposed to hit you hard in the beginning - a reminder that you're only human. But you can’t grasp the idea of being able to kill a person without a second thought… Even though your life and others were in danger, it still seems invalid.

Setting down the glass bottle on the floor, you lay on your side with tears pooling on your pillow. The images on tv are all a blur, you can only hear the sounds of Dorthy and Sophia bickering about Stan. Your stomach twisting itself inside out and back again, your temples pounding, and your heart confused.

For multiple reasons.

Your brain flips from the indescribable memories from the case, to the unforgettable memories with Aaron in his office. The two things couldn’t be more different, it’s like comparing apples to bananas, it just can’t be done.

Emotions swirl within you, trying to find their place in the chaos. It’s hard to distinguish the good feelings from the bad ones right now, the line between them blurred by the weight of the situations. It feels like you should be more upset, more focused on the bad, but somewhere deep inside, a small spark of hope refuses to be extinguished.

As you lay your head down, exhaustion seeping through your bones, fighting the liquor that runs through your blood, a glimmer of hope flickers within you. Despite the battle within, you hold on to that fragile shard of optimism.

Maybe there can be a fix to the wound you have from him, maybe not. But what you do know is this; You are fit for this job and you will continue to be a part of the BAU.

[flamebearrel]

“But Kris, if I wanted to watch Anim vs. with all the different series how should I even go about it??”

It largely depends on the topics and cast you’re interested in seeing. The show is split into three subseries as well as the occasional standalone episode/miniseries: Animator vs. Animation (the original created in 2006-7 by Alan Becker alone), Animation vs. Minecraft (the longest and most popular, shorts stemming off a standalone from 2015), and Animation vs. Education (the newest from 2023, visualizing high-level STEM concepts)

Personally, I think core AvA is required reading for anyone who has appreciation for past eras of the internet, UI, or principles and genres of animation. AvM and AvE are equal in quality but honestly you won’t appreciate them as much if you aren’t familiar with the topics they cover. Alan and his team do try to visually introduce things step by step, though, so you can at least get a general idea of what you’re looking at

Besides that, core AvA specifically follows the Hollow-Heads, hand-drawn stick figures created by the Animator, “noogai”/Alan. In particular you have The Chosen One (shortened to Chosen, Cho or TCO) and The Second Coming (aka Second, Sec, TSC or Orange). TSC is the de facto main character and the only one appearing in all three series, while TCO and the Animator are exclusive to the original.

The SticksFight squad - the four sticks originating from sticksfight.com and named after their colors - have developed distinct personalities as the main cast of AvM, but only take a collective side role in main AvA (Yellow has a slightly larger role than the others). Here’s a summary of their individual personalities so you know what to look for in their smaller appearances

Red - Impulsive and energetic, always the first to jump into action and with a soft heart for creatures and beasties. He’s a little simple when it comes to technical things, but excels with reading the people around him, then building off of their quirks. Since the rest of the group babies him a bit, he puts in extra physical work to prove he can hold his own. Red also tends to play around with new or out-of-the-box solutions - knowledge that extends to his pranks. Most ready to fight with his fists or use heavy-hitters like maces and clubs. (Good intro/focus eps: The Rediscovery, Texture Pack, Monster School, The Prank)

Blue - A mellow fellow! Blue is one with nature and focuses on farming, cooking, and potionology. Due to her pacifistic tendencies, Blue prefers to reason things out or find other solutions rather than fighting, but will throw herself into the face of danger for others. Otherwise she takes up ranged weapons like guns and bows. She’s detail- and aesthetic-oriented as well as graceful, but doesn’t often step outside what she knows. A bit of an addiction to nether wart, which is somewhere between an unusual snack and a drug. (Good intro/focus eps: Potions, The Piglin War, The Chef, Blue’s New Superpower)

Yellow - She loves more than anything to get down to the root of things, and that makes her the group’s engineer! …And a bit of a troublemaker, paying more attention to the thrill of a discovery than the consequences. Yellow tries to find fairness and justice for friend and foe alike. While they have a reliable, supportive demeanor, they’re also very peppy, excitable and tough with how they stand strong in dire situations. Often her fighting style takes place behind the scenes, using things like explosives or a command-casting staff. (Good intro/focus eps: The Roller Coaster, Command Blocks, Lucky Blocks, AvArcade Games)

Green - Originally the weakest on the team, but has since come into his own after a lot of reflex training (read: getting tossed around). Green has great adaptability to learning new techniques and getting creative, particularly with styles of music and architecture. He loves the spotlight and usually competes with the others or takes the chance to show off; however, he also cares deeply about welcoming in those he meets. Dashes and zips around all the time during battle, usually via fishing rod-grappling hook. (Good intro/focus eps: AvYouTube, Note Blocks, PvP, The Dolphin Kingdom)

If you’re just gonna watch the REQUIRED ones this is what I recommend:

AvA s1 (1-4, previously I-IV)

AvMinecraft (original)

AvYouTube

AvA s2 (5-8, previously “shorts” combining into V)

AvMath

AvA s3 (9-ongoing)

That way you get the introduction of both subseries, with how each establishes the cast/direction, as well as one standalone. I put vs. YT here since it best fits the theme imo but you could go with vs. Pokémon or vs. Arcade Games if you prefer

If you’re willing to take on AvM/the rest of the series this is pretty much the order of the timeline:

AvA s1

AvM (original)

AvYouTube

AvM shorts s1 (1-14)

AvLeague of Legends (required for an AvM character’s development)

AvM shorts s2 (15-19)

AvA s2

Other standalones (Blue’s New Superpower + vs. ___)

AvM shorts s3 (20-30)

AvE (ongoing)

AvA s3 (ongoing)

AvM shorts s4 (ongoing)

Influencer Arc (1-3 + some interactive videos on the Greenzilla4 channel)

Or just follow my playlist!!!

[twig-tea]

It is such a wild time to be watching QL, there is SO MUCH every day. And a lot of it is really good?!

Today I watched EIGHT different shows, and of them, I was really happy with the episode for all but one. Here are a few words about the ones I had a good time with today:

Addicted Heroin Thailand crossed the first hurdle of adaptation by including the kidnapping scene. Looks like they're continuing to stay true to the source. I appreciated that this scene in particular retained the emotional core while toning down the SA threat (though Hero's desire is still very much present). This is a solid adaptation so far!

Reverse 4 U is using the powers so well, and I am loving the sister relationship, especially how they tease one another around their powers. It's also building to the relationship turn between Four and Wa in a believable way, which I'm really enjoying.

Peaceful Property is delightful and as @lurkingshan already articulated so well, I love what is being set up re: inequality. Plus this show is just so funny! it's balancing these two threads really well and doing a good job maintaining the haunting-of-the-week energy so far.

Love is like a poison had an incredible first episode, I love the effects and cutaways in this show, and the way it is making fun of its protagonist is so much fun. Ryoma is a dork with main character syndrome and I am obsessed with him. Curious how they're going to turn around this setup into a romance!

I Saw You In My Dream was a baller episode, @my-rose-tinted-glasses wrote about how great it is to see a conversation like this between friends as well as between lovers; all of the conversations in this episode were good (between both couples, between the besties, and between the parents). I really appreciate how, as many folks have said, everyone in a relationship in this episode wants to have sex, and the barriers to having sex are real and discussed openly. Big fan of everything in this ep. We've really departed from the dreams, which I think we need to get back to, but this ep was worth the deviation.

The On1y One continues to be incredible; Thank you in particular to Faiza (@usertoxicyaoi) who has been giffing like mad to capture every important conversation in this episode which was so many of them. The one about moving to the dorms together made me misty fr. I love when youths who did not get a chance to have a childhood get to blow bubbles.

Unlock Your Love also started today, I really enjoyed the very pulpy and trope-filled previous show this team put together (Lucky My Love) so I've been excited for this. We have a workplace GL filled with canon bisexuals, a grumpy/sunshine dynamic with a history from college, and a playgirl. I'm so seated.

I don't usually do a roundup post like this but it just hit me how much good television I got to watch today, and how rare it is that I have this good a time with almost everything I'm watching, and I needed to capture the moment.

Tomorrow, all 6 episodes of A Time of Fever drop on iQIYI, as well as How to Make a Million Before Grandma Dies on Netflix, and that's in addition to the episodes of The Onl1y one, The Two of Us, Monster Next Door, Twilight Out of Focus, and probably Seoul Blues that will be dropping too.

I'm really having trouble keeping up with everything airing, everything I want to write about it, and everything being said about the shows on tumblr. It's the best possible problem to have!

[soundwavereporting]

So you've heard Earthspark Season 3 is pretty good

Or maybe you just want to see the small screen's post-IDW take on Everyone's Favorite War Criminal (I'm not judging) but you heard season 2 is a hot mess.

Fear not! Under the cut, I present the cliffnotes of season two, so you can easily go into season three without having to watch season two! (or even season one, I guess, because I'm an overachiever)

Season Two Cliffnotes:

Decepticons are bad again. Starscream is in charge.

Something (I forget what tbh) creates 'chaos energy' and 'chaos terrans' which are terrans, but 'born bad'. They're named Aftermath and I forget the other one, but she's essentially Twitch's evil twin.

At a carnival, Mo, and the Terrans (I think all of them? idk it doesn't matter) get caught up in the nonsense of a guy named Fairmaestro. The big twist is Fairmaestro's super cool UFO space carnival ride is actually Cosmos! He fucks off into space at the end of the ep. Meanwhile Robbie meets a girl named Izzy and has a crush.

The Decepticons have also decided fucking off into space is a good idea (they want to go back to Cybertron. I forget why the Autobots don't want to), except Starscream wants to kill Megatron and OP or something, I don't remember, so they don't. Or they might've been trying to get control of a space bridge?

Mo and Thrash (I think? Definitely Mo though) meet a Quintesson.

Starscream does Stuff and raises a Titan named Terrortronus who lives under Witwicky (I think), and is powered with chaos energy. (see above), which ends up draining Aftermath & Twitch's Evil Twin of energy. Starscream also gets something called the Cyberslayer (I think) that can kill cybertronians. But also bring them back?

The kids and the Terrans realize they can 'sync', which means they turn into a combiner ship thing or something and create a dome around Terrortronus and part of Witwicky, which results in all the Decepticons being contained. Because Starscream is stuck inside Terrortronus, Shockwave takes over the Decepticons, whose goals are now to 1) escape 2) fuck off to Cybertron.

Season 1 Cliffnotes:

First, I really recommend watching season 1! It's very fun and stands on its own.

Robbie and Mo (siblings) find the Emberstone and get these cool cybersleeves, which allow them to feel each other's emotions. Finding the Emberstone also brings about the creation of two new bots (Terrans) named Twitch and Thrash, who are Robbie and Mo's partners, respectively.

The kids' mom, Dot, fought in the war and is buddies with Megatron, who defected to the Autobots at some point. Their dad, Alex, is a college professor and a Bumblebee stan.

Transformers/Cybertronians are known to humanity and there's even a comic series about them!

The Autobots & Megatron are working for a secretive organization called G.H.O.S.T. (I forget what it stands for). G.H.O.S.T. has lots of secret bases and whatever. Agent Schloder works for G.H.O.S.T. and is also a Bumblebee stan.

Bumblebee and Breakdown are umm "brothers"

In the midseason finale (I think) Robbie and Mo end up creating three new Terrans: Hashtag, Nightshade, and Jawbreaker. Hashtag's whole thing is social media (obviously) and Nightshade is a nonbinary science prodigy who makes a whole secret base for the Maltos, Autobots, and Terrans. Jawbreaker is just kind of there for comic relief and/or secondhand embarrassment.

The main threat is a guy named Mandroid, who hates Cybertronians. G.H.O.S.T. eventually becomes a strong secondary antagonist.

Eventually the Autobots and Decepticons team up to take down Mandroid/G.H.O.S.T. These last two points aren't actually mentioned in season 3 but in the interest of full context, here you go.

F.A.Q.

Q: Um, I heard Tarantulas was in this show?

A: He's in Season 1 Episode 13, "Missed Connection". Unfortunately he doesn't show up again afterwards :( but he is in my heart, always.

Q: Soundwave ep? Is he divorced?

A: Watch Season 1 Episode 8 "Decoy" for all the answers.

Q: Is Wheeljack really yeehaw?

A: Yes. Laserbeak is ALSO yeehaw.

Q: Why don't the Autobots want to go back to Cybertron?

A: I honestly don't remember.

Q: Are you a Prowl stan? Is that why you made this post?

A: Per my blog description: "despite the title of my blog, i am actually a soundwave stan."

Unfortunately, Soundwave doesn't have enough screentime in this show (especially season 3) to justify a "Season 2 Cliffnotes so you can see Soundwave". Prowl is another favorite, though.

Q: Is Season 2 really that bad?

A: To be entirely honest, it killed my interest in transformers for the last five months! YMMV.

There. I've done it. Go enjoy Prowl.

[absolutebl]

This Week in BL - I'm DELIGHTED by so much goodness, also I lust after a boy's robot's pants

Organized, in each category, with ones I'm enjoying most at the top.

Feb 2024 Wk 1

Ongoing Series - Thai

The Sign (Sat YT) ep 11 of 12 - I support the fact that the producers seem to have decided that even in uniform Yai never needs to wear sleeves. Hear hear.

No sleeves for Yai ever again!

On the other hand, why doesn’t anyone ever wear gloves? Going around touching evidence all willy nilly like that.

No to sleeves. Yes to gloves.

People. Sheesh. Get with the program.

Anygay, this is such a fun show. I could watch 50 episodes of this abject nonsense. I’m sad it’s gonna be ending. And I don’t say that often about Thai BL. 

Pit Babe (Fri iQIYI) ep 12 of 14 - Oh has Jeff been kidnapped again? Here, let's throw fruit at Babe and think about it for a bit. Tra la la. Trash watch happening here.

Cooking Crush (Sun YT) ep 9 of 12 - They are such very good boyfriends. Also, this is a ton of kissing for OffGun. I’m at a loss as to how they are going to turn this into a decent 12 ep show. Unfortunately, I’ve foresee it going off the rails - pacing seems off. 

For Him (Thurs iQIYI) ep 10 of 12 - We have our little No Comebacks twist. The sides are growing on me, but now the mains are boring me. The sudden gun-toting new characters are just weird. It’s like they took the script and just threw it down a staircase, gathered it back up again, then filmed that. 

City of Stars (Fri iQIYI) ep 1 of 12 - Fueang is an actor in the midst of crisis and scandal. Normally I don’t like Thai BL when it’s tackles celebrity and this is... yep, the same. Our actor is pitted against an older worried nerdy app developer, Krom. And I feel that dynamic - hyung romance, jock/nerd? Very nice. But it’s also very Star Hunter. Never met a trope they didn’t wanna do a million times over - in the very first episode. Also I think I’m not a fan of the actor playing the lead. 

My Universe (Sun iQIYI) ep 24fin - The blond who comes to get his hair shaved looks just like Fluke T (SOTUS et al). And even more like him after the shaving (My Bromance et al). Is that him? MDL doesn't say.

Anygay... something something: Orphan. Cancer. Kisses. Dream. Death. 'Bout what I expected. 2/10 even with a decent kiss I don’t do dream sequences and I don’t like death in my BL 

All in all, I’m relieved that that’s over. The series is a slog. And in general I don’t recommend it. I plan to promptly forget its entire existence. 

Ongoing Series - Not Thai

Love For Love's Sake (Korea Weds iQIYI) eps 3-4 of 8 - There is so much to adore about this show. The two younger guys who are suddenly in competition for the one older one. You know hyung romances are my favs. A hyung love triangle? COME ON. Also, I got to say this one’s giving me second lead syndrome. I do love me a brat. Add in all this on honorific play and linguistic flirting (as their should be in age gap). This is just THE BEST show. 

Look I gotta say this: the "Who did this to you?" trope (AKA who hurt you?) is the single most popular romance trope right now, remarkable to see it turn up in a BL. And pleasing. Trust Korea to be ON TREND. It's their national agenda. *respect*

Perfect Propose (Japan Fri Gaga) eps 1-2 of 6 - From Fuji TV (who brought us the Pornographer series) adapted from Mayo Tsurakame’s manga, production team includes Tadaaki Horai (My Love Mix-Up!) and Takeshi Miyamoto (scriptwriter for Old Fashion Cupcake). Hiro’s so stressed at work he barely has time to eat so he passes out on the sidewalk. An unfamiliar face saves him and insists that they once promised to marry each other.

Ready?

Oh I fucking love it. Sullen, out gay, younger seme with serious grumpy overprotective tendencies and beautiful possessive cat eyes? Well, it’s not dimples, but it’s still my catnip. Also they are moving very quickly. Hand jobs already? + dub con seasoning? Say it with me everyone:

Oh Japan, must you? 

Apparently, you must. And I must enjoy it. Carry on.

Please reread those producer creds and understand what we are in for. Okay? I would urge you to avoid this one if you get squeamish when JBL does what... JBL does.

AntiReset (Taiwan Fri Viki/Gaga) eps 1-2 of 10 - I really enjoy the character of an OCD intellectual automaton professor, contrasted to a warm and sunshine actual robot. Out the gate, this is oozing Taiwanese domesticity, we can only hope they juice it with their usual standard of heat too. 

All puns aside: It’s charming and I’m charmed. Does Taiwan finally have another winner on its hands?

I do adore Taiwan's aesthetics: The house designs, the suit designs, the human designs. I wouldn't say no to the robot’s pants either. Very cool. Can I order them in black?

Although I Love You and You AKA Sukiyanen Kedo Do Yaro ka (Japan Thurs Gaga) ep 4 of 10 - The birthday confession was a bit much. But I love how mature the reactions were. It reminded me a little bit of I Cannot Reach You. Always a good thing. 

Girl: I like you. 

Sakae: sorry, not intersted 

Girl: what am I lacking? 

Sakae: a dick 

What you mean it didn’t go that way?

Happy Ending (Korea Tues YT) 2 of 3 - Oh it’s lovely, exactly as I expect from Strongberry.

I gotta say all of the above are pretty neck & neck for top spots for entirely different reasons. BL is seriously giving right now!

Sahara-sensei to Toki-kun (Japan Fri Gaga) ep 8fin - In the end this is mostly a piece about courage, and the rewards and disappointments that being courageous entails. Sadly, I personally didn’t have the courage to enjoy it. Featuring a chaos nugget bad boy student who falls madly in love with his teacher, this should’ve been My Thing. But Japan failed me. It happens sometimes. The leads had no chemistry, and the age gap rather than being a narrative driver and source of conflict, was just ignored. 7/10 

It's Done

What Did You Eat Yesterday Season 2 AKA Kinou Nani Tabeta? Season 2 (Japan Gaga) 10 eps - will binge when I have any spare time. 2024 is crazy busy for me so far.

The Servant and the Young Master - from Vietnam so I assume it's on YouTube. I never even noticed. Anyone got a link?

Began Beginning (Myanmar YouTube) - Is TRUST Entertainment bringing us the first ever Burmese BL? I don't know if it's really the first, but @heretherebedork vouched for it, so I will give it a watch through.

The Whisperer (Thai Horror) - @all-you-had-to-do-was-neigh commented with the following: "MASSIVE content warning for extreme ableism, homophobia, and rape plots done for shock value. I don't recommend it, and if any of your followers decide to watch it proceed with caution."

So... yeah, I won't be watching it.

It's Airing But...

[NO INTERNATIONAL] Cherry Magic (Sat YouTube) ep 3 of 12 - yeah Japan put the smack down on our boys. Sadness. You can use a VPN if you like. Read all about it here.

Ossans Love Season 2 (Japan Gaga) - 5 years later, will anything have changed? This is Japan so… probubly not. I won't be watching this. I disliked Season one and actively hated the follow ups. No thank you.

Playboyy (Thurs Gaga) 14 eps - Dear Playboyy, it's not you, it’s me… I hate you. You’re about as deep (and as palatable) as a shot glass of cum. While I'm sure you’re someone’s kink, you're my weakest link. Goodbye. I DNFed this at ep 5. Frankly I'm impressed with myself for getting that far.

7 Days Before Valentine (Weds WeTV) 12 eps - Giving me Luminous Solution vibes. I'm waiting to binge if safe.

Dead Friend Forever (Thai Sat iQIYI) 12 eps - horror, meh, tell me if it's worth my time?

Time the series (Tue Gaga/YT) 10 eps - dropped it at ep 4.

Next Week Looks Like This:

Still Coming in Feb

2/17 A Secretly Love (Thai WeTV) - Khonprot, a third-year head hazer of the engineering faculty, has a secret crush on Pluem, a tsundere fourth-year head hazer. Over the years, he's seen Pluem cycle through many girlfriends. Recently, after a public breakup, however, Khonprot thinks maybe a boy has a chance.

2/24 Unknown (Taiwan Youku) 12 eps - Older brother tough guy criminal breadwinner looks after his sister and defacto adopted little brother. Little bother falls in love with him and is sent away after a stolen kiss. But when he comes back…

Upcoming BLs for 2024 are listed here. This list is not kept updated, so please leave a comment if you know something new or RP with additions.

THIS WEEK’S BEST MOMENTS

GMMTV is officially stalking me.

I do love OffGun's particular brand of domesticity. It's fun that they and TayNew are both getting to be so soft on our screens. It's very comforting, like a family favorite warm toddy. (Cooking Crush)

Korea, what's gotten into you? Are you feeling okay? Such bold weaponized gayness isn't like you at all. (Love for Love's Sake)

The Sign, forcing me to ask the eternal question.

I LOVES THEM YOUR HONOR. (Pit Babe)

(Last week)

[puckpocketed]

PART 3 of the modern defensemen transcripts I started a while back. You don’t need to have read/listened to the other parts to understand what’s being said, but they’re very fun reads if you have the time! Topics of discussion:

Broadly, more on Lane Hutson and how he defends (he is SOOO the main character of this entire series and I’m very happy about that)

passive vs aggressive defending

reading the pinch

surfing (skating forward when defending the rush)

inside vs outside leverage

the weak-side fold

Another archival effort as always… so many podcasts live and die by the whims of the services they’re hosted on + the guys who own the channels. </3 This is full of random extra media which is why it took so long. I ended up just making my own damn diagrams and archiving stuff and making gifs so I could put them here. This part is tactics-heavy and they kinda get into a little debate about passive/aggressive defending which I really liked! Will need to go over parts 1 & 2 soon when I can to clean them up <3

Published 20th November 2024, Hockey IQ Podcast: Modern Defensemen (with Will Scouch) Ep #3 - By Hockey’s Arsenal, hosted by Greg Revak (apple / spotify / youtube)

If you missed them: part 1 / part 2

[START Transcript]

Greg Revak: Alright, welcome back. Week three of our series here with Will Scouch, we're looking at defensemen.

First week, we talked about modern day defending. Last week, we talked about point play, so; shorting the zone, why point shots are truly the worst… Point shots just suck, point shots suck. I mean, everyone knows it, we all know it.

Will Scouch: The crusade, yeah.

GR: We looked at Zach Werenski; he was leading the NHL in goals — he's consistently up there leading the league in goals from defensemen. And Will, you had a great study there showing the offensive increases that we've seen have all basically come because of defensemen being more involved in the offense.

It was perfect for our point play piece — making sure [we’re] going into the details; catching with movement, catching in good spots, giving ourselves spaces to operate in; and common mistakes of players [where] they start in wide open spaces rather than maybe starting in more congested spaces, but having space to go into. So, common mistakes there.

This time, we're going to talk about defending the rush. So [the team has turned] the puck over, we're now having to play defense. There's that transition moment where we're going from offense to defense. And now, just straight, we're playing defense.

Two ways I think about this when we're playing the rush is one, passive; and two, aggressive. [If we’re being] aggressive, we have an opportunity to maybe kill the play early, we can really get in the attitude of “We play you.” Versus passive; maybe we're not in a good spot or our team hasn't set us up in a good spot as a defenseman, maybe there's some kind of scramble, whatever it may be.

And then the third piece I'd love to dive into is reading the pinch.

So where do we want to start? I feel like this is maybe a good opportunity to start with our main man Lane Hutson because I feel like he's someone who has the ability to play aggressive, but often he's pretty passive in his rush defense.

WS: Yeah. I think that you're dead on with that. I've seen a lot of Lane Hutson over the last few years. I remember when he was a draft-eligible kid, I remember watching him in college. Now he's in the NHL and actually he's been quite effective on paper in the NHL.

I know people are throwing around player cards, and throwing around this, and throwing around that. But in aggregate, on the whole so far this season, relative to the rest of the team in Montreal, he's been — for a kid who's, again, 20 years old, playing upwards of 25 minutes a night — he's doing pretty well.

I think that that's asking a lot out of a kid, and he's doing quite well, especially [at] 5 foot 9, with all the question marks people have with players like that. With him, I think he's a really good showcase of how smaller players can play defensively and be a positive impact player, right?

There have been… I mean, I wrote for you in the newsletter over the summer. It's the area where I think, in the context of the NHL draft, there is still a lot of work that could be done of discovering some good value. Of looking at these really, really mobile and creative guys that may lean a little more offensively, but… may not actually.

A great example, while we're talking about Lane Hutson; a guy who doesn't score a whole lot, but every single time I watch him, he just does the right things all the time and has done so since his draft year, is Tyler Duke.

He's in Michigan now, and that kid is 5'10, I think, 5'9, and doesn't score a tremendous amount. But I remember watching him at the NTDP, and I remember a few interviews with his teammates going, “This guy is the most underrated guy on the team. He's small, but he works his tail off.” Just like his brother Dylan — Dylan Duke is having a great year in the AHL too — but that's beside the point…

GR: Both are Ohio boys, just say that.

WS: Ohio, yeah, exactly.

GR: I gotta rep the state that I'm from. Ohio kids!

WS: Yeah, I mean, hey, I love me some Ohio, for sure. But yeah, I think that guys like that, and Lane Hutson, showcase a lot of the same things.

Number one, possession is good defense. If the opponent doesn't have the puck because you have it they're not scoring, so that's number one. And number two, Lane Hutson does a really good job using his feet to at least put himself in good position to block play from occurring. Like we said; staying between the dots, not over-committing but not opening up too much of a gap.

I think you mentioned surfing off the top of the show, but he is an aggressive neutral zone defender as well. He can track that play laterally, challenge guys with his stick and force them to make plays, force them to make decisions, before the puck even gets in the defensive end.

And from there, if you've got good support from your partner or a forward that's backchecking, then you're golden.

To me, it's the little things that you may not notice or that may not jump out at you, but when you watch game after game after game, you kind of go, “Oh, I see how this guy has got the trust of a coach. I can see how this guy is playing so many minutes relative to the rest of the guys on his team because of the things that he brings, even though he's not the biggest guy in the world.”

He's not perfect.. There have been situations where I'm watching Lane Hutson going, “Well, that didn't really go your way, and that's unfortunate.” But that’s any hockey player.

GR: That's also learning as a 20-year-old rookie defenseman — at five foot 10, if you're lucky.

WS: And that's hockey. Hockey is a game where sometimes things are going to go your way and [sometimes] they're not. If I got upset every time a big physical guy lost a physical battle, then… But nobody really does that, nobody really is concerned when that happens once in a while.

So with Lane Hutson, he loses a physical battle once in a while. He's not involved in as many because they often have the puck, and if they don't have the puck he's doing work in the offensive zone or neutral zone to prevent [the opponent] from keeping the puck.

There's a lot of good things that happen in his game that I think brought him to this point in the NHL. Faster than I thought to be perfectly honest. I thought Hutson was going to take a little bit more time, but he hasn't really looked out of place and I think he's a really fascinating case study as to guys like him and how they might be able to work.

GR: Yeah. You wrote on the Hockey IQ Newsletter, so I'm just going to reference it exactly. You mentioned, “Hutson shows off a number of strong defensive moments that highlight his style of blocking offensive zone exits, keeping opponents to the perimeter, and establishing body position on retrievals.” Three very translatable things to the NHL.

Note: one of my very first Lane Hutson gifsets was a sequence like this. He beat Robby Fabbri on a puck retrieval by gaining body position on him — this was from his 2 games with Montreal at the end of last season. I’m so glad the broadcast chose to highlight that play. He really is something special.

Yes, he's going to continue to grow and fill out, so he's got more progress [to make]. I mean, we talk about the deficiencies and my actual areas of worry [are] more around his skating base and feet and all that. But from a standpoint of, “Can you survive in the league?” The answer is yes.

Victor Mete would be the anti-example, I would say, where he didn't have the way of deploying the things that Hutson does. The brain wasn't there to the extent that Hutson was while being small — also a Habs draft pick, so track that one as well for those that want to nerd out.

There were some great quotes that Hutson had talking about his defensive game. I'm just going to read them out because I think they're so good, and then we can dive into the details here.

So from Hutson talking about defense, “I just think it's more about being in the right spot, being more skillful and knowing the game rather than just being a big frame. It's about making the right plays and the right reads.” 

And continuing on, [he’s talking about how he does that], he says, “Being able to get up in their face,” so having great gap control, “…without getting pulled out of position,” [as in] not overextending yourself, “Controlling my speed and my gap and my spacing around the inside of the ice to keep guys to the outside.”

He just keeps talking about the things we're talking about, which are playing the game with intentionality, playing it very smartly. Basically, the opposite of how Rasmus Ristolainen came into the league, which was like, “I'm a big body, I'm gonna go make things happen.” This is just more tactful.

It's not gonna scream at you — like you said, he's gonna have his moments — but from an overall standpoint, he's gonna drive positive results. He has a way of playing the game smartly, especially for his size, where it has to be a very intelligent game, where he can't make as many mental errors and be able to recover from it. He's shown so far we're off to an absolutely great, great start.

WS: Yeah, I mean, it's like a different side of the coin. I talk a lot on my show and with you about players who seize control of the ice when they're on the ice, but that doesn't necessarily mean physical play.

It's a lot of other stuff that happens, and I think Hutson's a really good example of what that means, and it’s everything you said. It's this understanding of the game, and this understanding of what your opponents are doing.

How to minimize… Really, it’s like, “I'm going to take control of this possession and I'm going to minimize their opportunity to do anything. As many things as they can possibly try, I'm going to minimize as much of it as I can.” 

And there's ways of doing that that aren't that physical style of play that you see out of defensemen that is unheralded, a lot of it just kind of flies off by the wayside. I think people look at a guy like Hutson and see the way he plays, and if you have a really strong [tactical and aggregate] understanding of what is going on when he's on the ice, both the offensive-good, but also the defensive-good, you see a lot of really interesting traits there.

Guys like him, I agree with you, that the skating base and the quickness and all of that, like it's not… He's not Quinn Hughes, right? That's not really his brand, so he has to think of other things and have an understanding of the game that can help patch that up.

And so, yeah, the things like gap control and guiding guys laterally and being a little more aggressive are definitely key areas of interest for me. Especially because earlier on in this series, we were talking about how much I love defensemen who can skate and how many doors it unlocks.

But if you're not an elite skater, which I don't think I would consider Lane Hutson an elite skater — at least defensively — you have to… It doesn't mean you're automatically not an option, it's just that the equation changes.

The things that you need out of that player shifts and you have to help guide them in the right direction so that they can use what they do have to the best of their ability while the rest sort of develops around them. It’s fascinating to me, it's a really, really interesting thing, and I love seeing guys like Lane Hutson figure it out and play the way that they do, because it just goes to show that you could, you know…

He's obviously special in a lot of ways, but it just goes to show that all kinds of different players have a place at the highest levels of hockey. It's just a matter of how you approach the game, how you see the ice, how you manage your behavior, and what you bring to the table.

GR: Yeah. I want to dive into some of these ways to play, starting with if you're playing it passively. So say we're just doing our normal two defensemen coming back; passive, letting the offense kind of have some space. First step needs to be inside.

You need to get inside ice, you need to get good positioning, you need to get within the dots, that's first and foremost. So, first step is inside. I've heard a few coaches call it lateral gap. For me, I just say you need to get inside positioning.

And really, if I take this to the football field, so American football, Canadian football, think about it as leverage. So either you have inside leverage or outside leverage. 

Note: this next section on inside/outside leverage was reaaally messy sentence-wise. I tried my best to clean it up and make sense of it. Whenever anyone says “inside” or “outside” in hockey they’re referring to areas of the ice defined by an imaginary line we draw through all the faceoff dots where the side closest to the boards is the outside and the side closest to the center of the ice is the inside.

Inside leverage means you're taking away the inside, that's where you are and you're giving the outside. Outside leverage is [when] you're on the outside, you're taking away the outside, the boundary, and you're giving away the inside.

Now, the question is, everyone's like, “Why wouldn't you always [want] inside leverage?” And that's the most common [way]. But when would you [want] outside leverage? When you have help on the inside; like, you're pushing them to a bad spot, into a teammate, into support, into someone who's there to help you.

But for the most part, we want to be starting with good leverage. Some coaches call it lateral gap, where we're taking that first step inside, getting inside the [faceoff] dots, and being able to passively let them have the bad ice.

We may not be in a great spot to finish the play [or] stop the movement yet, but we're going to put them in a bad spot where they're no longer an A-plus threat that we need to address immediately, like we're in deep doo-doo.

You can pokecheck out there, just don't extend yourself. The time that you finally get aggressive off of that pass [is], “Okay, I'm able to get this puck, I'm able to separate, I'm able to get position before possession, I'm able to cut it off, able to seal it off,” that kind of stuff.

When I'm developing my defensemen, that's what I'm talking about with them. Like, if you have to, if you’ve gotta play passive, just get inside leverage. Unless you have a good reason to play outside leverage, just let them have the wall until they overextend, whatever it may be, and give you an opportunity to seal it off.

Great example would just be good pokechecking. You're kind of like a cobra, you wait, wait, wait, and then boom, pounce! Rather than overextending.

Showing your stick early is another classic terrible example of something you don't want to do, or we call it declaring your stick. You declare where your stick is. You're overreaching stick on puck, because some coach told you to go stick on puck, and now you're reaching, you've lost good posture, good balance, good weight distribution. That's bad. 

We want to keep all of the good things, the posture, don't want to overextend, but just make sure we're positionally sound.

WS: Have you been watching me at beer league? Like is that what you've been doing here? Is that what the prep is for this show? Because I gotta take some notes for sure. But yeah, I agree fully.

I think playing passive defense is something that can work. Personally, I think that it's something that is not as successful as being a little bit more aggressive, which we'll get to in a second. But everything you said is, to me, bang on.

If you're gonna do it you do have to play a little bit more… I guess the word would be cerebral? A little bit more unpredictable and positionally aware.

Be aware of what's going on elsewhere on the ice. You gotta keep your head up and scanning in front of you, and really just try to force them into… Nothing. Force them into a situation where they go, “Well, crap, now I have to rim it around the corner, or dump it back to my defensemen and hope that they're there with a drop pass.” [Keep] them in a position where they're not getting inside space on you or getting the puck through you into scoring areas, whatever it takes to get that done.

I think handedness plays a part in this as well, depending on which hand your defenseman is and what hand the forward is. It just makes things like stickchecking both easier or more difficult depending on the situation.

There's all kinds of things to sort of keep in mind with more passive defenders. And it can work. I think a lot of NHL teams still deploy their defensemen a little more passive.

They go, “Yeah, here ya go. You can have the defensive zone, but we're not going to give you many options. We're not gonna give you so much space that you can pull the puck around us and get in deep with a carry or get around our defensemen with a carry.”

In my view, I think that it invites a lot of potential for really talented NHL players to do just that; sort of tuck the puck between your feet and the stick. Or drive, drop a shoulder, drive down low, and make a play. You see more and more of that in the NHL these days.

But… that doesn't mean it's everybody, and I think that there's still a place in the game for this kind of thing. It's just a matter of, do you have defensemen who are aware of their surroundings, aware of where their partner is, aware of where the other offensive players are, aware of their positioning? [Are they] staying within the dots, like you said, and just keeping options as low-risk as possible?

If you [are] aggressive you may suppress risk initially, but you may increase risk down the road, assuming things don't go your way, which again, in hockey definitely happens.

So it’s, again, it's all a balancing act. And that's kind of the thing I love about hockey, there's a lot of different ways to do stuff and they all have trade-offs.

GR: Yeah, I like how you put that. It may be low-risk now, but it could be high-risk later. Where do you want to start making your defensive plays? Is it in your own zone or is it higher up the ice? Modern day [defending] is finding ways to, as West Point says, be an active defender. When you're thinking about military doctrine, you're talking about keeping the initiative.

Note: West Point is a U.S. Military Academy. I honestly thought he was referencing a movie <3

Who has the initiative? It's super important. Even if you're playing defense and you're almost in a siege perspective or you're in a fixed position, you still need to be active so they can't have free maneuvering, [so] they don't have the freedom of setting up in a good spot to challenge you.

You still need to have a way to be active and find ways to keep the initiative in some way, shape or form, which will lead us directly into our other way of playing defense which is a little more aggressive, where we're talking about concepts like surfing.

So surfing [is like] angling [while] skating forward. My personal favorite, I call it the weak-side fold. So you‘ve got a weak-side defenseman, they're able to see the whole play. There's no real threat on their side, whether it be from a forward coming back or just no one's really there.

Note: Imagine the ice bisected through the middle of the goal posts. The side that the puck is on is considered strong-side, the side the puck is not on is considered weak-side. Strong-side and weak-side are relative to where the puck is! Diagram here

They've got good defensive positioning, they're able to go and skate and angle actively over to the strong-side to take out the puck carrier, [who] inevitably ends up chipping the puck right to the strong-side defenseman.

So, weak-side fold, boom, pull that over. That means that your strong-side defenseman needs to at least get inside the dots, just like they should anyways. If not, start going over to the weak-side in case that play does get made there, whether it be an area pass or whatnot.

Note: per Greg Revak: “An area pass can be defined as a tactic where the passer spots the puck into an area of the ice currently unoccupied but allows the receiver the space to skate to that area.”

So surfing would be the first concept I think we should dive into, [where] you're on the offensive blue line, you see the play starting up, rather than skating back and playing it passive, you're skating forward and going to attack the offense.

WS: I love it. I love seeing this deployed all over the place. If I were coaching a high-level team, that's how I would want to deploy the types of players that I would put on a team.

Again, I think a lot of the battle in hockey is understanding who you have on your team, what they can do, and putting them in a position to do what they're best at as much as possible. Not everybody is good at everything, but that's okay.

So for me, I look at guys and I go, well, the types of players that I like, this is kind of how they should be utilized. Be a little more aggressive.

I love the weak-side fold idea. I think it gives a little bit more of a sense of safety because you have that strong-side defensemen who can play that more traditional style between the dots, but you're utilizing their partner to cut across the ice and apply pressure.

And in my world, again, this is where skating [becomes important.] You have the opportunity to go, “Yeah, okay, the weak-side guy is coming over to the strong-side and you have two defensemen on one side of the ice.” That opens up a whole half of the ice where there might be a lot of space, but then I'm going, “Right, but that's what you have a really good skating center for, that's what you have a really intense 200-foot winger for!”

It's why, when I look in the draft, I see guys who are more offensive leaning… I say a lot; you don't get the chance to really produce offensively a whole lot if you don't chip in defensively, at least in my books.

And so when I see guys like Zach Benson, for example, who we talked about in a previous episode… [He’s] a guy who did not take a shift off, a guy who covered for defensemen, a guy who chipped in defensively as a winger, and brought a lot to the table, that allows him to push play up the ice and be part of that, and allows his defensemen to be a little more aggressive.

That style of play definitely resonates with me; the style of defenders that I always value, those really high-end skating guys that, regardless of their size, those stick-first, body-later type of defenders, I think it works for those types of guys.

I love seeing this kind of play personally. I'm a person who, I think, on the ice, with my strategy and my view of the game, I'm a lot more risk-tolerant than a lot of people. But I think it's because in this situation and in the data work I've done over the years, no matter which way you slice it, when it all comes out in the wash, generally being aggressive is a better approach than not — on paper.

Obviously, though, that depends on the types of players you have on your roster.

To me, this is exactly what I want to see out of the game, this is exactly the kind of strategy that I think is a modern development that really benefits a good type of hockey player that I love to see more of. So I'm all about it. I'll throw it back to you, but this stuff gets me going.

GR: I can already feel that the passion has risen in Will Scouch.

WS: Well, it's also after 9 a.m. now, so I'm good, yeah.

GR: Yeah, the other piece here is… I'll call it the strong-side surf. That's that inside, like, you're getting inside or starting inside positioning. So either [your] first step is inside or you're already starting inside the dots, and you're able to just surf very short.

Rather than a big weak-side fold, you're able to do a short surf into the player. Again, position before possession, feel free to take their head off if the opportunity presents it, but really, you can do this all over the ice.

And finding ways to defend skating forward is a good thing. I've yet to find the defenseman that skates better backwards than they do forwards. I don't know any player that does that. It's probably impossible, unless you're that bad of an offensive skater and you need to absolutely skate backwards to have any ability. [It’s] something that we should all try to find; more opportunities to skate forward to defend.

The other piece that I think is super important is finishing with contact and staying on the inside.

So, going back two episodes where we were talking about Rasmus Ristolainen, where he would finish with contact, or he'd try to finish contact — or even if he made it, he was the last guy getting up and the other player ended up on the inside.

If we do go stick-on-puck, we are doing position before possession — you still need to rub that player out, you still need to hit the player; have some level of contact where you're now jarring them, you're getting in the way, you're limiting their freedom of movement.

In which case, advantage [to] you and your team.

And then [we’re] making sure we're smartly staying on the inside where we've gotta win the race off the wall, where we've gotta continuously have inside leverage over the opponent.

That's a common mistake I see with guys, we just do stick-on-puck and that's it. 

Well, now the other team still has the opportunity to get a second crack at a puck, or they're still very fast to get to it. Rather than finishing it, sealing it off, [the defender has] to now restart their speed, restart their feet, all of that, where they're in a terrible, terrible position.

So making sure that, boom, you may have got [the hit, then maybe take] another step or two to ride [the attacker] into the wall. That's a step or two well taken.

WS: Yeah, no, I totally agree. I don't have any real notes to expand on that, to be honest. It's a multi-stage process defending like that, and [you] don't want to give your opponent too many opportunities, you don't want to overcommit.

I think, being a guy who's played defense my whole life I can attest skating forwards is a lot easier than skating backwards, and so if you can have defensemen who can defend by skating forwards, it's probably going to be easier for them, especially at the NHL level. So yeah, definitely something that I'll get behind fully regardless of the risk.

GR: Yeah. The last piece I want to touch on before we go into reading the pinch [is] around keeping clean feet. One of the best opportunities for a forward to change direction — and this is something that I've been toying around with and it's been absolutely great for my offensive production off the rush — is just reading the defenseman's feet.

One; I gotta figure out, “Okay, where's their stick? Are they declaring it or are they not?” And after that, “Can I get them to cross their feet? Or are they really good at shuffling [and] therefore, they're able to move wherever I move and be able to respond easily.”

So, as much as humanly possible, defensemen that are [defending] the rush should be shuffling, not crossing feet.

Basketball would be the prime example, they do a ton of drills on shuffling your feet. [It’s] similar here with defensemen, we’re making sure we're able to shuffle — so going back to our passive [concepts], now that I'm thinking about this further — making sure that we're not putting ourselves in bad positions to [defend] the rush.

So if you have anything on that, feel free to add. Otherwise, we'll go towards reading the pinch.

WS: No, I see what you're saying, I get it. I think that lateral motion is extremely, extremely important. And, again, I have no notes on that situation. I'm all about all of this stuff, I'm learning lots.

GR: Prime example of this, for anyone who wants to see Connor McDavid absolutely burn someone. This exact example of changing direction when the defenseman crosses their feet — like, just starts the crossover — would be Connor McDavid. The goal against Toronto where he just absolutely burned Morgan Rielly there.

It's so noticeable, you can't unsee it once you're looking at Rielly's feet. As soon as he makes that crossover movement, McDavid changes, boom! And he's behind him already. It's insane, so feel free to look that one up if you want to.

Note: I looked it up. Good lord. Here is the clip, and I gifed it:

The last piece here is reading the pinch. So this is maybe more of a team component, [of] seeing more than just your role. [As opposed to how] Rasmus Ristolainen, early in his career [would] just go for the pinch, destroy the guy because he could. Like, he's got him, but is that good for your team? Maybe not.

For me, you‘ve gotta look. Do you have help? Where's that help coming from? Is your team’s system to always have F3 high where it's almost like a left-wing lock in the offensive zone?

Note: here’s a fun article I archived on the left-wing lock if interested!

WS: I mean, that's the difference between a two or three-on-one coming your way, or a neutral zone stop.

I think that it highlights the importance of mobility, especially from your forwards, because if you have a center who is caught between the hash marks in scoring position and your defenseman goes for a pinch and misses, it certainly helps to have a guy who can really skate and help backcheck and help cover for that. It sort of mops up for what might be a mistake from the defenseman, or maybe the defenseman thinks they have the support from a better skater. But that absolutely is a big thing.

It goes back to hockey sense, or awareness; being aware of where your linemates are, being aware of,  “If I cause a turnover in this situation, who is probably going to have the puck at the end of this? Does this guy — who I'm about to hit 20 feet inside the blue line — does this guy have someone directly behind him, supporting him, who's just going to get the puck after I hit this guy? And then just toss it to a breakout option coming up the middle, and I'm caught a third of the way into the offensive zone.”

It's these little decisions, and in the NHL…. Again, I go back to my work doing stuff outside the NHL, but the NHL is fast. These things happen really, really, really quickly. If you're caught, you can be caught for a while.

It's about finding and identifying players who can, if they are doing that kind of thing, they are either really, really effective at it, or they cover their own butt really, really well, or they just play it a little more safe and a little more reserved, and it works out for them in that way.

But in terms of reading it, yeah, I mean, awareness is so, so important. Head on a swivel, peripheral vision-type things, it's all super important.

GR: I like your point about, who's going to get the puck once you do smoke this player? Or if you go for the contact…

WS: It might not be you, you know.

GR: It’s probably not going to be you. So who's it going to be? Like, do you have F3 support? Is there someone on the other team? Thinking is always a good thing.

I know everyone wants to read and react, but there is an opportunity and there's time and places where [you can think, you know?] Like, “Oh, okay. Should I go? Yay or nay?”

Or team rules, if you're a coach, “Hey, if you have F3, go for it. You think you can get it, go for it!”

Or just reading, I always like reading the winger. “Did they scan up ice? Do they even have an idea where I'm at? If they're looking directly back at the puck, [I’m] probably going to go.”

[If] their best option is like, “Oh, crap!” And when you go, “Oh, crap!” rarely do you make the best play possible. Often, it's a turnover.

WS: Yeah. And I think the point about having support — winger support makes a huge difference as well. I think it's a really interesting thing. I mean, all of this, this whole discussion about defensemen, it just goes to show why guys might take longer to develop, why guys might take longer to play more premier roles in the NHL, because there are so many little details.

They might have an area of the game that when they're 18, 19, 20, 21 years old, they hit the NHL and they're comfortable with it, right? That's totally fine. But then, they play game after game, after game, after game. And opponents start going, “Okay, well, here's the thing they're good at. So let's try to target blah, blah, blah…”

But the better that they can be at these little fine details of monitoring defensive rushes, pinching in the offensive zone and trying to pick the right timing on all of these things… Not trying to do everything themselves, but chipping in as much as they can in a positive way. It’s all really complicated and very on-the-fly, considering how fast all this happens in the NHL.

It’s thinking a little bit more beyond the thing that's right in front of your face, that I think is a huge thing that makes the difference between a guy who may be able to play in the NHL and a really good player at that level.

If you have that ability to read the ice, take a good survey of what's going on, not take on too much risk, but take on risk here and there when you see an opportunity to do so, I think you're laughing at this point.

GR: I think the key piece for me in what you mentioned was, you're reading the ice beyond what is directly in front of you. I think this may be just a maturity thing as well, but the more mature a person becomes, the better they are at surveying their surroundings. They take in more of the picture, they're not just hyper focused on, “This is my thing. This is what I do.”

[In life and in hockey], having a better picture of, “How does my little detail play into the bigger picture?” [That’s a big part of] reading the pinch and the thing I love that you brought out there. [We’ve got to] survey the ice and understand, “More than just my little piece, is there speed ripping? All this guy has to do is chip it and they're off on a two-on-one or a breakaway. Bad time to pinch.”

If you're not reading beyond the one player that you're trying to pinch on, [you’re] likely to make a bad decision there. That is super critical. Read the winger, read your support, read the whole play. How is it playing [into] everything?

Will, I think this has been a phenomenal series on defensemen. I feel like everyone should send this out to their favorite defensemen in the world, or just send this to your favorite NHL hopeful prospect, or just like anyone in the AHL. What’s their (inaudible)?

Anyone in player development at the NHL level should send this out to the defensemen. And if you're at any kind of level of player development, which is pretty much every other coach, yeah, send this out to your defensemen.

There's no way some of this information isn't one; going to get them thinking about “How do I play the game better?” [and] two; it's probably actionable items for them to go and work on in their own game.

WS: Yeah, I mean, I'm trying to find a way — as we talk about this and all these little subtleties of playing defense and all the things that kind of go undervalued — I'm trying to find a way to shoehorn Brad Hunt into this discussion but unfortunately I'm not sure I'm going to be able to.

I think he's just a really good example of a lot of these things going his way and seems like a beauty of a dude. And, I don't know, if Brad's a reader of this I want to have him on the show to talk about his experiences as an NHL player because I find him fascinating for a lot of the reasons we're talking about. 

It's just [he] might have been a little bit ahead of his time, but a lot of this good stuff is there with him. I don't know, it was the last thing on my mind before we call it a day.

GR: Beautiful. Alright, someone knows Brad Hunt — or, Brad, [if] you're out there, please reach out.

[END Transcript]

[randomnessofthehighestorder]

My ranking of Arcane S2 soundtrack

Because they outdid themselves this season…

(Spoilers ahead)

Paint the Town Blue - Ashnikko came up with such a bop for our favourite Loose Cannon and her followers. Consider me a Jinxer for life! 💙

Ma Meilleuer Ennemie - this scene was so beautiful! Ekko and Powder dancing the night away, I could feel their chemistry from the other side of the screen. Timebomb shippers, rejoice! Oh, what could’ve been…

Enemy (intro version) - the song stayed the same for the intro, but the visuals! So much symbolism! My Film Studies brain and English brain were analysing like the wind! Also this song is a classic…

Come Play - as an Arcane fan and a Stay, it made me so happy that they were gonna be featured on the soundtrack, especially when I heard it in the most epic scene in the show: Zaun entering the war against Noxus, the twin cities united against a common enemy. (Stray Kids everywhere, all around the world!)

Remember Me - the intro was so hauntingly good and the main song was so beautiful. It always makes me think of the scene it came with: Vander’s watercolour memories of life before the bridge riot, which in turn makes me cry. This show really knows how to tug on my heartstrings…

Blood Sweat and Tears - I know Ambessa was the villain of the season, but you gotta admit, her song and music video was awesome! I mean, she proved herself worthy of life in front of the Kindred and survived being shot with an arrow, while being pregnant with Mel! She truly is the Matriarch of War. (And yes, that is her official LoL champion title)

Sucker - I had Ep 2’s opening on loop because of this song, it’s so good! The scene that went with it was so good too. Jinx walking through Zaun in the aftermath of Silco’s death, avoiding the Chembaron war at all costs. Man, it really set the tone for the episode…

Heavy is the Crown - this dramatic remix of the 2024 Worlds anthem was perfect for this scene. When the strike team pulled up in the council meeting, I was like “oh shit, it’s getting serious”.

Hellfire - Caitlyn was on a path of vengeance in this scene, but the animation was so cool! The strike team really tore up the Lanes…

Renegade (We Never Run) - I have never danced so much to a fight scene, but this song made me bounce as ass was being kicked. Jinx and Sevika are so badass!

What Have They Done To Us - when the family reunited, I cried so much! What a way to end an episode. The song made it extra sad… 😭

The Line - twenty one pilots outdid themselves with this song! But the scene it came with made me shed a tear lowkey. Vander’s memories fading away in favour for Viktor’s glorious evolution…

Fantastic - CaitVi finally hooked up! True love wins! 👩‍❤️‍👩 🎉

Cocktail Molotov - Vi’s emo pit fighter era was so cool, despite the fact that this was also her post breakup era. Take note: alcohol and violence is not the best way to get over a breakup…

Rebel Heart - another Djerv Jinx anthem and it’s glorious. A perfect way to set off a rebellion, anarchy style! 🤘

To Ashes and Blood - this scene was so epic. The boys going through an Arcane mind trip, while the strike squad battle Jinx and Sevika. This was when I realised shit was getting so real… (also those chants are Shuriman. For those LoL players and loreheads, IYKYK…)

Isha’s Song - she made the ultimate sacrifice to protect her mama. Rest in Peace, Isha… 😭

Wasteland - poor Jinx. She went through it this season. It made me want to give her a hug. 🫂 Hopefully she found peace and broke the cycle…

The Beast - a metal song for such a metal character. Warwick Vs Jinx was so terrifying and so awesome at the same. There’s a reason his champion title is the Uncaged Wrath of Zaun…

I Can’t Hear It Now - RIP Cassandra Kiramman. This scene was so beautiful and sad…

Spin the Wheel - I did not know Mick Wingert could sing, but this song was so adorable! Contrasted with the flashback from the other universe, it really showed how things are different there…

These songs were amazing and such great fits for the show! I wish this show never ended so we could get more amazing music collabs along with amazing animation… if you haven’t heard the soundtrack, go listen to it!

[nnnn99999]

I finished watching ep 1 and 2 of bad buddy series and I love it already. I really want to watch more but it's already super late and I need to go sleep. Here are my thoughts on this series so far.

The production is really good so far.

The music really stands out to me. It is used a lot but doesn't feel overdone. I need to rewatch to be sure if it's as intentional as I think it is, but the music adds context to the scenes which is fun.

This show is so funny. Not in a cringey way either. More like a lighthearted and natural way. Like I found myself genuinely laughing out loud at times.

Pat, Pran and Pa are so adorable.

The baby versions of the characters are so cute oh my motherly heart.

I am really digging the PatPran frenemy dynamics. I need to see more before I elaborate why I like their dynamics so much. I just adore them already.

When I look at Pat I just see a husky.

Pran seems to be the most self aware character so far. I want to see if he will be the first one to notice the dynamic shift as their relationship changes.

Seeing the PatPa sibling dynamic made me appreciate my sister so much. Sure, she often uses the older sister card to make me do stuff, but at least she is not gross. Also she gives me tasks, not chores. Yes Pat I am telling you to stop making Pa do your chores. Justice for younger siblings who have to do chores for their older siblings!

The PatPran fake fighting is so funny. Baby PatPran falling over when their hands are a mile away from each other was so hilarious. The adult version of the fake fighting is actually one of my favorite scenes so far. I need to revisit this when I am done watching the whole thing because I know there's a lot I missed here.

I hate when parents try to indoctrinate their children. Just let them breathe okay? Have your feuds and friends and whatever without dragging your children into it. Also stop putting pressure on your children and let them do what they want. Just give them the freedom to grow. They are their own person, so let them explore themselves on their own. Ugh I'll leave it at that for now but I already have so much more to say about both sets of parents and I can tell its probably going to get worse. Like I know they love their children a lot but ugh. I just know these parents are going to piss me off later on in this show. I just know it.

That one scene where Pat touches Pran's face without washing his hands after peeing was so gross. I know Pat is gross in general but that was too much.

The number of times I went 'boys being idiots' in just 2 eps is astounding. This is the brand of idiocy I have only ever seen within a group of boys. These boys sent me back to my school days. I have seen these exact scenes and conversations happen. Especially the one where Pran's friends tease him about being hit on. I will never forget that tone of voice. Even the getting ready to fight at the drop of a hat is so familiar. The number of times I have seen boys getting all up in each others' faces for the stupidest reasons imaginable are countless. I have never seen boys actually fight in school but I had a guy friend tell me all about their fights outside of school. Then these same boys who were punching each other because one hit the other with a paper bullet launched from a rubber band slingshot(they were having a war in class and I almost got hit multiple times) would hug each other and jump around when the school team won a sports match. Also, their collective IQ seems to magically disappear when they are together and they are left with half a braincell to be shared by the whole group. That's why they become boys being idiots.

OhmNanon are undoubtedly the stars of this show and not just because they are the main characters. They are doing such a great job of selling me their characters. Their scenes together are so fun to watch.

I am going to write a separate post about Ohm Pawat specifically because I already have so much to say about him.

Yeah I think that's about it. Actually there is more but I want to see how some things develop before I comment on those. @airenyah I am so glad I can share this with you. I love it so much already. I totally understand the obsession, I am quickly getting there too. Like I want to rewatch it already. I knew I was going to like bbs considering our mutual love for simm and ha but I really didn't expect to like it so much already. I didn't even watch the trailer, I just jumped into the 1st ep directly. And well I am having a blast!

[samanthahirr]

007 Fest 2024 Intro Post

Well, I got here at a quarter to 9 for my meeting with Bill Tanner—the chief of staff's my main point of contact. And quite a good friend, really, since I've been servicing EPS's contract for the Foreign, Commonwealth & Development Office here for the last three years, and…oh, sorry, I'm Bethany Arden, the EPS facilities manager for MI6's Vauxhall headquarters. You could say I know every inch of this building—because I do! From the physical-security perimeter barriers outside to every air vent and water pipe, there's no structural detail too small for my blueprints.

And today, I came bearing great news! The FCDO finally approved a budget for a much-needed refresh of the furnishings. Listen, can I be honest for a moment? I love this building to bits, but it's one of the ugliest in my portfolio by far, strictly on an interior design basis. You have to agree, this place's design aesthetic should have been buried along with Margaret Thatcher—all that walnut wainscoting and brown leather upholstery, ugh. Hardly the modern, agile look and feel you want to project to important visitors, is it?

Speaking of agile, you should see the new ergonomic chair designs in my supplier's 2024 catalogue. They've also got some surprisingly affordable standing desks that raise and lower with the press of a button—who says you can't be Equality Act-compliant and still be stylish, eh?

So, as I was saying, I arrived early, lugging this far-too-heavy-for-me tote bag of fabric and paint swatches…oh, could you? That's so kind, thank you. And I confess my nose was buried in another catalogue, bookmarking new seating units that might replace those dreadfully uncomfortable plaid numbers in the lobby, so I didn't even notice Doris at the front desk was asleep at her post for a whole five minutes. I mean, I did think it odd that Bill didn't answer my text right away; he's always appreciative of punctuality. But then someone started screaming down the hall, and when I finally looked around I spotted Doris, and those two guards passed out in the corner, and—

Well. Looks like I'll be rescheduling my meeting. Once all of this is…sorted. But don't you think we ought to call emergency services? Surely some outside help will straighten this out. No? Oh. Oh, I suppose you're right. Well, all hands on deck, as they say. I'm happy to help however I can.

Just, um, one more thing. Has anyone seen Bill?

~

Hi all, I'm samanthahirr aka Sam, and I'm so looking forward to my third 007 Fest for the @mi6-cafe! I'm on Station Atlantic, and I bring fic-writing, moodboard-dabbling, and enthusiastic-commenting skills to the team!

[shortystack75]

Another very niche post about Stars Align / Hoshiai No Sora

This one is in regards to the characters' worldviews and mindset, based on a few very specific factors and things I noticed while rewatching it for the 5th(6th?) time.

Long post so its all under the cut

Random people who know nothing about Stars Align can also read if you want to see a loser 21 yr old lose their mind, I explain everything so you'll only be a little lost

Teirlist graphic to grab your attention and more easily show you:

So as you can see im basing it off of 2 main axis, one with 2 points and one with 3. I'll give a brief little overview of what I mean by each category and then go into why I think each character is in each category. Solitary vs Inclusive refers to how they center themselves in the world, this does NOT mean whether or not they are self centered, it refers to how they view themselves and other people IN the world and whether or not they believe other people can be outside of their mindset, i'll explain more later. "Me vs the World", "Me vs Them" and "Us vs the Them" refers to how the characters view 'sides'. Do I think that character is likely to think of themselves as as singular? than they fall under one of the "Me vs" categories. Do I think the character perceives a specific crowd/type of person to be a 'side' or do I think the character perceives everyone as the opposite side until proven otherwise? that denotes the "vs Them" or "vs The World" part of the mindset I'll start from the bottom up, left to right for anyone who doesn't know the characters or cant remember the names.

Starting with Maki Our main character, I put him as Inclusive "Us vs Them" because of a few key reasons we see throughout the anime. For the Us vs Them mindset, we consistently see Maki being a team player heavily in regards to not only the tennis team, but people he identifies or gets along with. Before he ever gets to know Yuu and before they're part of the club, Maki has already mentally categorized Yuu as part of his "Us/We" the same goes for Mitsue after they get along in class. We can actually see him interact with Mitsue before he categorizes her when he bumps into her. He apologizes and makes sure she's alright because he's a good person, but otherwise is off-footed towards her. She's not a "Them" in his mindset, but she's also not yet "Us/We". The main part of his Them" is of course his father and anyone who goes against his "Us/We" such as the bully Itsuki hit with his racket "He had it coming" Isn't something he would say about just anyone. As for the Inclusive or Solitary part, there is NO shot Maki was ever going to be Solitary. He's inclusive because of what i've already said about how he interacts with Mitsue ^. He doesn't just see the world as "Us vs Them" he knows not everyone is against him and his, and therefore not everyone should immediately raise his guard, it's why he's so casual in the first episode while not being necessarily friends with Toma yet. Toma isn't included in "Us" yet. at the start of ep 1, the only ones in "Us" is Maki himself, his mom, and Shou, but he very easily and relatedly lets his "Us" grow throughout the anime. I didn't even mention Arashi but he's another great example showcasing Maki's mindset.

Rintaro So most of the rest of these guys in this category will have a much shorter section than Maki's, mostly because we see less and I have to explain less. It's pretty easy to see that Rintaro doesn't view himself as an island and does his best for the club and his parents. This is all in his small actions and ease around the tennis club, it's hard to say whether or nor Mitsue or Arashi are included in his "Us/We". Similar to Maki, Rintaro clearly has no guard against people other to him and doesn't believe everyone not in his circle is against him.

Yuu I'll be honest I almost put Yuu into the Solitary space, mostly because of their (rightful)fear, but realized that Yuu hadn't put the club or Maki into the "Them" category immediately. While cautious with Maki upon being approached, they quickly categorize Maki as "Us/We" when he is open and kind to them, and when with the Tennis club nearer to the start, it's clear that they don't think of the club as "Them" OR "Us/We" yet. At the start of the anime, the only people in Yuu's "Us/We" besides themself are Toma and their sisters, but much like Maki, at the end the entire Club and Mitsue is clearly included in their "Us/We"

Taiyo Taiyo is mostly a repeat of things I've said about Rintaro, we don't see very much of Taiyo at all but what we do see I've determined to be in this category, and as 3 other people will probably read this I doubt any of you will fight me on it, but you would be welcome to! Even 5 years in the future.

Onto Shingo As the first and only part of our Solitary "Us vs Them" grouping, he kinda makes this category. While having a similar mindset to our other "Us vs Them"s, he doesn't really see people outside of those two categories. As shown with how he interacts with people outside of the club and his family, other people are kinda the enemy to him. He was slightly(not like Ituki and Tsubasa) antagonistic to Maki when he joined to club but swapped him over to "Us/We" seemingly easily, doing the same to Yuu when they become the club's manager. While he has an Solitary "Us vs Them" mindset, he doesn't come across as overaggro to others because he's not a naturally aggressive person, just loud and protective. As a good example, the two boys who appeared in the club room and started to mess with Yuu, their manager and part of Shingo's "Us/Them". He's he first to intervene and does so easily and calmly, Yuu is part of his "Us/We" and these boys are not, making them "Them" automatically.

Up to Istuki Itsuki is in a really interesting spot as an Inclusive "Me vs Them" By having an inclusive mindset, he knows that not everyone is against him and some people are just chilling. He does not have an "Us/We" mentality but he still has friends and people he cares about, shown how along with Shingo, he steps in when Yuu is being harassed. He does it in a more antagonistic way, calling them names with no remorse. Yuu may not be "Us" because there is only "Me/I" for Itsuki, but these two idiots have still come into Itsuki's space, his club room, and are messing with his club member, his manager. Anything like this becomes personal because he's "Me/I" centric which is why he reacts slightly more aggressively than Shingo. However. He doesn't see these as attacks, just slights, because they were against Yuu, not himself directly. The racket incident, were clearly attacks. When two bullies come up to him and bad talk his homelife, he has no hesitation. He talks back, responds once or twice, these are warnings to back off, to reason. These bullies instantly were painted as "Them" as soon as they opened their stupid mouths but Itsuki would have let them go, but they kept talking, kept insulting, kept attacking him. So he strikes to defend himself, with his racket. He feels no remorse, in his mindset this jerk deserves it(kinda did but the racket was a bit much i agree with Maki). We didn't get to see much else of his mindset throughout the anime except maybe how he feels about Nao's mom ("Them").

Onto Arashi! Starting off our Inclusive "Me vs the World" off strong with our dear walking contradiction! To easily sum up his Inclusive part, he isn't actually antagonistic to anyone unless they've recently slighted him, seen as him snapping at Sunaga(his doubles partner) but soon realizing he was wrong to do so and apologizing. While Arashi is very much "Me vs the World", it's not active in his brain at all times. While everyone is against him in a general sense, he doesn't believe they are constantly against him all the time.

Toma! Most of what I would be saying about him is a repeat of what I said about Arashi^ you could argue he's Solitary "Us vs Them" but I just don't see him like that. From how he talks when at the bbq to his surprise at Maki telling him he's having fun playing tennis with Toma, etc etc he's a very lonely boy surrounded by people he doesn't think are on his side and expects one day to be against him.

Up to Tsubasa!!!!!!! I love analyzing Tsubasa he's like a little angry bug to me. Tsubasa has a solitary "Me vs Them" mindset, which means once he's placed you into the "Them" category he doesn't really let you out of it, and upon meeting you he expects you to prove you're not automatically in the "Them" category. Despite not everyone being in the "Them" category, he does not touch a "We/Us" category with a 10 foot pole. Nobody is on his side and he's afraid his own actions will cause people to choose to be in the "Them" category. He didn't look for help from his mom or brothers when his father pushed him down the stairs, he ran. He ran because he had to get away from the "Them" he found his way to Shingo's house, the closest person to an "Us" he's probably ever had, but freaks out upon Shingo actually seeing him and trys to run. He's not running from Shingo himself, he's running from the prospect of Shingo no longer being a neutral, safe, space for him. He's running from Shingo seeing Tsubasa crying and hurt and seeing any reason to slide into the "Them" category. He doesn't know he's part of Shingo's "Us/We" he can't know that. He's used to testing people and see if they leave or push back, he's used to seeing people either fail or not fail. He's not used to people actually winning.

ONTO NAO!!! If Tsubasa is the bug i study, than Nao is the salamander i begged my dad to keep in a lil fruit cup as a kid. Do i know how to care for him? hell no. Do i want him anyway? yes. Nao's mindset knows no neutrals or positives. Everyone is against him in someway including himself. His mother is actively against him, his father is there and does nothing, possibly making everything worse by being around but not around, therefore his mind has taken neutral presences to also be bad. Nao is all about appeasal, about prevention. If he can appease people he meets before they know him than maybe they will just be passively against him instead of actively against him. He lies to Maki and the others to try and appease them, to tell them what he thinks they want to hear. He lies to his mother, in body and mind, tells her what he thinks she wants to hear and pretends to eat he food she makes while he stares into nothing, likely tasting nothing but ash. Taiyo tries to comfort him? He reacts in a way he thinks Taiyo wants, because to Nao he himself is broken and having other people realize this is dangerous and he wants to minimize it. Most of all he lies to himself. He may not even realize he is doing it, like with the infirmary incident, where he convinced himself he didn't know where Shingo's younger sister was. Because he views everyone as against him, he doesn't get them all laughing it off and forgiving him. To him he's messed up again and shown them a broken part of him. He, like Tsubasa, doesn't understand Shingo on an intrinsic level because to Shingo Nao is part of is "Us/We" and Shingo doesn't see Nao as an enemy, as an outsider.

Mitsue :) Lastly Mitsue, Similarly to Nao but with less delusions and mental illness, she views the world to inherently be against her. Unlike Nao, she isn't against herself(most of the time) Maki and the club are good friends to have for her because she keeps convincing herself they're all stupid and incompitant. Whenever Yuu mentions Mitsue actually thinking of Maki as a friend, she always shuts them down and spouts off something negative, putting on a tough front. In her mind they won't become actively against her as long as she is either useful(helping them spy on Joy) or as someone disconnected.

Anyway, if you're one of the 3 people to have read all of this, feel free to argue any of these i'd love to read or debate about it.

[multifandommilfs]

We're All In The Mood For A Melody

Pairing: Alex Blake/reader

Wc: 1197

Summary: you just needed a bit of liquid courage to make your life complete

A/n: based on ending of s9 ep7, the background song of that ep is the title and inspiration for this fic <3

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You watched as the team trickled up the bar's stage along with David, laughter bubbling up their throats as a song played, lyrics running up a screen behind them. You whooped with beer in hand, cheering them on.

 

JJ squinted her eyes at you, beckoning you up with two fingers, mirth running round and round within her irises under the shafts of spotlight.

 

You shook your head, lips cracking into a wide smile. "Get up here!" David tried Morgan, only to receive the same treatment, laughter cutting through as the cherry tune of the song perked up. Hotch whipped out his phone, amusement on his lips.

 

They gave up fairly quick, turning their attention back to the song with the light liquor tickling their nerves, giving everyone a looseness as they sang unabashedly, practically tone deaf. 

 

As the song heightened cheerily, so did the enthusiasm in the bar. From JJ's vantage point onstage, she caught your approach to Alex.

 

It had been a few months since Alex's affiliation, and the two of you had been the main bet of the BAU. Your chemistry was so fueled that Hotch played in on it as well which was uncharacteristically unlike him.

 

They'd been pairing and leaving both of you together in good humour, though no moves had been made from either party which had made them more ansty for results than they'd like to admit.

 

JJ watched furtively as you tapped two fingers on Alex's shoulder against the dim light of the bar. Then you chugged a mouthful of beer before Alex turned. That was when JJ nudged Garcia. Something was unraveling.

 

Garcia, with excitement at the bay of her lips, tried her hardest to appear insouciant. The tacit news was nudged around the team and the song had trouble remaining in its rhythm.

 

They half-watched as the both of you exchanged some words, lips lit up in a smile. Then you curtsied with utmost exaggeration, a hand outstretched in Alex's direction, who was wracked up with delight.

 

Self control had become a virtue for Garcia and JJ. Their increasingly giggly behaviors were finally noticed by Hotch and Morgan, who turned in curiousity; the camera was now on the both of you.

_____

 

You knew it was an inimitable moment. Even with the years accumulated in the BAU, it was the first for you to hear your friends sing, which made it even more memorable with Alex.

 

Everything seemed to be placed perfectly. Alex swaying lightly to the upbeat tune. You grasped the chance with an iron grip and took swigs of your beer, for she had an intimidation to her that you couldn't quite get past without the tingle in your veins.

 

So with courage trickling into you, you offered her a dance. When you curtsied, her laughter was more melodious than the music itself. You looked up at her through your lashes; her grin was apparent, eyes sparkling with a certain fondness you couldn't place.

 

You proffered a hand, ignoring the stretch in your calves because who even curtsies nowadays? "May I have this dance, my lady?"

 

She crackled up, pressing one hand against her lips as she put another hand of acceptance in your palm, the beers forgotten on a nearby table. "Pleasure." Her words were all broken from her tittering.

  

You rose up, your cheeks sore from all the dopamine. Your chin was over her shoulder, just as hers was over yours. A waft of her light perfume sent shivers down your knees, your eyes pressing close for a slight. 

 

Just like that, she was now leading, your bodies capering to the liveliness of the bar. Her touch on your waist was warmer than you expected, but then you were wholly warm since your initiation to this dance. 

 

 

"The chorus is nearing." You whispered by the edge of her jaw unintentionally and missed the way she shivered.

 

The team, however, didn't. All eyes were on you and Alex, expecting eyes and Cheshire cat smiles. What you didn't know was that the song was looped. It was the second crescendo already. 

 

"And you have plans?" Her left knee brushed your thigh, her words leaving hot breaths on your shoulder, sending tingles down your spine, widening your smile. 

 

"Yes." 

 

The song leapt to a crescendo, you led her into a faraway spin before pulling her back into your arms. Her laughter on your shoulder sending waves up your neck as you grasped her by her waist in a steadying motion. The pulse in your ears roaring alongside her laugh.

 

"You had a terrific dance instructor." She chuckled, her laughter dying down as she lifted her head. But she underestimated the distance between the two of you. 

 

The tips of your noses a breadth away from touching. She didn't miss the way your gaze flicked from her lips to meet her eyes at the last second.

 

She saw the endearment then, the soft tinge in your eyes, her heart raced. The atmosphere felt a twinge warmer and she was sure it wasn't the liquor. 

 

"Thank you, I taught myself." You breathed, or gasped because you felt so out of breath like she'd stolen yours from the moment she caught you in the act, but the moment was too good to be ruined. If this is the last time you'd be able to talk to her, you'd go all out.

 

So you lunged, capturing her lips in a hot breath, your hands raking into her hair. The world fell apart. Heart soaring, pulse thumping, white bursting behind your lids.

 

It was only for a second—a second of no regrets. All and utter bliss you'd never relive again. The tentative palm on your neck brought you back to the bar and you pulled away instantly, missing the way she chased to have you back. 

 

The team clasped a hand over their mouths, the song forgotten a long time ago. 

 

"I'm so sor-"

 

She shushed you with full authority and crashed her lips back to yours with utmost self-indulgence. Her grip on your waist was rough as she shoved you back into a table, all desperation and no grace. 

 

Then Garcia screamed a "YES!!", tears brimming in her eyes from post-anticipation. It snapped you out of your daze and you stumbled away from Alex, parting once again. A confusing sight of the upstage wolf whistling for the downstage. 

 

Were it not for her grip tight on your midriff, you were sure you would've fallen from how fast you detached from each other. It was especially grounding when you noticed Hotch with the camera and your friends' eyes all hooked on the both of you. 

 

Blush high on your complexion as they cleared from the stage and gave you hugs and said congratulations like you had news of marriage or kids. 

 

"Was this your ruse?" Alex queried you with squinting eyes once the team were back to their tables, giving both of you suggestive glances that you ignored wholeheartedly.

 

"That's a pretty bad profile, Ms Profiler." She considered you, tongue-in-cheek.

 

"Prove it." She leaned forward on her elbows.

So you did, kissing her long and hard until you were out of breath.

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