#this is a good ep for the main team all around

[halflingkima]

drawtectives rewatch: 1.07 ↳"Why don't you tell us what happened last time?" "Do we have to?"

[amelikos]

More promotional stuff for HZ086 (key frames, gif, another gif).

[httpknjoon]

quite an impression | myg

plot | that time where the afterparty left quite an impression on the not-so-friendly relationship between the popstar and her bassist.

w.c | 5.1k

pairing | bass guitarist!yoongi x popstar!reader

genre | enemies to lovers, popstar x bassist

main masterlist | series masterlist | want to request?

After the show, everyone, including the band and the show's crew members, was told that you and your management prepared an afterparty for everyone in one of the known yet private hotspots around New York City.

Everyone agreed to come, including Yoongi due to the band's persuasion. Plus, he doesn't really have anything to do back in his hotel room. The holiday EP's done. The concert tour just finished its first leg, which means their one-month holiday break basically started the moment you closed the show a while ago.

"What happened to your Valentino suit?" Fred was the first to ask when Yoongi joined the rest of the band on their ride to the afterparty venue.

Yoongi shakes his head lazily, "Don't want to ruin it at the party."

Before getting back into his usual clothes, Yoongi had to convince Paul to let him change. But your stylist was eager to make him wear it to the party tonight. He told him that there would be paparazzi there to take pictures of them arriving.

"I don't really care what I'm wearing if I ever get photographed tonight," Yoongi replied to Paul. It's not like I'm the main star, he thought.

He was so sure that the paparazzi were not interested in taking photos of them, but the moment their ride stopped in front of the private bar, Yoongi could hear the little commotion outside. There were paparazzi waiting by the sidelines with their big cameras and as soon as a car stopped, they got up to prepare to whoever is in the vehicle.

"This is crazy." Akio gasped as they all looked outside their tinted windows.

"Okay, put on your sunglasses if y'all don't want to be blind before we even get to the party." Noah, who has been a part of your team for years now, told them.

Yoongi was thankful he followed what your lead guitarist advised because the moment they got out of the car. There are flashing lights everywhere. He can hear some people calling his name, which is something he still needs to get used to. He doesn't remember getting much attention when he was at other artists' shows. Hearing various voices call his name everywhere makes him feel weird— not in a good way. They didn't stop for photos, heading straight to the private club's entrance while being guided by one of your security staff.

"I love playing for big artists," Akio whispered when they entered the venue, already eyeing the cocktails not too far from where they stood. "They know how to party."

It was obvious, the moment they got in, that the afterparty was well-prepared and expensive. Although the lights were dimmed and colorful fairy lights mainly provided lights for the place, there were customized holiday decors everywhere to celebrate your EP, which plays in the background. There are ice sculptures of your brand's logo and even a few mistletoes on entryways with your signature kiss mark placed on them.

"Yeah, YN's label is never scared to splurge money on her," Noah said, pulling out his phone to take a picture of the place.

Who will be scared anyway? You are one of the biggest pop stars in the world currently. Your songs earn hundreds of thousands of streams every day and almost everything you do gets praised by your fans and critics. Everyone, even you yourself, knows you are the top cash cow of your company at the moment, considering your recent tour and EP release. You are an investment worth investing in.

Yoongi stayed quiet while his eyes scanned the whole place. He never really cared about parties, but he could not deny that your label made an effort to make tonight's celebration impressive.

Everyone was invited, from your concert staff down to the late-night show crew members. While the band was walking through the crowd, Yoongi took a glimpse of Art, chatting with the producers of the late-night show you just hosted. Your dancers also came, already enjoying the dancefloor with other guests. There are more faces Yoongi had recognized, but there are some he still hasn't seen yet. Paul... Cal... You.

"Yoongi, over here!"

Suddenly, somebody called his name, snapping him out of his trance. Yoongi turned and immediately spotted another familiar face waving his hand across the room. It was a friendly gesture from Ben, one of the tour's sound engineers, Yoongi raised his hand, offering a small wave before walking deeper in Ben's direction. Along the way, one of the waiters offered him a drink and Yoongi got one, quickly taking a sip to hopefully give some energy to him to socialize. Nods and smiles were exchanged once Yoongi joined the small group, which included a few of your staff and a couple of writers from the late-night show. Ben was in the middle of telling the others of something.

"Yeah, the tour just ended its first leg this week. I think we'll be back touring internationally in the last week of January though. Right, Yoongi?"

Feeling a lot of eyes on him, waiting for him to say something, Yoongi's eyes widened slightly before he looked away, "Yeah, I think so."

Ben went on to talk about the work he does in your shows. Yoongi, as usual, just listened and observed the lively crowd.

"I saw you on the show earlier, you are a great guest." someone in the group spoke, making Yoongi look back to them.

A woman in a ribbed-knit, V-neck, white sweater smiled at him, offering her hand, "I'm Bea, one of the writers of The Late, Late Show."

"Yoongi, YN's bassist." he shakes her hand.

"And favorite band member?" Bea teased, referencing the question in the show earlier. They both laughed.

Yoongi smiled, shaking his head before sipping from his glass, "Not sure about that."

"Oh, trust me. Based on our team's research, you seem to be YN's favorite." the curly-haired brunette smirked.

"What research?" he asked, now curious about what she said.

"Well, you know, our team does research on our guests before writing for them. Then, we noticed how many times you two interacted on stage during shows, even your outfits aligned during her Halloween shows," she answered casually. "She always seemed to gravitate towards you."

Her tone seemed to be implying something, making Yoongi shake his head again.

"She just likes to play around on stage." he denied whatever Bea must be thinking.

"Yeah, sure. Whatever you say." she sneered, hiding an obvious smile while drinking from her cocktail.

Yoongi looked at her, trying to decode her thoughts, and when she felt her stare on him, she simply smiled, "I mean, I kinda get her."

As the music gets louder and the crowd gets bigger, Yoongi finds himself chatting with Bea ever since they met half an hour ago. They occupied one of the booths in the club alone while they talked about their jobs in the entertainment industry, something they are similar to.

Bea is funny, witty, and smart, Yoongi thought. He likes that she doesn't force him to speak in their conversation. He didn't really mind her telling him about her experiences as someone who moved here to New York eight months ago. It's better than being forced to jive on the dancefloor, something he's not really fond of.

"Yeah, I was actually scared to come here tonight." Bea shared, chuckling.

"And why is that?" Yoongi asked, slightly leaning closer to hear her over the loud music.

"I heard that staff members from other shows have to pay for their own drinks at after-parties like these, and I just can't do that right now. I have rent to pay!" she exclaimed, making both her and Yoongi laugh. She then rested her chin on her palm on the table, "How about you? Do you enjoy these parties?"

"Not really..." he was quick to answer, not bothering to conceal his dislike for social events. "Everything's too much at parties. The drinks, the people— even the music, it's too loud."

That's another thing he and his ex used to be contrasted about. Sara will always be at parties back in LA because of her job. It's a place for widening her networking in her perspective. Sometimes it is necessary for her to attend, sometimes she just wants to. Yoongi, on the other hand, is not a fan of networking. As long as someone is interested in collaborating with him, he's gonna be fine. But he cannot deny that Sara helped him get more people to work with him whenever she pulled him along with her at parties. She literally introduced him to Art years ago.

Bea chuckled, "Isn't it ironic that you're literally a bass guitarist and you hate loud music?"

"There's a difference between music and what's basically a noise." he joked.

Just when Yoongi took another sip of his drink, there was a sudden change of energy in the room. The music lowered slightly, and the whispers and turning of heads at the main entrance got more noticeable.

"Looks like the woman of the hour has arrived." Bea mused next to him.

Everyone can hear the main door opening, along with the sound of cameras clicking and people calling your name. Then, it was followed by familiar voices laughing and chattering. Yoongi didn't bother to turn around to the doorway until Bea murmured.

"Oh, they arrived together."

He finally glanced at the doorway, catching sight of you at the center. You were glowing with your gold closed-fitting, thin-strapped mini-dress. He wondered if you got cold outside while wearing that glamorous dress, but then he saw Cal next to you, holding a fur that he assumed was yours.

Then, he also noticed who was standing on your left. Harry was holding your waist as you greeted the first people who approached you. You two were a pleasant eyesight, a perfect eyesight for everyone. It was obvious how you two were comfortable with each other. Harry leaned closer to you to whisper something, and you would easily laugh like he was the funniest person in the world. Yoongi looked away, back at minding his business.

"They used to date, didn't they?" Bea whispered next to him.

Yoongi shrugged, "I don't really know."

"You should. You were Harry's bassist during his first album, right? I heard he wrote songs about her in there." she went on.

He raised an eyebrow, "You really did your research, huh?"

"Told ya." she clicked her tongue before looking back to you and Harry. "They still look cute together, don't they?"

"Yeah," Yoongi mindlessly replied even though he was not looking anymore.

He took another scan of the whole room. He stops when he sees you looking at him while everyone in the circle you're in is having conversations. Your eyes traveled from him to the woman next to him. Your eyebrows raised and you looked back at him again. Just when lines form between his brows, Yoongi sees you joining your group's conversation once again. It was a brief and quiet interaction— confusing for Yoongi— that seemed to be only known by you two.

"That was... interesting." Bea, the best observer, smirked into her drink.

The night went on with you and Yoongi being on separate sides of the room. Yoongi introduced Bea to the band, joining them in their booth. He ignored Fred's teasing stare ever since his new writer-friend sat with them. Noah also has his boyfriend with him, adding more fun to their conversations. At some point, Yoongi excused himself from the booth, getting up next to Bea.

"Oh, where are you going?" she asked with her hand on his arm.

"I'll get another drink, want some?" He answered, nodding at her empty glass.

She smiled, "Yeah, sure."

"Don't try to escape the party!" Noah teased him as Yoongi walked away, rolling his eyes at his friend.

He was about to walk to the bar, but decided to stop midway, heading to the restroom first. After doing his business and enjoying the quick solitude, Yoongi rinsed his hand and walked out to the dimly lit entryway. He was not paying much attention to his surroundings, just aiming to get to the brighter entryway to the party, causing him to bump into someone.

"Oh."

It was a light collision, but you were wearing your strappy God-knows-how-high heels, causing you to lose balance a little. He was quick to catch you and help you steady yourself.

"Sorry, didn't see you there," he mumbled.

"Clearly," you looked up with a snarky reply and the same smile you always give him. "Enjoying the night?"

Was it a little unexpected question from you? Yes. But maybe you've been asking everyone that since you are the host of the party. Yoongi wouldn't want to overthink it.

"Yeah, it was fun." he replied like he didn't spend his time talking to people he only knows except for Bea.

You hummed, "Bea seems nice though."

He paused, staring at you for a second, "You know her?"

Shrugging, you replied, "Met her during preparations for the show earlier. She seemed pretty smart and witty."

Were you watching them? Yoongi starts to wonder since he sees you vibing with Harry and your other guests whenever he catches glances at you in the crowd. He cannot tell by your tone if you are just being friendly, casual, or just teasing. But the way you were looking at him got his throat running dry, making him gulp hard.

Before he could figure out what to say next, a voice piped up from one of the small circles near the entryway.

"Oh my gosh, look up!"

Your eyes widened. Yoongi frowned. Right above you, it's one of the few mistletoes in the place. The small circle cheered, getting more attention to their direction.

One of your dancers urged, "You have to kiss now!"

"Ugh, seriously? Do we really have to do this?" you tried to play it off, acting dramatically.

But Yoongi can feel the tension growing in the small space between you, making everything more awkward. All while your concert staff enjoy how you are both caught off guard, knowing your childish and petty relationship behind the scenes.

"It's a tradition!" someone sing-songed.

Yoongi rubbed the back of his neck, "But it's just a plant."

"It is!" you laughing awkwardly.

It felt like high school— or even middle school. Like they were stuck in a game of truth or dare. The cheers for them got louder and clearer. Yoongi only looks at you, trying to read your thoughts. But you were exchanging jokes with the small audience.

“Wow, you guys are really committed to this tradition, huh?” you let out a breathy laugh.

In all honesty, Yoongi would not mind kissing you. Will it be awkward? Yeah, probably. But you both know that the easiest way to end this scenario is to just get over it. A quick kiss, then move on! It's not like everyone will make a big deal out of it.

But why? Why is it so hard?

You took in a slow inhale as you looked at your bassist standing in front of you. How can he still have the same blank expression on his face while you were shitting bricks, trying not to make the atmosphere awkward? You swallowed. Hard. You wondered where's the liquid courage when you need it. Kissing is never a problem with you. Hell, you were the one who suggested putting mistletoes everywhere tonight, unprepared that you are your own victim.

Yoongi's lips parted when you took a step closer to him. So close that he can smell the same sweet vanilla scent he sensed when you gave him a quick hug earlier after the show. He cannot help but study your features as you stand this close to him.

"Let's just do it?" your glossy lips whispered.

"Okay." He replied, almost breathless.

When he unexpectedly yet gently held your waist, you unconsciously held your breath like his soft touch burns your skin. You can still feel the tightness in your chest when his lips brushed against yours, like a feather. It would have been meaningless if one pulled away as soon as your lips touched. But for a half second, no one moved. You felt like leaning it when you felt his slight squeeze on your waist. But before anything could happen, it was over.

Brief and light.

Everyone cheered as you went along in this stupid holiday tradition. Yet the noise was all drawn out in the background as you and Yoongi slowly pulled away from each other.

In that quick second, you swore you felt his warm breath as he pulled away. You blinked, but still, stared back at him. Your heart was beating too fast, you didn't like it.

Yoongi didn't like that when he pulled away, he could not think of anything to say. It was like his brain into a factory reset, resetting everything he knew. He remembered you singing this close to him during one of your shows, thinking you looked like an angel. He still thinks the same thing.

After getting your souls back on the ground, Yoongi let go of your waist and you took a step back. Everyone is still having their reaction. Someone even whistled, making you turn back to the crowd. You forced a laugh.

"Satisfied?" you played it off with the crowd.

Yoongi's jaw clenched as he turned around leaving the entryway, ignoring the warmth that was still lingering on his lips. The image of your face close to his cannot get out of his head. He walked straight to the bar to get another drink.

You, on the other hand, ran back to the restroom. Looking back on yourself in the mirror, your fingers slowly touched your lips as you felt like they had been tingling ever since Yoongi pulled away. Realization sets in as your bite your lower lip.

Fuck, you wanted more.

For the rest of the night, you and Yoongi got some unspoken agreement to not stand within a six-foot distance between them. Yoongi found more comfort, sitting next to Bea, who raised a brow, when he came back to their booth after the kiss. He simply shook his head with that. She took it that he didn't want to talk about it.

"So are you guys playing tonight?" she asked him.

"I don't know, really," Yoongi replied, resting his arm behind her seat.

"I mean, it would be really cool to see you play at this party." she drew circles on the rim of her cocktail's glass before playfully tilting her head to him. "You know, just throwing the idea out there... Only if there are instruments laying around at this par— Oh, wait. There it is!"

Yoongi laughed at her feigned yet coy innocence as she tried to convince them to play. He scanned the room, looking for the instruments Bea was referring to. Instead, he catches you looking at him before quickly turning your back. Something in his stomach flipped before he finally found what he was looking for.

"You alright, angel?"

As soon as you turned your back to your bassist, Harry, who had his hand on the small of your back, asked. You looked up, putting on a smile before nodding. Ever since he said about your nose flaring when you lie, you try to be careful about not saying the truth around him. He smiled, pinching your nose.

"Looks like that kiss did something to you." he leaned into your ear as he teased you.

You moved away, glaring at him, "It's just a mistletoe kiss. Nothing too special about it, H."

"Okay, okay, if you insist." he chuckled.

You rolled your eyes, "I feel like you're trying to push an agenda here and I am just gonna ignore that."

Feeling your face warming up, you walked away to distract yourself with something else. It's nothing! You repeated in your head as if to remind yourself. Yoongi seemed to thought the same thing since you saw him getting comfortable with the same girl he's been talking to ever since you arrived.

There is a tightness in your chest. You had to stop one of the waiters who was going around with shots of espresso martini. You took one and immediately let it slid down your throat before returning the glass to the same guy.

Out of the blue, you hear a familiar beat of the drum playing along your song that was playing in the background. The small crowd in the dancefloor started cheering. Turning around, you see your live band on the small stage back in their element. The lights were dim, but you can see your bassist pushing his hair back, which somehow made your throat dry.

"I think we need a vocalist." Noah spoke on the mic.

Your eyes widened, you know he sees you with your shimmering gold dress. And the spotlight that landed on you didn't help for you to hide in the corner of the room. Shaking your hands to your sides, you exhaled before walking up to the stage. The last thing you want now is to stand next to your bassist, especially when you're confused and having a meltdown in your head. But your forever motto plays in your head, fake it 'til you make it.

The band continue playing along with the song that was already playing in the background. You took a sip from a bottle of water Cal handed you before catching up on the song. Shaking it off, you put on your usual popstar persona. The one who's confident, spontaneous, and maybe a little annoying to your bassist.

An idea pops in your head, making you signal to the band to repeat the song from the start. They followed, same with the DJ who turned down the music. Noah began counting and Yoongi almost crashed out in his head when he felt you standing close to him.

Unexpectedly, you lifted his chin, making him look at you. You silently hoped he is under the same spell as you are, not knowing that your touch burns his skin. Looking straight to his eyes, you sung,

"Oh, I leave quite an impression..."

The moment you saw a hint of something familiar in his gaze, you tried to bit off a victory smirk, letting go of him and turning to the crowd. A spur of energy grew quickly in you, knowing that you're not the only one struggling here.

The crowd sings along throughout the whole song. Yoongi was quite relieved that you didn't try to pull something on him again. He knew you got him earlier in the song, hence why you are suddenly more confident now, dancing on stage. Your hips swayed along with the beats and he finds himself almost getting out of tune, distracted. He played it off, adding a cool riff in your song, which made you turn to him.

"Show off." you scoffed in the mic, making the crowd laugh.

"Every time you close your eyes, And feel his lips, you're feelin' mine..."

That gave you another reason to annoy him. Yoongi felt you resting on his sides like he was a wall. You slowly slid down as you sang the bridge before getting up to let the crown scream the line,

"Yeah, I know I've been known to share!"

Yoongi tried to stay as far as possible from you after that performance. Harry sang too after you called him on stage, which didn't really distract Yoongi as they played the song your ex wrote about you. Only Angel. What a fitting title? He thought.

After that, they played a couple more songs before getting back to their booth. He was so ready to get back to the hotel, but he didn't to leave Bea alone, who he enjoyed talking with tonight. She just finished her fourth glass of the night when she noticed the time on her watch.

"Oh, it's almost midnight." She murmured as the corners of her lips dropped.

"And? Are you Cinderella?" Yoongi quipped.

Her eyes narrowed behind her glasses, "Well, yeah. Fairy Godmother will take away this thick ribbed-knit sweater once I don't show up in Central Park on time."

They laughed. She continued, "I have a flight to catch tomorrow morning. Need to be home before Christmas."

Bea began saying goodbye to everyone. Yoongi said he'll go back to the hotel too, and got a knowing look from his bandmates. He rolled his eyes, lifting his middle finger at them, which made them laugh. The party is dying down anyway. Yoongi saw you saying goodbye to Harry before he left after he performed on stage. Then, he didn't catch sight of you again.

"How about you? Going back to LA for the holidays?" Bea asked as they walked out of the private lounge.

Yoongi clicked his tongue, "I don't know. I have no plans yet."

They stopped on the pavement. The paparazzi are long gone, it's just them and the distant noise of the city.

"Maybe you can come to Seattle with me? Want to meet my parents?" she joked. "But seriously, I enjoyed talking with you, Yoongi."

He smiled, feeling a warmth on his chest, "Me too, Bea."

As if on cue, a yellow cab stopped in front of them. Bea looked at him before getting on her tiptoes to give his cheek a soft peck.

"Contact me. Let's see each other again once we're in the same place again. Okay?" she smiled, hopeful.

He nods at her with a small smile before she gets in the cab, waving at her before the car drives away. For a few seconds, Yoongi stood there alone. He looked down, remembering the last time he went on a date. As an image of Sara came up in his mind, he shook it off while walking away.

Yoongi did not mind walking from the party to the hotel. It was a twenty-minute stroll. He needed it with so many thoughts in his head to organize. His dating game, the mistletoe, Bea, your gold mini-dress that exposed your back, his plans for Christmas, your face when you pulled away, his house back in LA... the kiss.

What the fuck.

He paused just right before the hotel everyone in your staff is staying at. You kept on reeling back in his head, he did not even notice it. Suddenly, he's recalling your scent and the softness of your lips on his. It lingers. He sighed, running his fingers through his hair. Then, he remembered your own fingers running through his jet-black hair when he was asked to show up during your Bed Chem performance. Your gaze under the red lights. His Adam's apple bobbed as he thought about it.

As he walked into the hotel elevator, Yoongi thought of hopping into a quick shower before sleeping tonight. Maybe it will clear up some of his thoughts. Just when the door began closing, he heard a scream from a distance.

"Please hold it!"

Yoongi, although distracted, followed. He held out his hand between the doors, slowly opening it up again. That's when you showed up, chest heaving, still wearing the same dress Yoongi was thinking about. He squeezed his eyes closed as he turned his head down. The amount of curses he let out in his head.

"Thank you." you tried to say it softly, but you were breathless from running. You push the button to your floor and you notice that he still hasn't clicked his. "What floor?"

"Hmm?"

You turn around and catch him staring at you in a way you've never seen before. You felt your stomach twist. Your eyes moved down to his lips. He was biting too hard, turning the skin red. You watched as he inhaled, lifting his shoulders like he was trying to stay still.

"Same as yours. Twenty-nine," he mumbled.

His voice was too deep, your voice ran dry. You nodded, standing back next to him. Silence hummed for the first few seconds as the door closed. You didn't know that this tension joined you two in this elevator, making the atmosphere heavy and honestly, a little warm. You felt it again. Your lips. They're tingling again.

You can feel that he feels the same way. Your heart starts to beat too fast when you look at him again, still biting down his lip. Hard. Maybe talking would help.

"So, what happened—"

You were not even done with your question about Bea when Yoongi moved forward, crashing his lips on yours. It felt urgent. And hot. Like he was thinking about it for a while now. It was like you broke him.

Your gasp barely made it out of your lips when he swallowed it. He got his one hand on your cheek, while the other was squeezing your waist. His fingers held you down as you squirmed too much.

You don't really have much thought except him. His scent. His lips. His hair. Oh my god, his hair. You ran your fingers on it, tugging on it as you felt the temperature rising in your body. He groaned before pressing you on the elevator wall. You tilted your head, deepening the kiss, while your hands explored each others' bodies. Desperation and hunger reeks from the way you two taste each other's tongues.

Wanting to hear him again, you bit on his lower lip. He groaned lowly, feeling the vibration in your chest. You smiled into the kiss. Suddenly, you felt both of his hands on your waist. You instinctively wrapped your arms around his neck, feeling the kiss getting gentler.

Your chests were heaving as he pulled away, resting his forehead above yours. You unconsciously licked your lips after seeing how his got redder and glossier due to your own. You noticed his Adam's apple moved up and down, making you meet his eyes.

Ding!

Your heads snapped to the side when the elevator door opened. Yoongi's hands clenched when you slowly stepped back, exiting the elevator wordlessly. He followed behind you while still tasting the strawberry taste of your lipgloss.

Your rooms were right before each other's. Turning your back, you didn't say anything as you opened the door. He didn't either and faced his door, but didn't reached for the key card. The moment he heard your door closed, he turned around.

Fuck it.

Determined, he knocked on your wooden door. And almost in an instant, it opened with you pulling him inside.

note | thank u for @momma1 for commenting this song months ago! 🩷 please consider as the conclusion for the first leg of this tour. the next drabbles will be set after their "tour break". lmk what u think of this one?

SERIES TAGLIST

kindly check out my taglist rules on my pinned post :)

@busanbby-jjk @jimingirl95 @treacherqus @jajabro @marnz1990 @ktownshizzle @notarshia @m00njinnie @thelilbutifulthings @tarahardcore @livisdoingfine @jungshaking @eridanus-lynx @enthralled-bandit @goodnight-n-go-home @ronyiboniyy @jimeg629 @lveegsoi

PERMANENT TAGLIST (CLOSED)

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[fulcrums501st]

Honestly I think the main thing I can’t look past in s2 is how it offers super simple solutions to incredibly complex and nuanced questions that s1 set up so intricately.

How can someone like Jinx ever become stable or well adjusted? Oh her hallucinations basically cease cuz she just becomes depressed and then before she can get over that brief period of apathy and go back to her psychotic self, she adopts a kid that basically brings Powder back. So the super crazy Jinx we expected to see after the cliffhanger of s1 never gets the chance to form! Isha serves as a plot device to avoid a complicated answer to Jinx’s mental issues and question of identity.

How can Vi and Jinx ever become sisters again after they’ve changed to much, is it even possible for them to reconcile? OH their dead dad comes back and reminds them of the good old days so we can ignore all the present and much more recent shit that has happened! And we’ll just really reaffirm that Jinx is Vander’s kid and not Silco’s after ep 4! This is the easy way out to the sister conflict, literally just reminding them that “oh yeah! We did used to be sisters!” And then Jinx can just die so we don’t need explore a complicated road to recovery that Jinx would have needed to embark on! Wow. What a cop out.

Will Zaun and Piltover ever be able to escape the cycle of violence that plagues them that is rooted in complex systemic oppression and inequality? Is violence the answers? Or will it only perpetuate more conflict? How can compromise come about with the rising extremism on both sides? How can Zaun and Piltover ever progress while acknowledging the horrors of the past, but still retaining optimism for the future? OH! Let’s actually just not even BOTHER exploring Piltover/Zaun at all!! They’ll team up to fight foreign 3rd enemy (literally foreign cuz Noxus is literally another nation interfering) and an incredibly simple exploration of forgiveness is the answer! Definitely not cliché as crap.

Complex questions, basic, uncomplicated answers. I simply wish the writers had chosen to prioritize themes and exploring interesting nuances more than big plot climatic style battle in the end. I see visions of nuance there, but they fall flat cuz of the fast pacing and what plots the story chose to prioritize, which don’t organically continue the setup from s1

And the season doesn’t do enough to properly explore these answer to justify them answering those questions. They use plot point through plot point to force the characters to where they need them to be without doing anything interesting with them to explore these complex themes from s1. and after speeding through all these arcs and themes they turn around and pretend like they perfectly answered these questions without putting in any of the work to bother exploring them

[absolutebl]

This Week in BL - Japan is here to save the slump

Organized, in each category, with ones I'm enjoying most at the top.

March 2025 Week 2

Ongoing Series - Thai

Perfect 10 Liners (Sun YT) ep 20 of 24 - Santa is really good at comedy, I gotta say. Wine is so cute 'cause he's so frank and earnest. It's adorable! (Inquiring minds would like to know if people in Thailand put perfume on their cheeks?) Lots of linguistic negotiation of pronouns in this episode so that made me really happy.

The Boy Next World (Sun IQIYI) ep 10 end - OMG they made them act and SING at the same time. NOOOOOOOOOOOOOO. (Raise your proverbial hand if you could actually hear me writhing in pain as that scene aired? Because my whole body was cringing so hard I swear I fractured my own cartilage.) I’m sorry but this show was doing really well for a Mame but that singing was sphincter-shrinking bad. And seemingly endless…

Okay the second half: The running of the gays, how very Japanese of you. So about 1/2 of the final ep was utterly unbearable, but the rest was fine.

Let's talk?

This show had an excellent premise about two fated mates, Cir & Phu, destined to be lovers in multiple parallel worlds. It is the curse of A Cir Who Knows Better to ensure that they manage to always end up together. This effectively explained all Cir’s weird creepy stalker behavior (pièce de résistance of a MAME seme) with the bonafide excuse of that tugging red thread. Turns out I forgive a lot for a strong premise, especially when combined with truly stellar chemistry. *But* there was also some bad chewing of the scenery and really terrible singing at key moments that screwed the landing (yes that too, but). The sex scenes were some of the best we’ve ever had, unfortunately even they weren’t good enough to mitigate that damn singing. 8/10

A solid showing from MAME, I was shocked, there was a point there when I thought this was gonna get a 9/10 from me! 

My Golden Blood (Weds YouTube iQIYI) Ep 1 of 12 - Trailer. GMMTV taking on Weds nights and midweek discourse (they hope) with this hotly anticipated vampire series. Is Thailand finally giving us the trashy gay vampires we richly deserve? Just keep in mind us sh*theads don't deserve much.

And it looks like that's exactly what we are getting.

I'm sorry ya'll: I don't like it. But not in a "witty trash watch" kinda way. So it's going here instead: You ready?

Classic main character = orphan with a mysterious past and bad dreams plus people around are weird about his certain traits. I wonder the thing I always wonder, why not give him martial arts training if he has known enemies? I've done various forms for years and never once cut myself. Of course Joss has a shirtless coming out if a pool intro. I can hear the dev team... "Hear me out now, baywatch just... vampires." I see we have new competition in the Advanced Bravely school of muscled thirst. As it should be. Been a while since we’ve had anyone on the scene who could give Jason Xu a run for his money. Joss is just the man to flex it. Is it just me or does this pair have negative chemistry? Yes we can all tell this is directed GAY! but Joss + Gawin do not seem even the slightest bit gay. The camera on the other (em) hand...

I asked for gay twilight, I’m getting gay twilight. Same lack of chemistry, bad special effects, and everything.

(Theory: Mark was the one who killed/drained all of Tong's fam of their golden blood and that is how he got his healing power.)

Flirt Milk (Sat YT) ep 8 or 10 - all I care about is the side couple. 

Ossan‘s Love Thailand (Mon YouTube) ep 10 of 12 - I do like EarthMix. I just really wish this were a better show. I kinda feel bad for them. That said, l love the host club + live gay boys reaction. Snicker 

Ongoing Series - Not Thai

Secret Relationships (Korea iQIYI) ep 3 of 8 - I continue to enjoy this a lot. I like how creepy and sinister pretty much everybody is (except for our puppy hero). Who is dog paddling through the filth of his crush's love triangle of past relationships. I like the fact that in the theater an unofficial pass was made. It was totally adorable. Every one is a mess and it's sustaining all of BL right now.

Checkered Shirt (Korea YT) ep 6 of 8 - Baby boy do not flirt with a closet case! Have you learned nothing?

Fight for Love (Vietnam YT) ep 6 of 8 - didn't drop or I somehow missed it. Caught it! It was lovely, nice kiss, I like where the plot is going although... no singing please.

Exclusive Love (Taiwan Fri Gaga) ep 6 of 12 - Our poor little gay boy is being v tested. And testing himself. Side couple = tiny idiots. In other news, one of them is wearing a shirt I actually own! I feel like peek BL stan. (Also I may shop too much in Taipei.) Does I qualify for the shared BL communal wardrobe?

The main trope to rule all BL tropes has returned= he is never asleep.

It's airing but......

Gelboys (Thai iQIYI) 7 eps - I’m giving this show a pass. It’s just too far out of my wheelhouse. I don’t have patience right now. Ends next week.

The Last Time (Thai WeTV) 8 eps - Has this ended? Anyone watch it?

Sashes and Hearts (Pinoy YT) 13 eps - Philippines is doing Drop Dead Gorgeous only all gay boys queening their asses off. Doesn't interst me, not sure if it's BL.

Last Meal Universe (Thai ????) 8 eps - An alien who has come to destroy earth instead falls in love with Thai food and then the Thai boy who cooks it - realistic, actually. I got a link to watch but it still wouldn't work for me, so I guess I'm waiting to see what happens.

In case you missed it:

CUTEST little JBL short drop on YT. No idea it's real title. About 2 students secretly dating trying to decide to come out. It's popular guy + nerd! Absolutely not sure how long this will last on YT but adorable and worth 17 minutes of your time. Do it ASAP! I don't want a repeat of everyone asking me for Wimpy Corporate Drone again. There seems to be a pervious installment in the series, but no subs.

Don't say I never bring you any prezzies.

Next Week Looks Like This:

Upcoming March 2025

3/19? Lost in the Woods (Weds Gaga) Ep 1 of 7 - Announced for 2023, adapted from a novel of the same name. Fifa just graduated high school and travels to a remote province to take care of his grandma, before starting uni. There he meets Chief Hem, a forest ranger.

3/20 Top Form (Thailand Thurs WeTV) 10 eps - Trailer. Adaptation of a Japanese manga starring Boom (Chains of Heart) opposite Smart (Don't Say No). Actor recognized as the "The Sexiest Man of the Year" has his first-place position usurped by newcomer. But while he sees them as rivals, turns out the new kid has other ideas. I'm super excited for this but hate watching on WeTV so gonna be a challenge.

3/21 Sweet Tooth Good Dentist (Thailand Fri GMMTV & iQIYI) 12 eps - Trailer. Finally Mark is leading a BL! This one based on a Jittirain novel about a weird sunshine student dentist and his sugar-addicted patient, described as a romcom meets romantic therapy. Also, Jimmy is there, primarily to give me second lead syndrome. It looks silly but earnest, I'm looking forward to it actually.

3/28 Heesu in Class 2 (Korea Fri ????) 10 eps - Trailer. Adaption of the comic by Lily, about a shy unpopular boy with a secret crush on best friend who somehow also ends up his school's relationship counselor. Supposed to have completed filming in 2022, the fact this has been in dev hell since then somewhat mitigates this being my most anticipated BL of it's original year.

2025 Line Up

BL Announced for 2025 - PART 1

BL Announced for 2025 - PART 2

20 BLs Announced for 2025 That I'm Really Excited About

GMMTV 2025 Line Up - My Totally Biased and Wildly Flawed Feels

THIS WEEK’S BEST MOMENT

Drive by phone repair for the win. I love them both so much.

That is the jock saying it to the nerd. Yes our nerd is the top in this dynamic. When I tell you to watch a thing, I'm not joking around!

(last week)

The tag BLigade: @doorajar @solitaryandwandering @my-rose-tinted-glasses @babymbbatinygirl @babymbbatinygirl @isisanna-blog @mmastertheone @pickletrip @aliceisathome @urikawa-miyuki @tokillamonger @sunflower-positiiivity @rocketturtle4 @blglplus @anythinggoesintheshire @everlightly @renafire @mestizashinrin @bl-bam-beyond @small-dark-and-delicious @saezurumurmurs

[aryas-faces]

This episode proved Team Green is the better team

TG had all of 10 minutes, and they were the most riveting parts if the episode

Team Black on the other hand? Boring

Putting aside the fact she shouldn’t be the hero, Rhaenyra has no personality. Neither does Jace. Neither does Baela. Neither does Corlys. Name one personality trait any of them have. You can’t. Because they are blank slate good guys that you can project onto. You can be a hero and still have a personality. Just look at the HP books. You can take out “Harry said,” ���Ron said,” and “Hermione said,” and still know who said what because their personalities are so distinct. Just look at the Starks. Arya and Sansa are completely different. You can do the same, and still know who said what. If you did to Team Black you’d have no clue who said what. This is a huge problem. Your main character is indecipherable from the secondary characters around her. The dynamics are also nonexistent

The only one with personality is Daemon, and look what he’s been reduced to. We got a scene of him chopping wood. Same with Rhaenyra, we got a scene of her hair being brushed

Because they have no personality, there’s nothing you can do with them. Even the way mourned Rhaenys was so bland

The first episode to really focus on the main character, and Aegon/TGC stole the show with one word

Really let that sink in. This is the first episode to really focus on Rhaenyra, and Aegon is still the most talked about. And he only said one fucking word

And the ep is otherwise seen as unwatchable

We are in for a rough second half of season 2, which is said to focus on the Blacks, if this ep is anything to go by

[dock57]

[If you haven’t already noticed, I just really like talking about how much I love this series.

I’m not sure what it is about this particular shot of the first episode, but this one is what really got me in.

We have a build up to the plot of the first episode, where we’re introduced to the continuing plot itself of the series, but a build up to the introduction of the main characters. We’re given a glimpse of who Shrike and Beebs are, not just based on their icon alone, but as who they are based on the information given along with them. As I have said many times, I really love MW and its details. Including this shot.

We’re told here the difference between Shrike and Beebs. We’re given a dose of who they are as well of how the two work together. Which is something I would really like to talk about another time.]

[I think EP 4 has pushed the understanding of Shrike’s and Beeb’s relationship and their character and well, the overall story. Shrike is considered a loser to well, majority of the people who know him. We also know that Shrike is quick to make decisions- usually not good ones and seems to “get by” by either luck or, having Beebs with him. Which is why Shrike’s description of being a low threat and easier target to take out before Beebs, makes sense. It just gives you an idea how little Shrike is considered to others, enemies or rivals. Even if Shrike did make Kara look like a fool at the end of the first EP- it was really by chance- luck really. I will say it is funny how it’s mentions he is awful with close range- despite doing a great job in EP 2 doing close range sword fighting- guess the only times cartoons did save him.]

[Then you have Beebs, or Bulldog Browns is the first name given. I always look back at this shot for Beebs. Because even before EP 4, we’re told he’s a threat- which is odd as before EP 4, we’re really only shown a more chill side of Beebs. I know in EP 3 though, we are given a taste of how Beebs could potentially be dangerous, or well, he has a limit. Even so, EP 4 is when we really start to get a taste of how much of a threat Beebs could be. Not just from what we saw from Ajax too and what Ricket said, how Beeb’s kinds can be “a lot,” but how Beebs can haul weight around with no problem. Opening closed doors with his own strength and like Ajax, has his eyes light up red as well when he is frustrated. So the 9/10 threat makes a lot of sense now. I remember when I first saw that, I was a bit surprised? He doesn’t seem like the type who would hurt a fly? Now seeing EP 4, makes you wonder how much he can handle before he loses it? Its clear though, that Beebs is seen as a threat, not just species alone, but also seems to taken more seriously compared to Shrike, he is set up in the team to be the “straight man,” the middle guy, really the one to well, solve all the problems. Even in his little description, it says that you might have an easier time with Beebs if you take out Shrike, who really is not. Taken seriously.

Also Shrike being 6”3’ and Beebs being 8”11’? I love ridiculous heights for characters. These two are tall, man- even Shrike who appears “short” compared to others.

I’m not much of a theorist or type to create headcanons, I just really like talking about what I love about a series. And what I love about this shot? The set up. We’re introduced to the characters, a glimpse about them and watch the development, and the overall plot itself.

I’m just a rambler, but hope you enjoy.]

[girlsounnerving]

Shauna and Melissa on my mind here’s my quick take (or theory i suppose) now that we’re about to see lots more of Melissa

As much as im delighted and surprised by the end of S3E2, I do not think there is going to be much romance between the two considering how mentally unstable and vicious Shauna is, and how I think the power dynamic is going to play out between Shauna and Melissa. They both have something to gain from being ‘together’, and while i think Melissa probably does actually like Shauna (just look at her she’s a dyke), it’s still very transactional because they are insane teenage girls in the wilderness.

What does Melissa have to gain? Melissa was previously unnoticed. Not present in s1 and barely heard from in s2, Melissa was a JV player and not at all close with the Varsity soccer team, which consists of the ‘main girls’ so to speak.

“The group dynamic changes, because girls who were formerly keeping to themselves are making their presence more known” — Jasmin Savoy Brown (‘Inside Yellowjackets Season 3’)

In the new dynamic established in spring where we see more of the JV girls being treated as teammates rather than side characters, there comes an opportunity for a new power struggle. In this, Shauna is not trifled with despite her lack of respect for Nat’s authority which everyone else seems to follow, making Shauna valuable to stand alongside for Melissa, who may not align herself to Nat or Lottie’s beliefs, as Melissa was one of the last to start following Lottie’s influence (around s2 ep 6 or 7 I think, in the wake of Shauna’s stillborn baby- I could be wrong though).

When Melissa says “Do you feel that right now? That’s fucking power” in ‘Inside Yellowjackets Season 3’, I believe that’s Melissa egging on Shauna’s influence and behaviour. Melissa will be an enabler, someone in Shauna’s corner who campaigns for her and also uses it as an excuse to rise with her into the ranks of leadership that Nat, Tai (and Van), and Lottie (though Lottie doesnt seem to be actively pursing it, she did pawn off her control to Nat) seem to have broken or are in the process of getting into.

What’s in it for Shauna? Not only is Shauna extremely emotionally unstable after the death of her best friend and baby, Sophie Nélisse also said about Shauna in a Deadline interview,

“[…] I think Shauna is so in shame of what she’s done. I think she has no love for herself and no empathy for herself. And so, you can’t love other people until you love yourself, and so I don’t think she’ll be able to give Melissa what she wants in return. And I think, on the contrary, she’ll just see her as another pawn on her chessboard to play with.”

Going off the fact that presumably Shauna is going to try to break into a role of more power and influence, either because Melissa is advocating for her or because she finally feels she has the means to do so, this ‘relationship’ will probably have little to do with romance for Shauna, and more about manipulating people and gaining numbers. What might be a ruthless rise to power and disposal of those who love her comes from the fact that Shauna has nothing to lose, and hates herself too much to let anyone actually love her in any way that matters, much less love someone in return, as Sophie Nélisse highlighted in the interview.

Also, somehow, this will be tied to Jackie. I have literally no proof but just look at Shauna. She’s sucking the soul out of another blonde. Anyway that’s all from me this is like half a thought that I managed to get down but its heavy on my mind this show is so good ugh

[smok3r7]

They Always Come Back

Aaron Hotchner x f!reader

Explicit, 18+

Can It Work?

Main Masterlist & Series Masterlist - My AO3

Summary: You and Aaron met in college, Criminology Major, funny enough. Throughout your five years at George Washington College, you and Hotchner had this on and off again relationship; it was all fun until you started to realize that you loved him. After graduation the two of you cut ties and left it as dumb college love, going your separate ways. After a decade you finally land your dream job, a seat at the BAU; however when you notice the name copied on the email, you can’t believe your eyes.

Chapter Summary: Your first case doesn’t go as planned or at least not how you wanted it to go. Are you fit for this?

Word count: 4.3k

Season 8, Ep. 8 “The Wheels on the Bus” is incorporated in this chapter, I hope you guys enjoy, I had a fun time with this one<3

—

As you sit in the black leather office chair, staring at Aaron with pure intentions, your hands grip the armrests tightly to conceal their shaking. The cold air in the room makes you shiver, but you will not let him see your vulnerability. Aaron's piercing gaze meets yours, and you feel the nerves inside you threatening to unravel.

You take a deep breath, steadying yourself, pleading your facade will hold. Despite the icy chill running through your veins, a fire burns within you, a fierce determination to face whatever challenge lies ahead. You square your shoulders, meeting Aaron's gaze head-on, a silent battle of yearning unraveling between you.

You refuse to let fear control you or take over, ready to confront whatever obstacles you’ll face.

But when Aaron's gaze wanders from your eyes to the glinting gold chain peeking out from beneath your button-up shirt, a rush of anticipation courses through you. With bated breath, you observe the subtle shift in his demeanor as his pupils dilate upon catching sight of the golden heart pendant that he gave you so many years ago.

In that moment, a strong sense of satisfaction wraps around you, knowing that he has noticed the intimate piece of jewelry nestled against your skin. You can almost feel the invisible thread of connection tightening between you, a silent acknowledgement passing between the stares to one another.

"So how've ya been?" you ask into the cold office.

He takes a moment before replying, moving his amber orbs back to yours, "I’ve been fine, just trying to stay on top of everything. You?"

You're hesitant to tell Aaron, so you give a quick response. "I've been busy, but good." Despite the smile on your face, Aaron senses something off. He looks at you intently, waiting for more. You can feel the weight of your secret pressing on your chest, threatening to spill out at any moment. But you push it down, putting on the facade of normalcy.

The truth is, things have been far from good. You've been struggling with something that you're not ready to share yet. There are just some things that shouldn’t be shared immediately, and the fact that you still have feelings for him, is one of them. But you almost feel compelled to tell him, but the need to keep this job fights that feeling.

"We can’t let…whatever this is-” You point your finger to yourself, back to him, and to yourself again, “Get in between the job. It just can’t.” You express it mainly to Aaron but also as a reminder to yourself. “People are counting on us to help them and their community. Our problems are minuscule to theirs.”

Aaron nods in agreement, his determination matching yours. "I agree," he nods, "We both can be professional, right? As long as that happens, you will be a perfect fit to the team."

“I can keep things professional. It’s my forte,” you chime as you stand up and soothe your button up. “It was nice to meet you, Aaron Hotchner.” You figure this is a chance for you both to start over again, you reach your hand over his desk, waiting for him in return. The unexpected warmth in his smile caught you off guard as he reciprocated your handshake.

“It’s nice to meet you, dear.” In that moment, the icy facade of Aaron Hotchner melts away, revealing a glimpse of the person behind the stern exterior. The person who once used to be your person. The person who you used to love.

As you walk out of his office, you can’t shake the feeling that something is going to happen. And little did you know - this encounter marks the beginning of an unexpected connection that unfolds in the weeks to come.

—

“Abducting a bus, a form of transportation, gas masks, shock collars, dividing people into teams. This sounds a lot like Gods of Combat." Rossi announces, but the room stares at him in pure disbelief that the older Italian man knows something about video games. “This is a video game.” He backs himself up, shrugging his shoulders just a bit.

“These guys are replicating a video game?” Derek asks, almost jokingly folding his arms in front of his broad chest as he leans against a desk.

Rossi nods his head and moves towards the big round table, pointing at crime scene photos, “In the game, you take over a form of public transportation. Subway, train, bus. That's how you get your players.”

“Wait a minute. You've played this game before?” You blurt out, you truly are taken aback by Rossi knowing so much about this so-called game. You lean back in the office chair and stretch your legs out in front of you, folding your arms against your chest.

“Well, I may have played it once or twice. But, with how similar it is… it seems like they definitely pre-selected these kids.” Rossi moves his eyes between the whole team.

“I’m sure they got all the kids' personal information from social media sites and they knew when the kids would be most vulnerable. And which bus route they’d be on.” JJ bounces her thoughts to everyone, with which you all agree.

“How do you win this game?” You and Hotch ask at the same time, even though you’re on opposite sides of the table. The whole room goes quiet and the awkward stares between you and Aaron begin, but you try to stay focused on Rossi who apparently knows it all.

You can’t help yourself from looking over to Aaron once more, you instantly see him looking at you but not at your face. You calmly raise your right hand to the golden heart that lays high on your chest. His eyes move off of you faster than the speed of light, almost too fast to catch, but you do.

You’ve caught him staring at it a dozen times since the first day you saw him after so many years, it’s like he can’t stop because he can’t believe after a decade you still have it, let alone wear it.

Two peas in a pod, Derek mumbles to himself as he turns around and fills his second cup of coffee of the morning. You can’t help the small smirk that quickly appears, but you pull it down before too many people notice. But still playing with the small heart.

“Well… That’s why we gotta hurry up and find them. Because the player with the highest body count wins.”

Your stomach drops instantly. You weren’t expecting that information, because now if you are too late to find these kids, they could all end up dead. That responsibility alone, terrifying.

—

The FBI vest clings to your sweaty body as you carefully make your way through the dimly lit building. Your arms feel like stone and jello at the same time, the weight of responsibility heavy on your shoulders.

Despite the physical strain, your mind remains sharp and focused. You have a mission to accomplish - to save the innocent children trapped in this nightmare.

As you navigate through the dark abandoned corridors, you hear faint cries echoing in the distance, urging you to move faster. These kids don’t deserve the horrors that await them.

With each step, you draw closer to the source of the cries, and your heart pounds in anticipation. You prepare yourself for what lay ahead, ready to confront whatever challenges stood in the way of rescuing the children and bringing them to safety.

Continuing to navigate the dark abandoned factory with your team, you can feel the adrenaline coursing through your veins, with Derek leading the way and Aaron covering the rear.

Your heart races as you watch Derek check a hallway to his left, prompting you to swiftly move towards the doorway on the right. With your gun raised, you enter the room and release a silent breath as you find it empty. The tension is high as you three press on, each step echoing in the empty space.

“Just shut up!” Echoes through the cement hallways, in the direction Derek’s heading towards. The three of you quicken your pace, still checking rooms that appear here and there. The arguing becomes louder and louder, until Derek tells you and Hotch to stop along the wall while he slowly moves into the open room, where you can only assume are the unsubs.

“FBI, drop your weapon!” he yells out, “I’m SSA Derek Morgan, I'm here to help you.” You glance at Hotch to make sure he’s thinking the same thing as you. Which he must because he nods once, allowing you to slowly follow Morgan and he follows you.

As the tension hangs in the air, you announce your credentials and last name, followed by Hotch doing the same. The three of you spread out cautiously, not wanting to startle the unsub and trigger a dangerous or harmful reaction. A group of a dozen or more kids are behind a chain link fence with a padlock on the door portion, and two of them have dog shock collars on.

Each step you take feels deliberate, every movement calculated to maintain control of the situation. But from the look of things, you can tell this isn’t going to go smoothly. Your gut instinct is in overtime.

Knowing that one wrong move could escalate the already precarious situation. The stakes are high, and as you brace yourself for whatever might unfold, the weight of the moment is nearly suffocating. But yet, you are calm, cool, and collected.

The brown haired boy looks no older than seventeen, this must be the younger brother, the least dangerous of the two. “C’mon kid, we don’t wanna hurt you,” you firmly plead with him, his gun still aimed at Morgan but his eyes on you. You’re not sure what convinces him to do it, but he lowers the gun to the ground and puts his hands behind his head.

Go, Hotch tells Derek to cuff the kid. But before he gets to the seventeen year old, his older brother comes around the corner with his gun aimed directly at you. Instinctively, you shoot, hitting him dead center in his chest.

A deafening shot echoes in the narrow space. Shock and disbelief mingles with the smell of gunpowder as the reality of the irreversible act sinks in. You watch as the dark brown haired man hits the wall behind him and quickly sinks down to the dirty cold floor, motionless.

You stand frozen in disbelief, a faint screaming from the kids going in one ear and out the other. Your hands tremble, but your grip on the gun remains steady, pointed at the fallen figure before you. In that moment, time seems to stand still as the weight of what you just did settles in. It wasn't just any man you had shot – it was the slick unsub you had been hunting down for days.

The gravity of the situation hits you like a ton of bricks. Your first case on the job, and you have taken a life. The scenes of your own life play out in your mind, a blur of memories and emotions. If you hadn’t taken action, you would be the one on the floor…not him.

You acted on pure instinct, driven by adrenaline and the need to protect the victims, your team, and yourself. But now, as you stare down at the consequences of your actions, you know that this moment will change you.

“A-are you okay?” Aaron’s voice is faint as he asks repeatedly, which shakes you awake from your panic. His right hand on the top of your gun, where your fingers are still tightly wrapped around the handle. You let him take it from your hands, but you still stand there motionless as you stare at the body no more than five feet away from you.

“I will be.”

—

As the sun sets over the horizon, creating this painting-like sky with the brightest oranges and pinks melting into each other, Emily and Derek sit across from you at the jet table, waiting to hear your thoughts about the job. You take a deep breath, trying to gather the many thoughts you have as you begin to debrief them.

You tell them about the adrenaline rush of cracking the case, the satisfaction of bringing justice to the victims. But you also fired your weapon for the first time and ended up killing him, and even though he was your unsub and an evil person - you still took a life.

You’re battling inside if you want to share these thoughts, but this is the time to be truthful about how you’re dealing with something so heavy. It’s the moment you have to decide if this job works for you or not, because if it doesn’t then you have to move on to something else for work, which is okay to do.

“I think I’m just… Still in shock? I’m not sure…” You state but it comes out as more of a question than anything. “I know this guy was the worst, but having to kill him still doesn’t sit right with me.” Leaning back just enough in your seat where your lower back releases some tension in your sore body, “But at the same time… It- it does.”

Morgan and Emily both chuckle to themselves, but in a sympathetic rather than mocking manner. “You may feel that way for a while, or a little bit. First time, it took me two days to get back to myself again. I just didn’t feel real or good about myself, I guess, is the best way to explain it,” Emily truthfully tells you, taking a sip of water to follow as she glances to her right, where Morgan sits.

“It took me a day, but that day felt like months. I almost didn’t come to work the next day… But when I woke up, I told myself that it was me or him. I ultimately had to do it.” Morgan admits, “That’s all you can do.”

You give a forced smile as you play with your fingers and he stands up with his headphones and phone in hand as he moves towards the long couch behind you. But before he passes you, he gently lays his hand on your shoulder. Take your time, he sincerely tells you.

It finally hits you, the importance of having a team that truly cares about each other can make all the difference in the world. Emily and Morgan's unwavering support is your anchor in this weird time in your life.

However, a part of you yearns for Aaron's reassuring presence; his comforting words and warm embrace are sorely missed. A simple, I’m glad you’re safe, would bring you back to solid ground immediately.

—

“Can we talk?”

As you reach your desk the voice you’ve been wanting to hear so bad, finally it’s here. Even though you just wanna go home and escape from this nightmare of a case, you weren’t going to pass up the opportunity of being with Aaron.

“I’ll meet you in your office, gotta use the ladies room.”

Aaron nods his head and turns back towards his office, speaking with Morgan about something, it turns to mumbles as you get farther. As you walk down the hallway towards the bathrooms, you hear the distant sounds of chatter and laughter from the bustling office. You’re surprised how many people are still at work, considering it’s close to midnight.

You quicken your pace, eager to get back to Aaron's office. As you enter the empty corporate bathroom, you take a deep breath and try to calm your racing thoughts.

I’m okay. I’m okay. I’m okay.

After a few moments of deep breathing and building yourself up, you splash some water on your face and stare at your reflection in the mirror. Everything from these past few days replay in your mind, each detail vivid and haunting. Sticking to you like leather seats on a hot day, ripping your skin. You shake your head, willing yourself to focus on one thing at a time.

With a determined look, you straighten your shoulders and head back towards Aaron's office. Quantico may never sleep, but neither do you when there’s work to be done - since you fired your weapon, paperwork is necessary.

On your way back to his office you spot Reid, Emily, and JJ waiting for the elevator, looking ready to go home and sleep. I wish that was me.

JJ calls you over with her arms open, waiting for you. Your face warm with a smile, you go to her and welcome her warm embrace that’s full of love and worry. Her motherly traits have become a huge part of JJ’s personality that it pours out of her at this point. And you’re glad she’s here.

“You’ll be okay.”

“Thank you… You guys get some sleep.” You tell them, wanting to say you’ll see them tomorrow, but you’re not sure if you will.

“You too,” Reid tells you with a small smile on his face, one you haven’t seen much of yet, but you’d like to.

The elevator dings and opens, you step back with a small wave as they walk in and return one to you as the metal doors close. Inhaling deeply, you start your journey back to his office over again with the only intent to listen.

“What’re you still doin’ here?” you question Derek, who’s at his desk busy with what looks to be paperwork of some kind.

“Gotta tell the director it was a good shooting,” he responds, putting his pen down on his desk, he takes in the sight of you standing across from him for a moment, “You’re doin’ well, I can tell you’ll be a good part of the team already.”

You smile and tell him thank you, and to have a good night, which he reciprocates with a playful wink. You like Derek a lot, he’s a great guy all around and he can lighten the mood quickly when things get too serious or he asks the hard questions - the ones that need to be asked.

Walking to what almost feels like the lion's den, you’re nervous. Even though you trust this man with your life, it’s impressive and intimidating he made it as far as the Unit Chief. The relationship now being a boss and employee one, it scares you just enough - your career is in the palm of his hands, he can do whatever he wants.

Without really preparing yourself you knock on the door that’s slightly ajar, come in, and you do without a second thought. Swiftly taking a seat in the same black leather chair as when you first joined the team. You swear you see Aaron wipe his eyes so the tears won’t show, but you don’t say anything.

"I'm sorry you had to do that today," Aaron confesses with a tone you haven’t heard in forever, his amber eyes filled with regret and worry. "I should've been on top of it, that's my fault." His words hang heavy in the air, laden with genuine remorse.

You can see that he means every word he's telling you as he reaches out to comfort you and make sure you’re dealing with this situation the best you can. As you look into his sincere eyes, a wave of gratitude washes over you, knowing that his support is unwavering and is still in him.

Even after a decade, this man still looks out for you and honestly, really cares about you and your well-being. That’s something you don’t find too often anymore… A bond like this one is sacred and holds a lot of meaning

“Don’t be… I had to learn one way or another,” you naturally bicker back, “So now it’s done and out the way.” Shrugging your shoulders, but your right leg bounces rapidly from your anxiety of today. It’s starting to catch up to you and you’re not the only one to notice it.

Aaron doesn’t need to move his eyes to know what’s going on, he just knows. “Well, I’m gonna do your paperwork for you because you need to get home and sleep.” He leans forward with his hands folded together on his desk full of papers and folders. You try to protest but he’s not having any of it, he barks your name to stop your rambling protests - which works like always.

He stands up and moves to your right side, putting his hand out in front of you for you to take. You hesitantly place your hand in his, feeling a jolt of electricity run through you as he gently pulls you up from the seat. As you rise to your feet, there's an undeniable spark between the two of you, like there was back in college.

In that moment, time seems to stand still as you both lock eyes, a silent understanding passing between you. And in that fleeting moment, you kiss him passionately, like you’ve been wanting to since you first laid eyes on him. Your hands naturally find their place on the back of his head, lightly scratching his scalp with your nails.

Aarons body reacting like yours; his hands finding their home on your hips and his tongue gliding its way to yours, itching to take over. It seems like he missed you just as much as you missed him, which you thought was virtually impossible.

But just like that, you stop. What am I doing? He’s my boss…I can’t be doin’ this. What the fuck?

You pull away hesitantly, Aaron sighing but doing the same as he takes one step backwards to give you space. At least he understands, even without words yet again. You open your mouth to say that you’re sorry and that you should’ve known better, but nothing comes out - practically speechless.

As Aaron's voice whispers, "Goodnight," the office feels heavy with unspoken emotions. His words are filled with both sincerity and sorrow, a reflection of the lingering sadness in his heart. You hesitate to walk away, feeling the weight of his feelings and the depth of his longing. It was clear that he struggled to hold back his emotions, for he had missed you the same as you did him.

Before leaving, you give him a smile you haven’t made since that last year in college and you know that he recognizes it. In that moment, you realized the depth of his feelings and the strength of his unspoken love. And as you leave his office, a mix of emotions wash over you, leaving you both yearning for a connection that seemed just out of reach.

—

As you sit in the comfort of your home, a couple hours after you got home and showered as much of the scum off of you as you could, and you still feel sick. Now you’re wrapped up in a soft blanket while Golden Girls plays on your tv in front of you, and a bottle of vodka that you take shots of here and there.

The weight of the case crushes down on you, just as Emily and Morgan had warned.

The image of the kids behind the fence, some with shock collars on, and the man slumped on the ground from your gun burns your retinas, you can’t escape it. The tears finally flow freely, a release long overdue. Something you haven’t been able to do and you thought you wouldn’t, but you are.

The first night back is always the toughest, Emily’s voice reminds you that this is normal, the silence echoing the chaos left behind.

The weight of the case you carry is supposed to hit you hard in the beginning - a reminder that you're only human. But you can’t grasp the idea of being able to kill a person without a second thought… Even though your life and others were in danger, it still seems invalid.

Setting down the glass bottle on the floor, you lay on your side with tears pooling on your pillow. The images on tv are all a blur, you can only hear the sounds of Dorthy and Sophia bickering about Stan. Your stomach twisting itself inside out and back again, your temples pounding, and your heart confused.

For multiple reasons.

Your brain flips from the indescribable memories from the case, to the unforgettable memories with Aaron in his office. The two things couldn’t be more different, it’s like comparing apples to bananas, it just can’t be done.

Emotions swirl within you, trying to find their place in the chaos. It’s hard to distinguish the good feelings from the bad ones right now, the line between them blurred by the weight of the situations. It feels like you should be more upset, more focused on the bad, but somewhere deep inside, a small spark of hope refuses to be extinguished.

As you lay your head down, exhaustion seeping through your bones, fighting the liquor that runs through your blood, a glimmer of hope flickers within you. Despite the battle within, you hold on to that fragile shard of optimism.

Maybe there can be a fix to the wound you have from him, maybe not. But what you do know is this; You are fit for this job and you will continue to be a part of the BAU.

[mgrover]

Ok I said I was going to so i will:

(TLDR i counted a definite 10 episodes but with a maybe on another 5 my math shown below the cut)

To begin with episodes that will be on the regular stage:

First the obvious:

Brennan, Katie and Iffy with what appear to be house crest banners, though there is a shot without them so might not be the main concept

A modded main set with Rekha Jordan and Trapp this is the same episode as peeling Paul based on clothes

Anna, Jeremy and Oscar with some game with jumpsuits with no podiums, maybe rules they have to follow? Theres a big wheel for this

Now those that I think are a bit of a stretch but I'm 90% sure I'm right:

Vic Lou and Jacob maybe a Sam says game samer? but they did a different cast last time they replayed this

now you say Lou isn't in this image? ah well that is where my stretching comes from. Here is Vic obviously same ep, please note the arm and sleeve in the right of the frame:

and then this clip of lou:

That looks like the same vest also this ep seems to be based around dressing up and we have this of lou riping his shirt off:

Next Zac Ally and Unknown third player:

This is ally note shirt on right

Same shirt:

Now based on the amount of stage hands(?) I think these are the same ep with Demi and Ele

Ok moving to new sets:

We don't have a set really but I think it's safe that these are the same ep.

Team 1: Grant, Katie, Iffy, Izzy and Erika

Team 2: BDG, Jiavanni, Rekha, Becca and I think Tao

Not sure on tao but i feel kinda safe saying it based on this image that I think is the same ep:

Next Jacob, Kimia and Jeremy on what I assume is who wants to be a millionaire, not sure if I should know the others:

Then another big cast Persephone, Rekha, Erika, Izzy, Angela(smosh), Jiavanni, Angela, Ele, Becca and Lily. Wild speculation minute to win it? They're playing human knot but they also all have flasks? Really don't know, the second shot has a good view of faces. Seems to be the same set as the last ep:

Another cast over 3, Ally, Aabria Vic and Demi seem to be the contestants based on podiums but there are a lot of people in these shots including Zach and Keith (try guys), Raph, Chris grace

Now on to uncategorized stuff:

There are also 2 comedians I should probably know the names of but don't probably will be their own ep based on the audience but might not:

Then Santa same curtain as last image:

Got a judging panel with Jordan and Demi same new set area as this part of sam leaving:

Jacob Screaming at a marching band probably in one of the other eps he's in:

lisa gilroy maybe the third in Zac and Ally's game? Jukebox is a cool set piece though so maybe separate

And finally Ren faire with Jiavanni, Jeremy, anna and someone who I think I should know the name of cause I recognize him but can't find the dropout property he is in feels like it is it's own ep cause I don't recognize the cast as from another ep but also this is so many episodes:

[twig-tea]

It is such a wild time to be watching QL, there is SO MUCH every day. And a lot of it is really good?!

Today I watched EIGHT different shows, and of them, I was really happy with the episode for all but one. Here are a few words about the ones I had a good time with today:

Addicted Heroin Thailand crossed the first hurdle of adaptation by including the kidnapping scene. Looks like they're continuing to stay true to the source. I appreciated that this scene in particular retained the emotional core while toning down the SA threat (though Hero's desire is still very much present). This is a solid adaptation so far!

Reverse 4 U is using the powers so well, and I am loving the sister relationship, especially how they tease one another around their powers. It's also building to the relationship turn between Four and Wa in a believable way, which I'm really enjoying.

Peaceful Property is delightful and as @lurkingshan already articulated so well, I love what is being set up re: inequality. Plus this show is just so funny! it's balancing these two threads really well and doing a good job maintaining the haunting-of-the-week energy so far.

Love is like a poison had an incredible first episode, I love the effects and cutaways in this show, and the way it is making fun of its protagonist is so much fun. Ryoma is a dork with main character syndrome and I am obsessed with him. Curious how they're going to turn around this setup into a romance!

I Saw You In My Dream was a baller episode, @my-rose-tinted-glasses wrote about how great it is to see a conversation like this between friends as well as between lovers; all of the conversations in this episode were good (between both couples, between the besties, and between the parents). I really appreciate how, as many folks have said, everyone in a relationship in this episode wants to have sex, and the barriers to having sex are real and discussed openly. Big fan of everything in this ep. We've really departed from the dreams, which I think we need to get back to, but this ep was worth the deviation.

The On1y One continues to be incredible; Thank you in particular to Faiza (@usertoxicyaoi) who has been giffing like mad to capture every important conversation in this episode which was so many of them. The one about moving to the dorms together made me misty fr. I love when youths who did not get a chance to have a childhood get to blow bubbles.

Unlock Your Love also started today, I really enjoyed the very pulpy and trope-filled previous show this team put together (Lucky My Love) so I've been excited for this. We have a workplace GL filled with canon bisexuals, a grumpy/sunshine dynamic with a history from college, and a playgirl. I'm so seated.

I don't usually do a roundup post like this but it just hit me how much good television I got to watch today, and how rare it is that I have this good a time with almost everything I'm watching, and I needed to capture the moment.

Tomorrow, all 6 episodes of A Time of Fever drop on iQIYI, as well as How to Make a Million Before Grandma Dies on Netflix, and that's in addition to the episodes of The Onl1y one, The Two of Us, Monster Next Door, Twilight Out of Focus, and probably Seoul Blues that will be dropping too.

I'm really having trouble keeping up with everything airing, everything I want to write about it, and everything being said about the shows on tumblr. It's the best possible problem to have!

[roseypwark]

Eight | PD-nim

ENHYPEN Eighth Member : 지유 JIYU / 지유나 Ji Yuna

Table of Contents

//

Spring brings Yuna’s squirrel back to its regular route in the school courtyard. Though, she is unable to see him recently on account of spring also bringing Enhypen’s first comeback and Yuna’s continued apprenticeship in record production.

“Ooh, Jiyu-PD—PD-nim!” Jake cheers when he enters the recording booth.

Hyowon laughs from the couch against the back wall. He gave up his seat at the mixing desk to Yuna just a few minutes before; she’ll be leading the recording session for “Not For Sale,” which is something she has never done before.

She’s produced some of her own, never-to-be-released songs but those were all solo pieces recorded alone. Never has she been given the reigns on an actual production session. Never has she been given lead producer credit on a song as she will with this.

No pressure.

“Do you need to warm up?” Yuna asks.

“I’m good.”

“From the beginning, then? Do you need to listen to the guide?”

“Just to hear your lovely voice, Jjyu.”

“Okay.”

“I was—never mind.”

Yuna recorded the demo for “Not For Sale” after school a couple months ago. The track had been sitting in her laptop for longer than that but the lyrics came to her in the middle of math class one day. She knew she wouldn’t be able to sleep with it all muddled up in her head.

Still in her school uniform, she infiltrated Hyowon’s studio and recorded the demo in three takes. Jungwon, who had planned to walk home with her before inspiration changed her plans, watched open-mouthed on the same couch Hyowon is currently sitting on.

When they finally got back to the dorm—together, despite Yuna telling him he could go on without her—Jungwon spent all dinner talking about how amazing it was to see her record a demo. Yuna didn’t think it was much of anything; she did it all the time, just never in front of the boys.

Then, all the boys wanted to see her make music. Some (mainly Heeseung) whined that it wasn’t fair Jungwon got to see it and that they (that Heeseung, specifically) didn’t get to. Then, to get them to stop, she said she’d been given the green light to direct the recording of one of their upcoming tracks.

(She didn’t know at the time that it would be the track she recorded that same day. The production team was impressed with the track when it eventually made their way around to them and it was picked to be pursued as a part of the group’s second EP.)

Today, it’s D-Day and Yuna has been wound up from the boys’ nonstop chatter about her temporary appointment as recording director. They kept saying she’ll do amazing. They’re so excited to have one of their own in the director’s chair. She’s moving up in the world. She’ll become a legendary producer-idol to be in awe of. And on and on.

Yuna was sure she would throw up this morning. She could barely sleep last night. She’s never done this before. She’s seen Hyowon and others do it. She could still mess up. She knows how she wants the song to sound. But she’s never been good at speaking.

What if she can’t direct her members well enough? What if she’s not as good at this as they think she’ll be? What if they realize they don’t want her to make music for their group? What if the song turns out horrible and it gets scrapped and she’ll never be given another chance to be a producer? What if she never gets to make music again?

Logically, this is her first run at being the main producer of a song. Hyowon’s patience with her is unyielding; surely, a poor performance review won’t break the status quo. Even if the recording session goes to crap, the song can be salvaged by an actual producer. She still wrote the song. She’ll get another chance.

But if she can’t do it now, will she ever be capable?

Jake’s part in the first verse comes and goes in the demo. Yuna stops the music.

“Ready?” she asks.

“Yes, ma’am.”

Why is he talking formally? Is he making a joke? Probably. “Okay, from ‘feeling for the first,’ please. From the top. Yes.“

Yuna searches for a moment then finds the right button to start the track and recording.

//

Yuna is two months an adult when she officially becomes one of Enhypen’s main producers. Over the last three or so years, she’s been making more songs than ever. Not just for her own group; she’s given songs to several other HYBE groups and helped produce many of them to completion. She even collaborated with Vernon on a single at the beginning of the year.

Where her group members have had solo promotions, Yuna has been busy pursuing her solo career as a producer. She’s been popping up more and more regularly in album credits all over HYBE Labels, always most prominently for her own group, of course.

After three years of dealing with her boys in a professional setting, Yuna is no longer unsure of herself. She knows how to handle them in the booth and they trust her to direct them to a good result. She can be short and to the point and they don’t take offense.

“You did it the same. Change the vowel. Open it. You sound strained. Again.”

Yuna doesn’t wait for a response. Jake had his chance to express an opinion four takes ago. Now, Yuna is coaching him through the basics of mixing his head and chest voice like he’s still a rookie and not recording for their second full album nearly four years into their careers.

He still doesn’t get it right the fifth time since Yuna’s initial feedback. Counting what came before, they’ve been at this single line for twenty minutes, now.

Yuna doesn’t get angry. She doesn’t get frustrated. (She does but she just doesn’t show it. She’s good at not showing her emotions, still.)

She calmly tells Jake to, “Take five. We’ll move on if you still can’t get it.”

Because it’s just her and a few other members lounging around behind her in the studio, Jake curses. “Why didn’t they just give this line to you? You’re better at these weird note riff things.”

“I’m getting no lines this comeback. We all know why. And it’s boring to make Heeseung do all the work.”

“You just like making us suffer,” Jake mutters, just enough to be picked up by the mic as he turns away to get his water bottle.

“It’s entertaining,” she says, deadpan.

Riki snorts from behind her.

Yuna doesn’t know why he’s still here. Sunoo and Jay, yes. They’ve still got recording to do. But Riki was done an hour ago yet is still hanging around in the other chair at the mixing desk, on his phone and mostly silent.

“You know you’re done, right? You can go,” she says to him.

Riki shrugs. “I have nothing else to do.”

Yuna drops it. She doesn’t mind his company. She never has. Even when they just sit in silence for hours at a time, Yuna doesn’t mind Riki’s company. That’s why they’re best friends, he says. Yuna doesn’t have an argument; Riki is the only best friend she’s ever had. He’s probably had several before, so he’s the expert.

When they reconvene, Jake gets a few good takes of the line that was causing so many problems. He finishes the rest of his recording, then Jay, then Sunoo. Yuna dismisses the lattermost from the studio with a job well done.

“Are you not coming home with me?” Sunoo asks while getting his bag.

“I’ve got work to do.“

“It’s late.”

Yuna checks her phone. 10:15. “It’s fine.“

Sunoo sighs. “You become an adult and now you burn the midnight oil every single night. Have you been sleeping enough? We need to invoke a 10 o’clock curfew for you again.”

“You can try.”

Sunoo laughs. “Get home safe, then. Riki, you’ll stay with her, won’t you?”

“Until I get bored.”

Sunoo scoffs. At what, Yuna’s not entirely sure but she’s not paying attention, already zoned back in. She’s got work to do while they’re still in Korea before the next part of tour. It’s past midnight by the time she’s done editing and arranging everything she wants done tonight.

Riki slumps lower and lower in the spare desk chair before moving to the couch. He’s asleep on his back, phone on his chest when she spins her chair around. He wakes when Yuna shakes her bag while putting her laptop away.

He rubs at his face. “Are you done?”

“Mm.”

“Took you long enough.”

“You’re more than welcome to leave when I dismiss you next time.”

“Oh, when you ‘dismiss’ me?”

“Mm.”

“I’ll be sure to get out of your hair at your earliest convenience next time, ma’am. My apologies.”

“See that you do,” she says, monotonous but Riki laughs, knows she’s joking.

In the elevator down, he asks, “When do you get your own studio?”

“July. During the break in tour.”

“During promotions?”

“Mm.”

“Do you have a name yet?”

Yuna has thought long and hard about what to call her personal studio. It will need a name in order to be given credit when songs are made therein, which many will be. After literally years of thought, she still comes up blank. Nothing feels right.

“I’ll take that as a no.”

She hasn’t responded, lost in thought. “No, I’ve not come up with anything.”

“You’ll figure it out. You always do,” Riki says, quickly casual like he believes it without a thought.

There’s a car waiting to take them back to the dorm once they get to the garage. They sit in the backseat together.

Riki leans over to show her something on his phone after a couple minutes. His shoulder touches her arm. He’s close enough that if she wanted to, she could rest her cheek against his head.

Riki sits back on his side once she gives a nose exhale at the meme he’s showing her. They ride in silence back to the dorm, thank their driver, and split ways once they reach the floor their dorms are on.

“Goodnight,” Riki says.

“Mm.”

It’s not the first time Yuna has felt a tug to say something more. She wants to linger. Yuna doesn’t linger. She’s exact and efficient and is not a people person. Yet, she wishes, not for the first time, that she and Riki lived in the same dorm.

They enter different apartments and Yuna doesn’t get to see him for the rest of the night. She stays up for a while longer, working in her room instead of in the studio, pretending like she doesn’t miss him even though they’ll only be apart until practice the next day.

//

<<< PREV // NEXT >>>

Tag list: @pjselee @sumzysworld @aespie

[soundwavereporting]

So you've heard Earthspark Season 3 is pretty good

Or maybe you just want to see the small screen's post-IDW take on Everyone's Favorite War Criminal (I'm not judging) but you heard season 2 is a hot mess.

Fear not! Under the cut, I present the cliffnotes of season two, so you can easily go into season three without having to watch season two! (or even season one, I guess, because I'm an overachiever)

Season Two Cliffnotes:

Decepticons are bad again. Starscream is in charge.

Something (I forget what tbh) creates 'chaos energy' and 'chaos terrans' which are terrans, but 'born bad'. They're named Aftermath and I forget the other one, but she's essentially Twitch's evil twin.

At a carnival, Mo, and the Terrans (I think all of them? idk it doesn't matter) get caught up in the nonsense of a guy named Fairmaestro. The big twist is Fairmaestro's super cool UFO space carnival ride is actually Cosmos! He fucks off into space at the end of the ep. Meanwhile Robbie meets a girl named Izzy and has a crush.

The Decepticons have also decided fucking off into space is a good idea (they want to go back to Cybertron. I forget why the Autobots don't want to), except Starscream wants to kill Megatron and OP or something, I don't remember, so they don't. Or they might've been trying to get control of a space bridge?

Mo and Thrash (I think? Definitely Mo though) meet a Quintesson.

Starscream does Stuff and raises a Titan named Terrortronus who lives under Witwicky (I think), and is powered with chaos energy. (see above), which ends up draining Aftermath & Twitch's Evil Twin of energy. Starscream also gets something called the Cyberslayer (I think) that can kill cybertronians. But also bring them back?

The kids and the Terrans realize they can 'sync', which means they turn into a combiner ship thing or something and create a dome around Terrortronus and part of Witwicky, which results in all the Decepticons being contained. Because Starscream is stuck inside Terrortronus, Shockwave takes over the Decepticons, whose goals are now to 1) escape 2) fuck off to Cybertron.

Season 1 Cliffnotes:

First, I really recommend watching season 1! It's very fun and stands on its own.

Robbie and Mo (siblings) find the Emberstone and get these cool cybersleeves, which allow them to feel each other's emotions. Finding the Emberstone also brings about the creation of two new bots (Terrans) named Twitch and Thrash, who are Robbie and Mo's partners, respectively.

The kids' mom, Dot, fought in the war and is buddies with Megatron, who defected to the Autobots at some point. Their dad, Alex, is a college professor and a Bumblebee stan.

Transformers/Cybertronians are known to humanity and there's even a comic series about them!

The Autobots & Megatron are working for a secretive organization called G.H.O.S.T. (I forget what it stands for). G.H.O.S.T. has lots of secret bases and whatever. Agent Schloder works for G.H.O.S.T. and is also a Bumblebee stan.

Bumblebee and Breakdown are umm "brothers"

In the midseason finale (I think) Robbie and Mo end up creating three new Terrans: Hashtag, Nightshade, and Jawbreaker. Hashtag's whole thing is social media (obviously) and Nightshade is a nonbinary science prodigy who makes a whole secret base for the Maltos, Autobots, and Terrans. Jawbreaker is just kind of there for comic relief and/or secondhand embarrassment.

The main threat is a guy named Mandroid, who hates Cybertronians. G.H.O.S.T. eventually becomes a strong secondary antagonist.

Eventually the Autobots and Decepticons team up to take down Mandroid/G.H.O.S.T. These last two points aren't actually mentioned in season 3 but in the interest of full context, here you go.

F.A.Q.

Q: Um, I heard Tarantulas was in this show?

A: He's in Season 1 Episode 13, "Missed Connection". Unfortunately he doesn't show up again afterwards :( but he is in my heart, always.

Q: Soundwave ep? Is he divorced?

A: Watch Season 1 Episode 8 "Decoy" for all the answers.

Q: Is Wheeljack really yeehaw?

A: Yes. Laserbeak is ALSO yeehaw.

Q: Why don't the Autobots want to go back to Cybertron?

A: I honestly don't remember.

Q: Are you a Prowl stan? Is that why you made this post?

A: Per my blog description: "despite the title of my blog, i am actually a soundwave stan."

Unfortunately, Soundwave doesn't have enough screentime in this show (especially season 3) to justify a "Season 2 Cliffnotes so you can see Soundwave". Prowl is another favorite, though.

Q: Is Season 2 really that bad?

A: To be entirely honest, it killed my interest in transformers for the last five months! YMMV.

There. I've done it. Go enjoy Prowl.

[priyajoyy]

i would love!! to hear more about your ocs, specifically elena martinez and jeff sadecki's sister!! i love the idea of her being apart of a hunt, id love to hear more about that

Omg ofc ofccccc I love talking about my ocs <3

So the Jeff sadeki sister isn’t actually a proper oc it’s just an idea I had that I thought I would post as a face claim in case someone else wanted to steal it

These two look so insanely alike so my idea was that it was Jeff’s sister, who Shauna was with/in love with or something and is the reason she died

Or at least feels guilty for it even if she’s not the direct cause

And then, alike Jackie, goes on to haunt the narrative and follow her around in her adult life

And to make it all so much worse, she sees the woman she loved everyday in the form of her daughter

The daughter she already has her issues with, holding her at arms length after what happened to the oc, Jackie, and her wilderness baby

Her growing up to look just like Jeff’s sister only made it so so much worse

Now elena is deffo gonna be a proper oc for me

I’ve only just started coming up with stuff for her

But the general gist of her character is that she’s one of the younger girls from the flight

She’s technically good enough to be in the varsity team and her dad coach Martinez wants her to be, but her mum is concerned she’s too young and needs to focus on her studies (one of the many things the two adults argue about) so she’s on the junior varsity team

She’s besties with mari and robin who are like the little babies of the group (mari isn’t one of the younger girls she just acts like it lmao)

A lot of the girls baby her because they know her better than a lot of the other junior varsity girls and she’s obviously younger than them all

Robin is one of the love interests, as well as Lottie

I’m not 100% sure yet but I also think I wanna add in a little Natalie romance 🤭

Travis and her don’t get along brilliantly at the beginning of their time in the wilderness

She’s always been a golden girl with her dad and so she takes his death really hard and Travis, alike how he was with Javi, deals with that in a pretty difficult way

But after they’ve settled and especially everything with Javi happens, he gets very protective of her

Elena becomes really influenced by Lottie in the later months of them in the wilderness, following all her teachings and listening to her every word

In season 3 she’s one of the main people Lottie gives drugs to, taking her to the cave and nearly killing her one time when she passes out and cracks her head on the rocks

After this point Travis tries to put a stop to it, keeping the two apart and eventually, digging the pit

He plans to kill Lottie off for the greater good, the woman who’s stopping all their chances of going home, manipulated him and now, is killing his little sister

However Lottie doesn’t die

(Obviously there is some aspects we don’t know yet cause the eps aren’t out)

But eventually

Elena becomes the pit girl, Travis ultimately causing the death of his younger sister by building that pit

After they were rescued

Lottie and Travis both blame themselves for elenas death

She haunts them both till the days they die

Lottie try’s to make a sanctuary for herself and Elena, even if Elena wasn’t there to enjoy it. She would make a safe space for people like them

She feels protective of Travis because of Elena, like she has to help the man because of what she did to her

However the day he dies, she sees Elena in the barn (or warehouse type thing whatever the building they were in was) which distracts her, and lets Travis die

She also 100% sees Elena the night she dies too

[sonicboomrevisited]

I'll understand if you wanna keep those answers to yoursleves, but in case it's ok to ask, this question is for mama, Star, multi and everyone else who wanna answer.

Wich Sonic Boom episode is your favorite, wich one you find the funniest and wich one is your least favorite?

Reasons why would be appreciate but not nescessary

Three megafans with many thoughts = long post! Buckle up!

MULTI:

FAVORITE: A tie between "The Meteor" and "In the Midnight Hour". I'm a sucker for body swapping tropes. Hearing Roger Craig Smith and Mike Pollock take on each others roles was a lot of fun. The animation team also put in a lot of work to have them swap mannerisms such as Eggman reaching for a moustache he didn't have in Sonic's body or Sonic trying to run like himself in Eggman's. "In the Midnight Hour" was a solid Stick's centered episode with a really cool robot as the main antagonist. I love Dreamcaster's design. The mind control plot also helped inspire Robo-Sonic 1.0!

FUNNIEST: Probably "Alone Again, Unnaturally". There's specific scenes in other episodes that make me laugh harder, but this episode generally makes me smile throughout. Sonic being completely oblivious to why he's trapped out of phase and his "haunting" of Eggman's lair always cracks me up.

LEAST FAVORITE: Another tie, this time between "Counter-Productive" or "Knuck Knuck! Who's Here?" Both these episode base their plots around Knuckles just... being an idiot. I can't stand plots that are only motivated by characters being dumb, especially coming from someone that really shouldn't be. Charlie and his wife are fun villains, but I hate that I sympathize more with them than I do Knuckles when watching these episodes. I'm not laughing. I just feel bad for everyone.

STAR:

FAVORITE: A tie between "Fiend Bot" and "Role Models". Sonic acquiring a giant killer robot that wants nothing but his safety and to follow him everywhere is one of the cutest concepts in the show. "Role Models" was a fun episode because of the ridiculous premise that I find hilarious. I also love "Robots From the Sky" Especially because of Mighton and Bolts <3

FUNNIEST: A tie between "Double Doomsday" and "Alone Again, Unnaturally". I agree with all the reasons Multi said about the latter. My favorite joke in the entire show is Sonic trashing Eggman's lair while he's invisible. It's too good. "Double Doomsday" is also hilarious. From the banter between Eggman and Dave through the door Dave locked himself behind, to Eggman getting offended at the way Sonic made a peanut butter and jelly sandwich.

LEAST FAVORITE: "The Biggest Fan" (I can't watch this one). "Late Night Wars" for making Knuckles look stupid for jokes and both the episodes that Multi mentioned--for the reasons she mentioned--they are unwatchable. I also hate "Knine-to-Five Knuckles" for these reasons as well. I also dislike "Do Not Disturb" for the way the Unbreakable Bond was written.

QWERTY:

FAVORITE: Oh, I have a few that I would watch over and over.

"Cowbot" - Eggman actually made a giant robot cow

"It Takes a Village to Defeat a Hedgehog" - Shadow's just THERE, and just has this beef with Sonic for no reason

"Anything You Can Do I Can Do Worser" - Tails' over competitive nature at play.

"Multi-Tails" - Knux being the bestest babysitter ever

"Cabin Fever" - love eps where they just act like kids

FUNNIEST: I think I have to say "Cabin Fever" is one I just love

LEAST FAVORITE: There are a number I don't like, mostly because they feature characters I don't like, or portray Knux as SUPER dumb, or are just boring. Anything with Nominatus is a hard pass for me. And those frog people.

[puckpocketed]

PART 3 of the modern defensemen transcripts I started a while back. You don’t need to have read/listened to the other parts to understand what’s being said, but they’re very fun reads if you have the time! Topics of discussion:

Broadly, more on Lane Hutson and how he defends (he is SOOO the main character of this entire series and I’m very happy about that)

passive vs aggressive defending

reading the pinch

surfing (skating forward when defending the rush)

inside vs outside leverage

the weak-side fold

Another archival effort as always… so many podcasts live and die by the whims of the services they’re hosted on + the guys who own the channels. </3 This is full of random extra media which is why it took so long. I ended up just making my own damn diagrams and archiving stuff and making gifs so I could put them here. This part is tactics-heavy and they kinda get into a little debate about passive/aggressive defending which I really liked! Will need to go over parts 1 & 2 soon when I can to clean them up <3

Published 20th November 2024, Hockey IQ Podcast: Modern Defensemen (with Will Scouch) Ep #3 - By Hockey’s Arsenal, hosted by Greg Revak (apple / spotify / youtube)

If you missed them: part 1 / part 2

[START Transcript]

Greg Revak: Alright, welcome back. Week three of our series here with Will Scouch, we're looking at defensemen.

First week, we talked about modern day defending. Last week, we talked about point play, so; shorting the zone, why point shots are truly the worst… Point shots just suck, point shots suck. I mean, everyone knows it, we all know it.

Will Scouch: The crusade, yeah.

GR: We looked at Zach Werenski; he was leading the NHL in goals — he's consistently up there leading the league in goals from defensemen. And Will, you had a great study there showing the offensive increases that we've seen have all basically come because of defensemen being more involved in the offense.

It was perfect for our point play piece — making sure [we’re] going into the details; catching with movement, catching in good spots, giving ourselves spaces to operate in; and common mistakes of players [where] they start in wide open spaces rather than maybe starting in more congested spaces, but having space to go into. So, common mistakes there.

This time, we're going to talk about defending the rush. So [the team has turned] the puck over, we're now having to play defense. There's that transition moment where we're going from offense to defense. And now, just straight, we're playing defense.

Two ways I think about this when we're playing the rush is one, passive; and two, aggressive. [If we’re being] aggressive, we have an opportunity to maybe kill the play early, we can really get in the attitude of “We play you.” Versus passive; maybe we're not in a good spot or our team hasn't set us up in a good spot as a defenseman, maybe there's some kind of scramble, whatever it may be.

And then the third piece I'd love to dive into is reading the pinch.

So where do we want to start? I feel like this is maybe a good opportunity to start with our main man Lane Hutson because I feel like he's someone who has the ability to play aggressive, but often he's pretty passive in his rush defense.

WS: Yeah. I think that you're dead on with that. I've seen a lot of Lane Hutson over the last few years. I remember when he was a draft-eligible kid, I remember watching him in college. Now he's in the NHL and actually he's been quite effective on paper in the NHL.

I know people are throwing around player cards, and throwing around this, and throwing around that. But in aggregate, on the whole so far this season, relative to the rest of the team in Montreal, he's been — for a kid who's, again, 20 years old, playing upwards of 25 minutes a night — he's doing pretty well.

I think that that's asking a lot out of a kid, and he's doing quite well, especially [at] 5 foot 9, with all the question marks people have with players like that. With him, I think he's a really good showcase of how smaller players can play defensively and be a positive impact player, right?

There have been… I mean, I wrote for you in the newsletter over the summer. It's the area where I think, in the context of the NHL draft, there is still a lot of work that could be done of discovering some good value. Of looking at these really, really mobile and creative guys that may lean a little more offensively, but… may not actually.

A great example, while we're talking about Lane Hutson; a guy who doesn't score a whole lot, but every single time I watch him, he just does the right things all the time and has done so since his draft year, is Tyler Duke.

He's in Michigan now, and that kid is 5'10, I think, 5'9, and doesn't score a tremendous amount. But I remember watching him at the NTDP, and I remember a few interviews with his teammates going, “This guy is the most underrated guy on the team. He's small, but he works his tail off.” Just like his brother Dylan — Dylan Duke is having a great year in the AHL too — but that's beside the point…

GR: Both are Ohio boys, just say that.

WS: Ohio, yeah, exactly.

GR: I gotta rep the state that I'm from. Ohio kids!

WS: Yeah, I mean, hey, I love me some Ohio, for sure. But yeah, I think that guys like that, and Lane Hutson, showcase a lot of the same things.

Number one, possession is good defense. If the opponent doesn't have the puck because you have it they're not scoring, so that's number one. And number two, Lane Hutson does a really good job using his feet to at least put himself in good position to block play from occurring. Like we said; staying between the dots, not over-committing but not opening up too much of a gap.

I think you mentioned surfing off the top of the show, but he is an aggressive neutral zone defender as well. He can track that play laterally, challenge guys with his stick and force them to make plays, force them to make decisions, before the puck even gets in the defensive end.

And from there, if you've got good support from your partner or a forward that's backchecking, then you're golden.

To me, it's the little things that you may not notice or that may not jump out at you, but when you watch game after game after game, you kind of go, “Oh, I see how this guy has got the trust of a coach. I can see how this guy is playing so many minutes relative to the rest of the guys on his team because of the things that he brings, even though he's not the biggest guy in the world.”

He's not perfect.. There have been situations where I'm watching Lane Hutson going, “Well, that didn't really go your way, and that's unfortunate.” But that’s any hockey player.

GR: That's also learning as a 20-year-old rookie defenseman — at five foot 10, if you're lucky.

WS: And that's hockey. Hockey is a game where sometimes things are going to go your way and [sometimes] they're not. If I got upset every time a big physical guy lost a physical battle, then… But nobody really does that, nobody really is concerned when that happens once in a while.

So with Lane Hutson, he loses a physical battle once in a while. He's not involved in as many because they often have the puck, and if they don't have the puck he's doing work in the offensive zone or neutral zone to prevent [the opponent] from keeping the puck.

There's a lot of good things that happen in his game that I think brought him to this point in the NHL. Faster than I thought to be perfectly honest. I thought Hutson was going to take a little bit more time, but he hasn't really looked out of place and I think he's a really fascinating case study as to guys like him and how they might be able to work.

GR: Yeah. You wrote on the Hockey IQ Newsletter, so I'm just going to reference it exactly. You mentioned, “Hutson shows off a number of strong defensive moments that highlight his style of blocking offensive zone exits, keeping opponents to the perimeter, and establishing body position on retrievals.” Three very translatable things to the NHL.

Note: one of my very first Lane Hutson gifsets was a sequence like this. He beat Robby Fabbri on a puck retrieval by gaining body position on him — this was from his 2 games with Montreal at the end of last season. I’m so glad the broadcast chose to highlight that play. He really is something special.

Yes, he's going to continue to grow and fill out, so he's got more progress [to make]. I mean, we talk about the deficiencies and my actual areas of worry [are] more around his skating base and feet and all that. But from a standpoint of, “Can you survive in the league?” The answer is yes.

Victor Mete would be the anti-example, I would say, where he didn't have the way of deploying the things that Hutson does. The brain wasn't there to the extent that Hutson was while being small — also a Habs draft pick, so track that one as well for those that want to nerd out.

There were some great quotes that Hutson had talking about his defensive game. I'm just going to read them out because I think they're so good, and then we can dive into the details here.

So from Hutson talking about defense, “I just think it's more about being in the right spot, being more skillful and knowing the game rather than just being a big frame. It's about making the right plays and the right reads.” 

And continuing on, [he’s talking about how he does that], he says, “Being able to get up in their face,” so having great gap control, “…without getting pulled out of position,” [as in] not overextending yourself, “Controlling my speed and my gap and my spacing around the inside of the ice to keep guys to the outside.”

He just keeps talking about the things we're talking about, which are playing the game with intentionality, playing it very smartly. Basically, the opposite of how Rasmus Ristolainen came into the league, which was like, “I'm a big body, I'm gonna go make things happen.” This is just more tactful.

It's not gonna scream at you — like you said, he's gonna have his moments — but from an overall standpoint, he's gonna drive positive results. He has a way of playing the game smartly, especially for his size, where it has to be a very intelligent game, where he can't make as many mental errors and be able to recover from it. He's shown so far we're off to an absolutely great, great start.

WS: Yeah, I mean, it's like a different side of the coin. I talk a lot on my show and with you about players who seize control of the ice when they're on the ice, but that doesn't necessarily mean physical play.

It's a lot of other stuff that happens, and I think Hutson's a really good example of what that means, and it’s everything you said. It's this understanding of the game, and this understanding of what your opponents are doing.

How to minimize… Really, it’s like, “I'm going to take control of this possession and I'm going to minimize their opportunity to do anything. As many things as they can possibly try, I'm going to minimize as much of it as I can.” 

And there's ways of doing that that aren't that physical style of play that you see out of defensemen that is unheralded, a lot of it just kind of flies off by the wayside. I think people look at a guy like Hutson and see the way he plays, and if you have a really strong [tactical and aggregate] understanding of what is going on when he's on the ice, both the offensive-good, but also the defensive-good, you see a lot of really interesting traits there.

Guys like him, I agree with you, that the skating base and the quickness and all of that, like it's not… He's not Quinn Hughes, right? That's not really his brand, so he has to think of other things and have an understanding of the game that can help patch that up.

And so, yeah, the things like gap control and guiding guys laterally and being a little more aggressive are definitely key areas of interest for me. Especially because earlier on in this series, we were talking about how much I love defensemen who can skate and how many doors it unlocks.

But if you're not an elite skater, which I don't think I would consider Lane Hutson an elite skater — at least defensively — you have to… It doesn't mean you're automatically not an option, it's just that the equation changes.

The things that you need out of that player shifts and you have to help guide them in the right direction so that they can use what they do have to the best of their ability while the rest sort of develops around them. It’s fascinating to me, it's a really, really interesting thing, and I love seeing guys like Lane Hutson figure it out and play the way that they do, because it just goes to show that you could, you know…

He's obviously special in a lot of ways, but it just goes to show that all kinds of different players have a place at the highest levels of hockey. It's just a matter of how you approach the game, how you see the ice, how you manage your behavior, and what you bring to the table.

GR: Yeah. I want to dive into some of these ways to play, starting with if you're playing it passively. So say we're just doing our normal two defensemen coming back; passive, letting the offense kind of have some space. First step needs to be inside.

You need to get inside ice, you need to get good positioning, you need to get within the dots, that's first and foremost. So, first step is inside. I've heard a few coaches call it lateral gap. For me, I just say you need to get inside positioning.

And really, if I take this to the football field, so American football, Canadian football, think about it as leverage. So either you have inside leverage or outside leverage. 

Note: this next section on inside/outside leverage was reaaally messy sentence-wise. I tried my best to clean it up and make sense of it. Whenever anyone says “inside” or “outside” in hockey they’re referring to areas of the ice defined by an imaginary line we draw through all the faceoff dots where the side closest to the boards is the outside and the side closest to the center of the ice is the inside.

Inside leverage means you're taking away the inside, that's where you are and you're giving the outside. Outside leverage is [when] you're on the outside, you're taking away the outside, the boundary, and you're giving away the inside.

Now, the question is, everyone's like, “Why wouldn't you always [want] inside leverage?” And that's the most common [way]. But when would you [want] outside leverage? When you have help on the inside; like, you're pushing them to a bad spot, into a teammate, into support, into someone who's there to help you.

But for the most part, we want to be starting with good leverage. Some coaches call it lateral gap, where we're taking that first step inside, getting inside the [faceoff] dots, and being able to passively let them have the bad ice.

We may not be in a great spot to finish the play [or] stop the movement yet, but we're going to put them in a bad spot where they're no longer an A-plus threat that we need to address immediately, like we're in deep doo-doo.

You can pokecheck out there, just don't extend yourself. The time that you finally get aggressive off of that pass [is], “Okay, I'm able to get this puck, I'm able to separate, I'm able to get position before possession, I'm able to cut it off, able to seal it off,” that kind of stuff.

When I'm developing my defensemen, that's what I'm talking about with them. Like, if you have to, if you’ve gotta play passive, just get inside leverage. Unless you have a good reason to play outside leverage, just let them have the wall until they overextend, whatever it may be, and give you an opportunity to seal it off.

Great example would just be good pokechecking. You're kind of like a cobra, you wait, wait, wait, and then boom, pounce! Rather than overextending.

Showing your stick early is another classic terrible example of something you don't want to do, or we call it declaring your stick. You declare where your stick is. You're overreaching stick on puck, because some coach told you to go stick on puck, and now you're reaching, you've lost good posture, good balance, good weight distribution. That's bad. 

We want to keep all of the good things, the posture, don't want to overextend, but just make sure we're positionally sound.

WS: Have you been watching me at beer league? Like is that what you've been doing here? Is that what the prep is for this show? Because I gotta take some notes for sure. But yeah, I agree fully.

I think playing passive defense is something that can work. Personally, I think that it's something that is not as successful as being a little bit more aggressive, which we'll get to in a second. But everything you said is, to me, bang on.

If you're gonna do it you do have to play a little bit more… I guess the word would be cerebral? A little bit more unpredictable and positionally aware.

Be aware of what's going on elsewhere on the ice. You gotta keep your head up and scanning in front of you, and really just try to force them into… Nothing. Force them into a situation where they go, “Well, crap, now I have to rim it around the corner, or dump it back to my defensemen and hope that they're there with a drop pass.” [Keep] them in a position where they're not getting inside space on you or getting the puck through you into scoring areas, whatever it takes to get that done.

I think handedness plays a part in this as well, depending on which hand your defenseman is and what hand the forward is. It just makes things like stickchecking both easier or more difficult depending on the situation.

There's all kinds of things to sort of keep in mind with more passive defenders. And it can work. I think a lot of NHL teams still deploy their defensemen a little more passive.

They go, “Yeah, here ya go. You can have the defensive zone, but we're not going to give you many options. We're not gonna give you so much space that you can pull the puck around us and get in deep with a carry or get around our defensemen with a carry.”

In my view, I think that it invites a lot of potential for really talented NHL players to do just that; sort of tuck the puck between your feet and the stick. Or drive, drop a shoulder, drive down low, and make a play. You see more and more of that in the NHL these days.

But… that doesn't mean it's everybody, and I think that there's still a place in the game for this kind of thing. It's just a matter of, do you have defensemen who are aware of their surroundings, aware of where their partner is, aware of where the other offensive players are, aware of their positioning? [Are they] staying within the dots, like you said, and just keeping options as low-risk as possible?

If you [are] aggressive you may suppress risk initially, but you may increase risk down the road, assuming things don't go your way, which again, in hockey definitely happens.

So it’s, again, it's all a balancing act. And that's kind of the thing I love about hockey, there's a lot of different ways to do stuff and they all have trade-offs.

GR: Yeah, I like how you put that. It may be low-risk now, but it could be high-risk later. Where do you want to start making your defensive plays? Is it in your own zone or is it higher up the ice? Modern day [defending] is finding ways to, as West Point says, be an active defender. When you're thinking about military doctrine, you're talking about keeping the initiative.

Note: West Point is a U.S. Military Academy. I honestly thought he was referencing a movie <3

Who has the initiative? It's super important. Even if you're playing defense and you're almost in a siege perspective or you're in a fixed position, you still need to be active so they can't have free maneuvering, [so] they don't have the freedom of setting up in a good spot to challenge you.

You still need to have a way to be active and find ways to keep the initiative in some way, shape or form, which will lead us directly into our other way of playing defense which is a little more aggressive, where we're talking about concepts like surfing.

So surfing [is like] angling [while] skating forward. My personal favorite, I call it the weak-side fold. So you‘ve got a weak-side defenseman, they're able to see the whole play. There's no real threat on their side, whether it be from a forward coming back or just no one's really there.

Note: Imagine the ice bisected through the middle of the goal posts. The side that the puck is on is considered strong-side, the side the puck is not on is considered weak-side. Strong-side and weak-side are relative to where the puck is! Diagram here

They've got good defensive positioning, they're able to go and skate and angle actively over to the strong-side to take out the puck carrier, [who] inevitably ends up chipping the puck right to the strong-side defenseman.

So, weak-side fold, boom, pull that over. That means that your strong-side defenseman needs to at least get inside the dots, just like they should anyways. If not, start going over to the weak-side in case that play does get made there, whether it be an area pass or whatnot.

Note: per Greg Revak: “An area pass can be defined as a tactic where the passer spots the puck into an area of the ice currently unoccupied but allows the receiver the space to skate to that area.”

So surfing would be the first concept I think we should dive into, [where] you're on the offensive blue line, you see the play starting up, rather than skating back and playing it passive, you're skating forward and going to attack the offense.

WS: I love it. I love seeing this deployed all over the place. If I were coaching a high-level team, that's how I would want to deploy the types of players that I would put on a team.

Again, I think a lot of the battle in hockey is understanding who you have on your team, what they can do, and putting them in a position to do what they're best at as much as possible. Not everybody is good at everything, but that's okay.

So for me, I look at guys and I go, well, the types of players that I like, this is kind of how they should be utilized. Be a little more aggressive.

I love the weak-side fold idea. I think it gives a little bit more of a sense of safety because you have that strong-side defensemen who can play that more traditional style between the dots, but you're utilizing their partner to cut across the ice and apply pressure.

And in my world, again, this is where skating [becomes important.] You have the opportunity to go, “Yeah, okay, the weak-side guy is coming over to the strong-side and you have two defensemen on one side of the ice.” That opens up a whole half of the ice where there might be a lot of space, but then I'm going, “Right, but that's what you have a really good skating center for, that's what you have a really intense 200-foot winger for!”

It's why, when I look in the draft, I see guys who are more offensive leaning… I say a lot; you don't get the chance to really produce offensively a whole lot if you don't chip in defensively, at least in my books.

And so when I see guys like Zach Benson, for example, who we talked about in a previous episode… [He’s] a guy who did not take a shift off, a guy who covered for defensemen, a guy who chipped in defensively as a winger, and brought a lot to the table, that allows him to push play up the ice and be part of that, and allows his defensemen to be a little more aggressive.

That style of play definitely resonates with me; the style of defenders that I always value, those really high-end skating guys that, regardless of their size, those stick-first, body-later type of defenders, I think it works for those types of guys.

I love seeing this kind of play personally. I'm a person who, I think, on the ice, with my strategy and my view of the game, I'm a lot more risk-tolerant than a lot of people. But I think it's because in this situation and in the data work I've done over the years, no matter which way you slice it, when it all comes out in the wash, generally being aggressive is a better approach than not — on paper.

Obviously, though, that depends on the types of players you have on your roster.

To me, this is exactly what I want to see out of the game, this is exactly the kind of strategy that I think is a modern development that really benefits a good type of hockey player that I love to see more of. So I'm all about it. I'll throw it back to you, but this stuff gets me going.

GR: I can already feel that the passion has risen in Will Scouch.

WS: Well, it's also after 9 a.m. now, so I'm good, yeah.

GR: Yeah, the other piece here is… I'll call it the strong-side surf. That's that inside, like, you're getting inside or starting inside positioning. So either [your] first step is inside or you're already starting inside the dots, and you're able to just surf very short.

Rather than a big weak-side fold, you're able to do a short surf into the player. Again, position before possession, feel free to take their head off if the opportunity presents it, but really, you can do this all over the ice.

And finding ways to defend skating forward is a good thing. I've yet to find the defenseman that skates better backwards than they do forwards. I don't know any player that does that. It's probably impossible, unless you're that bad of an offensive skater and you need to absolutely skate backwards to have any ability. [It’s] something that we should all try to find; more opportunities to skate forward to defend.

The other piece that I think is super important is finishing with contact and staying on the inside.

So, going back two episodes where we were talking about Rasmus Ristolainen, where he would finish with contact, or he'd try to finish contact — or even if he made it, he was the last guy getting up and the other player ended up on the inside.

If we do go stick-on-puck, we are doing position before possession — you still need to rub that player out, you still need to hit the player; have some level of contact where you're now jarring them, you're getting in the way, you're limiting their freedom of movement.

In which case, advantage [to] you and your team.

And then [we’re] making sure we're smartly staying on the inside where we've gotta win the race off the wall, where we've gotta continuously have inside leverage over the opponent.

That's a common mistake I see with guys, we just do stick-on-puck and that's it. 

Well, now the other team still has the opportunity to get a second crack at a puck, or they're still very fast to get to it. Rather than finishing it, sealing it off, [the defender has] to now restart their speed, restart their feet, all of that, where they're in a terrible, terrible position.

So making sure that, boom, you may have got [the hit, then maybe take] another step or two to ride [the attacker] into the wall. That's a step or two well taken.

WS: Yeah, no, I totally agree. I don't have any real notes to expand on that, to be honest. It's a multi-stage process defending like that, and [you] don't want to give your opponent too many opportunities, you don't want to overcommit.

I think, being a guy who's played defense my whole life I can attest skating forwards is a lot easier than skating backwards, and so if you can have defensemen who can defend by skating forwards, it's probably going to be easier for them, especially at the NHL level. So yeah, definitely something that I'll get behind fully regardless of the risk.

GR: Yeah. The last piece I want to touch on before we go into reading the pinch [is] around keeping clean feet. One of the best opportunities for a forward to change direction — and this is something that I've been toying around with and it's been absolutely great for my offensive production off the rush — is just reading the defenseman's feet.

One; I gotta figure out, “Okay, where's their stick? Are they declaring it or are they not?” And after that, “Can I get them to cross their feet? Or are they really good at shuffling [and] therefore, they're able to move wherever I move and be able to respond easily.”

So, as much as humanly possible, defensemen that are [defending] the rush should be shuffling, not crossing feet.

Basketball would be the prime example, they do a ton of drills on shuffling your feet. [It’s] similar here with defensemen, we’re making sure we're able to shuffle — so going back to our passive [concepts], now that I'm thinking about this further — making sure that we're not putting ourselves in bad positions to [defend] the rush.

So if you have anything on that, feel free to add. Otherwise, we'll go towards reading the pinch.

WS: No, I see what you're saying, I get it. I think that lateral motion is extremely, extremely important. And, again, I have no notes on that situation. I'm all about all of this stuff, I'm learning lots.

GR: Prime example of this, for anyone who wants to see Connor McDavid absolutely burn someone. This exact example of changing direction when the defenseman crosses their feet — like, just starts the crossover — would be Connor McDavid. The goal against Toronto where he just absolutely burned Morgan Rielly there.

It's so noticeable, you can't unsee it once you're looking at Rielly's feet. As soon as he makes that crossover movement, McDavid changes, boom! And he's behind him already. It's insane, so feel free to look that one up if you want to.

Note: I looked it up. Good lord. Here is the clip, and I gifed it:

The last piece here is reading the pinch. So this is maybe more of a team component, [of] seeing more than just your role. [As opposed to how] Rasmus Ristolainen, early in his career [would] just go for the pinch, destroy the guy because he could. Like, he's got him, but is that good for your team? Maybe not.

For me, you‘ve gotta look. Do you have help? Where's that help coming from? Is your team’s system to always have F3 high where it's almost like a left-wing lock in the offensive zone?

Note: here’s a fun article I archived on the left-wing lock if interested!

WS: I mean, that's the difference between a two or three-on-one coming your way, or a neutral zone stop.

I think that it highlights the importance of mobility, especially from your forwards, because if you have a center who is caught between the hash marks in scoring position and your defenseman goes for a pinch and misses, it certainly helps to have a guy who can really skate and help backcheck and help cover for that. It sort of mops up for what might be a mistake from the defenseman, or maybe the defenseman thinks they have the support from a better skater. But that absolutely is a big thing.

It goes back to hockey sense, or awareness; being aware of where your linemates are, being aware of,  “If I cause a turnover in this situation, who is probably going to have the puck at the end of this? Does this guy — who I'm about to hit 20 feet inside the blue line — does this guy have someone directly behind him, supporting him, who's just going to get the puck after I hit this guy? And then just toss it to a breakout option coming up the middle, and I'm caught a third of the way into the offensive zone.”

It's these little decisions, and in the NHL…. Again, I go back to my work doing stuff outside the NHL, but the NHL is fast. These things happen really, really, really quickly. If you're caught, you can be caught for a while.

It's about finding and identifying players who can, if they are doing that kind of thing, they are either really, really effective at it, or they cover their own butt really, really well, or they just play it a little more safe and a little more reserved, and it works out for them in that way.

But in terms of reading it, yeah, I mean, awareness is so, so important. Head on a swivel, peripheral vision-type things, it's all super important.

GR: I like your point about, who's going to get the puck once you do smoke this player? Or if you go for the contact…

WS: It might not be you, you know.

GR: It’s probably not going to be you. So who's it going to be? Like, do you have F3 support? Is there someone on the other team? Thinking is always a good thing.

I know everyone wants to read and react, but there is an opportunity and there's time and places where [you can think, you know?] Like, “Oh, okay. Should I go? Yay or nay?”

Or team rules, if you're a coach, “Hey, if you have F3, go for it. You think you can get it, go for it!”

Or just reading, I always like reading the winger. “Did they scan up ice? Do they even have an idea where I'm at? If they're looking directly back at the puck, [I’m] probably going to go.”

[If] their best option is like, “Oh, crap!” And when you go, “Oh, crap!” rarely do you make the best play possible. Often, it's a turnover.

WS: Yeah. And I think the point about having support — winger support makes a huge difference as well. I think it's a really interesting thing. I mean, all of this, this whole discussion about defensemen, it just goes to show why guys might take longer to develop, why guys might take longer to play more premier roles in the NHL, because there are so many little details.

They might have an area of the game that when they're 18, 19, 20, 21 years old, they hit the NHL and they're comfortable with it, right? That's totally fine. But then, they play game after game, after game, after game. And opponents start going, “Okay, well, here's the thing they're good at. So let's try to target blah, blah, blah…”

But the better that they can be at these little fine details of monitoring defensive rushes, pinching in the offensive zone and trying to pick the right timing on all of these things… Not trying to do everything themselves, but chipping in as much as they can in a positive way. It’s all really complicated and very on-the-fly, considering how fast all this happens in the NHL.

It’s thinking a little bit more beyond the thing that's right in front of your face, that I think is a huge thing that makes the difference between a guy who may be able to play in the NHL and a really good player at that level.

If you have that ability to read the ice, take a good survey of what's going on, not take on too much risk, but take on risk here and there when you see an opportunity to do so, I think you're laughing at this point.

GR: I think the key piece for me in what you mentioned was, you're reading the ice beyond what is directly in front of you. I think this may be just a maturity thing as well, but the more mature a person becomes, the better they are at surveying their surroundings. They take in more of the picture, they're not just hyper focused on, “This is my thing. This is what I do.”

[In life and in hockey], having a better picture of, “How does my little detail play into the bigger picture?” [That’s a big part of] reading the pinch and the thing I love that you brought out there. [We’ve got to] survey the ice and understand, “More than just my little piece, is there speed ripping? All this guy has to do is chip it and they're off on a two-on-one or a breakaway. Bad time to pinch.”

If you're not reading beyond the one player that you're trying to pinch on, [you’re] likely to make a bad decision there. That is super critical. Read the winger, read your support, read the whole play. How is it playing [into] everything?

Will, I think this has been a phenomenal series on defensemen. I feel like everyone should send this out to their favorite defensemen in the world, or just send this to your favorite NHL hopeful prospect, or just like anyone in the AHL. What’s their (inaudible)?

Anyone in player development at the NHL level should send this out to the defensemen. And if you're at any kind of level of player development, which is pretty much every other coach, yeah, send this out to your defensemen.

There's no way some of this information isn't one; going to get them thinking about “How do I play the game better?” [and] two; it's probably actionable items for them to go and work on in their own game.

WS: Yeah, I mean, I'm trying to find a way — as we talk about this and all these little subtleties of playing defense and all the things that kind of go undervalued — I'm trying to find a way to shoehorn Brad Hunt into this discussion but unfortunately I'm not sure I'm going to be able to.

I think he's just a really good example of a lot of these things going his way and seems like a beauty of a dude. And, I don't know, if Brad's a reader of this I want to have him on the show to talk about his experiences as an NHL player because I find him fascinating for a lot of the reasons we're talking about. 

It's just [he] might have been a little bit ahead of his time, but a lot of this good stuff is there with him. I don't know, it was the last thing on my mind before we call it a day.

GR: Beautiful. Alright, someone knows Brad Hunt — or, Brad, [if] you're out there, please reach out.

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