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thegongoozlerreacts · 11 months ago

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Dead Plate (Part 2)

OK so its been a month since the last time ive played Dead Plate and uhh oops!! my bad !!

in my defense life has gotten very busy for me especially since its the holidays but now i finally have the time to finish this game and get at least one ending!! (hopefully)

spoilers under the cut

back to day 5 where i struggled so incredibly hard

the amount of times ive played through day 4's nightmare sequence is killing me

bro. how do i pass this level without losing a customer

NOOO I WAS SO CLOSE WHYYY. PLEASE. literally i was doing so well but i took too long for the 4 table orders ugh <//3

i wish you could see like, a patience meter for the customers or something

maybe i should try using the item that slows down how impatient they get

YESSS FINALLY!!! I DID IT I FINALLY DID IT!!

what is that weird squelching sound.

still here even though the shift is over and the sounds i am hearing are concerning to say the least

what if... i just leave ok i cant leave

boss's office? also i just noticed the timer ticking down uhh

can i just leave please why is the timer ticking down wtf do i do???

also lots of interesting things in that office

was the review on the waiter about Rody? if so ouch man thats harsh

NOOOOO OH MY GOD...... I ACCIDENTALLY QUIT I HAVE TO DO DAY 5 ALL OVER AGAIN ARE YOU KIDDING ME

ok well. at least now i know my key to success is the cologne

ok so Rody had an interesting reaction to the crumpled up picture of Vince and a woman so maybe he knows who she is? is this the 'her' that you can sorta not really call on the telephone??? or is he just surprised to find love letters in the trash

anyways its telling me the sounds are coming from the freezer but idk where to go from here

LMAO the sound signalling the end of the day jumpscared me askhjdakj

at least the food looks tasty

what was that whole thing about tho? what was going on in the freezer??

back home, looked out the window and i noticed you can see someone's silhouette in the background windows

i dont know if that was always there and i just missed it but very interesting

FINALLY a new nightmare

bro he was in an oven?? why ?? damn Rody's nightmares are like really creepy akladjalks

another day another dollar

damn. im gonna struggle once again because there is a LOT of customers and like i am just sooo. ksfdjslkdj whatevr kakayanin !! lets go guys

my hands are so sweaty akladh

another successful day and another tasty dish ....my fingers hurt LMAO

looked out the window and yep alright the person's silhouette isnt always there

huh. interesting nightmare it was Vince eating him and like damn that actually scared me lskjd

shorter than previous nightmares

well onto day 7 another day another dollar

lets go!! i am winning!!! only had to retry once this day!!

BROSKI JUST QUIT?!?!?

ohhh so the woman is named Manon

aww i feel so bad for this guy :(( the girl isnt picking up i wonder why tho? like does she just not like him anymore and he just needs to give up on her or is it cuz of smth w Vince (shes probably the girl from the crumpled photo in the trash right?)

damn the phone just ringing while the credits are playing

ouch :((

alright then time to get the other endings!! to do this i will be following the ending guide bc my brain is not big enough to figure it out by myself lmao

ive opened up the official ending guide and oho? you can actually get a phone call from Manon? cool i will try that out first

restarting all the way to day 1 bc i miss how easy it was

yk an interesting thing that was introduced in the tutorial that i havent experienced yet is the customers asking questions

oh hey!! i kept the stuff that i purchased in my previous run?? really?? awesomeee

ooh hey!! i kept the dishes from previous runs too!! cool

ok its day 3 now and i have to take out the trash to activate the cutscene

ok went through that whole baffling ordeal of getting slapped

also!! i chatted with Vince on day 3 and like. idk their chats are just funny to me

also like there might be something wrong with me but i am lowkey shipping Rody and Vincent together kadjlksd this is something that happened in Elevator Hitch where i started lowkey shipping the two main characters oopsies

anyways!! moving swiftly onwards!!

um. my guy disappeared after i checked the fridge

oh shit new cutscene

BRO ??? UM ????? well that was scary uhh. damn

oh the boss isnt in the kitchen anymore wait i didnt get to do all the dialogue options that are needed!! no!! does this mean i need to redo this whole day in order to get the phone call event???

better safe than sorry i guess

ok so interestingly when Rody asked Vince if he liked his job, he didnt answer the question he just changed the subject and made fun of Rody LOL

the 'can you give me a raise' question gives some more details on Manon and what Rody thinks of her (he is a grade A simp bro)

the 'are you single' question is interesting to me just bc Rody the simp has issues w Vince being like 'meh' on romance and tbh im with Vince on romance not being the end-all-be-all

THAT IS DEFINITELY NOT A STRAWBERRY SHORTCAKE

IS IT CUZ I FED THE RAT CHEESE INSTEAD OF SCARING IT AWAY OR SMTH???

EW ITS IN THE FRIDGE AND THE REAL ONE I HAD BEFORE IS GONE NOOOOOOO

Vince: I haven't got any sense of taste. Rody: Yeah I could see the decorations out there-

LMFAOOO RODYYY

bro now i am sad that i missed out on these gold interactions between them on my first run this is so funny

also they both didnt really have any proper answers for what their favorite food is Vince was like 'eh i dont have any since i cant taste stuff idk lemons or smth' while Rody was like 'i just like whatever my girlfriend likes'

very interesting how Rody is like obsessed(?) with Manon

then when asking Vince what he's reading, he just straight-up lies about what the reviews are saying about Rody lmfaoooo

anyways now for the creepy night restaurant segment and going back in Vince's office to check out the possible Manon love letters in the trash

i just realized the croque madames are like. rotten cuz they have flies flying around it which ew! yuck! why is it like that

well. nothing i can do about it so next day i guess!! oh hey wait i can now afford the matches which i will be needing for ending 3! nice

OK NOW I HAVE REACHED THE PHONE CALL

damn ok so its not Manon but its Vince inviting Rody to a dinner party!! nice !!

LMFAOOOO HE INVITED RODY TO MAKE HIM WORK VINCE I CANT BELIEVE YOU!!

Rody you are so embarrassing but its ok bc ur really funny anyways!! getting interesting lore on Vince and Rody!!

one of Rody's old classmates was there, and then another guest said that either Vince must really like Rody to have him there at the party or is incredibly desperate akldskl (since she said that Rody's outfit sucks LOL)

ooh ok so. Rody is desperate and a bit delusional my bro u gotta let go of that girl bc apparently she dumped you already so like. stop bro

dkjhskas nooo ive served all the guests and theres nothing left to do except snoop around in Vincent's bedroom agh!! agh!!!!!

bro when i go in the room the music just disappears wtf

UM? HELLO??? BRO THAT SCARED ME DSKJKSDJ

i knew this was going to happenn aughjahkj

BRO THE MUSIC IS JUST GONE AJKSDFK not Rody asking what happened like he didnt just steal smth from Vince and pretty much get caught in the act 😭😭😭

well ok then so that happened

actually you know, now that im thinking about it, its kinda weird that Vince threw Manon's letters in the trash does that mean she is pursuing him romantically but he like just doesnt care or what??

i am inside and i am afraid cuz the game asked 'are you sure?' when i clicked 'go inside' broooo

oh hey its Manon and Rody WAIT WHY IS THIS LOCKET IN HERE ?? DID VINCE KILL HER ??

ASKHDKAS OH FUCKK OH NO

bro thats so like. sadistic leaving him tied up and telling him he can live if he runs away but like he can only crawl across the floor

i see why the matches are needed for this part

gee wow thanks game

ok now this time im bringing the matches with me

ok so ive burned away the ropes but im still trapped inside cuz he locked the freezer aghhh

what the heck do i do?? oh nvm i found bags of flour, i can use these to reach the cooler

so i have to stop the fans of the cooler, probably by putting something in it

can i take the saw out?? oh wait theres a switch LOL

ok so ive use the saw to cut the meat off and now ive got animal bones

ive jammed the bones in the fans and now i can break open the window wow

SHIT GOT CAUGHT BY VINCE

DID HE JUST BITE A PIECE OF MY FLESH?!??!

oh my god. he killed and cooked her to feed to Rody i. wHY???

oh so he ate Rody's ear i am shook wtf

bro Rody just severely pissed this guy off by telling him he never ate his food i feel it in my bones also makes sense why its just sitting in his fridge

Rody really hitting this guy where it hurts damn i mean its deserved cuz of like the whole thing

i accidentally got ending 4 since i messed up a QTE but damn. damn that was wild and also this is gross

something i didnt mention earlier but i noticed that there was a grilled hanger steak on the table, which is the dish when you get ending 1 would the other dishes i got in past endings show up when i got them? but i got ending 2 and the dish from that didnt show up so maybe its just a little detail for ending 1 wait was the steak made out of Manon. oh boy that makes that ending a lil more fucked up

ok going back to the chase sequence

BRO RODY JUST KILLED HIM

so i went into Vince's office, surprisingly did not get chased inside and then i picked up the broken bottle and now Rody's just killed the guy

got the restaurant key

bestie like. theyre gonna arrest u if u just leave and never say anything please explain the situation to the police or smth

why is the game not letting me leave. what do you mean revenge is best served cold. does the game want me to put Vince in the freezer!??!?!

yep the steak is def Manon

why r u not letting me leave wtf do i do

trying to read the comments on the game's page on itch.io and the amount of people going 'when will they kiss' 'kiss ending when' im laughing

like even tho all this horrible shit just happened i still lowkey ship Vince and Rody oopsies. toxic yaoi LOLOLOL

i have no idea what to do now so i am just gonna look up a guide rq

ok i need to get the cooking oil

he's burning this place to the ground

wait was Vince still alive after getting stabbed repeatedly???? his eye moved when Rody was pouring oil on him and i mean the game did say that his eyes are still following you

oh bro after-credits cutscene with Manon???

aww ok my opinion of Manon has greatly improved cuz she broke up w Rody cuz he was destroying himself for her she realized that she wasnt good for him and like, for the greater good of his mental health they cant be together

its burnt and also its lemon, which is what Vince said was his favorite food

OH HEY IT CHANGED

actually i did notice that after ending 3 it was snowy

damn

well, thats the end of my playthrough on Dead Plate

honestly, it was a very fun and enjoyable game! i liked the serving aspect even tho i kinda sucked at it and like i also really liked Rody and Vince despite all that just happened those two are seriously fucked up and i love them LOLOL

the music was really good and made up for having to redo day 5 over and over again alskdjh i was jamming most of the time to the music the art was also really good! i liked how cute the pixel sprites were, and then like the art for the portraits and CGs and everything was also really good! i really enjoyed the art style and music

the story was interesting, and i liked it too the twist was wild and blew my mind but i am still a massive fan of Vincent x Rody JKDAHSDKJ

i like how there was a cannibalism twist but Vincent wasnt actually like, an actual cannibal he was just insane and planning on making Rody an unknowing cannibal

i know he ate Rody's ear but like. he said that he doesnt eat people on the regular so yk he's just fucked up

also its really funny reading all the comments and seeing a lot of Vincent x Rody stuff LMFAOOO so true of everybody honestly

HELP I FOUND A COMMENT THAT SAID THEY NOTICED EVERY PIC WITH VINCE IN IT (on the store page) HAS HIM LOOKING AT RODY LDSJHSFLSDKN THE SHIP IS SO REAL!!!

ok sorry enough of that

overall, 10/10 would play again solely for the server gameplay (would be cool to have a kind of endless mode where you just serve customers until one leaves or something) and also because i love these characters

thats all for today and probably for this month LOL byebye!!

#dead plate

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alfairy · 1 year ago

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So! I finally saw the fnaf movie! And I’ve got many thoughts about it!!! Here’s my review and random reactions and thoughts about it. Spoilers for the movie under the cut. Proceed with caution!

I thought it was really good! Definitely wasn’t perfect but I had a lot of fun watching it! My mom was with me, and she doesn’t really know anything about fnaf but she also enjoyed it. I didn’t really get scared at any point during the movie (I was more scared by the horror trailers they played before it started haha), but that’s fine! Maybe I’m just immune to jumpscares.

The effects!!! All the animatronics looked so good in motion, and the sound design made them feel even more real. Every heavy metallic movement or blink of an eye, it was just perfect.

There are sooooo many Easter Eggs! Sparky the dog! Ella from the books as a prototype circus baby spring lock suit!

The soundtrack slapped, especially the opening credits. Blumhouse was cooking in the music department fr 🔥🔥🔥

BLANKET FORT SCENE! EVERYONE CHILLING TOGETHER ON THE FLOOR AND BEING FRIENDS! I wish they could’ve stayed friends like that, it was my favorite scene of the whole movie and was so sweet

I heard everyone say there was a matpat cameo but I didn’t see it? Either I somehow missed it or the theater cut the scene or something? I SWEAR I didn’t see this man or hear him say his iconic line. I did have to get up at one point to use the bathroom really quick, so many that’s when I missed it.

Coryxkenshins cameo! I love that guy, he did really good for his quick scenes! I think they should make him a reoccurring character actually. Have him run over springtrap in the next movie.

Also the aunt character was evil. But like, comically evil. She hires people to break into the restaurant to make Mike look bad so she can get custody of Abby and get the government paychecks for it. And she got murdered in Mikes house by Golden Freddy, and they never resolve that??? Last we see her she’s lying dead on the floor and then the last scene with Mike and Abby they’re happily eating spaghetti at home like their aunt wasn’t murdered in the living room lmao. And we know Vanessa couldn’t have covered for them because she’s in a coma soooooooo. 🤷‍♀️

The coolest kill was when Freddy bit that girl in half and her bottom half fell onto the floor like DANG! The rest of the kills they either cut away from or don’t really show detail, which I thing is a weak point. Next movie I think they should push it a little bit further, but I understand why they shot it the way they did.

Is this a good time to admit that I’m kinda down bad for Josh Hutcherson in this thing hhahghshdh 😳🫣 boy stopping looking at me with them big sad doe eyes

Matthew Lillard was also serving cunt in this, even though he got 10 minutes of screen time 😔 he gave it his all. Hopefully if we get a sequel he gets to do Springtrap stuff.

Mike during this whole movie be like: 😴. I’m surprised it took so long for the band to attack him in real life (dream sequences don’t count) when in literally every other scene he’s popping pills and taking naps. He naps every few scenes and yet looks like he hasn’t had a good nights rest in 30 years 😭

So… Garret isn’t one of the spirits? I would’ve thought he was Golden Freddy but he’s not…. Maybe in this universe Garret is the puppet? There was a hidden message in the end credits that says COME FIND ME and the puppet music box is playing. That seems to be what theyre trying to set up for a potential sequel, but…. That’d make me a little sad tbh, this is Charlie erasure ;-; Also can we please have Henry Emily do something for once in this franchise, WHERE is this man.

The finale was cool! When Spring Bonnie walked in everyone was like “YESSS!!!” And after he started talking my mom was like “😯 I think I know who it is!”

William smacked Mike so hard he did a damn triple flip through the air and got his ass knocked out cold. Mans him so hard that it probably sent him back to the bite of 83 💀💀💀

So. The big thing. No Michael Afton in the movie. In fact, Vanessa is William’s only child.

Honestly I’m kinda down for the strange role swap that this universe has going on. I don’t think anyone expected Vanessa to be Williams daughter, but that was cool, and it gives a little insight as to how William managed to get away with this for so long. He’s literally got a kid in the police force keeping tabs on Freddys and covering his tracks for him. Now it suddenly makes sense why in the trailers Vanessa seems so knowledgeable about the animatronics and already knows they’re possessed.

Tbh I had a random thought. If Vanessa gets to take over Mikes role in this world as Williams kid, then Mike should get to have his own “reluctant follower” villain arc. Put that man in a rabbit costume. It’s only fair. Equality 😤 ✊

And with those final thoughts…. Yeah! I’d say the movie was a solid 8.5/10 for me, I’ll probably go see it again with friends when they get off work this weekend! The critics are wrong yet again, it’s a perfectly enjoyable movie and the fans will love it.

#fnaf movie spoilers #fnaf spoilers

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asm5129 · 2 years ago

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RWBY V9 Episode 3 Analysis

On the way to the castle, Weiss stresses, once again

“We aren’t Alyx”

Clearly gonna be a very important issue

They can’t just follow someone else’s story

They have to make their own

The Red Prince is really the perfect distillation of how Volume 9 is balancing comedy and drama

He’s primarily a comedic character, but he also establishes more about Alyx, more about what happened in the Ever After since her story ended, and he represents the consequences of her actions. plus, even though he himself isn’t much of a threat, the casualness with which he sends two of his men behind the bushes to be beheaded is genuinely unsettling. He may be a comedic character, but that doesn’t mean he couldn’t be a genuine problem for them if they piss him off (which inevitably they do, because he’s an entitled brat who gets pissed off at EVERYTHING. which, you know, he’s a little kid but...he’s also got way more power than most kids so i struggle to cut him slack for his immaturity)

“Did i used to be this unbearably pompous?” XD Oh Weiss, remarkably, you were not this bad

Surprisingly, the soldiers taking credit for the gift turns out very helpful

But Ruby, poor girl

She gave up Penny’s sword and it was thrown away like it was worthless

“How could you...” Lindsey Jones really giving it her all, and the facial expressions match her skill

Even if they can be put back together, as indicated by the Curious Cat later on, the panicked screams of these two soldiers make it pretty clear they’re going to fell all the pain any human (or faunus) would.

hell of a first impression. Goofy little kid, but if you piss him off he’ll have you beheaded without hesitation, and he gets pissed off at the slightest thing that doesn’t go his way. Every comedic thing he does is underlined with the fact that one of the first things we saw him do was order some of his soldiers beheaded for getting a color wrong

I feel like the butterfly with the bright blue wings will matter. It’s wings are way too similar to the wings of the smoking caterpillar-esque creature in the opening, not to mention how our attention is drawn deliberately to it multiple times. Checkov’s Butterfly, let’s call it for now

Little’s yes after helping compliment the prince is adorable

Love how this game showcases Ruby’s leadership style. She was given a bunch of literal pawns, but over the course of the game works to minimize damage and ends up working with her so-called pawns due to inspiring them and treating them like their lives have value, rather than them working for her

meanwhile the Red Prince actually already continues the trend of villains falling to their own hubris he decides to be cruel and make WBY pieces on the board before knowing what they were capable of So even though this world runs on different rules, the character work remains consistent

so...Neo’s probably next then...

Love the transformation sequence. Great animation, love the visual gag of yang trying to fight back and the magic making her punch herself in the face for it

“Now we’re all Littles!” Little’s perception of the world continues to fascinate me.

“No one’s going to get hurt....right?”

Ruby’s priority is always minimizing harm. Love it.

And of course...the Prince doesn’t answer her question.

I feel really bad for the pawns on the board..they're clearly super traumatized

It’s cool to see the girls working properly as a team again. We haven’t gotten to see them properly strut their stuff in a long while, thanks to the last several volumes hammering home just how absolutely unfathomable the odds stacked against them were, as well as the growing cast and the many fires they had to put out (metaphorical fires, sorry Watts)

Little continues to be adorable, cheering with leaves as pom-poms after Weiss gets her groove on

Blake’s blush is adorable and i can’t wait until the fated Bumblby kiss that finally wakes Yang up to the love around her

Again, the Prince is a comedic character, but the emotional pain Alyx put him through is very real, and our heroes are gonna have to deal with that because it seems Alyx has very much colored the locals opinions of humans. I am...incredibly intrigued about who Alyx is. I mean, her actual nature. I love how varied the interpretations of her actions are.

And again, our heroes inspire others to fight, instead of sacrificing lives unnecessarily. there is a sense of camaraderie. Ruby’s leadership style at work here.

“Little’s a mouse...at least i think.” “Sure!” Again, Little intrigues me with their way of looking at things.

And there he is--or his eyes anyway. The Cat.

the subjects of the red Prince hate humans so much the red and white pawns alike come after WBY, even after the White pawns just being inspired by them.

Fantastic combat scene, with some fantastic music.

Love the detail that Blake is running out of bullets. They’ve got limited supplies here.

“I”VE WON. Give up already.”

“We. Wont.”

The utter conviction. Ruby is not capable of giving up, even when she doesn’t have enough hope to fill a single jar.

:Love the shot that obscures her eyes. This whole sequence really shows how fraught Ruby’s mental state is. As her companions fight, She is moving around, trying to figure out how to help, ultimately just putting her head in her hands because she feels so paralyzed.

“Unable to do the one thing you were put on this acre to do” Well that’s awfully specific Cat.

Clearly this ties in with how the Ever After deals with identity and purpose. we’ll have to wait and see exactly how though.

The Cat clearly has serious authority here. The entire room immediately starts listening to him as soon as he speaks, including the Prince.

“You must play your game and win at any cost”

and him losing the game literally broke him. If you take away the things that we use to form our sense of self, we either crumble or we double down--the Prince here looks like he’s doing a bit of both.

Identity can be a fragile thing, especially if you build it upon a fragile base.

Haven’t seen many people talk about this but...I’m pretty sure the cat made him back off. Like, not just through his authority--he does something to the prince’s heart to temporarily dull the pain

Freaking love the M.C. Escher vibes of this escape

Ruby is literally carrying her team on her shoulders now. Things are gonna get rougher and rougher for our poor girl.

“Times change, you know, and so do we when it’s our time to change. Don’t you?”

our heroes are going to be very different people when they get back to remnant.

Also, that silver glow is DEFINITELY silver-eye-esque.

“You’re not nearly as interesting as the others I’ve met” So we know he’s met Alyx but...has this cat met any other humans, i wonder?

Rocking horsefly. Still a good pun.

And here we have two VERY different parts of the ever after right next to each other. looks awfully like a Light and Dark....perhaps similar to two douchebag gods we know of?

The Jaberwalker bleeds surprisingly normal-looking blood. That probably means something.

Is he kinda like Salem’s hound? that’s a wild thought.

“Fix”? That’s a new one for the Jabberwalker. What are you trying to fix, you intriguing creature?

Considering Neo was right next to Ruby as they fell, she wound up here quite a bit later. Just more evidence for some time shenaniganery this volume.

Neo is like...compulsively shapeshifting. There’s no purpose to shifting into Cinder and Ruby. And then her Semblance just moves out from her and becomes a bunch of her. Something is clearly off with Neo’s semblance, and i’ll be honest, it doesn’t feel like a semblance evolution. It feels..intentionally more unnatural than that.

Anyway Neo means business this volume and she just became expoenntially more dangerous...quite literally

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bongaboi · 7 months ago

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Seton Hall: 2024 National Invitation Tournament Champions

INDIANAPOLIS – It was a title game that lived up to its billing, a showcase of two NCAA Tournament snubs that proved they belonged, waged before a relentlessly raucous crowd at historic Hinkle Fieldhouse.

You could not have asked for a more compelling National Invitation Tournament final, and in the end, Seton Hall basketball dug deep and rallied late for a 79-77 triumph over Indiana State Thursday. It was a moment of redemption no one saw coming three weeks ago, amid the despair of a Selection Sunday gone wrong, and the winning play was delivered by a hometown kid in a Hoosiers-style twist fit for Hollywood.

Senior wing Dre Davis, an Indianapolis native, hit the go-ahead layup with 16 seconds left, slicing and spinning past three defenders to do it. The Pirates finished the game on a 9-0 run over the final 2:38, stunning the baby-blue clad Sycamores fans into silence as 300 or so Hall supporters erupted in joy.

"I feel like we did something special here," Davis said. "Obviously we wanted to win a championship, and at the end of the day that's what we did. "

Seton Hall’s quest for its first NIT crown since 1953 succeeded despite a crowd of 9,100 that was 95 percent pro-Sycamores. The Pirates finish a memorable season with a 25-12 record, the foundation having been laid in year two of Shaheen Holloway’s regime. It’s just the seventh time the program has won 25-plus games in its 120-year history.

"The naysayers, we left them with something to remember," senior guard Kadary Richmond said. "And the people at Seton Hall, I feel like we left our mark there, too."

Indiana State’s breakthrough campaign ends at 32-7. The Sycamores, like the Pirates, put on a show for much of the tournament, raising the event's profile and garnering national buzz. Thursday's thrilling finale was an exclamation point on one of the most memorable Hall seasons ever.

"Three Sundays ago, if you guys seen the look on these guys' faces when we didn't make the (NCAA) tournament, and as their leader, not knowing what to say to them, it was the worst feeling in the world," Holloway said. "From that, to going to this, getting drenched by those guys (in the postgame locker room celebration), it's the best feeling in the world."

Here is how the wild, unforgettable finish unfolded.

With Indiana State leading 77-70, Richmond put back his own miss for a layup at the 2:38 mark.

After errant 3-pointers on both ends, Al-Amir Dawes got fouled going to the basket and sank two free throws to make it 77-74 with 1:27 left.

Indiana State’s Robbie Avila missed a 3-pointer, and Dawes drilled a step-back triple from straightaway to knot things up at 77-77 with 1:05 remaining.

"This group, you know, they haven't wavered," Holloway said of his team's late-game mettle. "We got in a huddle. There was no panicking. It was, all right, all right, let's do what we do. Get a score, get a stop."

After two Indiana State misses, Richmond tried to drive, got cut off, and handed the ball to Davis, who spun through three defenders for the go-ahead layup. Richmond had screened for him, opening just enough daylight.

'It was just a broken play," Davis said. "Kooks created an angle for me to get downhill and just put me in position to be able to get a good look at the rim…I am blessed, man, pleased beyond measure to be able to do this at the home crib. Happy for my guys. Proud of my team to fight tooth-and-nail to the very end."

In a bonkers final sequence, Indiana State's game-winning 3-point attempt got blocked by Hall center Jaden Bediako, who closed out masterfully.

“That's a really good basketball team,” Indiana State coach Josh Schertz said. “They showed a lot of heart and fight and made a lot of plays there down the stretch to win the game. So credit to them. Very deserving champions.”

FIVE TAKEWAYS

Big three left their mark In their curtain call a trio, and possibly each of their final games in a Seton Hall uniform, Richmond, Davis and Al-Amir Dawes etched their names into Pirate lore.

Dawes was named the NIT's Most Outstanding Player after averaging 21 points per game for the tournament. He tallied 24 points and four steals in the final, making all nine of his free-throw attempts. He also was one of the most vocal Pirates about wanting to play in the NIT, a decision that was made by the five starters, and he carried the team past Saint Joseph's in that sluggish opening-round squeaker.

"We stuck to who we were," Dawes said. "We stuck to who we do. We ended up here."

Davis tallied 18 points and 3 blocks in the final, playing all 40 minutes. He wound up going 4-0 as a Pirate at Hinkle Fieldhouse.

"Indy was great for me," he said. "To be able to come home and win two big games, compete for a national championship which is our goal and ultimately win, it was a great week."

Richmond chalked up 21 points, 13 boards and 5 assists. Asked about leaving a legacy, he replied with a slam dunk.

"We opened the doors for the underdog players that's being recruited by Seton Hall, and don't feel as if anybody else is giving them a chance," he said. "This is a great place to come, and be able to play a game and be who you are."

Collectively, the big three took a program in transition after Kevin Willard’s departure and helped Holloway affix his stamp on it. They authored a bunch of memorable moments, shared the game, and represented the school well. Their performance this season was a monument to the value of continuity – one that is in increasingly short supply across the sport.

The postgame scene There were poignant moments galore after the final horn. For starters, Holloway walked over to a devastated Avila (13 points, 5 rebounds, 5 assists, but some crucial misses late) and literally picked Avila's chin up to offer some words of encouragement.

Holloway can be rough around the edges at times, but this gesture was a window into his character.

"I told him, there's no need to have your head down," he said. "You guys played a heck of a game. You guys got a great team. You guys battled. This was a championship game. A bunch of punches going back and forth, and just told him to pick his head up. He's a great player and he's got a lot of basketball to be played."

Then, as the Pirates began cutting down the net, they were encircled by their fans who broke into a chant of "Let's go Jersey!"

Dawes was first to climb the latter and snip a piece off. When it was Richmond's turn, the fans serenaded him with a chant of "one more year!" He smiled broadly and nodded his head in response.

"I appreciate them for coming; my focus tonight was winning a championship with guys in the locker room who have been here since June and fighting day-in and day-out," he said when asked about the chant and the scene. "So we appreciate them for traveling. Some flew. Some were telling me the amount of miles they drove, and we highly appreciate it."

As his players cut the net, Holloway worked the crowd, thanking Pirate fans for coming. He air-conducted the pep band's rendition of Seton Hall's fight song. Then he snipped the net's final piece off and held it aloft.

This marked the third time he's done that. Willard gave him the honor of cutting the last piece after the 2016 Big East Tournament title, and he also cut the net down after Saint Peter's won the 2022 MAAC Tournament, which was the victory that assured he would get the vacant job at his alma mater.

Afterward, upon returning to the team hotel where fans had congregated, the players gave walk-on David Gabriel the honor of carrying in the NIT trophy.

"Proud of everybody who stepped on the court and everybody who was ready," Holloway said. "Because I don't forget the walk-ons and the guys who don't play. They prepare the guys on the court for games like this."

A worthy title-game venue

It’s not Madison Square Garden, which hosted the NIT semis and final for decades, but Hinkle is an outstanding replacement. At a cozy 9,100-seats, with a balcony that surrounds the court and provides an intimate old-world setting, outstanding acoustics and dripping with history (as everybody knows, the ultimate scene of “Hoosiers” was filmed there), this was a quality host.

Indiana State fans brought the juice, creating a championship-level atmosphere. Anyone who thinks the NIT has no meaning or value should have witnessed the vibe in that building. To their credit, the Pirates used the hostility as fuel.

"I think we can just credit the league, the Big East for that," Davis said. "I feel like our league really prepared us for this moment."

It's a shame Fox is launching an alternate consolation tournament for high-majors next season, to be played fully in Las Vegas, because the charms of the NIT in venues like Walsh Gym and Hinkle were evident these past few weeks.

The NIT is not the Big Dance as we all know, but this run was proof that it still matters.

A trip for the die-hards

Among Pirate supporters on hand was Kevin Regan, the son of Hall legend Richie Regan – who was point guard on the 1953 NIT championship squad. Kevin was wearing the gold watch his father got for winning that tournament. It was willed to him when Richie died in 2002.

“It’s been a great run, and it brings back fantastic memories,” said Kevin Regan, a Brielle resident who came to Indianapolis with his daughter Erinne and sisters Kate and Marybeth. “Now everyone knows how important it was in 1953 – because 70 years later they’re bringing it up. I’ve gotten text about it from people I haven’t talked to in years.”

What would Richie think of this team and its season?

“He’d be happy as he could be because they’re playing well and they represent the school so well,” Kevin said, adding that he’d be particularly proud of Holloway’s leadership. “To see him come up the ranks at Seton Hall and do so well, he would love that.”

Also on hand were former Hall star and NBA coach Adrian Griffin, 1989 Final Four team member Pookey Wigington, and core members of Seton Hall’s student section who drove 700 miles for the occasion.

Into the offseason There was a tangible benefit to Seton Hall’s NIT run. Mike McBride, Deputy Athletics Director for Revenue Generation, NIL & Strategic Initiatives, said the alumni-driven collective Onward Setonia has experienced a clear uptick in support these last three weeks.

“The best part about the run we’ve had this postseason, all the guys who’ve supported us all year long have stepped up and supported us even more because they can see the benefits,” McBride said. “Those that haven’t supported us, who have been negative about what we’re doing with NIL, this has opened their eyes and they’ve become supportive. So it’s really brought the entire Seton Hall community together and they understand the more support they provide, the more we can do with the team. So it’s been really good for everyone.”

While exact numbers are elusive, it’s believed Seton Hall’s NIL war chest is roughly double what it was last year at this time. Keep that in mind as transfer-portal season begins. As with just about every team across the sport’s landscape, the Pirates will experience plenty of movement.

Here’s a quick rundown:

Postgrads Dawes and Bediako are out of eligibility.

Richmond and Davis are candidates to enter the transfer portal and also explore pro-ball opportunities. Richmond, who could command a hefty NIL payday and is also a candidate for a two-way NBA contract, has options galore.

There is a fair chance senior guard Dylan Addae-Wusu will be back for a postgrad season.

Retaining freshman wing Isaiah Coleman, a Big East All-Freshman honoree, will be a high priority. It’s a good sign that Coleman made the trip to Indianapolis to be with his teammates for the title game even though he couldn’t play after spending the past week bedridden with bronchitis.

Backup center Elijah Hutchins-Everett, who hails from Orange, also figures to have a role on next year’s squad. The fate of the rest of the bench is to be determined.

If the Hall can retain Addae-Wusu and Coleman and one of Richmond or Davis, that will be a strong nucleus for next season.

One thing is certain: As players make decisions about their futures, the good vibes produced by this NIT run certainly don't hurt.

And at the very least, no matter what happens, they'll receive a hero's welcome in South Orange for many years to come.

#2024 #national invitation tournament #seton hall pirates #college basketball

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verobatto · 4 years ago

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Unrequited Destiel...

The Legend of The Sun and The Moon

I just wanted to explain in a few words to those that are asking why Dean didn't reply to Cas or why is Jensen talking about angelical way to feel things.

I know they're a lot of post saying WE TOLD YOU THIS AND THAT, and is true. Because if you read my Destiel Chronicles from the beginning, you will see I ALWAYS CALLED THE UNREQUITED LOVE FROM CAS AND DEAN'S POV.

Some of you disbelieves this idea, but is the only way to intepretate why Destiel is the slowest slow burn ever.

No more intro, let's suffer together...

Season 4 and 5 JUST A FLIRTING GAME

Once Dean was pulled out from Hell, Castiel wanted to talk with him. He didn't wait a second. Things blew and it was messy, and even Bobby was scared that that thing would hurt his idjit. But it was just Cas, trying to speak with Dean, desperately trying to reach him in his true form. Why? Because he wanted to talk with him. He had to explain Dean's mission but also, he felt fascinated. And even more after their first meeting face to face when he was finally able to find a vessel.

And Dean just it took him just a little of his time to feel the same fascination. The almighty angel, that could see right through his soul.

But also the angel that said things like...

And we have the handprint too, such an intimate sign between these two.

Castiel showing him, honestly showing him with words and actions, his special interest on him:

"My superiors begun to question my sympathies. I was getting too close to the humans in my charge. You."

How would Dean take this here? The poor guy just decided to check out the angel, and speechless as he was at that moment, couldn't reply to it. "Is he flirting with me? Does he know how gay this sounds?"

Then Cas rebel against Heaven for Dean. Dean pushed him, the whole he pushed Cas to help him. If you rewatch season 4 Dean is constantly asking Cas to help him. Because he already know Cas was different. Because he felt Cas was his friend, his ally, and something else it was growing up in his chest.

While Cas pushed him against the wall, cut his forearm and drew the sigil, Dean's face is full of awe. He can't believe this soldier powerful angel is doing this for him.

And then... "We're making it up as we go."

Gif credit @cyxnrose

The beginning of season 5 is a very busy Cas searching for God, but also, the flirtation begins. Dean is like a cute boy flirting with his crush. The second meaning jokes, trying to figure out if Cas catch it is hilarious. But he will understand 'Cas doesn't understand that reference.'

From Dean's POV in these two season, we coul under he thinks angels are junk less.

Season 6: The profound Bond and the Longing

The romantic feeling from both sides began to flow even more when Castiel goes into the black side, and the first Destiel break up appears infron of our eyes in the middle of a very romantic scenes.

Gif credit @starlightcastiel

Gif credit @inacatastrophicmind

The last gif is out of discussion, bot men looking at each other with sad eyes, longing and as if their conversation isn't over. Dean being disappointed at Cas and Cas trying to make him see his point. Everything he does, he does it for Dean.

And now we know why it is.

Season 7: Mourning Dean and the Jealousy

Even with Showrunner Sera Gamble trying to focus Dean's morning into a Wincest subtext, we had put king Ben Edlund came to the rescue in episode 7x09.

Putting things in order, we were faced with Dean's source of depression: Castiel's death.

So, after that, when Cas really comes back, the reunion is another romantic movie. The MEMORY LOST trope.

And then... Castiel's pseudo wife...

The trope is getting better with the spicy Jealousy in Dean's eyes.

Gif credit @impalaofgrace

So he can't completely enjoy Cas is back because:

1) He doesn't remember him: so, how can be mad or anything else if Cas doesn't remember any details of their break up?

2)The guy has a wife! Okay, so, he has a wife, he easily got a wife from... Nowhere?

And then Meg comes and he is Jealous all over again!

Dean is a really mess of feelings, but in the end, when Cas recalls everything, and when I say everything, i mean Dean, because the majority of his memories was him, Dean just pulls out from his car Castiel's bloody trenchcoat and gives it him back!

So, if there was any doubts about why was Dean mourning and depressed for, we have the confirmation!

Then, let's turn the page, because now is Cas the mess... Depressed and suffering, because he almost destroy heaven, but, do you know what cares the most to Cas and when he cheers up? Yes...

When Dean says... "I RATHER JAVE YOU, CURSED OR NOT" Castiel immediately changed his face, he smiles, and kept staring at Dean with heart eyes. He was happy because Dean was forgiving him. Because since he recovered his memories, the biggest cause of it was Dean's rejection. Dean not being able to forgive him. That was the main cause of his sadness. That's why he avoided reality, he didn't have a cause, because his cause was Dean and Dean was mad at him. But now? Cas is happy again. That's why he decides to come back to battle. "I'll go with you."

Season 8 Purgatory of love and Pining!Dean

Okay, is in this season, Carver era, when Dean's POV has a turning point about Castiel and his true feelings for him and is in this season, when Dean starts pining strongly for the angel, and feeling his love is unrequited.

The cause of it, is Purgatory. The Purity about Purgatory resided in the capacity of that place to resides in abolish every human necessity to let the mind to focused in what really matters. In this case for Dean was SURVIVE AND CAS.

So we can say that what remained pure in Dean's heart was TO FIND CASTIEL.

That's why he prayed to him every night, and that's why in the moment Cas CONFESS he ran away to protect him, something in Dean changes forever.

Gif credit @agusvedder

If you pay attention to Dean's face reaction here, is the expression of the man that realizes in that precisely moment his feelings for Castiel. Even Cas stares to a side, because there was Benny watching them, and the thing he was about to say it was too intimate. I did it to protect you.

Dean, the Big Protector, is being protected by Castiel. So, in Purgatory, Dean Winchester find out his not platonic love for his best friend.

Then we had the entire season with pining!Dean and deception.

Dean's mind invented one excuse for Castiel running away from him because thinking his best friend abbandoned him, was just too painful. He does this again when Cas pushed him inside the gate and he stays in Purgatory. Dean just rewrote in his mind the whole sequence. Imagining that Cas was defeated. But the reality was, Castiel wanted to stay. And when Cas reveals this truth to the hunter, Dean's face is a mix of deep sadness and deception. He felt really rejected by his friend. He felt his unrequited romantic love for him. But he will feel it more stronger in the crypt scene, with the brainwashing and how Castiel's love for Dean broke th connection. But he left. That was a real rejection the hunter barely could handled.

Season 9: Pinning!Castiel and Human!Cas

When Cas became Human, he has to face all the intensity of human's feelings. In this season, is time for our angel to realize his romantic love for the hunter.

Castiel will mirroring Dean's pining in season 8, and he will also feel rejected by him.

Just like Dean in season 8, Castiel will feel his romantic love is unrequited, after Dean kicked him out from the bunker, being this the parallel to the crypt scene.

But then Cain's mark comes, and everything gets worst.

Season 10: Castiel is Dean's Colette

The whole Cain's mark was the visual sign of the Destiel handprint (profound bond) attempt of break.

With Cain and Dean going through a perfect parallelism in which Crowley was placed in the friend's spot, Sam in the brother's spot and Castiel in Colette's spot. Blatant and canon exposure of what Cas means for Dean.

But now, is time for Dean, after came back for being a demon, to feel unrequited again. And this is a detail that could be not seen, but it caught my attention.

CASTIEL: At least temporarily. It’s a long story. Crowley, stolen grace. There’s a female outside in the car.

This is what Castiel says when he goes into Dean's room and after Dean praises him...

Gif credit @inacatastrophicmind

Dean had been with Crowley when he was a demon this whole time, so Cas was heartbroken. Even this season opens with a very depressed Castiel in the bed just let himself die because Dean was gone. So, that's why Cas says this.

So you went with Crowley, i have a female in my car. See? I don't need you.

He was Jealous, and now Dean gets Jealous, but he also gets the sensation again of his love for Castiel is unrequited.

The episode that followed this one, Dean goes into a blind date with random chick he took from a date app (very ooc, but he did it because he had his heart broken and because he thought CAS had cheated on him while he was gone as a demon.)

Season 11: Dean resist a forced bond with Amara because he's bonded with Castiel

Season 11 is a blatant exposure of Dean's feelings for Castiel. There a lot of hints throughout the season telling us Dean is in love, just like in season 9 there was hints of this with Castiel. (Again, mirroring each other).

Dean resisted Amara because of his love for Castiel. But Cas is oblivious about this.

When Castiel is possesed by Lucifer, Dean switch's into desperate mode. If he was worried about his attraction for Amara, now the only thing he cares was Castiel, exposing again WHO DEAN IS IN LOVE WITH.

But when Dean wanted to rescue Castiel, and Cas didn't want to come back to him, it hurt him worst. Again, just like in season 8, Dean can't handle Cas doesn't want to come back with him (first from Purgatory and now from being possesed). Again Dean feels rejected and unrequited. That's why when Cas is back and the end of the world is close... Dean says these words...

"You're our brother, Cas. I want you to know that."

And Cas' face...

Gif credit @mad-as-a-box-of-frogs

That's a man with the heart broken, mostly because we know now he was in love with Dean CANON FACT! (sobbing louder).

Season 12 and the confusing I LOVE YOU

This season was full of married couple situations, but mostly, we had Castiel's I Love You in the barn, before "dying".

At first Dean thinks the angel was saying this as goodbye, expressing into words his feelings for the Winchesters. Because as and angel, maybe Cas was feeling he has to protect them all. But then he says this singular I Love You to Dean, and the guy doesn't know how to take it. It was a platonic ILY? A non platonic ILY? Does angels feel the same like us? Does he sees me as a brother? Dean was truly a mess, so he decides to respond to that with a Mixtape.

But, when Castiel disappears for days, he sinks again into that sensation of unrequited romantic love.

Then Cas comes back, and then he goes away again, and then he dies.

Season 13: The reunion and the meaning of Castiel coming back

Dean's mourning for Cas can't be interpreted otherwise than LOSING THE LOVE OF HIS LIFE.

And the longing for his angel plus some Nougat powers, brought him back.

The thing is, Dean didn't expr as his feeling for Castiel and when the angel asked him that he needed to believed that he came back for a reason, Dean goes...

Gif credit @inacatastrophicmind

This sound like if he was recruiting Cas for war. And Cas' took it as that. So he came back to soldier angel mode. Because, okay, if Dean and Sam needed him to fight, he will fight.

Unrequited Love again.

Season 14 Healing Dean and the prelude of the break up

Post-possesed Dean is a follow up of self knowledge and self growing. He was healing the whole season.

But in episode 14x04 we heard Dean being Jealous or hurt because Castiel didn't go to rescue him and then because he goes into hunts with Jack. Unrequited love again.

Did Cas miss me as I missed him?

Is the first time Dean will actually name the word LOVE talking with the kid.

And then Mary dies and everything is a mess.

Dean yells YOU ARE DEAD TO ME, and how sad that sounds now that the angel had died again. Saving his life.

Dark clouda over our ship...

Season 15: And Maybe is not too late...

In season 15 we lived the angst of the Destiel break up, but then their reunion in Purgatory was beautiful.

Again, facing the fact that he could lost Cas one more time, Dean went down on his knees and prayed to him, and because he was in Purgatory, his heart and mind were released from any distraction, and he was plenty focused in the love he feels for his angel.

He cried, and begged for him to come back.

And he found him, following his heart, the profound bond he has with Castiel.

But, when he was about to say something that he hadn't said in the prayer, Castiel cut him off. So... Again the hunter had to swallow his words and the unrequited love punch him again.

Then... Castiel's romantic love confession took Dean by surprise, because, now that you read all the clues i gave you and i convinced you that Dean and Cas thought their love were unrequited, you will understand Dean's reaction.

Gif credit @spnsmile

Dean didn't can't believe Cas had loved him the way he does this whole time and now, he will lose him again. Is too much pain he can't handle.

For a lot of reasons we had analyzed so many times (Dean's arc has to have a closure expressing his ILY to the angel, the Empty plot is not ended, Etc) Is logical to think Cas will come back in the last episode, and this slow burn story will end with them being together, finally.

To Conclude:

The legend of the Sun and the Moon talks about two lovers that can't be reunited but they love each other deeply.

Is accurate with Destiel, because these two men had always being pining for each other but never be able to be together as they wish.

Castiel always thinking Dean doesn't reciprocate his romantic feeling for him and Dean thinking because Cas is an angel, he doesn't love him back romantically.

The Sacred Oath always playing in Castiel's POV as an impediment too and Dean's love clocked in shame too.

The deal with the Empty had been settled as we suspected in season 14, as a romantic plot. So, it has to have a closure.

These thoughts are based on the volumes from my assay "The Destiel Chronicles", currently in it's 87th volume.

See you soon! Have faith!

Destiel Is Forever!

Tagging @gneisscastiel @emblue-sparks @magnificent-winged-beast @weird-dorky-little-d @michyribeiro @maleansu @legendary-destiel @a-bit-of-influence @thatwitchydestielfan @misha-moose-dean-burger-lover @lykanyouko @evvvissticante @savannadarkbaby @dea-stiel @mybonsai1976 @anarchiana @angelwithashotgunandtrenchcoat @trashblackrainbow @mishtho @dancingtuesdaymorning @feathered-cas @bre95611 @zoerayne2426 @justmeand-myinsight @that-one-fandom-chick @proccastinate @studio-hatter @pepevons @poorreputation @mrsaquaman187 @dizzypinwheel @jawnlockwinchester @dwstiel @ladygon @shippsblog @la-random-fangirl @lets-try-this-again-please @mychemicalobsession514 @destiel-shipper-11

@asphodelesauvage @2musiclover2

Buenos Aires November 17th 2020 8:33 PM

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thecrownnet · 3 years ago

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Congratulations to Adriano Goldman , ASC, BSC, ABC, Director Of Photography, for his Creative Arts Emmy win OUTSTANDING CINEMATOGRAPHY FOR A SINGLE-CAMERA SERIES (ONE HOUR) for season 4 episode 3 ‘Fairytale’ on September 11, 2021. Here are his insights on filming the episode with director Benjamin Caron.

‘The Crown’ Used Lighting and Composition to Trap Its Characters Inside a ‘Fairytale’

Director Benjamin Caron and cinematographer Adriano Goldman discuss how they destroyed Diana and Charles’ marriage before it even began.

Behind the Scenes of “The Crown” Season 4, Episode 3 Photo: Netflix

Over “The Crown’s” four seasons, the halls of Buckingham Palace have become familiar visual signifiers for both the grandeur and the pressure placed upon the royal family. But in the third episode of this most recent season, “Fairytale,” cinematographer Adriano Goldman and director Benjamin Caron stretched the limits of the show’s visual language to create — and then to destroy — Princess Diana’s (Emma Corrin) fairytale fantasies.

Much of the episode is given over to Diana slowly realizing that, like many princesses stuck in a castle before her, she has fallen into a trap. But Goldman and Caron opened up the ways they shoot their Buckingham Palace sets to show how the demands of the Crown consume everyone on the eve of the fateful marriage.

They force the jaws of the trap open wide with a pre-credits sequence of Diana’s night out with her friends after Charles (Josh O’Connor) proposes to her. The scene is a departure in every sense, not just to the swank ’80s members’ club that Diana frequents.

“You try to deliver something that is more romantic, a little bit more colorful, fun to start,” Goldman said of the sequence in an interview with IndieWire. “We wanted to not change the style too much, but there should be a transition from a very colorful pre-title sequence, a very interesting and more romantic beginning.”

That romance is on full display, most noticeably in the brighter, guadier colors of the club and much warmer tones of Diana’s Earl’s Court flat. But Goldman’s camera also interposes itself almost as a fourth (slightly intoxicated) friend, swinging around inside the girls’ cab to get a look at both Diana and Buckingham Palace, or flinging itself down onto the bed with the girls at the end of the night. The look of the sequence stands in contrast to the stately shots and slow tracks which are the show’s normal rhythm for everyone in the royal family. Well, for everyone in the royal family except maybe Princess Margaret (Helena Bonham-Carter), who gets to dance by a pool every now and again.

“We really considered how we could reverse [that fairytale opening] and be very present with her, and [how we could] make her feel young, actually. Part of this is she’s a young girl going into the palace,” Caron said.

Caron and Goldman gave the audience several visual signifiers that are easy to clock in this sequence, as well as Diana’s goodbyes to her friends that follows: the gold and neon hues of the night out, the warm, eye-level close-ups of Diana dancing in the club, and a signature spiral staircase Diana descends to begin her life as a princess.

Over the course of the episode, these colors will fade. The close-ups inch slightly above Diana’s eyeline, so that it feels like the camera, along with the rest of the Royals, is looking down on her. And when a spiral staircase reappears, it will lead to Diana’s lowest point.

“The Crown” Season 4, Ep. 3 “The Fairytale” Screenshot

With Diana ushered inside Buckingham Palace to shield her from the press in the run-up to her and Charles’ wedding, Caron and Goldman emphasized how small and vulnerable Diana looks inside the palace walls. The opening of “Fairytale” had a long shot of the club, and Diana fit snugly within it. Once inside Buckingham Palace, the negative space often overwhelms Diana, and the camera backs away to show just how alone she truly is, perhaps best exemplified in the scene of her grandmother (Georgie Glen) physically tying her up while instructing her in how to speak like a royal.

Caron and Goldman deliberately call back to the romance of the opening to twist the knife, having Diana dance ballet inside the palace and then try to break out of the regimented structure of it as the pressure on her mounts. “I remember sort of holding the frame and I remember the camera operator was trying to follow us, but [I said no,] just hold the frame static and let her move in and around it,” Caron said. “So it really felt like someone trying to break out [of] somewhere.”

But of course, the camera never does let her leave the frame. Unlike the quick, fun cuts of Diana dancing in the club, there is no pressure release here. There is nowhere for Diana to go.

“The Crown” Season 4, Ep. 3 “The Fairytale” Screenshot

Caron wanted to use visual features that would feel right at home in a Disney princess story to their most punishing effect and perhaps the most powerful one of these motifs reoccurs when “The Crown” has Diana descend another spiral staircase. “[Ben] was very specific about this spiral because she’s going down on a spiral emotionally,” Goldman said of the shot that leads Diana down to the kitchen, a moment of late night desperation that kicks off her eating disorder. “He didn’t want to follow her on the steps, like on a steadicam. He wanted [the camera to be] facing down and going down with her to the very bottom of her feelings and her emotions.”

Caron described it as going to the “bottom of a well,” once Diana enters the kitchens and becomes enveloped in darkness — except for the fluorescent blues of the refrigerator lights, which makes the space feel like a morgue. This strong use of color, like all the changes in the episode, is grounded in the reality of whatever space Diana finds herself in. But the emotion and, indeed, the foreshadowing that Caron and Goldman are able to imbue those spaces with give Diana’s spiral real visual potency and a visceral sadness.

“The Crown” Season 4, Ep. 3 “The Fairytale” Screenshot

What is so thrilling about “Fairytale” is that it spares no one. Two striking scenes toward the end of the episode don’t have Diana in them at all, and yet push the series’ visual language to show how the palace and this marriage will swallow the characters who have been there all along.

In the first of these, Margaret tries to persuade Elizabeth, the Queen Mother (Marion Bailey), and Philip (Tobias Menzies) to call off the wedding. Caron wanted the scene to have a “conspiratorial, almost a Jacobian feel” to highlight the cold, businesslike calculations these four people are making for the happiness of two others.

“I remember saying to Adriano,’no no no, let’s go darker,” Caron said of this sequence and the next one. Goldman also recalled the desire to push the scene even further visually, lighting characters at harsh, dynamic angles or in almost complete shadow, so that the scene would feel spiritually closer to “The Godfather” than to the show’s usual style. The comparison is apt, given the mahogany browns and greens of the sitting room and the firelight that Goldman and Caron used to emphasize shadows falling into the crags on the characters’ faces. Vito Corleone could easily be sitting in a corner of one of those frames.

“The Crown” Season 4, Ep. 3 “The Fairytale” Screenshot

The next scene — when Elizabeth goes to find Charles and offer him a final few words on his marriage — Caron and Goldman viewed as a way to visually crystalize their relationship and how it is marred by their obligations to the monarchy. “Wouldn’t it be painful if you had Charles looking out the window and he felt the reflections of the fireworks and the noise and the celebrations outside?” Caron said about how he started conceiving of the blocking and framing of the exchange between mother and son. Each cinematic choice builds from a sense of what would be more painful, what would put more strain on the relationship.

“The Crown” Season 4, Ep. 3 “The Fairytale” Screenshot

The filmmakers created this visual strain between Queen and Crown Prince not just by keeping them at opposite sides in the composition, but by keeping one of the pair always just out of focus in the shots with the two of them — they can’t even occupy the same level of detail in the frame. Color plays a role, too, with bright blues and reds from the fireworks, reflections of the Union Jack, always being part of the light through which the audience sees the resigned sadness on Colman’s face and the abject misery on O’Connor’s. Goldman said this is the scene where he realizes he will never escape the system of the monarchy. “He realizes it’s too late. It’s a trap. He’s been trapped.”

“It always comes back to the Crown,” Caron said, and it is really from the perspective of the Crown itself that we watch the characters prepare to head to church on the day of the wedding. When the audience finally sees Diana in her dress, she faces away from the camera and moves into that oppressive cavernous space which has put so much pressure on her throughout the episode. It’s a slow, almost funereal march toward the fate the audience already knows awaits her. Charles, on the other hand, gets the close-up this time. But the camera, with equal grimness, tracks slightly down and in, so that his face begins to loom over the frame, making him look monstrous.

“The Crown” Season 4, Ep. 3 “The Fairytale” Screenshot

Of course by now, the visual choices that Caron and Goldman made for “Fairytale” have taught the viewer that there is another monster, a much more powerful one, looming over the episode’s final frame: The Crown is the monster that always gets you in the end.

#emma corrin #josh o'connor #princess diana #the crown netflix #the crown #emmy awards 2021 #cinematography #adriano goldman #the crown season 4 #thecrownnet

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giveamadeuschohisownmovie · 4 years ago

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Hypothetical TV shows: “Agent Jimmy Woo”

Spin-off series centered on Marvel’s lovable FBI agent, Jimmy Woo (Randall Park). Plot breakdown:

Episode 1

This is mainly an introduction to Jimmy Woo. We learn that he’s a lonely man, living by himself, doesn’t really have that many friends, and is not close to his family. The closest friend he has is Darcy Lewis, continuing their friendship from “WandaVision”. Throughout the episode, Jimmy gets these weird flashbacks that we have no context for. The flashbacks are to establish that Jimmy has some sort of dark past that we haven’t seen.

Most of the episode is “normal”, until Jimmy receives a strange letter to his office. When Jimmy opens the letter, he sees that it’s a picture of a dead man, with the words, “REMEMBER ME, JIM?” smeared in blood in the background. Jimmy immediately realizes who did this and flees the building. As he’s running, he bumps into Darcy, who is here because they were supposed to go out for coffee. Jimmy tries to come up with an excuse, until he sees a couple of shady people approaching him. This leads to a thrilling, John Wick-style fight scene, in which Jimmy takes down all the assassins sent after him.

The episode ends with Darcy staring at him in shock, wondering who is this man standing before her.

Episode 2

This episode picks up right after the end of the previous episode. Jimmy and Darcy are on the run, fighting their way through hordes of assassins sent to kill Jimmy. We get a close-quarters combat fight scene, a gunfight, and a car chase, all in the first half of the episode. Eventually, Jimmy and Darcy reach this mysterious location, where they meet a woman who seems to recognize Jimmy. The woman introduces herself as Monica Chang (played by Yunjin Kim), a former S.H.I.E.L.D. agent and Nick Fury’s ex-wife.

Jimmy says he needs to get out of the country since “Golden Claw” has somehow come back from the dead and is out to get him. Monica then arranges a transport to Madagascar for both Jimmy and Darcy. This is where we get the big reveal; Jimmy Woo is a former S.H.I.E.L.D. agent who went underground after the events of “Captain America: The Winter Soldier”. Golden Claw was Jimmy’s arch-nemesis who he thought he killed years ago.

As Jimmy and Darcy make their way to Madagascar, Darcy asks Jimmy for the full story. Jimmy figures he has nothing left to lose and starts to recount his past, leading to the next episode.

Episode 3

Flashback episode, set before the events of “The Avengers”. Jimmy Woo is a high-ranking S.H.I.E.L.D. agent who is close friends with Phil Coulson and Monica Chang. We learn that Jimmy is hunting down Plan Chu, the Golden Claw (played by Joe Taslim). Golden Claw is considered the “Kingpin of Asia” and rules over all the crime syndicates in the continent, from the Yakuza to the Triads to Madripoor. To emphasize this point, although Sharon Carter/Power Broker rules Madripoor, she answers to Golden Claw since he’s the one who helped her take control of the nation.

Due to how powerful and dangerous Golden Claw is, S.H.I.E.L.D. began targeting him, with Jimmy leading the charge. In this episode, we see the end of Jimmy’s operation; S.H.I.E.L.D. leads an assault on Golden Claw’s mansion, which eventually leads to Jimmy facing off against Golden Claw one-on-one. The two men fight, which ends with Jimmy tossing Golden Claw off a cliff. Claw is presumed dead since his body is never found.

Cut to several years later, Jimmy goes underground due to Steve Rogers exposing HYDRA’s existence in S.H.I.E.L.D.. With Nick Fury’s help, he scrubs away his past and takes on a new job as a FBI agent. The episode ends with Jimmy meeting with Scott Lang in “Ant-Man and the Wasp”.

Post-credits scene: After being tossed off the cliff, Golden Claw is found by Sharon Carter, who was part of the S.H.I.E.L.D. assault. She decides to nurse him back to health, indicating that even before she became the Power Broker, she was a double agent working for the Golden Claw.

Episode 4

Golden Claw-centric episode, focused on his origin story. We learn Plan Chu was actually born during the First Opium War (1839). He grew up poor and angry at the British for their attacks on China. Eventually, he ends up becoming an apprentice to a mystic/alchemist and learns how to develop elixirs that can grant him special powers. One elixir in particular prolongs his lifespan, explaining how he’s still alive in the modern day. Plan Chu’s master eventually dies from old age. Using the skills he learned, Plan Chu creates his criminal empire and earns the nickname “Golden Claw”.

In the modern day, Golden Claw, who has fully recovered from his battle with Jimmy Woo, starts targeting all the S.H.I.E.L.D. agents who were part of the operation to kill him. Sharon Carter provides him the names, leading to a sequence where multiple former S.H.I.E.L.D. agents are killed by Golden Claw’s mercenaries. Although Jimmy Woo manages to get away, Golden Claw moves on to the next step of his revenge; finding out who ratted him out to S.H.I.E.L.D. in the first place, leading to the assault on his mansion.

Golden Claw learns that the one who betrayed him was Suwan (played by Ali Wong), his grandniece and a leading member of the Triads. Although that’s his family, Golden Claw puts a bounty on Suwan’s head.

In the B-story, Jimmy and Darcy arrive in Madagascar, where they meet Derek Khanata (played by Adewale Akinnuoye-Agbaje), A former Wakandan special forces operative, a S.H.I.E.L.D. ally, and a friend of Jimmy Woo.

Episode 5

In Madagascar, Derek takes Jimmy and Darcy to a hideout in order to discuss battle plans. Derek tells Jimmy that Golden Claw has already killed most of the original S.H.I.E.L.D. team that was sent after him, which enrages Jimmy. Wanting revenge, Jimmy asks if they have any leads on Golden Claw’s whereabouts. Although he’s reluctant to go after Claw, Derek suggests going after M’Demwe (played by Barkhad Abdi), a ruthless warlord who has ties to the Golden Claw.

Most of this episode is focused on Jimmy, Darcy, and Derek hunting down M’Demwe while avoiding the authorities and Golden Claw mercenaries that are in the area. Eventually, the trio manages to capture M’Demwe, leading to a thrilling car chase. After the chase, M’Demwe says he has no idea where Golden Claw is...but that they can get Golden Claw to come to them. When Darcy asks what does that mean, M’Demwe says that Claw put a bounty on his grandniece’s head. If they get to Suwan first, that could force Golden Claw to come out of hiding.��

Jimmy realizes this is about Suwan, indicating that they had a prior relationship. Jimmy asks M’Demwe where Suwan is and M’Demwe reveals that she’s in Montenegro on vacation. He then has Derek arrange a flight to Montenegro.

In the B-story, Suwan is seen gambling at a fancy casino in Montenegro. Suwan’s bodyguard tells her about the bounty placed on her head, which she waves off. She then says something ominous, that no one can touch her on her property.

Episode 6

Jimmy, Darcy, and Derek arrive in Montenegro. Golden Claw arrives around the same time. This is mostly a character development episode, in preparation for the final showdown. The following interactions occur:

1) Golden Claw meets with Suwan and tells him that he knows she betrayed him. Suwan demands to know why Golden Claw won’t just kill her himself, which Claw can’t answer. Suwan then confirms to herself that Claw can’t bring himself to kill her since he still loves her and that the bounty was his way of pushing the guilt onto someone else. Golden Claw doesn’t say it but he sees Suwan as one of his daughters, which is why he can’t just kill her himself.

2) More Jimmy and Darcy bonding. We learn more about Darcy’s family life and that she hung out with Jimmy for the same reason he hung out with her; she doesn’t have many friends outside of work.

3) Jimmy meets up with Suwan and reconnects with her. Jimmy says he’s here to protect her but Suwan says he’s here to use her to reach Golden Claw. We learn that in the past, Suwan was sent by Golden Claw to kill Jimmy but ended up falling in love with him. That’s also part of the reason why Suwan betrayed Golden Claw.

4) Golden Claw meets with Darcy, who doesn’t recognize him, and the two bond over a game of Texas hold’em. This scene is meant to humanize Golden Claw, that he’s not just a power-hungry criminal mastermind.

5) Suwan and Darcy bonding. This is mainly played for laughs, with Darcy being curious about what this incredibly dangerous Triad boss saw in Jimmy. Suwan interprets Darcy’s interest in her past romance with Jimmy as jealousy, leading to a hilarious misunderstanding.

Episode ends with Jimmy, Darcy, and Derek’s covers being blown, leading to everything going south. Golden Claw and his troops corner the main trio, forcing Suwan to have her guards confront Golden Claw’s mercenaries. With everyone pointing guns at each other, the episode ends on a massive cliffhanger.

Episode 7

Picking up right after the previous episode, the Mexican standoff between Suwan, Jimmy, and Golden Claw turns into a massive shootout, resulting in several casualties on all sides. Golden Claw’s army is forced to retreat, giving Suwan and Jimmy time to recover. This is the episode where we reach peak John Wick since right after Golden Claw’s retreat, Suwan takes Jimmy into her office in order to prepare for the second wave. Jimmy arms himself to the teeth, leading into the next attack.

Most of this episode is the battle between Suwan’s side and Golden Claw’s side. The battle is seen from these perspectives:

1) Jimmy and Derek at the forefront, fighting against the highly trained Golden Claw mercenaries

2) Darcy going off on her own in order to contact the Montenegro authorities (there’s a subplot where Darcy learns that Golden Claw managed to move the Montenegro police away from the area)

3) Suwan directing everyone from her office and coming up with the battle plans.

The big fight in this episode is between Jimmy Woo and Golden Claw’s top mercenary, Harold Kenkoy (played by Michael Bisping). Harold is the series’ secondary antagonist, with his role being similar to Brock Rumlow in “CA: The Winter Soldier”. Jimmy kills Harold after a brutal, one-on-one fight.

The battle ends when Darcy comes through with her mission to contact the Montenegro authorities. Unfortunately, Golden Claw manages to flee and retreats back to Madripoor. Not wanting to go through this again, Jimmy, Darcy, Derek, and Suwan decide to follow him.

Episode 8 - season finale

As the big finale of the series, Jimmy and friends reconnect with Monica Chang, who brings a team of other former S.H.I.E.L.D. agents to assist. On the other side, Golden Claw meets with Sharon Carter and tells her that he’ll be taking over Madripoor while he regroups from his previous loss. Sharon angrily states that he can’t just take her throne, leading to a “betrayal” scene. However, just when you think Sharon has the upper hand, Golden Claw reverses the situation when Sharon’s mercenaries turn against her. Claw says that he’s the one who gave her power and that he could easily take it away.

Sharon fights through her former mercenaries and joins up with Jimmy Woo. They form a temporary truce when Jimmy tells her that he’s only in Madripoor to stop the Golden Claw once and for all. With Sharon’s help, Jimmy’s side forms a plan to trap Golden Claw.

Of course, the plan goes awry, leading to Golden Claw closing down the whole country in order to trap Jimmy’s team. With nowhere to go and all the criminals in Madripoor gunning for them, Jimmy goes off on his own to corner Golden Claw. In the midst of all this chaos, Darcy is captured and taken to Claw. Darcy, having bonded with Claw earlier, tries to appeal to his humanity and convince him to give up his revenge quest. Claw refuses and says that he’s justified since S.H.I.E.L.D. was the one who instigated this whole situation.

After a series of incidents, Jimmy Woo eventually confronts Golden Claw. The two fight, mirroring their fight from years ago. Jimmy wins after managing to fatally shoot Claw in the chest. As Claw dies, the two acknowledge each other, with Claw glad to have been killed by a worthy opponent. Sharon takes back control of Madripoor and, to thank Jimmy for stopping Claw, allows everyone to leave. She also rescinds all the bounties that Golden Claw set up. With that, everyone goes home.

The rest of the episode is just wrapping up the story. Suwan goes back to Montenegro, Derek goes back to Madagascar, and Monica tells Jimmy that she’s founding a new spy agency to fill in the space left by S.H.I.E.L.D. This ends up being the Atlas Foundation, which we’ll see in a future series. Jimmy says he’ll consider joining but for now, he’s going back to his job at the FBI. Season ends with Jimmy and Darcy getting coffee.

POST-CREDITS SCENE: Jimmy Woo is with Darcy at the coffee shop when he’s approached by a messenger. The messenger tells Jimmy that he was named the sole heir of Golden Claw’s empire. Jimmy says that can’t be true but the messenger confirms this by showing him a copy of Claw’s will. Jimmy stares at the will in shock as he realizes that he’s become the new Kingpin of Asia.

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razberryyum · 4 years ago

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Scumbag System (SVSSS donghua) Episode 10 Thoughts (spoilers)

(covers SVSSS chaps 24 - 26, BC Novels Translations)

And thus the first season of the SVSSS donghua comes to an end...rather weirdly abruptly to be honest, but more on that later. Obviously I love the donghua. It was not perfect, but it still exceeded my expectations. I truly appreciate what they were able to do within their budget constraints and I think they captured the spirit of the source material perfectly, which is really all I hope for when it comes to adaptations. The writing was strong, the humor hit the spot always (for example, when poor Shizun got motion sickness from sword riding, I guffawed), and they also gave us some of the most beautiful characters I’ve ever seen on screen, especially with Shen Qingqiu, Luo Binghe and Liu Qingge. I really, really hope they release official figurines for them. I’m going to start saving my money now just for that possibility.

Even though their time together in this episode was short, the BingQiu love was definitely strong. They gave them a combo move that was not in the source material: for someone like me who grew up watching Cantonese dramas, two characters who have a combo sword move (”雙劍合璧”!) are usually a couple so I was especially tickled by this addition. I am always thankful to the donghua team for the little Easter Eggs they give us for BingQiu, like the way Binghe's eyes lit up when he sees SQQ...

or when SQQ touches him...

Once again, for those not in the know, it can easily be interpreted as a disciple just being devoted and filial to his Shizun. But for those of us who have read the novel, of course we know it’s indication of Bingmei falling in love with SQQ. I love how subtle yet significant these little expressions of Binghe’s are, and I hope they continue on with these little touches even in the next season.

Of course then there are the more obvious gestures, like that HUG:

It lasted for a good 15 seconds and oh my God look at the Binghe’s hand placement! There was totally nipple groppage happening there! This wasn’t in the book by the way...SQQ didn’t get woozy and Binghe most definitely didn’t have to catch him like some fainting damsel, so we have the donghua team to thank for this wonderful moment of (sexy) physical contact between the two of them.

The donghua team was also especially generous in this episode since not only did we get some BingQiu love, but we got a pinch of LiuShen and QiJiu love too.

LQG’s eyes were on SQQ the entire time! And then Yue Qingyuan as usual took any opportunity he got to touch his Qingqiu. So all shippers were fed. Hell, they even threw in some more straight-baiting again so peeps who are watching the show for the “straight” romance between Luo Binghe and his never-to-be-future-wife Qin Wanyue were fed too since the scene where Binghe gives her the handkerchief to wipe away her tears were not in the chapters of the book for this episode, and racking my brain I don’t even think it was in the book, period. I’m trying to remember if that handkerchief even holds any significance but even if it does, it’s all for naught since we know Qin Wanyue is at most just a minor side character. She does pop up again later on but then is mostly forgotten, so...not quite sure what that moment was all about other than to, I don’t know, throw off the censors?

I’m also not sure why we spent so much time with Liu Mingyan and Gongyi Xiao in this episode. Nothing against them personally, I like both characters very much (despite my previous complaints about GYX’s character design), and it’s not that they don’t deserve more screen time, but this was the season finale! Even though the next season has been announced, God knows when we’ll see it next year and how many episodes it would be, so every minute of screen time matters! That’s why I was a bit puzzled that they used up half of the episode showing LMY basically facing the same perils with her group of fellow disciples as before and GYX just running from that huge serpent. Even if that thing DOES turn out to be Zhuzhi-lang, it was still a bit much. They weren’t exactly character building scenes either so...why? Budget reasons? Didn’t have enough money to pay SQQ’s voice actor (Wu Lei-laoshi) so they had to stick in miscellaneous scenes to lessen his screen time?

I’m kidding of course. God I hope that wasn’t the reason because that would just be sad.

Speaking of miscellaneous scenes though, what was going on with these two dudes?

I gotta admit, I’m a bit salty that these two mob characters got to do what our main couple can’t. What’s their story? Why do they get special privileges? Damn these nobodies. XD

All kidding aside, I have to say, of all the episodes this season, this might be the weakest one, not only because of the “filler” scenes, but also, the way the episode ended was so odd, especially for a season finale. The season basically ended on a scene transition. Not a cliffhanger, just a scene transition, and then cut to credits. What?? Why??? It’s almost as if they just ran out of time so had to stop the show all of a sudden. And then as if to make up for it, they added post-credit scenes which, honestly blew me away because it was so unexpected. It was indeed almost enough to make me completely forgive the weakness of the episode as a whole and that weird-ass ending.

I teared up! The scene was kind of chopped up, didn’t even flow that smoothly, but I still got emotional! I’m sure when I see this scene in its entirety next season I am just going to be destroyed. I think they made it even more gut-wrenching than it was in the novel. Looks like the donghua team really aren’t gonna hold back when it comes to delivering the BingQiu knives.

We also got to see Mobei-jun appear in the post-credits scene; I guess they had to stick him in there since he was featured in the poster for this season, so it would have been weird if he didn’t at least make an appearance.

I immediately thought of him as Sephiroth’s younger cousin when I first saw him on the poster and I still feel that way. Anyone related to Sephiroth, I will approve and instantly have affection for. For the MoShang shippers’ sake, I hope the Shang Qinghua they create for him will be just as pretty. I think I can now safely discard my guess from last time and also that moon-faced bearded ojisan others have guessed. We actually got a glimpse of the real deal in this sequence:

They strategically made him blurry so you can’t really make out his features, but what we still can tell from there is that he does not have facial hair (hence, he cannot be the ojisan) and the hair crown he’s wearing is silver and different from the twinky sect leader. So I guess we’ll be getting a fresh out of the microwave Airplane Bro instead of any of the no-name potential cannon fodder we’ve already seen.

We’ll probably get the abyss opening up in maybe even the first episode of next season but that’ll still leave a lot of ground to be covered in just 10 episodes (rumored). There haven’t been any talk about a third season, but I really hope it’ll happen, even though it might take them a while to make it. I know it’s premature to even think of a third season when we haven’t even gotten an actual release date for the second, but I’m greedy because I already miss the donghua. This season was over so quickly, I’m already mourning the lack of new episodes. I hope we get the second season in the first quarter of next year and then by some miracle, a third or even fourth to properly finish out the story. I know we will never get the FULL story, but as long as they keep the spirit of BingQiu’s love and continue to hint at it like they’ve been doing this season, I will be more than satisfied.

And while I’m wishful thinking for new seasons, I hope we also get a BingQiu duet and character songs. I love the opening and ending theme this season, if they want to save money I totally don’t mind if they just use the same OP/ED themes in the next season as well, but I hope they throw in a good BingQiu insert song and then release some individual character songs as well. I’m still not a fan of Binghe’s voice, but maybe they can have someone else do his vocals for the songs. SVSSS is the older son of MXTX’s works, I feel like it already got short-shrifted in terms of adaptation since it got the lesser budget compared to MDZS and TGCF. Hopefully with how popular the donghua is this season, it will be given a bigger budget next season so they can bring to life all the subsequent proceedings from the book properly. And whatever they’re paying Wu Lei-laoshi, SQQ’s voice actor, they should double it because that man is just amazing. I worship his voice and performance. I wish he would read the audiobook version of the the novel. I would listen to the hell out of that. I have always loved SQQ, but if I’m going to be honest, I came into the show just a little more excited about seeing Bingge being brought to life. I still love Binghe of course, in all his phases, however, now, because of Wu Lei-laoshi’s stellar voice performance (and of course SQQ’s beautiful looks), I’m leaving this season absolutely head over heels about SQQ/Shen Yuan. Also thanks to the show, I’m completely obsessed with Liu Qingge as well. So for those two reasons, I will eternally be grateful to the donghua team.

#SVSSS #Scumbag System #Scum Villain donghua #Scum Villain Self-saving System #BingQiu #LiuShen #QiJiu #MoShang

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fuckyeahisawthat · 4 years ago

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Have you been asked yet to rank Trust eps? Cos I'm asking! But your the criteria for ranking I leave to you to decide.

Ahahahaha I’ll have you know I put way too much thought into this. :-D

Ok so first of all, there is no such thing as a bad episode of Trust. The whole thing is really tightly written, every character and plot thread has a purpose, and even the episodes that I haven’t watched over and over again are important to the overall story. And a lot of the impact of the show comes from things that are cumulative over multiple episodes.

That being said, I do have favorites. Since the definitive ranking of Primo’s outfits has already been taken care of, here is my ranking from least to most favorite based on some nebulous criteria of artistic/narrative effectiveness and emotional impact, my judgement of which is obviously highly subjective and also correct.

Under the cut because this got ummm unbelievably, ridiculously long.

10. The House of Getty (episode 1)

Sorry Danny Boyle and Simon Beaufoy, the pilot is my least favorite episode. Still think it was the wrong choice to open with a flashy (and, I can tell, expensive) sequence showcasing the death of a character we literally never see again. And, look, I’m an impatient viewer. If I don’t get someone to root for/emotionally identify with/otherwise catch my interest early on in a narrative, I’ll tune out. And Old Paul is not only unlikeable--far from a mortal sin in dramatic storytelling--he’s boring. I don’t care about any of his rich people problems, and I’m not the kind of viewer who can be kept engaged just by hating someone and watching them be terrible.

Some of the secondary characters in the Getty household do have interesting plotlines, but we don’t get to learn very much about them in the first episode. And I do think things get interesting once Little Paul shows up (although I maintain that the whole episode is more interesting if we understand what the stakes are for Paul getting the money), but if I had started watching this show with no context I wouldn’t have made it past Old Paul’s pre-coital erotica listening routine.

If this had been anything other than the first episode I might not have ranked it last, but extra penalty points for leading with your least interesting characters.

9. Lone Star (episode 2)

This episode is, I think, saddled by the fact that it has to do a lot of heavy lifting in terms of exposition and setup. It mostly works because Chace is an entertaining narrator, and once we get to Italy with Gail I think things zip along at a pretty good pace. Opens with an attempted rape to show how Bad the Bad Guys are, which is...not my favorite trope.

Once again, I think a lot of the information in this episode would have worked better if episode 3 had been episode 1. (We’d already know who Berto was when Chace meets him; we’d already know about the box of guns in the apartment; we’d know when certain characters are lying.) This whole show runs on the suspense of the audience being the only party who knows what’s going on with all the characters at once; I think trading mystery for suspense here was the wrong move. I also can’t help thinking there was pressure to front-load the well-known American actors in the beginning of the show at the expense of the strongest narrative choices.

Imo the best thing about this episode is the sort of...multiple competing images of Paul that emerge. His mom sees him as an innocent victim who couldn’t possibly have planned any of this. Chace sees him as a spoiled rich kid trying to swindle his granddad. Neither one of them has the complete truth.

Next we get into some episodes that are certainly not bad, but their greatness is more on the level of some bangin’ individual scenes than a whole package.

8. John, Chapter 11 (episode 6)

Again, this isn’t a bad episode. The main reason I put it near the end of the list is that the first time through I got sort of impatient during the first half. We, the audience, by virtue of our extra-textual knowledge, know that Paul can’t be dead, and we spend about half the episode before we know what really happened to him, which felt a bit too long to me.

This episode does have some fantastic individual scenes including: Leo talking Primo down in the farmhouse, Leo and Paul’s conversation about Angelo’s death, Gail being an absolute badass, and the meeting between Salvatore and Old Paul. A lot of these scenes are essential on a thematic level, but I don’t think the episode as a whole is the most streamlined.

7. Consequences (episode 10)

I debated for a while where to put this episode because the overall feeling of 57 Chekov’s guns going off in the space of one episode is SO satisfying, and the resolutions of some of the individual plotlines are delicious. Ultimately I would have liked more space for Paul and Gail and less Old Paul being grumpy about his substitute child museum’s mediocrity (although the scene with the bad reviews is hilarious). Once again I feel like the show creators felt they had to pull the focus back to Old Paul to wrap things up and I just. don’t care.

That being said. The resolution of Primo’s storyline? SO SATISFYING. And tbh I don’t dislike the scenes that exist with Paul and Gail; even the happy scenes have this poignant tone to them. I think they were trying to deal with the fact that his irl story is just...incredibly fucking tragic, and you can see a bit of the strain showing.

6. Kodachrome (episode 7)

I know episode 7 is not one of your personal favorites, but it’s the one where I think jumping between multiple plotlines/sets of characters is used to the most satisfying dramatic effect. It has this sense of dramatic irony that feels like some Shakespearean family tragedy. The whole episode, we are hoping that Paul Jr. will finally do the thing we want him to do, which is stand up to his father. And he does it--but at the absolute worst, most selfish and destructive moment possible.

Paul Jr. may be the literal worst, but I do have compassion for him in the flashbacks, mostly because it seems painfully apparent that no matter what he does, he will never be able to please his father. But he doesn’t seem to realize this, and he keeps trying, even as it’s destroying him and his relationship with his family. Credit to Michael Esper for his performance for making me feel a smidgen of compassion for this bastard.

I think the other thing this episode shows is how both of Paul’s parents keep putting him, a child, into roles and circumstances that he shouldn’t really be in. He’s wandering around through what seem like very much adult environments with his dad and Talitha in Morocco. In the Trust version of events he’s there when Talitha ODs and is the one trying to revive her while his dad is having a breakdown in the corner. Gail seems like the more responsible parent but there’s something about her bringing Paul as her “date” on a night out, and the understanding that this is a thing that happens regularly...to me the disturbing part is not so much bringing a young kid to a party with adults but the unspoken expectation that Little Paul will fill the void of companionship that his father has left empty. (Gettys expecting Little Paul to step in to cover for the failings of his father is a repeated theme, and it even plays into the ear thing. His family has failed to pay the ransom, so this is now a problem he has to solve himself.) Combine this all with Leonardo going, um, excuse me but what the actual fuck is wrong with your family? and I think it makes a very effective episode. And the last couple minutes had me yelling NOOOOOOOO GODDAMMIT because you can see what’s going to happen and you’re just watching it unfolding like a car wreck. Also has one of my hands-down favorite scenes, of Paul and Primo in the car waiting for the ransom.

5. White Car in a Snowstorm (episode 9)

The ~ D R A M A !!! ~ This episode is an opera. I mean this whole show is dramatique but episode 9 really leans into the vivid imagery--that snowy highway in the mountains above the sea, the all-white ransom exchange, Paul clinging to the pole at the shuttered Getty gas station, some Very Serious Mobsters throwing the ransom money around like idiots in a moment where you’re encouraged to be happy along with them.

This is also one of my favorite episodes for Primo and for Primo and Paul’s weird sometimes-alliance. Primo walking away from Salvatore to go tell Paul “they always pay in the end”? Primo and Paul teaming up to argue with Salvatore about why Paul shouldn’t die? Primo being all threateny to the doctor treating Paul because somewhere deep down he is worried (that’s my take and you’ll never convince me otherwise)? Primo dressing up to fake-scab on a postal strike in order to find a misplaced severed ear? All gold.

Fun fact: the letter Gail writes to President Nixon did happen in real life, but as far as I can tell the phone call did not. The real details of who convinced Old Paul to finally pay (some) of the ransom are considerably less cinematic. They’re the same amount of sexist though!

Ok now we are getting to the top tier...

4. That’s All Folks! (episode 4)

This is definitely the episode that took me from “ok this is fun” to “oh holy shit I’m invested now.” It’s the episode where we get introduced to most of the Calabrian characters and their world. It’s also the episode where we start to realize that Primo is not just a fun antagonist but is really a parallel protagonist to Little Paul, with his own set of relationships and motivations that we start to see from his POV. (I’d argue that, with the exception of his very first scene, we’ve mostly seen Primo through other characters’ gaze up until episode 4, and this is the point where we start watching him as like, the character whose pursuit of a goal we’re following over the course of the scene.)

This episode ranks high for capturing so much of the weird mix of tones that makes Trust work. It can be very funny. (I never fail to fuckin lose it when Fifty is on the phone with Gail the first time and when he’s talking to the thoroughly unimpressed newspaper switchboard operator.) It has this weird unexpected intimacy between characters you wouldn’t think would connect with each other. (Primo and Paul, Paul and Angelo; in retrospect the arc of the relationship between Primo and Leo gets started in that scene in Salvatore’s kitchen.) And it has one of the show’s absolute best record-scratch tone shifts when Primo gets the ransom offer. I remember saying “oh FUCK” out loud the first time I watched the end of that episode, when Primo comes back to the house, visibly drunk and clearly furious. We’ve seen him be violent plenty before now in the show, but always in a controlled, calculated way. This is the first time we see his potential for out-of-control rage-fueled violence and he’s terrifying!

3. La Dolce Vita (episode 3)

I stand by my claim that this episode (with a few minor continuity adjustments) should have been the pilot. Can you imagine a title card that’s like “Rome 1973” and then away we go with Paul snorting coke and taking racy photos and jumping on cops and fucking his girlfriend in what is definitely not proper museum etiquette, and then the smash cut to Primo intimidating and robbing and murdering people? And that’s the opening of the whole show? And you’re like how are these characters connected and then they meet each other and it’s the fucking sunflower field scene??

Anyway aside from the fact that I think knowing the information in this episode would have made episodes 1 and 2 more interesting...it’s just a great fucking episode. It’s kinetic and propulsive and funny and tense and violent and features Primo’s sniper skills and his ass in those cornflower blue trousers. I rest my case.

2. Silenzio (episode 5)

I’ll be honest, I went back and forth on the top two a bunch. Silenzio is definitely my personal favorite episode, and I’d argue that it’s the best written, in terms of what it accomplishes narratively, which is to keep you emotionally invested in both Paul and Angelo trying to escape with their lives, and Primo and Leonardo hunting them down. That’s so fucking hard!! And yes some of it is great acting but it starts from the foundation of the writing. It’s just such a perfect little self-contained horror movie, and it has this profound sense of fatalism to it, because you know from the beginning (if only by virtue of only being halfway through the series) that Paul is not going to escape, and you sort of know that there is only one way this will end for Angelo. And yet they escape by the skin of their teeth so! many! times!

It’s also the episode where you see how much power the ‘Ndrangheta has over people’s lives in this community: Salvatore is like God, calling his servants to him with the church bells. Combine that with the visuals of two characters running for their lives mostly on foot through this unforgiving landscape, and you really get the sense of this environment as a harsh place where most people have a very constrained set of choices, and the claustrophobia of that. You get the sense in this episode that everyone is trapped in these expectations of violence and duty and honor. Angelo did what anyone with compassion would do, and saved Paul from what seemed like certain death, and he’s doomed for it. At the same time Primo is doing exactly what anyone would expect him to do in response to a subordinate who disobeyed him. In some ways the end of the episode feels inevitable, unsurprising, and yet they do SUCH a good job of winding up the tension until the literal last seconds of the episode, and then releasing it with a big dramatic bang. It’s so good!!

1. In the Name of the Father (episode 8)

Ok I’ll be honest the ONLY reason In the Name of the Father edged out Silenzio for the top spot is that it is really clear they pulled out all the stops in terms of making this episode feel extra heightened in a show where everything is already heightened. Like, the cinematography is different? They still use handheld a lot but I swear there are more still shots and more extreme, editorial camera angles like that shot of Francesco looking upward in church where the camera is looking down from above him. I can’t tell if they actually tweaked the color grading or if the bright white and blood red just stand out against the Calabrian color palette which is mostly earth tones, browns and greens and blues.

There are just. So many layers to this episode. The imagery! The literal sacrificial lamb at the beginning, Francesco being guided by Leonardo through an act of violence against an animal, something that I’m sure they don’t even see as violence but just part of farm life, part of survival and in this case part of a celebration, but something that fathers teach their sons how to do as part of becoming a man in this world. Paul as the metaphorical sacrificial lamb later, drawing parallels to Jesus (the lamb of God), Isaac (a father sacrificing his son), any number of martyred saints, pick your Catholic imagery. The blood of the lamb on the tree stump and Paul’s blood on the stone. The communion wafer (the body and blood of Christ) and Francesco at the end with Paul’s blood and a literal piece of his body held in his hands the same way.

And then there is like, the suspense of watching everyone marking time through the steps of this community ritual that’s supposed to be a joyful, communal celebration, while we know that there is a secret ticking away under the surface. The slow unfolding of the lie told to one person spreading to everyone in the village, and then the knowledge that Salvatore knows spreading to all the people who’ll be in trouble for that. The relationship arcs between the main Calabrian characters...not resolving, but sliding into place for the final act. Primo finally being done with Salvatore. Primo and Leo’s alliance being cemented and Leo physically stepping between Primo and Salvatore, to protect Primo. (No one ever protects Primo!! Still not over it!!!!) The confirmation celebration as a mirror of the Getty party in episode 1, the parallels drawn between the 3 Pauls and Salvatore-Primo-Francesco and how Primo reacts to being passed over as heir vs. how Paul Jr. reacts. Little Paul having two whole minutes of screen time and managing to break your heart with them. Regina! Just...Regina’s whole everything. The music going all-instrumental for an episode and having this haunting, dreamlike but still tense quality to it. And the fact that we never cut away from Calabria to another plotline gives the whole episode this hypnotic, all-encompassing quality. It’s just. SO GOOD!!!!

#fadagaski #asks answered #trust fx #long post #so so long omg #i can't believe how long i spent writing this but HERE IT IS #trust alternate watch order

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madamecricket · 3 years ago

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Fourth (and Final) Impressions of Deltarune Chapter 2

Edit: forgot to put a readmore. Forgive me! Spoilers under the cut!

- So I wasn’t even in the palace very long before we got to a series of puzzles that Berdly couldn’t solve, much to his frustration. I figured Berdly was building up to something, either a boss fight or a growth moment, and it was the second one. Turns out when you thrive off of praise, you develop a bit of a dependency... good on him to be self-aware.

- In the flashback sequence with the spelling bee, I noticed the word Noelle got nervous and stuck on - “December”. See, I remember another sequence in the city where we had a character moment with Noelle while pressing a series of switches that spelled out “December.” Clearly the word is significant to her in some way, and probably a negative way considering how it made her freeze up. Either something big happened in December, or something big happened involving a person close to her named December, since I remember her mentioning a “Dess”. I’m looking forward to where this goes.

- The theme in the Queen’s palace slaps, just gotta say that before we go further.

- So backtracking a bit, Lancer has been stone-ified, and Ralsei knows exactly what’s up: the dark fountains create worlds, the dark fountains that was sustaining Lancer’s world is gone, and that’s why Lancer is stone now. He’ll be fine, though, if we can get him back to Ralsei’s castle town and the fountain there. Good of him to offer a solution, except...

- ... hold the fuck up, Ralsei. So you’re telling me that this happened to Lancer because of the loss of his dark fountain - which Ralsei encouraged us to go through - and because of that, the Dark World that Lancer comes from is no more? And what’s more, Lancer now depends on the Castle Town fountain - that is, Ralsei’s fountain - to live. He is now life-bound to your town, Ralsei. He literally cannot leave you and still live, and even if he could, the world he knew is gone. Oh, but it’s ok, because you conveniently have a place for him to live under your roof now.

- And, hold on, who was it who told us we had to go through the Dark Fountain to get home?? I played through the first chapter just recently, that was you, Ralsei. I definitely remember Ralsei saying we had to do that, he gave us that quest in the first place, and I definitely do not remember him mentioning at any point that this would end with Lancer’s world being destroyed. This is absolutely not fine, Ralsei. Oh, and considering how conveniently us getting isekai’d in the library lines up with Ralsei suddenly insisting we had to go and do homework... Ralsei, are you the one isekai-ing us???

- *deep breath* Okay. I’m calling it now. There’s something Ralsei isn’t telling us. I joked earlier about how he wants to bake us into cakes and eat us, but to be clear, I think whatever’s going on here is more complicated than “Ralsei was the bad guy all along”. I get the feeling that Ralsei’s desire for friendship, especially towards Kris, is very genuine. It’s just... this whole situation is reminding me of Asriel’s deal in Undertale. Fitting considering the whole anagram situation... I wonder how Deltarune!Asriel is going to play into this.

- Okay, back to more current stuff in the game. I met up with Roulsx Kaard (idc how to spell it) again and he’s facing me in... the thrashing machine I made in the first chapter. I’m serious. Same color and everything, holy shit.

- behold the majesty

- COMETH FORTH, MY SQUEAKY DUCKY!!!

- ...whut?

- this is excellent. I’m going to die of excellent.

- ohh, now he’s gonna transform... aaaaand...

- oh. ... you know, I wondered when it was gonna catch up to him?

- ice cold, Ralsei. Ice cold.

- “Why don’t we close our eyes and imagine how she’s doing now” Just like last game... is Ralsei actually activating some kind of power when this happens?

- “I wish Dess could see this”? I knew it! I’m on to something!

- taking a moment to acknowledge the shipping energy in the air

- Noelle (paraphrased): “Where are we, anyway?” Me: say “Dark World” Susie: “You’re just having a dream” Again with Susie thwarting player intentions...

- .. a heart-covered Ferris Wheel. Okay, Toby Fox, we’re doing this now!

- Susie has a tail???

- BERDLY WHAT

- And again, we return from a Susie Sequence to Ralsei apparently explaining something to Kris and finishing with a variation of “so that’s why-” before getting cut off by Susie. What are you explaining, Ralsei.

- Checked a calendar in Noelle’s palace room. “Every page is the last month, every day is the 25th”... what??

- another banger of a final battle!! let’s do this!!!

- See, I had a feeling that the Queen didn’t actually want to hurt anybody, but she has a... funny... idea of what constitutes helping. It clicks with her being basically a personified search engine - she literally wants nothing more than to give people what they want and make them happy, but she’s not always great at figuring that out based on what they search. She mentions Noelle’s “sad and lonely searches”... Noelle, honey, are you ok?

- Excuse me, Queen, this Dark World was created *today*? ... And it was created by the Knight... and I already suspect that Ralsei is “isekai-ing” us... Ralsei, are you the knight?

- New important info: “Lightners” are apparently necessary to create Dark Fountains due to their determination, and unlike Undertale, determination isn’t exclusive to humans

- BERDLY!!! BERDLY IS PUTTING THAT REDEMPTION ARC TO GOOD USE!!!

- ...

... this game just became perfect

- Oh hey, White Diamond, what’s up?

- “Oh Damn I Did Not Know That” WELL NOW YOU TELL US, RALSEI!

- Susie doesn’t have a tail? Make up your mind, game!!!

- Phew. Okay. Okay. The actual game part is over. Time to process some thoughts...

- So we’ve seen two Dark Worlds so far, Lancer’s world based on games (cards, checkers, etc) and the Queen’s world based on computers and the internet. The running theme I notice so far is escapism. During her fight, the Queen monologued about a desire to fulfill the desires of people who turn to the internet to dull their pain or look for new distractions. And as for Lancer’s world... well, it’s implied to literally be made of abandoned toys. Both of them things people turn to when they need a little entertainment or escapism to avoid their real-life problems for a bit. And I think it’s been mentioned that Darkners are essentially made to serve Lightners; perhaps helping them cope with the difficulties of life?

Even putting aside the symbolism here, Susie and Kris literally escaped to this world to blow off their classwork, and Susie in particular seems to think the Dark World is better than anything in the Light World. In the final battle, Susie, Noelle, AND Berdly were all just about to open up a Dark Fountain themselves and make themselves better lives in the Dark World and only stopped when Ralsei very firmly informed them about the Roaring. Is this going to come up again? Are these kids going to struggle with the temptation to abandon their real lives to go play eternally in the Dark World?

And isn’t that just a perfect microcosm of the relationship that people have with video games in general - including this one? The perfect opportunity to just forget about your own life for a bit and temporarily live in a different world altogether, one with battles and magic and adventure?

Just what the fuck is going on here, Ralsei? Was I too quick to accuse him of being a secret villain earlier? Is Ralsei just trying to get us to process our shit in the Dark World, and then destroy it so we move on to the Light World with renewed hope in life? .. or is he just trying to make himself the center of our fantasies?

- HOLY SHIT THE QUEEN IS HERE! THE QUEEN IS HERE AND SHE’S GONNA BE A MOM FOR LANCER!!! (or “girldad” as Lancer puts it)

- ...have the Queen and King met? I mean, it would make sense, but they haven’t been mentioned as having a relationship of any kind or even knowing each other. Is this another Toriel/Asgore kind of situation?

- HOLY SHIT I KNEW IT SHE IS HIS MOM

- So I’m just talking to NPCs around Castle Town, right, and I meet up with Seam again. He just told me to be careful not to stay in there too late and that I don’t want to get caught when the sun goes down... DAFUQ YOU MEAN, WHAT HAPPENS WHEN THE SUN GOES DOWN???

- This is wonderful, I’m now witnessing Toriel and Sans having a joke-off in person.

- (Sees Kris going in to wash their hands) (Hears Toriel say “they do that sometimes”) ...so Kris has like... a condition? The heart-ripping thing has happened before?

- (Sees last thing before credits) ...okay then!!! I think that’s all the things I can get into one post, haha! Forgot to mention some things, but I can only type so much!!! Can’t wait to talk about this later, haha!!! (holy shit)

#deltarune #deltarune chapter two #deltarune spoilers #deltarune speculation

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jinxquickfoot · 4 years ago

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TFATWS Script Notes

Ok, so while I genuinely enjoyed so much of TFATWS, I have...thoughts. And as a few people have asked me about said thoughts, and said thoughts have been living rent free in my head since the show ended, I’ve made this stupidly long post. (For context, my day job is as a script reader and editor, so here are my TFATWS script notes for anyone kind enough/crazy enough to read them.) And...here we go.

1) More World-Building

This is a common compliant I’ve seen about the show, and it’s a fair one. While we hear a lot about people being displaced after the Blip and the problems that’s causing, we never really get to see it. Firstly, this is such a wasted opportunity to finally show us some of more of the post-Blip chaos, which is a super interesting world that they didn’t really dive into. Secondly, we would identify more with Karli if we saw what and who she was fighting for instead of just being told about it. You could also add in the woman who dies who was so apparently important to Karli and her community but doesn’t get any screen time while she’s alive, which means we feel very distant from Karli with this loss, when we could feel closer to her. This feels like Karli’s Yinsen or Erskine and we didn’t even get to meet her.

While it was nice that we got an entire first episode dedicated to setting up Sam and Bucky’s arc, that did not need an entire episode of screen time - they don’t even interact until episode 2. Make the opening exposition more succinct, and leave room to set up, if not Karli, then at least the world and the stakes that she’s fighting for.

2) Reveal Sharon is The Power Broker in Episode 3

I know a lot of people didn’t like Sharon as the Power Broker at all, so bear with me, because I like the idea behind this at least - that Sharon has become so jaded after the events of Civil War that she’s turned to crime and has given up on the idea of heroes. As Sam is currently trying to figure out his own ideology and what the shield means to him throughout the series, and he’s already got Zemo pushing his thoughts on him, this would be another challenge for Sam to overcome. Maybe that’s what they were going for, but it’s ruined when they don’t reveal why Sharon is doing what she’s doing and instead save it up for a cheap twist in Episode 6. Most of us picked that Sharon was the Power Broker anyway and it had very little effect on the plot to the point where she felt tacked on as a poorly done set-up for Season 2.

So bring it out that info in Episode 3. It would have been a better twist in that episode, and would have made Sam even more unsure of the right path seeing a former ally as now a potential antagonist. You could also have Sam trying and failing to bring Sharon around by promising her a pardon, which she turns down, making him even more unsure of himself. And then, instead of her feeling tacked on in the last episode, she can come through and help them save the day, revealing that Sam did get through to her after all, the way he always does - empathy and understanding.

3) Wrap up John Walker in episode 5

Walker in the sixth episode was just…weird. They clearly set up him as an added obstacle for Sam and Bucky and then he was their…ally? After killing a man and clearly going for a kill on Sam when they were fighting over the shield? And as cool as that shield construction teaser was, it didn’t pay off, and John Walker did not deserve a redemption arc. So cut the shield scene, and cut Walker out of the final sequence, which would leave more room for Sam and Bucky to actually team up in that final battle. For a show that’s meant to be about their relationship, there was a very little payoff of showing them working together in the final takedown of the Flag-Smashers. Then bring in Madame Hydra and US Agent in a post credits scene for a Season 2 set-up.

4) Bring in Torres as the new Falcon in Episode 6

That’s it, that’s the note. This show definitely suffers from trying to set up too much for later seasons or other Marvel properties. If you’re going to set up Torres as the new Falcon in Episode 5, give it to us in Episode 6. Don’t devalue the show we’re watching for the sake of future content.

5) Have the Flagsmashers turn against Karli

This was such an obvious route that they seemed to be going for, so it kind of amazed me that they didn’t do it. Karli starts off as a Robin Hood-style figure who turns villain, and it’s so clear her followers are starting to doubt her - and her followers should be doubting her. One of their number died, Karli’s threatening to kill hostages, it’s so clear they’re no longer the good guys. So have them back down and abandon her when she goes too far, which leads us into -

6) Have Karli sacrifice herself

Zemo shouldn’t have been proven right. Because he was partially right, and Karli was partially right, and this show should have been about Sam trying to work out the balance between them and figure out what he thought was right, which is what the entire Captain America corner of Marvel has been about. Instead of having Karli go totally evil in her final seconds and trying to kill Sam, give her the clarity that no one is going to listen to her except if she becomes a symbol. Because people listen to and follow symbols - that’s been a major theme in this show already - and that becomes easier to do if they’re dead. Look at Steve Rogers. Her friend even refers to her as the next Captain America - the seed for this has long been planted.

Karli wants to do good but also recognises the harm she causes. Sam tries to talk her down (I’m imagining he’s put down the shield at this point to talk to her, so they can talk as human beings and not symbols), but at the crucial point she raises her gun with the apparent intent to shoot Sam, causing her to get shot instead. Her death still inspires Sam’s speech and gets her cause won, but it feels more earned and tragic because now it really is a sacrifice - one that maybe didn’t need to be made if she and others like her were listened to in the first place. It also comes with the interesting idea that both Karli and Steve have now sacrificed themselves to win a war, while Sam is still living which, as a certain Washington put it: “Dying is easy young man; living is harder.” Sam choosing to live and fight as Captain America despite knowing the hardships that come with separates him from both Steve and Karli, setting him up to be a new kind of Cap.

I’m so attached to this idea that I have three ideas for who could end up killing her

a) Have it be Sharon

In this version, Sharon embodies a more grey area that Sam would struggle with, and killing a young girl to save a friend would definitely fall into said grey area. Also, Sharon still gets her pardon, but for “eliminating the dangerous terrorist Karli Morgenthau” which…you get it.

b) Have it be Torres

So we’ve established Torres is there as the new Falcon, and all he sees is Sam about to die and takes the shot, only to realize what he’s done when it’s too late. This would add to the price of Karli’s death and be something for Torres to wrestle with in later seasons. Bonus points for one of Karli’s last acts being forgiving Torres.

c) Have it be a faceless law enforcer

This one is the most on the nose, but there’s something in the idea of the government thinking Sam still needs ‘backup’ when really they just make things worse, and Karli letting herself get killed by the system in order to improve it. These are just my opinions - doesn’t mean I’m right all or that all of these would work! But I do think it’s fair to say that the show mostly worked, but it wasn’t a home run, and this is just my script editor brain yelling at me about how they might have got there. (P.S. If this is interesting to anyone except me I have a Iron Man 3 and Age of Ultron one ready to go)

#tfatws spoilers #tfatws #the falcon and the winter solider spoilers #the falcon and the winter soldier #sam wilson #bucky barnes #captain america #winter soldier #writer things

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rubix-writings · 4 years ago

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Punisher Pt. 3

Third part of Punisher. I apologize it’s taking me so long to post these, but want to make sure they’re good for you all. Thank you for the support so far!! This is a Chicago PD/Fire imagine with an original character. I don’t own any of the plot points or characters from the show. Also, it doesn’t follow any particular season or sequence in the shows.

Series Summary: Josephine (Jo) never expected to find support and pure love when she left Los Angeles. She ran away to Chicago and was content with living an insignificant, hidden life. But everything changes when she walks into Molly’s to get a job.

Josephine (OC) x Jay Halstead

The italicized lines are internal thoughts of the character.

Warnings: language, mentions of drinking, long (!)

Things are going really well at Molly’s. It’s like falling into step during a choreographed dance. It feels odd to say that I’m comfortable and confident when it’s only my second shift. I’m working with Stella tonight, who to say the least had a lot of fun the night before. When she first walked into the bar she looked as if Casper made a stop in Chicago. At the start of opening she kept her jacket on and slammed down cups of black coffee. Her body seemed to stay in a permanent state hunched over the bar top while she only communicated through slow movements with her fingers. I couldn’t watch her pain any longer, so I used my break to grab a cheeseburger and fries so greasy the oil soaked the paper bag.

“You need to put something solid into your body,” I announce as I plop the white, greased bag on the bar top in front of Stella’s practically limp body. She slowly lifts her head with a deep groan and analyzes the bag.

“I’m a firefighter Jo, my body is a temple. I can’t eat this,” I can’t stop the laugh that escapes my lips.

“Are tequila shots a part of your ‘temple’s’ regimen?” she sniffs the bag and sighs.

“You see, the tequila actually kills all the bacteria in the stomach,” Stella examines the golden fry before taking a bite.

“Be sure to tell your theory to the doctors that come in later, I’m sure they’d love to hear that.”

“I will,” she says with a mouthful of cheeseburger.

Just like magic, Stella is back to her bouncy self. It amazes me how much like Hermann she is, she practically floats around Molly’s. She talks to everyone and makes sure they’re having a good time. Stella sets the tone of the entire bar, bringing life to every inch of the place. It’s nice to watch her interact with others, a part of me is envious of how natural it comes to her. A part of me is, also, envious of her relationship with Kelly. His eyes when he looks at her are filled with unconditional love and the way Stella looks at him when he’s not looking confirms that she feels the same. I’ve never had that… or will have it. The bar top serves its purpose as a closed door to the patrons on the other side, I open it as much as I want and they see what I want them to see. I’m in control.

It’s a busy Friday night, the bar filled quickly. The firemen I met last night stroll in with the same vigor as the night before, obviously hurting a lot less than Stella was a few hours ago. Stella plays it off as if she didn’t have a raging hangover, but Kelly quickly throws her under the bus. Cruz yells as he claims he’s known the truth all along, but Mouch steps in to deny it, leading to Cruz listing out facts about how he knew. I place a few beer bottles in front of the guys, trying not to get involved.

“I’m sorry about them,” Matt says.

“There’s nothing to be sorry for. They’re funny,” I smile.

“You don’t have to hear it all day long,” Matt grumbles as he takes a long sip from his beer.

“This is true. I get them in concentrated doses,” I excuse myself to collect empties at the tables scattered around the room. With my hands full I turn to head back to the bar top, but crash into a hard body. I stumble back from the blow and the mystery man swiftly grabs my arms to keep me from falling. Once I get my footing back, he releases my arms.

“Sorry about that. Are you okay?” His voice is like velvet that draws my eyes up to look at his face. Wow. My mind fell into a haze barely registering his question.

“Um, yeah. Thanks,” he smirks at how long it took me to answer his question. Really smooth Jo. “I should get back to work, sorry about running into you,” I walk backwards a few steps, he immediately steps forward keeping the same amount of space between us as before.

“Let me at least help you with those, I’m heading to the bar anyway,” before I could object, his large hand cradles the numerous beer bottles that were once in my hand. Before my brain can spiral about his large hands, I spin and head back to the bar. I silently weave through the customer’s of Molly’s, I needed to get back to my safe zone to hopefully make his charm less effective. He gently places the bottles on the bar top for me to discard, I smile and thank him. Before I can ask for his order, the firemen and Stella welcome him to the bar.

“Hey Jay, haven’t seen you around here in awhile,” Stella mentions.

“Yeah I know. Um have you seen my brother anywhere?” Stella shakes her head no. Brother? I try to seem like I’m not listening while cleaning up behind the bar and get any excuse not to look at him again. One embarrassing moment for tonight is enough. Out of nowhere, Will pops up and slaps Jay on the back. They go in for a quick hug before Will says hi to everyone.

“Hey don’t kill me, but I invited Nat. I know it’s supposed to just be us, but she had a really rough day,” Will whispers, Jay shakes his head to let him know he’s totally fine with it. “Great, thanks man.”

I put two glasses of red wine on the bar top for two women that definitely want to take a firefighter home tonight. After how many women these men turned down the night before I highly doubt they’ll have any luck, but I’m kinda rooting for them.

“Hey Jo,” Will smiles.

“Hi Will,” I say in monotone to mess with him.

“Have you met my brother Jay?” Will slaps Jay’s chest which startles Jay a little, making me smile. Geez, these guys must have gorgeous parents. Will is handsome of course, but Jay...

“We kinda ran into each other actually.” I smirk.

“Oh that’s great, he’s a really good guy. He’s a cop, detective, sorry,” Will corrects himself, Jay is glaring at him.

“I’m not making you a manhattan,” he slaps his hand against the bar top.

“Worth a shot. Can I get a glass of chardonnay and a beer, oh and whatever Jay’s having,” I nod and grab Will his drinks. He slides me his credit card to open a tab then walks off to see Natalie at the table.

“I’m definitely missing something, why does my brother want a manhattan?” Jay finally asks.

“Oh Jay it was great!” Stella jumps in to tell a very colorful version of the events that happened between Will and I. As she finishes up she is swept to the end of the bar to take an order.

“She was drunk last night” I mumble under my breath. Jay smirks, knowing Stella’s retelling was probably fabricated. “What can I get you?” I try to change the subject.

“A beer please,” I nod. “You’re new here Jo?” He phrases it as a question, but it's definitely more of a statement.

“Yeah, started yesterday,” I hand him his beer.

“Thanks. Are you from Chicago?”

“No, LA actually, lived there my whole life,” I lean my forearms on the bar top in front of him.

“Wow, big change.” “Yeah, I don’t know if I thought it all the way through to be honest,” he smiles.

“Well let me tell you if you haven’t figured it out already, snow and winter are incredibly overrated.” “Ah yes, that’s exactly what I needed to hear. I can go back to LA now.” “Glad to be of service,” he shrugs. Jay stayed on the same stoll at the bar for the rest of the night. It was strange how easy it was to talk with him, he offered stories about his job and funny stories about him and Will growing up. It’s so beautiful to have those stories, that he’s gone through life with someone that deeply and come out the other side. I tell him that I don’t have siblings and mostly spent time with my mom when I was young. Jay was quick to offer up Will to fill the void.

“I’ll keep you updated on that,” I laugh.

“Are you and your mom still close?”

“Um no, she… she died about ten years ago,” even though her death happened so long ago it still felt so weird saying it out loud.

“I’m sorry Jo. I lost my mom to cancer a few years back.”

“So you get it,” he nods and offers a somber smile.

It wasn’t till Will and Natalie announced their departure, that Jay made any moves to leave Molly’s. The bar was slowly emptying out as last call was already declared.

“I should head out, it was really nice talking with you Jo,” Jay stands.

“It was really nice talking with you too Jay,” I say sincerely. He smiles wide before making a beeline for the front door. I can’t help but stare until he’s fully out of sight, my cheeks start to hurt from fighting the smile on my face. I tuck my loose hair behind my ear and start grabbing the empty glasses from the bar top.

“Have fun?” Stella questions, I jump slightly not realizing she was standing there.

“Another good night for tips, yeah,” she looks at Kelly who’s the last of the firefighters at the bar.

“Sure, doesn’t hurt that Officer Handsome was here all night either.” “I… I’m going to wash the glasses,” I pick up the large plastic crate with dirty drinking glasses and head to the back where Hermann showed me where the sink was. Stella didn’t mention Jay again, but it didn’t matter. The damage was done, Jay’s blue eyes and the way he got so passionate during a story were ingrained in my mind for the rest of the night.

***

Hermann asked if I could open Molly’s for him the next day as he was running late with paperwork at the firehouse. I had a short shift that night anyway and could use the extra money no matter how little. Hermann told me to meet him at the firehouse to give me the keys since they haven’t been able to cut me my own yet. The firehouse isn’t far from Molly’s, a couple blocks on foot. I prepared myself with my warmest coat for the trek since the wind chill makes Chicago brutally cold. I focus on the sound of my shoes against the wet pavement to take my mind off of how cold I really am.

The firehouse is a ball of color on this cold, dark Chicago day. The plain brick buildings surrounding it emphasize the reds and yellows. It somehow feels untouched by the rest of the city, a true sign of purity. As soon as I walk through the doors of the firehouse I’m met with the sweet smell of food cooking. It’s as if my feet have a mind of their own and take my body towards the magnificent smell’s source. The kitchen was buzzing with people cooking, talking, and playing card games.

“Jo!” Stella yells, “what are you doing here?” she walks over to me, leaving her conversation with Matt and Kelly, who both wave at me.

“I’m here to get the keys from Hermann, do you know where he is?”

“Yeah, he’s in the garage let me take you to him,” I try to argue that it could wait, but Stella insists. “Hermman!” she yells once we get into the garage.

“What?!” he snaps back. She giggles as we both walk towards the outburst. As we turn around the big fire engine, I see why Stella was so insistent about not waiting. “Oh hey, Jo,” he says calmer.

Jay is standing tall with a notepad in front of Hermann. Stella silently excuses herself from the conversation and makes her way back inside. Hermann pays no attention to his surroundings as he’s searching for the three keys I need to open Molly’s.

“Hey,” Jay smiles.

“Hi.”

“Here you go, I labeled them for you so you know what lock they go into. Once you get inside, lock the front door, just in case,” I nod and take the keys from him. The silver keys have thin pieces of masking tape on them with dark blue sharpie stating what they open.

“Thanks, I’ll see you there,” I back away from the men to head back to the bar. Hermann nods and waves.

“Hermann we’re done here right?” Jay asks.

“Yeah, let me know if you find anything,” Hermann states somewhat hopeless. Jay puts away the notepad in his back pocket of his jeans and jogs to catch up to me. The sound of Jay’s thick boots hitting the cement fills the sound of the garage. When he finally catches up to me, he moves ahead to open the door to outside for me.

“So you’re stalking me now?” He jokes.

“Um how did you get to that? Hermann asked me to come here,” Jay quickly fell into step with me, not that it was difficult as he’s much taller than me.

“I was here first,” he says plainly.

“Oh well, with that bulletproof logic…” he laughs.

“You headed to Molly’s?” we stop walking once we get to the sidewalk.

“Yeah, I’m opening today,” Jay slips the keys to his car from his jacket pocket.

“Let me drive you.” “Oh no, you don’t have to do that. It’s only a couple of blocks and you’re working,” I spew out trying to find an excuse that’ll stick.

“Don’t worry about me. I’m parked right here,” he brushes off quickly. I roll my eyes at his back and get into the car. Jay puts the car into gear and sets off towards Molly’s.

“So, is Hermann okay?” I ask since I couldn’t get his hopeless tone out of my head.

“His house was broken into, they didn’t get a lot, just some jewelry and a few Alexa’s. His wife came home which freaked them out and they bolted before they did any real damage.” “Jesus. Poor Hermann. Do you think you’ll find his stuff?” “Probably not, that sort of stuff is so small that they may keep it for themselves instead of pawning it, but we’ll try,” the car is silent for a little while till Jay pulls in front of Molly’s.

“Thanks for the ride.” “Course,” I get out of the car and make my way onto the sidewalk. “Hey Jo,” Jay says out of his rolled down window.

“Hey Jay,” I say while playing with the keys Hermann gave me.

“Are you working late tonight?”

“Not too late, I have a short shift.”

“How about I meet you here later and we get a drink?” Jay says casually. I bite my lip and look down the street in hopes to take my mind off of what he just asked.

“Maybe,” I say as I make eye contact with him again. “See yah Jay.”

“See yah Jo.”

I’m losing control.

#Chicago PD #Chicago Fire #chicago one #chicago fire x reader #chicago fire imagine #chicago pd x imagine #chicago pd imagine #chicago pd x reader #jay halstead #jay halstead x oc #jay halstead x reader #punisher

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allthefilmsiveseenforfree · 3 years ago

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Godzilla vs. Kong

From the first rumble in the seats in the Dolby theater, I was so glad I chose to see this movie on the big screen. At times it felt like I was on one of those “4-D” roller coasters where the seats rumble and they spray water on your or pipe smells into the audience. That’s how close I was to the action! As at least a casual fan of the previous entries in the Monsterverse, I was looking forward to Godzilla vs Kong and my goodness, those medium expectations sure were met. How medium was it? Well...

I would like the science in this movie to win Best Comedy or Musical in next year’s Golden Globes. This is probably the hardest I’ve laughed in a theater in over a year (obviously there are other reasons for that, but the sentiment still stands). This movie was nonsensical, loud, shiny, dumb fun and I had a great fucking time watching it. Oh, you probably want a plot summary - I’m just gonna refer you to the title of the film. That about covers all you need to know.

Some thoughts:

“Somewhere on Skull Island” - whaaaaat is with this title card? It’s a tiny island. How many possible locations could there possibly be for a giant fuck-off ape to be taking his nap?

I know we’re not here for any semblance of plot but boy, they really sprained something trying to lift these clunky paragraphs of exposition into anything resembling what actual humans would say.

These opening credits are one of the funniest sequences I’ve seen in ages.

My main man Brian Tyree Henry! I had no idea he was in this (frankly I knew virtually nothing about this movie because what do you even need to know about a movie with the title Godzilla vs. Kong). He’s playing a completely different vibe than I’ve ever seen him play - the comedic relief and a mile-a-minute vaguely conspiracy theorist podcast host who is obsessed with Sir Zilla and the other Titans. I really enjoyed seeing this other side of him!

Absolutely terrible waste of Kyle Chandler, who was probably paid more than my yearly salary for 60 seconds of Protective and Frazzled Dad perfection.

One of the highlights of the film is the performance of young actress Kaylee Hottle as Jia. Jia is Deaf, and so is Kaylee in real life, and I’m always here for more Deaf representation onscreen! And her friendship with Kong is one of the few things in the movie that elicits any genuine emotion of any kind. When he booped her I literally said “Aw!” out loud.

The visuals of the hollow Earth are very cool and remind me of those space age desktop backgrounds that most of the guys I know who built their own PCs and spent a lot of time on Tor.com would have had.

Even the most ridiculous films like this one will sometimes include little bits of worldbuilding that are thoughtful and have fascinating implications. For example, the “Titan Shelters” in Hong Kong - who pays for those? The government? Do rich people have reinforced private Titan Shelters while poor folks have to rely on the public ones, which are likely overcrowded and possibly don’t have enough resources? (I think we all know the answer to that).

I am very much enjoying all the neon in the Hong Kong fight, and how much more visually interesting it makes two giant blobs slamming their blob bodies against each other while causing a staggering amount of property damage.

Finally a realistic “I can crack the password!” scene!

Did I Cry? Ok, a teeny tiny bit, about Kong and Jia’s friendship.

Times I laughed LOUDLY in the theater: when Mr. Zilla, who can literally shoot lightning out of his damn mouth just straight up punches Kong in the face. When Kong gets attacked by all those lizard things in the hollow Earth and just uses one motherfucker to slap another motherfucker. When they use an anti-gravity machine (whatever that actually means) as a defibrillator for an ape that is sometimes as big as a skyscraper and other times as big as a mountain.

And now a series of questions:

Why is this high school class just watching the news in the middle of the day? The G-Z has attacked cities at least 3 other times in this universe that we know of. Like, this isn’t their 9/11, this is a thing that just regularly happens.

You decided it was a good idea to transport Kong over the ocean...where Big Daddy G hangs out all the time? Like...that’s where he lives, you guys. You’re basically trying to sneak Kong over the roof of Godzilla’s house and hoping he doesn’t notice.

OH and you had a Kong-sized net and a team of Kong transport helicopters ready the WHOLE TIME? But you still chose “sneaking over Godzilla’s house” as your first plan of action????

How long can Kong hold his breath? He goes underwater for some long ass periods.

In fact, what are the details of Kong’s physiology in general? How tall is he? Because at one point in his fight with The GZA, he’s standing on the floor of the Tasman Sea, no big deal - except the Tasman Sea has a depth of roughly 18,000 feet. And Kong’s just chilling out in the water at waist level? But he’s also shorter than the skyscrapers in Hong Kong? I choose to believe he can grow and shrink at will because that makes more sense than the sloppy joe approach to his biology the screenwriters are using.

I like Millie Bobby Brown as much as the next guy, but does it bother anyone else that she always sounds congested? Is that a consequence of her doing her American accent? It’s incredibly distracting.

Oh, this entire scene is set in Antarctica but no one is wearing hats or gloves? Sure sure sure.

And no one is having any problems breathing the air in the middle of the fucking earth? No one thought to check that the atmosphere was breathable before everyone takes off their helmets? No noxious fumes to worry about in the center of a planet that produces magma and shit?

You’re taking your child to the literal center of the earth? Is this not the ONE TIME you think you might need a babysitter?

The ship that can *checks notes* withstand the forces present during an entire reversal of gravity is crushed by Kong’s fist like it’s a tube of toothpaste?

Even though the Earth is hollow, I’m assuming the distance to reach the core is still about the same, so Godzilla’s lighting can 1) act as a drill to - I cannot reiterate this strongly enough - the CENTER OF THE FUCKING EARTH and 2) Godzilla and Kong can yell at each other for 3,958 miles (give or take) and still hear each other? Do they have superhearing? Is this something we’re studying or are we content to just have them Hulk smash all of that incredibly important evolutionary biology to bits while everyone stands around?

Because this is a “vs” movie, of course there is no clear-cut “winner” at the end. Instead the two parties leave each other with a grudging respect formed, an uneasy truce in place. But I’m obsessed with the way this final scene plays out, as though Godzilla is a bitter ex walking away from Kong after their doomed relationship has run its course. The lighting, the soft music, the absolute melodrama of this giant lizard slinking slowly back into the sea. Godzilla is giving the gays everything they want in 2k21 and I am here for it. Here’s hoping the next entry in the franchise has Kong hooking up with Rodan to make G jealous and they all have a messy public fight over brunch, Real Housewives style.

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#121in2021 #godzilla vs kong #godzilla vs kong review #millie bobby brown #brian tyree henry #kyle chandler #rebecca hall #Alexander Skarsgard #kaylee hottle #godzilla #king kong #movie reviews #film reviews

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