#this got longer than I expected but I really wanted to write this scene down | Explore Tumblr posts and blogs

confused-pyramid · 10 months ago

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Tell Me Some Things Last | s3

pairing: aaron hotchner x childhood bsf!reader

summary: Hotch and his childhood best friend working together at the BAU: a slow burn across the seasons.

word count: 23.1k

warnings: canon!typical violence, mentions of abuse, mentions of death, specific episodes mentioned in this part are 3x01, 3x02, 3x03, 3x06, 3x08, 3x09, 3x14, 3x16, 3x17, 3x19, and 3x20

a/n: season 3! The slow burn continues:) This was really fun to write, so I hope you enjoy it! (and I promise the chapters won't keep getting longer, this one just got out of hand LMAO) Title is from Heal by Tom Odell

series masterlist

"Excuse me?"

Section Chief Strauss doesn't falter. "You can't expect me to believe you think Agent Hotchner has done an effective job leading this unit."

"You can't expect me to believe that you think I'd willing spy on my unit chief for you."

She sighs and you want to throttle her. "Agent L/N, I know you two share a history, but this is bigger than that. People have died on his watch."

You have been trying to remain neutral since you were called into her office, but every word that comes out of her mouth makes you see red. Yes, this past year has been tough, but none of it was in his control.

"I think you know my answer," you say coldly, straightening your back in her chair. "I have to go, we have a case in Arizona."

She holds your gaze for a second, before nodding and turning back to her computer. You stand up and leave her office without another word, hastening your pace to a light jog the moment you're out of her line of sight.

You want to talk to Hotch as soon as possible, but by the time you get back to the bullpen, the whole team and their go-bags are gone. Grabbing your own bag, you rush over to the airstrip where everyone is settled inside the jet.

He glances up with a thin smile when you take a seat across from him, and you return it, not wanting to raise his concern when everyone is around.

The Flagstaff police meet you at the airport when you land, and everyone jumps into the awaiting SUVs to get to the crime scene as soon as possible.

The victim is another brunette woman on the college campus, but luckily her body was found after curfew, so students aren't milling around.

You step closer to examine the woman's body as JJ glances down at her hand. "She had her Mace out, but she didn't use it?"

Morgan nods, looking around. "And it's well-lit. He's not afraid of being seen."

A bus stop sign catches your attention and you turn to Detective Griffith. "How often do the shuttles run?"

He answers immediately. "Every 10 minutes."

"Were all the other victims posed like this?" Reid asks, bending over to get a better look. "With their arms crossed."

Griffith frowns. "Yeah. Why?"

"It's a classic sign of remorse," Morgan responds, stepping in to take over the explanation. "The unsub kills the victim then immediately feels bad about it, so he poses them like this, so they'll rest in peace."

"You can tell that just by the arms?"

"It's why you called us here. To build a psychological profile of your killer."

After inspecting the crime scene, Gideon and Morgan leave to talk to the dean of the school, and JJ and Reid go to meet with the students living in the victim's dorm. Hotch is still back at the station, and you haven't gotten a chance to talk to him since meeting with Strauss, but you push it out of your mind as you accompany Emily to the coroner's office.

You're so lost in thought that the drive over is entirely silent, and it's not until you've parked that you realize she didn't say a word either.

When the coroner leads you to the victim's body, you notice how much clearer each of the markings and cuts are. Hotch doesn't assign you to speak with the coroners very often, usually sending Prentiss, because of her incredible attention to detail, but not that you're here, you appreciate the second chance to examine the victim.

"Did the other victims have this much overkill?" she asks, pulling out her camera as you flip open your notebook.

"Death was caused by a single, very forceful stab wound to the heart," the coroner confirms.

You lean in closer to see the insertion point and notice the lumpy discoloring on the victim's chest. "Yeah, it looks like he broke through the breastbone."

"And after that he just lashed out at random," he adds.

Emily hums in agreement before snapping a couple of photos. "Well, no defensive wounds. She didn't even hold her hands up to fight him off."

"The first two victims were the same."

A shudder runs through you as the two of you leave the cold room and emerge into the warm sunlight. "Why is it almost harder to look at the victims when they're cleaned up and no longer covered in blood?"

Emily considers your question for a moment. "Maybe it's because they look less human that way."

You remember Jeff's funeral, how lifeless he seemed in his casket, and how you could barely look at him during the proceedings. It was somehow worse than seeing him at the crime scene, blood everywhere. At least then, you could still see the warmth in his skin. Later, he just looked cold.

"I think you're right," you tell her just as her phone chirps with a call.

She stiffens imperceptibly when she sees the number, but you only notice because of how hyper-vigilant you have been about your own tells since speaking with Strauss. "I need to take this. Give me a second."

She walks away from you and answers the call, her tone hushed so that you can't hear her. You know it could easily just be a personal call about something private in her life, but there's something almost familiar about the look in her eyes when she saw the number.

"Everything okay?" you ask her when she returns, but she just sighs and starts walking to the SUV. "It's nothing."

You haven't known her for as long as the other members of the team, but it's not hard to tell that she's hiding something. She looks distracted as she avoids making eye contact, and when you remember how you did the same with Hotch on the plane, the pieces fall into place.

If Strauss gave her the same assignment she tried to give you, then you need to keep an eye on her. You don't believe that she would sell out the team, but you also know how terrifying you thought Strauss was when you first joined the bureau.

***

The profile leads you to take Nathan Tubbs, one of the campus security guards, into custody, and while Gideon interrogates him, you walk with Reid, JJ, and Emily through the quad to get back to the station.

"Everyone is so much younger than I remember being," JJ says, as you all pass through a crowded part of campus. Word must have spread that the team arrested someone, because you can't imagine why else there would be so many students hanging outside after dark.

"Yeah, it's a weird age," Emily chuckles. "You want to be treated like an adult, but you're still used to someone else solving your problems for you."

"All I remember is trying to figure out who I was."

That makes you laugh. "I had no idea what I wanted to do when I was in college."

"Didn't you go to college with Hotch?" JJ asks, her eyes twinkling. You expect she's hoping for an embarrassing, or at least interesting, story from those years, but your past with him feels almost like sacred territory: something you can't breach when he's not around.

"Not college," you correct, "just everything else before and after."

"What was he like then?" Emily asks, genuine curiosity in her tone. You still can't believe that she would spy for Strauss, but you also can't help your suspicions.

"He was completely different, but also the same." You smile as you think back to the early years of your friendship. "He was kind of a cool kid in high school, but he was just as focused and determined as he is now."

"Hotch was popular?" Reid asks in disbelief.

JJ snorts. "Why can't I imagine that at all."

"He was trustworthy," you shrug, "and kind. Even when people weren't kind to him."

The three of them go silent, and you suddenly feel extremely self-conscious, but you're saved when your phone rings with a call from Derek. "Hey."

"There's been another murder."

***

The case ends in a murder-suicide that a part of you believes Gideon should've seen coming. JJ calls the jet to take off at first light, and everyone looks exhausted when you arrive at the airport. You sleep most of the flight back, but when you step into the field office again, you know you can't ignore the talk you've been avoiding all day.

You go to his office in the hopes of having this conversation privately, but he isn't inside when you look through the open door. You turn back with a frown and are about to head down the stairs again when you see him leaving Strauss's office across the hall.

He spots you immediately, and before you can say anything, he says, "I just got suspended."

Your mouth falls open. "What?"

"Two weeks."

You blanche as you follow him into his office, where he immediately starts packing up his essentials into his briefcase. "Hotch...I have to tell you something. Something I should have mentioned yesterday."

"What is it?" he asks, his voice slightly distracted.

"StraussaskedmetospyonyouandIthinkshealsoaskedEmily!"

He blinks. "Can you say that again?"

You press your lips together, before trying again, slower this time. "Strauss asked me to spy on you, and I think she also asked Emily."

He closes his eyes for a beat, but it feels like years. You can feel the disappointment wafting off of him, but he doesn't say anything, giving you the time to explain in more detail.

"She asked me right before we flew to Arizona," you tell him, your chest aching at the defeated look on his face. "I told her I wouldn't do it, of course, and that you are the perfect leader for this team. But I was watching Emily the whole time we were there, and I think Strauss might have threatened her or made her some kind of offer."

His hands pause their packing and for a moment, you're worried that he's going to be angry you didn't come to him sooner, but then he just sighs, a deeply dejected sound. "I figured she would. It's basically in the FBI playbook."

"You knew?" you say, your voice almost like a gasp.

"I didn't know for sure," he amends, "but I believed so. And I'm usually right about these kinds of things. Anyway, it doesn't matter now. You guys will be fine without me."

You want to shake him; to reach forward and rattle his shoulders until he realizes that this is it. This is exactly why he makes such a great unit chief.

He doesn't get angry, even when he may have cause to be. He trusts his team so wholeheartedly that even under the suspicion of spying to the higher-ups, he still treats everyone the same. He puts the team above himself in almost every aspect, and the intermittent calls you get from Haley when you're in the middle of a long case prove that it may be to his own detriment, but he still does it. Because he cares so deeply, about each of you, and about each victim, and about catching each killer.

"We need you," you say, emphasizing your words as though that will make him understand you better.

"Morgan and Prentiss will be fine," he says pointedly, as though trying to prove a point. "I'm sure they'll even be better off. And Reid and JJ can look to you for guidance. It's practically what they do already."

"Fine," you sigh, throwing your hands up in exasperation. "They'll be okay. But what if I need you?"

He looks at you then, and there's a sadness behind the stern set of his eyes. "You'll be okay."

***

You have to drag yourself out of the house the next morning. The knowledge that Hotch (and most likely Gideon) won't be at the office sucks the motivation out of you, especially because you have no idea what will happen once the team is given another case. Will they assign you a new unit chief? Will they temporarily promote someone on the team?

You push your questions out of your mind as you mindlessly get through security and flop down at your desk. There's a palpable difference with half the team gone, especially since Emily doesn't seem to be anywhere in sight either, and the emptiness of the office somehow feels more claustrophobic.

You finished all of your paperwork the night before, because you couldn't sleep after hearing of Hotch's suspension, so sitting at your desk now, you have nothing to do until a new case arrives.

Reid and Morgan dive into their own paperwork the minute they sit down, and they don't look up except to grab a new pen or refill their mugs.

You can see the tension lining everyone's shoulders, the stress about the future of this team, with its two senior-most members gone.

When you can't take the lack of work anymore, you head over to JJ's office, where she is poring over a stack of case files so tall that you can't see her face until you step in front of her desk. "Hey, JJ."

"Oh, hey," she says, looking up at you. "It's been really quiet out there."

You nod, dropping onto the sofa across from her. "Half the team's gone. It doesn't feel the same."

"I wish I could come out there and sit with you guys, but I have so many new case files to look over."

"Need any help?"

She looks up in surprise. "Actually, that would be great. Can I leave you with a few of them? There's a checklist for what I need you to note down at the top of that stack."

"Of course," you say before she hands you a thick stack of files. "I'll get them back to you soon."

"Take your time," she says, waving you away. "I have like a billion more to go through anyway."

When you're back at your desk, you set down the stack with a small thud and open the first file. You're bombarded with gory images of men who have been brutally stabbed to death, and you read over the case history quickly before opening the next one. This time, the images are of live women, all of whom share a skin tone and hair color, and have been kidnapped in the last week.

You slam the file shut and close your eyes in an effort to keep your head from spinning. You don't understand how anyone could classify these cases. How they could decide that one of these unsubs is worse than another. But there aren't enough teams like yours to cover every case that comes through the door, so someone has to.

You glance up at Hotch's office again, a force of habit, and the darkness in his doorway reminds you of the emptiness in the office. It's the same with Gideon's office, and Emily's desk.

You miss them all.

***

The first week of Hotch's suspension is hell. Gideon still hasn't turned up, and you can see his absence clawing at Spencer, who hasn't gone more than an hour without glancing at his office since he left. Derek doesn't admit it, but you can tell he misses Hotch's leadership over the team.

Strauss has come by periodically to "check in" on your team's work, but with the other units available to take on any new cases, she hasn't assigned you anything. You know she doesn't trust your team, but you're surprised that even with Hotch gone, she's still treating all of you like extensions of him. Not that she's wrong about that.

Without getting called in, you stay at home for the first few days, and even get some use out of your Peloton for once. You've been missing him all week, but it's not until the following Monday that you decide to actually do something about it.

Grabbing the files JJ gave you to look over, you stuff them in your bag and drive up to his house. Both cars are in the driveway when you arrive, and you belatedly realize that you should have called first.

You knock on the door hesitantly, and are surprised to see Jack in Haley's arms when she opens the door. She looks excited to see you, but you still feel bad about just showing up. "I'm sorry, I should have called."

"Not at all," she says, opening the door wider for you to enter. "You know I love seeing you."

"Y/N's here," Haley announces as she leads you into the kitchen and sets Jack back into his high chair. She shoots you a pointed look. "And she's not here to talk about work."

"Of course not," you say with a laugh. "I just wanted to see how the suspension was going. The team really misses you."

He acknowledges you with a small nod, and you take a seat opposite him at the table, where he is feeding Jack his cereal.

"I miss everyone, too," he says, "but it's also been nice to have some extra time at home."

"This suspension has been a blessing in disguise," Haley jumps in, ruffling Jack's hair. You don't miss the way Hotch's jaw twitches.

You aren't sure what to say to that, but Haley just pulls Jack out of his chair and turns to the doorway. "I'm gonna put him down for his nap. It was nice seeing you, Y/N."

"You too, Hales," you say earnestly, before smiling at Jack. "Bye, buddy."

When she's out of the room, you shoot Hotch a look that makes him lean back with a frown. "What?"

"You miss work, don't you."

He huffs, and you take that as an admission. "I've loved being home," he says, his words slightly more emphasized than necessary.

You can hear the candor in his voice. You don't doubt that he loves spending time with his family, you just also know the pull of the job. The fulfillment of saving people from unimaginable horrors, and the desolate ache that comes when you know you aren't doing everything you can.

"You can feel both things," you whisper as he exasperatedly runs his hand through his hair. He got a haircut.

The thought pops into your head against your will, and you glance up at his hair as you realize this is the shortest it's been in a long time. It suits him, but it also emphasizes the hard furrow of his brow.

"Haley doesn't understand that," he says simply, no ill intention in his tone, "but I can't expect her to. I barely understand it, and it's what I'm feeling."

To the outside listener, his words could be construed as complaints, but there's nothing but deep empathy in his voice. He loves her so much, and even though they're having differences about his work life, she loves him too.

You spend the next half hour talking him through each of the cases that JJ left you with, and when Haley returns to the kitchen after putting Jack down for his nap, you pull out a chair for her and tuck the files away.

"We need to have you over for dinner sometime soon," she says as soon as she takes a seat. "I can't believe we haven't done it yet." She looks to Hotch with an earnest sigh. "I guess Jack has been kind of a handful, but I can't believe this is your first time coming to the house since he was born."

"It's been too long," he agrees, draping an arm over the back of her chair. The sight of their casual intimacy is a reminder of what you once had, but the usual mistiness doesn't come when you think about Jeff. Your chest just fills with a liquid-y warmth that feels like melted chocolate and syrup.

"Likewise," you smile, patting Haley's hand. "I don't know if I can handle another night out, even with the mid-evening interruption."

She laughs heartily, and you see Hotch's lips curve up involuntarily. "I think I'm partied out for the year."

His arm slips down to rest against her waist, but she doesn't lean into him like she usually does. You avert your eyes, glancing up at their kitchen wall clock and faking a gasp. "I've taken up too much of your family time. I should go."

"It's okay," Hotch assuages at the same time that Haley says, "I'll walk you out."

They share a small glance, and you suddenly feel intrusive in their home. "I'll see you in a week."

He nods and you follow Haley to the door, where she gives you a quick squeeze and another promise to have you over for dinner soon. The sun starts to set as you drive home, and before you can second guess yourself, you're turning into a local farmer's market that is about to shut down for the night.

You rush through the stalls and stop in front of the flower shop, where you buy a dozen pink carnations. The vendor ties the bouquet with a silky ribbon and you hold the flowers close to your heart as you walk back to your car and start driving.

This time, you're more aware of the direction you're headed. You don't stop your car until you're in the parking lot and you don't stop moving until you're past the front gates and up the grassy hill where Jeff's headstone sits stoically under the waning sunlight.

You take a deep breath as you sink down to your knees, blissfully unaware of the grass stains coloring your slacks. You set the flowers down in front of his headstone, which you haven't seen in months.

Jeff Adler

Beloved Son, Husband, Brother

Until we meet again

The carnations look bright against the gray stone, and you arrange them neatly so that they don't get blown away.

He loved flowers. He knew they were impermanent and likely a waste of money, but he still loved all of the different emotions they symbolized, and how beautiful they could be for as long as they lasted.

He brought you a bouquet of heliotrope almost every week after you got married, and when you asked him what it meant, he insisted that it was something you had to find out in your own time. That time came a quick Google search later, and when the words 'eternal love' flashed on your screen, you knew you had picked the right man.

You brush your finger against the petals of the pink carnations you brought, remembering the rest of what the search yielded. Angelica for inspiration, calla lily for beauty, and pink carnation for gratitude.

You're so grateful you met him. So grateful he loved you as much as you loved him.

"I love you," you whisper, suddenly needing to say the words out loud. There's no one around, and the sun has set far enough that there's barely enough light to see, but your words feel strong as they come out of your mouth. "Thank you for coming into my life. Thank you for giving me 10 beautiful years."

You wipe away the tear that falls from the corner of your eye. "Goodbye."

***

He takes his time as he walks through the halls of the Virginia field office on Monday morning. He hasn't been inside in two weeks, and after he and Haley agreed that he should request a transfer, he likely won't be back again for a very long time.

When he walks past the glass doors of the bullpen, he spots you at your desk, pointing out something to Morgan in a case file. He hastens his pace so you don't see him. He still doesn't know how to tell you that he isn't coming back.

"Good morning, ma'am," he says when Strauss beckons him into her office.

"I was hoping you'd do the right thing," she says, her lips pressed into a thin line. "Have you given any thought to what department you'll request?"

He shakes his head. "I was under the impression that if I left the BAU, I'd have my choice of posts."

"Well, I'll consider it after I fully complete my investigation."

She pauses before looking at him again. "You were a prosecutor. What about heading up a white-collar crime task force? That'll get you home at night at a reasonable hour."

That sounds like exactly what Haley wants for them. They spent hours over the last week discussing what the best path forward would be post-suspension, and after countless late-night arguments, they finally agreed on a transfer. It would be best for the team, and best for his family. So why does he feel so guilty?

"Sorry to interrupt."

Prentiss barges into the office, as though she had an appointment. She glances over at him, and he can't read her expression. "Sir, I've decided to resign from the FBI, effective immediately."

"I don't understand," he frowns, taking in her rigid posture. He remembers your suspicions, as well as his own, but this can't be where it ends.

"I'm taking the foreign service exam. With my connections, I'd stand a good chance of landing in the State Department."

"Prentiss," he urges, trying to convey his understanding in his tone. "I think that's a mistake."

She shakes her head with a sigh. "Well, don't try to talk me out of it. Garcia saw my name on the list, and she already tried."

That makes him pause. "If she can't talk someone out of doing something, no one can."

"Sorry for the interruption, but, sir, it's good to see you back." She turns her gaze to Strauss, even as she continues speaking to him. "The team needs you."

She stalks out of the room after a quick "Ma'am", leaving him alone with Strauss, who looks like she's up to her last nerve. "I'll be overseeing this next case until I can assign your replacement."

"You don't have any field experience, do you?" He doesn't mean for the words to come out so critically, but his emotions are a jumbled mess that he can't decipher well enough to fix his mood right now.

"My job is to protect the Bureau. If I have to hold the team's hand for one case, so be it."

Hold the team's hand. He can't imagine that Strauss will be of much help in the field, but he keeps his mouth shut. He's been around enough authority figures to know when to keep his criticisms to himself.

"Ma'am," he says gently, hoping he can turn his thoughts into useful advice. "In order to function effectively, this team needs stability."

She clasps her hands together on her desk, and he knows it's done. There's nothing he can do to fix this for the team, at least not on this case. "The BAU has some very talented people, and they're Bureau assets, and I believe it's time that they were out from underneath the leadership of you and Jason Gideon."

***

Hotch was supposed to come back today. It's not until you're on the plane that Derek informs the team that he's requesting a transfer.

"What?" you burst out, unable to keep your composure even with Strauss seated a few rows behind you.

"He didn't tell you?"

You shake your head with a forlorn frown, and Derek jumps back in quickly to remediate the situation. "I only found out because I ran into him on the way to the jet. He didn't seem like he was in the mood for talking."

But he tells you everything. At least you thought he did.

"It's okay," you say, forcing your face into a neutral expression. "This isn't about me. I just can't believe he's leaving."

"Yeah," JJ grimaces, "and I can't believe we're stuck with her now. You know, from this angle, she looks almost human."

You all glance behind you, but thankfully, her face is still buried in the case file.

"Emily didn't come in today, either," you point out, turning to the empty seat next to you. "We're down two agents, and Gideon's MIA."

Reid blinks, and you curse yourself for being so cavalier. You know how hard Gideon's absence has been on him.

He recovers quickly and leans in to the center console with a raised eyebrow. "Has Strauss ever even been out of the-"

A chorus of shushes come from Derek and JJ and he shuts up as Strauss walks down the aisle and sits across from you all. "Correct me if I'm wrong, but I believe it's protocol to brief everyone before we arrive at the crime scene?"

JJ turns red and she nods hastily, opening her file. "Yes, ma'am."

Strauss has only been here for ten minutes and you already want to strangle her. JJ explains the case details succinctly, and when the plane lands, you all head over to the crime scene to find Detective Wolynski, who called your team in when the murders got out of hand.

Within minutes of meeting them, Strauss manages to ruin your relationship with the local police by questioning their decision to wait so long to call in the BAU. JJ immediately takes matters into her own hands as she explains that we have to work with them if we want to be included in the investigation at all, but she doesn't seem to care.

You get a call from Penelope as you're heading back to the SUVs, and you step aside to get out of Strauss's earshot. "What's up, Pen?"

"I tried everything I could," she wails. You can hear the distinct clicking of her keyboard in the background. "I tried to convince him to stay, but he's so stubborn."

You sigh, glancing over at the scene, where Strauss looks positively nauseous. You can empathize with her emotions, because you know how hard it was for you to see your first crime scene in person, but this just further proves how unfit she is to understand what being on this team really means. "If he made up his mind, there's gonna be no changing it, unless he changes it himself."

She huffs, before audibly perking up. "I gave him the Milwaukee case file before he went home, and I also, uh, saw that his transfer hasn't passed through the system yet."

You're almost certain she had something to do with that, but your mind immediately starts going through the possibilities of what this could mean. If his transfer isn't in the system, then that means he technically still works on this team...which means him not being here is in dereliction of duty. If there's anything that can convince Hotch to show up, it's duty.

"You've been more help than you know," you tell her, before hanging up and hopping into the SUV.

***

When he arrived at his house with the case file Garcia gave him, he immediately stuffed it in his bag and tossed it onto the floor. He definitely didn't think about reading it the entire time he was changing out of his suit, and making a quick lunch for Haley and himself. When she went upstairs to put Jack down for his nap, he couldn't help himself any longer.

Reaching into his bag, he pulls out the file and flips it open slowly, being careful to angle the gruesome photos away from the stairs in case Haley came down without him noticing. Women taken in the afternoons and killed. Bodies dumped in the morning. Hearts cut out of their chests. The words pop out at him as he skims the page, and he's so engrossed in the material that he doesn't hear her until she's standing over him. "I thought this was over."

"It is," he sighs, closing the file. "I'm just curious." He doesn't know when he started lying to his wife, but he doesn't like it. The bitter taste of it in his mouth.

He can see her gearing up for a fight when their home phone rings. He picks it up and clicks the button to answer, but even after saying 'hello' a couple of times, no one responds. For a split second, his mind flashes back a year to the Fisher King and the secret message left on his home phone, but he pushes the thought away.

He clicks the phone off, looking up at Haley again, but then a shrill ringing sound starts again, this time from her purse across the living room.

An unfamiliar queasiness fills his stomach, and he maintains eye contact with her as her eyes flicker back and forth a couple of times. He promised himself he would never profile his family, but the analyses come before he can shut off that part of his brain. Shifting eyes. Rigid posture. All indications of lying and shame.

"What did the Section Chief say?" she asks, her hands going to her hips. Stance of power to overcompensate for-

He shakes the line of thinking from his head. "She suggested that I transfer to a white-collar-crime task force."

"Would you have to travel?"

"No, I'd have a nine-to-five life."

She nods, and he can see the finality in her stance. "Then, it's a no-brainer."

***

You haven't been able to focus as well as you'd like to with the knowledge that Hotch isn't coming back hanging over your head. When you get a spare moment at the station, you step out of the conference room where all of the evidence has been scattered around and press the first number on your speed dial.

"Hello?" It's Haley.

You stumble over your words as you say 'hello' back. You weren't expecting it to be her who answered. She clearly wasn't expecting you either, because she sighs dramatically when she hears your voice and you hear a quiet "It's Y/N" before the phone is handed over.

You can understand where she's coming from. When Jeff was about to start his undercover assignment, you were so angry at him for choosing to be away from you for so long. But then rationality won over, and you remembered why he was doing it...for the same reason you are.

"Hey."

He sounds guilty. You can imagine.

"Hey," you say simply, waiting for him to fill in the gaps. He owes you at least that much.

"I'm sorry," he says after a long pause, "but you knew this was coming. You know Haley hates what this job turns me into, and you know sometimes I hate it too."

That wasn't really the explanation you were expecting. Not willing to let him off the hook, you turn your face away from the conference room windows to hide your expression and lower your voice. "You should have told me, and you know it. That's why you're hiding behind this false justification...but I guess you know that too."

There's a small rustling sound over the receiver and you can imagine him running his hands through his newly cropped hair. "This doesn't change the fact that I'm leaving."

Sometimes you forget that he was once a young boy with an alarmingly developed moral compass that didn't always point in your direction. It's times like this that remind you.

"Fine." You feel like an irritable teenager again, but you can't contain yourself around him. Even when you want to hide a part of yourself, you can't.

"How's the case going?" he asks finally. His voice has gotten softer and you know he feels bad about how this call has been going, but with neither of you willing to concede, you decide to ignore it for now.

"Well, Strauss just offended the lead detective 45 seconds into her first crime scene."

He chuckles softly. "I'm not surprised."

"This isn't about to get any better, is it?" you ask, huffing out a forlorn sigh.

"I doubt it," he agrees. "I'll keep looking at the file from my end. Any idea how he's getting control of these women? Is he blitzing them or coercing them?"

"So far, we're coming up blank," you admit, glancing back at Morgan and Reid, who appear to be in a productive debate.

"All right. Keep me posted."

***

Another victim turns up and you're not any closer to figuring out who the unsub is. Derek steps away from the group a few minutes after you and you see him pacing the halls of the precinct, his phone pressed to his ear.

A break in the case comes when Garcia identifies school records of children who exhibit signs of perfectionism and co-dependence, leading you to a profile for the unsub. You're all listening to Garcia as she reads off the records when the door opens, with two figures standing in the entrance.

"Look who's here," Morgan grins, shaking Hotch's hand. Emily looks sheepish as she glances over at Strauss, who is downright fuming.

"How fast can you get us up to speed?" Hotch asks without another greeting.

Morgan scoffs. "How fast can you sit down?"

Strauss opens her mouth to say something, but Hotch beats her to it as he takes a seat next to you. You ignore the gesture. "We're only here to help."

She sighs. "We'll deal with this later."

With two more members back on the team, at least for the time being, the SUVs are split more evenly, and you join Emily, JJ, and Strauss in the first one as you head to the crime scene. Strauss is the first one to walk up to the scene, but the moment she sees the mangled body, she breaks down, her face contorting into a sob that she tries and fails to hold in.

You make a move to go and help her, but you're surprised when Hotch is the first to step in. "If you need a second, take a second. This is what it is. Just don't let the public see you break down."

He's so kind to her, even though she's the reason for all of his professional stress. You suppose she's not the only reason, but that isn't something you get to have an opinion on.

The devolution of the dump sites leads to an update of the profile, which gets you an address for a young boy who left school early with the nurse on duty. It doesn't take long to get to the house, and Derek and JJ coordinate some of the local police and SWAT as you strap on your kevlar vests.

After an initial argument about the probable cause of entering a house you don't know is dangerous, Emily pipes up with an idea. "Let me go in alone."

"Wait..." you start but she steamrolls over you, clearly needing to compensate for not being here before. "The boy's in the family room. He's looking for female authority figures. If he lets me in, I can signal as soon as I see anything that gives us cause."

"Technically, you're not even in the FBI," Reid points out.

She nods. "All the better."

Strauss steps in with a frown, to no one's surprise. "She's interfering with a federal investigation."

"Well, if I'm no longer in the FBI, then you have no authority over me." Emily shrugs and turns to Hotch for the approval she actually wants. "I'm just a civilian knocking on a little boy's door."

He nods and she pulls her hair back into a ponytail. Derek hands her his gun, and you suddenly remember that Hotch doesn't have his gun either. Reaching into your other side holster, you pull out your second firearm and hand it to him without a word. He doesn't lift his hand at first, but then he nods at you and takes the gun, his eyes filled with an earnest gratitude, and you know you've forgiven him.

Once she goes inside, you all wait in silence for the signal to breach the home. It takes almost too long, but eventually your earpieces fill with a loud beeping, and Derek yells "Go!"

You find her in a back room, where she's on the floor, her forehead bleeding from a thick gash. You enter just in time to see Hotch leap forward and take Emily's weapon from the little boy, before lifting him up and carrying him out of the house.

"I can't officially approve of how that transpired," Strauss says when you all come outside. You sit next to Emily and squeeze her hand as the paramedics patch up her forehead.

Hotch shakes his head, clearly done with the bureau politics. "The arrest was clean. It would be a mistake to break up this team."

She looks at him pointedly. "None of you will ever move up the chain of command, you know that."

"Why would I ever want to leave the BAU?"

You almost believe him. It's not that you don't think he wants to stay. You know he does. You just also know how much his family means to him, and how thin Haley's patience has worn.

Morgan asks if he means it, and he gives a vague answer that you expect, before turning to look at you.

"Here." He reaches into his waistband and pulls out your gun. "Thanks, I appreciate it."

His hand brushes yours when you take it back, and the warmth of his skin makes you shiver against the slight breeze. "You're welcome."

***

When he gets home, the lights are off.

"Haley?" he calls out into the empty silence. He tries to convince himself that he didn't see this coming, but after her last words to him before he left, it's a futile exercise.

"Make sure to give your son a kiss before you leave."

He left, even when she begged him not to. Now his wife has left, and she took their son with her, and once again, he is utterly alone.

***

Gideon's resignation comes through and you find yourself missing him more than you thought you would. If Hotch is the backbone of the team, he was the stoic foundation. He formed the roots of the BAU as a unit altogether, and you owe your life's work to his intelligence and foresight. But more than that, you can't help but remember the fact that out of all the members on the team, Gideon knew Jeff the best.

He attended countless lectures about past unsubs that Gideon put on at the academy, because he believed understanding why people do things was just as important as knowing how or what they were doing. He even went to Gideon's home for the occasional dinner, and he brought you along once after you got married.

You're not sure what the team will look like without his guiding hand, but you don't have to wait long to find out when JJ calls you with the notice that you're going to Portland.

Spencer is reading a piece of paper over and over again when you get to the office, and when you peek over his shoulder, you see the familiar scrawl of Gideon's handwriting.

Taking a deep breath, you reach forward to put your hand on his shoulder for a moment of comfort, but think better of it and pull back at the last second. Derek sees your indecision and cocks his head towards him.

You walk over to his desk and perch on its edge with a sigh. "I can't believe he would leave just like that."

"I can," Morgan shrugs, his eyes hard with contempt. When you shoot him a look, he softens. "I just mean that he's been showing signs of withdrawal for a while now. It still sucks for the kid, though."

You both look up at Reid across the aisle, where he is still scanning the letter. "At least he got a letter." You try to bring humor into your tone, but it doesn't work.

"It's not about us," Derek says gently, in a show of empathy for the older agent that is unfamiliar coming from him. "He did what he had to do to keep himself sane. We just have to let him."

You nod, just as JJ emerges from the hallway with Hotch on her heels. "We're starting the briefing."

***

"You must be the BAU."

A handsome man with a thick East Coast accent comes forward to introduce himself when you all enter the Portland field office. "Special Agent Bill Calvert."

"Hi, Jennifer Jareau," JJ smiles, extending her hand. "This is SSA Aaron Hotchner. This is Dr. Reid and Agents Morgan, Prentiss and L/N."

He smiles at each of you but his eyes linger on yours for a moment before he takes JJ's hand. "I appreciate your help on this case."

"You're from Boston?" you ask, trying to place his accent after having heard nothing like it since you landed.

"The accent's kind of hard to miss in Oregon, right?" he grins, before reaching his hand out to you. "Agent L/N, was it?"

You shake his hand, shooting him a thin smile. You can already see Emily and JJ's smirks behind your back.

"We'd like to take a look around Jenny Wittman's apartment," Hotch steps in, moving forward to stand beside you.

Calvert nods. "I'd take you myself, but I'm waiting to meet her family, so I'll have another agent drive you."

"Thank you." Hotch rushes off with Reid and Morgan, and you stay back with JJ and Prentiss to work the victimology.

"Can we set up in here?" you ask Calvert as you start moving the boxes of case files and evidence onto the conference room table.

"Of course," he says, before leaving the three of you alone.

The first ten minutes of looking through the evidence is silent, and for a second, you nearly let yourself believe the other women won't bring up the elephant in the room, but then JJ lets out an involuntary giggle and they pounce.

"He's definitely into you," she says, making no effort to hide her gaze as she unabashedly stares at Calvert through the window. You want to retort immediately, but after seeing her check her phone about a dozen more times a day than she usually does, you suspect she may actually know what she's talking about when it comes to love these days.

Emily nods, biting her lip. "He couldn't stop looking at you."

"You're profilers," you argue, tossing the file in your hand onto the table. "You notice all kinds of insignificant stuff."

"So are you," JJ points out. "What do you think, then?"

They have you boxed in, and you can't think of any answer that would sufficiently appease them so you just groan.

"She's into it, too," JJ grins at Emily, who replies with, "I can't believe Y/N's gonna date someone from Portland."

Without thinking, you huff. "He's from Boston." All three pairs of eyes widen as you realize your slip in not denying her statement.

Emily laughs. "Ohh, it's so happening!"

***

When the men return from Jenny Wittman's apartment, Hotch instructs JJ to televise a statement warning possible future victims who fit the unsub's victimology. When Emily and Derek later find an ad hung up in a local laundromat that suggests he's been killing for longer than you'd previously thought, you decide to head back to the trail where the first bodies were found.

When you arrive on the scene, a dozen new bodies have been found further down the trail and near the water.

"How did we miss this before?" you think out loud, not realizing that Calvert has come up behind you.

"The trail's 40 miles long."

You jump when you hear his voice, and he apologizes after a small chuckle. "Didn't mean to scare you."

"Special Agent Calvert," you say, your voice slightly airy as you catch your breath. "No need to apologize."

"Okay," he smiles, turning to stand in front of you, "and you can call me Bill."

He's a good looking man, and you don't dislike the feeling of someone showing interest in you, especially as clearly intelligent and qualified as him.

"Sure," you say, returning the smile. "I'm Y/N, btw."

"That's a pretty name," he says, his eyes glinting with mischievousness, before he turns back to the scene before you. "They dug up eight new graves before you got here."

You frown. "So the unsub didn't stick to the pattern."

"Guy had a busy year."

You nod, pondering what this change in M.O. could mean, when Bill interrupts your thoughts. "I'm interested to hear more about how this profiling thing goes."

You give him a quizzical smile, and his lips quirk up. "I took a class in criminal psychology in college, but I don't remember enough to be useful in this area."

"We observe human behavior," you explain, ignoring the subtle smirk Emily is flashing you from behind his back. "Profiling is about making connections and predicting future actions based on history, victimology, and behavior."

He takes a moment to digest your words before huffing out a laugh. "Sounds to me like we called in the right team."

When another agent comes by to ask him about the crime scene procedure, you take your leave and walk up the hill of mulch by the open graves. You are nearly to the SUV when you spot Morgan beelining towards you.

"Not you too," you sigh, rolling your eyes dramatically as you stalk away from him.

He catches up to you easily and throws an arm over your shoulders with a grin. "I'm not gonna give you the giggly girl talk that JJ and Prentiss clearly have covered. I just wanted to say one thing."

You look at him expectantly and he brings you both to a stop by the cars. "You're a catch, L/N." You start to roll your eyes again, but he shakes his head. "You are, so if you want to have a little no-strings-fun, then I'll have your back through and through."

You have no idea what no-strings-fun would look like, but you glance back at Bill, who is speaking animatedly with another agent about the change in digging patterns of the graves.

"I don't know what I want," you admit as Derek drops his arm and turns to face you.

"That's okay," he says, before the corner of his mouth quirks up into a smirk. "But figuring that out can be just as much fun too."

***

He would be lying if he said he hasn't noticed you talking to the Special Agent on the case. Calvert, he remembers as he thinks back to the capture and subsequent suicide of the unsub from the roof of his old therapist office.

They were able to find the final victim before she died, so even with the unsub's death, the case feels like a victory, and the whole team looks light on the way back to the jet.

He has been trying to keep himself light too, but every time he gets a moment to himself, his mind reverts back to the silent darkness of his home after he returned from the last case. The reminder that he hasn't seen Haley or Jack in days.

When he reaches the tarmac, he spots you talking to Calvert again, but the conversation looks different than before. The special agent looks nervous, and he tries to gauge whether you seem comfortable, before realizing how relaxed you look.

When he gets closer, he catches the end of a question that likely started with "Can I have your number?" You smile at the man, and he turns away, trying not to eavesdrop.

He can't tell what he wants you to say. He knows it's been enough time since Jeff's death that real dating isn't out of the question, but he can't reconcile the protective instinct flickering in his gut.

Regardless of the distance he tried putting between you and himself, your voice carries over the tarmac, and he hears you say, "I'm sorry." before the rest of the sentence gets jumbled in the breeze. Something that feels alarmingly like relief settles in his chest and he frowns at the foreign feeling of it coursing through his veins.

He boards the plane and purposefully chooses a seat with an empty spot next to it, knowing you'll choose to sit beside him after he practically ignored you all day. He really wasn't trying to shut you out, he just doesn't know how to broach the topic of separation with anyone, let alone someone who had as stable a marriage as you did.

When you board the jet and take your seat next to him, he glances over at you sheepishly and murmurs, "I overheard the end."

He's surprised when you laugh lightly. "It's okay. Everyone was going to find out soon enough, especially with how excited Prentiss and JJ were about it."

He nods, glad that you aren't angry about his invasion of your privacy. Then, before he can stop himself, he looks at you and asks, "You didn't want to see him again?"

"I don't think I'm looking to just date for dating's sake anymore," you explain, your eyes flitting around the cabin at the sleeping forms of the rest of the team. "I had a true love...I don't want to settle down again for anything less."

He understands that completely, but he can tell there's something else bothering you, and not just because of the rhythmic bouncing of your knee that you don't seemed to have noticed. "What else?"

You shrug, not meeting his eye. "I used to have my usual excuse, but I can't really say it's too soon anymore, can I?"

He frowns as he notices the visible strain on you that this burden has caused. "You get to decide that for yourself."

"I know," you sigh, rubbing your eye with a loose fist. "I just worry sometimes that I use Jeff as an excuse to keep myself closed off." Your knee stills, and Hotch scoots closer, even with the armrest in the way.

"You don't seem closed off to me."

Your eyes crinkle with laughter. "I'm not sure if that means much coming from you. You're not exactly the picture of openness, Hotch."

He knows you're mostly joking, but your read punches him in the gut in a way he doesn't expect. You must see the shock on his face, because you immediately lean in closer. "What is it?"

He shakes his head, trying to delay for as long as he can. If he doesn't say it out loud, maybe he can pretend that he's still a happily married man. That he didn't fail his wife and son by being as absent as he had wished his father had been, early in his life.

"It's not about Gideon leaving, is it?" You scrutinize him for a moment before shaking your head. "No. Hotch, what's the matter?"

"We agreed not to profile each other," he sighs, gritting his teeth against the pain of having to vocalize one of the lowest moments in his life.

"Aaron," you whisper. Your voice is soft and gentle, and he breaks.

"Haley left."

Your mouth parts in surprise, and he looks down at his lap, taking a deep breath. "And I don't know if she's coming back."

***

You've been waiting in the arrivals lot of the airport for almost an hour. You're assuming his flight got delayed, and you're grateful for the time to get yourself ready to see him, but the wait hasn't made your jitters any better.

You haven't seen Hotch since you left for college last year, and with his pre-law internship that he somehow snagged as a first year, it was a lonely summer.

When he called you last week with profuse apologies for not staying more in touch and a somber tone that had to be about more than his regrettable phone habits, you had told him that you would love to see him, but your winter break doesn't start for another month. After a few hushed breaths and a second of thinking, he told you that he had bought a plane ticket out to California for the following weekend.

That's why it's Friday afternoon, and you're still waiting for his familiar mop of dark hair to appear through the exit doors. A boy walks out right then, with the same raven hair and fit stature, and your heart rate hastens for a split second, before you realize it's not him.

You look down at your car's radio and twist the dial to change the station. It's been playing the same Madonna song nonstop, and you shut off the volume when the other stations are no different. Your shift in focus takes your attention away from the airport exit, so you jump in your seat when a quiet knock sounds at your passenger side window.

He's here. Your lips curve up into a bright smile and you unlock the door, letting him get in.

"Hi," you say, your voice weaker than you'd like.

"Hey, Y//N," he replies, pushing his long hair back from his face. The simple motion sets off butterflies in your stomach and you turn back to your steering wheel to keep your emotions off your face. He could always read you so easily. "It's good to see you."

He grins at you and leans forward to give you a quick, awkward hug over the center console. You involuntarily inhale as he pulls back, and the scent of his natural musk mixed with whatever new cologne he's been wearing smells dreamy on him.

You said you were over it, you tell yourself in your head. He has a girlfriend who he's going to marry, and you are his best friend. At least you were.

You don't really know where things stand between you two now. A year is a long time to go without seeing someone, and you're sure college has changed him in similar ways that it has changed you.

"I have one more class today," you say quickly as you pull your car out of the lot. "It's criminal psychology, so I figured you wouldn't mind coming to the lecture with me."

"Sounds fun," he says, before leaning his cheek against the window to watch the scenery that zips by. "God, the weather here is crazy."

"It's definitely warmer than I'm used to," you agree, struggling not to glance over at him. "We never had 70 degree winters growing up."

"Which do you prefer?"

You grin. "Home, of course."

"Of course."

You look at him then, and his expression is one you don't understand. It's the same look he gets when he's in the library and he finds a book he's been looking for.

The drive doesn't take long, and you bring him to your lecture, where he proceeds to pay more attention to the information being presented than you do. The class usually feels too short for you, but today, the time ticks by, because you can't focus.

It's been so long since you've sat next to him in a class, and the sight of him jotting down notes on a scrap piece of paper takes you back to high school, when he was still the more attentive one.

After the lecture, you both grab a quick dinner in the dining hall and settle back into your double dorm room, which you painstakingly cleaned up before he arrived.

"So, how long have you guys been friends?" your roommate, Katy, asks him as he drops into your desk chair. You've been watching her ogle him since he arrived, and if he's still as perceptive as he was in high school, it hasn't escaped his notice either.

"Forever," he says, looking at you with a grin. "We met when we were eight. When she judged my taste in The Beatles, it was over for me."

You can't help the heat that flames in your cheeks, even though you know this story by heart. Katy keeps glancing over at you as he explains how you guys met, and eventually she gets up and flops down onto your bed next to you. "You're bringing him to the party tonight, right?"

Your eyes widen as you remember that was today. "Oh, I don't know. We might just stay in."

"You have to come!" she squeals, shaking your arm. She turns to him with a pointed look. "We already have outfits picked out."

"I guess we gotta go, then," he smiles at her, before looking at me with a small raise of his eyebrow. You okay with that?

You dip your chin into a nod, and he stands up. "I'll head out for a walk as you guys get ready."

"Sounds good!" Katy says, grabbing your hand and sliding off the bed. "We'll see you in an hour."

Once the door closes behind him, Katy turns to you, her mouth agape. "You never told me how cute he is."

"What?" you sputter, your cheeks turning a bright shade of pink.

"You also didn't tell me you're, like, in love with him."

You scoff involuntarily, your usual diversion technique when someone brings up a topic you want to evade. "What are you talking about?"

"Okay," she shrugs, reaching into your closet and tossing you the dress you were planning to wear. "If that's how you want to play it."

You go into your attached bathroom to change into your outfit, but after seeing Hotch, the mini sundress you picked out feels like too much. You hate how much you're overthinking something as stupid as an outfit for a party.

You turn away from the mirror and go back into your dorm, where Katy is applying her signature shade of red lipstick in her little mirror stand.

"He has a serious girlfriend," you whisper, almost too quiet for her to hear you. But she is more perceptive than you give her credit for. "Like eventual marriage-serious."

"Oh, honey," she coos, patting the bench seat next to her. You scoot in until you're side by side and she wraps an arm around your shoulders. "I'm sorry I brought it up."

"It's okay," you shake your head, leaning on her shoulder. "I just need to get over it. It's a stupid crush that I've had since high school, but it's time. Maybe this party will help."

"Yes, exactly!" she grins, turning her head to look at you. "Nothing that a little music and a few shots can't fix."

"A few shots?" you laugh.

She nods. "Each."

You down another shot of whiskey before tossing your cup onto the table and following Katy onto the dance floor. She grinds against her boyfriend as you dance beside them, moving your hips side to side with the rhythm of the music.

Being in Los Angeles, the temperature outside is already warmer than it should be in November, but inside the house, your dress is sticking to your skin from the sweat and body heat surrounding you.

You're feeling the alcohol enough to have a good time even in the sweaty throng of bodies around you, and you throw your head back as you close your eyes and feel the thump of the music vibrating the floor boards.

Meanwhile, Hotch can't find you anywhere. He's drunk enough already that he knows he won't be able to find you himself, but he doesn't know anyone else here, so he grabs a half empty bottle from the drinks table and makes his way to the dance floor, where the life of the party seems to be centered.

He's usually a lot more fun at parties, but lately he hasn't felt like himself. Ever since you left for school across the country, it has felt like something in his life was wrong, like he was missing a limb. Then, things started looking up with Haley, and he pushed you away in the hopes that he would forget about any of the doubts he had, but it didn't work. The more he missed you, the worse things got in his relationship, and suddenly he wasn't sure what his life was supposed to look like anymore.

He takes another swig from the bottle and leans back against the counter as he watches people dance against each other in the dim light of the house. His eyes flicker over the mess of bodies until they catch on someone he almost doesn't recognize.

Your eyes are closed and your hands are in the air as you move to the beat. It's not exactly graceful music, but you have managed to find some semblance of a rhythm as you slide your hands down your thin dress, which is sticking to your body in a way he can't take his eyes off of.

He doesn't realize he has lifted the bottle to his lips again until the liquid is burning his throat, and he tears his eyes away from you as his head starts to spin. Maybe he's had enough for tonight. He puts the bottle down just as your roommate spots him. Katy, he thinks, or is it Sadie?

"Aaron!" she calls, stumbling over to him as a man holds her up with an arm around her waist. "Where's Y/N?"

"Not sure," he lies easily, barely conscious of the way his words have started to slur together. "I may head out soon."

"Don't leave without her," she instructs, her voice suddenly getting serious. "I'm staying with him tonight." She pats the man's arm. "So I won't be going back with her."

He nods with a resigned sigh, and slumps down on a couch in the next room, leaning his head back to stop the room from spinning.

When you tire of dancing, you push to the back of the crowd and look around to find any familiar face. You can't see Katy or her boyfriend anywhere, but after exiting the room, you spot Hotch asleep on the couch.

You walk forward with a slanted smile and put your hand on his shoulder to shake him awake. "Hotch, get up."

He groans, peeling his eyes open slowly. "I'm awake. Just resting my eyes."

"Yeah, yeah," you tease, looping your arm through his to help him up. "How much did you drink?"

He shrugs and you wrap your arm around his waist to hold him upright as he stumbles forward. "Whoa there. Okay, let's get you back."

You manage to get him out of the house, and once the fresh air hits, he can almost stand up straight on his own. You keep your arm around him just in case, trying to ignore the way his tee shirt is slowly riding up around his waistband.

You make the walk back in silence, and he falls back onto your bed as you lock the door behind you.

"I'm sorry," he whispers when you perch on the edge of the bed next to him.

"It's okay," you say, huffing out a laugh. He looks so young with his hair falling onto his face, and you resist the urge to push it back off his forehead. "Happens to the best of us."

"No, not that." He rolls over with a groan, flopping onto his back and scooting back so he can lay on your pillow. "I'm sorry I stopped calling."

Your heart skips a beat and you tuck your hair behind your ear, needing to occupy your hands somehow as your mind races with a million questions. "It's my fault too."

"No, it's not."

He isn't slurring his words anymore, but you can still hear the earnestness that only comes when one's filter is completely shattered. He was never one to hide things from you, but you also know how truthful people can get when alcohol takes their mask away.

"Haley and I have been having problems for a while," he mutters, making you sigh. So that's why he flew here in the middle of the school year. "We haven't been seeing eye to eye on a lot of things, and we decided to take a break, but I haven't told anyone, because the only person I wanted to tell was you."

You can't look at him. His gaze is too much, his eyes too full of truth and intensity. "Hotch-"

"I miss you so much," he says, cutting you off. "You're the only person I've ever really been able to talk to, but you know that, don't you? It's the same for you, it has to be."

You don't say anything. The air feels thick with tension, and you're afraid that if you say something, the room will explode.

"She's the perfect girlfriend," he says wistfully, his voice tight with an emotion you can't decipher. "I know it's me who's fucking it up, and I hate myself for it, because she's trying so hard to make this work. But every time it feels perfect, and I think I've finally gotten what I wanted, I just remember-"

"Aaron."

You look at him and his eyes are already staring into yours. You have wanted him to love you the way you loved him for years, but not like this. Never like this.

"You can't fuck this up," you whisper, your voice stronger than you expect it to be. "Call Haley tomorrow morning. Tell her you're sorry, and that you love her, because you do. You know you do."

"I love her," he nods as sleep pulls his eyelids down. "Tomorrow..I'll call her."

You watch him as his limbs relax and his breathing evens out, but you don't fall asleep until the sun starts to rise and you physically can't keep your eyes open anymore.

***

"Happy All Hallow's Eve, folks."

Reid pulls his mask off as Derek looks at him with a frightened frown.

"Are you scared of Halloween?" you ask him, trying to keep the grin off your face.

"I didn't say I was scared," he corrects, glancing over at Reid, who drops his mask on his desk and pushes his hair back from his face, "I said I was creeped out."

"What creeps you out about it?" Emily asks, before grinning at you.

"I bet it's the candy," you joke. "Those muscles probably cower at the sight of anything that isn't meat or protein powder."

Emily snorts and Derek frowns at both of you. "It's the masks. I don't like people in disguises."

"That's the best thing about Halloween," Reid chimes in. "You can be anyone you want to be."

Derek grins. "No, I'm pretty good just being me."

You and Emily share a look. "Yeah, why is it that neither of those points of view surprise me?"

"Guys," Reid suddenly calls out, his voice hushed. "He's here."

You turn around to see Hotch walking down the stairs, accompanied by Agent David Rossi, who you've heard a lot about in your years at the bureau. He was one of the founding members of the BAU, and you can't help but wonder what made him want to come back.

JJ introduces him to everyone, before Reid starts spouting off a list of facts from one of the old cases he solved when he was the chief of the unit.

"Reid, slow down," Hotch says with an uncharacteristic smile. "He'll be here for a while. Catch up with him later."

He nods. "Right, sorry."

Agent Rossi doesn't seem fazed. "No problem, Doctor."

This pleasantly surprises you. It's all too often that new people who meet Spencer don't immediately treat him with the respect he deserves.

"Let's start the briefing."

***

The flight back from Texas is hushed. The case went about as well as you could hope, with them catching the unsub and saving the final victim, but the way Rossi went rogue over and over again has rubbed you the wrong way.

You watch him across the cabin as he pores over his little notebook, and you wish you could peek inside his head. You know that the team aspect of the BAU is a newer addition to the unit, but you don't understand how he can keep all of his thoughts to himself.

"What are you thinking about?"

"Gah," you fright, jumping in your seat. "When did you sit next to me?"

Hotch shrugs, his lip quirking up. "A few minutes ago."

"Well, you should really wear a bell or something, god."

"Y/N," he says, giving you a pointed look. He doesn't let you use your evasion tactics anymore. Given your penchant for aimless talking, you suppose that's a good thing.

"I was just thinking about Rossi," you sigh, glancing up at him again. "Lying to the press to get a reaction from the unsub? Taking over that phone call? I don't like how he works, Hotch."

"He's from a different time," he says, even though you can hear the agreement in his voice, "but he worked with Gideon, and if you remember, it took you a while to warm up to him too."

You heave out a breath but it's the only concession you're willing to give in this moment.

"He's used to an older way of doing things, but he's a great agent."

"He clearly has good ideas," you whisper, "but I just worry that you'll have to work over time to keep him under control."

Hotch ponders this, and you think that maybe he knows you're right. Your eyes shift up and you realize his hair has been shorter for a while now, but you're still not used to seeing so much of his forehead. Not that there's anything wrong with his forehead. It's a fine forehead.

"He was the team leader before he retired," Hotch says suddenly. "He may be tough as a subordinate now, but I'm still glad he's back. We needed someone to fill Gideon's spot, we were low on hands."

"Speaking of, why do you think he's back."

He looks at you with a quizzical frown. "Is it really so hard to believe that he may just want to help us out?"

You think for a second, before shrugging. He laughs.

"I don't know," you concede, with a small chuckle. "I think I'm just expecting things from him that aren't fair."

He turns his body to face you. "Like what?"

You press your lips together, trying to formulate your words properly, so you can clearly articulate the tornado of thoughts in your brain. "I know Gideon wasn't a father figure exactly, but he was someone that Reid and Elle latched onto."

Hotch exhales. "I don't know if Gideon is someone I'd want as a father."

You let out a surprised laugh. "Fair enough."

"How is your father doing, by the way?"

You blink in surprise. It's not that he doesn't talk about your family, it's just that the timing is uncanny. You haven't spoken to him in months. After your mom died, you two were almost inseparable, but then you left for school, and you realized how much bigger the world could be when you weren't always bogged down by your grief. "I haven't called him in a while."

"What did he say after Golconda?" he asks, his voice gentle. After Frank, he means.

You close your eyes, guilt flooding your body. "I never told him."

"What?" You don't look at him, but you can see the shock in the stiff line of his posture. "Did something happen between you two?"

You shake your head, your protectiveness over your family flaring up at the concern in his eyes. "Nothing happened. I just didn't want to worry him."

"That's his job," Hotch stresses, scooting his leg over so his knee bumps yours. "If something like that had happened to Jack, I wouldn't know what to do with myself."

"That's what I'm scared of," you tell him, your eyes flitting over to the window, where the clouds are dancing across the horizon. Sometimes, when you're on the jet, you like to pretend that the time up here isn't real. That as long as the world looks like a series of splotches and blinking lights, nothing can really hurt you. "My mom's death nearly killed him. I learned to cook when I was ten, because he couldn't leave his room for a month." Hotch knows all of this already, but he lets you vocalize your thoughts, obviously knowing how badly you need reassurance for the guilt you're feeling. "Then, when Jeff died, I stayed with him for a few weeks to have some company, but...but.. I was so glad when I left, because then I could finally let myself fall apart."

He reaches under the armrest and clasps your hand in his, extending the comfort you didn't know you needed.

"I've never told anyone that," you whisper, feeling your voice tighten with tears. "I love my dad, I love him so much, but I just needed the chance to recover on my own."

"He loves you too," Hotch says, finally breaking his silence. "You know he loves you. I still remember the themed sandwich baggies that he packed your lunch with all through middle school."

You choke out a laugh. "You would always steal the Spiderman ones."

He smiles, squeezing your hand once. "Maybe you just need to give him another chance to be who you want him to be. He might just surprise you."

You know he's right. Somehow, he's always right.

You nod, flashing him a small smile, and lean your head on his shoulder as the clouds float past your window.

***

He glances at his watch for the tenth time since he sat down in his office. The plane landed just over an hour ago, and he sent you home immediately with the instruction to get some rest. He probably should have gone home too, but ever since he got his new apartment, home hasn't felt the same.

He used to be able to look around any corner and see a memory: the couch where he and Haley made love on their first night at home, the soft carpet where Jack took his first steps, the doorframe where he measured his height on his first birthday as Haley held him up by the arms. He also remembers that he wasn't there to see Jack's first steps; he was in Pittsburgh, working a case and thanking his lucky stars that Haley had had the foresight to take a photo as his son stood upright all by himself.

He lifts the picture frame from the edge of his desk, running his fingers over the cool glass and looking at the blue drawing underneath. Jack had drawn his favorite cartoon character and left it for him on the kitchen table, a few nights before his suspension went into effect.

Putting it back down, he looks at the photograph of him holding onto Haley as she clutches newborn Jack to her chest in the hospital. He still has the photo of just him and her on their wedding, but he pushed it to the back, behind the pictures of Jack, and the one of you and him at law school graduation.

A knock sounds at his door and he looks up to see Dave standing in his doorway. "Can I come in?"

"Of course," he says, waving him in. He doesn't sit down, so Hotch stands up too, unsure of how he feels about the power imbalance in the room. "What can I do for you?"

"You said out there, 'The team shares everything.'"

He nods. "That's right."

"There is no 'I'?"

He nods again, not liking where this may be going.

Dave glances down at his desk, where his phone sits next to the picture frame of his family. "Seems a big thing to withhold. Separating from your wife, your child."

He freezes, unconsciously looking at the door to see if anyone heard. "What are you talking about?"

"You used to call Haley 10 times a day," Dave says, his voice not unkind. "We've been together 48 hours and I haven't seen you call her once. You haven't mentioned her, and you're not going home now."

He frowns, feeling his brow settle into place like it's a uniform he wears whenever he's at the office. "What's your point?"

"I guess you're just not used to sharing."

He doesn't say anything, but Rossi seems to interpret this the wrong way. "Or maybe it's something else." He looks out the window at the empty bullpen, but the implication is still clear. "Was it because of...?"

"What?" He doesn't know where this is coming from, but he can't stop the anger that rumbles through him at the connotation. Unable to help it, he looks down at your desk, and Dave tuts.

"I won't say anything."

"Dave," he shakes his head, trying to remain calm. "You have it all wrong. She's my best friend...since we were children. It isn't like that. It was never-"

It was never like that. That's what he's about to say, but that wouldn't be true. Rossi is a good enough profiler that he would be able to spot a lie from a mile away, so he shuts his mouth and shakes his head again. "It's not like that."

"Okay," he accepts, lifting his hands in surrender. "My mistake."

Hotch nods, and Dave leaves his office, but he can't get their conversation out of his head until later that night when his head hits his pillow and his eyes finally fall shut.

***

"Hey, Dad."

You called him when you got home from work that night, and he answered on the second ring. "Hi, sweetheart."

"How are you?" you ask, clutching the phone to your ear as you sink down onto the couch in your living room.

He doesn't answer for a moment, and you can hear him taking a breath. "I'm good, Y/N, how are you? Is work going well?"

"It's good," you tell him. "Really good. We were able to save a woman today, before the unsub could kill her."

"Unsub?"

"Unknown subject," you explain, quickly realizing just how long it's been since you've spoken to him. "It's what we call the bad guy before we know who he is."

"Right," he says, and you can practically see him rubbing a hand over his face, his nervous tic. "I knew that. Anyway, how is everything in your life? Do you still work with Aaron?"

"Yeah, I do," you say with a laugh. "He was actually asking about you earlier today."

"That's nice of him," your dad says, his voice brightening slightly. "He was always a good friend to you."

You tell him about your most recent case, and about Gideon and Elle leaving the team, but eventually you can't evade the topic you've been trying to avoid all night.

You're okay, you think to yourself. Frank can't hurt you anymore.

"Dad," you whisper, closing your eyes as you take a deep breath. In 1, 2, 3. Out 1, 2, 3. "I have something to tell you."

Then you tell him everything, and he just listens, exactly like you hoped he would.

***

"I met this guy." You didn't even see Penelope approach you, but here she is, looking at you like she's about to say something dirty.

"Hell yeah," you grin, trying to match her energy. "Where?"

"A coffee shop," she smirks. "He was having trouble with his computer, so I fixed it for him, and then he asked for my number."

"Look at you," you joke, giving her a side squeeze, "putting your technical analyst skills to good use."

"Thank you," she huffs, throwing an annoyed glance over her shoulder. "That's more of the response I was looking for."

"What do you mean?"

"Derek," she says simply, and you nod, already knowing where she's going with this. You know they have an uncommon relationship, so you're not surprised that he didn't react exactly how she hoped he would.

"He's an idiot," you tell her, patting her arm.

She laughs. "You don't even know what he did."

"Uh, yeah," you say, turning around to face the bullpen, "I definitely do."

***

The case takes the team to Florida, where an unsub has been feeding women their fingers, killing them, and then carving pentagrams in their skin.

The pentagrams suggest a religious element, so you go with JJ, Morgan, and Rossi to the local church to meet with the priest.

"Rossi, do me a favor," Morgan says just before you walk inside. "You talk to the priest, all right?"

You remember his agitation on the jet when Reid prodded him about his beliefs, and given the cruelty of his childhood, a crisis of faith wouldn't surprise you.

"Hi, Father Marks," JJ greets the priest when you enter the church. She introduces all of you to him, before shaking his hand. "We're sorry we have to be here under these circumstances."

"It's good of you to come," he says, greeting all of you. "Abbey's parents are upstairs in my office."

"We'll go up," Rossi says with a nod, "but Agent Morgan actually has some questions for you."

Your eyes flash to Rossi, but he doesn't return your gaze.

"I have some questions too," you offer, and Derek nods gratefully.

The priest answers the few questions Derek spits out at him, and you watch as his eyes wander around the hall, his shoulders raised with tension. You insert a few of your own questions before heading outside with him to wait for JJ and Rossi to finish up with the victim's parents.

"What happened in there?" you ask when he doesn't meet your eye. "Being rude to Father Marks? That wasn't like you."

"You know what happened to me, L/N," he says angrily, kicking his foot out at a loose stone on the pavement. "I went to church everyday, and I prayed for it to stop, but you know what God did? Nothing."

"I know what a crisis of faith looks like, Derek." You stand in front of him, forcing him to look at you. "But Father Marks doesn't know your story. He's not judging you, he's just showing his faith how he knows best."

His shoulders are still tense as his jaw twitches. "Who does Rossi think he is, throwing me under the bus like that?"

"He's an instigator," you shrug, letting the topic slide for the time being. You'll talk to him again later if he still needs it.

"I didn't love the way Gideon did things either," Derek says, his posture going from agitation to annoyance, "but Rossi might just take the cake. Even if he is better with the victim's families."

"I can't help you there," you almost laugh. "I had the same conversation with Hotch after the case in Texas, and he managed to convince me to give the guy a chance. So...if you can't bring yourself to trust him, just think of it as putting your trust in Hotch."

Derek hums, bumping your shoulder with his. "I guess I can do that."

***

The search party for Tracey Lambert only leads to the unsub taking another woman, and suddenly the ticking clock gets a lot louder. By the time you find his lair and the bodies he has been cannibalizing for years, you're already struggling to keep down even the water you've been drinking. When he reveals where Tracey actually is, you feel so sick, you can't breathe.

When the jet lands back in Virginia, you go home immediately, desperately needing some peace and quiet away from the team for the first time in a while. But that doesn't last long.

You're awoken by the shrill ringing of your home phone. Rubbing the sleep from your eyes, you check the number and answer the phone. "Is this payback for the last time I called you past midnight?"

"Y/N...it's Garcia."

You shoot up into a sitting position as Hotch explains what happened. "How bad is it?"

"I don't know."

"I'm on my way."

You change into a sweater and a pair of loose jeans before grabbing your keys and flying out the door.

"She's in surgery," JJ tells you when you find them in the waiting room. She pulls you into a hug before returning to her hunched position in an uncomfortable vinyl chair.

"There's no other word," Hotch adds, giving you a quick hug as well. With his cheek pressed against your temple, he whispers, "Police think it may have been a botched robbery."

"Where's Morgan?" Emily asks, standing up from her chair.

"He's not answering his cell."

Reid nods, stepping away. "I'll call him again."

He squeezes your hand before he exits the waiting area, and you glance down at JJ again. Her eyes are red from crying, and her chin is pressed into her palm as she stares at the floor. You watch as Emily sits next to her and pats her hand, before clasping it in hers.

You don't realize you've been staring at the same spot on the floor until Hotch stands next to you and nudges your shoulder. You okay?

"I will be," you say out loud, barely registering that he didn't actually ask you anything. "As soon as she's out of surgery." When you got the call that Penelope was shot, you had been hit by an intense feeling of deja vu. Only this time, the call didn't come from bureau leadership, because she wasn't killed at the scene. Because she's going to make it.

He doesn't seem fazed as he checks his watch again, his frown lines deepening. "It shouldn't take this long to get an update."

"Where have you been?" Reid asks suddenly. You look up to see Derek walking into the waiting room, his eyes wide with panic.

"I was in church. My phone was off."

"There's nothing you could have been doing here," Rossi assures him, before nodding at Hotch and pulling him aside to discuss something with the deputies outside. You use the momentary lull to approach Derek, putting your hand on his arm as an initial test. When he doesn't jerk back, you pull him into a hug that he returns gratefully.

The doctor walks in a few minutes later and explains that Penelope will be fine, but she needs to rest until the morning.

"David and I will go to the scene," Hotch informs, his eyes fixing each of you with an empathetic look. "I think the rest of you should be here when she wakes up. I don't care about protocol. I don't care whether we're working this officially, or not. We don't touch any new cases until we find out who did this."

When they leave, you pull Derek down into the chair next to you and lean your head onto his shoulder. After a beat, he relaxes in his seat, and lets out a long sigh. "She's okay."

***

Early the next morning, the doctor shakes you all awake with the notice that Penelope's up, so you rush into her room, trying not to crowd her as she blinks awake.

"Hi," she says softly, her voice small. She looks so innocent, laying in her hospital bed with her blonde hair a halo around her head. You can't imagine how anyone would want to hurt someone like her.

"No tears," she smiles as you swallow down your anger. "I'm afraid if I start crying, I'll come unstapled."

JJ presses a kiss to her cheek, before Derek and Emily start gently plying her with the usual questions. When it comes out that the man who shot her was the same man who asked her out at the coffee shop, your anger turns to anguish, and you reach forward to squeeze Penelope's hand in an effort to comfort her.

"I just thought he liked me," she whispers, the pain in her voice breaking your heart.

"We need a name," Emily asks abruptly. You can see her mentally kicking herself at how serious her words came out, but you know Penelope understands the gravity of this situation.

"James Colby Baylor."

She asks you and JJ to stay back for a second as the rest of the team leaves to investigate Baylor.

"What's up, honey?" you ask, smiling at her sweetly as she uses her other hand to take JJ's.

"I feel so stupid," she sighs, her breath turning into a gasp as tears fill her eyes. "Maybe Derek was right about all of it."

"No," JJ says sternly, reaching forward to brush some of her hair behind her ear. "None of this is on you."

"What she said," you echo, nodding at JJ, "and don't listen to Morgan. He loves you, and he's very protective over you, but he's also a man."

She sniffles out a laugh, before pressing her lips together. "One last thing."

JJ blinks. "Anything."

"Please don't talk about me like I'm a victim."

***

The case wraps up back at the office, where Baylor, whose real name is Deputy Battle, was shot in the head by JJ, who doesn't seem as plussed by the situation as you would expect. You tried to talk to her afterwards, but after telling you she was fine, she put all of her attention on Penelope, who has spent the last week recovering at home.

Now, you're sitting in the break room stirring your black coffee, just for something to do. Hotch finds you in there and walks inside, shutting the door behind him.

"It's been a long week," he grumbles, looking longingly at the spot next to you on the worn couch.

You lift your cup and nod your head at the full coffee pot. "That's what caffeine's for."

"We really should sleep at some point," he says, filling up a paper cup and carefully dropping into the spot beside you. The couch you chose is small enough that his thigh presses against yours when he spreads his legs even the slightest bit.

You snort. "Sleep's overrated."

You both sip your steaming coffees in silence as you watch the other agents shuffle back and forth across the bullpen, unaware of your watchful eyes. The break room is the one place in the office to go for a little bit of privacy, but the unobstructed view of everyone's desks isn't unpleasant either. You imagine this is how Hotch feels when he looks out his office window.

Your eye catches on the stapled wood planks that are currently replacing the broken glass door that leads into the bullpen. He must be looking at the same thing, because he breaks the silence and says, "I think we may need to get JJ out into the field more."

His tone catches you off guard and you crack a small smile. "She does seem remarkably well-adjusted, given that it was her first time."

He nods, turning his head to look at you. "Do you remember your first time?" Killing someone, is the part he doesn't say out loud.

"Of course." You take a deep breath and gulp back more coffee. "He was a serial rapist in Texas. One shot to the heart. I wasn't trying to kill him, he just ran at the last second."

"Serial killer in Florida," he responds simply. "Headshot. He died instantly."

"That was your first year at the BAU, right?" He nods and you sink back into the cushions. "I wasn't even in the field then."

He hums, a low sound that you feel as vibrations on your skin. "I worry that I brought you in here too early. Jeff had just died, and I assumed that getting you out of the house and in the field would take your mind off of things, but I wonder sometimes if I made the wrong call."

"You didn't," you assure him, turning your body to face his, even as he doesn't meet your eye. "First of all, you brought me in six months after he died, and by then, I definitely needed an excuse to leave my bedroom."

He sighs, a small concession, and you continue. "The first case I went into the field for after he died, I could barely hold my gun. Every time I pulled it on someone, I would imagine his body...with all of those bullet holes...and I would just freeze up. It took me months to pass my firearm certification again, but I still don't regret it."

"You sure?" he asks, his voice almost timid.

"Positive," you smile, nudging your thigh against his. "Besides, I didn't realize it until later, but it wasn't getting out into the field that helped me through my grief...it was meeting the team. These people became my family in the moment that I needed one most."

You turn back to your coffee and sip it again, though it's no longer as hot as you'd like it to be.

"How are you doing, by the way?" he asks suddenly. "With Garcia, I mean."

An involuntary shudder runs through you as you remember her pale face in her hospital bed last week, but the warmth of the coffee cup in your hands makes it pass quickly. "I'll never get used to it. But she's okay now, so hopefully it'll be easier this time."

***

You're jotting down notes in the margins of a new case file JJ asked you to look over when your cell phone rings. Hotch and Reid are at a nearby prison, interviewing a serial killer on death row for the Criminal Personality Research Project, so you're not expecting a call from either of them. The rest of the team, except for Rossi, is scattered around the bullpen, but you don't expect him to call you either.

After finishing the line you were writing, you check your phone and see a name you haven't spoken to in weeks.

"Haley," you answer after clicking open your cell. "Is everything okay?"

"I know you're busy," she sighs, her voice tight with what you can only decipher as irritation, "but I didn't know who else to call. Aaron hasn't been answering my phone calls."

You get up from your desk and step out into the hallway to get some privacy. "He and Dr. Reid are at a prison right now, interviewing a criminal for this research project. There likely isn't any cell service out there."

"It's not just today, Y/N," she says, her tone getting colder as she inadvertently directs her anger towards the only person she can get ahold of. "He hasn't been taking my calls for days."

"I can talk to him," you suggest, trying to keep your tone light in an effort to keep this conversation from derailing. "I'll tell him to give you a call."

"I appreciate that," she sighs, losing her steam. "I'm sorry for involving you, I just really need to speak with him about something."

"Is everything alright with you and Jack?" you ask her quickly, wanting to make sure that you aren't making the wrong assumptions about why she's calling.

"Oh!" she inhales sharply. "Yes, of course, we're doing great. Well, great maybe isn't the right word, I didn't mean- I just-" She sighs. "You know what I mean."

"I do," you assure her as your heart twists at the sound of her shallow breathing. You know how hard the separation has been on Hotch, but you know Haley too, and she has always been better at hiding her pain that she seems. "Where have you been staying?"

"With Jess," she says, her voice brightening considerably at the mention of her sister. "She's been a godsend. I feel terrible taking up so much of her space, but she doesn't seem to mind."

You smile, remembering the few times you met Jessica Brooks while Haley and Hotch were together. "She definitely doesn't mind. She always loved children. I bet she's already scheming on how to steal Jack from you."

Haley laughs, and the sound is like wind chimes twinkling in your ear. "She totally is."

Her laughter slowly fades, and you both stay on the line for a few moments in comfortable silence.

"I'll tell him to call you," you promise.

"I know," she sighs. "Thank you."

***

The prison was a bust, but Reid got a chance to use his intelligence to get them out of a tough spot without anyone getting hurt, so the day wasn't a total loss.

He is sitting in his office, drafting an email to the project coordinator, when you walk inside and take a seat in front of his desk.

"Thanks for knocking," he says sarcastically before finishing up the sentence he was working on. Once it's done, he saves the draft and turns off his computer. "How was Indianapolis?"

"Good," you say, leaning back in the chair. "Great, actually. Rossi got to close up the case that's been haunting him for a decade, and the three kids are finally safe."

"I'm surprised he wasn't more excited when he got back," he notes, watching your body language. You look wired, but not about this. Something else is bothering you.

"The unsub wasn't exactly the most gratifying arrest," you sigh, rubbing a hand over your temple. "We don't even think he committed the murders intentionally."

He frowns, shaking his head. "Those are the worst kind."

You're silent for a moment before you sit up straighter and look at him. "Haley called me this morning. While you were at the prison."

"Oh?" Something that feels like ice slithers down his spine even though he can probably guess exactly how the conversation went.

All week, he has felt an enormous weight on his chest in the form of a stack of divorce papers that Haley served him with. She had called him right after, with the explanation that they both should have seen this coming, but he really hadn't. He was a profiler, whose entire job was to notice and analyze human behavior, and he truly hadn't been able to let himself believe that this could be a possibility. That his marriage could actually be over.

"She said you've been ignoring her calls."

He had been ignoring them. He knew she would just tell him to sign the papers, and he couldn't bear to hear her say it again. Once was enough.

He reaches into his desk and pulls out the manila folder that he hasn't opened since his initial read-through. He suspects you already know what he's about to tell you, but he also knows that it won't feel real until he says it out loud. And it's about time he came to terms with what his life would be from now on. "Haley wants me to sign the divorce papers, uncontested."

"She doesn't want to involve a lawyer?" you ask, your voice delicate as you walk him through the explanation with clarifying questions. It's the technique they use when interviewing the families of victims, to help them feel comfortable as they talk about the hardest thing they've ever gone through. He's surprised at how reassuring it feels coming from you.

He shakes his head, running his fingers through his hair. It has grown out a bit since he last cut it, but he doesn't think he minds. Haley wanted him to cut it short when Jack was in his grabbing and teething phase, but now, he likes how he can push it back when he wants. "I don't want to sign, of course, but she's adamant that we get this done soon."

"You'll be okay," you say, and he looks up in surprise. "You're a good man, Aaron."

"I'm not," he whispers, heaving out a sigh. "I'm not doing anything right. At home, I was an awful husband and an absent father, and at work, Strauss would replace me if she had even the slightest bit more ammunition. I can't focus in either place. Maybe Haley's right, maybe I'm just selfish."

You lean forward and grab his hand, even as he doesn't look at you. "You're not selfish. You're the farthest thing from selfish. You don't want to sign, but you will. You're giving her what she wants, even though it's the last thing you want."

He nods, but his heart isn't in it. He glances down at the folder again and takes a deep breath as you give him a small smile and stand up.

"I'll see you tomorrow, boss?"

He nods again. "See you tomorrow."

When the door shuts behind you, he flips open the folder, faster than he meant to, but he's afraid if he doesn't do this quickly he'll lose his nerve. Grabbing a random pen from the mug on his desk, he uncaps it and scrawls out his initials on all of the earmarked lines throughout the stack.

When he finishes the last page, he shuts the folder and leans back in his chair, letting out a long exhale. He did it. He supposes he should feel some sort of severing away of his old life, maybe an audible snap as the ties to his marriage get cut, but there's just silence.

His office suddenly feels stifling, and he loosens his tie before reaching forward and lifting the picture frame with him and Haley on their wedding day. Her smile still looks beautiful to him, and his content expression as he gazes at her doesn't make him feel anything different. Their marriage may be over, but he still loved her.

He runs his thumb over the smooth edge of the frame, and then opens his desk drawer, before sticking it inside and pushing it closed.

***

"Thank you for watching him," Hotch says, his voice slightly muffled over the phone.

"Of course," you smile, sitting down on your couch with the pasta you made for dinner. "It was my pleasure. Jack's a total sweetheart."

Jess was out of town for a couple of days, so he had asked you to watch Jack while he and Haley met up to finalize the divorce in front of an attorney. She had been adamant about finishing the process over the phone, but he wanted to ensure that she and Jack would be taken care of after the papers went through.

"Did he eat lunch?"

"Kind of," you say, quickly swallowing the bite you took. "He didn't want a full meal, but I got him to eat some fruit and bread with cheese."

"I'll make him a snack soon," he says quietly, but you can tell he's just thinking out loud. "Alright, I'll see you at the office. Thanks again."

"Always," you tell him, genuinely. "See you."

The phone clicks off and you scarf down the rest of your pasta before doing your dirty dishes and cleaning up your kitchen. You're considering whether to change into your workout clothes so you can crank out a few miles on your Peloton, but then you hear a knock on your door.

You're not expecting anyone, and with Hotch watching Jack, it can't be him. You peek around the corner into your foyer to see who's at the door, and relax when you spot a familiar mop of brown hair.

"I'm sorry I didn't call first," Spencer says when you open the door, his fingers fidgeting with the edge of his book bag. "I just didn't know how to ask you this over the phone."

"Spence, what is it?" you ask, opening the door further to let him in. He doesn't step forward, and a pinprick of anxiety enters your system.

"If I come inside, I won't be able to do this," he says vaguely, before reaching into his bag and pulling out a flyer. He hands it to you and you read the title, the tension seeping from your body as the words sink in: Narcotics Anonymous for Law Enforcement.

"I know it's a lot to ask," he whispers, "but would you drive me to the meeting tonight?"

Your heart feels like it's about to crack open. Only a boy who was never looked after, never given the love and care he deserved, would think that something like this was too much to ask.

"It's not too much," you tell him, glancing down at the address. "I'll get my keys."

When he's settled in your passenger seat, you pull out of the driveway, not commenting on the fact that his car is parked on the street beside your sidewalk. You understand the need for company more than most people.

The drive to the rec center where the meeting is being held is mostly silent, but you don't press him. He stares down at his hands for most of the ride, and when you stop in front of the entrance, he unbuckles his seatbelt and turns to you. "Thank you."

"Of course," you smile. "I can wait, if you'd like."

He gives you a thin-lipped smile. "It's okay."

"You sure?"

He presses his lips together and looks at you, his eyes reflecting the question in yours.

"Go on," you say, patting his arm. "I'll be here."

He nods and steps out of your car, and you pull into a parking space to wait in while he's in the meeting. You turn on the radio and it's the same song they've been playing for the last week, so you turn the volume down low and close your eyes for a few peaceful moments.

You must have fallen asleep, because you're jarred awake by the chirping sound of your cell phone ringing. It's a bureau number, so you clear your throat and answer the call. "L/N."

"Hey, Y/N." It's JJ, and she sounds tired. "We have a case. It's urgent, so we're flying to Texas tonight."

You sigh louder than you meant to. "I can be there in 20."

"See you soon."

The line clicks off and you rub the sleep from your eyes. A quick check of your watch tells you that you were only asleep for about a half hour, but that's just half of the meeting time. You know Spencer will come back when he gets the call, so you turn the radio off and sit up in your seat.

A few minutes later, he returns to the car. You saw him just over 30 minutes ago, but he already looks lighter than he did when he got to your house.

"I'm proud of you, Spence," you tell him as you start the car.

He nods, a quick thanks. "This federal agent gave me his one year medallion after I left the meeting. I've only been clean for 10 months, but he still gave it to me."

"He believes in you," you say simply, glancing over at his confused expression.

"He doesn't even know me."

You shrug. "You don't have to really know someone to care about them, Spencer. You just have to see something of yourself in them."

"Is that what you see in me?" he asks, finally looking at you.

You consider this for a moment. Is that why you feel so protective over him?

"I don't know," you say eventually, not wanting to lie, even by accident. "I definitely wasn't as smart as you were, or as focused. I wasn't all that driven in high school at all, to be honest. I was lucky to have Hotch. He gave me the push I needed to get out there and focus on school."

He's silent for a minute and you worry you may have said something wrong. Then: "I didn't have anyone in school." He pauses for a beat, before speaking again, his voice quieter this time. "I was in the library one day, and this girl comes up to me, and she tells me that Alexa Isben wants to meet me behind the field house. Alexa Isben was, like...easily the prettiest girl in school."

You frown, already not liking where this story is going. "Did she not show up?"

"No, she was there." His voice sounds almost resigned, but there's a note of something darker underneath. Something raw and painful, that likely still hurts after all these years. "But so was the entire football team. They stripped me naked and tied me to a goal post. So many kids were there, you know, just watching."

"No one stopped them?" you ask, trying to keep your voice steady.

"I begged them to, but they just...they just watched. Then finally they got bored and they left." He clears his throat, and the sound is small, like a little boy's. "It was like midnight when I finally got home. And my mom didn't...Mom was having one of her episodes, so she didn't even realize I was late."

"You never told her what happened?"

He shakes his head. "I never told anybody. I thought it was one of those things that I thought if I didn't talk about it, I'd just forget. But I remember it like it was yesterday."

"You don't need an eidetic memory for that, Spence," you whisper, trying to stay focused on the road even as his words swirl into your memories and create an agonizing hurricane of emotions. "I was only ten years old when my mom was killed, but I can still remember every moment of her funeral."

The field office comes into view and you push forward as you scan your badge and slide into a parking spot below the upper garage. When the car is in park, you undo your seatbelt and turn to him. "I know how hard it can be to push away the painful memories, but there's something more important that I need you to remember."

"Remember what?"

He looks at you then, and you reach forward to squeeze his hand. "You're not alone anymore."

***

"Is it always this hot?" You look up at the beating sun through your shaded sunglasses and fan your face with both of your hands.

"Every day, all day," Emily huffs, running her fingers through her bangs to unstick them from her forehead.

Everyone is sweltering in the Miami heat, but then Derek gets off the plane with a wide grin, his skin glistening in the sun, and you resist the urge to throw your bag at him. "South Beach, baby."

He immediately shuts up when he spots the stunning Miami PD detective who called your team in for the recent string of murders. JJ shoots you a smirk before introducing her to the team. "Detective Lopez. We spoke on the phone."

"Tina," she corrects, before shaking her hand. "Thank you for coming down so quickly."

"Hey," Emily says from beside you, making you turn to see what she's looking at. "Isn't that..."

You spot the person she's referring to, and your face splits into a big smile. "Detective LaMontagne!"

"He's here to ID the cop they pulled from the bay last night," Tina explains.

You don't miss the flush in JJ's cheeks as she shakes his hand. "Detective, good to see you."

"How are you?" you ask, giving him a quick hug that he returns.

"Yeah, Charlie Luvet and I worked together for seven years."

Derek frowns. "Sorry for your loss, man."

Tina looks confused, and you don't blame her. "So, you all know each other?"

"Professionally," JJ is quick to add. Will whips around to look at her, and you turn to Emily with an eyebrow raise, feeling like you're intruding on a private moment. You aren't sure why she won't just admit that they've been together since New Orleans, but that's her business.

***

You join JJ and Will at the IDing of Officer Luvet, and you keep your distance as he glances down at the body and affirms the report.

"Yeah, that's him."

JJ looks like she wants to comfort him, but instead she sticks to the professional approach. "If you need help making arrangements, liaising with families is part of what I do."

Will nods, his voice choking up slightly. "I might just take you up on that. Excuse me, I'll be outside."

When he steps outside of the coroner's office, you can't help but notice the longing look on JJ's face as she watches him go.

"Let's go," she says to you softly, her eyes still on the door. You follow her outside, but by then Will is nowhere to be found.

"It's okay, you know," you blurt out. You weren't really planning on talking to her about this, but sometimes your mouth takes over before your brain can catch up. "I know you worry that being around a band of profilers all the time makes you vulnerable."

"I'm not sure what you're talking about," she says simply, not quite meeting your eye.

"JJ," you say seriously, trying to convey your pure intentions. "If you keep trying to hide it, you'll lose him."

She purses her lips, and you squeeze her forearm, hoping you aren't pushing past her boundaries. The whole team is sparing with details about their personal lives, but you like to think that you're someone people feel comfortable sharing things with.

"I know you, hon." You flash her a knowing smile, feeling a shot of satisfaction as her lip twitches. "I know that it's enough for you to know that you care about something, but it's not enough for everyone."

She exhales, tucking her hair behind her ears. "He's upset with me, but I don't know what to do. I'm still scared."

You sigh, understanding her predicament, but still wanting her to push past it. "You can let yourself be happy, JJ. You won't always get hurt."

She nods before glancing around the room again, searching for Will even though he's long gone. It's an instinct you recognize.

Later, when JJ finally acknowledges their relationship by pulling him in for a kiss at the police station, you can't help but take it as a win.

***

Your house feels emptier than usual when you get back from Miami. Seeing JJ and Will find each other again reminded you of how much you miss having someone to share your life with.

Deciding to take a night to yourself, you pop open a bottle of red, and pour yourself a glass, which you swirl around before taking a sip. It's drier than you tend to go for, and when you check the label, you realize that's because you didn't buy it.

How can you drink this stuff?

It makes me feel sophisticated.

Jeff would break out the fancy glassware every chance he got, because he didn't believe in special occasions. He used to say that people waste precious moments of their life waiting for the right occasion to come around.

The memory feels warm in the back of your mind, and you take another sip of wine before walking over to your cupboard and grabbing the fanciest wine glass you can find. You pour the rest of your wine into the new glass and place the other in the sink, before swirling it around again. No time like the present.

You bring the glass to the couch with you, where you turn on the television and skip through the first few channels. As the wine in your glass depletes, the loneliness sets back in. You're about to pour yourself another pity glass when your phone buzzes with a call from Hotch.

"Do your television channels suck as much as mine do?"

You smile, muting the television and pressing the phone to your ear. "Definitely not."

He chuffs. "I guess I'm not used to the new tv controls."

Right, his new apartment. After the papers were finalized, he gave the house to Haley and moved into a new place ten minutes away.

"We can share mine," you say, listening to the sounds of his breath over the receiver. "I also have wine."

That gets a laugh. "I'll be there in 15."

You hear a knock on your door exactly 14 minutes later. When you open it, you're greeted with the sight of Hotch in a tee shirt and jeans. "A little underdressed, aren't we?"

He snorts, taking the wine glasses from your hands and following you into the family room. "What are we watching?"

"You're the one with the broken tv," you grin, flopping down on the couch and taking your glass from him. "What do you want to watch?"

He thinks for a minute, before his eyes sparkle with an idea. You cut him off before he can suggest what you already know he will. "We are not watching Top Gun again, Hotch!"

"You asked," he shrugs, hiding his smile behind a sip of wine. "What do you want to watch, then?"

You can see him watching you over the rim of his glass, so you blurt out the first name that comes to your mind. "Footloose."

He looks at you blankly for a moment, before his brow twitches, and your jaw drops. "You haven't seen Footloose?!"

"It came out when we were in high school," he groans, taking one of the throw pillows off the couch and stuffing it behind his back. "Terminator and Dune came out that same year. I remember because you tried to get me to watch it then too."

"It's an amazing movie!" you exclaim, standing up to go dig through your movie cabinet. "We're watching it right now."

He groans and sinks back into the pillows as you find the DVD and start the movie. You've seen it at least a dozen times, mostly because it makes you nostalgic for your teenage years, but the opening still gets you excited.

As the movie plays, you keep glancing over at Hotch, trying to see if he's enjoying the scenes just as much as you did on your first watch. To his credit, he watches the movie faithfully, without checking his phone or straying from the television screen.

"Enough," he grumbles suddenly, startling you.

"What?" you question, whipping your head around to face the screen.

"I'm watching the movie," he huffs, fixing you with a pointed look. "You don't have to keep checking."

You frown, hugging a pillow to your chest. "I wasn't checking, I just like seeing people's reactions to my favorite movies."

"Either way."

You groan, reaching out to thwack his arm.

"Eyes on the screen," he berates you, pointing at the TV. "The dance scene is starting."

You sip your wine bitterly as you try to resist the urge to glance over at him. Eventually, the movie takes over your attention and soon it's the final town council scene where Kevin Bacon gives a speech to the whole town.

"'There was a time for this law'," you quote along with the movie, "'but not anymore.'"

The movie comes to an end, and you click the remote to turn off the television. When you turn to Hotch with an excited grin, you're surprised to see that he has fallen asleep.

His head has fallen to the side, resting on the armrest, and he looks so peaceful with his expression completely neutral. His characteristic frown is nowhere to be seen as he snores quietly through his nose.

Your lips curve into a smile as you stand up and grab a blanket from a basket beside the couch. You drape it over his body, being careful not to wake him, and take the wine glasses to the sink before heading up for bed.

***

"That's because you pick horses the same way you practice law."

You hold your breath as he glances into the crowd for a brief second.

"...by always taking the long shot."

Emily snickers under her breath, and you see even Reid crack a smile as the lawyer starts floundering. The rest of the day in court goes by quickly and you all wait for Hotch in the hallway of the courthouse as he finishes up inside.

"That was impressive," you grin, nudging his shoulder as he walks alongside you. "I can't believe that was my first time seeing you in full prosecutor mode."

"Hardly," he says, rolling his eyes lightly. "I was called to give testimony, it's very different."

"I'm just surprised that prosecutor is still walking after how hard you hit him." He shoots you a look and you raise your hands in surrender. "Metaphorically, of course."

"That was a straight knock out." Derek comes up behind you and throws an arm around your shoulder as he spins you both to face Hotch. "The crowd practically cheered when you cleaned the floor with him."

"Thank you," he concedes, flashing his eyes at you. "Now let's get back to work. We still have to get more evidence for the rest of the trial."

And just like that, everyone switches back into work mode. Derek drops his arm and jogs forward to catch up to Rossi and Spencer, while Emily calls Garcia to get the latest update.

Using the moment of solitude, you bump his shoulder again. "Do you ever wish you were still a prosecutor? Your life would certainly be a lot simpler."

He shakes his head, the answer coming quickly and firmly. "I couldn't do it then, and I still couldn't now. Seeing the murderers come in after they've finished killing...I needed to know I could stop them before they were done."

His sentiment sounds familiar. Your mind flashes back to the little boy who took matters into his own hands, because no one could stop the pain for him.

You blink and it's present day again. You loved your best friend who fought his own battles without asking for help, and, even though he's vastly different, you love your best friend as he is now.

***

"Five shootings in two weeks."

"It's about time we got the call."

The whole team, plus Garcia, flies up to New York, where an unsub has been shooting people around the city, seemingly at random.

"Kate Joyner heads up the New York field office," Hotch explains, glancing down at his cell phone. "She's running point on the case and called me directly."

You have heard of her, which isn't too surprising, but all you know is that she's British and seems to be very good at her job.

"You know her?" Morgan asks him, echoing your thoughts.

Hotch nods. "We liaised when she was still at Scotland Yard."

They liaised. You don't know what that implies, but you also know that he and Haley didn't take a single break during their relationship after graduating college, so it can't be anything too personal.

JJ and Emily share a look, but you don't engage with them, instead looking back at the case file and trying to focus on any of the words that aren't 'Kate Joyner'.

***

"Kate."

A pretty blonde woman approaches you all with a smile only for Hotch. "Aaron. How have you been?"

He nods. "Well, thank you. This is my team." He introduces each of you to her, but you don't miss how her eyes linger on you when he mentions your name.

"Thanks for being here," she says, before walking you all through the background of the case. Shootings in different precincts, seemingly random, FBI only brought in after the fourth murder.

After explaining the details and introducing you to the local detectives on the case, she pulls Hotch aside for a private word in her office. You turn back to the team, trying not to let your gaze linger on them as they walk away.

The NYPD doesn't seem happy that SSA Joyner has taken over their case, but even though she comes off as a bit brusque, you can tell she cares about catching this unsub just as much as they do.

"What's your partner's problem?" Reid asks Detective Cooper, the only local officer who has made an effort to meet any of you.

"We're glad the FBI was brought in," he explains with a heavy sigh, "but all of a sudden Joyner's taking meetings with the mayor and calling in you all without us knowing anything about it."

You can understand his hesitation, but you also need his cooperation if you're going to get anything done here.

"We're only here to help," Emily tells him as you turn around to find JJ.

"Has Garcia gotten settled in with the New York tech analyst?" you ask once you find her staring at a map of the various boroughs. She doesn't answer immediately, so you nudge her shoulder. "JJ?"

"Huh?" she startles. "Oh, sorry, yeah. She called a few minutes ago, she's all good."

JJ is usually the focused one who brings you back on track, so you're surprised by how distracted she seems. You nod in acknowledgement, scrutinizing her expression for another second, before heading back to the team. Your eyes involuntarily dart over to Kate's office, and you notice how close together she and Hotch are. You're about to avert your eyes when their body language becomes a bit clearer: each time she leans in to say something, he subtly pulls back.

The dynamic of their relationship is suddenly apparent, and you mentally kick yourself for daring to assume the worst when he first mentioned her. You can't say the same for your opinion of her, though. He's still wearing his ring, for God's sake. Based on how little you've heard about her from him (nothing, you mean), you doubt she even knows about the divorce yet.

Derek and JJ head out with the detectives to check out the last crime scene, while you stay back with Emily and Spencer to build the anti-geographical profile. When another victim is shot, you head to the new scene to see if you can build a working profile.

"It's a different borough again," you sigh after getting out of the SUV and joining Hotch, Kate, Derek, and JJ in front of the body. "Prentiss and Reid are back at the office still working the profile from a geographical angle. We're starting to think maybe we should get officers out onto the high-traffic intersections, and maybe even get some of us out there too."

"Uniforms are rounding up witnesses," Kate jumps in, ignoring you. "It doesn't seem like anyone got a clean look."

You see Derek glance at you out of the corner of your eye, but you don't entertain the look. If she has some issue with you that you aren't aware of, you won't give her the satisfaction of letting her get to you. "The unsub's probably gone before anyone even realizes it's happening,"

Hotch nods, turning to face Kate. "Is this what it felt like during the Son of Sam."

She returns his gaze. "First we realized that if the violence was truly random, there was almost no way of stopping it. Seems like these people have figured that out."

You look up, trying to see if there's anything in the vicinity you can use to ID the unsub. Your eyes catch on a security camera outside one of the delis directly behind you. "From the placement of that camera, odds are the only view they're going to get is the back of his head."

She frowns. "Let's not be too quick to decide what we do or don't have."

This time it's both Derek and JJ that glance at you, but you turn to Hotch, who is avoiding meeting your eyes. Kate steps away to speak with the detectives at the scene, so you grab his arm and pull him aside. "What is her problem?"

He exhales, rubbing a hand over his face. "FBI brass has made it clear to her that if she doesn't bring this case home, she's going to be reassigned. And you are at the top of the list to replace her."

"Replace her?" you echo, trying to process what he's saying. "I haven't even been in the BAU that long."

"It's not about field experience," he says, angling his body so that you're separated from the others. "You've been with the bureau longer than I have, and your work speaks for itself. It's not a surprise that they'd want to promote you."

You still can't wrap your head around the fact that you could be leading a unit yourself, or that you may have to leave the team you love, so you focus on what you do know. "I thought the bureau was proud of the fact that they stole her from Scotland Yard."

"I don't know," he shrugs, glancing back at her. "Politics here are different."

***

After finishing up at the crime scene, the whole team heads to the hotel to get some rest for the night. You feel more alert than you usually do after a long day of building a profile, and you adjust your bag strap on your shoulder as you dig around the side pockets for your room key. You don't plan on going to bed for at least a few more hours, and you might as well use the time to work on the case, but you need your key if you're going to get any sleep at all.

When your fingers finally catch on the thin plastic card, you look up to see a familiar face that you've been seeing more often than not, as of late. "Wait, isn't that..."

JJ looks up with a start, and she doesn't look distracted for the first time all day. "Will."

He gets up from the lobby chair he was lounging in and approaches her. "Hey, I took a shot and flew to D.C., but when it didn't work, I figured a train ride to New York was only a few more hours."

"Detective." Hotch reaches out and shakes his hand, before glancing at you with a frown that says, Did you know he was coming?

You shake your head imperceptibly and turn back to Will as he looks longingly at JJ. "Look, I'm sorry for showing up like this. I know you're working, but I can't stand you being on this case and me not being near." He pauses for a beat. "Not with what's going on."

That makes you frown too.

Hotch echoes your thoughts. "Is there a problem?"

JJ takes a deep breath and turns around to face all of you. "I'm pregnant."

Oh my God.

"Oh, my God," Emily exclaims, pulling her into a hug, the first of you to regain her bearings after hearing the news. "JJ, congratulations."

"That's amazing, JJ," you grin, hugging her next.

You don't miss how stiff Hotch is as Will shakes his hand. "I've asked JJ to marry me."

"Will," JJ says tightly, a warning in her voice.

He chuckles. "Well, we're working out some kinks."

"We'll give you both some privacy." Hotch turns away from them, his face falling the moment she can't see him anymore. You know he's hurt that she didn't trust him with this information, but you're surprised by just how downtrodden he seems.

JJ rushes after him. "Hotch-"

"JJ, you could have told me," he says softly, his voice both confused and stung.

She looks down. "I know."

"Because I understand if you need to take some time."

"No," she shakes her head, without a look back. "I want to be here."

"Okay," he nods, not looking at any of you. "7:00 AM."

You try to catch his arm as he walks off, but he either ignores it, or he doesn't feel you reaching for him. You choose to believe it's the latter.

***

You all deliver the working profile to the police officers first thing the next morning. While you're explaining an alternate possibility, Garcia calls with an update that a possible unsub was caught on camera shooting someone on a subway platform at one of the intersections you suggested that your team patrol yesterday.

"We could have had that guy," you say, your voice fuming with anger as you turn to Kate with a glare you haven't used in ages.

She doesn't falter. "Even if we were on that platform, odds are he would have moved onto someone isolated."

"Maybe, but it was worth taking a shot."

She fixes you with a stare. "I had every available man on the street."

"And I suggested to you that you use this team." You can't believe that her decision to ignore your advice yesterday might have just cost someone else their life. You can see the rest of the team looking at you with some blend of concern or indignation on your behalf, but you don't care. You just need Hotch to back you up.

Instead he just looks at you. "L/N, second-guessing doesn't do us any good right now."

You're so angry, you can barely see straight. Emily reaches for your arm, but you shake her off. "Hotch, how are we supposed to look these cops in the eye and tell them that we're actually here to help them, if she won't let us do our job?"

"We're here to present a profile," he says simply, not quite meeting your eye. "That's what we need to do."

You gape at him, your back straightening as you get ready to stand your ground. You don't disagree on things like this often, but when you do, it's usually a civil conversation that gets resolved quickly. You've never felt this angry about his handling of a case before, but then again, he's never not had your back before. "We've got seven bodies, Hotch."

He looks at you then, and you can't discern anything from his expression. It's a blank slate that sends a shiver down your spine. "It's not your place to have this discussion."

"Screw you."

You spin around, shoving away Derek and Emily as they try to talk you down. You stalk past them and out of the field office, where the cool evening air fills your sinuses and clears your head for a moment of silence. You stand on the sidewalk for a few seconds, waiting, and when he doesn't follow you out, you just manage to convince yourself that you're not disappointed, but relieved.

***

You're sitting at the hotel bar when Rossi finally finds you. You only ordered a lemon water, still feeling like you're on the clock, even if there's a good chance Hotch won't let you back into the investigation.

"I know," you huff when he takes a seat beside you. "I was out of line."

"You got too emotionally involved," he says, turning to face you. "I know you and Hotch are friends, but that doesn't mean you get to be unprofessional."

You sigh, your body deflating as all the fight leaves you. "I just felt like he was taking her side. Like he didn't have my back."

"There are no sides here."

You nod. "I know."

"And he does have your back." You look at him then, and he flashes you a small smile. "That man will always have your back. Right now, he's just worried about how Kate is holding up, with the word on the street."

That surprises you. "You know about the promotion?"

He nods. "People talk. But if she were to get fired, it would be because we didn't solve this case."

You frown, lifting your hand in defense. "Rossi, I hope you're not saying you think I want her to fail."

"Of course not," he shakes his head. "I just hope you know what you're doing."

"I lost my head for a second," you acknowledge, taking a sip of water. "I think I just needed a minute."

"And you got it," he says simply. "But right now, I see someone who wants to get back on the job. Or is there another reason why you ordered a glass of water at a bar?"

You set your glass down, letting out a surprised chuckle. "Where is everyone now?"

You both stand up, and he leads you out of the lobby. "Joyner took your advice. We're spreading out across the city."

***

"Emily, what happened?"

You rush forward to where she is standing over the dead body of a young man. Detective Cooper was taken in an ambulance to a nearby hospital after getting shot, and you only just arrived on the scene.

"He was strangely calm," she whispers as Derek and JJ come up behind her. "It's almost like suicide by cop."

"Why?" JJ thinks out loud. "Why would he do that?"

Derek looks at you. "We need to walk back through this profile."

Hundreds of thoughts are swirling through your brain, but based on the look on everyone's faces, you can tell they're thinking the same thing you are: terrorism.

After the crime scene officials arrive, you head over to your SUV to get back to the field office. Derek heads out to brief Homeland Security, and Reid leaves to talk to the Port Authority police, while Hotch and Kate call with the update that they will be going to speak with the mayor's office.

You start your SUV and pull out into the street when a loud explosion goes off a few streets behind you, the plume of smoke and fire large enough that you catch the high end of it in your rearview mirror.

You screech to a stop, just as your phone starts to ring.

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immortalmrwavell · 2 months ago

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Mr Wavell Is Back!!

Getting Terminated, My Brand New Account and How Things Will Be Moving Forwards. If you were a fan of my content please stick around and read what I’ve got to say ❤️

So as some of you may have already noticed, my original account MrWavellSwaps was terminated. This was very recent so a lot of you who followed me on there may not have even noticed yet but you can go see for yourselves. Obviously this was not my choice and was completely out of my control and when I found out I was frustrated to say the least. This account that I’d worked on for over 3 years had just been snatched away from me in a way that I personally feel was unfair. Initially I had been censored back in July this year for posting content that Tumblr believed to be against their guidelines. Or at least their automated bots thought so as what I posted that got me the censor was in a grey area at most. But despite that I tried to do right by correcting and even deleting any and all posts Tumblr had flagged even if I didn’t believe they were against guidelines just to play nice. Following which I appealed my account’s censorship only to be met with silence for months on end. That is until September 3rd where I chased up the appeal for the third time after receiving no response or updates. I was hoping to receive a turnover on the censorship but was expecting them to just say no and keep it censored. But they did the one thing I didn’t except

The email I got the next morning could be summed up like this. “You want a response? Okay. You’re terminated. Goodbye.” And I was. I tried going on Tumblr and my account was gone. Great.

I’ll be honest in the past I would’ve said that if something like this ever happened that I’d just give up with writing these stories and move on. But I don’t feel that way anymore. I think I’ve just grown so fond of this community and writing as a whole that I just don’t really want to leave yet. I’ve met so many friends through being a writer on here and even more than that I met my Boyfriend! I never could’ve expected that writing these silly gay TF stories would change my life in the ways that it has. And that said I think I’d be doing a disservice to just give up and throw it all away.

So here I am. Back again with a fresh new account.

Where am I gonna go from here you may ask. Well of course I have a large catalogue of stories already from the past couple of years and the majority of those stories are actually still floating around Tumblr thanks to all the reblogs. So it’s not like they’re gone forever which I’m glad about. However with my old account gone it feels like they’re all scattered apart. No longer together in one place. And most importantly they no longer feel like mine. Of course I still wrote them all but with this new account I no longer have any control or ownership over those posts and honestly that annoys me. Not to mention with them all coming from my terminated account, there will always be the chance that they’ll just end up getting completely wiped from the platform eventually, reblogs included.

With that said, I’ve made the decision to re-upload each and every single one of my stories to this brand new account. This way I’ll have complete ownership of these new posts. I’ll be able to edit and change them as wish and overall I believe it would just look a whole lot cleaner than if I were to just hunt down reblogs of my old stories to reblog again over here. However I genuinely see that as a positive as not only will it be better for me that way but it can also give all of you a chance to rediscover some of my older works that were perhaps buried under so many other before. And to spice things up I might even update a few of my old stories to add extra scenes and new images to go with them!

On that note I’m gonna be trying to adhere to Tumblr’s guidelines as best I can so I don’t give them any reason to pounce on me again. This means no risqué imagery from now on even if I personally believe it’s within guidelines. My writing style will remain the same however if a story is particularly steamy I may add a community label just to be safe. If you wanna learn more about community labels and how to make sure you’re still able to view labelled posts check out this post. All that said I do have a plan in mind to bring you all versions of my stories that have more explicit imagery but more on that in a moment.

For the next couple of weeks at least I plan on gradually re-uploading all of my content to this blog like I said. I may do one story a day or more than that depending on how I decide to do it. I’ll continue doing this until everything is back up under this new blog. Once all that is done I’m going to try and create a new master list where you can find links to all my posts just like before. And once that’s done I might give myself a breather for a few days and then I’ll see about posting some brand new content. Content of which I’ll be writing up while doing the re-uploads so that it’ll be ready to go once everything is caught back up. After that everything should hopefully be back to normal with my usual schedule of posting new stories and reblogging stories I enjoy!

Now. On top of this I also have plans to create a new blog or website completely outside of Tumblr. One that I can be allowed to do anything that please with and not have to tiptoe around any guidelines. This is where I’ll be uploading alternative versions of all my stories. Some of them may be exactly the same as they were on Tumblr while others may have secret images and gifs that otherwise wouldn’t have been allowed on Tumblr. I haven’t decided on all the specifics yet but once I figure it out I’ll let you all know.

And one last thing before I sign off. Recently I’ve been considering the possibility of turning this hobby of mine into a job. Now don’t worry I’d have absolutely no plans to paywall any of my content. I want everything to remain accessible for free. However I was considering opening up a place for people to leave donations and maybe even kick my Patreon off again. But most importantly I’d be considering opening up commissions. If I were to go down this route I’d likely be able to post much more consistent content for you all and make this my full time focus. It’s just an idea for now and I probably won’t set it into motion until early 2025 if I decide to go through with it but I wanted to at least share it with you all. I was actually just about to post about it on my original account until… you know hahahah.

Well I think I’ve said everything I wanted to say. Please can I ask that if you liked my stories that you please share this and my upcoming re-uploads around and let everyone know that this is my new blog. It would help a ton in getting me back on my feet on I’d really really appreciate it.

Can’t wait to get back on track and continue delivering stories to all you wonderful people out there. I love all of you and I’m so grateful to you all for following my journey so far and I hope you’ll all find me again so we can continue this together! ❤️

- Mr Wavell

#mr wavell #male body swap #male possession #male tf #male transformation #gay body swap #update #new account

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sanspuppet · 10 months ago

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Hey! I know your hard hours are currently closed but you can take your time on this request I'll be patient hehe but i need YOU to write this because you're lowkey my favourite writer 🤭 but anyway could I request a san smut where y/n gets horny from reading a sex scene from a book 👀 hehe tanku ;))

San x afab!reader

W/T: lot of dirty talk (yay), kind of daddy kink, pet names (sweetheart, baby, kitten), unprotected sex (👎🏻), breeding kink

A/O: ahww thank you anon! i really appreciate it mwah <33 i hope you can like it!

Your legs shut intensely as soon as the novel you’ve been reading comes to an end. Fuck if it was a masterpiece that book, the chemistry between the two lovers caught your attention until the last sentence of the very last page. Less to say it, you almost forgot your own existence reading the scene when the two got finally to make out, they whispered little dirty things to each other ears, groped every part of their bodies, before having the most romantic and wild sex you could have ever experienced. You closed the book, placing it next to your side. Your legs were crossed and your stare lost in thin air.

“What got you so exited, sweetheart?” San was heading towards you, with a slight smirk growing on his face, his dimples popped out of his cheeks.

“W-What? What are you talking ‘bout?” you looked at him sitting next to you on the couch, lips parted because you were still regaining consciousness from the book.

“Look at you, baby” panic and shame flowed through your veins, as he pointed the dark stain on your gray shorts.

Fuck.

“You must have liked that novel so much, am i right?” his left hand rested on your inner thigh, caressing it gently. He wasn’t really expecting a reply, though. “Was the sex scene better than our personal ones, baby?” he enjoyed teasing you for sure.

Actually, you liked very much having sex with him, but at only the thought of him fucking you the way you just read, you were throbbing. Which he immediately noticed because of your light clothes.

“Tell me how should i fuck you, then.” he got close to your ear, his thumb rubbed against your lower lip. “Do it for me, kitten” he planted a kiss on your burning cheeks.

“Grope me San, please” you didn’t want to sound too much desperate, but the timbre of your voice couldn’t lie to him. San quickly picked you up so easily that you seemed weighting just as much as a feather.

He threw you onto the bed, his hands found their ways under you t-shirt. “Yeah i see, you want me to touch your soft skin, leave bruises and hickeys all over it?” San squeezed your tits, capturing your lips in his. “I can’t wait to be inside you, you’re so wet i can see it.” One of his hands went down your body, once he reached your panties, he slided one finger under them, rubbing it against your sobbing cunt. Pathetic mumbles left your mouth, your nails were already scratching his back.

“I need this pussy so bad, i wanna give you my babies and stuff you full.” The innocence in his voice was (to say the least) out of tune with the actual meaning of his words. San didn’t hesitate much to drag down your lower-half clothes and shove two fingers inside your sloppy hole.

“Fuck! San!” you breathed out, moaning at the feeling of his fingertips swirling inside your pussy. He spanked your hip harshly with his free hand. “You know how to call me”

He left a hickey on your pelvis. “Say you love me, baby” he kept biting on your skin, as he prepared your cunt to take his big cock, pumping in you with his fingers first. “Say you want me to be filled up by my cum.”

“Y-yes daddy, i want that. Want it so bad” you kind of hated how pathetic and needy you sounded, but oh fuck if he knew how to foreplay.

“Good girl. You’re stretched enough, ready to take it?” San pulled out and dragged his boxers down. His dick was extremely hard and you could tell he couldn’t wait any longer.

“Before you’re too fucked out to even speak, any other particular from the book?” he parted your legs to make room for himself.

“Just fuck me dumb, please.”

“Gonna drive you cockdrunk, kitten, i know you like to” San lubricated his tip, rubbing it against your soaking folds, before sliding inside you all at once. His hands pinned your hips down, stopping you from every move as he started to thrust in you with all of his force. His pounds were deep and decisive, searching for your g-spot.

“Fuck fuck fuck! Right there, t-there. Daddy” you whined out as soon as you felt his cockhead kissing your core. He sped up his pace, pounding rougher, making you tearing from pleasure.

“Take it, just like that. You’re tight pussy’s squeezing me so well” he leaned over you to inhale your sweet scent, the perfume you wear every day that he bought for you, he loved smelling it on you. San giggled in the crook of your neck, then he bit on your burning skin to repress a moan. “Fuck baby, it’s so wet that’s so easy to thrust into it, im not gonna last long”

Your hands cupped his cheeks, planting a messy kiss on his lips. “Please, cum with me, i’m so close daddy” He grunted highly in pleasure, his thrusts got faster but also sloppier. The squelching sound made him so fucking horny, your moans were like music to his ears.

“Yeah? You’ close? Then fucking take my cum.”

San did a few last thrust into your soaked cunt, before you could feel his warm seed flowing into you. He didn’t stop though, he kept pounding to spurt it deeper inside you. His hands caressed every inch of your body, as he murmured praises to your ear:

“Did so well for me, always taking it all. Such a good little girl, aren’t you? You’re so pretty like this.” he layed next to you, leaving sweet kisses all over your neck and face.

“Now tell me, was it better than that book?”

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losergames · 1 year ago

Text

Chop Shop is strictly 18+ for language, themes, and potential explicit content.

🔗 - Game Intro | Bug Report | ko-fi

WE ARE LIVE!!! Chop Shop has officially relaunched on Itch.io! Available to play on desktop, tablet and mobile.

Prologue - EP .02 are ready to play - the same as the previous demo - with a new word count of 120k. The choicescript demo will be taken down at the end of the month.

Thank you so much to those who have helped me during this transition period of development! It has been crazy frustrating but I am so much more in love with the game than ever. And thank you to everyone who has been patiently waiting - hope you enjoy all the new bits and bobs!!

PLAY THE NEW DEMO NOW!

AN: CS has had some significant rejigging and rewriting. You can read the authors notes under the cut.

chop shop now has it's own UI! woohoo! (totally did not kill me) this, of course, will come with teething problems and accessibility issues. i am welcome to constructive feedback!

there are a lot of new dialog boxes to explore, especially the dashboard, which includes the PC's profile, inventory, contacts and a glossary page. (the stat definitions page from the old choicescript demo has been scrapped, too much text that wasn't needed.)

chapters are now called episodes! not a huge change but i prefer the vibe yknow.

there have been some extensive rewrites - especially in ep .01, the bar scene got a lot more fleshing out - so i expect typos and grammar errors have slipped through. this doesn't bother me too much but i appreciate any one who spots them to send them in!

there is now an 'end game' scenario in ep. 01. i won't be providing a walkthrough as i think it's relatively obvious given the scenario but it does give you an achievement!

i've kept achievements like the old choicescript demo but it no longer rewards points. maybe i will think of something to reward the player with later down the line?? who knows

i don't want to explain ALL the new details as i really encourage people to go find all the new flavour text and other things etc!!

next -- if you have not noticed, i have added a bug report to the links list. all issues, bugs, and errors found in the public demo can now be reported via the new bug report form.

in terms of writing, i am now porting episode 3. i have had rewrite plans for this chapter for a while, so i imagine this port will take some time. i was in the middle of writing episode 4 when i decided to make the twine jump lmao, so it hasn't been touched for a LONG time, probably since march. i plan to jump straight back into writing when episode 3 is all done!

like before, ep 3 won't be released until ep 4 has a first draft and i'm happy with the shape and direction. so it will be some time before i am able to release new content. but - we ball!

thank you for reading this far and i hope you enjoy the new and improved demo! happy reading! - becky :^)

#cs update #chop shop #chop shop game #interactive fiction #twine game #itchio #i am going to have a nice lil drinky

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accirax · 2 months ago

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hey! i was wondering about eden’s emotional cg scenes with teruko at the end of ep14; if eden does happen to be the culprit, how would it affect her characterisation? personally, i can’t help but see it in a negative light, one which dampens her impact on arei, teruko and others with her ‘rational optimism’ and general kindness. if eden believed arei wanted to be friends with her, and was willing to reciprocate it, would eden really kill her in cold blood?? if her tears at the end of ep14 were genuine, would it go against her ultimately being the blackened?

tl:dr: how would you justify eden’s last moments at the end of ep14, if she were the culprit? it felt truly genuine to me, but i can’t help but notice her suspicious behaviour and inconsistencies in regards to the ch2 murder :(

(sorry, i’ve never done an ask before!! apologies if this is worded poorly.)

Can Eden Still Be the Culprit (Again)?

Haha, it figures that, even if I didn't choose to cover it in my Episode 14 Dissection, I'd still wind up analyzing what was going on in that scene anyways. Glad you're curious to hear my thoughts! (And don't worry, you phrased everything perfectly!)

The truth is, I didn't initially go over it because I wanted to post my thoughts on the day after the episode aired I, too, am somewhat confused as to how Eden could say all of that and still potentially be the blackened. However, as someone who still believes that Eden could be the blackened, it's probably a good idea if I figure out for myself what the hell this scene means in the context of DRDT at large if votes for Eden are close at hand. And potentially preempt some of the backlash that might arise if they are.

Just know that I, too, think that some of my points might be a bit of a stretch sometimes. We cool? Cool. Let's get analyzing.

SPOILERS for DRDT through Chapter 12 Episode 14, as well as Chapter 2 of THH and Chapter 1 of SDR2, and a WARNING that we will (obviously) be discussing Eden!culprit throughout this post.

For Eden's words and actions to make sense under the preconception that she is the killer, I think there are only three major roads you can take.

NUMBER ONE: EDEN IS A LYING, MANIPULATIVE, SCUMBAGGY PIECE OF SHIT

This option... is not great. Everybody agrees that it is not great. I hesitate to use the word "bad," because I think that people are way too hasty to call things "bad writing" (especially before they've even happened), but... I'm not gonna lie, it's pretty bad.

Basically, what it says on the tin. Just like David, Eden has actually been a liar and a manipulator the whole time. She doesn't actually believe anything she said about optimism or the power of friendship, and was 100% using that attitude the whole time to get everybody's guards down. A character like that would have no problem saying whatever the hell she needed to say in order to get others to pity and therefore not vote for her.

I don't like this one because it fully invalidates everything that we've seen from Eden so far. For someone like David-- or, say, Nagito-- even in the midst of their big heel turn, there are parts of their previous characterization that are still salvageable. Teruko caught David being a hater on literally Day 1, and it was easy to read into his outbursts of anger and insane nosiness to expect that his personality wasn't really as bright as his stars. Similarly, even if Hajime got along with Nagito, he was still sort of a creepy and off-putting guy, and everything about his love of hope stayed as strong as ever. For Eden to suddenly turn to the dark side would truly come out of nowhere. Other than... I don't know, liking to bake?, I don't think there are any aspects of Eden's former characterization that would remain. Not that her character would remain in the story for much longer, but, whatever.

I'm going to discount this option because I have faith in DRDTdev's writing, and I don't think he would suddenly want to abandon the Eden character he's been strongly developing over the past two chapters. Again, I refuse to call anything bad writing until the Chapter at least, if not the story as a whole, is wrapped up, but there's a reason why everyone's first instinct is to hate this idea.

NUMBER TWO: EDEN IS THE BLACKENED BUT DOESN'T KNOW IT

Basically, Eden is able to be so genuine because she either forgot or didn't know that she was the one to kill Arei, but we'll still be able to convict her in the end because all of the evidence points to her. How would this work? Well, sorastar6 came up with a theory that Eden might have killed Arei but blocked it out of her memory. It could also be something where, like, someone else put her up to it and she accidentally let go of the rope or whatever to kill Arei without realizing it. (That idea is loosely based off of a-student-out-of-time's theory of David manipulating Hu to kill J-dressed-as-Arei-- hopefully if they read this, they won't mind me using their theory as a logistical basis off of which to accuse Eden 😅)

However, I don't think either of these cases are particularly likely either. The murder method is so complicated and clearly premeditated that it would be really hard to trick someone into operating it without realizing it at all. And, if Eden killing Arei traumatized her so much that she lost multiple hours of memory then you'd think she'd just... not do it. I respect the hard work and creativity of both of these theorists, but I'll be passing on this option as well.

NUMBER THREE: EDEN FEELS REALLY, REALLY GUILTY ABOUT IT

Okay, so I maybe-sorta-lied: there are probably other ways that you could interpret Eden's emotional reactions to talking about Arei's death other than specifically her being guilty. However, given that guilt was already the justification I reached for the first Eden mini-breakdown in my Episode 13 Dissection, it may not come as a surprise that I'm staying on theme.

Before, I summarized that what Eden was saying to Levi was basically what she wanted to say or already said to herself. She knows that killing Arei was "wrong," so even though she thought it was the right thing to do, she wants to always remember Arei and acknowledge her faults as a form of penance. Also importantly, one facet of why Eden might be breaking down now is because (under the theory) she only learned that Arei truly wanted to change and be her friend in the Trial when David told her. It makes her feel extra guilty now knowing that she killed someone who wasn't just her bully, but someone who wanted to be better than that.

We're going to keep that rationale in mind as we now look through everything that Eden has to say at the end of Episode 14. The only thing of note that I will have to concede is that, even if Eden isn't a liar or a manipulator overall, any time she says anything along the lines of "I'm innocent!" or "I didn't kill Arei!", it has to be a boldface lie. Sorry, I don't like it either, but there's no way around it (outside of something like option 2). I otherwise want to claim that Eden is straight-up lying as little as possible, but this was kind of a gimme. But hey, that's why I have my doubts that any of this will turn out to be true as well.

Since this is its own post and not part of the Episode 14 Dissection, it means that I get 30 images to use on just this subject, hooray!

This is certainly a softball to start this defense off on. Eden can just be confused/upset that her efforts to evade being the blackened aren't working all of a sudden.

Similarly, this is just her rephrasing/challenging everyone's thoughts. Perhaps I should have cut out some of these beginning statements, but I'm always one for being thorough.

Don't worry, this is the last of these three. I will note, though, something that I actually only noticed on this watch-through. I was aware that Teruko and David both had shots that only showed their mouths and torsos with their eyes obscured in this episode, but apparently, Eden has one too. Of course, this could go either way: these shots could be reserved for the "major players" of this chapter-- the protagonist, killer, and someone who's clearly getting extra focus-- or, it could be more of a protag/antag/support thing. Or maybe DRDTdev just decided to start using this for highly emotional scenes.

Well, given that I'm trying to throw Eden under the bus in this post, it's clearly the first of the three. Don't listen to any clowns (<- me) who might tell you otherwise. (/j)

"Hold myself together" isn't as innocent-coded as it might seem on the surface. It seems pretty clear to me that Eden feels genuine sadness over Arei's passing no matter her role in Arei's death. However, being the blackened and having to keep a secret throughout the Trial might make coping with those emotions even more difficult. Fully breaking down in grief would be bad enough as an innocent, but as a blackened, it would basically be game over. Arei's death is the cause of her discomposure, which can still be equally true if she was the one to kill Arei.

This is quite possibly the line that I have the hardest time justifying in the context of Eden being guilty. I could obviously just say that she's lying here, but as I said at the start, I want to call what Eden says lies as minimally as possible. So, what are our other options?

Nico said earlier this episode that attempting to kill Ace was "the worst choice that [they'd] made in [their] life," so it could be fitting for both of our killers this chapter to feel the same way. After seeing what it was like to kill Arei and have everyone suspect you, Eden decides that whatever her motive for killing was wasn't worth it in the end. However, now that she's in this situation, she still has to stick with her initial plan (unless she wants to just die on the spot) because she can't go back, no matter how hard she tries--

For DRDT to enter its third chapter with the cast at their most hostile and downtrodden but also only having one killer who did so accidentally and two killers who deeply regretted it would be very interesting indeed.

Alternatively (or perhaps in combination), this could also be Eden being somewhat of a pessimist. If you're a blackened, you're generally hoping/expecting that everyone other than you will die. However, only one person's death is actually guaranteed-- your victim's. (Or two people's deaths if you kill two people, but that's not important to this case.) In theory, Eden choosing to kill Arei in particular doesn't really matter, because if she won the Class Trial, Arei would die anyways. However, now that Teruko has accused Eden, reality might be setting in for Eden as her dreams of being the one to escape flit away. In that case, she may be regretting her choice to victimize Arei-- if she's going to die for her attempt, she might at least wish that Arei got to live over some others.

I think the first option is probably the best from a thematic perspective, although both options certainly have their counterarguments.

Eden's (stellar) read on the "Why?" line definitely implies that she's frustrated, which could go either way. It's equally possible that she could be mad that people are suspecting her when she's innocent, or that she's upset that everyone is suddenly hounding her when she thought she was putting up a good front.

As for her leading question, if Eden is the killer, we've already seen her subtly mine for information at least once before. The conclusion of her last breakdown was her trying to ask David what really happened between him and Arei in the Relaxation Room. Now, asking this question might be intended to either shore up arguments she hopes to defend herself against, or force other people to "concede" that there are no reasons why Eden would have killed Arei. A bit of a dangerous gambit, but it's arguably more dangerous to have to come up with justifications about unknown arguments on the spot, especially when emotionally struggling.

Not gonna lie, though, the fact that she immediately followed up "why do you think I killed her" with "I cared about her!" also slants towards an innocent read. If you really were the culprit, I feel like you would start trying to argue against some of the solid evidence that people just presented (such as Levi bringing up the information required to write that note) with evidence of your own. Instead, Eden shoots straight for the emotional defense, even though no one was arguing that Eden never cared about Arei leading into this speech. (Arturo brings up her connection to Arei, but he never directly says it was because she didn't care.) It could speak to the fact that she was fully unprepared to be accused (because she didn't do it and had no idea about the tape).

However, Eden has always been a very emotional person, and it's possible that a big part of her intended defense was to say that she cared about Arei. Another interpretation is that Eden brought this up now because it's something she's insecure about. It sort of goes back to my idea that Eden is still desperately trying to cling to the idea that she's a "good person" despite her choice to kill. If that's true, the way that Eden is perceived as the killer might be very important to her. Like, obviously surviving the Trial itself is the most important thing, but Eden doesn't want anyone to misinterpret her as a monster on her path to the finish line.

I already explained why this line was sus as hell to me:

This distinction-- between "Arei was my friend" and "Arei could have been my friend"-- could be very telling down the line. Eden pauses mid-tear-filled rant to distinguish that Arei is not her friend, not because she's dead, but because they hadn't reached that point yet. Arei is not Eden's friend in death. What can that possibly mean other than that Eden killed Arei?

This is one of the lines that makes me most think that she is the blackened in this monologue. Because, seriously, why would she not have just said "Arei was my friend!" if there wasn't any doubt in her mind?

Alright, I think that about now is a good time for me to drop the thesis I've developed whilst reflecting on Eden's behavior and how to put all of the pieces together. Should I have said it earlier? Maybe, but where's the drama in that?

Basically, for starters, I don't think that Eden fully believed that Arei genuinely wanted to be her friend. As I've said before, Arei saving Eden from Arturo happened mere hours after Arei denounced her entire personality. It's super believable that Eden might think that Arei was just using her usual manipulative tricks to make Eden look like the fool again. However, despite all that, I don't think that Eden hated Arei, either. They were just in the exact same state that they were in before-- Arei as the bully and Eden as her target-- which Eden had never hated Arei for before. Eden wanted to help her and wanted to be friends with her, as she says in this screenshot, but that doesn't mean it could actually happen. Tragically, Eden determined that Arei wouldn't be able to change while being trapped in this killing game.

After that, Eden decides that she needs to kill to escape the school. The exact motives of which have puzzled Eden!culprit theorists for months, with current speculations still being that it may either have to do with her secret, the girl she kissed, or her family, who she told Levi she couldn't imagine living without. We've got time to cook on that in the post-Trial, if Eden is the killer. However, I also don't think that we should discount how scary the killing game has become.

Let's run through the events of Day 6 again, because it's a truly terrible day for Eden:

Eden wakes up in the morning and goes to rouse Teruko, who she has to blackmail in order to even get her to consider attending breakfast with the others. She tries to convince Teruko about the value of optimism, but Teruko only tells her that her worldview makes Teruko even less inclined to be her friend. Speaking of lack of friendship, Eden's chances at a peaceful breakfast-- which she had been hoping to use to bring everyone together-- are dashed when there are three separate shouting matches going on in the Dining Hall. Eden tries to assign her associates to break up the fights, but it goes terribly-- all she does is get Arturo and J mad at her, while Veronika only makes the situation between Ace and Nico worse.

After David's plan causes Charles (who has been making some of the most progress so far) to recall his traumatic past, Eden tries to invite Teruko and Arei to a fun event to brighten everyone's moods and right her wrongs of the past. Except that, when she does, Arei rejects her offer outright and brings up some of her biggest insecurities, causing Eden to run out of the room crying. Neither Teruko, who Eden has been trying super hard to befriend, nor David, who has (theoretically) been acting in the name of harmony and cooperation, run after her to offer her any comfort.

Despite David's lack of support, though, she still decides to support him by following his idea to let Arturo know about his secret. Trying to do so nearly costs her her life. She's just one unarmed 5'2" clockmaker against a clearly agitated 6'3" surgeon with a scalpel, and she's only saved by the bully who just said that Eden "utterly disgust[ed] her in every way." Arei now claims that she'd do anything for Eden, but is that just another setup through which Arei can make fun of her trusting nature in the future...? Eden wants to hope, but it's hard to do so when the person who just saved you was the one who told you you shouldn't.

Anyways, even despite a long afternoon of Nico being outed and a long night of being stalked by probably-Arturo, Eden is still trying to help Teruko pick up her clothes when she runs into Teruko in the Dress-Up Room. But since nothing can go right for Eden today, it's then when she and Teruko hear a loud noise, and they stumble upon Ace's body in the Gym-- the second murder attempt Eden has seen today. Nico is standing over Ace, really making it look like they killed him. Gosh, if only someone had been able to talk to the two of them this morning in a productive way, instead of making things worse. Thankfully, Ace is still alive, but less thankfully, he's now a convert to killing and wants to eliminate Nico. The day ends with Ace saying that this place is worse than death and Levi-- who Eden had just been praising for being kind and reliable-- giving up on his former friend.

Are you starting to see why Eden started planning murder and picked up the tape when she did?

Looking at it through that perspective, I don't even know if Eden needs a reason outside of the killing game to want to be the blackened and escape. If we can accept that Ace's motive would be to escape the situation in which he almost died, it feels like we should be able to acknowledge that Eden could be motivated by the exact same thing.

Obviously, it's harder to believe that Eden would kill than Ace, because Eden generally cares about everybody and Ace (other than Levi, once) didn't really like anyone. However, I, at least, don't think it would be totally narratively unsatisfying for Eden's reason for killing to be that her bandwidth for caring for others was overloaded, and with no one supporting her (and at least one party actively attacking her), her fears of the killing game got the better of her, if only just for a moment.

Getting back on track, Eden's terrible awful no good very bad day has inspired her to kill, but who does she take down as her victim? Well, as we've established before, if Eden wins, everyone will die anyways, so it's not like she's really "sparing anyone's life" by not killing them here. She's already made her peace with everyone as she knows them dying. And after that, despite the care she still has for Arei, she chooses Arei as her victim because of what Arei told her after Arturo attacked Eden. But, I'll reiterate, Eden doesn't hate Arei. Instead, Eden chooses Arei because she thinks Arei is the victim that will make her look the least suspicious.

Just because Eden doesn't believe that Arei really wanted to be her friend doesn't mean that other people won't. In fact, I think that Arturo would definitely believe that the two of them had turned over a new leaf. In this situation, Eden is aware that her best path to innocence is to play up her kindhearted personality in order to lead people to believe that she would never hurt a fly. Therefore, she decides to leave the note behind so that people will hear about the story of Arturo attacking her. In my Episode 14 dissection, I was spinning my wheels trying to figure out why Eden would possibly want anyone to find that note. However, this option would create a reason why Eden would want others to read the note. The mere fact that Arei decided to come to the Playground would serve as evidence that Arei really did care about Eden, and therefore make Eden seem more innocent. Maybe she overstepped a bit on revealing so much about Arturo's secret in the note, but given that everyone seems to believe that the killer overhearing the conversation was possible anyways, it's not a huge deal.

However, there is a contradiction here that you may have picked up on. Why would Eden count on using a note to draw Arei out to the Playground if she didn't believe that Arei would actually listen to her? I raise you a new idea: who says that note was actually real?

For those who believe that Eden isn't the killer, the thought that someone falsified writing that note isn't anything revolutionary. However, if other culprits could plant that note as a fake, who's to say that Eden didn't do the same?

I believe it was demodraws606 who recently raised the question of why Eden would even bother writing a note to Arei when she could have just gone up and knocked on her door. (Apologies, I tried to find the post in which they said that but I couldn't track it down 😔) That excellent question set off the domino chain that made me think... well, maybe she did.

Eden works through the night (14 hour shifts, baby) setting up the pieces of her murder contraption in the Playground and writing a fake note that she "sent" to Arei. However, instead of sending that note to Arei, she goes to Arei's room herself and knocks on her door at, like, 7 AM or something. Eden doesn't necessarily believe that Arei will answer, but, if she doesn't-- that's not the worst thing in the world, right? It's not like she's particularly pressed about the secrets deadline, and she left herself with enough time to put away her murder scheme if necessary. Unfortunate, but assuming that she lives another day, she can try again some other time. However, instead, Arei opens the door (because, unbeknownst to Arei, she really did want to be friends with Eden), sealing her fate.

This also opens the opportunity for the scene of knocking Arei out to be in the doorway of Arei's room, instead of in the Playground. I always wondered how the scuffs on the floor would be so contained to one area near the entrance to the Playground. Like, the whole rope setup must have been at least somewhat set up by the time Arei entered the Playground, right? If Arei saw that, why wouldn't she start running away? And, in the case of Eden as the culprit specifically, would she really be able to subdue Arei in such a small area? If Arei was knocked out in her room, we wouldn't be able to see any evidence of that happening, because no one searched her room. That also leaves open the opportunity for Eden to have tossed any items she used to knock out Arei into Arei's room, where no one would be able to find them. And, hell, let's rope the glove into this, too! If Arei was never even intending to get dressed up to the level of leaving her room, maybe she hadn't yet put on her glove when Eden taped her wrists! It's weak reasoning, but it's a reasoning, at least!

(Also, if you're wondering how the scuffs on the ground could have gotten there if Arei wasn't subdued in the Playground, sorastar6 also recently made a theory that the ground was actually scuffed up after the jugs broke and the turf became wet, and it was the killer walking through a puddle that messed up the ground.)

After that, yada yada, ropes and carousel, Arei dies, investigation, Class Trial.

Eden is trying her best to just lay low and survive the Class Trial, but a wrench is thrown her way when David reveals to her that, after she left the Playground, Arei confessed to David and Teruko that she actually wanted to change. This goes against everything that Eden thought. Part of her reason for murder was that no one was willing to work with her, and now she learns that she just killed the one person who actually was? That's terrible! It can't be! David, please tell me the rest of that story!!!

At this point, you might wonder why, if Eden feels horribly guilty about killing Arei and unsure of her former conviction that the best thing she could do would be to get out of here alive, she wouldn't just confess to the crime already. Beyond her desire to survive herself, I think it could be because she wants Arei's death to have meaning.

If Eden gives up, it means that she killed Arei for no reason. She made the huge, irreversible decision to kill Arei, and then decided to throw it away when things got tough. But she won't let herself brush away the deaths she caused just because it was inconvenient for her.

She won't let her emotions take precedence over the harm that she caused.

She has to acknowledge that Arei's death was her fault.

Which means that, just like Min did, she has to fight like a proper blackened would if she wants to prove that she cared about enough Arei to believe that her life had meaning.

And that's why Eden is so insistent that she didn't kill Arei because she hated her. She isn't someone who believed that Arei was fully incapable of change, and she still cared about Arei a lot. And so, she'll honor Arei's legacy by taking to heart what Arei said to her.

Those are my general thoughts on how to justify Eden's breakdown at the end of the episode-- although, obviously, we still have more to go. That awkward middle placement strikes again, huh? But, I do think it has its benefits, which is why I'm keeping it here. We get to balance some buildup before the point with the lens of seeing some of the dialogue after the point. Let's wrap up the rest of this a bit quicker, shall we?

Since we're a while from the start, let me just issue a refresher that this post is assuming that every time Eden says "I didn't kill Arei" she is just lying. Yes, it assumes that Eden is willing to lie in a Class Trial, but I think that any 18 year old would be capable of pulling that off if their life was at stake, no matter how sweet they may seem.

This could also be another instance of Eden assessing the situation via asking a question.

This line would be tying back to the assumption that Eden's main plan for getting away with the crime (other than possibly framing Nico with the murder method) was to pull the emotional defense that others wouldn't believe that she killed. The tears could still absolutely be borne of genuine fear, but the choice to reach for help from Teruko could be her planned fallback if things got dicey. If she is the killer, then the evidence should stack against her, meaning that "belief" is her best way out of receiving votes. This is her hail mary.

"This trial has been cruel to me" is 100% right if she is the blackened who got jumpscared by knowing that Arei cared. After she initially acted against her instincts to kill for the sake of her life, she then has to face consequences that she didn't even think were possible, all while keeping a straight face. For whoever the killer is, can you imagine how stressful it must have been to have David extend the Trial for so much longer with his nonsense? (Mondo with Byakuya vibes in Ch2, honestly. The THH parallels never rest.)

Again, we're saying "I didn't kill her" is a lie, while "I just wanted to help her" was the truth. Something more along the lines of "I just wanted to help Arei, but she seemingly rejected my every effort, so I killed her but without the knowledge that my help was actually getting through to her" is what we're aiming for here.

I decided to combine these two together because I didn't have much to say about the first one on its own. One interesting thing to note here is what thebadjoe pointed out: Eden says that friends are supposed to help each other out, yet in Chapter 2 Episode 3, she was the one telling Teruko that relationships aren't transactional. What changed between now and then?

Well, this is much more in keeping with Arei's "that's what friends do" philosophy, which could either be a further indication that she was taking Arei's words to heart (for better or for worse) or that she's just desperate enough that she needs to count on Teruko in this moment if she wants to survive (again, whether genuinely innocent or guilty). It could mean nothing, but it could also be an indication of Eden's more manipulative side, if she's making an emotional argument that goes against her own philosophy just because she knows it'll strike a chord with Teruko.

(Of course, you can basically counterbalance this "inconsistency" with the one that one post (yet ANOTHER post I cannot fucking re-find) pointed out with Ace saying "I would never commit a murder of my own" with him previously saying that he was "about to commit a murder of his own" on Nico. They can't both be the killer unless something really weird is going on, so at least one of these "inconsistencies" has to mean nothing.)

Also, while I wouldn't go so far as to say that Eden is faking her tears over Arei (because that's clearly not true) there's also room for Eden to be crying here because she feels bad about manipulating Teruko, but as established before, still feels like she has to go through with it. Her acting doesn't have to be impeccable if the crying is covering up the crying she would already be doing.

'Cause sometimes, the breaks you take in between sniffles can conceal the breaks you would be taking as you struggle to lie to Teruko's face! Hypothetically.

"Please trust me, Teruko. You're my only hope."

In this hypothetical, I think we have to assume that Eden is just genuinely surprised that the super-smart Teruko wasn't able to see through her act. It might come as a shock that the same Teruko who said that Eden's kindness made her want to stay farther away would now see Eden's pleading as a sign to protect her. (Another judgment of character that Eden made incorrectly.)

And now, for the other hardest part to justify...

With the combination of the soft music (the same music that plays during the "kindness isn't weakness" scene, mind you) and the bokeh lights and the line deliveries and everything, this does feel like pretty convincing evidence that Eden is not the killer. But, if we're talking about the world in which she is, I do think that she still feels genuinely relieved here. The hug isn't directly manipulative, it's just thanking Teruko for giving her another shot at life.

Furthermore, it's a confirmation that, in Teruko's eyes, Eden still isn't a "bad person"-- at least not yet. Eden needs to continue believing that she's a good person with good ideas if she wants to have any hopes of fighting back against the cold and cruel world she was telling Teruko about. If she's become just as cold and cruel as the rest of them, then there's no way for her to be optimistic or kind, and therefore, no way to escape the grief that's haunting her. Eden has yet to learn that a good person is not gold, so that's the only world that she sees.

And, that's Eden's last line of the episode! Before we wrap up, though, I do want to talk about how Eden being the culprit would affect the story as a whole, as you touched upon that in your ask. Mainly, I want to talk about the big problem that many people have with Eden being the killer: what would happen to Teruko if it's proven that one of her closest allies is the killer again? We don't want a repeat of Chapter 1, but how do you avoid that after that hug?

As is my M.O., I'm here to argue that there are two ways you can make the situation different: by making it better or making it worse. In terms of making it better, I think that thefandomenchantress argued for it well in this post. If Eden's gotten her most desperate moment out of the way now, she might have room to be a bit more accepting in her final moments, and be able to reassure Teruko that just because she killed doesn't mean nobody is worthy of trust. In fact, Eden is so sad now because she didn't have enough trust in Arei, and look where that landed her! We could end Eden off on at least being happy that she and Arei were both able to change in the ways that the other wanted for them (Arei becoming more helpful and Eden becoming more responsible) and her being happy that at least the other students get to live.

On the other hand, you could make it worse. Venus-is-thinking and I have discussed together before how different Min and Eden's situations are, because while Min only really tried getting close to Teruko after her crime was already committed, Eden has been trying to become Teruko's friend for ages, before the idea to murder even crossed her mind. This death would be even more personal, as it can more so be argued that Teruko's lack of trust is part of what drove Eden to kill, whereas with Min, it was just that Teruko initially trusting Min opened her more up to hurt. You might argue that this would just cause Teruko to pull away even more harshly (which is still bad), but that's not necessarily the case. Maybe her breakdown this time drives her to get in people's faces so that they'll die even faster and she can rip the bandage off. Along those lines, maybe she'd even try to get closer to those she least trusts right now (like David) because clearly, her curse will cause those who she spends the most time with to die. The circumstances around Teruko have changed, which means that we can't expect the same sort of pressure to necessarily yield the same result.

As for your concerns about Eden's impact on Arei and genuine-seeming emotions, hopefully my main dissertation answers how I'd explain that ^_^

If you're wondering how I feel... well, despite everything that I wrote, I'm honestly kinda thinking that it's Ace at this point. Don't get me wrong, I think that the Eden read is still out there, but given how seemingly little time we have until the culprit is revealed, there may not be enough time to unpack anything close to this before the gavel comes down. Everyone keeps posting their polls about who people think is the killer, and I keep flip-flopping on whether I choose Eden or Ace as my answer. I wouldn't be surprised if either of them did it, except that--

Well, let's be honest. At this point, I'm going to be flabbergasted by whoever the culprit is, just because it's them.

Thank you for the ask, and see you on Friday!

#danganronpa despair time #drdt #fanganronpa #drdt spoilers #drdt chapter 2 part 2 spoilers #eden tobisa #ace markey #arei nageishi #teruko tawaki #if you are the person who made any of those three posts or you know who did please send a link! i'll edit the post to include them #i s2g it used to be so easy to find old drdt theory posts but now that EVERYONE is posting ALL THE TIME things get BURIED!!!#(this is the opposite of a problem i love that everyone has so much to say about the new episodes)#anyways i have come down with a rough cold this week so apologies if i am 1) slower or 2) more incomprehensible than usual #hoping it clears up before friday but we'll see how it goes #my theories

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wolfjackle-creates · 9 months ago

Note

For the ask game, can I request the Bad reveal AU? That's the one where Danny finds out about Bruce being Batman and freaks out right?

Ha! Yes it is! Finally something I can just toss a snippet at!

I've got a decent amount written for this. However, I switched over to Dick's POV so it's been challenging. (First time writing from him.)

I also was trying to keep it short when...the story doesn't want to stay short. So I'm rewriting it. Which is taking longer than I'd like because I've got an action scene in this one and I'm terrible at writing action scenes. (Which means I need to write more of them, I know.) So I'm taking my time trying to make it good.

Chapter 1

1.4k words (okay, so more than a snippet.)

---

As soon as the laser left Danny’s weapon, Dick sprinted towards his brother. But before he could get more than a few yards, Danny disappeared. Into the cave wall.

“What the fuck,” he muttered, but changed course to check on Bruce.

Tim and Damian continued on, rushing to the wall.

Duke was kneeling by Bruce’s side and trying to keep him from getting up to search as well.

“Where’s Danny?” demanded Bruce.

“B, lay back down,” ordered Dick. “Danny’s gone. Apparently, he can density shift.” He couldn’t quite keep the hysteria out of his voice and Bruce’s frown deepened. “But Tim and Damian are checking the cave wall to see if he left any clues behind.”

Of course, his words only made Bruce struggle even harder to get to his feet. Duke could do nothing against a determined Batman.

“You have to let us look at your leg, B,” said Dick, pushing him back down with Duke.

Bruce glared at him. “I have to find Danny.”

Duke snorted. “How do you expect to be able to do that? He literally disappeared into the ground. Along with his suspected power of invisibility? Where do we start?”

Bruce slumped at Duke’s words and Dick used the chance to examine his leg. Danny’s weapon hit him in the upper thigh and his pants were half burned, half melted into the wound. The injury itself was about six to eight inches in diameter and the center was absolutely a third degree burn.

“Besides, Bruce. You really can’t walk on this. Third degree burns and we’ll have to get Alfred—or maybe even Leslie—to debride it.” He looked around to check on everyone else.

Tim and Damian were still by the wall where Danny had disappeared, but Jason was standing nearby frozen.

“Jason,” called out Dick, “can you get Alfred? I have to cut off Bruce’s pants so we can actually get to the wound.”

Jason seemed to shake himself and when he looked at Dick, his eyes were a bright green. Instinctively, Dick shifted until he was crouching more protectively over Bruce. Jason’s eyes narrowed and he sneered. “What the fuck do you think I’m gonna do to him?”

Dick glared right back. “Just get Alfred.”

With a huff, Jason turned. “Whatever.” But he did take the elevator up, allowing Dick to relax.

“Duke, could you get a pair of shears and a kit from the medbay?”

“You’ve got it.” He rushed off.

“B, how’s the pain?”

Bruce grit his teeth as he finally let himself look down at the injury. “I’ve had worse.”

Dick only had time to roll his eyes before Duke was back with the supplies. He took the special scissors designed to cut through their uniforms gratefully. “Thanks. Gonna start cutting off your pants, now.”

Before he finished, Tim and Damian were back. “How is Father?”

“Nasty burn,” replied Dick.

“I’ll heal,” said Bruce at the same time.

“Yep,” agreed Dick. “We’ll wait for Alfred or Leslie to look over it to say for sure, but so long as it doesn’t get infected, I expect he’ll make a full, if slow, recovery.”

Damian gave a curt nod.

“Far as we can tell,” said Tim, “Danny really did density shift through the wall. There’s absolutely nothing unusual about the place he was standing. No hidden crevices or passages.”

Bruce closed his eyes and sighed. “We’ll have to go over everything we have on his former life.”

“And research the things he referenced just now,” added Tim.

Alfred and Jason returned just as Dick finished cutting as much fabric away from the injury as possible and he happily seceded his place.

He clicked his tongue. “Master Danny did this?”

Damian nodded. “After everything Father has done for him, he chose to attack him in his own home.”

Jason snorted. “We all know it wasn’t that simple.”

Damian didn’t say anything, but did look away. Clear admission of guilt from him.

Alfred cleared his throat and everyone fell silent. “What sort of weapon did he use?”

Jason shrugged. “He had some sort of silver energy weapon. Not a design I’ve ever seen before. It shot a Lazarus-green beam.”

Alfred hummed. “Well, the injury looks normal enough. Second and third degree burns. But Master Timothy, I’d like you to run tests on the tissue to make sure we’re not missing any sort of contamination from the unknown weapon.”

“Course, Alfred. I can do that.”

“Do we know where Master Danny may have gone?”

Duke shook his head. “He density shifted through the cave wall. Pair that with his suspected invisibility and how little we know about his life before joining us…”

Alfred nodded. “Very well. Masters Jason and Dick, please help me move Master Bruce into a bed. The rest of you can begin searching for more information while I clean his wounds.”

Tim barely waited for Alfred to finish speaking before he was booting up the batcomputer. “I’ll inform Oracle, Black Bat, and Spoiler about the situation!” he called out over his shoulder.

Jason clearly wasn’t happy about having to carry Bruce, but not even he would argue with Alfred when one of his charges was injured. Though both of them left the instant Bruce was settled with promises to keep him informed as to how the search for Danny was going.

“So what do we know?” Dick asked as soon as he joined the others.

“Precious little,” admitted Tim.

Jason snorted. “Someone wants to cut our baby brother open and we don’t know a damn thing? What sort of detectives are we?”

Damian tutted at him. “Daniel indicated they would do the same to you, too.”

Dick looked up at the ceiling as he remembered the confrontation. “What was it he said? ‘They won’t care you’re more alive than dead’?”

Jason shifted his weight. “How much do you think he knows? He clearly just learned about our identities recently.”

Duke bit his lip. “He skipped school today. Said he wasn’t feeling well.”

Damian nodded. “But he appeared normal last night while preparing for bed.”

Tim hummed. “So he learned something last night.” Then his eyes widened. “Shit. Damian, we were talking in the kitchen after patrol. Do you think he might’ve overheard?”

“He does move silently. We would not have heard him if he did not wish us to.”

Dick closed his eyes and counted to ten. “Okay, what do we know about his abilities? He demonstrated density shifting today and we suspect invisibility.”

“He can move silently,” added Damian. “Cassandra is the only one who can reliably detect him when he does not wish to be detected.”

“And even she has been surprised by him on occasion,” said Bruce.

“Empathy,” added Jason.

Dick wasn’t the only one to stop and stare at that addition. “Uh… what are you talking about? He hasn’t shown any sort of empathy.”

Jason laughed for a moment, only stopping when no one joined in. “Oh, come on. He always knows whether you need space or want someone to stick around for a bit. And he can, like, send out a calming aura or some shit. Kid’s relaxing to be around.”

Dick opened and shut his mouth. “Huh. I haven’t noticed anything like that from him.”

Tim, Duke, and Damian agreed with Dick.

“Quit messing with me,” Jason said, flipping them off. “It’s true.”

Tim cocked his head. “Do you think that’s why he was most surprised by you? Are the two of you similar in some way? And that’s why you get the empathy sense from him?”

“‘More alive than dead,’” repeated Jason. “Would that have something to do with it?”

Tim hummed. “He mentioned his parents…” he trailed off before he could repeat Danny’s statements about his parents.

Dick nodded. “We’ll get Babs to take another look into them while you analyze B’s injury for potential contaminants. Jay, you and I can go through his room.”

Damian snorted. “With Father out of commission, someone needs to go on patrol.”

Dick cursed. “What time is it?”

“It is ten thirty.”

“Fine. You and I can patrol. I’ll take the cowl.”

Jason groaned. “And there’s some thing I have to take care of in Crime Alley.”

Bruce cleared his throat. “We’ve got the plans for tonight. Tim, you check my wound for foreign contaminants from the unknown weapon. Batman and Robin will patrol the city; Red Hood will be out in Crime Alley. Oracle will look into the Fenton parents. Duke, you’ll get to bed early. Tomorrow after a rest we will search Danny’s room more thoroughly.”

Everyone present voiced their acceptance, though with more grumbles than normal.

-----

So yeah. That's how the next part starts.

#dpxdc #bad reveal au #dealing with the aftermath #how did I do with Dick?

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theragethatisdesire · 1 year ago

Text

much ado about nothing chapter 7 - plug!eren x reader - 18+!!!

DISCLAIMER: this post contains MATURE CONTENT that is intended only for those over 18. minors and ageless blogs, please do not read below the cut.

okay so i guess the responses i got on my "i have writer's block wahhh" post worked because GUESS WHAT I FINISHED THIS MORNING. this chapter!!! i have been aching to share this (even when it was half-done), i literally cannot wait any longer. this is an eren pov chapter so you guys already know it's going to be fun. lots going on, and please don't hate me for the end, i promise there's a master plan in place!!! i hope you guys enjoy :-)

specific cws: smut, rough sex, use of names (both endearing and derogatory so take that as you will), drinking, swearing, i want to give eren a giant hug

“Love sought is good; but given unsought, is better.” - Twelfth Night by William Shakespeare (Act III, Scene 1)

Eren has no excuse for any of it. No excuse for stepping in, for throwing Floch against the bar. He knows you, knows you have enough experience with awful men to know how to handle yourself. He just couldn’t help himself.

And now he’s gone and acted out again without thinking. The cold winter air sobers him up, brings Eren back to himself, and when he looks down at you, all cute and furious with him, the heat in Eren’s veins dies. A pregnant pause stretches between you both, you with your arms crossed and glaring up at him, and Eren, surely with hearts in his eyes, looking down at you, something apologetic beginning to write its way into his features.

“What the fuck is your problem?”

Well, so much for that. The venom in your voice reignites Eren’s temper, fans the flames back into a full-blown inferno.

“My problem?” Eren growls, stepping closer to you. “What the fuck is your problem? I was just getting that prick out of your face. I’d think I deserve a thank you more than anything.”

“It wasn’t your place,” you huff.

“My place?” Eren nearly shouts, exasperated. “You’re the one who wanted to be friends so badly, was I supposed to just sit back and watch while he drooled all over you? Give me a fucking break.”

“That’s not– ugh, you’re really fucking frustrating, you know that Eren?”

It’s like watching all the ghosts of his past jump out at him through your teeth; Eren flinches, feels his fury rushing in his ears like a tidal wave.

“I’m–? Fine, fine, yeah, I’m the frustrating one. Definitely not you, throwing a goddamn temper tantrum over the stupidest shit imaginable, makes perfect sense. Really putting that smart little head to use, aren’t you?”

“Oh? ‘My girl’?” As soon as the words hit him, plunging through his chest like daggers, Eren’s blood runs cold. So you had caught his little slip-up. “What the fuck was that, then?”

Eren stutters, words caught in his throat at the worst possible moment. “Y-you know, like my girl, like you’re my friend or whatever.”

“Uh-huh,” you eye him disbelievingly, “you may as well have hiked your leg up and pissed on me in front of him. Am I supposed to be your fucking property or something because we had sex? Is that it?”

“What? No, I–” you’re faster than him, cutting him off.

“Don’t you already have your hands full with your ex?”

That crosses a line, pushes your fight into an entirely new territory. Eren’s eyes narrow. “Are you really bringing up Breeze right now? Like she…Jesus, like she even fucking matters?”

He watches the way you flinch when he says her name, the way your eyes widen, something he hadn’t expected out of you after with your little snide comments today. Interesting.

“She doesn’t matter to me, but I know she matters to you. As your friend, I’m just letting you know it sounds like a bad idea.”

“What’s a bad idea?”

“Getting back together with her,” you say, like it should be obvious.

It hits Eren like a truck; so that’s what’s gotten into you? You think he’s getting back together with Breeze, as if you didn’t text your ex that you were “totally in love with” on that godforsaken night at Paradise? Eren can still hear the slur of your words in that maddeningly confusing voicemail.

“Even if I was getting back with Breeze,” Eren snorts at the very idea, “which I’m not–”

“Oh yeah?” you counter, stepping forward to nearly touch your chin to his chest with how severely your head’s tilted up at him, “never took you for a liar, Eren.”

“A liar? When did I fucking–”

“Sasha saw you two at 104 the other day. You’re not fucking slick, you know.” Eren hates that tone in your voice, smug and wounded all at once. He wants to tear his own hair out.

“Oh, so you just know everything, don’t you?” Eren’s voice is shaking under his efforts to keep it at a low volume, keep you with him outside of your little bar and just make you listen to him. He watches your posture change ever so slightly, a shoulder turning towards him. “I was telling her to leave me the fuck alone.”

“Over coffee?” Your voice is still clipped, snarky. “Sure, Eren.”

Eren tries to keep himself in line, but his temper gets the better of him yet again, shooting out sharp and lethal. “Isn’t it a little hypocritical of you to avoid me over that, when it’s really you that’s getting back with your ex?”

Your eyes shoot open, and you spin on your heel to fully face him. “What?”

“You think I didn’t listen to your little voicemail?” Eren seethes, the full-bodied ugliness of his anger warping his face into a scowl. You don’t deserve the brunt of his temper, he knows you don’t, but he’s failing at every turn to reign himself in.

“You can’t throw that in my fucking face, I don’t even remember it,” you cut him off, eyes narrowed into little slits.

Eren freezes in place. The world around him seems to slow; the only thing tethering him to this plane is the way you’re looking up at him, furious and beautiful in the buzzing neons of Scout’s. He knew you’d been drunk, but not that drunk.

Hey, Eren– fuck, Stor, leave me alone! I’m just gonna talk to him really fast! Sorry, Historia’s all over me because I did something bad. I– I texted my ex, Luke. I never told you about him because he’s like, the worst, you’d hate him. But the funny thing is, I don’t even think I care? Maybe I do because I really was like, totally in love with him. Maybe he’ll text me back and we’ll fall in love again. But…I don’t know, Eren. I think about you all the time. I think I…I think I like you. Not like a friend, more than that. Wait, fuck, can I delete this? Just…I don’t know. Call me tomorrow or something. I want to talk about it before I can go down the black hole of Luke all over again. I know it’s not what you expected, and maybe you don’t feel the same, but…maybe we can just– shit, Historia, don’t hang up the–!

“Whatever I said was bullshit, I didn’t mean a word of it. I’m not getting back with my ex, or whatever else I came up with while I was blacked out.”

Your present-tense voice, affirmative and clear, snaps him out of his daze. I didn’t mean it. Every word of that voicemail that Eren knows so well, has basically memorized after listening to it day in and day out, trying to analyze every little drunken intonation of your voice– it was bullshit. Eren steels his jaw, musters up all the willpower he can dredge up in his body.

“You didn’t mean it,” his voice sounds alien as it leaves his mouth, distant.

“Yeah, exactly,” you’re mean, you’re so mean, not even stopping to acknowledge the sinkhole ripping open in Eren’s chest, “so before you rip me a new one, make sure that you’re not thinking about where you’d rather be right now.”

So you’re not just mean, you’re oblivious, it seems. For some reason, even through the shattering, crushing feeling erupting beneath Eren’s hoodie, it infuriates him. You just don’t see it, don’t see him. You didn’t mean a word you’d said to him in that damned voicemail, so he can’t tell you necessarily. It crosses his mind that maybe he can show you; the last dying ember of Eren’s rational line of thought sparks and spits at the idea in protest, but eventually chokes out, slowly dying in the tidal wave of emotion that takes him over.

“Oh, I don’t have anywhere else I’d rather be,” Eren's voice starts low and venomous, but it escalates with each passing word, “trust me, I showed up just aching to get into it with you. Just dying to have you rip me apart for something that I didn’t even fucking do!”

Not even a lie, honestly.

“You’re such an– ugh!” You shriek, digging the heels of your hands into your eyes.

“A what? Say it.”

“An asshole!”

“Is that what I am?” Eren’s backing you up against the bricks, making good use of his height to tower over you. Some sick part of him relishes in the way that, while your eyes remain blazing furiously enough to send a weaker man to his knees, your height difference forces you to cower under him. “An asshole?”

“Yeah,” you counter, glaring up at him defiantly, “you’re a fucking asshole, Eren.”

His proximity to you is making him dizzy and a little unhinged, and through the drinks and his anger and the mere inches between your heaving chests, Eren feels his blood start to run hot in an entirely different way. The leash he holds on his own temper, his own throat-closing desire, is dragging along the floor as he backs you fully against the wall, and Eren’s too wound up to bring himself to care.

“That’s not what you were calling me when I had my head between your legs, now is it?”

That shakes you, makes your jaw drop a little. Eren’s vaguely aware of your fingers twitching and clenching at your side, inwardly braces himself for a slap to the face. “Well, you weren’t acting like an asshole then.”

Eren smirks, leans into his own cruelty. “What, you jealous that you haven’t been getting all of my attention? Is that what’s got you acting all mean?”

“Cut it out, Eren.” Your eyes are telling him you’re still mad at him, furious even, but Eren doesn’t miss the way the rise and fall of your chest grows ever so slightly more frantic, the way your tongue darts out anxiously to wet your lips.

“Or what?” Eren leans down, boxing you in with one arm on either side of your head.

“I– we’re not doing this.”

“Doing what?” He widens his eyes innocently. “What am I doing?”

“You know exactly what you’re doing,” you hiss, but if you ask Eren, it sounds an awful lot like a moan is lodged in your throat, like your words are lacking the conviction that you’re trying to muster. He pushes himself in closer to you, noses mere inches apart, a wicked grin splitting his face.

“Is it working?”

Eren’s lips meet yours at the same moment that his hand whips out to catch your arm where you’re swinging it up to slap him. A broken little whimper leaves your mouth, spills into his, as your arm slackens in his grip. Eren feels your free hand fist into the hair at the nape of his neck, lets a groan fly out into nonexistent space between your lips. He’s been driving himself crazy thinking about this moment, the next time he’d get to feel your mouth on his again if it ever even happened, what you taste like, the little noises you make. The moment that’s been keeping him up at night is finally here, inflating his wounded ego like a balloon, and it feels fucking good.

You bite a little too hard into his bottom lip, the tangy, copper taste of Eren’s blood leaking into the kiss, making it clear that this doesn’t mean everything has settled between you both, but for the time being, Eren doesn’t care. All he cares about is the way your plush thighs feel wrapped around his waist, how easily he can scoop you up and pin you against the wall, the little moan that slips from your lips when he presses the length of his body entirely into you.

He doesn’t take his time, doesn’t savor the moment like he’ll surely wish he did tomorrow; Eren devours you, running a hand up your bare leg and under the hem of your skirt, grabbing a handful of your ass, squeezing at your hips.

“Bet you’re wet under this short little skirt, aren’t you?” Eren huffs into your mouth, sucking on your tongue.

“Fuck you,” you spit, squeezing your thighs tighter around his hips.

“Is that what you want?” Eren whispers, dizzy and drunker on you than the three Jameson shots he’d knocked back at the bar.

“I–”

“Been thinking about it?” Eren can’t stop himself, trying desperately to keep his lips on yours through the spill of words from his mouth. “Maybe that’s why you’ve been so mean to me, grinding all up on me in that club, teasing me, then running off. Just wanted a little love, didn’t you?”

“That depends,” you pant, moving your face to kiss up his neck, leave little nips in your wake. Eren groans deep in his chest, pushing against you even more insistently.

“On?”

“How bad you really want it,” you bite into his earlobe, steal another shaky groan from him.

Eren’s not a submissive guy, not by any means, but the thrill your words send running through his veins just about makes him drop you.

“Want me to beg?” Eren growls, shoving into you and biting deep at the junction of your neck and shoulder. “I’d only ever beg for you, baby.”

“Is that what you’re going to do? Beg for me when you’ve got another girl waiting for you?” Your anger has fizzled into a bitter sarcasm that goes straight between Eren’s legs and knocks him right in the ego all at once, tongue tracing the shell of his ear.

“Fuck– you’re my girl, my favorite girl, did you forget?” Eren grabs your face, forces your head back against the brick so you can look at him, eyes blown wide with lust and glossed over, mouth open in a desperate pant. “Told you the first time, you’re the best I’ve ever had. Didn’t think I was just fucking around, did you? It’s just you, only you.”

“Could have fooled me,” you dig your teeth into the thumb Eren’s worked between your lips, making him suck in a sharp ouch between his lips, “sure don’t feel like your favorite girl.”

“Sounds like I need to fix that, then,” Eren lets a hand trail down between the little space he’s leaned back to create between your bodies, finds his way to the damp fabric of your panties, “oh, who’s the liar now?”

“Don’t– fuck,” your eyes roll back in your head when he starts pressing into where he knows your clit is, rubbing insistent circles over the cloth just to elicit that reaction from you, rip the control right out of your pretty little hands. Eren chuckles down at you, dark and dangerous, amused at how quickly you melt for him.

“Thought we weren’t doing this?” He parrots your words from earlier, nosing at your neck. “Thought I was an asshole?”

“You are,” you grit out through a clenched jaw, but Eren notices the little forward push of your hips, notices that you’re trying to hold yourself back from rubbing yourself into his palm.

“And that gets you wet,” Eren counters, grinding the heel of his palm up into your clit and wrenching a little gasp from you, “bet you liked watching me in there, bet you would have loved watching me kick his ass for you.”

Eren pauses, waits to hear if you’ve got anything to say for yourself, but you’re already half-gone, rolling your hips against the steady rocking of his hand and whining in your throat. He smiles– god, you really are his favorite.

“Say it,” Eren growls into your skin, slipping a finger past the fabric of your panties to slide it into you, not the whole thing, but just a knuckle, just enough to make you shudder in his arms, “tell me you need me, want to hear you say what this perfect pussy’s already telling me. C’mon baby.”

Just as your mouth opens, either to answer him or snark at him, Eren can’t be sure, a cat-call from across the street snaps both of you out of your haze, your eyes flying wide. You shove at him, wriggling in his arms until Eren mercifully drops you to your feet, reaches down to right your rumpled little skirt for you. You glower up at him, look him up and down, and just when Eren’s about to bullshit some excuse to run home, fuck into his hand with your name on his lips, you surprise him.

“I mean, after all that, the least you can do is walk me home.”

The necessary steps of Eren closing your tabs, walking into the whipping winter wind, walking through the streets silently with Eren side-eyeing you as you storm along, arms crossed petulantly, commence. They go by in a blur; Eren’s not even sure he should be doing this right now with the lack of blood flow to his head. You don’t make eye contact, and if Eren had any more conscious thought at the moment, he would think you’re already regretting this before it happens, but he can’t bring himself to care, not yet.

He’ll kick himself for this as soon as the sun rises, but for now? The only thing he’s worried about lies wet and pulsing for him under the hem of your skirt.

The moment you’ve gotten the door open, Eren’s got you shoved up against the wall again, letting his hands find their way under your skirt and grabbing at your ass with a quiet groan.

“Historia?” he questions, nipping at your earlobe just because he can.

“Ymir’s,” you pant, pushing him off of you and practically storming to your bedroom. It hits Eren that for all the time you’ve spent together, he’s never actually seen your bedroom. He thinks that maybe he’ll do a little investigating of his own once he’s fucked all the fight out of you.

Safely behind the door of your bedroom, Eren wastes no time in yanking his shirt over his head, reaching for yours only to find that you’ve already rid yourself of the cute little sweater he had been admiring from down the bar back at Scout’s. You’ve got a pretty lace number underneath, one that Eren almost doesn’t want to take from you, but he reaches behind you and unclips it. Eren plans on taking and taking and taking everything you’ll give him, just for tonight, because the sinking feeling in his chest is telling him to do it while he can; a girl like you never sticks around a guy like him for long, and he’s already done himself the favor of ruining most of the potential your relationship had anyway.

“Eren– oh,” the broken whimper that leaves your lips snaps him out of his thoughts, reminds him that he’s got one of your breasts in his palm and the other nipple between his teeth. Eren wraps his free hand around your back, pressing his splayed fingers between your shoulder blades to arch you closer to him until he’s so full of you he can hardly breathe.

He’s going to keep taking from you, take until he drowns in it.

“Feel good? Missed me?” Eren’s words come out a little garbled around the flesh in his mouth, but you get the message all the same, managing a sarcastic eye roll through your arousal. You decline to answer him, but Eren can read your body, so he digs his teeth in harshly to the little swell of fat on the underside of your breast, sucks a bruise in to cut that eye roll of yours right in half. Eren smirks when your eyes flutter closed, a reluctant hand coming up to thread through his hair. “Thought so.”

“Can you just–fuck–get on with it?”

“Uh-uh,” Eren straightens back to his full height, backs you onto the bed until your knees catch and you fall onto your back, glaring up at him defiantly. “Gotta get you ready for me, right? I’m sure you remember.”

He eats up the doubt that flickers across your face, the memory of the first time you’d taken him all over your expression. Eren reaches beneath your skirt, pulls your panties down your legs delicately, rubs his hands along your thigh-high stockings with an appreciative swear under his breath.

“There’s a zipper on the back,” you wiggle a bit to try and reach the fasten of your skirt, but Eren slaps a firm hand onto your hip, pins you back onto the bed.

“Think I’m letting you take this off? After you were teasing me with it all night?” Eren says, stretching his body over yours, taking full advantage of his size to cage you in.

“I wasn’t teasing,” you huff, “these are just my clothes.”

“Anything you wear is teasing,” Eren brings his fingers to your core, swipes through the wetness gathered there, “especially when you look like this.”

You open your mouth to retort, but your jaw goes slack when Eren rolls over your clit softly, rubbing little circles into it at the perfect speed, the perfect pressure. He’s not interested in teasing you too much, he wants to feel you break on him as many times as you’ll grant him the pleasure. Once your little gasps have begun to swell into quiet moans, Eren ventures down, pushes his middle finger into you, all the way to the hitch. Eren answers your widened eyes and your little gasp with a sharp hiss between his teeth, marveling at the way your walls cling to his finger, sucking him in when he slides out and back in again.

“Just like the first time,” Eren murmurs, leaning down to take your collarbone between his teeth, “are you always this tight?”

“I– I don’t– more, please.”

Eren smiles around the mouthful of your skin he has, feeling his heart swell at how cute and airy your words come out, how clear it is to him, even if it’s only for this precious moment, that you’re just as desperate for him as he is for you. He grants your wish, working a second finger in beside the first, curling them cruelly against that spot in your walls that he knows gets your heart racing.

“Eren,” you keen, arching off the bed and tossing your head to the side.

“So tight baby,” Eren says in awe, pulling his head to watch as your cunt leaves little white streaks on his fingers, “so warm, can’t fucking wait to get my cock in you.”

“P-please,” you sputter, hooded eyes sparkling at the mention of it. Eren thinks wildly that he might be falling in love with the little unshed tears that prick your eyes when you start to get close, the little broken pleas you give him.

“You gotta cum for me first.” Eren works his fingers faster, can feel the fluttering of your cunt around his fingers. He realizes how worked up he must have gotten you outside of Scout’s, how you’re so wet it’s dripping down your soft skin onto the sheets, and you haven’t even cum yet.

“I’m– I just want you to fuck me,” you say, whiny and pitiful.

“I will,” Eren coos, “missed this messy little cunt so much, I promise I’ll fuck you, just give me one first. Gotta make it fit, right?”

“Mhm,” you whimper, hips bucking up towards him. Eren watches, drinks the sight of you in: skirt pulled up around your waist, legs spread wide open for him, slick spread all over the inside of your thighs, bottom lip tucked so tightly between your teeth he worries you might draw blood. He commits the sight to memory, his pretty little student all strung out and begging for his cock, begging him to make you cum. If he remembers right, if he curls his fingers just a little more harshly–

“Eren–” your head shoots up suddenly, eyes flying wide open, fists tightening in the sheets.

“Right there?” Eren grins, sharp and half-crazed, raising his eyebrows at the reaction the new angle has brought out of you.

“Right– oh, oh my god, I–”

“Give it to me,” Eren urges, working his fingers even faster, “come on, baby, show me how much you missed me.”

With a cry, you twist and thrash under him, cumming almost violently. Eren drinks it down, leans down to press a kiss against your open mouth, pins your body to the bed so you can’t run from the vicious waves of pleasure wracking your body.

“There’s my girl,” he mutters, licking against your tongue, “such a good, good girl for me.”

When your orgasm finally starts to ebb, Eren doesn’t let up, not entirely; he keeps his fingers working in a slow drag through your walls, appreciating the way your muscles twitch and the way you feebly shove at his wrist.

“Eren…” you trail off weakly, fingers finally locking harshly around his hand and pulling him from you, “too much.”

“Thought you wanted me to ‘get on with it’?” Eren snorts, finally obliging your earlier request and sliding your skirt over your legs, tracing his fingers up and down your thighs once you’re fully bare and beautiful underneath him, taking mental snapshots of every inch of smooth skin that he’s lucky enough to have under his touch.

“I do,” you say, eyeing him with a glint of annoyance in your eye. It just makes Eren smile bigger; you’re so cute when you’re mad.

“Whatever you want, baby,” Eren says, situating his hands under your arms and practically throwing you up against the pillows at the head of your bed. You widen your legs so he can crawl in between them, kissing his way up your torso in a self-indulgent, tender way.

“Do we, um…” you start to question him, and Eren’s close enough to your face now that he can feel your cheeks warm. He sits up a little, arches a questioning brow down at you.

“What?”

“Do we need to use a condom?”

Eren frowns, confused. “I mean, after last time, I thought you were on birth control.”

“I am,” you confirm, nodding slowly, some odd emotion flickering over your features that could be anger, could be heartbreak, “but I don’t know if, like–”

“I haven’t been with anyone else,” Eren catches your meaning, feeling his heart thud heavy and loud in his chest, “not since…”

“Oh,” you exhale quietly, nodding, “okay.”

“You?”

“Uh, no,” your voice is so low Eren almost doesn’t hear you, but he watches your head slowly lull side to side in confirmation, “no one else.”

Eren can’t excuse the rush of relief that courses through him, the swell of happiness to learn that no one’s gotten to see you like this since the last time he had. It goes straight to his cock, hard and drooling between his legs. Before he can get too wrapped up in the emotional side of things, Eren leans in hard to the horrible, possessive thoughts that have constricted him, laying himself over you and taking his cock in his hand, swiping it through the mess between your legs.

“Good.” He even surprises himself with that, looking down on you with dark eyes, eyes that promise ruin.

“Please,” you give him one more breathless plea, Eren swears you know too well how to snap his composure clean in half.

He pushes himself in, choking on a moan at how tight you are, vicelike and suffocating around him. A broken groan flies from your lips, your fingers tighten their grip on his biceps until Eren’s sure you’re going to break the skin, but he’s beyond caring. His mind wipes completely blank, save for the hot, wet heat that’s enveloping him, beckoning him to snap his hips forward viciously and be done with it. With what little self-restraint he can muster up, Eren flicks his eyes up to yours.

“So…it’s so–” another whimper cuts you off, and Eren can feel your thighs twitch on either side of his hips.

“Too much?” Eren manages to reign himself in, back out another inch or so.

“No,” you wrap a leg around his waist, shove him further into you and wrench a deep, guttural groan from his chest, “feels good, keep going.”

“Careful what you wish for,” Eren breathes, trying to retain any semblance of control over this situation, give you that dominant dirty talk that he knows gets you off instead of turning into a whimpering, moaning mess at the feel of you clenching around him. He bottoms out, feeling himself fuck all the way up into your tummy, head falling down onto your shoulder.

Eren manages to keep his pace slow and gentle, rolling his hips into yours like he’s making love to you, not saying goodbye. Little satisfied sounds are slipping out of your mouth, but Eren can see a flicker of consciousness in your eyes; you’re not drooling for him, out of your mind with want, not like the first time. He frowns.

“What’s wrong?”

“What do you mean?”

“You’re…I don’t know, you seem like you’re somewhere else,” Eren hates having to admit that he notices, that he even cares, and the unsteady creak of his voice reflects that, just making him hate himself even more. You don’t seem to notice his vulnerability or, if you do, you aren’t affected by it. You simply raise an eyebrow at him.

“I mean…it’s good,” you say, eyes flitting around the room, like you can’t quite admit whatever you’re going to say while looking him straight in the eyes, “but I want you to fuck me.”

“I am fucking you.” Eren’s frown deepens into a scowl of annoyance. What, is he not good enough for you now?

“Well, literally speaking yes, you are fucking me. But,” a nervous giggle slips from your teeth, riling the anger starting to bubble under his skin again, “I’ve heard a lot of rumors about you.”

“Why are we talking about this while I am literally inside of you?”

“Because I want you to fuck me,” you raise your eyebrows meaningfully, canting your hips up towards him. It clicks– as much as Eren wants to show you what he feels because he can’t tell you, fucking you like an animal, as he’s prone to do, is what you want. Eren’s been so wrapped up in trying to relish whatever time he may have left with you before you inevitably cast him off to the side again, he’s not been paying attention.

“You want me to fuck you, huh?” Eren thrusts forward a little harsher, a little more pointedly. Your eyes roll back, a slow, indulgent smile spreading across your face.

“I want you to fuck me like I know you can,” Eren feels your arms wrap around his neck, pulling his ear to your lips, “unless that last time was all luck. Surely all those rumors aren’t false, are they?”

Eren knows you’re trying to get under his skin, to bite at him through the haze of the heavy air weighing down on both of you, to rekindle that anger that you had brought out of him outside of the bar. What is he going to do with you, incorrigible little thing that you are? If Eren Jaeger was a better man, he would stop this all right now, force you both to talk through the sharp, spiky things that hang in the balance between you two.

But Eren Jaeger is not a better man, he’s only a man, broken and needy and tucked into his favorite place on earth, with the girl of his dreams below him urging him to fuck her brains out. Is he really to blame?

Eren rips himself out of your grasp, standing tall and menacing on his knees over you.

“I’ll fuck you,” Eren grits out through a clenched jaw, grabbing you by the back of your thighs and shoving your knees towards your head, “but you better be ready to put your money where your mouth is.”

“Yeah? Well– oh,” a sharp, shrill cry of your own making cuts your voice off when Eren snaps his hips forward, brutal and unforgiving into the wet heat of your cunt. He doesn’t stop there, immediately pulling out and snapping forward again, hitting somewhere deep inside of you that, based on your face, he knows no man has ever been able to reach. He smirks, all cocky and cruel, setting a harsh pace that’s got you clawing at the sheets.

“What? Is it too much?” Eren whines down at you condescendingly, eating up the way you’re already whimpering and moaning. He can see tears glistening at the corners of your eyes, threatening to fall.

“No, no,” your voice is broken, breathless, “it’s– fuck, it’s so good, Eren–”

“Is this what you wanted?” Eren growls down at you, locking one strong hand around your throat. “Wanted me to fuck you like the little slut you are?”

“Yes!” Your admission comes out in a choked, watery cry, the tears in your eyes finally beginning to run down your temples. Even if it wasn’t written all over your face, Eren can feel how much you like it; your pussy is fluttering, pulsing around him, begging him to keep going. He drives his hips forward like a man starved, a man whose life depends on fucking you until you can’t walk straight for a week.

“Who knew?” Eren muses to himself, wiping the tears from your face. “Who knew my pretty girl was so filthy?”

“I, I–Eren,” you moan wantonly, thighs shaking under his firm grip. Eren should hold himself back, knows that you’re going to be so sore in the morning, but a sick part of him is glad for it. Let you walk around campus with the throbbing ache of him inside of you, maybe he’ll fuck you so hard that little twinge in your belly when you sit down never goes away.

“Say it,” Eren urges, squeezing your windpipe, “tell me how much you love it, tell me how bad this pussy missed me.”

“I–” you choke out around his iron grip on your neck, “I m-missed you, I love it w-when you fuck me–”

“Fuck you like a whore?”

“Fuck me like a w-whore,” you wheeze out, face reddening with shame. Eren loves it, wants to kiss the blush off your cheeks and swallow it whole.

“That’s right, baby,” Eren releases your throat, watches the way you heave and gasp as the air flows back into your lungs, only to be punched out by the force of his thrusts, “you love my cock, don’t you?”

“Yes, I– oh my god, Eren, I–”

“What?” Eren sneers, smirking wickedly down at you, “is my smart girl already so fucked out she can’t talk?”

“No, I– I just– fuck!” You’re so loud for him, if he knew that fucking you within an inch of your life would get him this, Eren never would have bothered playing nice in the first place.

“‘ve barely even started,” Eren laughs, mean and sharp, “and you’re already fucked so dumb you can’t even think. Think you can cum for me, just like this?”

He doesn’t even have to ask; he can feel the way your cunt’s starting to tighten around him so harshly that it nearly pushes him out. He’s bullying his way back into you on every thrust, forcing you to open up for him, to take what he has to give. Inwardly, Eren hopes to god you do cum soon; he’s not going to last, not with you spread out beneath him crying and wailing his name. Eren doesn’t think he can hold out much longer without filling you up, watching his cum seep out of you.

“Eren, Eren, Eren–” your nonsensical babbling has started to take the shape of his name, Eren can feel his ego swelling and swelling to the point of bursting. There’s a tone of warning in your moans; the onslaught of an orgasm is threatening to pull you under.

“Don’t you dare hold out on me,” Eren slaps your thigh hard, the tacky, wet sound of it echoing through the room, somehow finds the wherewithal to piston his hips even faster, “want to feel it, feel you cum on me.”

“I’m going to, I’m going– oh Eren–”

Eren practically snarls, leaning over to spit in your open, waiting mouth. “What are you waiting for? Don’t you–fuck–want your pretty cunt stuffed full of me? I’ll give you yours, just gotta cum for me and give me what’s fucking mine. Go on–”

Eren’s rambling is cut short by the loud, raspy sob you let out, clenching down around him so hard it almost hurts, drawing a loud, long hiss from him. He looks down past your quivering thighs, sees the frothy white that’s streaking his cock, and he’s done for. He grants you a few more sloppy thrusts, and then with one final snap of his hips, he stills, holding himself as deep inside as he can manage, pumping you full of him.

Before he can stop himself, Eren’s crashing into you, bringing your lips to his in a messy, frantic kiss, open-mouthed and teeth clacking together. He can feel your body shaking violently underneath him, rocking with wave after wave of post-orgasm bliss, but he can’t seem to break himself from you, collapsed and clutching onto your smaller frame like it’s the only thing tethering him to this earth.

“Eren,” you finally say weakly, voice muffled as you smack at his shoulder, “you’re heavy.”

“Sorry,” he grunts, rolling off of you reluctantly. Your crumpled, naked form is still there, still so tempting and soft and warm. Your eyes are shut, so you don’t see Eren’s tentative hand reach for your hip, just wanting to rub a thumb comfortingly over the bone there, before he pulls back, second-guessing himself. A few pregnant beats pass by, Eren biting his tongue and holding his breath as he waits for you to make the first move, to direct him into how to speak to you after what’s just happened.

“I need to shower,” you finally say, words coming out in a breathless admission.

“Yeah,” Eren answers lamely, sitting up and looking around your room. There’s postcards from almost every country imaginable, tacked above your desk and fluttering in the breeze from your heating system. The desk itself is a wreck, dozens of papers and books scattered around in seemingly no order. Eren notices a little stuffed teddy bear tossed onto the floor and picks it up with a smile, placing it back against your pillows.

“Are you…”

“Am I…?” Eren looks at you, hoping that his pleading gaze isn’t too horribly obvious.

“I think Historia will kill me if she sees you leaving in the morning.” As soon as the words leave your mouth, Eren swears he can see something like regret fly over your face, and you turn your back to him instantly, scrounging around on the ground..

“I don’t know,” Eren wheezes through his shellshock, trying to force out a nonchalant chuckle that only sounds strangled and tense, “she’s pretty short. I don’t know how she could manage it.”

“You’d be surprised,” you slip a bathrobe over your shoulders and grant him a mirthless smile that doesn’t quite reach your eyes.

Eren dresses in the heavy silence that’s fallen over the room, pulling his shirt over his head and having to inwardly brace himself to face you. Eren’s comfortable with himself, probably knows a little too well that he’s an attractive guy, but he feels completely naked even fully clothed when he turns around to see you, standing all cozy and fucked out and sleepy in your fuzzy robe.

“So…” Eren trails off, wanting to smack his own face for speaking first.

“Have a good night, I guess,” you look up at him and then quickly away, chewing nervously on your bottom lip. Eren steels himself, lets every bit of courage he can find in his body rise to his mouth, forcing it to move.

“Are we, you know, good?”

“Good?”

“We said a lot of things to each other back there,” Eren can’t meet your gaze, can practically feel his face burning as he scratches anxiously at the back of his head. When he forces himself to look at you, there’s something odd and unreadable in your eyes. Are you sad? No, you’re smiling. Well, sort of smiling– it looks contrived, not real. But you’re not angry, not entirely.

“Yeah, I’m good if you are.” That stupid, insincere smile is still twisting your features.

Eren doesn’t like the look of dishonesty on you, but he’s fought enough for tonight. He’s sad, spent, and tired, and he figures it’s hopeless anyway.

“Okay, good,” he makes his way to your bedroom door, fingers twitching for the feel of your skin under his, eyes damn near watering, “I’ll talk to you soon.”

“See ya.”

And with that, Eren’s left alone in the cold of your apartment hallway, alone and sickened by the feelings of satisfaction and longing swirling in his chest.

#eren #eren jaeger x reader #eren jeager x reader #eren yeager x reader #eren yaeger x reader #eren jaeger x you #eren yeager x you #aot x reader #aot smut #eren jaeger smut #eren yeager smut #much ado about nothing #much ado universe #much ado uni

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fishii-writes · 2 months ago

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kamariya - kenyu yukimiya

paring: yukimiya x fem!reader

au: indian/bollywood + actors

cw: not proofread, intended lowercase, reader is a dancer like in that one scene in stree, yukimiya is the male lead for the "movie", yukimiya is mentioned by his first name, lyrics from the song are in Orange and italics, just yukimiya being a simp tbh

a/n: yukimiya brainrot. my indian girlies unite frfr!!! character choice based off of this moodboard a person made and. i. i had a vision. on holiday so i skipped out studying to write this (i'm cooked). Not really my best work but I wanted to post this bc I am happy to write it! hope you enjoy!! Woah fishii double posts writing 🙀

word count: 1576

best paired with: kamariya from stree <3

“practice run,” the director calls out, gesturing for all main actors and supporting cast to join him beside the camera station. the main leads, the main couple, are no where to be found. well, it’s not a big deal, since it’s just a scene with a song and dancing.

you’re a side character, a dancer, but the main dancer of the group. of course, the female lead gets introduced at this point in the film, but all eyes are on you for a good part of this scene. on you, your body, your movements and face. so naturally, you’re nervous, to say the very least.

“hmm, seems that Kenyu isn’t here yet. well, then, [name]. you can practice once more, if you’d like. might be a good idea to practice in front of a small audience, since you seemed shy when i last checked.” the director points towards a campfire setup, where the following scenes were meant to be recorded. you nod, following the others to the area where they each took their seats.

lucky for you, the other actors, both side and supporting roles, are kind. they hype you up, telling you to take your time as you both emotionally and physically prepare to dance. its not like you can just start moving your hips to the beat of the music. besides, it hasn’t even started playing yet.

you turn so that your back is to the small audience, as they sit in a semi-circle formation. you flex your hands a couple of times, hopping up and down to get yourself ready. one breath in. one breath out.

it really is as easy as just moving your hips. what’s the worst that can happen? losing confidence isn’t an issue, you’ve got a little hype squad.

one last breath in, the tip of your toes just barely touch the floor. you’re barefoot, to maintain your balance. you push yourself up from the floor, one foot a bit higher than the other to get into the “flow”.

you want to dance, you really do. but its too quiet. too awkward. eyes are to focused on you. you’re the main attraction, yeah, but… something has to lure the audience’s eyes in. in a seductive way? not too sure about that. maybe, that wouldn’t be so bad, would it?

lost in thought, the start of the song being sung by one of your back up dancers snaps you out of your trance.

“o seeli peeli pa ke o balam, tod de bharam. chhod de ghabrana.”

there you go. slowly but surely, you feel your shoulders loosen and your stress melt away. or maybe you’re just too focused to notice the others started clapping along and singing the parts they know.

unconsciously, you hum the tune to the song as your arms comfortably stretch above your head, slowly slithering down your torso as your hips take turns gently jerking up on either side. while it started off a little bit still, your movements became elegant just as fast as they became comfortable and natural for you to perform. the blouse you were wearing was somewhat revealing, but it makes sense for a scene like this.

“hmmm~”

your skirt, the longer piece of your lightweight lehenga, flows freely at your ankles. its red colour contrasts the soft blue lights that bounce off of the sequences on your outfit, off of the others’ faces and gracing your gorgeous face with a blue tint.

“dil ke saare button khol de, khul ke bol de,”

you expect your voice to come out a little bit squeaky, but to your surprise, it comes out just as intended. you spin around, slightly lifting the skirt of your lehenga as you move forward. you let the light fabric drop back to your ankles, turning the audience’s attention back to you. your wrists flick in various positions, with your shoulders flexing at different angles.

“bata de tera aaj hai plan kya?”

just as you’re about to invite your back up dancers to practice with you, the actual song plays. it’s a bit annoying, but what better opportunity to practice timing? you move your hips to the beat of the song, the words almost wrapping around your wrists and guiding them to smoothen your movements, from your back to the very tips of your fingers.

“aaj bijli bhi girwani hai, fire bhi lagwaani hai-”

your breath is comfortably held in your throat for a moment, trying to correctly perform a certain move when you hear an exhale behind you.

“jo tu aa ke baby hamre saath ma…”

you brush it off, exhaling as your arms slither down your torso once more. wait. exhale? behind you?

“aa, aa, aa, aa ke…”

you can’t turn around. it’s obviously someone from the audience, but you can’t help feeling a bit nervous as someone is quite literally over your shoulder. well, whatever, you can do this.

“kamariya…”

you finally turn around, expecting to be met with one of your back up dancers. but…

but?

“hila de hilla de, hila de hilla de-”

you pause, half on your tippy-toes and leaning backwards a bit.

“hila de hilla de,”

the person now in front of you leans in, just barely whispering.

“najariya…”

and god you can’t deny that there’s a good reason he’s been casted for the male lead. you can feel his breath lightly fanning over your neck, the tip of his nose just a slip up away from touching you.

your eyes flicker to the director, and he quietly points to the camera. its on. you either have to start dancing as naturally as possible again, or retake the whole scene. with the main lead watching. you take your chance, pulling yourself to stand up straight by tugging the man’s tie. your loop it around your hand once, a somewhat playful yet hesitant smirk on your lips.

“mila de milla de, mila de milla de-”

and he seems to have gotten the gist of how you want things to go. the other actors keep singing, some whistling and others clapping to the beat of the song to set the scene that you’re tonight’s main attraction.

“mila de milla de,”

he pulls you in by the waist, one hand intertwined with yours above your head, spinning you around. in an almost comical manner, one hand rests on your lower back as he leans you down.

“kamariya…”

so this is Kenyu Yukimiya. the Kenyu Yukimiya.

this is the closest you’ve been to the male lead. and oh boy, do you wish you were the female lead for such a movie. well, this is your moment. the “audience” whistles again, while Kenyu’s supporting actor, someone who is meant to be his best friend in the cast, drags him to sit back down.

your back up dancers spread out a bit more, and the camera stops. for a moment, anyways. the director calls out for everyone to stay in their positions, as the camera crew quickly moves the camera to be directed on you. well, here goes nothing. the scene right before the female lead will be introduced, you’ve got to make your mark and show the world you talent. the camera turns back on, and the “audience” starts singing again. they start of quiet, slowly growing louder as you regain your confidence.

“hila de hilla de,”

one flick of your wrist above your head,

“hila de hilla de,”

and a slither of your arm down your waist from your other arm.

“hila de hilla de-”

and you know his eyes are on you. they follow each of your movements, almost sparkling as bright as the blue lights reflecting off of the sequences on your lehenga. but why?

“najariya…”

you hear him just barely say under his breath, over the loud music and even louder singing.

“mila de milla de,”

what’s so fascinating about your dancing that he forgets his very queue for the next scene where the female lead is introduced? hah, loser.

“mila de milla de,”

you can’t deny that you slightly slow down your movements, just to watch the way his eyes follow your hips. the way they slowly meet your eyes, a crooked smile on his gorgeous face as he fights the urge to join you to dance once more. one chance, one chance he wants with you!

“mila de milla de,”

well, fuck it. off script? barely even following the plot of this movie, at this point. he stands back up, taking your hand and spinning you around. you’re a bit surprised, you didn’t actually expect him to give into his urges and dance with you. but hey, you’re not complaining.

“ho.. haye re mera dil le le!”

he sings between his laughs, leaning in close enough for you to be able to push his glasses up the bridge of his nose with your free hand. you’re tempted to do that, just to get him flustered. you would’ve done something to get him embarrassed if the director didn’t yell out “cut!” right when the sparks were erupting between you two.

“take five minutes, then from the top!” the director calls out, letting you leave to freshen up. but Kenyu stays in place, he’s still smitten by the way you move.

“najariya…” you hear him mutter under his breath, not in a musical manner. out of genuine desire for you to stay.

maybe another time, since you’re sure his eyes are on you.

taglist: @tofumixp , @shrii-kk , @motchilyn , @starrissm , @4ngelfries , @thegolden-tigeress , @alkaisen + open (send an ask if you'd like to be added! :D)

likes, reblogs and comments are appreciated!! <3

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ador3rin · 5 months ago

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₊˚ෆ you've got a new follower! | return to main | go to next

there’s a gentle breeze wafting in through the open window, carrying the flowery scent of spring along with it as you stare absentmindedly out at the court yard. the earlier conversation you’d had with your homeroom teacher was replaying in your mind on a loop.

“yn-chan! what’s got you so quiet?” your brunette friend paused mid sentence, catching on to your lack of responses. the two of you were currently hanging out in a classroom, opting to spend lunch inside for the day.

hina had been rambling on about some ridiculous argument she’d witnessed earlier between two girls in the hallway, all the while scarfing down a handful of sweets she’d pulled out of her bag. you made a mental note to swipe a few later when she wasn’t looking.

“sorry hina,” shuffling around in your seat, you sit upright and readjust to properly face the girl sitting across from you. “i’m just thinking about what ms maeko said to me earlier.” you explain with a sigh, hands coming up to rub at your temples.

“huh? the college thing?” her head cocks to the side, confusion evident in her features.

“you’ve got good grades anyway, so what’s got you in such a mood?” you wish you weren’t just as clueless as she was. honestly, you weren't expecting the conversation to head in that direction yourself either.

earlier that day just before lunch had began, you had approached your home room teacher in hopes of seeking out college advice, since the pros and cons list you’d been writing up wasn’t proving to be of much help at all. however, much to your surprise she had a piece of advice of her own. she’d told you to go and join a club.

it would look good on your transcript, she reasoned. you got decent grades so there wasn’t really much else you could do in that department except maintaining them. but according to her, colleges were no longer purely looking for academic excellency.

you frustratingly relayed the conversation to your best friend and mentioned how you had been mentally browsing through the list of potential clubs ever since then. your options seemed slim.

“that’s it? just join the volleyball club.” unimpressed with your woes, she stares at you with a brow raised, answering with a simple shrug of her shoulders. “i mean, i’ve told you how i’ve been kinda swamped lately with manager duties and school work. plus, it’d be really fun if we were both managers together!”.

and that was how you managed to find yourself standing outside the volleyball gym less than a week later. unfortunately, no one seemed to be there just yet so you were stuck loitering around, eyes nervously searching for any sight of hina.

“are ya looking for something?” an unfamiliar male speaks up, and you turn to face the disembodied voice behind you. it was one of the miya twins, standing a few feet away with his head cocked to the side.

honestly, you didn’t really know either of their names despite having seen them around before. you’d only ever registered their existence whenever hina was dropping off something to the gym, or the few times you’d wait for her to finish after school.

just as you’re about to open your mouth to respond, another male voice pipes up.

“would ya quit bothering the lady ‘tsumu, i’m sure she’s not interested.” the silver haired twin appears, casually smacking his sibling in the back of the head. your eyes widened at the scene, unsure of what to say or how to react. was this normal? you really didn’t want to break up a fight on your first day.

the two are almost immediately bickering as if you aren’t awkwardly standing in front of them, and you can feel regret slowly creep through your veins. they both were sporting their club jackets, with similar duffel bags slung around their respective shoulders.

“sorry i took awhile!” your attention shifts to hina’s voice, letting out a sigh of relief at the sight of her approaching. “can you two stop fighting? you’re going to scare yn off.” she sternly scolds the males and effortlessly breaks up their squabble. her authority is rather impressive, as this is a side of her you rarely see.

turning her eyes on to you, the brunette beams with excitement as she links your arms, dragging you along with her. “c’mon! the others will be here soon, i’ll show you around inside!”. the gym was surprisingly larger than it appeared from the outside, bright lights lit up the shiny wooden court, and everywhere you looked seemed to be picture perfect.

you were only somewhat aware of the prestige that your school’s volleyball team held, as you’d never really cared for sports before. the guys were currently nearing the ending of their training, and it had taken you a little while to grow accustomed to the slamming balls and squeaky shoes.

hina held a brief introduction before training had commenced, but you honestly couldn't keep up with all the names even if you tried. instead, you’d opted to pick one defining feature of each member and memorised it to their jersey numbers. for example, number ten had very distinct, almost fox-like eyes. number seven was.. a character, yet when he's in the zone he's a completely different person.

it was unexpectedly intimidating to see all the players up close, especially when they’d crowded together in front of you for introductions earlier. you had seen a few of them around school before sure, but being face to face made them seem all the more larger than life.

boasting both height and a sturdy athletic build, it would be a lie to deny that they weren’t all fairly attractive in their own rights. but mostly when they weren’t speaking though. suddenly the existence of the volleyball club fangirls wasn’t as ludicrous to you anymore.

after bidding your farewells and ‘nice to meet you’s’ once the training was over, you now found yourself perched on your window side bed nook, lying on your stomach with both feet dangling in the air. the light from your laptop screen illuminating your features, you eagerly scroll through your timeline, grateful for the peaceful downtime.

just when you’ve decided you’ve had your fill of social media, a notification pops up, grabbing your attention. now fuelled with newfound curiosity, you hastily click on the notification and look over the culprit's profile.

@samusamu started following you!

# mew's notes :

IM SO EXCITED TO BE DOING AN SMAU AGAIN YAY!!!

light mode is yn's pov, and dark mode is suna's

akemi is currently travelling abroad with her family

#♡theunexpectedprotagonist #ador3rin #ador3haikyuu!!#suna rintaro #suna x reader #smau #haikyuu smau #hq smau #haikyuu

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changeling-fae · 1 year ago

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You know, thinking about how Raphael and the Emperor fill similar roles but with different methods and how Raphael’s “better the devil you know” takes on a double (triple?) meaning. Raphael straight up tells you what he is and uses that as leverage against the Emperor who deceives you pretty much the whole time.

And for a lot of people it works, people in general prefer honesty up front and while Raphael is absolutely a shady devil, most people would respect his candor over being lied to from the start. Not everyone of course, the Emperor’s tactics still seems to work on a lot of players, given how many never learn he was manipulating them from start to finish.

But I really do like the scene of Raphael laying out all his cards and giving you an opportunity to compare them against the Emperor.

The Emperor could argue he lied about who he was because no one would trust an illithid (which is likely true) but he now has the disadvantage of another shady being persuading his target because said shady being was up front with who he was.

I do vibe way more with Raphael (obviously lol), and I recognize a lot of it is, yeah he was upfront about who he is and his motives. And while arguably headcanon territory, it’s still pretty clear that Raphael has some “affection” (in his own way) for us versus the Emperor who the moment you break through his facade, clearly cannot feel affection.

When he tries to seduce your character and if you turn him down, the narrator actually makes a pretty clear note of planting suspicion about how fast and suspiciously quick the Emperor changed tactics and words despite 5 sec prior talking like he cares about us.

Actually I wouldn’t say it’s that headcanony that Raphael has an attachment to us, all the jokes aside about him having a crush, we get the evidence that he has an attachment from other places aside from Raphael’s mouth.

The diaries and plaque (if you sign the contract) proves it in the sense that in game, Raphael never expected us to see his writings or his vault. And the archivist in the vault says something along the lines about how special we are to Raphael and how Raphael has a “softer spot” for mortals than most, and the archivist says all this to us thinking we’re just some random devil in disguise. Information that wasn’t meant for our ears technically.

Meanwhile you got the Emperor over here who is very good at faking affection and sympathy until you start to examine him more. Then he drops it like a rock, it’s almost scary how quick he can.

Raphael is oddly relatable because he is kinda pathetic in his own way. You can see where and how he got to being who he is. The Emperor is, well, alien. He’s definitely very good at utilizing his old memories of when he was mortal to his advantage, but that mortal is dead and he’s basically just another illithid, just one who happens to be more independent than most.

And while this is all speculation on my part, it’s clear that Raphael both hates but is attached to mortals, likely because of his own existence. He’s half mortal but lives and is bound by the rules of hell like a devil. I think he envies some of the freedom to choose that mortals have, and that’s why he’s so insistent that mortals don’t have choice. He wants that freedom to choose but can’t because of his nature (“hell, hell, hell has its laws”) and he’s trying to convince either himself and/or mortals that they don’t have a choice either, to cover up that envy he feels.

Imagine being the child of one of the big bad archdevils who rules over a layer of hell. There probably is a level or feeling of helplessness that he never had a choice but to be what he is.

And you can contrast that with the Emperor who is no longer mortal and while definitely fighting for his own independence and freedom, is quite content to be what he is.

Considering the whole game has strong themes about choice, fate, and freedom, it’s just fun how even the antagonists shares those struggles same as our characters and the companions.

#baldurs gate 3 #bg3 #bg3 raphael #raphael meta #bg3 spoilers #I have too many thoughts about this terrible (affectionate) devil man #1am thoughts

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doodler16 · 16 days ago

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a trick the writers use to make Charlie look better is have all the other characters act stupider than her, so she looks smart and right by comparison. The whole court room session was the 2nd dumbest scene after the “no one not even angles know how they can be killed” plotline. No one knows how people get into heaven and it’s really fucking stupid, they didn’t kill, eat or SA anyone like every fucking sinner have. Why isnt Angel in heaven? Because he must’ve killed people when he was alive, isn’t he suppose to be a mobster back in the 1940s? They’re not the type of people you want to miss around with. That’s not a mistake taking a life shouldn’t be a mistake, it’s a crime. You can’t say everyone deserve a second chance and people make mistake. It doesn’t fucking work. “If hell is forever than heaven must be a lie, if angles can whatever and remain in the sky” is bullshit because Lucifer is proof angels can’t do whatever and angels can be killed. Vaggie’s exile is the mistake, she was exiled because she showed mercy and was punished by lute and left to die in hell. Vaggie should’ve been the ace in the hole (sorry hot topic and viv ace in the hole has never phase ace people use and never will be it’s when someone has a hidden ability or triumph card) for Charlie’s case but vaggie is also given the idiot card worse than any other character.

Adam is written to be stupid and someone you want to see get taken down. It worked but than rewatching it again, he’s not wrong. Charlie cannot guarantee that when sinners enter heaven they won’t just snap and kill heaven occupants. The extermination are wrong but it’s hard to believe they’re wrong about demons being genocide every years when they kill/sa each other all the time. If angels weren’t killing them they’d be doing it to each other. That’s a lot of trust to put on strangers that were essentially ex-convicts/sex offenders. It’s a promise she can’t guarantee or keep.

free will is a theme the show throws around without knowing what it means, Lucifer gave people free will and as consequence evil was unleashed into the world and he was punished for it. Was that a mistake? Was disobeying the natural order a mistake? (I hate how there’s no god, don’t try to make a show about redemption and not include God, it’s like making cereal without cereal, so your just drinking straight milk and your tummy starts to ache and you get diarrhea) or was Lucifer dipping on sinners because he got sad that they didn’t live up to his expectations, a mistake? He gave people the freedom to choose and think for themselves, but was sad they choose evil. Is humanity being allowed to choose to be good or evil not free will? Pilot alastor made a good argument “the life they lived was the chance they were given and the punishment is this” lucifer unleashed evil and he had the free will to reform or protect sinner he choose not to. No one is right or wrong and that’s not bad writing. What is bad writing is making one side the obvious good and smart guys and the other side painfully bad and stupid guys.

Vivziepop and writers don’t have the other characters actually question Charlie and when in a rare case they do question her (for example: Lucifer), Charlie guilts them. “It’s all about second chances guys!!” Or they don’t even have Charlie address anything at all and move on to the next scene, framing her like she was right the whole time.

The writers also would say one thing like the hotel is not working then conveniently switch it up to make Charlie look better. For example: Angel Dust, the start of his arc is in episode 4, Masquerade. Now, conveniently in episode 5, Dad Beat Dad he is suddenly open to everyone and episode 6, Welcome to Heaven: he no longer does drugs despite literally in episode 5, Vaggie mentions she almost found all of Angel’s drug stash. Such rushed and nonexistent development.

The whole Heaven not knowing what gets people in their world is embarrassing, Vivziepop and the writers think they are being nuanced and grey but it’s the opposite. Why should the audience even care about Charlie and the sinners’ redemption storyline if Heaven has no idea what they are doing. Adam’s “rules” of: sticking to man, act selfless, and don’t steal: anyone in Hell can easily fake that if that all that takes. Also beatitudes and Ten Commandments are right there, but that would mean changing Adam’s character a bit as Heaven allows him to swear and be foul.

The only reason why Angel is still in Hell is because of lore™️ reasons and he is still under Valentino’s contract. Least be real, it would be extremely underwhelming if he died so early. Charlie’s ideals are very black and white; same with Adam (as much as I like him and agree with him). Adam repeats the notion that there is no defying their fates and in their human life, they had a chance to be better. Which leads me to my next question: what gets you into Hell? Can it be as simple as swearing or being mean to someone?

As for Adam’s point for sinners having their chance to be better in the human world, anything can happen. Not everyone has a simple life, some live in abusive households, were forced or coerced against their will to do something. Would those people in these scenarios make it to Heaven because Heaven doesn’t know what they are doing. Situations like this are very complex which why it is important that Charlie actually learns about the sinner’s human lives and if redemption is possible for them.

Emily/Charlie’s Heaven is a lie song is mainly a gotcha towards Lute/Sera and mainly Adam. But yeah you are right regarding Lucifer, I didn’t even think of that. Lucifer is at least the first angel mess up and received consequences but then the more you think about it you realize “oh Wait second… Lilith is in Heaven again” despite being apart this whole apple scenario with Lucifer. (I know Lilith isn’t an angel but food for thought).

Vaggie being exiled for not killing a kid (whether sinner or hellborn) is dumb. Keep mind, she wasn’t new at this, why does she suddenly have a change in heart. The more I think about that scene, I have more questions than answers. Vaggie being ace is interesting, maybe she can both lesbian and ace. Anon, you always correct me if that’s possible. Cute head cannon. Alastor’s reason for being ace is just stereotypical.

Adam HAS so much potential and nuance it’s not even funny. Speaking about him, for example episode 8, the show must go on. Charlie is all about second chances except with Adam. Charlie tells her dad to stop beating up Adam and you would think Charlie, herself would gently go him and give him a second chance, they can start over, etc. Then Adam would brush her off, tell her to piss off, blah, blah. She does none of that! Did Charlie just pity Adam that badly? Why stop her dad from beating him up, if you aren’t going to give a second chance? He was going to die regardless.

After Charlie stops her dad, the cast literally watches Adam have a mental breakdown and judging him then Niffty stabs. It was like bruh “are you serious?” As much as I like Lucifer, he is such a mixed bag especially it comes with the topic of free will. He sounds regretful and doesn’t want Charlie heading the same path as him but at the same time sounds salty about Heaven in general and that they didn’t bend over backwards for his “dream.” The show tries and guilt trip the audience to be sad for Lucifer when it’s deserved. Vivziepop and the writers purposely made that aspect about Lucifer vague, so I guess we will find out the truth probably around season 3-4. He of all people shouldn’t be surprised if sinners misuse their free will, acting like he had nothing to do with that.

Edit, 10/28/24: Anon, I think it’s best there is no god. Narratively, it makes sense God in the Bible plays an important role and is responsible for multiple things. I don’t trust Vivziepop and I’ve seen the popular Hazbin’s God design it’s a twink with multiple eyes with a bow tie 😂

#vivziepop critical #vivziepop criticism #hazbin hotel critical #hazbin hotel criticism #anonymous

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babybluebex · 8 months ago

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ok wait but now imagining paul not so subtly trying to get dom to ask out costar!you 😭😭 like imagine dom's just too nervous to ask you out to dinner or something after wrapping up a scene and paul's like 😒 and ASKS FOR DOM 💀 so paul going "hey, dom invited me out for dinner, which of course i'm flattered, but im a bit too old for him.....you should take my place!" and dom in the background looking absolutely mortified. cue confused reader !!

i also have been hallucinating this one small moment where you finished filming a bit later in the day compared to dom so you didn't get to eat yet. you show up to your trailer and see dom and he's like "finally im starving! burgers or pizza?" and you're like "girl what." and he's like "you haven't eaten yet and i wanted to eat with you" and you're just like "WHAT!" (🥹) and he's like "so pizza AND burgers?"

idk i need to go to sleep.

ugh my FAV idea is paul and da'vine watching you two being IDIOTS who don't see that you're falling for each other, and you tell da'vine how much you like dom but you're too nervous to say anything, and dom tells paul that he doesn't think he's good enough for you, and paul and da'vine collude to get yall together bc CLEARLY yall aren't gonna do it on your own

just little things at first, filming a scene outside and paul mumbles to dom "she looks cold... maybe you oughta give her your scarf" and dom does it without hesitation, and you smile at dom and paul is like success, or you and da'vine are cooking (bc ALL THE FOOD IN THE MOVIE WAS REAL AND AT LEAST PARTIALLY COOKED BY DA'VINE) and she "accidentally" overcooks a pan of brownies, and she says "go give them to the boy, he'll eat em" and you do, and dom is all red in the face and adores the gesture, and da'vine is back in the kitchen thinking like those kids are SO dumb

and it escalates in their poking and prodding, and dom tells paul one night "i just— i've never had any luck with girls" and paul is like "jesus christ, kid, see the writing on the wall! for the past six weeks, you've been worshiping this girl and she's been the same, and we wrap in a week, either ask her to dinner or shut up about it!" and he settles down and goes "sorry, that was mean. what i meant was—" but the snap of reality was exactly what dom needed to get off his ass, and he goes and finds you that very moment, and you're sitting chatting with da'vine, and you smile at dom as he enters the room "hey man! what's up?" and you notice his red cheeks and the intense look on his face, and you start to ask what's the matter, but he beats you to it, grabbing your face and kissing you, and you initially push him away "what the hell?" and he just all in one breath says "i think you're really beautiful and you're funny and silly but so caring and passionate, you take care of me even when you don't need to, because why would you need to, i'm a grown man, i can take care of myself, but i love the way you play with my hair and fall asleep on my shoulder during movie night, and we wrap in a week and i don't think i could live with myself if i didn't at least tell you how i feel, and paul says you feel the same way, and i usually believe whatever he says without hesitating, but i sorta worry he's wrong about it, so—" and you kiss him again to keep him quiet and you can't see her behind you, but da'vine is grinning bc fucking finally

and dom is a SWEETHEART when it comes to that second part. you had to film a scene that went on longer than expected, and dom has been wrapped for the day for a while, and the shoes you wore for the scene hurt your feet and you're tired and your body hurts and you just wanna lay down, and you get to your trailer and see the light on inside when you know you left the light off that morning, and you go in, and dom's got it all set up for you, an ocean of blankets on the couch and a pizza on your counter, and he's on the couch, remote in hand, navigating thru netflix, and you're like "the fuck is this?" and he's all puppy eyes at you "i knew you had a hard day, so i wanted to... i don't know, make it easy or something. i got your favorite pizza, and i washed these blankets so they smell nice and they just came out the dryer so they're still warm, and i'm trying to find that show you like but i can't find it, how do you spell 'derry'" and your face crumples up as you start to cry, and dom's face goes WHITE and he shoots up "oh god, i'm sorry, what did i do?" and he comes over and gingerly hugs you, and you cry into his neck and can barely gasp out "n-nothing's wrong, i-i'm just tired!" and he shushes you "maybe a little hangry too?" and you just "mhm" into his skin "that's what i thought, honey, c'mon sit down, i've got you" and that makes you cry harder and he's just sorta "... i'm really bad with girls, do you want me to let go and kick rocks, or..." and you just whimper "i've never had a boyfriend be so nice to me" and dom feels his heart shatter "jesus, really? what sorta guys have you been dating? cuz i— look at me, baby, look into my eyes— i like you. a whole lot. but i care about you too, and i care about the fact that you feel like shit and had a bad day, and because i like you so much and i care about you, i just wanna... just wanna make sure you're ok. ok?" and you sniffle and nod, and he ducks his head to get his face in your lowered eyeline "ok??" and you sorta huff out a laugh "oh, c'mon, you can do better than that. i'm not letting go of you until you give me a real laugh. even if it's fake, pretend it's real" and you roll your eyes and he sorta shakes you "c'mon, you can do it. or do i need to start singing at you? because i can!" and you start to slink away from him, but he pulls you in close and kisses your head "go get into some pjs, i brought one of my shirts for you to wear, it's on your bed with those sweatpants you wear all the time" and by the time you get changed and grab a slice of pizza and get settled on the couch in dom's arms, you realize he's not eating "you're not hungry?" "nah not really..." and it's only after you're full that he reveals the truth to you "i haven't eaten all day. i wanted you to eat all you wanted and not have to worry about me :)"

#i need to sleep too bestie #bex answers #anon ask #dominic sessa x reader

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the-bad-batch-baroness · 1 year ago

Text

Lean On Me

Kix x Fem!Reader

Summary: You're out dancing with your friends when you sustain a knee injury and Kix comes to your rescue.

Pairing: Kix x Fem!Reader

Characters: Kix

Tags & Warnings: 18+, established relationship, alcohol, mention of past injury, minor injury, domestic fluff, romance, a little angst, hurt/comfort, mild suggestive themes, non-sexual shower scene, implied nudity

Word Count: 6.1k

Author's Note: Due to an unexpected knee injury, my fic writing schedule has been thrown out of whack and I wrote this instead of the ten other fics in my queue. Still a bingo square down, so I don’t feel too bad. Fic is based on a real injury that happened to me four days ago. How the reader got the injury is how I got the injury. Self-indulgent, because I wanted Kix to kiss it and make it better, but it got away from me. As always, please enjoy 💚

@clonexreaderbingo Square: Kix

It’s a gorgeous summer evening as you bustle around your apartment while getting ready for your night out. You playfully slide across the linoleum kitchen floor in your socks and stop abruptly at the calendar hanging on the wall. You grab a red marker from the adjacent drawer, pull the cap off with your teeth, and cross off today’s date. You flip backwards through the calendar and look at the sea of red adorning the previous pages and let out a small sigh.

Each red slash marks one rotation of Kix’s deployment. It’s already been sixty rotations since he shipped out, but a smile creeps onto your lips as you flip the calendar back and focus on the large red circle four rotations away. Kix had sent word two weeks prior that the 501st were finally coming home and he gave you an estimated date of his return. You’re excited for him to come home, but each rotation seems to linger longer than the last as you wait impatiently.

Nevertheless, at least for tonight, you’ve decided not to dwell on how much you miss him. Instead, you’re preparing yourself for a fabulous girl’s night out. You and your friends have been planning this excursion for a couple weeks now and you’re thrilled to finally get out, party, and unwind. It’s not something you do often, especially without Kix, but this night was just for the girls, so no boys are allowed. It’s only about you and your friends having a good time.

As the time for you to leave approaches, you pull off your loungewear and slide on a playful emerald green dress that you purchased for the occasion. It’s not sexy by any means, but it’s fun and perfect for a night out with friends. You slip on your favorite pair of flats and sit in front of your mirror to style your hair while humming a happy little tune. You adorn your ears with a simple pair of earrings and give yourself a little spritz of your white gardenia perfume.

As you finish up your look for the evening, you hear a knock at your apartment door. You wonder if it’s the neighbor down the hall. She’s an elderly woman that you help out every once and a while. She’s really sweet and loves to tell stories of her younger days when you get lonely. You announce that you’re coming and make your way to the door. You press the button to open it and your eyes grow wide at the unexpected sight before you, a clone trooper in full armor.

“Kix!” you exclaim as you throw yourself into his outstretched arms. You nuzzle your face into his neck and breathe in his musk and vetiver cologne that instantly intoxicates you.

“Hello beautiful,” he purrs while dropping his duffle to squeeze you tightly, pressing a desperate kiss on your neck while savoring your alluring floral scent.

You lean your head back to look up at his face, his amber eyes just as warm and piercing as you remember. “I wasn’t expecting you,” you admit with excitement.

“We got back a little early,” Kix explains. He gives you a soft kiss on the cheek and you smile. “I wanted to surprise you.” He leans you back a little, running his hands up and down your bare arms, while his eyes gaze upon your dolled up body. “This isn’t for me is it?” he inquires with a chuckle.

“Oh, this?” you look down at yourself and remember what you were doing before he came home. “I was going out with the girls tonight, but I don’t have to!” you quickly rebut. “I can stay here.” As much as you have been waiting for this night out, you are completely ready to ditch all of your plans to spend it with the fine man standing in front of you.

“Out of the question,” he shakes his head. “Go out with your friends and have a good time. I’ll be here when you get back.” He presses a tender kiss to your forehead and a small whine escapes your lips when he lets you go. He picks up his duffle and heads into the apartment, sighing in relief at finally being home. You lean against the doorway, smiling as you watch him instantly meld back into domestic life as if he never left.

“If you keep staring at me like that, your eyes are going to get stuck,” Kix jests without turning around. He can feel your gaze resting on him and knows you won’t leave without a little nudge. You huff through your nose at his intuition and grab your purse from the stand next to the door. You amble over to give Kix a goodbye kiss and he swats your butt when you turn to leave. You whip around and shoot him a surprised look, but he just smirks. “Get out of here!”

You shake your head at his playfulness and head out the door with a small wave of your hand. The place where you’re meeting your friends isn’t too far, so you decide to walk since the evening air is pleasant. You take your time strolling along the sidewalk, thinking only about what you’re going to do when you get home. You want to stay in the present and have a good time with your friends, but it proves difficult knowing your handsome man is waiting for you at home.

You finally make it to the meeting spot, a little dance club that has great reviews. Your friends see you coming and greet you with excited waves. You quicken your steps to close the distance and exchange hugs all around. You enter the club with your friends and make your way to the bar first. You order something light, a simple sangria. The goal is to have fun, not get wasted, and you want to enjoy your night out and have a blast with your girlfriends.

The rhythmic beats emanating from the speakers vibrate under your feet and traverse up your legs as you wait for your drink. You close your eyes and let it encapsulate all of your senses. You love the deep bass and the way it makes your body feel. The way it makes your heart beat faster in anticipation and excitement. The way it rumbles into your core in the same manner as Kix’s voice when he moans sweet nothings of desire against your body.

You’re pulled out of your daydream by a clink of glass when your sangria is placed down in front of you. Feeling slightly embarrassed at your lewd thoughts, your face flushes pink as you thank the bartender. You take a few sips of the cold, fruity, wine drink and let out a sweet sigh. It’s refreshing and helps cool you down in the hot club. You leisurely sip on your drink as you chat with your friends at the bar, occasionally falling into a fit of laughter from your growing buzz.

Your ears perk up when you hear the bass of your favorite song. Your heart races, and you grab one of your friends to pull them out onto the dancefloor with you. You sway your bodies to the beat, waving your arms over your heads, laughing, and smiling at how silly you’re being. The song switches, and now you’re jumping up and down in a crowd of people doing the same. Everyone’s energy is feeding off each other and you jump around with reckless abandon.

As the song continues, you pant heavily as sweat droplets disperse from your body at your rapid movements. You slow down as you feel your calves burning from all the jumping, and it becomes a sudden reminder that you need to exercise more often, because clearly you're out of shape. You finally stop jumping to catch your breath, and you bend over to rub your screaming muscles. You straighten yourself up and see your friends wave you over to where they’re sitting.

You plop down in the booth with an exhaustive exhale and order another sangria to help you cool off. Your friends ordered some finger foods for everyone to pick at throughout the night and you dive into the greasiest and saltiest looking thing that was brought out. You start chatting with your friends, laughing hysterically at the jokes you make, leaning playfully on each other, and enjoying their company. You dance a little more, drink and eat a little more, and chat a little more.

You check your chronometer and realize several hours have passed, and you think now is a good time to head out before you’re too tired to walk home. You let your friends know and begin scooting yourself towards the edge of the booth. As you straighten yourself up, something doesn’t feel right. Your left knee feels strange. You try to walk a little, but your knee won’t bend or straighten. It doesn’t hurt, but rather it feels as if something is stuck under your kneecap.

You try to walk forward, but you end up limping. Your friends take notice and ask if you’re alright. You’re not sure how to answer them, but you know you can’t walk home like this. You hobble backwards and sink back down into the booth. Your face downtrodden at your awful luck. Your friends offer to call you a cab, but you're not sure what you want to do. You debate whether or not to comm Kix, but knowing your medic boyfriend, he would be furious if you didn’t try to reach him.

Regret washes over you when he answers in that groggy, sleepy voice he gets after waking up in the morning, but he brushes away your apologies. You explain the situation to him and he asks a few simple questions. He doesn’t sound worried, but you can tell the wheels aren’t completely turning in his head yet. He directs you to stay put and says he’ll come get you. You smile and exchange ‘I love yous’ before ending the call. You sigh in relief and await his arrival.

It doesn’t take long for Kix to appear on scene. You see him come through the entrance, in full gear no less, and you wave him over. He has a stern look on his face and walks deliberately, quickly closing the distance between the two of you. You barely let out a small greeting before he slides his hands around your back and legs and lifts you up into his arms. You’re taken aback by the sudden and silent gesture and instinctively wrap your hands around his neck to hang on.

“Kix,” you chuckle playfully as he walks toward the exit of the club. “What are you doing?”

“I’m taking you to the GAR clinic,” he answers without moving his eyes to meet yours. His fierce gaze is locked on its heading.

“It’s 23:00 hours,” you remind him as you wave goodbye to your friends. “They’re closed.”

“Nothing is closed if you have a key,” Kix retorts, a smirk flashes across his face, but is gone as quickly as it came. He raises his foot to push the club door open and his armor-covered thigh glides across your bottom. You inhale sharply at the swift movement, but Kix doesn’t notice as he carefully maneuvers you both through the opening before it swings shut.

“Don’t you think that’s a little excessive?” you question in a stutter as your face flushes. He doesn't answer. “It’s twelve blocks away!” you try to convince him of the absurdity of him carrying you for such a distance, but he still doesn’t answer or waver from his course.

His face is trained forward, focused solely on his mission and nothing else. You know that look, that gaze. The one he gets when he automatically falls into combat mode. His expression becomes serious and determined. It’s like a switch, and his ability to flick it on and off amazes you every time. It doesn’t matter the situation, when his training kicks in he becomes unstoppable and immovable, and it’s one of the qualities you admire most about him.

As Kix walks down the street towards the GAR clinic, a cool breeze blows through and hits your sweaty skin sending a shiver through your body. Kix notices you shudder and grips you tighter against his chest to keep you warm, cursing under his breath that he didn’t bring you something better to wear. In his groggy haze after your comm, he forgot you wore a dress tonight and left the apartment with just his gear and blaster, as if this situation even called for a blaster.

He gives you an apologetic kiss on the forehead and continues your journey towards the GAR clinic. The walk is mostly silent, with just the serenade of rhythmic crickets filling in the void. You want to say something, maybe tell him to take a break, but he would never listen. You wonder how his arms haven't fallen off yet at carrying you for such a distance. He doesn’t even sound winded. You start to feel bad about the situation and doubt creeps into your mind.

“I’m sorry,” you whisper while burrowing your face into his neck, a small tear escaping your eye and dissipating into the black fabric of his body suit.

Kix stops walking, tosses you up a little to readjust your position in his arms and continues walking. You thought he was going to say something, but he didn’t. You wonder if he’s mad at you and the destructive thoughts begin swirling endlessly in your mind. All of sudden, you’re second guessing everything about your relationship with Kix. What if you’re too much for him? What if he’s getting tired of you? What if he wants a less accident prone girlfriend?

Before your thoughts could spiral any further out of control, Kix speaks up. “I’ve carried heavier for longer distances,” he reassures. “This is nothing.” He pulls your torso up a little higher and nuzzles your face softly with his cheek before bringing you back down to the comfortable carrying position. You breathe a sigh of relief and rest your head once again on his shoulder, letting the warmth and calmness of his body relax and comfort you.

Not long after the short exchange, Kix stops walking again, but this time it’s because you’ve finally made it to the GAR clinic. You look up at the familiar sight, where the two you first met, and smile briefly at the memory. The clinic is dark, which is what you would expect at this late hour. Kix shifts your weight so he can grab his clinic access card from his pouch and swipes it. The door whooshes open and the lights automatically turn on as you enter the lobby.

Kix swipes his access card again to gain entrance to the secured medical facility, and instead of carrying you to one of the exam rooms, he brings you straight back to the x-ray room. You still think the whole thing is overkill, but you trust that he knows best. He carefully sets you down on a chair, kisses your cheek, and maneuvers the x-ray machine and your knee to get the pictures he needs. His biggest worries are a tear, fracture, or dislocation and he won’t feel satisfied until he knows for sure.

You sit still for him while he takes the x-rays, scrunching your face periodically at the stiffness and aching you feel in your kneecap. It’s becoming more and more uncomfortable the longer you sit with it bent at this angle, but this is where Kix wants it, so you stay put. You turn your head and look through the window of the tech room and watch as he works. He’s completely focused and engrossed in what he’s doing as he flicks switches and taps on the data-pad.

You continue to watch as he projects the holo x-ray and puts his hands on his hips as he studies it. You’re starting to feel nervous about the outcome and wonder how badly you injured your knee. Your breath quickens and you let out a small grunt at the pain in your knee. You lean over to rub it and glance back through the window at Kix. He switches off the holo-projection and turns around to look at you with a small smile. You really hope that’s a good sign.

Kix makes his way back to where you’re sitting and gets on one knee in front of you. Without saying a word, he lifts your injured leg gently, fully extends it, then fully bends it, focusing carefully on the movement and your expressions. He rotates your leg to the right, then to the left, presumably to check your mobility. It didn’t particularly hurt when he moved it, but it didn’t feel great either. He then takes his thumb and presses it just below your kneecap.

“Ouch!” you cry with a sharp inhale and recoil your leg from his touch.

“Bingo,” Kix states as he gets up from the floor.

“What’s that supposed to mean?” you ask while rubbing your knee, slightly offended at his painful test.

“Patellar tendinitis,” Kix answers with a relieved smile.

“Galactic standard, please?” you question, unsure of the medical terminology.

Kix chuckles and gives you a kiss on the cheek. “It means the tendon that connects your kneecap to your shin bone is swollen. It’s an easy fix with some anti-inflammatories, an icepack, and rest.”

“How did I do that?” you wonder aloud. All you wanted to do was have a fun night out with your girlfriends and here you are sitting in a clinic with a knee injury.

“Were you jumping?” Kix inquires while crossing his arms and leaning back against the wall behind him.

You purse your lips, almost embarrassed to answer him. “Maybe, a little.”

Kix raises an eyebrow at your sheepish answer. He always knows when you’re lying. It’s one of his unfortunate special powers.

“Okay, maybe a lot,” you answer while looking down, not wanting to meet his piercing gaze.

Kix sighs and shakes his head. “You shouldn’t be jumping like that when you have a previous knee injury.”

“But, I just wanted to have fun!” you protest as your emotions flow through your words unabated. “I just want to dance and have a good time like every other girl gets to do.”

Kix frowns, pushes himself off the wall, and sits next to you on the x-ray table. He slides a strong arm around your back to pull you against his side and leans his head atop yours. He takes your hand, brings it to his lips, and kisses the back of it. “I know, cyare,” he soothes in a low rumble. “I know.”

You close your eyes and lean into his touch, feeling defeated and betrayed by your own body. The previous knee injury wasn’t even your fault, and it happened so long ago, you didn’t even think about it while you were out with your friends. It’s funny how quickly your body reminds you of how truly broken it really is. You wish your body could do what everyone else’s can but this blatant reminder fills your heart with a type of grief that will never leave and your eyes well with tears.

Kix is quick to notice and wipes them away before they get a chance to fall from your flushed face. He knows you try. He knows you want to have fun. He knows you want nothing more than to be normal. And he knows how much it hurts you when you can’t, but there’s nothing he can do about it. You stay in each other’s embrace for several more minutes, silently exchanging invisible words of hurt and comfort, with light sniffles and soft kisses being the only sounds heard.

Kix pays close attention to your body language, waiting for when you're ready, and not a moment too soon. He feels your heartbeat slow, your breathing moderate, and your body finally relaxing into his. “Do you want to go home?” he asks.

You take a deep breath and let it out slowly. “Yeah, I think I’m ready.”

Kix kisses the top of your head and stands up. He stretches out his hand and you grab it to help hoist yourself up to stand on the floor. You wince at the discomfort in your knee and limp forward a step. Kix puts his other hand on your back to steady you, and you breathe out a small thanks before continuing to limp forward. Unsatisfied with your struggling, Kix bends over to wrap one arm around your legs and the other around your back, cradling you into his arms like before.

You sigh and roll your eyes at his selfless, albeit reckless, gesture. “You can’t carry me all the way home too. That’s even farther!”

Kix smirks at your challenge. “Watch me.”

The journey home is much more light-hearted than the walk to the GAR clinic. You can tell Kix is relaxing as he steps down from medic-mode and steps into boyfriend-mode. He asks you more questions about your night out with your friends and you regale him with exaggerated tales of your womanly wiles. You both laugh at your wild stories and he tells you a couple funny ones from his time on deployment.

It must be quite the sight at 02:00 hours, two people laughing hysterically while strolling down the street, one carrying the other. People probably think you’re drunk, but neither of you care about their opinions. You're finally getting a chance to be together after being separated for such a long time. It doesn’t matter the circumstance, just the closeness, the fondness, and the affection are what you need. His gentle touch, his strong heartbeat, his deep voice, it’s all that matters to you.

Kix rounds the corner of the street your apartment is on and you hear him huff. The long distance and exhaustion is finally getting to him, but he is determined to finish strong. He shifts your weight in his arms to get a better grip and you smile at his tenacity, rewarding his efforts with a sweet kiss on his cheek. He makes the final stretch and pulls out your apartment key card, swiping it to open the door to your home.

He carries you through the doorway, past the kitchen, and into the bedroom, laying you gently on the bed, before flopping backward onto it himself with a heavy sigh of relief. You roll onto your side to face him and prop your head up on your elbow. “Are you okay?” You chuckle as you run your other hand over the stubble of his shaved head.

“I just need a minute,” Kix breathes, his chest rising and falling rapidly from the exertion. “And a shower.”

“I could use one too,” you realize after thinking about your night out before you injured yourself. There’s no way you can go to sleep with all that ick covering your body, but you wonder how well you can shower yourself with your knee hurting so badly. You imagine all the ways you can brace yourself to wash your hair and how hopping on one foot works in a slippery bathtub.

“We can take one together,” Kix suggests as if he’s reading your mind. He turns his head to look at you, waiting for your answer.

You raise an eyebrow in response. It’s not that you don’t want to, in fact, you’d love to, but not now, not like this. This isn’t the time for that. You're in pain and you don’t want to play around. You just want a shower, and only a shower, nothing else.

“What?” he asks, feigning feelings of hurt that you think he would take advantage of you in your injured state. “I need a shower, you need a shower, and you obviously can’t do it on your own.”

You purse your lips and narrow your eyes at his assessment, feeling offended that he would say something like that, even though it was the same conclusion you came to only moments earlier. You think about it a little more, and you hate to admit it, but it does make sense. You're both exhausted and disgusting, so a shower must be taken at some point. You sigh in defeat and begrudgingly agree to shower together, but you stipulate no funny business.

Kix agrees to your terms and conditions without hesitation, because, honestly, he doesn’t want to do anything either, but it’s more fun if you think he does. He loves to see that flustered look on your face and watch as you get defensive and straightforward with him. He smirks at your empty threats as you rattle off all the things you would do if he crosses even one line, and he laughs at your playful smacks on his arm when he tosses out a lewd joke.

“Kix,” you stretch the pronunciation of his name out to show your annoyance.

“Alright,” he concedes while still laughing. “Are we doing this or what?”

“Yes,” you answer with a sigh. “We’re doing this.”

Kix smiles and heaves himself up from the bed with a grunt.

“You sound like an old man,” you jest with a snort and start to giggle.

Kix turns around and furrows his brows. “If you weren’t injured, I’d–”

“You’d what?” you quickly cut him off, daring him to answer.

He takes a deep breath and lets his thoughts dissipate. “Never mind.” You both laugh at yourselves, obviously too tired to think straight. “Come on,” he beckons. “Shower time.”

Kix starts by removing his armor piece by piece and neatly piling it in the closet. He then peels his sweaty blacks off and tosses them towards the laundry hamper, but they land hanging halfway out. He shrugs at them and leaves the room to turn the shower on. You then slip your dress over your head and also toss it towards the hamper, but you sigh at your terrible aim as the hamper topples over. You shrug at the mess and decide to worry about when you have more energy.

Kix comes back to get you, and frowns as he watches you rub your knee. He knows it’s going to hurt for a while and he wishes he could do something to alleviate your pain besides medicine and ice. He walks over to the edge of the bed and kneels down in front of you. You raise an eyebrow, wondering what he’s going to do, but you give him the benefit of the doubt. He slides his hand along the outside of your shin, snakes his fingers under your knee, lifts it to his face, and kisses it tenderly.

“I’ve heard kisses make boo-boos better,” Kix whispers against your knee, his hot breath giving you goosebumps. He recoils apologetically at your body’s reaction. “Sorry, I didn’t mean to do that.”

“It’s fine,” you assure him with a soft chuckle and a sincere smile. What he did was a sweet gesture and you had no qualms with it. You wish his kisses had the magical power to take all your pain away, and sometimes it feels like they can, but there are some things that kisses cannot fix. However, you play along and feed into his heartfelt attempt. “My knee already feels better.”

Kix smiles knowingly, gets up from the floor, and comes alongside you. He reaches one arm around your back to support you, and grabs your hand with his free one. You brace yourself against his strong hold and pull yourself up from the bed. You hobble forward a little, trying not to put pressure on the injured knee, and Kix steadies you. You lean against his toned body and limp toward the refresher, wincing at the discomfort.

Once in the refresher, you toss your undergarments aside and Kix picks you up to lift you over the raised side of the tub and places you down into the warm spray. You grab the small railing on the side to steady yourself, and give Kix a nod to let him know he can let go. He slowly takes his hands off you, making sure to watch if you falter. As he sees you holding yourself up, he gets into the shower and joins you under the hot water.

Kix places his hands on your hips and pulls you back against his bare chest. “Lean on me, sweetheart,” he whispers in your ear.

You don’t hesitate to take him up on his offer as you release the railing and let his strong arms hold you up. You’ve built up enough trust with him that you’re not afraid for a single moment whether he’ll drop you. You know that when you’re in Kix’s arms, there’s nothing that can touch you, there’s nothing that can hurt you, and there isn’t a force in the galaxy that can pry you away from him. There’s no fear when you’re with Kix. Some call it possession, but you call it safe.

You let the hot water roll over your face, your hair, and down your body for several minutes before grabbing your shampoo bottle. You squeeze a little onto your palm and lather it up in your hair. Kix leans his head back to keep it from getting in his eyes and you giggle as he blows away the bubbles forming in your hair. You rinse the shampoo out of your hair, add some conditioner, then grab your body wash and loofah.

It’s a little awkward, the two of you tangled up as you try to wash the dirt off your body, but he tries to maneuver you into different positions to reach different spots. At one point, he was holding you with one hand and scrubbing you gently with the other. You wonder how he does it. How he could be so strong and unyielding in the field, yet so gentle with you. He holds you like a fragile piece of glass even though he could crush you with a single flex of his muscles.

You finish cleaning all the nooks and crannies of your body and rinse out the conditioner from your hair. Now, it’s Kix’s turn to get the water he’s been waiting so patiently for. He moves you both forward, so you're past the shower’s spray and he’s directly under it, pressing one hand against the back of the shower for you to lean against. He groans with pleasure under the water’s cascading heat and the vibration echoing from his chest sends a shiver down your body.

Kix notices you shivering, and makes quick work of cleaning himself up, thinking your cold from being outside the water’s warmth. He switches hands for you to lean against so he can clean everywhere he needs to, and rinses the soap off his skin just as fast. You feel bad that he didn’t get to spend more time under the water, but he reassures you that as a soldier he’s used to quick showers and this was more than enough for him to feel satisfied.

Kix turns the water off, leans out to pull a towel off the rack, and wraps it loosely around your damp skin. He tussles the towel to help you dry off and you start giggling. He smiles at the happy little sounds you’re making and gives you a chaste kiss on the nose. Once satisfied that you’re not shivering anymore, he gets out of the tub, picks you up to lift you over the side, and gently places you back onto the ground.

He makes sure you're steady, then grabs another towel from the rack, pats himself off, and wraps it around his waist in a few short movements. It’s so quick that if you blink you’ll miss it, but that’s him, quick and efficient. He positions himself beside you to help guide you back to the bedroom, limping slightly along the way. As you approach the bed, Kix picks you up princess style once again and gently lays you down onto your side of the bed.

He rummages through the dresser, grabbing you some clean pajamas and a pair of boxers for himself. You both dress yourself for bed, and you take the towel wrapped around your body and work on drying your hair to an acceptable amount to go to sleep. You don’t have the energy to blow dry it at this point, but you also don’t want to sleep on a sopping wet pillow. As you work on your hair, your stomach starts growling and you realize it’s been hours since you had any food.

“Is it too late to eat?” you ask an already half-asleep Kix laying next to you.

He opens one eye to look at the chronometer on the bedside table and mumbles into his pillow. “It’s basically breakfast time, so why not.”

“I bought a frozen pizza last week,” you mention while tracing small circles on his back to coax him awake. “You could pop it in the oven real quick.”

Kix groans in protest, but his stomach betrays him and growls at the mention of food. He sighs in defeat, gets up, and rubs his eyes. It’s been a very long night for the two of you and dawn is already fast approaching. Luckily, neither of you have plans for the day so sleeping past noon is the only logical course of action. On his way to the kitchen he remembers to grab the anti-inflammatory medicine and an ice-pack for your knee, the two things he wasn’t supposed to forget.

He puts the pizza in the oven and brings you the medicine and a cup of water to wash it down. You gladly take it as the pain in your knee started bothering you again after the shower made it feel slightly better. Kix smiles lazily at you, the exhaustion clear on his face, and you feel bad for making him stay up so late for you. He takes the cup of water back and places the towel-covered ice pack on your knee, timing fifteen minutes for when you need to remove it.

Kix, being the ever-doting man he is, decides to do one more thing to help make you feel better. He steps back into the kitchen and puts the kettle on. If there’s one thing he knows you enjoy, it’s a hot cup of tea. For some reason, tea fixes everything. Bad day? Tea. Period? Tea. Sad? Tea. Injured? Well, according to the track record, tea will work for that too. He sifts through your tea cabinet and pulls out your favorite blend and mug, and steeps you a steaming cup.

The pizza timer dings and Kix pulls it out of the oven, slices it, and brings the whole thing into the bedroom, along with some napkins, and the tea he brewed for you. You smile when he comes into the room and you're even more happy to see your favorite mug in his hand. He sets the mug down on your bedside table and places the pizza in the middle of the bed, before walking back around and settling onto his side of the bed.

You take a sip of the tea and lean your head back against the headboard in simple bliss, sighing softly. Kix smiles at your peace and downs a slice of pizza. You grab a slice as well, and pick up the remote to start one of your favorite princess holos. You're feeling extra sappy tonight and in need of something comforting. You already have your prince charming, but you still love the nostalgia of watching the maiden fall in love with the prince and being swept away into a happily ever after.

Once the pizza has been demolished, Kix removes the pan from the bed and tosses it onto the floor. He slides across the sheets to close the gap between you and wraps an arm around you to pull you close. You lean into his loving embrace and nestle your head against his chest, laying an arm across his stomach. He kisses the top of your head and you close your eyes, listening to his strong heartbeat and his soft breathing as they soothe and lull you softly to sleep.

Masterlist

A03

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