#this genre has everything. redemption arcs falling imagery dramatic irony paragons guilt complexes coercion angst etc
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windor-truffle ยท 3 months ago
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many thoughts head full they're only tangentially graces related but idk where else to vent:
I feel like I should have/did already know this about myself but holy shit I (and many others) am an absolute slut for the redemption-style ship trope, the ol' "I know you and I love you and that's why I can't let you deviate into this darker place I'm stopping you I'm saving you I'm helping you I'm bringing you back." and now I'm gonna ramble abt it because aaaaaaaaaa
I swear I've loved this trope for a while now but I think analyzing graces in part heightened my awareness of it until it hit a breaking point (w an ace attorney video of all things) and I realized that *all* of my favorite ships are this way ๐Ÿ˜… Richard and Asbel fit it of course they're like the prototype of the simplest yet effective way to enact this: a pure-hearted protagonist who believes in his friends until the end but is willing to stand against them vs the love interest coerced (and in this case also outright possessed) into very obviously morally wrong actions by the exacerbation of a flaw but ultimately saved when they can put aside their pain and embrace the help that comes with companionship and makes that pain bearable. Paragons that cling on to hope even if it makes them seem naive or causes them to get hurt sometimes along the way are SO sexy and when that hope is rewarded with what they wanted, the redemption of someone who others thought to be beyond salvation, I the audience am also bursting into tears I don't care if it's cliche it's SO GOOD ๐Ÿ˜ญ
You know which other popular ship does this? Not hard to figure out I already mentioned Ace Attorney but yeah Phoenix Wright changed his whole career just because he heard that the hero who once stood up for him when no one else would was now a ruthless prosecutor and he had to find the truth of what had happened to his beloved childhood friend Miles Edgeworth (I've made the Richass comparison before and there's even an AA AU fic for graces but I haven't read it yet ๐Ÿ˜”). The AA fandom eats this gay ship up but how can you not ๐Ÿ’œ Edgeworth being stopped in his tracks by this incessant bluffing optimistic man who stood fast against his selfishness (paraphrasing something Edgeworth literally says in JFA ๐Ÿ˜…) until he starts to question himself (because of some "unnecessary feelings") and eventually actually believes in himself after years of feeling guilt over a crime he thought he committed and shame of letting down the beliefs his supposed victim instilled him (the same beliefs that Phoenix is determined to bring out in him again) and ultimately leaves to figure out what his goal as a prosecutor really is then returns for my all-time favorite case Farewell and Turnabout and now it's Edgeworth's turn to say "I've learned what I stand for and the lengths to which I'd go to maintain it because you set me on this journey, now it seems it's your turn to walk this same path of doubt and discovery but don't worry I'll be right beside you, I'll walk it with you so you don't have fear going as far astray as I once did." Like. ;_;
But holdup I'm not done naming ships 'cause Fluri also does this to an extent. Yuri has to call out Flynn when it becomes apparent his blind trust in his mentor has made him complacent in the very crimes he sought to fix from within, and Flynn retorts by condemning the methods that Yuri has resorted to, the "dirtying of his hands," though I'd argue though that Yuri's double homicide is actually not a deviation from his morality but rather an extreme fulfillment of it. But it's still delightful though the way they have to pull each other back from the pitfalls of their own brands of justice, ie. entrusting too much power in fallable governments vs. appointing yourself the power to decide who gets to live or die. And like the previously mentioned ship, this pair works the best when they combine their different approaches (everything about how they infiltrate Ragou's manor is brilliant) because that way they can keep each other in check. It's almost like finding the balance in enacting justice is the theme of these games or something ๐Ÿ˜…
Last ship I wanna mention isn't even in canon but I can't resist the opportunity to plug my own (unfinished ๐Ÿ˜“) sormik fic "Falling Awake" because this is DEFINITELY what I was going for, a Mikleo threading the line of morality out of both despair and desperation to see their dream fulfilled even if the cost is steep, and a Sorey who struggles to reconcile whether this fallen seraph before him really is his friend or whether he can even be saved. A Mikleo who places the decision of whether to cross that line fully in Sorey's hands, trusting him to make the right call even as he begs him to let him do this, and a Sorey who can't let down the dreams of their past by allowing this particular tainted method to be its fulfillment. Everytime I work on it I start weeping even though I'm the one who wrote it ๐Ÿ˜…
Before I wrap this up though I wanna shoutout some variations of this trope, because it can obviously go a lot of different ways. I know V's rather fond of the more twisted love version in which instead of trying to bring their loved one back from the brink they jump off together, a la Kresnik Bros Bad End Best End ๐Ÿ˜ In some ways I almost think this trope is "purer" because rather than trying to restore their beloved to what they think they should be (morally good) they embrace them as they are (amoral but kinda sexy bc of it ๐Ÿ˜‚). True love lets the world burn ๐Ÿ’œ
Also worth mentioning is the delicious variation wherein the fallen party really was bad from the start, such as being a mole for an evil group, but caught feelings along the way and started wanting to be the kind of person the other seemed to think they already were. Dramatic irony is my fave and there's so much angst you can tease as the character evolves from "haha I'm deceiving them can't wait to betray them" to "shit I'm actually so much happier here with them but our relationship is built on a lie and when it comes out that I am a villain I will be undone and have nowhere to turn except from whence I came but I no longer want to be there." I feel like there's a lot of instances of this trope but the one that came to my mind first was Shadowhand Essek from Critical Role, there's the excellent Shadowgast ship of course but I like that he has this dynamic with the whole party who have been nothing but kind to him and inspire him to want a better life despite what he's done and what he's still trapped in.
Anyway, if anyone read this far first of all thank you ๐Ÿ’œ๐Ÿ’œ๐Ÿ’œ I really have just been stuck in fandom ramble analysis mode for the past few days it's kinda insufferable but at least tumblr blogs are a good outlet for it ๐Ÿ˜… And secondly uhhh if any of my impassioned ship/trope descriptions remind you of a particular media/ship lmk (I feel like Soriku might fit this but I never got that far into the series). I can't say I'll get to anything right away but if it's got this kinda vibe that's like catnip to me I'll happily stash the recommendation away for a future obsession someday ๐Ÿ˜…
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