#this fact hurts me
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unepersonnelouche · 10 months ago
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Disbarment/adoption reveal, but make it a silly low-effort comic
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inkskinned · 1 year ago
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what is with men being mad any time a woman raises her voice where did that even come from. someone posted a video of a small electrical explosion, and the top comment was of course the woman screams. the second comment is women try not to scream challenge, level impossible. i had to go back and watch the video again. there is, somewhat fainty, a little gasp emitted off-camera, more of a yelp than a scream. it is mostly lost in the crack of the explosion. afterwards, you hear her voice, shaken, say, are you okay?
i am helping one of my friends train her voice pitch lower, because she wants to be taken seriously at work. she and i do each other's nails and talk about gender roles; and how - due to our appearance - neither of us have ever been able to be "hysterical" in public. we both appear young and sweet and feminine. she is cisgender, and cannot use her natural voice in her profession because people keep saying she appears to be "vapid". we both try to figure out if our purposeful voice lowering is technically sexist. is it promoting something when you are a victim to it?
a storm almost sends a pole through a car window. in the dashcam, you can hear the woman passenger say her partner's name twice, crying out in alarm. she sounds terrified. in the comments, she is lambasted for her lack of calm. how is that even fucking helping?
in high school, i taught myself to have a lower voice. i had been recorded when i was genuinely (and righteously) upset; and i hated how my voice sounded on the phone speakers when it was played back. i was defending my mom, and my voice cracked with emotion. it meant i was no longer winning the argument: i was just shrieking about it.
girls meet each other after a long summer and let out a little joyful scream. this usually stops around 12-14, because people will not tolerate this display of affection (as it has the effect of being passingly annoying). something about the fact that little girls can't ever even be annoying. we are trained to examine each part of our lives (even joy) for anything that could make us upsetting and disgusting. they act like teenage girls are breaking into houses and shrieking you awake at 3 in the morning. speaking as a public school educator: trust me, it's not that bad, you can just roll your eyes and move on. it does not compare to the ways boys end up being annoying: slurs in graffiti, purposefully mocking your body, following you after you said no. you know, just boy things.
there's another video of a man who is not allowed to yell in the house, so he snaps his fingers when he's excited about soccer. the comments are full of angry men, talking about how their brother is unfairly caged. let him express himself and this is terrible to do to someone. eventually the couple has to address it in a second video: they are married with a newborn baby. he was trying not to wake the infant up. there is no comment on the fact women are not allowed to yell indoors. or the fact that it could have been really alarming or triggering for his wife. sometimes i wonder if straight men even like women, if they even enjoy being in relationships with them.
for the longest time, i hated roller coasters because it always felt inappropriate and uncomfortable for me to scream. one of my friends called me on it, said it was unusual i'm so unwilling. i had to go to my therapist about it. i don't like to scream because i was not raised in a safe situation, and raising my voice would have brought unsafe attention towards me. even when i am supposed to scream, it feels shameful, guilty. i was not treated kindly, so i lack a basic form of self-protection. this is not a natural response. it is not good that in a situation of high adrenaline - i shut up about it.
something very bad is happening, i think. in between all the beauty standards and the stuff i've already discussed - this one feels new and cruel in a way i can't quite express. yes, it's scary and silencing. but there's something about how direct it is - that so many men agree with the sentiment that women should never yell, even in an emergency - it feels different.
is the word shriek gendered automatically? how about shrill or screech? in self defense class, one of the first things they tell you is to yell, as loud and as shrilly as you can. they say it will feel rude. most women will not do this. you need to practice overcoming the social pressure and just scream.
most women do not cry out, even when it's bad. we do not report it. we walk faster. we do not make a scene. what would be the point of doing anything else? no matter what we do, we don't get taken seriously. it is a joke to them. an instagram caption punchline. we have to present ourselves as silent, beautiful, captivating - "valuable."
a woman is outside watching her kids when someone throws a firecracker at them. she screams and runs towards her children. in the comments, grown men flock together in the thousands: god. women are so annoying.
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poorly-drawn-mdzs · 4 months ago
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Heh...Literally nothing personal, kid.
[First] Prev <–-> Next
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lupins-hehim-pussy · 6 months ago
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[ ID in ALT ]
he giggles
#wriothesley#neuvillette#wriolette#neuvithesley#genshin impact#he goes aheeheehooheehoohee#i think once neuvillette figures out how to make him laugh. he'd do it all day. and the formula is simple too he just gotta say something#really stupid. and absurd. in his usual super serious iudex voice#and wriothesley is in stitches. it's so easy. he just gotta say 'yippee' and profit. 'slay queen' and wriothesley is incapacitated#also. imagine he's ticklish. but i dont think Neuv would tickle him intentionally I think he's like. 'i heard tickling gets violent fast'#'i will not resort to that to summon moethesley'#he doesn't want to Hurt Him he just wants to see him smile and laugh and be all pink in the face. but I do think he accidentally#sets him off all the time. with kisses (neck/ears) or just like grabbing his waist and suddenly wriothesley violently Wriggles yknow.#the tickled reaction. wriothesley laments the destruction of his scary big dog image every day#but. neuvillette would only make jokes at home anyway. and to be clear it's the simple fact that neuvillette is trying to Be Funny .#that's really funny to wriothesley. or just like his awkwardness. back before he figures out he can Intentionally make wriothesley laugh#he'd bewitch him with his his gap moeism#the layers to it. Wriothesley gets embarrassed later on when he catches on because he Knows Neuvillette likes seeing him all tickled.#and flustered. and that's like so mortifying bro what do you mean you're happy just seeing me being moe#and he's embarrassed because he should not be falling for it every single time. it should not be this funny#the nerves just makes him laugh even harder. and the whole time neuvillette is just sitting there. silently delighted. waiting for the#perfect comedic timing. so he can drop a 'cowabunga!' with the exclaimation mark and all. wriothesley can't even catch his damn breathe#art#my art
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danicloth · 5 months ago
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Just wanna hear you say… You love me 🩵
(Have you noticed that I always use parts of Luis' songs for these two? ✨)
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dmitryanya · 8 months ago
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you ever think about how far cass seemed to be willing to go in cassandra's revenge or is it just me :D
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trans-leek-cookie · 28 days ago
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yknow what. I wanna say: CSA and COCSA survivors are all incredible, but I also wanna give a shout out to ppl who were exposed to sexual stuff or had any kind of sexual experience as a kid that they either aren't comfortable labelling as or don't consider abuse, but they know it still fucking sucked and shouldnt have happened. Even if that changes later in life and you identify as a victim/surivor, it can be messy to have to imagine those labels applying to the ppl in ur life and that can take time.
The most important thing is to prioritize your recovery + health, and to support other victims + survivors.
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bullagit · 1 year ago
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due to personal reasons i am now firmly on team “i hope aziraphale does change heaven for the better actually (going on the assumption that his return is as straightforward as it seemed etc” 
like if the alternative is just this ohhh he’s so NAIVE and SOFT and so WRONG and he’ll have to LEARN A TOUGH LESSON etc etc nonsense then yeah 1000% go for it babe knock it out of the park
i hope choosing hope and kindness pays dividends. i hope the soft traits that made other characters continually disparage and underestimate him and his intelligence turn out to be his greatest assets bc i kinda don’t give a shit about a “toughen up it’s the only way everyone else knows better” life lesson for this character
(which like honestly a lot of the rhetoric is dismissive of the fact that persistent goodness in the face of an existence of disparagement takes great strength and that at the end of the day aziraphale has always been able to stand up in his own way)
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runningwithscizzorz · 8 months ago
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Sacrifice of the flesh for freedom in the spirit
“M-May venom strike the evil from my broken heart, may a flood wash away my sins, may fire scald the demons in my skin. O, only in Death am I free…. I’m sorry, Umm, I’m so sorry…”
Incase y’all can’t read cursive
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bonefall · 2 months ago
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Hey, what makes a character a 'plot device but not a character'? And how do you not do that? I'm trying to do it on purpose but also I need to still make them interesting because it's on purpose, yknow?
A good skill to pick up is to learn to criticise criticism itself. A "plot device" is simply a thing that moves the plot along, it's a neutral literary analysis term! Usually, when people are angry that "a character has been used as a plot device," it doesn't mean they hate plot devices. It means they're gesturing at something deeper.
Runningwind and Bumble are equally plot devices in their deaths. They are both killed by the antagonist to escalate political tension. Runningwind is rarely "accused" of just being a plot device, and yet, we're talking about Bumble for the same thing.
So, why?
Well, Runningwind is just a background character, but in life, he was a part of the community. He was characterized as impatient but responsible. Yet, he wasn't SO important that he died with a bunch of unresolved plot threads.
He is mostly an extension of the entity of ThunderClan. His killing by Tigerstar, and the fear and paranoia that settles on the group after this, feel like a progression of the story insteas of something forced.
Bumble, on the other hand...
Is hated immediately by Gray Wing, when she's established as Turtle Tail's friend. Bumble's abuse at Tom the Wifebeater's hands invites even MORE investment. The rejection is shocking and upsetting. There's a story there about our main characters being imperfect; jealous, bigoted, and judgemental.
But, she is simply killed off. Everything they set up for this character is gone with little personalized fanfare. It's not a tragedy with a lesson about cruelty, or something anyone regrets.
It's just... plot. Gray Wing whinging that no one will like his shitty brother now that his body count is 2.
More than that, in the discussion of women in particular, "Fridging" was coined to give a name to the way women characters often don't get their stories told at all. There is a CULTURAL trend of female characters facing disproportionate violence, for the sake of advancing male plots.
Bumble has a lot going for her. Petal had a lot going for her. Turtle Tail had a lot going for her. Bright Stream had a lot going for her. When they died, they took their potential with them.
It's not always wrong to kill off a character of high potential, mind you. In Gurren Lagann, Kamina's death is sudden and shocking, leaving a massive hole in the hearts of the cast that never heals. Grappling with that loss, but also letting his memory fuel them, is a major theme of that story.
All that to say... there's no formula for avoiding it. You've gotta identify what the deeper issue is, in your specific narrative.
I can't say for certain what that will look like for your story, but here's some things I keep in mind;
When you make characters who exist to die, make sure they're people before you axe them.
Ask yourself; what about them does the cast miss?
If they just miss them because they were (pre-existing relationship), go back to the drawing board.
Fluttering Bird as an example. Who was she? Dead sister. Why do they miss her? Dead sister. No traits until after her death.
Runningwind was short-tempered and helpful. Kamina was a valuable leader who made people believe in a brighter future. Swiftpaw was fiesty and desperate to prove himself. The better characterized, the more profound the loss usually is.
If this is a female character who is dying just to serve the plot, be aware of cultural bias and tropes. How is the gender ratio looking in your cast? Is this happening disproportionately with your girls?
Note how Quiet Rain's litter had both a boy and a girl, but the girl was chosen to be "weaker" and wither away.
And how most of the time in DOTC, whenever a man had to be upset, a girl would get killed for it.
If you ever feel like the character on the chopping block is NOT a full character, ask yourself why it needs to be a character at all. You don't need to spend narrative time building out someone when a literal object of high value might suffice.
"My sister died when I swore to protect her and I can't face my family" = Old. Tired. Ive seen this.
"I lost my heirloom sword when I swore to protect it and I can't face my family." = Fascinating. Why was the sword so valuable? Will they really not take you back? How did you lose it?
When you do kill off "high value" characters, try to make sure you're not leaving too many plot threads hanging. Or at least make a point of how they will never get closure.
#Bones gives advice#These questions can be hard for me to advise on because making characters is one of the easy parts for me.#It's more the “working them into a story without overwhelming it” part#But making characters that are fun and interesting has always come naturally to me as a writer.#I just work out some fun dialogue and fill in what their wants and desires would be based on backstory#And the rest kinda fills itself out as the message and themes of my narrative forms.#In fact the thing that makes BB so easy for me to work on is having an existing “story template” in mind#I don't have to chart out the long term events in advance because I do have a full picture of what leads where#And what I want to say with each rework.#I've always been told I'm really good at killing off characters though#Especially in my RP days. I remember I singlehandedly turned a pretty standard 'escape from evil lab' plot into--#--a painful story about loyalty and suffering. I was the main villain and the escapees knew he would never give up.#Because he loved their master and believed fully in the idea of 'sacrifice for the greater good.'#Always friendly. Passionate. Would have been a dedicated leader in a slightly different setting.#They knew he would never want to actually hurt them so they had to trick him into trying to “coral” them with his fire powers on ice#He didn't know it was ice and melted through#I guess the thing I do is just... make them cool lmao. It's hard to give advice on this#''Draw the rest of the owl 4head''
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pieflavoredartz · 8 months ago
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(CLICK FOR THAT SWEEEET QUAILTY WOO HOO)
oooh cowboys yee harrr ⭐️
(og under cut ^^)
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hii there ur lookin at the og! no catus tho sorry 😔😔
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bruhstation · 8 months ago
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you never change, do you
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poorly-drawn-mdzs · 2 months ago
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‘Poseidon left a party in Ethiopia because the sea vibes went rancid after Odysseus set sail’ feels like a bit I would make up, but no. That actually happened.
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aterfish · 6 months ago
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"And they don't know how much they’ll miss At least until you're gone like this"
other version under cut
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and a closeup for his ID:
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mspaint-flower · 5 months ago
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wgat about ,, , ,hyperdontia flowr/tooth hurty.......
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owy
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skyeskywalkerart · 5 months ago
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“Crimson rules the land; Black masters the waters.”
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