#this is a cover and i like both this one and the original

[endereies]

MOVIE NIGHT - CS

No Nut November - Day 9

NNN Masterlist...

-➤ You and Chris relaxing and watching a film together

You and Chris had gotten settled on the sofa together while the tv was shining over the pair of you while it displayed a film you’d seen before. All the lights were turned off and the smell of fresh sweet and salty popcorn filled your senses. A fluffy blanket covered the majority of your body while Chris just sat next to you in one of his larger hoodies These moments happened less than you both wanted, with both of your schedules colliding. However, when they did happen, you both settled into each other’s company quickly, unwinding from the week just gone.

The longer the movie plays, you take notice of his movements towards you. Even with your legs touching, he needed more of the person he loved. In his mind the film had been long abandoned, and his attention drew to the way the film cast a soft glow to your face. Your cheekbones were slightly more accentuated, your eyes had gained a little more sparkle, and a dusting of blush covered the tip of your nose. He just couldn’t stop admiring you. Chris loved the simple things about you especially the way your nose twitched whenever he made popcorn to share. He was just so drawn you, and he had no control.

After a while of Chris inching closer, his chin laid on your shoulder. You were used to Chris being close to you, but after realising how much he moved, you giggled in confusion.

“Chris...? Whatcha doing...” He didn’t utter a word and just wrapped his arms tightly around your waist, his fingers rubbing back and forth where your shirt lifted. Eventually he spoke, his voice melodic and lethargic.

“Nothing, just love m’girl.” You rolled your eyes, covering the way your blush grew deeper in your cheeks.

“Are you even watching?” you questioned his behaviour subtly.

“I’m watching you, does that count.” As much as you try, you can’t seem to regain focus back on to the film and you just feel him watching you silently. He notices the way you react, quickly commenting on it.

“Sorry baby, you’re just adorable what can I say?” Chris smiles softly, drawing one hand up to run through your hair, pushing back a few strands so he can see you better.

“Chris. You’re actually a dork.” A few pieces of popcorn shovel into your mouth, distracting you from his sweet comments. You couldn’t help but blush whenever he spoke about you. His words lulled you further into your emotions and he somehow always knew what to say.

“You love it” he leant his head forwards slightly and glanced quickly at your lips. “May I?”

With a nod from you as permission, he closed the remaining amount of distance and shyly kissed you. A satisfied hum leaves him which makes you smile into the kiss. You both kept it mild yet tender and when he pulled back, he stared into your eyes, a stupid grin on his face.

“I love you, you know that right?” In that moment, everything faded away. You knew he loved you and yet you still found yourself acting like a high-school kid with their first crush when he said it to you. “I love you too Chris.”

He leant back to his original position, not before grabbing a handful of the now cold popcorn and shovelling it into his mouth.

“Babe? Can you rewind it? I was not paying attention…”

@melliflws @yuhayeee @st7rnioioss @sturn-bugz @bueckerrss @worldlxvlys @raysmayhem-72 @patscorner @y0urm4m @bernardsbendystraws @junnniiieee07 @luverboychris @jnkvivi @rac00ns-are-c00l4 @shorthairchris @colorthecosmos444 @anabethinking @zay-sturns @anyaa2s @emilyfaith2003 @jassturn @imjusthereforthesturniolosmut @sturniolosiphone @ribread03

© ENDEREIES 2024

[qu1cks1lversb1tch]

☆ Silver's Sinful Sunday ☆

Week Four: Azriel

Warnings: 18+ [MDNI], enemies with benefits (mates), fem reader, choking, p in v, reader is kinda a brat, dominant Azriel, no use of Y/N, pet names, slight angst at the end, it's my writing — that's a warning within itself (cringe), all actions are with consent ofc

A/N— Week four was originally Vox (Hazbin Hotel). Refer to this post for the reason why it's not. Azriel was intended to be week five, but he's been moved to week four. The style for this one is also a little different than the others. . . Oopsies. . . Your honor, they're actually in love with each other but they're idiots. . .

Word Count: 2.8K

“Let me in.”

The words sent a shiver down your spine despite the massive argument the two of you had been in less than an hour ago. It was over something so petty that you didn't even remember what it was about, but you were still heated over it.

The anger simmered just beneath the surface, a feeling only he could evoke. It both drove you wild and pissed you off at the exact same time. 

“I know you're in there. Let me in.”

After every argument, Azriel found his way to your door. After every argument, it always ended the same way. There were never apologies. Apologies didn't exist between the two of you. The thought of one alone was highly amusing.

You reached the door with a scowl, twisting the brassy colored knob in your firm grasp. The door swung open, revealing the very male you knew it'd be.

His gaze roamed unabashedly over your form. From your hair to the silken midnight blue nightgown that hugged your curves in all the right places, all the way to the soft glow of your skin in the warm light of your bedroom.

“What?” You hissed, eyes narrowing.

He hummed approvingly, noting how you were still heated from the argument. “Are you going to let me in, or just glare at me?” His voice was deep and raspy, telling you everything you needed to know. The reason why he'd come, just like the other times.

You rolled your eyes and scoffed, turning on your heel to return to your vanity. The door was left wide open; Azriel stepped in, shutting and locking the door behind him, watching closely as you walked away from him.

“Do you have any idea how mad you made me out there?” Azriel asked as he walked towards you, his steps quick, but quiet. His body moved with ease, like a prowling animal, every muscle rippling with every step.

“You started it. You pissed me off.” You sharply bit back, stopping in front of the mirror to take off the last remnants of the lipstick that Mor had wanted you to try because she thought it would look good on you. She was right, as usual.

He came up behind you, his large frame towering over you in the mirror. Azriel's hands landed on your hips, pinning you against the vanity in front of you. His hard chest pressed against your back, his lips grazing over the shell of your ear. “I may have started it, but you don't know when to shut your little mouth.”

"I thought you liked my mouth wide open." You snapped with a small, barely noticeable rumble of a growl, glaring at him in the mirror as he pressed against you. 

He chuckled and he slid his large hand up your body, gently wrapping his fingers around your throat, his hand almost covering your entire neck.

"I do. But I also like it when you're a good little princess and shut up and listen. I like it when you're good for me." He moved his other hand, letting it run over your thigh.

He moved his lips over your neck, letting his tongue trail over your sensitive skin, feeling your pulse in his hand. "Maybe next time you'll think twice before you open that pretty mouth of yours to say something you'll know will piss me off, hm?"

His hand on your thigh moved higher, letting his hand slide under the fabric of your nightgown, running his hand over the smooth skin of your hip.

“Don't act like you don't fucking love it.” You growled, fighting the urge to react to his touch. He didn't deserve to see you melt into his touch. Ha. No.

A dark chuckle fell from his lips, his breath warm on your skin. “You're right. It makes it more fun when I shut you up. . . I like it when you can't hide how much you want me.” His teeth grazed your neck. 

“Go fuck yourself.”

A low chuckle came from him again, he didn't expect anything different from you. You were stubborn and defiant. But he liked it, loved it even. You were the only one who dared to talk back to him, to fight and argue with him. It drove him crazy.

"Such a filthy little mouth." His hand fell from your throat and he spun you around to face him, lifting you up, sitting you on the vanity and standing in between your thighs.

His hands ran up your thighs, his hands disappearing under the fabric of your nightgown, gripping your hips and tugging you closer against his front. He moved his lips to your ear again, his chest now pressed up against yours as his breathing quickened.

"You know, for someone who was so angry a moment ago, you seem to be enjoying my touch now. Your breathing, the way your heart is racing, the way your legs are opened wide for me.”

You growled at the clear smugness in his tone, your eyes narrowing into a glare once the brief shock from his quick movements wore away.

"You know, your little growl sounds more like a moan to me, love." He grabbed your thighs, wrapping your legs around his waist as he stepped forward, pressing his hips against yours so you could feel how hard he already was. His mouth moved down your neck again, gently nipping and sucking your skin.

"You can stay defiant, but your body is telling a different story.”

Your slender fingers gripped the collar of his clothes and forced him to look at you as your legs locked around his waist, pulling him closer. "Stop. Playing. Games. Azriel." You snarled.

He grabbed your chin, forcing you to look at him as he stared down at you with his darkened gaze. He leaned close, his lips hovering just inches away from yours. "Why don't you just admit you want me, princess?” 

"Maybe I should just go ask Cassian if he'd want to —”

The moment you mention Cassian's name, something snapped inside of him. His grip on you tightened, and he let out a low possessive growl. His hand slid up, wrapping around your neck. "Not. A. Chance. He's not allowed anywhere near you, do you understand me?”

"It seems I've struck a nerve." You spat, a dark grin spreading across your face as you stared up at him.

He let out a low growl, his grip on your throat tightening a bit more. "Cassian won't be able to give you what you need, sweetheart. I know how much you want me right now, and deep down, you know you can't deny it. You're mine."

His hips ground against yours, making you feel the further evidence of how much he wanted you. "You're mine, princess. Say it.”

“Choke.” You muttered darkly.

His hand tightened around your throat, constricting it in a way that had you releasing a soft moan despite the glare set on your face.

He chuckled again, watching that expression on your face. "I can tell how much you want this." His voice was low and gravelly against your ear. His hips continued to grind against yours, putting just the right amount of pressure where you wanted it.

You groaned, which turned into an almost embarrassingly needy moan very quickly. You glared harder, hating the way he reduced you to a writhing mess so easily. . . Knowing what was imminent, you reached down and began unlacing his pants at a tantalizing slow pace.

The fabric came loose in your grasp and he immediately shed them, along with his underwear, tossing them somewhere in the room before he slid a hand back under the hem of your nightgown, expecting to meet the lace fabric of your panties. He let out a low growl when, instead of fabric, his hand immediately met your slick folds. 

You gasped softly as he ran a finger through them before gently thrusting two fingers into you, while his thumb rubbed gently on your clit, his other hand finding its way back to your throat as if it was magnetic. 

He moved his hand in a steady rhythm, listening to the sweet sounds you tried and failed to stifle. 

“You're so desperate for me, aren't you? You need me, don't you?” 

You could only moan softly as his fingers curled deliciously within you.

“Say it. Say you need me. Say you're mine.” 

"Yours." You gasped out a moan. "I'm all yours — GODS, I need you, Az. . ."

He loved hearing those words from you, loved hearing you admit how much you needed him. . . Loved seeing you completely surrendering yourself to him. "Good girl. That's it, princess. I'm the only one who can make you feel like this.”

He dipped his head down, nipping and sucking at your sensitive skin on your neck, as his hand continued to move in that steady rhythm between your thighs. "You're all mine, princess. No one else gets to touch you, to make you needy and desperate for release like this. Say it. Tell me you're mine.”

"I'm yours." You moaned, your hips bucking slightly, seeking more friction than what he was giving you. 

You hated how in control he was.

You hated the way his fingers alone made the heat within you build, threatening to snap.

You hated the way you didn't really hate any of it.

He grinned as he continued to leave marks on your neck, moving down to your chest. "Louder, princess. I want you to say it, louder. I want you to admit how much you need me." His hand between your legs moved faster, applying more pressure, knowing it will drive you crazy.

You let out a loud, needy moan. "Need you so bad, Az. . . So bad. . . Please. . !" You gasped.

You needed him. You hated how much you needed him, but at the end of the day, the two of you were mates, destined to be, and maybe, just maybe, the harsh words exchanged could turn into soft, reassuring words. . . Unlikely, but possible. . . Maybe. 

"Good girl. That's it, princess. I like it when you're needy like this. I love knowing that you're all mine. I love hearing you begging for me." He says against your chest, his mouth moving down to one of your sensitive mounds. He continued to suck and lick, his hand between your legs still moving steadily, but he could feel how eager you were, how impatient you were getting. "Be a good girl for me, princess. Tell me what you want. You need to ask for it.”

“Fuck me, Az. . . Please. . .”

He chuckled, a low, possessive growl coming from his chest. There was an intense look on his face as he slowly moved his hands away from their placements — stealing his fingers away from your core before you could come around them —  gently grabbing you by the hips and pulling you forward off the vanity. With ease, he pushed you up against the wall next to the mirror, pressing himself against you.

He moved his hips forward, letting you feel how hard you made him, letting you feel how much he'd been wanting you. "I'm going to make you remember who you belong to. Who you've always belonged to." He looked into your eyes, his expression full of desire and possession, a hint of a smirk on his face.

You glared slightly but gasped softly as he pressed forward, entering you inch by inch. 

He let his mouth roam over your neck again, moving down to the top of your chest, gently nipping and sucking on the skin, leaving marks that would be visible in the morning. His hands stayed firmly on your hips, keeping you in place as he slowly moved in and out of you.

"You're mine, princess. You're mine, not only in this room, but out there too. Everyone needs to know who you belong to.”

"Fuck you." You ground out, fighting back a moan at how he was making you feel. But the moan spilled out anyway.

He grinned against your skin, knowing he was getting to you. "That's it, princess. You can try and be defiant, but you'll eventually break. You'll break for me, like you always do. That mouth of yours is always going to end up wide open, just for me, whether you admit it or not." He moved his head up, looking into your eyes, his intense stare holding you captive.

You moaned as he hit a certain spot before growling and capturing his lips in a fiery, lustful kiss. It was new territory, but something within you told you to do it. . . Perhaps it was that taunting golden string tethering your souls together. . . Or maybe you just wanted him to shut the fuck up.

He quickly took control of the kiss, pushing your head up against the wall as he dominated you. His hips moved harder and faster against yours, the sound of flesh against flesh filling the room, combining with the sound of your and his moans.

"You're mine, princess. No one else can make you feel like this.”

You knew without a doubt in your mind that he was right. No one could. No one would.

He couldn't take his eyes off of you, watching your face twist into ecstasy and pleasure, hearing your moans and sounds fill the room. He loved how shamelessly you gave yourself over to him, how you couldn't fight it, no matter how much you'd tried before. He loved how you were his.

He moved his hands from your hips, one gripping your neck again, his fingers lightly closing around your throat, the other moving to your thigh, hitching your leg up over his hip, giving him a deeper angle to work with.

Your eyes rolled back as you moaned louder. Gods, he knew your body far too well. Your desires. Just the right way to push your buttons — just the right angle to thrust mercilessly into you. 

He loved the sound of your moans, the way your body was responding to him, the way your eyes rolled back when he pushed you right to the edge. He knew you better than anyone else, and he loved that he had this power over you, that you willingly gave into that power, even if you didn't like it a few minutes ago. He knew you needed this, just as much as he needed you. 

He leaned forward, whispering against your ear, his voice low and gruff. "You're mine... say it. I want to hear you say it, princess.”

"Shut up." You moaned out with a slight groan.

He chuckled against your skin. You could always try to resist him, but you'd never be able to win. He loved how stubborn you were, but he also loved being able to take that stubbornness away from you, to make you completely surrender to him.

"You just can't help defying me, can you, princess? But then again, I know exactly how to set you straight, don't I?" He tightened the grip around your neck, his fingers pressing against your pulse point, knowing how wild it would make you. 

"Fuck — I'm yours." You moaned pathetically. "I fucking hate you, but I'm yours. . .”

"That's right, princess. You're mine. Now, and always. You can hate me and fight me all you want, but deep down, you know that you belong with me..” He continued to move against you, faster and harder, bringing you closer and closer to the edge. 

He moved his hand down, his thumb gently tracing slow circles against your clit, adding even more sensation and pleasure. 

You knew he could tell you were close. He always could. The way your breath caught. The way you subtly met his thrusts. The way you clenched around him so sinfully and your eyes fluttered closed.

"Give in, princess. Let yourself go. Let yourself feel all of this.”

Then pleasure crashed into you as the steadily growing, hot coil snapped and you fell over the edge right into an orgasm, your breathing heavy as you slowly began coming down from the high.

Seeing you completely lose yourself sent him over the edge, his release intense and powerful, his body going taut as he let himself go inside you, his forehead falling against yours as he leaned against you, trying to catch his breath.

He took a few moments to regain his bearings, his body still pressed up against yours as his hands gently held your hips, still holding you in place.

There was some part of you that wanted to ask him to stay, but as he slowly separated the two of you, setting your feet back on the smooth hardwood floor with shaky legs, before going to locate his clothes that he had hastily discarded in the heat of the moment, you knew this was how it was. 

He dressed, sparing a quick glance back at you before leaving your room. Wordlessly. Leaving you with his cum slowly spilling out of you. . . You also knew that you'd have to start another argument with him tomorrow. . . Just so you could have him close again.

Because even you knew that you didn't truly hate him.

[rookeryyy]

my webfishing art feature is glitched the hake out but we go forth anyway

I LOVE THEM!!! beautiful shapeshiftercore life <3

[marnanel]

The morning of the world

England, 1649: the king has been executed, the monarchy has ended at last, but it's been replaced with a dictatorship. Yet suddenly we're back in the morning of the world.

It's a mindset. In the evening of the world, life will always go on as it's gone on before. If it changes, it can only get worse. In the morning of the world, everything seems possible.

Into this churn of chaos, worry, and excitement steps a 40-year-old man named Gerard Winstanley. He has a story and a plan.

You always need both, you see. If you don't have a plan, nobody can hope. And if you don't have a story, nobody will believe the plan: they've been given too many lies before to believe the truth.

Winstanley's plan was, literally, radical. He was going to build a community which planted crops on common land. They would live together, work together, eat together.

Today, we might call it anarchism or communism. But then, people called them the Diggers.

You see, common land was a contentious topic. For centuries, ordinary people had had the right to grow food to eat.

But in the last fifty years, the lords of manors had obtained legal permission to take these rights away: to "enclose" common land.

(Modern privatisation is similar.)

So the ordinary people lost their right to plant crops on the land they and their forebears had used for centuries. You might have heard the rhyme:

The law condemns the man or woman

Who steals the goose from off the common

But lets the larger villain loose

Who steals the common off the goose

This was the first part of Winstanley's story.

The second part looked back a few centuries, to when the Norman aristocrats took over England by force— as they soon did to Wales and Ireland, too.

Winstanley said that Cromwell had had a chance to undo the damage the Normans had done to England. But instead, he had set up his own dictatorship. Meet the new boss, same as the old boss.

But the third part went back to the beginning: the literal morning of the world.

You know the story of Adam and Eve, and how taking the apple was the original sin. But what *was* the sin? Aquinas thought it was pride. Many people have suggested it was lust.

But Winstanley said the tree was for everyone and they wanted it for themselves; so their sin was covetousness— greed, if you like.

He punned that Adam was "a dam": he wanted to take things and hold them himself.

And the lords and the landlords were still living in Adam's sin.

That was the story: what was the plan? Occupy the land they'd lost once more, and build the new world piece by piece.

Communities of the Diggers sprang up around the country, most famously in St George's Hill in Surrey. They lived together, ate together, worked together.

They were peaceful, but the landlords saw their very existence as a threat. So they had them arrested, and destroyed their fields and their houses.

I mention all this because a Marxist-Leninist asked me "What is the anarchists' plan to change the world?"

When I said, "hope", he didn't take it for a serious answer. But it was.

What do you need, to live in the morning of the world? What story, and what plan?

Resources:

"The Law of Freedom in a Platform", Winstanley 1652:

Leon Rosselson's song "The World Turned Upside Down" (famously covered by Billy Bragg)

Elmen, P : The theological basis of Digger communism

[serpentface]

I'm sure you've covered the bug situation at some point, but just because I'm curious and to ask more specific questions: what are the biggest insects one could ostensibly find? Are any insects kept like bees (are there just bees)? Any sort of cultural significance involved with insects?

The bug situation is pretty much earthlike, you aren't going to be able to find any insects bigger than can be found in the cenozoic.

There ARE indeed just bees, they haven't been mentioned a lot since most of my posting is based around Whitecalf's setting and beekeeping isn't heavily practiced in Imperial Wardin (the Hill Tribes are the only people in the region that beekeep as a core cultural practice, and their migrant progenitors May have brought the region's first domesticated honeybees with them) but beekeeping is very widespread. Silkworms are also canon.

The kermes insect and cochineal is canon, and species of both can be found in Imperial Wardin (the cochineal here is closest to the armenian cochineal specifically). Both produce a high quality red dye, though smaller quantities of cochineal are required to make the same amount of dye. A cochineal more akin to the Central American species (feeds on cacti) is found west and south across the seaway, (including parts of Bur), and is the most valued of all (has the highest dye output).

Some of the purely invented kept insects include:

Caviar ants, which are a type of domesticated leafcutter that has been selected for multi-queen colonies and massive egg production. Their eggs and larvae are a STAPLE food in a lot of qilik societies- qilik are primarily carnivorous (specifically insectivorous) and can digest a limited range of plant matter- this is a form of mass agriculture that most readily and cheaply feeds large populations. Caelin and delkhin societies also utilize them (though tend to depend more heavily on large animal agriculture), and some human/elowey societies have adopted them (though virtually never as a staple food).

Silk-orchard spiders, which are a species of colonial spider that can be reared for mass silk production with a stable enough food source. This silk is much costlier to produce than that of silkworms, but MUCH stronger, and is used to make ultra-lightweight armor (it's not going to stop a direct stab of a blade in of itself, but can be highly viable when padded and reinforced).

King locusts, which are domesticated grasshoppers selected to be big (about the length of a human hand), fat, slow, and flightless, and reared as tiny livestock (mostly by qilik).

Two decorative arthropods that are used in the Cynozepal/Ch'Chen regions primarily, which are brooch beetles (a mix of selectively bred and wild-caught beetles worn live as jewelry) and jewel ticks (colorful ticks that rarely transmit diseases to non-mammalian hosts, intentionally allowed to latch as temporary decoration).

(This old post goes into most of these in further detail ft actual illustrations here [x])

---

I don't have Many specific culturally significant insects established but here's what I've got so far:

-One deity in the Burri pantheon is the god of beekeeping (as well as a minor agricultural deity).

-Insects are VERY significant to the Chit-Sut-Susit qilik culture. Most in this group have converted to the Cynozepali Cosmic Dualist religion and do not worship their original gods (the chief of which was strongly associated with butterflies) but retain practices of ancestor worship. One facet of this is believing that each person has two souls, one that remains earthbound after death to guide the living, and one that moves on to the afterlife. Earthbound souls of ancestors take the forms of moths and butterflies, and these animals have a protected and sacred status. Butterflies in particular are associated with masculine beauty (which is primarily being delicate and colorful) and the garb of Chit-Sut-Susit drakes often mimics butterfly patterns.

-The periodical cicada is a symbol of esoteric knowledge and enlightenment in the (pretty major) Eterhimhamdli religion, which is the dominant religious practice east of the Blackmane mountains across many cultural groups (and is a religious minority in Imperial Wardin, mostly brought by Yuroma migrants). This religion's core doctrine recognizes no deities and no individual soul (rather believes that personal experience is a facet of a collective consciousness/oversoul) and the primary goal of its priesthood is accessing hidden knowledge obtained by freeing the mind from the body (through meditation, trance, psychoactive drugs, and trepanation) to tap into the oversoul, and achieving enlightenment through completely freeing oneself of the body's illusions and attaining full experience of the oversoul. The cicada's cycle of 'sleeping' beneath the earth for years, then emerging as one in unison is used as an analogue for enlightenment and the return to the collective. (The Scholarly Order of the Root is a sect of this religion)

-Horseflies are admired by the Tho-Tykoso people (north of the Viper seaway, adjacently north of the central Royal Dain kingdoms). They are noted for being small yet difficult to kill due to their agility, and capable of inflicting great pain and wearing down much larger beasts. Their warrior culture is based mostly around mounted archery using small, nimble khait, and they seek to emulate these qualities. Horsefly symbols are common on khait tack and the clothing of warriors.

[tamamatango]

HAPPENING……MAYBE!! (Addressing the anime rumors + Keroro’s birthday plan revealed)

*holding my hand out toward you with sparkles framing me* Let’s take copium together!

Not the post I was planning to make next, but here’s a sudden update for a couple of reasons. Some very exciting rumors which you may very well have seen have been floating around for the last day or so, and while I was initially hype as fuck to corroborate it as fact, there’s a little asterisk to the whole thing that I wanna tack on before we shit our pants too much. In addition, the official accounts have revealed what they’re planning for Keroro’s birthday this year, and while it’s not that closely related, I might as well cover that too.

So, a summary of what alleged info just came out:

A typically reputable anime news/leak account, SugoiLITE, shared yesterday that the Keroro anime series is planned to be broadcasted in Spring 2025, and a new movie is planned for 2026. However, the only publicly verifiable info hinting toward this is a recently released interview in an anime magazine with animation director Fumitoshi Oizaki (from the original series, and was also credited on April’s PV), where he describes the series and movie projects but does not specify the series name. This info is per another credible reporter, blogger ryokutya.

Now, here is my translation of Oizaki’s quote as presented in the post: “Details haven’t been made public yet, but I’m working on a series to be broadcasted next spring. Concurrently, a movie scheduled to be released in 2026 has also started production.”

Sadly, the blog post does not specify which anime magazine this was in, so I don’t have the full context for the interview or the question asked. I checked a few table of contents from recently released anime magazines and didn’t see Oizaki’s name in any of them. My hunch is telling me that it’s Newtype, which doesn’t have a digital version, so there’s no feasible way for me to have it that quickly. So yeah, we’re kinda stuck with that quote floating in the void for now.

I can’t go too deep into it so you’ll have to trust me on this one, but I’ve got a little knowledge myself about roughly how and from where anime leaks usually get sourced. It is very possible SugoiLITE does indeed know this information in advance, but it’s also equally possible he only saw this same quote and extrapolated the most likely scenario from it. If it is the latter, I’d say he made a pretty safe bet anyway.

In the quote, what I chose to translate as “concurrently” can also mean “in parallel”, so the interpretation I’m getting is that the spring 2025 series and 2026 movie are connected and being developed in tandem. Ryokutya also guesses that the work in question is Keroro since it does have a project announced. I’ve speculated that the new series will air in either spring or summer next year for a while now (BNP has a mysterious gap in their schedule, with two series airing in January and the Gintama spinoff announced in late 2023 being pushed to October). A movie in 2026 also make a lot of sense, since it’s the 20th anniversary of the first movie. Oizaki does work on other franchises with recent relevancy, such as Kaleido Star which had its 20th anniversary in 2023, and some works in the Shigeru Mizuki-verse like Akuma-kun and last year’s Gegege no Kitaro prequel. But given the specific language in the quote and just Occam’s razoring it down to the fact that we know Keroro is getting things already, I think this double feature is pretty likely what’s going on. Maybe it’s the hopium talking, but it’s certainly not a reach (trust me I’ve made reaches before I was here for the nothingburger that was the anime’s 15th anniversary).

Okay, tl;dr: Given the one available source we have and the credibility of both reporters involved, I think there’s a pretty good chance the anime will really be next spring and there will be a movie in 2026 as people have been corroborating. But the probability that this is an educated guess and the probability that it’s confirmed are pretty much equal at the moment. So get excited! But not too excited. Just like a bit above average excited. You may draw the party popper pull string back about three quarters.

When I first started drafting this post, I was looking forward to saying that we’ll likely find out next month what the truth is, knowing that today the official accounts were going to reveal what this year’s Keroro birthday celebration is. But…they explicitly stated there will not be any new anime info at the event they have planned. Booooooo. Well, here’s what we are getting:

It’s actually not a physical event like they held last year. This time, they’re commemorating Keroro’s birthday with the first episode of a new live radio show called “Kero! to Radio”, featuring Keroro’s voice actress Kumiko Watanabe and Tamama’s voice actress Etsuko Kozakura. It will be broadcasted irregularly on the official Keroro YouTube channel, and next month’s premiere will be here. There will be various different segments of the show which feature messages and questions sent in by listeners. Submissions are sent in via the program’s Onsen page, which also has details about each segment. You do need an account to send messages, but I don’t think a Japanese address is required unless you want to enter the optional raffle. I’ll play around with it later and potentially do a separate post going more into the show’s structure if that’s something people are interested in (obviously you need to know Japanese to really get anything out of this, so I’d like to gauge if it’s worth it first).

While it’s disappointing that there seemingly won’t be any news about the new anime revealed on the legendary birthday, it’s pretty neat to have another VA radio show. It seems like this is sort of following in the footsteps of Keroro and Giroro’s Earth Invasion Radio from back when the original show was still airing, although Keroro Channel also had been doing its own livestreams featuring the BNP/Kadokawa staff running the channel giving updates about the series’s various collabs and stuff (the majority of these episodes were done before the new anime announcement). It’s unclear if this is going to replace those or not; this is quite different structurally. It would be really cool if they rotate the voice actors out each episode and change the segments up a little since the broadcasts are irregular anyway. I guess we’ll have to wait and see!

*Exhale* All right, that’s enough yapping for today. I know the wait for more concrete details on the anime has been excruciating, especially now that we have a very tantalizing possibility dangling right before our noses. But if spring really is the airdate, it can’t be too much longer now. We already waited over a decade—what’s a few more months, right? Heh heh... (I’m dying Squirtle.)

[mewkwota]

For the character ask meme:

Marvel vs Capom Megaman!

Technically that would just be Classic Mega Man, so we'll go with him!

Send Me a Character

And I will tell you my:

First impression I know who Mega Man was and that there were different ones (I just wasn't sure how or if they were necessarily connected at first, so I drew him and Hub interchangeably but confusedly). I think Rock is cute, but his design was too simple for my tastes.

Something about Smash's additional details clicked so well to me. (MM11 is still not quite there for some reason, so I don't use it.)

Impression now I've always had an interest in robot characters, and after learning more about him, I was somehow able to explore so much with that concept and just Mega Man's character in general. Unsurprisingly, working with him reminded me a lot of Astro Boy and the situations he faces with the innocent mindset of a child and the body of a robot, just not as heavy (I won't talk about the Archie Comics, I stopped following after a while for reasons).

The thing about working with child characters is that they aren't always going to act like older characters, in their words and their emotional responses. On top of that, drawing them is particular too-- their faces, the things they do with their hands, etc.

It leaves a lot to think about, but the thoughts are very welcomed. Kinda like a "put yourself in their shoes" sorta exercise.

So besides the fact that I grew to really love the Mega Man series, with its fun characters and robot designs, I really appreciate the "pureness" of Rock's character. I know he's also a hero with a strong sense of justice, but in the end he's also just a child. A robot child.

Even when compared to the other Mega Mans, Rock is the simplest, purest form of the non-human. His "humanness", while present, differs from X and his complexities despite them both being totally mechanical. Hence why I chose that word "pure".

Though Rock may appear simple, it turns out it's with much meaning. At least to me it does. I have no idea if these words make sense.

Favorite moment This is a Smash thing, but watching the lights of Mega Man's eyes during his fighter reveal is always gonna be so cool.

Idea for a story I made two (ancient) comics that touch on the uncomfortable dynamic between Rock and Dark Pit. I never really clarified it, because I'm still not sure, but Dark Pit's harsh attitude toward Rock were meant to cover for something else.

It's been so long, I don't know if I'll ever return to it. But there's definitely a lot of loose ends I've still left flying around. (Y'know... Like the one with Beck.)

Unpopular opinion I don't really like Rock's MM7/MM8-type proportions. He looks way too tall and way too lanky.

Favorite relationship *Coughs loudly in Captain N*

Favorite headcanon The little depictions that remind you Rock is originally (and still is) a helper robot are very sweet to see.

[tobbesdiscordkitten]

Guns N’ Roses Fic: You Don’t Know How This Works

Summary: One morning Howard telephones Axl to interview him and to secretly get under his skin by flirting with his girlfriend, Roxanne. Little does Howard know that Axl has other mischievous plans up his sleeve.

Characters: Axl Rose, OC: Roxanne, and Howard Stern.

Pairing(s): Axl Rose/original female character, Axl Rose/female reader, Axl Rose/Roxanne, Howard Stern/Roxanne.

Rating: Explicit, 21+

Word Count: 2,357

Warnings: Howard is a creep, humiliation, drug use, mentions of bondage, vaginal fingering, forced climax, and oral sex.

A/N: This fic is inspired by Howard Stern’s 1990 interview between Axl Rose and Sebastian Bach. Parts of the interview have been altered to fit this story’s plot. In the fic, Roxanne is semi based off of Erin Everly. Link to video => here

Everything inside the condo was quiet. Morning light seeped into the bedroom, casting a golden glow on both the wrinkled white bedsheets and Axl Rose's sleeping form, while his head was buried underneath a layer of pillows. It was peaceful. Until suddenly, on the nightstand, the telephone began to ring. The obnoxious sound reverberated off the walls. Axl stayed in bed, somewhat blocking out the noise with his pillows.

He had stayed up all night partying with his friends, drinking vast amounts of hard liquor, injecting himself with heroine, and French kissing his beloved sweetheart, Roxanne aka Roxi. His body felt wrecked and his mind harbored a horrible migraine. The ringing only made his problems worse.

Axl groaned awake, picking up the receiver, a hint of grogginess in his tone. "Hello?" Axl's eyes caught a glimpse of the clock - 9:15 a.m. Who the fuck was calling this early?

"Hey, Axl, it's me - Howard Stern. How the hell are you? What have you been up to?"

Axl's peripheral vision was somewhat blurred and his mind was not registering the bombardment of questions Howard threw at him. He sat up in bed, rubbing a hand over his face, hoping his mind would clear up. Unfortunately, for the migraine, it still knocked on his frontal lobe like Heaven's Door. "Wh-what?"

"Come on, man. Don't dodge the question. Tell me about your life. What's been happening? Are you still banging chicks? Writing any new songs? You still partying like a wild animal?" Howard always pried each of his guests on air and wanted to know everything about their life. It didn't matter if it was his business or not, Howard made it his business.

"Yeah, man. Sure."

The answer was vague and Howard knew it. He needed to try a new tactic, go slow, take each question at a time, and then he'd get the answers he was searching for, including some dirt as a bonus. In the end, the turtle won, not the hare. "You sound tired. Did I wake you up?"

"No," Axl lied. "Just laying in bed, reading some magazines."

"Yeah? Any hot chicks on those covers?"

"Not a chance.” He cleared his throat. “They're Rolling Stone articles."

"Oh, business replaced pleasure this morning?"

"If they didn't shred me in the papers it'd be the opposite."

"What kind of shredding?"

"How I don't live an honest life. That kind of bullshit." It was true. The media did try to distort his public image by twisting the facts and cranking out lies about his personal life and incidents that have occurred on tour.

"I hear ya, man. Critics can fuck you right in the ass. It's their job. They wanna fuck every celebrity they can find, including me. I'd rather they sucked my dick. Like in your song, Out Ta Get Me."

Axl snorted. "It's one thing we have in common." His eyes wandered to the other side of the bed, noticing the empty space. Where was his baby girl? Was she in the kitchen brewing some coffee? Making breakfast? Outside of the bedroom, he didn't hear the clinking of dishes to confirm his suspicions, or the aroma of coffee grains. “Roxanne?" Axl called, unaware that Howard was still on the other line.

"Oh, is she there?" Excitement crept into Howard's voice.

Axl grunted. "Yeah, man, she's here..."

"What's she doing right now?"

He shrugged. Why was Howard interested in his girl? It seemed strange…odd. "Hell if I knew. She disappeared on me."

"Uh oh. That doesn't sound so promising," Howard mused. "Is she fucking one of your boys?"

Axl eyed the door. "Nah, man. She's loyal." Or at least he hoped she was. She wouldn't wander out of the condo to fuck one of his band members. If that was the case, he'd tie her down on the bed and remind her who she belonged to. It wasn't the first time that happened and it wouldn't be the last.

"Doesn't sound loyal," Howard commented. "Tell me something: does she have big tits?"

The question took him off guard but Axl tried to remain unfazed. Instead, he chuckled, picturing her voluminous globes and perked nipples. "Why? You jealous?"

"No, no. All I'm saying is," Howard corrected himself, "you're lucky for finding chicks with great racks. It's a rare find these days."

"A lot of 'em are fake, but she's a natural."

Howard paused, listening intently. He heard many rumors about Axl over the years, particularly about his temper. Howard was purposely trying to get a rise out of him and see if he would blow up over the line in front of Howard's daily listeners. He just needed to push each button a little more...

Axl continued, "You can squeeze 'em and all sorts of sounds come outta her like a chew toy."

"You suck her tits too?"

"Lick, bite, suck," he elaborated. "Look, it doesn't matter. She creams for me. End of story."

Around the corner, Axl heard the front door unlatch, creek open, and close. Roxanne must've arrived home.

“Axl?"

"In here, baby."

Roxi walked into the doorway of their bedroom, holding two coffees and dangling a plastic bag, with a bagel logo on it, around her forearm.

Axl sighed with relief. She didn't wake up early to cheat on him. She went out of her way to buy them both breakfast from their favorite bakery across the street.

Roxi held up his beverage, whispering, “Black coffee with extra milk for my King."

Howard interrupted the precious moment with his chattering demands. "Lemme speak to her." If Axl denied his wishes, he wouldn't hear the endless complaints from Howard for the rest of the interview, and Axl was already running low on patience this morning. "Babe, come here. Howard wants to talk to you." Axl motioned for her to step closer.

Roxanne walked in, handing him his coffee, and setting the bag on the nightstand. She grabbed the phone, pressing it against her ear while her index finger snaked around the cord, twirling it. It was a nervous habit. She never spoke to a famous person before, let alone Howard Stern. "Hello?"

"Is this Roxi?" Howard questioned, wanting confirmation.

"Yes."

Her voice was music to his ears. She sounded sweet like licorice, seemed childish like a doll, and innocent like Bambi. He could tell her very essence encapsulated an aura that could only be found within his childhood but was buried underneath life's hellish experiences, stripping away such purity. "You sound very beautiful," Howard complimented.

Roxi blushed, twirling her finger around the cord until her blood circulation came to a halt. "Thank you."

"What are you wearing?"

She looked down at her attire. "I'm wearing a dress."

"What kind of dress? Is it short?"

"No, its long. A long black dress. Nothing fancy."

"I see. I bet it's accentuating your curves, am I right?"

Roxi blushed again, harder this time, and held the phone against her ear tighter, hoping to block out Howard's voice in case Axl overheard him. She knew how jealous and overprotective Axl got, especially towards playful banter. "Thanks. Uhm...it's stylish, yeah."

Howard sensed her uneasiness. It was time to go straight for the kill. "Right. So, tell me, have you and Axl been making love every night?"

Roxanne turned to look at Axl. "Why are you asking me these questions…?" She asked, laughing nervously. Axl caught on and knew Howard was acting unprofessional. He took the phone away from her, sitting her down on his lap. "Howard," Axl said, wrapping an arm around Roxi's waist to keep her glued to his side.

"What, man? I'm just curious. I need to know the details. Is she a good lay?"

"Best lay you'll never have." Axl squeezed Roxi's hip. "She's mine. Nobody can have her."

"Nobody can have her yet she has everybody." Howard shot back.

Axl tried to keep himself composed. "Nah, man. You don't know how this works." He took Roxi's coffee out of her hand and placed it on the nightstand. He cradled the phone with his shoulder, using one of his hands to hold Roxi in place while his other hand sneaked underneath her dress, diving into her panties. She jolted at the sensation, wide-eyed, cupping her mouth shut with both hands.

Why was he displaying his dominance now?! She wondered.

"How what works?"

"This." Axl slid a finger into Roxanne's pussy, making her gasp. He could feel her velvet walls clench around his digit.

"How does it work?" Howard persisted.

"Only I know how it works." Axl slid in another finger, hooking them inside her. Roxi moaned into her palms and arched her back. "I intend to keep it that way." She didn't notice but Axl's eyes turned a shade darker as his dominant, protective side took over.

"Aww, I can't be part of your little club?" Howard found this whole interaction amusing and was oblivious to what was actually occurring.

"Nope. Just me." Axl withdrew both fingers, sliding them along her slit until he found her clit, stroking it. Roxi whined, leaning herself further onto his chest.

"I see. Only the cool kids get to join, huh?"

Axl nodded, stroking her clit a little harder.

Howard shook his head in mock disappointment. "That's alright. I'm not missing much."

Roxi came. Axl swiped his fingers along her cunt, coating them in her warm, fresh juices. “Not a damn thing." He confirmed, sucking away her slick. She was the most delicious thing he ever tasted. She was far superior than any meal Howard would never graze upon in his lifetime.

Roxanne's body went limp against Axl as she tried to catch her breath from the quick yet intense orgasm. She could feel his hardened erection poke into her ass at the seam of his pants. Now it was his turn to get a release.

Lying back on the bed, Axl repositioned Roxi to straddle his waist. She inched her body downwards and undid the leather belt-buckle on his jeans. Next, she used her teeth to unzip the fly of his jeans, tasting a hint of copper on her tongue. Her fingers dug in to free his throbbing manhood that was already leaking precum. In the room, a cool breeze wafted over his cock, helping it grow a few inches.

"So, Axl, tell me, will there be any covers on this album?"

Axl wanted to forget Howard was on the phone. He wanted to forget this interview was even happening and, instead, focus on the pure, erotic bliss Roxanne was gonna provide him. Axl wished he could smash the phone and never hear Howard's annoying voice again. But he couldn't. He needed the recognition. He needed the world - his fans - to hear about his upcoming album. And most of all...he needed a damn good blowjob.

Roxanne suctioned her lips around the base of his cock, diving head down to engulf his shaft in her throat. Axl cursed under his breath and used his free hand to guide Roxi's head, setting the pace.

"It's uhm...it's coming. We recorded Live And Let Die a few months ago."

"Oh yeah? The James Bond hit? I can foresee you guys executing that."

"Yeah, it's been really great." Axl looked down and saw Roxi's head bob up and down, causing her cheeks to hollow out, sharpening the contrast on her cheekbones. It was a lovely sight to behold. He bit back a few moans, cursing under his breath again. He didn't want Howard to know or suspect an inkling about this situation.

Reaching his hand out, Axl caressed Roxi's dark locks and petted her head, a notion that indicated she was being a good girl for making him feel grounded and satisfied.

"I heard a rumor Steven left the band-"

"He didn't leave. He got fired." Before Howard could ask why, Axl responded, “couldn't leave his drugs, couldn't leave her..." He closed his eyes, savoring the moment. Roxanne was more addicting than heroine. Every time he got a piece of her, or she got a piece of him, he craved her insatiably. He could spend all day drinking her sweet nectar until the pipe ran dry. But he would want to come back for more, as if his thirst never got quenched during the first round.

"Mrs. Brownstone," Howard joked.

Axl laughed. "Yeah, yeah. We should've named it that." He could feel his climax approaching like a freightrain. He bucked his hips upwards, causing Roxi to gag a little. She recovered and only sucked him off faster.

"I'm guessing the rest of the album is gonna be a big surprise then?"

Axl grunted and felt his hot seed spurt out of his length into Roxi's milking hole. "Uh huh. Top secret. Classified."

Roxanne pulled her lips away with a popping sound, not loud enough for Howard to notice.

Howard understood and decided it was time to wrap the interview. He knew Axl wouldn't tell him anymore details and it'd be a waste of time to try and coax it out of him. The two men had enough fun for one day. Maybe next time he’ll try again. “Alright, man. Hey, listen, it was great talking to you and I hope we can do this again sometime."

Axl rolled his eyes, trying his best to fake a genuine impression through gritted teeth. "Yeah, man. Sounds great."

"Tell Roxi I hope to see her again soon."

"She won't be here the next time you call."

Howard paused. Did this manic rockstar catch a glimpse of the future just now? “Really? How can you be so sure?" He queried.

"Because...I just know." After announcing his final words, Axl hung up the phone, and turned his attention towards his lover. "Thank you, baby. You did good."

Roxanne sat on her haunches, staring at her King. "Why won't I be able to talk to Howard again?" She asked curiously. She didn't mind not speaking to him, the interview was awkward enough for her. She hated how Howard put her on the spot in front of millions of listeners. But she also wanted to know the reasoning behind it. If her was willing to tell her.

Axl hummed, using his thumb to swipe a droplet of cum from her lower lip. "Because…that's not how it works."

Taglist:

Side-note: if anybody else wants to be added on my taglist for certain eras/characters, let me know!

[libraryspectre]

I wanted to talk about the Black Parade uniforms and it kind of turned into an entire essay. My ideas on the intention behind each costume and their cohesion as a group really evolved over the course of writing this, and I think it brought into focus a lot of things I knew subconsciously but hadn't articulated. I also noticed a lot of details I had never seen before. This has futher convinced me that 1) costume design and what you can say with it is really fascinating and 2) this is S-tier costume design of all time. And it's really long so I'm putting the rest under the cut.

What I would have loved is a Weezer-style picture of the five of them standing side by side, full bodies visible, but unfortunately that doesn't seem to exist. They're either covering each other up, or posed in such a way that details aren't visible or cut is hard to compare, so I'll have to provide a variety of visuals. This weirdly blurry poster is the closest thing I could find to a Weezer picture, so take them in as a group and refer back as necessary. I want to start by saying, obviously, that they look amazing both individually and as a set. "Dark marching band of death" is a really fun concept that is very well executed. But this isn't their first time doing a look as a group - think back to Revenge for a minute, when they really started to think about their costuming as a band. Gerard has talked about how then, they were kind of closing ranks against the vitriol coming their way. They needed to feel like a team, a gang, and dressed like one. I think some of this mentality has carried over into the Black Parade uniforms - they're less defensive, (there's no bulletproof vests), but in taking on new, nameless identities they have removed themselves as individuals from the equation, which is protective in its own way. What's left are stage personas, and the more you look the more you see that these were designed by someone who is very familiar with the history of the band and how each member presents themselves on stage. It's absolutely genius costume design, because when everyone is in uniform, the little differences are more noticable and tell you so much about the intention behind each variation.

Before we really start, I have to confess that I have no history in costuming or even a lot of familiarity with marching or military bands. I can only say I find costuming interesting, so I've read a little about it, and I went to high school in America and almost all my friends were in marching band. Someone who is more educated in these things could probably give more specific insights and have a better vocabulary to talk about it, but do not underestimate me. I am deeply obsessed with MCR and got A's in English, so let's find some meaning in symbolism! But please remember that with all art, there is no one interpretation. And remember going forward that these costumes were designed by Colleen Atwood, based on sketches she was given by Gerard, so there's no telling what elements were brought in by her and what elements Gerard had planned originally. If anyone has sources on that, PLEASE let me know because I'm very curious about the design process.

Also, I'll be using the uniforms as they appear in the WTTBP video as the standard, with acknowledgements toward variations seen in posters and the FLW video. It's worth noting that in many live performances they wore different, less unique jackets, and often forewent the pants for black jeans. This is almost certainly because they were easier to perform in and they didn't want to subject the originals to the sweat and rowdiness of regular shows. Ok, here we go! Here are some pics to refer back to throughout.

Starting with the band as a whole, I want to point out two things: first, marching bands evolved from military bands. The individual costumes vary in how "military" they look, but you can definitely see the influence when you look at them as a set. I imagine they leaned into that a bit because of the military elements on the record - the suggestion in Mama that the patient was a soldier, maybe even a war criminal. We also know they've done military aesthetics before, in The Ghost of You music video, and that the band was formed in response to 9/11. Suffice to say, the military is on the mind, and this is a continuation of that.

They also look a bit like skeletons. Obviously they would occasionally do the face paint, but the uniforms themselves suggest a ribcage with the horizontal silver lines, and at some angles the stripes on the pants also really contribute to the image. I know most people have already realized this, but I wanted to point it out explicitly because it took me an embarassingly long time to see it.

Alright, I'm gonna talk about them individually now, going from my personal least to most favorite. Taste aside, they're all individually really interesting.

5. Bob

(I can't find another good Bob picture, just scroll up to the blurry one)

It's not just because I don't like Bob, I genuinely like this one much less than all the others. It might be because it's less tailored - the others look much sharper, he looks almost rumpled in comparison. The lose fit might be because as a drummer, he needed better range of movement, but I'm not a drummer so I don't know. The cut of his jacket looks kind of naval to me, which is interesting. His stripes are also very minimal compared to the others. Overall, his looks the least like it's part of a set. I don't necessarily think they meant to set him apart, but maybe they did, considering he's the only non-original member (I'm counting Frank as an original member) and the only one not from New Jersey (which, I only point out because they ALWAYS point that out to people who mention they're a Jersey band. We're from Jersey, Bob is from Chicago.) Maybe it was a subconscious thing, or maybe as the drummer his costume was designed to make the most of what would be visible sitting and partially obscured by the drum kit. It does have a very dramatic collar. That's probably also part of the reason they gave him a more distinctive haircut for this - I'm not gonna talk about hair much, but it's worth mentioning. Overall, I don't have a ton to say about Bob because I don't think of him much (sorry, but not really).

4. Frank

Frank's is really interesting. His is the least traditional-looking, which is why it's here in the ranking, but I like it and I think there's a good reason for that. Those stripes on the sleeve are a really strong look, and the material of the silver has kind of a tarnished/dappled look you can see better in other photos. I've seen people say it's a subtle camo pattern, but I'm honestly not sure - I think he's supposed to look a little less new and shiny. The blockiness of it widens him and gives him a lot of presence that might be lost if he was dressed more like the others, and it compliments his performance style well. That's particularly important in the WTTBP video - on that float, he simply doesn't have room to be as wild and energetic as his standard performance was at the time, so this uniform helps him stand out and draw attention to what thrashing he is able to do. As far as bucking tradition, he also is the only one without shoulder tabs (those little loops). There's something funny about that - those tabs are meant to hold loops and eupalletes that would signify rank, placement, or achievement, which apparently you could not give to Frank if you tried. I think this lack of traditionality is reflective of Frank's more punk sensibilities, having come up in the Jersey scene. His playing style evolved over time as he and Ray influenced each other, but at the start he was very much their punk guitarist and coming up in that scene continued to influence how he conducted himself as a musician. I think this uniform marks him as a non-conformist even within the group.

He also has that patch with a red cross on the sleeve, the only bit of color on any of them. I don't know what to make of that, maybe it's just for the Catholic vibes.

Honestly, Frank's feels the most like what people would expect from an "emo" marching band uniform. Especially considering the poster, where he's found a hole to stick his thumb through. I don't think he's wearing it in the video, but in that poster he has this belt with some kind of weapon?? Maybe?? We get it, he's a dangerous little man.

3. Mikey

Mikey's uniform is by far the most military - it's not just the medal, it's also the cut of the jacket. And he's the only one with a fun little belt, which helps keep the silhouette look nice and tailored even though the jacket flares a little at the waist. We all know the medal is a reference to his death in The Ghost of You video (there's no way they didn't know we would make that connection) and it wouldn't surprise me if the rest of his uniform looks more military because it was built around that idea. But also consider Mikey's stage presence at the time - due to his discomfort on stage, he used to be really stoic, standing in the back, getting the job done with little showmanship. I think that presentation lends itself well to a classic military figure. Mikey is also pretty thin, and the long jacket and it's strong, solid construction keeps him from looking too Victorian-orphan waifish (especially with how pale they all are), and more like a dead soldier boy.

Additionally, Mikey's costume leaning so hard into the military side helps them look more military as a group. It keeps the association in your mind when you look at the others. Also, he's wearing a little necklace here, which I've never noticed before, is he wearing that in the videos?? I think it's an anchor, which is fun considering he died on a beach.

2. Gerard

Yes, Gerard's is #2 in my ranking. I'm sorry, I might have a slight bias knocking it down from #1. But maybe not, let me defend myself when I get there. Anyway, Gerard's is the most classically marching band, which makes sense considering he's the frontperson. In fact, he has one of those braided loops on his shoulder we talked about earlier, demonstrating.....something, it seems to vary a lot, but we're probably meant to think leadership. He's not wearing it the WTTBP video, but it's there in Famous Last Words. He also has that fancy little star thing on the shoulder, which definitely seems to suggest rank. Otherwise, his uniform is very basic. He's the template that the others' uniforms are variations of. And it's a great look! He's also got nice big buttons compared to the others, three whole rows of them, which is a nice touch to make it look a liiiiittle more feminine. Because, of course, the back of the jacket is corseted, in a genious stroke of gender that puts the entire outfit in a new context. I think this is a good example of how Gerard likes to play with androgony by balancing masc and femme elements. The cut of his jacket makes his shoulders look wide and his waist narrow, but not so narrow it looks terribly feminine (just a little, taken on its own). A lot of this is achieved by the piping - notice how on Bob, Mikey, and Frank, the top row of piping (I might be using that word wrong but let's go with it. I'm talking about the silver stuff across the chest) is pretty much the same length as the bottom row? On Gerard, they start out wide way up on his shoulders and get progressively narrower at the waist. It's still a mostly masculine silhouette, but then you have the counter balance of the big buttons and his little white pixie cut, both of which lean just a little further toward femme than masc. It's an androgynous look that leans toward masc as a whole, until he turns around and, boom, corseted back. Showstopping. He also had those black leather gloves that give some nice formality, and maybe a touch of impersonality. They make it so that when he's in full uniform, the only skin you can see is that of his face. They're like an edgier version of the usual plain white marching band gloves.

1. Ray

Going purely by aesthetics, Ray's is my favorite. It's the fancy one, most obviously distinct by the flourishes around the buttons on his jacket. He Mikey are the only ones with pure silver shoulder loops, and Ray has more silver piping on his jacket than the others. In some pictures he's wearing this really ornate knotted tassle thing? You can see it in one of the group pictures above. He isn't wearing it in any of the videos, which makes sense as it could be really annoying while playing. The cut of his jacket at the bottom also looks formal to me, but I'm not sure why. Overall, the ornanamentation could be a reflection of his playing style - the same caveat here applies to Frank, in that they influenced each other through their parnership as guitarists, (and Ray has a lot of influences from different genres), but at the start he was their metal guitarist, and the guitars in metal are often complicated and showy. And he's their soloist, they need to show him off a little.

Additionally, the construction here is giving him an absolutely wild silohette. Like Gerard, the piping on his jacket gets progressively narrower to suggest a smaller waist, but without the really long stripes at the top to make the shoulders look broader. Those vertical lines across the front add to the effect because they're curved inward - which is interesting, because everyone else's uniforms are composed of entirely straight lines and sharp angles. And his jacket is cut REALLY high on the side. I can't tell if Ray's pants are more high-waisted than the others, or if it just looks that way because of the cut of the jacket. You see the stripe of the pants go all the way up his hip, and since he's already tall with long legs, it really accentuates that. It's hard to tell, but I think his pants are even a little more form-fitting than the others. The other day I saw people commenting on a gif of Ray in the WTTBP video about how they never noticed how long his legs are - this is why!

We talk about how part of what makes Ray such a compelling performer is how he moves, and I think this costume was designed to compliment fluid motion. The tailoring and curves of the piping avoid making him look too rigid or blocky, as a marching band uniform could easily do, and the high cut of the jacket lets the line of his legs continue uninterrupted. Honestly, this is a favorite look for Raygirls (gender neutral) for a reason - I think they knew exactly what they were doing putting him in a pretty, well-tailored uniform that accentuates his movement. (Caveat here that I'm a Raygirl (gn) so I'm definitely biased, and they all look great in their uniforms, but I do think Ray's is.....uniquely flattering, and I don't think it was an accident).

Conclusions

So now that we've talked about all of them, I think we have some interesting contrasts to make. Gerard and Mikey both have very classic looks, but Gerard's is more marching band and Mikey's is more military. Mikey and Bob both have very military looks, but Mikey's has a much more solid construction. Gerard and Ray are both on the marching band side of the spectrum, but Gerard's is classic while Ray's is ornate. My favorite contrast is between the guitarists - Frank's is blocky and rigid and tarnished, Ray's is curved and fluid and shiny.

The interplay between similarity and contrast is what makes this so compelling as a group costume - just by looking you can tell who's the leader, who's the tragic figure, who's the outcast, who's the rebel, who's being spotlit.

In closing, thank you Colleen Atwood and Gerard Way for designing these and the rest of the band for wearing them, I will never get tired of looking at them.

[swimming-karyss]

fem!Sabo oh fem!Sabo..... some notes on the design under cut :3c (I lied. there's a whole lot of rambling)

Since I really like Sabo’s Dressrosa design I didn’t want to change it too much (I think that Sabo's Dressrosa design is perfect for his story! It incorporates both militaristic elements (overcoat, boots, coat+belt) with those of a nobleman's garment (top hat, cravat, coat cut to resemble a vest), it combines his noble origins and his current position in the army in a great way!)

But not changing anything at all would be lazy, so I wanted to make Sabo’s upper part of the clothes resemble feminine garments (I’ve taken a lot of inspiration from this thread on Victorian fashion on twitter, check it out c: ), and since I like to create unnecessary problems for myself, here’s the trouble – Even though most of Sabo's clothes are rather covering clothes (very demure, very mindful) and in general, compared to Ace&Luffy he shows almost no skin, but he almost always has unbuttoned collars and loose neckerchiefs. Well, if he wants to let them breathe, who am I to stop him? - but most of the garments I’ve seen have very closed neck&chest, and if I were just to open it it wouldn’t make Sabo as recognisable as his cravat does. So I picked those frilly-collared shirts! (but if not an unbuttoned collar, the other option would’ve been… a boob window)

And there's actually clothes that resemble Sabo's outfit a whole lot! Like this one is practially 1 to 1 X) (the 2nd one is for the ch. 1100 I just didn't want to waste the space)

ch. 1102 is self-explanatory, and since ch. 1100 is very cofered, with his cravat tightened(!) I also went for more feminine 'noble'-looking clothes!

as for her hair for ch 1100..... I saw these beautiful women on twitter and then demons guided my hand...................

Sabo has beautiful hari but doesn't properly take care of it (which is why her hair during childhood looks. like that.)

Also shout out for R1999 chardis I love women in big coats (also Milly trigun😌)

[tinfoil-jones]

Gravity Falls: For Your Own Good, Ch. 9

Summary: A few years after moving to Gravity Falls and having his lab built, Stanford Pines happens upon his estranged twin brother, Stanley. He mentally prepared himself to be suffocated by his brothers neediness all over again - what he wasn't prepared for was Stanley walking right past him like he didn't even notice him.

Rating: M for language, violence, and adult implications

Preface: Dialogue only, but some actions will be annotated for clarity. Cross-Posted on AO3 Here

First - Prev - Next

CH.9

“Why don’t criminals trust stairs?”

“Stanley, I am trying to work.”

“Because they’re always up to something.”

*Ford covering his mouth with his hand because he’s trying really hard not to laugh*

“Why don’t criminals like elevators? Because they hate getting taken down.”

*Ford faceplanting on his desk and slamming his fist on it because he’s trying not to laugh*

“What do you call a criminal snob going downstairs? A condescending con descending.”

“E-enough! I’m going to put you on mute if you don’t stop.”

“Ah, come on man. It’s not like I got much else to do here. I can’t even write in that notebook you guys gave me anymore cause I got nothing to write with.”

“Maybe you would still have writing utensils if we didn't run out because you chewed up all of the other ones we gave you.”

“I can’t help it, PhD. I’m on day seven of nicotine withdrawal and it’s still kicking my ass. I get that this whole lab is a ‘no smoking’ zone, but I saw stretch using dip, and you didn’t say anything; just looked at him in a passive aggressive, judgemental way.”

“Tobacco is a nasty habit, and you are better off losing that vice while you’re still in a controlled environment. Our father never kicked it on his own, so this is really for your own-.”

“Yeah, yeah Doc. For my own good. I’ve heard it a million times. Do you like, keep score of how many times you say that, is someone keeping track of it? Or is that your only excuse for the insane crap you’re always pulling.”

“If it will placate you and keep you quiet, I’ll wheel over a television.”

“You have one of those down here?”

“I primarily use it as a device that decrypts thoughts, but its original function is still intact. Let me bring it over.”

“How uncharacteristically considerate of you.”

“You’re watching The Black and White Period Piece Old Lady Boring Movie Channel.”

“Wait a second, where's the remote?”

“There isn’t one.”

“Stay tuned for the six episode marathon of The Six Wives of Henry VIII, starring Keith Michell as Henry VIII, Annette Crosbie as Catherine of Aragon, Dorothy Tutin as Anne Boleyn-”

“Change the channel. PhD, I swear to God.”

“Anne Stallybrass as Jane Seymour, Elvi Hale as Anne of Cleves, Angela Pleasance as Catherine Howard, and Rosalie Crutchley as Catherine Parr.”

“No- NO!”

*Ford presses the mute button on the cell*

(...)

160 minutes later…

“Stanford, I brought those scrap m- what in Sam Hell?”

“I appreciate it, Fiddleford.”

“Is there a particular reason Stan is staring unblinking at that TV screen?”

“I put on a soap opera because I thought he would hate it. But he… really got into it.”

“Is that the same reason why his desk chair is smashed in the corner?”

“Yes, there was a plot twist he did not find agreeable. I tried to change the channel after one episode, but he gave me such a look that I truly believe if I did, he would find a way to break the forcefield just to strangle me.”

“That’s… Not what I expected from someone like him.”

“I’ve never seen him get this way. Not even during a baseball game or boxing match where he made the wrong bet.”

“It can’t rightly be that interesting.” 

*Fiddleford pulls up a chair near the cell to watch the TV*

“You both do that. I still have important research to document.”

(...)

240 minutes later…

*all three of them are staring at the TV and don’t start blinking until the credits roll*

“I’ll tell you what, fellers, I can’t believe Gardiner got away with everything.”

“I know, right? Whatever Jesus approves of, I’m sure it’s not that.”

"We're Jewish, Stanley."

"Really? Well that explains why I distinctly remember the Aryan Brotherhood nearly beating me to death in prison."

"They what?!"

"Calm down PhD, I said nearly."

(...)

"Stanley, it has almost been ten days, it’s time to remove your stitches."

"Give me some nail clippers, I'll do it myself."

"Properly. Come on, don't be such a wuss about it."

“Can’t F do it instead?”

“No, he is in town on a supply run. Also, the only difference between you and I and under that shirt is the amount of rolls.”

“Ouch, low blow PhD. It’s not like you’re a runway model either. Fine, but any more cracks on my weight, and I’m going to remind you I’m a threat inside and outside of bars.”

"What are these, circles-? Wait, burns? ...Who did this to you?"

"... Don't worry about it."

"I am going to worry about it! Stanley, who did this?"

"It doesn't matter..."

"It does! Please, I'm your brother just-"

"Don't make me think about it, I don’t remember a lot but- I don't like remembering that."

"Oh Stanley." *hugs him even though it isn't returned* "I'm so sorry. Whatever happened, you didn't deserve that."

"You'd be surprised."

To be continued...

[manchasama]

In light of Nartothelar finishing the comic I commished from them, I am going to spend my Friday night ~productively~

So. The original idea was posted in 2022. And like all my fics, I think about them a lot, and notes to myself, come up with breakthroughs, change plots around, etc etc etc. And I would SWEAR I posted some of this, but I can’t for the life of me find it. And so. So. Sooooooo.

I’m gonna post the current plot of the RoadTrip!AU :> There will be some repeat beats, and it certainly isn’t the MOST fleshed out fic, but it should give a pretty good idea of what the fic should look like, and give a little more context to the comic.

Let’s start it like we did before. Emmet has been searching for Ingo for...a long time now.

Only that’s not entirely accurate, is it? He’s continued to work at the subway, continued to perform both his and Ingo’s duties diligently, allowing the authorities to perform their exhaustive investigation. Because that is what he’s supposed to do. That is the most anyone can do.

He wakes up every day (to an empty room). He feeds his Pokemon (and Ingo’s). He gets ready for the day (not looking in the mirror but aggravatingly aware of its presence; he also can’t bring himself to cover it). He pauses for a moment as he reaches for his coat (there are still two on the rack).

The day proceeds as normal. He walks to work. Greets the same people every day. Stops for coffee (the second cup isn’t taken, but he gives the barista a sad smile of thanks). Greets the depot agents and gets the day started.

Singles train in the morning (hard part first). Lunch with Elesa (a bright spot in his day). Double train in the evening (end on a good note). Walks home, occasionally battling an over-eager out-of-towner who challenges him. He can’t do anything but his best, and never really understand when the overwhelmed beginners get mad at him for it.

Dinner (at an empty table), loud Pokemon around him (to cover the silence). A few endless hours of going over reports, clippings, cold-trails gone colder, before he forces himself to stop. Goes to bed (in an empty room).

Emmet wakes up (to an empty room). He can’t stand it anymore.

He knows Ingo is alive, knows it in a way that others can’t understand. A “gut feeling” doesn’t help with a search, after all. So, he has to go out and search himself. Take the avenues others can’t or won’t. Find the impossible and make it true. He’s determined!

And in the impulsive way that Ingo had never been able to fully curve, Emmet up and leaves with barely a phone call to work to let them know he wouldn’t be in for a verrrry long time. (He tells them he won’t be in, and they wish him to get better soon. He corrects them; he is not coming into work ever. Or until he finds Ingo. He hangs up on the ensuing chaos to finish packing what he needs and wrangling his Pokemon.)

Cue Elesa barging in the house on him before he can finish up (she was called in by the depot agents). She absolutely pins him down and demands more details, of course, and once she realizes he is serious she calls in the big guns and gets Drayden on the phone. To her consternation, he is less supportive in her efforts to stop Emmet. (Drayden knows his boys, knows their cores too, and was honestly counting the days until Emmet cracked).

Elesa comes around to it (she has watched him become so faded, and this is the first sign of his old spark that she’s seen), but insists he slow down just a bit. He needs to wrap up properly at Gear Station, make sure his place is taken care of while he’s gone, and most importantly say his proper goodbye to her. (She will support him, and worry for him, and always be here when he’s ready to come home.)

Emmet begins scouring the world for help. His first stop; tracking down the local legends. In this world, while they are rare and elusive, there isn’t just One legendary Pokemon. Zekrom and Reshiram are extra elusive to humanity because of the History. But Emmet knows the general whereabouts of one trainer who has a Zekrom. And so he goes to find N.

(It’s pointless to keep this secret in these notes, but in the story it would not be obvious yet that Emmet is a Reshiram turned human. Surprise lol. But the interaction with N would be so interesting! Seeing N from an outsider pov react to a Pokemon that chose to become human. Having Emmet confront Zekrom who is not his brother, but understands. “I miss the you who isn’t you.”)

((Fun fact; I waffled SO LONG on deciding which dragon was which brother. In my notes about this part, I had Zekrom!Emmet lol. I STILL say either is good, but I have chosen and I will stick to it. Plus now I have art for it so it’s set in stone 8> lolol))

The scene is going to be a mash up of N and Emmet metaphorically circling each other warily, and Emmet and Zekrom butting heads. Zekrom definitely approves Emmet’s pursuit of his ideals (It’s a Truth, Emmet would argue), but the situation is beyond their limited powers.

Little snippet from my notes.

Emmet, staring at N. “You have a Zekrom.” Emmet is not so sure he’s comfortable, but he also cannot be stopped.

N, wary. “What a strange what of phrasing it. But yes, I have Zekrom.”

So it goes, so it goes. Emmet zeros in on the Pokemon who are said to grant wishes, but does not see hide nor hair of it. He tracks down a Pokemon said to be able to create strange portals, but they are the least helpful of all. He travels to Sinnoh, and for a while it seemed promising.

He looks for Uxie, the pokemon of knowledge. The lake trio is curious about him, but ultimately says nothing of import before vanishing. Uxie does grant Emmet an image of spear pillar maybe hinting Ingo is there, but provides no context.

At spear pillar there was a reaction, a swelling of power, of presence. But it fades away, leaving Emmet alone again. For whatever reason they found him wanting perhaps. (Dialga and Palika are unable to mess with the timeline during Hisui, it's too fragile to meddle with. Thus they can do nothing to help Emmet.)

One after the other, Emmet wanders the globe. He keeps an ear open for any mundane rumors as well, just in case. Asks if anyone has seen a man with his face. No one ever has.

Emmet is running out of leads. He will Not Let This Get Him Down. So he does everything he can to do it Right when he finds the Celebi, to ask them for help. Despite his preparation, they just flit away unhelpfully. He tries very hard not to get irritated. He might fail in that.

Then he spots a kid peeking out at him, looking as grumpy as he feels. After a bit of coaxing (“I am Emmet. What do you want?”), the kid comes out saying they can help. It takes a bit, but Emmet works out this is a Celebi that wants to be human. It’s not a common desire, and most Pokemon don’t have the power or ability to do it themselves, but it did it. And it still cant figure out how to fit in with humans, how to act like them. In the rare case it’s not immediately called out as a Pokemon in disguise (“It’s not a disguise! I am human now!”), it’s still considered far too strange to most people, who keep their distance. So it returned home to rethink its strategy. If Emmet will help it with that, then Celebi will help him.

As for how it can help, it confirms that Ingo is not in that time. Emmet counters that what can Celebi do as a human kid? Because the act of turning human is turning human. It’s not a disguise, it’s not an illusion. Humans and Pokemon think differently, react differently, have different desires and motivations. A Pokemon who truly changes loses most of their powers, because a human mind doesn’t work well with the instinct that drive those powers.

And in reverse, they can’t just change back, because they would lose what they gained as humans. Lose that way of thinking, that sense of self. It’s like running a sentence back and forth in a translator; what you get back is twisted from what it once was, and you know you’re not who you were. You can get close, but you will never be that person again. It’s not something done lightly.

(It’s impossible to lose all the power, because that too is inherent to who they are as well.)

The Celebi admits they can still do some minor time travel. Small jumps, and they can only hold the portal open for a short time. It takes a lot of power, so they’ll need to rest in between. Plus they don’t know exactly when Ingo is either. But they won’t change back into a Celebi, so he can take it or leave it.

It’s the first solid lead Emmet has. It’s less than ideal (lol) that Ingo got lost in time, but it explains why no one has been able to find even a hint of a lead. He will absolutely will take Celebi up on its offer without hesitation. The first lesson? Giving yourself an identity. He insists on Celebi choosing a name, because if someone else chooses it for them, it’s too much on the Pokemon side of things. She chooses ‘Anya’, and is now that much more human.

Now that he has direction, Emmet now has to figure out the method. Without knowing when he needed to go, he knew he’d have to cover a lot of ground to make sure that they didn’t miss Ingo along the way. On foot wouldn't do. Travel Pokemon would be better, but exhausting for all. There was one thing that Emmet was verrrrrry qualified to drive however. It just needed to be made portable.

He decides to gamble on a crazy idea. It was a mental exercise he and Ingo did as kids, a fun little project that had no use but was fun/cool to figure out how to do it. They've always had the idea of fighting on a train, and they were making their own. It was an engine that would travel overland, with a moving rail instead of staying on a track. Parts of it were still hypothetical, they never got around to working the logistics before the battle subway became a thing, but the train itself exists.

It's a steam train designed to work either on electric or fire to heat it (it exists! I found an article on it, pretty fun), and they would be having Pokemon to help with the various aspects of running it. Another reason they didn’t pursue it was because they would never have gotten the okay to have a train careening around the country side without a set path, but lol shhhhh.

(Fun fact, they have designed the conductor’s area with a switchable plate that connects to the water boiler. It can conduct heat/electricity to heat the steam needed to drive the train. Yes, it’s designed so they can tap into their fire/electricity powers to run the train while they are driving it.)

Thus Emmet dusts off their idea and gets to work on making it a reality. As quick, safe transport, a home base built in? It's perfect. To make it work, he needs a few things. One is of course the train itself. They used to spend their free time fiddling with it just as a fun side project, so it's not in bad shape.

The second thing he needs, which they never fully worked out a method for, are the tracks. Desperation is an intense motivator, and he has a terrible wonderful idea on what to do. He will need enough track for the length of the train he plans to take (engine and a car or two), plus leeway for maneuvering. And he needs something that will move the tracks. What better than a group of psychic Pokemon with enough precision to be able to lift and lay the track in a moving railroad. With the benefit of being able to handle terrain not normally maneuverable, if they keep a cushion of psychic power beneath the rails to keep them straight.

Why not just have them move the train? Because the train is way heavier and would exhaust them faster. Plus it’s much easier for him to control it himself than trying to control the Pokemon controlling the train.

So Emmet returns home with child in tow. He is starting to understand that people like to be Informed of things, so he lets Elesa and Drayden know he is around. He does not mention Anya lol.

Emmet and Ingo need to have a house in this AU, large property for both their pokemon and their hobby. It’s definitely more edge town, but still within walking distance of Gear Station because I say so. 30 minute walk? Sure. Emmet goes to uncover their project and starts going over it to determine what work is needed.

The work needed on the train is minor, he and Ingo had kept it in working condition over the years, and only in the last bit when Ingo vanished did Emmet let it sit untended. So he turns toward planning his task force. The rail needs precision though, so it can’t just be any partner.

Chandelure chimes in at this point, and she and Emmet have a heart to heart over things. Chandelure wants to be the one to help, has to be the one to help find Ingo. She hasn’t been able to control anything, let her control this. Emmet of course is grateful to her, but insists that it can’t be just her. Plus, he needs her help sensing Ingo in their travels, and how can she do that if she is concentrating on the train? She still learns telekinesis despite that, and is ready and willing to help if needed. She is the most skilled, and will be able to teach other Pokemon what’s needed.

Elesa shows up as Emmet is working on the train. Elesa meets Anya. Elesa calls Drayden to let him know. Drayden is busting down that door within the hour to meet his grandchild. (“She is not my child” “Such an adorable grandchild!”) Grandniece? W/e lol

So part of the story at this point would be Emmet trying to figure out what Pokemon he needs to find for his needs. I had some initial ideas, and some newer ideas, and I’ll be copying both here. If you’ve seen this before, that’s why :>

Some possible pokemon to consider and discard

Gothitelle - can see trainers lifespans. Very much a turn off to emmet, but also not suited for fiddly work

Abra line - not ideal, but powerful psychic. Emmet was going to settle for one, because he figured the high intelligence would help it understand what was needed and be accurate, if one wanted to help him.

Hypno line - predatory powers, not helpful for emmet’s quest. Puts targets to sleep.

*Espeon - would be a good battle partner, but not what he’s looking for. Plus he does not think he’d be able to befriend an eevee to the point it would evolve for him (ha ha haaaaa)

Wynaut line - no particular trait he’s looking for. A last choice

Spoink line - a possibility. Its powers could be used on items as well as enemies, so it might make a good choice. Spoink not being able to stop bouncing is a worry tho, meaning it needs special care to be kept healthy.

-Chinling line - no particularly good traits, plus a friendship requirement for evolution. A last choice. (wild ones follow the train eventually)

Munna line - no no nope if it created shapes based on emmet’s dreams he might cry. His dreams, not food.

*Solosis line - hardy! Able to survive in many difficult terrains! However most want to be battle partners, so he has a hard time finding any who want to help run the train. He is disappointed, thought it was going to be his solution since they are more powerful in groups. - It is more interested in physical battling. Emmet appreciates the enthusiasm, but it doesn’t really help his cause. Until it handshakes with Espurr. It’s not the same as linking up with another reuniclus, but it is able to help guide espurr to control their powers better. Useful as backup/emergency situations.

Elgyem line - Emmet does not like the messing with mind aspect of the pokemon. Might do in a pinch. A last choice.

Lunatone - Weaker during the day, and Emmet doesn’t plan on driving at night much. Might be good as a backup for that. But also not being able to pair with Ingo and Solrock make him sad.

Solrock - More helpful than Lunatone, but same applies. He wants to pair with Ingo if he were to partner with one. Also for both psychic is a secondary trait so weaker than other choices

*Espurr line - Emmet found out about it on his travels. He is charmed. He desperately wants to tease ingo about it. He wants one. It’s completely practical he promises. - First attempt, but he quickly realizes they will not be able to help. They can’t control their powers with enough delicacy. However they still really want to travel with Emmet, and so he gains a companion.

Hattena line - A possibility. Definitely a difficult personality to work with, would have to be handled with caution. (Eelektross does not like, and Emmet ends up discarding)

Mr Mime - A good choice, based on its abilities. Emmet might have gone for it

*Natu line - Emmet wants to find a Xatu. He needs its direction to help direct them which way in time to travel. It helping with the rails is secondary to that. - Emmet hears about Xatu’s ability to see past/future. He manages to convince either a Natu or Xatu to accompany him, but they are disinclined to help with the train. Still, they DO indicate he should start traveling to the past. He takes that as a good sign. (I like the idea of a Xatu flying above the train, though their dex says they stay stationary. *shrugs*)

Ralts line - More of an emotions pokemon, but the later evolutions would make fine battle partners. Not a top choice, but not last either.

-Woobat line - Elesa wants him to get one. He doesnt need a feels good pokemon! (He might get one) (Skyla totally makes him take one)

Sigilyph - More of a guardian. Not a first choice for the rails. Emmet doesn’t quite get how they think.

Indeedee - May not have heard of them. They would be good candidates, because they like to serve, but not sure they’d want to do physical labor for that.

Slowpoke line - too slow. Nope.

Exeggutor line - An interesting pokemon, but impractical for the trip

Girafarig - Would make such a fun battle partner, but not a strong psychic. Discarded.

Meditite line - Psychic power mostly to bolster its fighting style. Discarded.

Blibug line - Emmet would want an orbeetle, so it depends on if he runs across an entry for this or not. Good choice tho.

Baltoy line - Not quite a fit for what Emmet needs. Too old, might be hard to convince it to partner up. Might consider it as a last option.

Beldam line - Emmet considers it! Even if the psychic power isn’t enough, the steel affinity makes them more likely to be able to move rails well. He would need four of them tho, which puts them lower on his list.

Bronzor line - Emmet doesnt need a pokemon who makes it rain. But it is an interesting one. Lesser choice.

Delphox - Emmet doesnt have time to train one up to the final evolution right now. But he wonders if Ingo would have liked one.

Inkay line - Like Eelektross can float and survive out of water. Possibility

Emmett starting his journey to find the right kind of psychic Pokemon he needs to work the rails. His first stop is to find an Espurr. It’s a logical choice. Shush Anya, it has nothing to do with little frown and empty behind the eyes stare.

Honestly tho, he does actually try to find a good partner among them. First of course they have to find where they can be found. Then he has to see if any would join his cause. Some want to fight, some want to join TO fight, but none really care about his need for a psychic lifter.

He does run across one who isn’t interested in fighting, who shadows him as he goes around looking for a partner. Every time he asks if it wants to join him, he’s met with a blank look, so he figures that’s a no. Finally though he’s just about ready to throw in the towel, when he all but trips over it being too close to his legs. He apologizes and goes to head off, but it keeps. Following. He asks again if it wants to go with. Blaaaaank. Still follows. Finally he starts getting a clue that it just doesn’t communicate as expressively as most Pokemon. (He might be a little more in love with it). This time he is more patient, and figures out that it does want to go with and help him out.

They go through some training, trying to get the Espurr up to a base level for the job. Espurr doesn’t pass the training unfortunately, but Emmet is not about to abandon it over that. He may not have a conductor, but he does have a new partner.

Next area is to find the Reuniclus. Now this is a battle arena, and Emmet would normally be delighted by this. His Pokemon certainly are. It’s definitely hard not to have fun with such a challenge to over come. The more of them there are, the more powerful they are. None of them want to partner up tho, despite the fun battles, except one. Emmet explains he does not need a battle partner, but someone who will help with the rails. It is dismissive, going to head off. Emmet decides to come up with a compromise. He will take it on as a battle partner if it helps, but only if it can help Espurr with its control.

The Reuniculus agrees to try it out, and we have more training with the pair. They work out how to psychic handshake between species, and while it’s shaky, it’s usable. Reuniculus actually finds the exercise fun, challenging, so it’s not as put out as before, and now is enthusiastic about the trip.

Emmet takes a break from finding psycics to help to track down a Xatu. This would be an Emmet Anya chapter, as they talk over the logistics of the travel. Anya insists she can do it, even limited by human form, he should know that. (Not saying outright, but to those in the know it would be an obvious nod to Emmet’s situation.). He agrees she knows her own powers well, and he will take her word at it. But which way should they go? Does she know? She does not, just that Ingo isn’t in THIS time, and that’s not right. It’s hard to put into human words.

So they decide to try and find a Pokemon who can help their dilemma. The Xatus are definitely stand-offish, and most ignore their questions and requests for help. Perhaps it comes to them camping out, discussing the trip in question, and one of the Xatu overheards and is interested in such a journey. Seeing the past and future is all well and good, but traveling it would be an Experience. Once they get the understand that it will help them, Emmet asks which way. It indicates the past. Emmet asks if it’s sure it’s not just looking at Ingo before he disappeared, since that is what is tripping up Anya most. It assures them it’s MUCH better at this than she is. And thus a small rivalry is started.

Emmet decides to try the Abra line. He figures they are known for being able to communicate with humans when inclined, so it would be easier to convey what they need, as well as get a group of them to help. He just needs numbers at this point. Plus the Abra line is likely to be quite precise, so more helpful than his current explosive duo.

There are others he’s considering of course. The bug Pokemon is high on his list, but he figures he needs to put aside certain preferences and go for ones better for his cause. Alas.

While on the hunt for an Abra colony, he runs across a small group of Eevees in distress. (There is a pair of twins in the group, who walk around almost literally attached at the hip. They move in unison, and it brings a melancholic sort of fondness to Emmet.) They are being pursued by some bad trainers, who are trying to force the Eevees into certain evolutions for some underground battle ring. Either to participate or sell, something like that.

That will be an Event, where it’s Emmet versus bad trainers. He’s going to have to teach some lessons, probably more than once if it’s a group. I think he’ll have to run across them a couple of times. An initial “saves them but they are gone by the time he chases off their attackers” situation. And then he keeps running into people harassing this group of Eevees as he treks around looking for Abra.

Once Emmet catches on that this is an organized group and not just some bad trainers, he gets serious about eradicating them. Taking them out, and calling in local law to get them arrested and all.

Derailed from his original goal, he heads back out to again find the Abras. The Eevees find him first. They camp out with him, he and Anya tell them about their goals because they seem interested. The next morning the lot of them evolve into Espeons and present themselves like “here we are!” Basically Emmet accidentally befriends the Eevees so hard they evolve to Espeons just so they can help him out. He now has his task force.

(I would like to add this hilarious bit one of my friends provided for this scenario: extremely blurry video titled INSANE UNOVAN BEATS THE SHIT OUT OF FIVE POKEMON TRAFFICKERS AT ONCE (NOT CLICKBAIT) (HOW IS HE DOING THAT??))

Can you believe we’re not even at the road trip yet??? This is why it’s so hard for me to write, because I just keep adding MORE in.

I don’t know how much time would be spent, if any, on showing the training, but we’d rejoin when they are wrapping up preparations for the trip. Elesa is a frequent visitor, probably have some rotating people visiting scenes. Elesa insists on Emmet taking a rotom, and Skyla pops up with Swoobat. I think this will be a character development chapter, setting up personalities with each other.

The day before Emmet intends to leave, Drayden is in Emmet’s house as the final preparations are made. We’ll have a heart to heart between adoptive father figure and trying-not-to-spiral eldritch being. It will be great. (Really tho, Emmet is mostly just vibrating to get started. He knows he’s going to have a long journey ahead of him, but he’s optimistic that he’ll find Ingo at the end.)

Elesa and Skyla come over in the evening after Drayden leaves, and they can do their exchange then. Following day, Emmet gets to set off. I think we can even have the depot agents at the send-off? We’ll have to see how close they are in the previous chapters.

The train is both transport, protection, and sleeping/living quarters. It's able to hold all their Pokemon, plus the new ones, and an astonishing number of Joltiks. The reason to utilize tracks and let the train run as a normal train is that the train is heavy. It would take considerable more pokemon to carry it at speeds and lengths that they need. Track is much easier to move, though it does require precision and concentration. The Espeons get really good at it, however. Especially the twins :>

So begins Emmet's journey through time in search of Ingo. He retains his positive outlook, never letting the failures get him down. Sure, there are the occasional rumors that pop up about the phantom train that can be seen traveling the countryside, but it's never seen twice, and usually doesn't even get a footnote in history. Emmet isn't careless about driving near towns or roads, and those start to vanish the further back they go.

Almost on the first jump, Anya over does it. She wants to prove to Emmet that she is useful, that she can do this, and she pushes the jump too far back for her to handle. First thing to address is that Anya has been overconfident in her abilities. It’s not that she thinks she’s better, it’s that she’s determined to push passed healthy limits. So while she can open portals, they are taxing, and the further back she goes the more taxing it is. The first jump is a doozy, back at least 50 years, and she nearly passes out for it. Emmet is doing a heckin concern over it.

When she tries to brush it off, Emmet gets mad. She gets mad back. It’s argument time!

Anya thinks Emmet is being too condescending of her and her abilities. She said she’d help, and this is how she helps! Why is he even complaining? Doesn’t he WANT to find his brother?

Emmet is wondering why she is being so stupid about it? What good does it do them if she kills herself traveling? He does not want to be stuck in the past thank you very much. He does not understand why she’s trying so hard for someone she barely knows.

Because of how she over taxed herself, she can’t really tap into her power for a while either, so they are stuck in that time for now. Emmet is aggravated he cannot seem to communicate properly with her. He is concerned! But not because he is stuck, because she is not doing her safety checks! He already knew it would take a long time. This is Not the way to do it.

She is aggravated because she knows she could do better if she let go of her human side. She’s assuming he’d ask that of her to go faster, and is lashing out prematurely.

It takes a while for them to communicate and hash things out. By the end, she realizes he is fine with her human limited efforts, and does not think less of her for it. Emmet has a better time getting across that they are partners, and that this is not something to rush into dangerously.

They agree that they’ll just travel the country side for now, until she recovers from the strain. They don’t know how long it will take tho. So they’ll just…look for clues. They decide to leave Unova tho, because it’s too close to modern day, and they risk seeing someone they know and messing with time. Off to a neighboring region!

(Along the journey, some chimecho take a liking to riding along the current of the train. Their chimes are a soothing constant on the journey. Still wild tho)

So arrival in Alola, which does not have an organized league presence. Is the island challenge still a thing? It’s a smaller region, also lots more water in between, so they tend to park the train on the island and go walking to explore. What lesson should be learned here I wonder.

Learning to Relax (tm)

I need to research Alola and find out. It’s definitely vacation-esque tho, which probably rubs Emmet the wrong way. He was never one to take days off, and this is the very stereotype of a vacation spot. So maybe it’s getting Emmet to learn how to relax a bit.

Alola people work hard in the morning to get all the chores done, then spend the afternoon playing. Emmet first of all finds his work fun, so the separation of the two does not compute. And secondly, playing seems like a waste of time. Why not spend it battling or training? What kind of pokemon things can be done that are not battling?

This I think will be heavy on Emmet and the pokemon interacting. Okay after some research. Since they are looking for clues, they will visit a few places. They will also get sidetracked, which is where Emmet will learn some patience.

First thing upon landing. They decide to park the train, and Emmet tries to figure out where to go next. He has some sparse knowledge of Alola, but not a lot, and of course it’s out dated. Emmet DOES remember that the local TV station is about 55 years old, so it should be in service now. A central hub of information, a good place to start to see if anyone has heard of Ingo before.

When he turns around, all his pokemon are playing on the beach. He is annoyed, because he wants to leave Now. Anya is like “what’s your rush buddy weren’t you the one who told me it’s going to take time?” And Emmet is like That is different. Why are we wasting time messing around?

To the grumbles of his team, he gets everyone back in the pokeballs and on the way. Probably leaves the eevee family to guard the train, since they don’t have pokeballs? Or even if they do, w/e.

Makes it to the TV station. It’s a very relaxed, small time thing. They report on local news mostly, and no one has reports about any new visitors to the island. (Emmet is going to be infamous, poor thing. Small islands love to gossip, and he is the only newcomer in a while. Also how did he get there? Wasn’t by boat.) They promise to spread the word just in case, and where is he going to be staying so they can reach him?

Emmet did not think that far, and doesn’t really want to stay in one place, so he gets the Tourist Treatment. Told about all the hot spots, bragging about the island challenge, etc etc.

I think also Emmet might know about/ask about ultra wormholes, but they have not been discovered just yet. In a few years.

Emmet cannot sit still. He forgoes finding a place to stay, just staying in the train. But days of inaction on the beach is not his forte, and honestly his team tired of it after two days. They are battlers, and a break is nice, but they are all itching to GO. Anya isn’t ready yet tho.

So Emmet finds the Poni Gauntlett. He needs some battles please and thank you. There are some verrrry good trainers here, and Emmet has a fine old time. Honestly, he’d probably spend weeks there happily and not notice. I think Anya gets tired of it real quick, and goes off on her own. Makes her way to Melemele island and finds that orangu place to complain her woes away. It takes emmet a While to realize she is gone. Then he has to go FIND her.

Once he finds her, they once again argue until they are blue in the face. She wants to relax, DO something fun. He thinks battling IS fun. They work our a compromise.

She DID find out about a cemetary on Akala island, that supposedly has memories of people linger. They decide to check it out for Clues. On the way tho Emmet finds his Joltik are Missing. They fucked off to pikachu valley for a snak. The adventures of themb. They get back on track, don’t find anything at the cemetary, and eventually head back to the main island. Anya is feeling up for another jump, so with a quick check in on the tv station (if needed), they’re off again.

One thing that should permeate these chapters is how close the people are to their pokemon. It’s very ingrained in their society, even moreso than modern Unova. It’s a refreshing combo to our two legendaries let me tell you.

The next jump is going to be like 20 years. Emmet will not let her do more than that, for fear of her tiring out again. She argues that it’s too easy for 20 years. Eventually they’ll settle on like 30, and more as she grows stronger.

And that is the end of my notes for Emmet’s journey. Obviously I need More things for them to do over the years, and regions to visit. It’s a lot of research (so if anyone ever has suggestions I am ALL EARS). Until then, just know Things Happen. Eventually, he can sense they are getting closer. He’s not going to explain it (they know after all), but he just knows. Knows they are close. Knows when the next jump is going to be the last. He’s excited, nervous, overjoyed, and so impatient to get there. Anya opens the portal, and they go through it one last time.

Meanwhile, on the other side of history.

Ingo has been in Hisui for a while, and has adapted to living there well enough. He’s been appointed the honor of being Sneasler’s warden, and he’s trying very hard to fit in with the clans. It’s hard though. Something about it doesn’t feel right. Something is missing. Some part of him is so unknown, he just doesn’t feel like himself. But he has no idea what’s missing. Is it just the loss of memories? It feels like more than that. More than missing someone, he is missing a part of himself.

I’m going to have to change the order of events in canon for this to work out, so that Ingo and Rei can meet earlier. Some of the fic will be dedicated to that, and to setting up how Ingo has been fairing in Hisui. I have no notes on this apparently, and I have been fighting a migraine to get this posted tonight, so it’s going to be a bit sketchy. Just means I’ll need to update it later when I flesh it out more! :>

Another thing is that Ingo and Melli are going to spend more time together, because Lord Electrode loves Ingo (electric type solidarity), and Ingo likes to hang out with the Lord. And woe be it that Melli let this Pearl clan upstart mess with his Lord! I am of the opinion that while Melli can be grating, it comes from good intentions. He IS a good and attentive warden. When Adaman goes behind his back to have an outsider interfere with his ward, of course he’s going to be abrasive and condescending. He wasn’t even consulted about a decision being made for Lord Electrode. He had to barge his way in. (Yes, he was excluded because he was going to be a blocker, but still. Kinda douche move!)

Ingo, despite his lack of memories, has that New Yorker Unovian patience. He doesn’t mind a trainer who is confident in their own abilities, even if they can’t quite back it up. It’s the basis for becoming better, he feels. If you aren’t confident in your ability to win, how can you expect to put your all into a battle? If you do lose, train more and come back later. Melli technically does this.

(Ingo’s memory issues are actually exacerbated by the inherent but forgotten knowledge that he is also Zekrom, so none of his broken memories feel fully "right" without that explicit knowledge. One of the side-effects of the side-effects of him being an ex-pokemon who still retains typing, is that Lord Electrode really likes him. So Ingo actually hangs around that area more, finding comfort though he's not sure why.)

So due to immersion therapy, Ingo and Melli do tend to get along okay in this story. In fact, it’s not uncommon for them to be hanging out around Lord Electrode. Okay it’s more of Melli doing his token complaint about Ingo being there, but they do end up discussion the state of the mountains, people they’ve seen passing through, etc. It helps that Ingo wasn’t originally a part of the Pearl clan, and so doesn’t have the historic clan tension. Melli can’t keep up the animosity on his own, especially when Ingo doesn’t understand half the references. And then suddenly Ingo is pushing Lord Electrode out of the way (A distant part of Melli winders how was he strong enough to move the large Pokemon), and Ingo is struck by the frenzied lightning instead.

The thing about the frenzy, is that it latches onto the Pokemon and won’t let go. It drives them into a rage, and their base instinct is to attack. Ingo, however, has a human mind. Human rationality. And something is trying to swallow him whole. The Zekrom side of him is trying to rise to the front and force him to change back. Instinctively, Ingo knows this will destroy who he is, his sense of self, the history he can’t remember. There will be no chance of returning to who he was if he gives in. So he fights it. He doesn’t understand what he is fighting, but he fights it with every bit of himself.

At the same time, the desire to lash out at people, at Melli and Electrode and all the little Voltorbs around him, is almost irresistible. He wants to throw out his pokemon, command them to attack. He knows if he allows himself to do that, they will be infected by this power as well. He can’t do that to them. It hurts so much, he’s so angry, and he can’t hurt anyone. He won’t.

Melli get an up close encounter with a truly angry and terrifying Ingo. If Ingo’s self control was any less, Melli would not have walked away without injury. As it is, Ingo can’t suppress entirely the desire to lash out. It’s not electricity crackling around him, and the arcs of power sting when they hit Melli and Electrode. But with the assistance of Electrode and his pokemon, Melli is able to fend off the uncontrolled attacks, until Ingo gathers enough of himself to flee the area. Melli hesitates too long to try and stop him.

Now the people of Hisui have to deal with the knowledge that the frenzy can affect humans as well. They have no reason not to think that, after all. Rei is tasked with tracking down Ingo, and Melli insists on accompanying him. (He may not admit to Ingo being his friend, but he will explain that Ingo saved his Lord, so it’s his duty to help try and save the foolish old man.)

The thing is, they can't just lob Ingo's favorite food at him to calm him down. For one, they don't know what it is. For two, his brain is more human, so food alone isn't the same kind of comfort. Rei tries to challenge Ingo to a Pokemon battle, hoping that he can wear him down that way, but Ingo refuses to engage with his Pokemon. Every time he starts to lose control, to lash out against Rei and Melli, Ingo flees the area. Fueled by the frenzy, he is able to outmaneuver them to escape.

What Ingo knows in his frenzy is that he wants....someone. He doesn't know who, but he's raging at the world for this person, raging at god too because why not. But he retains enough of his mind to know not to lash out at the people around them. He'll yell at them and drive them off, because he does not know how to calm his rage and fears what he might do. He won't fight them. He WONT. Ingo's disorientation and undirected rage drive him on, but he doesn't know where to go. Ingo is basically terrorizing the highlands with no particular goal except to avoid people and not come apart at the seams, and no one can figure out how to help him.

Something in his subconscious drives him to Spear Pillar. The Zekrom part of him knows it’s the closest place to Palkia and Dialga, to Arceus, as the resident legendaries. Surely they sensed him being here. Surely they could have helped. Surely they know where the one he wants is. Why won't they answer him? (Because he is not a legendary anymore, but a human. Because there are rules. Because they are quite frankly busy with their own frenzied issues.)

Rei and Melli catch up to him there. Rei is again trying to face off against Ingo, but Into continues to refuse to fight. He doesn't want the frenzy to affect his Pokemon (despite the fact they are perfectly willing for that to happen if they can help him). He doesn't want to give himself up (he doesn't even know what this means with his missing memories, but he's resisting reverting to being a Pokemon. He subconsciously knows he could never return if that happened, not the same way).

So these two stories come together at this point. Emmet has realized his search is coming to an end next stop, and Ingo's basically at the end of his rope to fight against the force tearing him apart.

The scene is you have frenzied Ingo, atop spear pillar, being confronted by Rei and others trying to stop/help him. And behind him something appears in a rush of noise, obscured by the billowing steam coming off it. Emmet steps out of it, steam leaking from his mouth as well as he responds to Ingo's current state (Ingo sparking in response as he will always respond to his twin), knowing that they need to battle it out here as humans to save Ingo's sense of self. He's excited and ecstatic, and confident he can drag Ingo kicking and screaming back to himself.

Through the power of "because I the author said so", Emmet understands enough of the situation, can feel the power and frenzy, can sense his twin's distress, maybe even overhears people as he approaches on what's happening/how to fix it. Either way, he challenges Ingo to a battle.

Ingo wants to refuse. He's still irrationally angry, still wants to (bite, scratch) battle, but also HE is here. He's here, but Ingo still can't remember through the anger and fear and pain. Emmet being practical and insistent. Ingo tells him he doesn't want his partners to be frenzied. (Possibly Chandelure goes to his side (and indeed the frenzy bleeds into her almost immediately, but she stays by his side, ready to fight)). (Sneasler is going to be sticking with Rei, being more helpful there without getting frenzied herself).

(When Ingo first sees Emmet, he can't recall the right name. He starts trying to say "Re--" but stops himself, because he knows that's wrong. Emmet definitely picks up on that, and I think it would be nice to have him recite some of his scripts, both as affirmation of Ingo and Emmet, and to jog Ingo's memories. The whole "I am Emmet.  I am a subway boss together with Ingo" that kind of thing.)

In the face of his loved one's determination, he throws out two of his pokeballs (because he knows, he knows Emmet loves double battles more than anything). Emmet lights up, because of course Ingo would do that, even in the most dire of circumstance. He calls out their pokemon, and they have a wild, fantastic battle.

Emmet likes winning more than anything. With each pokemon defeated, more of the golden glow bleeds off. Ingo's pokemon drained the infection from him, and were able to release it with the battles. Ingo could not have done that without giving up his humanity. So in the end, Emmet does win, but so does Ingo lol. (Emmet's delighted laugh "how many new friends/partners did you meet?!" because Ingo keeps sending out more and more. However Emmet has also made new partners along the way.)

Bonus because it makes me laugh and likely wouldn't end up in the story:

During the battle, Rei is calling out that calming the frenzies with the favorite food worked before.  Emmet laughs a bit, reckless and amused.  Gets in close enough to stuff a meal bar or something in Ingo's mouth.  "You're not yourself when you're hungry, brother!"  Teasing.  Ingo getting Irritated and snapping his mouth shut, breaking the bar in half as he roars out Emmet's name because what else are little brothers good at but being an annoyance!  "Didn't work!" Emmet says, not particularly worried about it as Ingo redoubles his effort in defeating Emmet.

(Once we realize it's a twin dragon AU, probably during the Emmet vs Ingo stuff, we can do a flashback to how they decided to become human.  Bbie dragons spying on trainers and their pokemon doing battle.  Emmet's tail wagging in excitement, the weight of his brother on top of him as they spy, Ingo's hand slipping off his head into his face so ofc Emmet snaps back in playful irritation, etc.  They try battling a trainer, but the trainer is more interested in catching them than fighting, and the fear of being caught and separated makes them scramble to escape.  The longing to participate in the epic battles, sure that's what they want to do.  They don't even have to fight directly, just the close bonds, good friends, fun fights.  And ofc finally the transformation into children.  Probably do a Drayden adopts strange homeless children scene)

Some post battle wrapup and scenes. They end up all piling into the train to head back down to one of the settlements. Ingo is still kind reeling from the pain/relief and all that. I think at the very least Rei and Melli are going to be around. Emmet didn't pay them too much mind, more focused on helping his bro, but when Emmet goes to lead Ingo to the train to rest, the other two doth protest, thinking Emmet is taking Ingo away. So Emmet invites them to come with, he mostly wants to get the train to more stable ground and out of the cold.

Preface this with I don't ship the twins with anyone, but I like platonic affection a lot. Emmet sits Ingo on a seat and goes to conduct the train, and Melli sitting awkwardly next to Ingo, no idea what to do. (Possibly some discussion here between them, the “are you human” kind of thing. Still a hopeful/positive AU, so nothing cutting.) Ingo leaning against him in exhaustion, and now Melli REALLY doesn't know what to do.

At some point Ingo gets up to go to the front with Emmet. Just hugs him from behind, careful not to get in the way of what Emmet's doing to direct the train, pressing his forehead against Emmet's back. Not sure if Ingo's gotten or getting his memories back at this point, or if it's a gradual thing, or whatnot. And idk the thought of Melli and his Skuntank getting along great with their Garbador also struck me as charming.

Once tensions ease, Rei probably goes off to save the land and all that, all that’s left is the wrapup and the travel back. Obviously I’m missing a lot of interactions between characters in these notes, as Anya was a later decision to the battle at spear pillar, etc etc. There’s a lot of room here for details and additions. But I think this is the pretty solid foundation of the fic that I will one day hopefully write.

*collapses into a dark room to nurse my poor head*

p.s. Bonus, this song is kind of the inspiration to Emmet's decision to get up and DO something. I'm not one to go "ALL THE LYRICS MUST FIT" when it comes to music, so it's mostly the vibes of the song and the rather "train traveling" kind of beat to it that does it for me.

[thlayli-ra]

Trick or treat is such a fun idea!

Could I request a Punkintyre ficlet with the shock collar prompt 🥺 (I would very much appreciate Drew being the one in the collar but I leave the details in your very capable hands)

Ok so, just, let me explain myself here! By the time this prompt came through I had already received the Cody Rhodes 'Shock Collar' prompt and I didn't want to essentially write the same fic so I tried to come up with something different and I couldn't stop thinking about this gifset from Bad Blood and @fantasticalleigh 's tags on it about Punk and Drew being like two beasts mating in captivity, and it made me think of the original Planet of the Apes movie and well... this is the final result. Hope it's kinda, sorta what you were hoping for (I'm sorry!)??? 😬

Trick - 'Shock Collar'

Characters - CM Punk, Drew McIntyre

Rating - Mature (18+)

Warning Tags - Alien Abduction, Drugging, Breeding, Non-Con, Dub-Con, Rough Sex

'Punk! Wake up! Wake up, ye stupid prick!'

A meaty palm slapped his cheek, stirring him from his deep sleep. 'Ow!' Punk grunted moodily. 'What the fuck's wrong with you?'

It was then that he saw the raw terror in Drew McIntyre's eyes. 'Everything is wrong! Everything is as fucking wrong as it can possibly be!'

His vision started juddering back into focus and Punk spied the metal above Drew's head. For a split second he thought they were both in the Cell, and that he'd taken a bad bump and passed out during their match but he soon realised that these were not the zig-zag mesh of Hell in a Cell.

These were bars!

They were both locked in some kind of cage!

Punk sat up like a shot to look around. The cage was large, more like an enclosure, and rich in foliage, wiry bushes, dirt and rocks. Punk was lying on a bed of hay in the top-most corner, under a bamboo canopy like some kind of animal in a zoo.

'Drew?' he stammered out. 'Where the hell are we?'

'I have no idea...'

The large Scot lumbered up to his feet and tentatively stepped out from under the canopy and into the make-shift forest. Behind him, Punk gawked when he noticed Drew's attire. Or lack of it! 'What are you wearing?'

Drew glanced down at the sparse shred of clothing to his name - a loin-cloth made from animal pelt draped around his waist and a metal collar around his neck. 'Same as you,' he shot back and Punk looked down and found to his horror that Drew was right. Letting out a curse, he shoved the front of his loin cloth down between his legs to give himself some decency then moved his fingers up to inspect the steel collar at his throat. It was bolted fast. The panic escalated into full-on alarm! 'What the fuck is going on?'

'Shh,' Drew hushed him, his ears pricked.

'You hear something?' Punk whispered.

'Shut up!'

Drew edged his way forward, reaching out his long arm to swipe through a clump of giant leaves and push them aside to reveal-

'JESUS CHRIST!' Drew toppled backwards with fright, landing hard on his lower back.

'FUCK!' Punk yelled, shuffling further back into his corner.

Quick as a flash Drew rushed up beside him, the two men shaking with terror. 'You saw that, right?' the Scot asked.

'Yeah,' Punk hushed out, trying to process what he had just seen. 'Yeah I saw it.'

Behind the leaves there had been a gap in the bars, filled with what looked like glass. A viewing gallery to peer into their enclosure. And there standing at the window were two figures crafted from their very nightmares. Impossibly tall and thin, something not of his world or the limits of his understanding, something that was completely...

...alien!

Suddenly a high-pitched shriek tore through Punk's head. He let out a wail as the pain screeched behind his eyes, covering his ears to try and stifle the blare.

'-creatures of P-0087453-E,' a tinny voice spoke inside Punk's very skull. 'We believe they refer to it as Earth-'

'W-what's happening?' Drew gritted out through his clenched teeth, tearing at his hair. He could hear it too!

'I don't know, I- GAH!'

'-simple creatures, not highly advanced. They can be prone to acts of violence and aggression, acting purely on their most basic urges-'

'I can hear a voice!' Punk yelled over the static in his skull. 'I think... I think it's them. Whatever they are!'

'I hear it too. How is that possible?'

'I have no idea! AAAGHHH!' The pain was growing, like somebody was blasting a badly tuned radio in his head.

'-but incredibly rare and valuable. Which is why our experts identified these two as a fertile pair and brought them here for our breeding programme-'

Punk froze. Had he really heard that right? Or did he just imagine it? Glancing up at Drew he was shocked to find the Scot looking deathly pale. He was afraid the larger man was about to keel over any second and shook him roughly by the shoulder to snap him out of his stupor. 'Hey, you ok?'

'This can't be happening! This is all some fucked up dream. This can't be-'

'-we will start our programme by activating the pheromones in the dominant male-'

Punk's stomach fell out from under him, wondering what on Earth that meant! Perhaps there was some kind of mechanism in the cage that would spray it into the enclosure? Anticipating it, he grabbed in a lungful of air and held it, waiting, listening, watching for anything to happen.

But nothing did.

He released his breath with a loud gasp, coughing oxygen back into his bloodstream. 'I think we're in the clear,' he told Drew, 'I didn't see or hear anything and I don't feel any different so-'

Drew let out a heavy grunt beside him, cutting him off and Punk turned to find the Scot shaking his head like he was trying to fend off an incoming sneeze.

'Drew? What's wrong?'

Drew's head shot up, his gaze finding Punk and fixing on him. His pupils were completely blown, erasing all the blue from his eyes. Making him resemble some kind of wild animal in the woods, a bear or wolf or... no, more like a shark circling the water, smelling fresh blood. Strong and dangerous. And hungry!

Guess he'd just found out who the so-called 'dominant male' was, and if that was Drew, then what exactly did that make Punk?

'Pheromones activated. Now all we have to do is wait and we'll hopefully see the mating rituals of this fascinating species.'

Shhhhhit! 'D-Drew?'

But the larger man wasn't listening! Settling onto his haunches like a crouched tiger, he began to stalk closer to his prey who scrabbled backwards with a yelp but where could Punk go? They were completely caged in and inevitably his spine collided with the metal bars of the cage, cutting off his retreat. Drew was on him now, mammoth arms boxing him in on either side and trapping him completely.

'Drew! Snap out of- urk!'

Punk's heart twisted with fear when Drew's bear paw found his chin, grasped it and lifted it up like he had done so many times before. The black, lifeless eyes looked him all over, Drew tilting his head slightly and giving that exact same elated smirk he'd worn back in the Cell at the first sight of Punk's blood. The hand at his chin then went for his throat, wrapping around Punk's collar and pushing him back until the base of his skull clattered against the bars.

Eyes clouded. No thoughts, only instinct.

'Drew! Hey McIntyre, listen to me!' Punk tried to break through the Scot's hysteria, tried to snap him out of this trance. 'You gotta fight it, you hear me? Fight it!'

But it was in vain. Punk's mouth was abruptly gagged by Drew's invading tongue, the larger man growling and snarling, rumbles vibrating down his throat and through their chests pressed together, while large, thick hands stroked all over Punk's shoulders and back and chest and nipples then trailed down his ribs and stomach and pelvis to-

'NO!' Punk wrenched his face to the side, freeing his mouth. His hand grabbed hold of Drew's wrist, stopping it in its tracks. 'GET OFF! STOP IT, DREW! THIS ISN'T YOU!'

And then the blue flickered back into Drew's eyes and for a brief moment, his humanity returned, only to be engulfed once again. 'No, no, no, no,' Drew pushed himself off of Punk, stumbling away. Punk, still packed tight against the bars of the cage, watched as the Scot roared in distress, grabbing fistfuls of his own hair, twisting his head from left-to-right and back again, a man trying to evade a swarm of invisible wasps.

'No,' he growled under his breath. 'No, not like this! Not this way!' Drew blinked the blue back into his eyes, holding onto himself again, however fleetingly. Then turned his attention towards the window of terror hidden away at the far end of the cage. 'No!' he spat at their captors, 'I won't!'

'-hmm, perhaps the first dose wasn't strong enough. Activating a second dosage-'

This time, Punk saw the powder puff up from Drew's metal collar, engulfing his face, and like before he struggled and writhed, trying to evade the poison but it was clinging to him, following him around the enclosure no matter how far he tried to run. His roars filled the air, Punk quaking with fear at its feral nature. Too scared to move, he watched as the huge Scotsman bent down and heaved a huge rock right up out of the ground.

'What the hell is he-?'

Drew rushed towards the observation window, the boulder raised high, meaning to throw it right through the glass and shatter it to smithereens.

'Immediate threat detected. Engaging collar!'

A loud crackle and Drew tossed his head back, screaming in agony. The boulder plunged from his arms and his body soon followed, both hitting the floor with a crash.

Punk leapt up to his feet, his heart in his throat.

'There, that should pacify him-'

But their captors grossly underestimated the fortitude of their prisoner. 'I'm no some beast in a cage,' he croaked, dragged his arms under him to push himself up, 'and you won't reduce me to one!'

'Shock him again!'

Another crackle and Drew fell onto his back, spine rigid and arched painfully off the filthy floor, howling through his gritted teeth, until the shockwave released him and all four limbs flopped, lifelessly. From his position by the bars, Punk held his breath, looking for any sign of life.

It all seemed hopeless. Until Drew rolled his hips back.

Unbelievably, he flipped up onto his feet in a perfect kip-up, just like he would in the ring and before they had a chance to shock him again, he grabbed up the boulder and launched it through the air with all his might.

'WATCH OUT! WATCH OUT!'

Drew went down with another terrible shockwave just as the boulder crashed against the glass, not shattering it but creating a crack that almost split the screen in two. Only this time, the gruelling torture didn't stop. The shocks continued, the Scot's body contorted horribly, flailing rigidly in the dirt. Punk rushed towards him, hearing the electricity running through his fellow wrestler, seeing the turmoil on his face. He looked towards that window of terror, and the creatures hidden behind the fractured spiderweb of broken glass.

'That's enough!' he yelled towards it, hoping that, by some miracle, if he could hear those things that they could hear him too. 'You'll kill him! Stop!'

But still the jolts continued, one after the other. And now Drew wasn't screaming anymore and Punk could see froth foaming at his mouth, his blue eyes rolling into the back of his head.

'I SAID THAT'S ENOUGH!'

Still nothing. Punk's head went blank with panic, desperation.

'WE'LL DO IT! WE'LL DO WHATEVER YOU WANT! JUST TURN OFF THE COLLAR FOR FUCK'S SAKE!'

And finally... the crackling stopped. Followed by dreadful silence, highlighting the heavy breathing of both men and the putrid smell of burning flesh in the air.

'Punk...'

Punk's eyes found Drew's weakly fluttering back at him, pain-filled and weak. Ringed by the tiniest sliver of blue. 'It's ok, Drew, it's alright.'

'No... don't...'

Looking around him, Punk found the perfect spot and shuffled over to a large, flat rock. Slumping down to his knees, he bent over and lay atop the cold surface, lifting his hips up into the air.

Nothing happened. He looked back to find Drew where he left him, refusing to move.

'Come on Drew, it's alright. Just do as they say.' The Scot shook his head stubbornly. 'One little fuck isn't worth killing yourself over. Anyway, isn't this what you've wanted this whole time?'

'Not like this,' Drew choked out with a sob.

'If they kill one of us, they'll kill both of us,' Punk protested. 'The only chance we have of getting out of this is by sticking together.'

But still, Drew refused to move.

Punk sighed with defeat. Turning his face away, he placed his cheek against the cold rock and whispered, 'hit him with the pheromones again.'

From behind him, he could hear Drew call 'what did you just- urgh!' Then he held his breath and waited.

It didn't take long for Drew to crawl over, sniffing like a curious beast at Punk's rear. The tattooed man flinched when his loin cloth was ripped up, exposing his open cheeks and Drew mounted him from behind, his hairy chest and stomach rubbing up against his bare back. Two huge fists wrapped around Punk's skinny wrists and held them down, keeping Punk securely pinned on his front to the rock face as Drew rubbed his sopping wet and rock hard dick between Punk's glutes, prodding his head around until it lined up against his puckered hole.

Then rammed himself in. Punk choked on a cry of pain, a terrible burning at his rectum as he was stretched wide and entered. The beast on his back hooking himself into his body, breaking through the seal and into his guts, tearing him open.

No thoughts, only instinct.

And Punk closed his eyes and tried to fight the growing ache between his own legs and Drew's hands shackling his wrists tightly, and his warm breath grunting against his ear and his sweat falling onto Punk's back and pooling in that small hollow at the base of his spine and his huge dick ravishing him again and again.

But soon the blood and the pre-cum lubricated his passage, and Drew began to move easier and the thrusts became long and powerful and struck that perfect little sweet spot deep inside of him and Punk began to hear the crackles in his own skull and see the explosions of electricity behind his own eyelids and in an instant, he forgot the cage, the window, their plight and he became lost in the throes of the delicious mix of pain and pleasure. Opening his thighs up wider to entice Drew in even further, his lips fell open and he moaned, a line of drool escaping the corner of his mouth and dripping onto the stone beneath him.

Drew began to pump in harder, scrubbing Punk's naked chest against the jagged rock and Punk was so helpless, caught in the larger man's strong grip and he couldn't help but love his helplessness, being held down and bred like a bitch in heat, all while being watched, being observed. A thought bubbled to the surface of his consciousness, wondering if he too had been hit with some kind of pheromone to muddle his senses but it fell away again when Drew hit his bundle of nerves head-on with the blunt tip of his dick. His own cock was full to bursting and it was too much to bear and when he let out a strangled cry, Drew obliged him by letting go of his wrist and grabbing him between the legs, pumping his shaft with a taut grip, the pad of his thumb teasing his slit.

'Fascinating! We always wondered how two males of this species mated and now we know it's through the-'

Punk went blind and deaf and even the blaring static in his head was drowned out as warm cum seeped into him and out of him, sopping from his wrecked hole and between his swollen cheeks and down his ragged thighs onto the dirt below. Drew collapsed onto him, nuzzling his face into the hollow between Punk's shoulder blades and kissed his flushed skin tenderly. 'S'you ok?' was all Punk's numb lips could form. Drew answered with a throaty purr.

Later, the pair were up on the hay under the canopy, Punk firmly snuggled in Drew's arms, both of them fast asleep. But something stirred the tattooed man slightly from his slumber, a tinny voice echoing around his skull.

'-a success. But this is only phase one of our breeding programme. Tomorrow we'll prep the submissive male for surgery and move into phase two-'

[teddyniffler]

The Harry Potter TV show will have more content on The House of Gaunt... or at least, I hope so.

The creators of the TV show have announced Hogwarts legacy will tie into the HP TV show and vice versa, for example, Philosopher's Stone, when Harry is asking Ron about his family, if they were all wizards, Ron can mention his great- great Aunt was deputy headmistress once under Professor Black, it can be little things like this, however the one idea that has my interest is Chamber of Secrets.

Remember in Hogwarts Legacy there was said to be a Gaunt quest that was removed, a player found the files in the back code, where players could go to the legendery House of Gaunt. With the Director's cut coming out in the near future, it's likely that quest may be back in the game. The makers of Hogwarts legacy know players love Sebastian and Ominis, the tops with both of their faces, both boys being in the Quidditch game, general love for them both in the fandom.

On Harry Potter (Past Wizarding World / Pottermore) there is fragments of the Gaunt history, and while you have to go searching for it in many places, you can build up a picture of the family, and there's a bit on Corvinus Gaunt as a student at Hogwarts in the 1700s, hiding the chamber within the plumbing. We know a child of a Gaunt, Isolt Sayre founded the American school. We know from Hogwarts Legacy that Ominis' father still had influence and power in the wizarding world, able to have his say with the Headmaster. They are well known for being dark wizards, with a ton of knowledge and ancient rituals they apparently perform on their kids, the stuff Noctua wanted her brother to stop. These are not the same Gaunts of Half Blood Prince, these are the Gaunts who still had power and were dangerous wizards.

So the TV show is linking Hogwarts legacy to the TV show. They said if they go outside of Canon - Aka adding in Ominis, a young member of the Gaunt family- JKR gets to know and they confirm if she is happy with it. She knows about Ominis and the Gaunt storylines from the game.

She herself created fragmented insights to the Gaunts. Who is this young wizard who causally hid the chamber of secrets enterence without a second thought of all the children just like him who he is helping to kill? I would love to learn more about Corvinus. Was he forced into hiding it? Did he do it willingly? Is he more like a Draco or Regulus character who believes in what their parents tell them to believe. Did he hide it out of fear of what his family would do to him, should he allow the chamber to be found? So many questions about him.

They've been guarding the chamber for centuries. What does that do to more gentle Gaunts like Ominis or Isolt or her mother, Rionach Gaunt, who are good, decent people.

The Gaunts are briefly mentioned in the book, but their history is so fascinating, but the majority of it is outside the original books. You can find loads more on the Harry Potter site. You can find it in Hogwarts Legacy, but the books only cover Marvolo, Morfin and Merope, and Voldermort ends two of them (somewhat remotely)

The TV show can change that. In Chamber of Secrets, show Harry stumbling upon Corvinus Gaunt's name or picture in an old book or trophy. Have Harry walking through the chamber and, unseen by Harry himself, have the name 'Gaunt' scratched into the wall, placed there long ago by yet another Gaunt. Show Professor Black standing with a man who is Mr. Gaunt (Marvolo and Ominis' father) and have the trio question who he is—who is this Gaunt fellow and why was he so important back then? Then keep the little clues coming until Half-Blood Prince when Harry hears the name Gaunt. Then have it hit him that these people are the ones who guarded the chamber, who were Slytherin's ancestors. Then have him slowly realize he has been obsessing over Voldemort's family for years and have him realise it's not him, but the Horcrux inside of him that's doing it. The amount of foreshadowing here can be huge.

Harry is related to them, somewhat distantly, but with the Gaunts paticularly way of breeding, Harry's bloodline is the closest to family they have. They are all Peverell decendents, fated to carry the secret of the Deathly Hallows down their lines. Voldermort and Harry are more or less cousins and when people learn that for the first time, they are shocked, but maybe they can explore that in the show, the books hide it well, leaving little clues, but its often missed by more casual readers.

Have Dumbledore in season 6 mention one of the Gaunts, a young boy who ran away from the House of Gaunt at a young age, was never found by Voldemort and escaped the certain death that would have surely came to him from him also being an heir of Slytherin, as Voldemort wanted to ensure he was the only one—that would really make Ominis' fans happy. Have Dumbledore hope he had a happy life, had children, that they are out there somewhere still to this day, other Gaunts. Maybe even say he found one and asked for permission to destory their ring. Leave Harry a note in HP 7 that the Gaunts said destroy it in the end, to free them of their last link to a darker past.

I really hope they do something like this, even in Goblet of Fire, show Voldermort in the Riddle house and have him mention it used to belong to his own family, before they lost everything (That would make me so happy as its a personal headcanon of mine that the Riddle House is really the House of Gaunt)

I know some people are now anxious after seeing the news, but I think this is a really, really good thing. This didn't even mention the Sallows, but imagine seeing in Season 5 at St Mungo's, a picture of Anne Sallow, a young witch who was one of the first breakout cases for curse cures, or a Sebastian Sallow on a list of past Hogwarts teachers. I know non-Hogwarts Legacy players may not be impressed by the game being tied into the TV show, but I feel strongly that the TV show will bring us much more content and closure.

[howlingmod]

Warm

summary - katana x reader. reader is described to have a broken horn and it's implied to have been some sort of big deal but it's not super detailed

wc - i dunno again. woops

misc - heretic katana ily ... also sorry for any mistakes i love writing tired on a whim. smiles

It was late. The sky had long since turned pitch as the rain continued to pour on and on. Crossroads had fallen quiet for the night, rain driving passerby indoors and locking them inside for the evening. The silence was broken only by the constant pittering of the rain, tapping on the window sill and running down the sides of your apartment building.

Katana couldn't complain. While he stayed at your place rather frequently, he had yet to adjust to the louder bands of night owls that often roamed at this time. It'd keep him up, picking up the faint noise of conversation and movement. It'd keep you up, if only because of his stiffness. The hustle and bustle of the city had long become white noise to you, leaving tonight with a strange absence the rain couldn't fill.

That was probably why the both of you were still awake at this point, even if only partially so. Your body felt heavy, lead weights accumulating in your limbs to keep you firmly planted as you were. You didn't have a huge bed, but you two were still far closer than you needed to be, tangled together and facing one another.

A hand trailed from your arm up to your face, warmth bleeding into your skin before slowly ebbing back out. From there, it travelled further upwards to the base of a horn, left fractured and badly cauterized.

After an injury, horns can eventually grow back, so long as the trauma hasn't completely destroyed the tissue. By all means, you should've been able to grow yours back, but not everything turns out as it should. There had been too much blood loss, too much sensitive tissue and nerve endings left exposed that was sure to get infected in the mess. If your horn was to get infected in such a vulnerable state, you likely wouldn't be here. And so, as opposed to the fine, smooth edges you once had, there was now a mess of shards and sinew firmly covered by synthetic material affixed to the remaining pieces.

Nerve endings had been burned off, but even the faintest touch still resonated deep in the hollows and grooves of your horn. Ordinarily, you would flinch back, grab at your horn until you could numb it again with enough stimulation, but instead you laid still. You couldn't see his and moving, but you could feel him exploring the cracks left over.

You could feel the featherlight touch of a fingertip tracing the spidery splinters in the surface till they faded back into the thick of the material. You could feel it roll back up to the division of synthetic material and your own- if his touch hadn't been careful before, it was near paranoid now, just barely grazing the surface for fear of hurting you. After following the groove all around the reachable exterior, it fell back down to tracing along the length of it, long cracks and imaginary shapes alike.

You could barely make out the glint of light on his eyes and exposed teeth. You could just barely find the roughened skin and dense gums, could just see the edges of where once smooth skin had been ripped open to leave his insides bare. Your hand was too heavy to move, too heavy to even think about moving it, so you settled for tracing along the edges with your eyes.

He didn't like his face, that much had been made clear to you. To him, it was a reminder of awful times, of pain and torture he would never forget, mentally or physically. To you, it was his face. It was all you had ever known him to look like. The only Katana you knew was the scarred one, the one with leathery skin and bad memories. Likewise, he had never seen your original set of horns, perched proudly on the top of your head like a crown, he only knew the asymmetrical ones, one ripped apart while the other stayed as a reminder of what they were supposed to be.

You had been hesitant to ever let him get close to it, turning your head away to hide it whenever he even so much as glanced at it. With time, with bearing his own scars to you, you'd grown more comfortable with it. He still remembers the day you first touched the lip of your shorter horn to one of his, how neither of you had said anything. Neither of you felt the need to, the message had already been given.

"I love you."

Your throat felt dry, had you really said that? You figured you must have, if only beause he had smiled, skin pulling alongside his lips at your words.

"I love you too."

[deepdreamnights]

I remade the trailer to Robot Monster, to serve as a trailer for a hypothetical remake of... you guessed it, Robot Monster.

Destruction has come, hu-mans, and its silliness will not protect you.

My thoughts and how-to process blog post under the fold.

I made Robot Monster's Trailer Remake primarily with Vidu and with Midjourney.

For most shots I started with a photoshopped midjourney gen (or stack of them), which was used either as a prompt image or starting frame.

Some shots, like the earthquake, were done with start-and-end frames.

Vidu has some quirks for my Roland Emmerich Christ-the-Redeemer shot. I attempted the image several times as a direct image as start frame, but it would reset to a new camera angle each time, rebelling against my inaccurate version:

As the AI could recognize the statue, but not it being in inaccurate surroundings. I eventually used it as a prompt and not a start frame got a good enough shot.

I tended to go for 8-second shots on quality mode, to give me more to cut around and edit. Almost no shots play without some cropping, speed adjustments or other edits in this, and anyone using AI for a larger project is going to find much the same.

While 90% of the shots are from Vidu a few I used Hailuo's Minmax to accomplish. Mainly things like a few low-motion Ro-man talking shots, the computer-communication device, and the motion title card for "electrifying", etc.

Vidu likes to move, a lot, and for stuff that needs subtle movement I sometimes find it helps to mix things up.

I've found that when image prompting for a character, like Ro-Alice, it sometimes helps to do a fullbody and portrait two-for-one. This helps keep the character design consistent, and you can kinda tell which Ro-Man shots I made before I figured this trick out.

I also reused shots of the dinosaurs from my other AI video projects for meta reasons.

Right now it doesn't make videos so much as it makes shots you can weave into videos.

I'm actually impressed at how well it understood the concept of Ro-Man, only giving him a full ape face or a weird tail or the like a couple of times.

My general approach to the concept was "What if you kept the premise the same but had a budget." Whereas in reality you'd never actually get that combo, since if they had money, they wouldn't have made Robot Monster.

It also let me play with a fanon idea I've had for awhile that the Ro-Men were the helmets, and the ape-creature was some biological organism used as a conveyance.

For the audio, I took the audio to the trailer and used Suno's cover-features to both clean up the sound and change the musical style. The back half of the original track was completely warped by the cover process, but I used another bit of trailer-style music to cover that bit, and to extend for the longer ending shot, since my version of the trailer is about 20 seconds longer than the original.

Some prompts utilized:

in a sci-fi lab in a cave, a furry alien monster wearing a spherical helmet with reflective faceplate walks around aubrey plaza in a white sleeveless slip-dress and dark pantyhose in a glass tube, the tube pulses with green light. She is in a glass cylinder, he is walking around it, with curiosity. The scene is menacing, slow movement, pensive. horror movie scene, the tone is tense and frightening. professional lighting and cinematography. Oscar winning, 2003, practical lighting, effects, and costuming.

the robot spider-robots with spherical heads walk around as though searching for something. horror movie scene, the tone is tense and frightening. professional lighting and cinematography. Oscar winning, 2003, practical lighting, effects, and costuming.

the alien ape-creature wearing a space helmet (the robot monster), in a modern city. He throws green lightning from his hand, disintegrating a policeman into ash. Monster-movie sci-fi scene, dramatic camera angles and lighting. Practical costuming and special effects. High budget and high concept.

slow motion fly-through footage, the air is full of slow-moving glowing bubbles. green electric sparks arc from one bubble to the next producing an ominous mood. The scene conveys spreading menace and fear. One long, unbroken shot. filmed on location, effects by weta digital, ILM, stan winston studios, believable and hyper-realistic. Shot on location. trailer shot. high-speed film

All-in-all, a fun project, and one that came along when I really, really, really needed something to concentrate on for long stretches of time.

Make something fun, folks.