#this feels a bit like span

[gothearts]

Au designs for some requested characters

[lyculuscaelus]

We’re in one of the oldest fandoms where the canon itself is long lost and the source materials for us to draw inspiration from are those of the earliest fanfics themselves—two of which being commonly accepted as beta canon due to their top quality. Sometimes these fanfics contradict each other due to all sorts of OOCs and inconsistencies which is forcing us to choose our own sources to rely on to draw fanart and write fanfics. Each generation of fanfic writers are introducing more headcanons in their works and sometimes their fanfics of fanfics become so popular that they are prompting new sub-fandoms to emerge, inspiring more people to draw fanart and write fanfics for these fanfics of fanfics. It’s almost as if there is a family tree of fanfics and we’re now reaching the third generation and beyond

[luck-of-the-drawings]

smth smth about 'the thing that the character did that you thought was rly rly funny in the moment is actually linked to a terrible trauma that lies within said character.' or wahtever.

[wttcsms]

horribly short summary of what im trying to accomplish here, but if you were to read a fic featuring character, a soldier honorably discharged and is officially off the battlefield and yet he can’t seem to shake off the war from clinging to his body, and he’s basically a bit of a mess and feels incapable of returning to ordinary life and there’s you, the sweetest thing in the whole world, and he keeps trying to tell you he’s no good and you’re there to help him with everything (and it kills him a bit, to see you wasting your time to help him, and it kills him because he feels like he shouldn’t be the type of person who needs help) and !! just slowburn and falling in love and just read the tags for the vibe ok, who would it be for

[peapodsplace]

Hey Baba, it seems like you've been seeing a lot of yucky stuff online right now. A lot of people who aren't remembering their manners and are forgetting that there's people behind a screen. I know you like your screen time but please remember that the world isn't all like that okay? Some people are different online and forget their values and let's remember that these days, algorithms perpously show you things that'll make you upset. Yes, yes it's not very fair, is it sweetheart. Please remember to take some breaks and that the world isn't really like that. It's so important to protect yourself. Yes, silly even if you think you don't deserve it; because you do.

[illarian-rambling]

Damn, what if I reworked Starbreaker to be exclusively in Anarac's pov instead of trying to balance 5 new povs in one book?

Thoughts?

[clarabowmp3]

.

[boyfridged]

the brilliance of jay's progression in countdown is that it gives you a promise of positive character development, and then it breaks it. and it does so intentionally, in the most diverting way, to emphasize jason's inability to escape the cycle.

or, another post breaking down the series, where i repeat myself a lot but also make a clearer argument.

there are three notable events that happen at the beginning: the subtle showcase of jay's internal conflict considering his approach toward killing (the very first encounter with duela and the monitor), jay reaching out to donna in crisis ("i guess I just wanted to be around someone else who might know how it feels…"), and finally – his helmet shattering. these scenes tell you: jason's direction as a character is changing, and it seems, for the better. he's about to abandon his trauma-based (no matter how ironic, it does remain tied to his trauma) identity, he is connecting with people, and he seems to be on a brink of understanding that his moral standing does not provide easy answers or solutions either.

and for the most part of the series, we see that narrative unfolding (even if a bit non-linear, still innocently convincing way). it is, in many ways, supported by bringing up features of his characterisation from the 80s. jason remains, of course, still unpleasant in ways typical for this era of writing, and is conflicted and disagreeable, which makes sense for his utrh/post-utrh personality. however, there are also details that bring us back to his original robin run and his cameos on ntt – we see him being responsible (e.g. #43 – suggesting to bring in other superheroes in crisis, even though he clearly is not keen on the idea of working with them), determined (#16: “isn’t that your super-power, stupid boy? too stupid to ever give up?” “maybe it is”), sensitive (half of the whole storyline, really), caring for gotham (gotham by gaslight) and people-oriented (as early as #51).

the issue that particularly signals that jason is an inherently good person and externalizes his internal conflicts regarding classic heroic vigilantism vs his cynical approach is #30, where we meet batman of earth-15 –  alt jason, whom our jason attempts to punch in the face.

and on topic of batman – jason is always gravitating towards batman. in gotham by gaslight jay looks delighted to see (the foreign) bruce and suggests checking with the local bat. then, earth-51 arc arrives.

earth-51 arc (#16 - #13) is a culmination of a promise of catharsis for jason. we have already seen him as batman, as a confirmation that a different life for him is possible. and here he has a chance to come to terms with his past and overcome it. he meets a version of bruce who has done exactly what he wanted him to do in utrh: killed the joker and the rest of the rogue gallery. what is most important – he is disappointed with this version of his father. we realise that jason, deep down, has an intimate and intuitive understanding of what batman stands for; and that he shares most of his values. this is a truth that you can't ignore especially since jay is the one to inspire this hollow, cynical version of batman to go out and fight in a seemingly lost battle.

and then batman dies. right in front of him.

this is a central moment of the narrative, for many reasons, most strikingly:

the symmetry:, a premise known from the lost days, becomes literal. this "the father had lost a son, and now the son had lost the father" is a cruel parallel to a death in the family and bruce's grief. jason's death created a gap between them that jay has been desperately trying to close, with no avail – because in bruce's mind, jason remains dead. now that jason is grieving bruce, the connection closes on both sides, and there's no way for either of them to reconcile the mourning with the reality of the other being truly alive. in this sense, the arc solidifies that jason can never come home.

no good deed goes unpunished. as i have mentioned before, so far jason is established as someone good at heart, but confused; and the reader intuitively assumes that his better, honest side will win. yet, the moment jason gives in to hope, it victimises and retraumatizes him. this event, again, brings to mind his own death, when he tried his best to save sheila and ended up paying the highest price for it. so, narrative-wise, jason is always punished for his kindness.

perhaps because of the nonchalant act that jason pulls off, many readers seem to miss that everything that happens after that arc is an upshot that follows logically from it.

jason's immediate determination to leave – and later a short period of indecision that ends up with his dramatic exit, pushing his team away, makes perfect sense when you consider what intense trauma he has just gone through. admittedly, i'm not a fan of the notion that he would give up at all (i think he's always ready to give up on himself, but not on the world), but then on the other hand, if there's anything that would cause it, narrative-wise, witnessing batman dying does sound like a good incentive for that. (it also has to be pointed out that jason seems to be confident that the rest of the team can go into the final battle without him anyway; it's not like he would go back to his earth not even knowing if said earth will exist tomorrow).

it's crucial to notice that following that crisis of faith (faith in fighting for the world) is followed by him raising up for the challenge again, but now... worse and even more confused. in the final confrontation with donna, jason antagonizes the superhero community, and when we see him at the end of the series (#1) his monologue indicates that he believes the capes to be naive. (significantly, he also focuses on bruce and offends the memory of 51 earth-bruce by calling him crazy; an action that can be seen as suppression of his own guilt and invoking, once again, a cruel symmetry considering bruce's engagement in victim-blaming after jason's death). this, once again, is consistent with the "no good deed" reading – jason diminishes superhero values because he has been continuously punished for living by them. (and unlike other superheroes, he doesn't have a support system nor skills in compartmentalization that would help him deal with this trauma) every leap of hope re-traumatised him. hence, it seems to be no surprise that jason decides to abandon the mask, and in the closing scene we see him without it. the promise of the shattered helmet is pushed to an extreme – jason does not get a new alt identity. he denounces the idea of superheroism completely.

and yet, what is ultimately subversive about the ending, is that jay is not truly a civilian and he does not abandon vigilante ways. he does the same thing. we see him without a mask, but he is clearly working a case. he might have rejected the symbolic dimension of the vigilante work, but he still carries the same delusional hope for bettering the world and protecting people that the superhero community does. only now, he is even more isolated and doesn't have any identity to go by (as he is still legally dead).

as such, the ending opens a new question regarding jason's understanding of himself and vigilantism, or rather the lack thereof. is it possible that vigilantism is really at the core of jay's trauma? and why, potentially, is it something that is so destructive for him as a character specifically? (and i have some answers for that, but i'm not going to get into it here, as it's already a very long post)

so, tldr; the genius of countdown is that it establishes jay as sensitive, determined, and fundamentally good (this is what the purpose of seeing him as batman is!), and then it brutally reminds the reader that jason’s tragedy is that on this specific earth, in this specific timeline, his love doesn't matter in the grand scheme of things. the story goes on as it did; one way or another, jay is trapped in the cycle of his care ironically creating rifts between him and the others, and bringing him to his own downfall.

[devilsskettle]

i think i'm finally gonna read house of leaves wish me luck

[infinitegeli]

sorry if you've answered this before, but what do you think of taco's immidient switch into her viseral hatred of the game post losing mic? do you think its just her trying to get everyone to quit or does she genuinely detest the game for ruining what was her one honest happy relationship (with someone who knew the real her, not to deligate pickle and taco but to me their relationship is much different because of it)

THIS IS DEFINITELY SOMETHING ID HAVE TO REQATCH THE EP TO ANSWER CONFIDENTLY. but anwyays taco is very unreliable and what she says outwardly is almost always taken lightly by me because she contradicts herself a ton and lies a lot to avoid putting herself into vulnerable situations. I don’t think she cares about the other contestants very much and taco has always been a very self serving character. if ae really meant to write her as someone sincerely acting selflessly to preserve the wellbeing of people she hardly ever considers,I would be very very surprised...so the answer is the latter. she’s in her bitter revenge arc..she’s tearing up whatever she thinks ruined things between her and mic…which also happens to include herself as well but that’s not rly relevant rn

[angelstrawbabie420]

grief will have you saying shit like goddamn and fuck maybe the abuse was worth it

[lupinedreaming]

Please tell me I’m not going to watch Aliens this weekend. Please convince me not to. I already rewatched it a few weeks ago

[loadinghellsing]

what's your favorite Anderson headcanon?

while I have a lot of random Anderson headcanons... my absolute favorite has to be him having a soft spot for animals

since they fall along the lines of innocent creatures that can do no wrong- which I feel fits along the lines of his orphanage work. Picking stray kids and stray cats off the streets, just Anderson and his pack of strays <3

[greg-montgomery]

hug from aaron?

[ofcowardiceandkings]

i know Zelda team said theyre kinda done with this iteration of hyrule so theres no DLC and thats fine i guess but i wanna know why they made certain choices