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deltaengineering · 3 years ago

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Spring Anime 2021: Embarrassment of Riches

So this current anime season absolutely stinks, which just makes the last one look even more impressive. Well, maybe not all of it...

Zombieland Saga Revenge

First off, you don't need to tell me that the following is a severe outlier opinion. We good? Ok. ZLSR is, in a word, subpar. I liked S1 back in the day, but it was already in the process of getting lazy towards the end. S2 continues this trend and is basically just another idol show. And as someone who actually does watch other idol shows I have to say that it's not a particularly good one of those either. The zombie gimmick has mostly stopped mattering and we're just doing what every idol show does, only with the odd occasional sight gag. The alleged subversive qualities mostly amount to a flashback for Yuugiri, which is admittedly the best part of the show but feels like it barely has anything to do with anything. Apart from that, it's a bunch of generic idol plots, rehashed character beats, shoddy attempts at twists (while not connecting to any setups from S1), and the obligatory "idols give us hope" ending, which is terribly hackneyed and flat out bad. Tae gets further memed into the ground, because of course she does. And there's stuff that was simply never good to begin with, like Kotarou and his comedy schtick, which gets truly insufferable now that there's no qualities to distract from it. It really makes me think that S1 wasn't even all that good to begin with and seems like an attempt to turn this surprise success into an easy money longrunner with no edge and no ambitions. "The idol show for people who don't watch idol shows" indeed, but not the way you mean it. 4/10

Bakuten

But not to dwell on the failures, with the second show we're already above the cut — barely. This one got my attention with its really impressive performance scenes early on and it totally sticks to that, which is even more impressive. But besides that? Well, this is by far the most predictable show in a season where I watched an unambitious Kiraralike and put ZLS on blast for having no ideas. The characters are a mixed bag, some are cool (Shida, Asawo), some are very annoying (Mashiro), but those are the supports. The main cast is extremely one-dimensional, which is fine until they try to heap a ton of pathos on their lead, which doesn't go well. But I guess execution matters, and Bakuten is slick enough to get by. Writing this down in stark daylight I feel like I overrated this show somewhat (I actually put it over the next one originally, which definitely doesn't hold up when thinking about it), but I was indeed mostly entertained. 6/10

Yakunara Mug Cup mo

Yeah. Of course Mug Cup definitely doesn't invent or subvert anything either, but it's a pretty good Kiraralike that's always entertaining to watch. Explaining the qualities of such a nothing genre is as difficult as ever, but it mostly comes down to me liking the characters and it having nothing to annoy me. It's shorter than normal, which is a plus for slim shows like this. And yeah, you can make an excessive amount of dick jokes with the clay fondling. That helps too. Looks are just fine, pleasant but nothing out of the ordinary. Comfy low-effort anime. 6/10

Vivy: Fluorite Eye's Song

This one is decent, but sadly still a major letdown. Because the first few episodes of Vivy were excellent and kicked ass, but then it became increasingly clear that the writing can't cash the checks the ideas wrote while the action starts running into severely diminishing returns. Vivy just keeps slowly getting worse and worse as it goes on, not by a huge amount each episode but by the end there's a pretty sizeable gulf between potential and result. Going into detail would probably be a little much for this venue because there's a lot, but from the top level view the issue is that while Vivy has good fundamental ideas and steals at the right places, it just isn't a smart show — it's schlock, and by the end, poorly thought out schlock that tries to smooth out every problem with liberal application of the big feels hammer and le epic twist at that. Yeah, couldn't tell that the Re:Zero dude was aboard here, for sure. That said, it still works pretty well as entertaining schlock that is not to be taken too seriously, and the characters are generally just very fun to watch even when they're doing stupid things. Still, I can't in good conscience rate this higher than Beatless, a show that looks like butt but properly executes on its ideas. 6/10

Super Cub

So this is 100% a Honda commercial, and I got really mad a Yuru Camp last season for being a blatant shill. Yet I'm feeling this, what gives? I think the main difference is that Super Cub is specifically a commercial for one product (and a very iconic product at that), while Yuru Camp is so all over the place that it ends up mostly a commercial for consumerism in general. And when Super Cub goes too hard on the product (which it does), it's at least pretty entertaining. That's something about Super Cub in general: It goes hard. Your regular Kiraralike this is not, because it's uncommonly slow, focused and moody - yes, it almost measures up to Yuru Camp at its best and demolishes it at its worst. Also, it's just extremely amusing to see sadblob Koguma grow a huge grizzly biker beard and become a badass outlaw dad to her goofy wife and cute daughter, all thanks to the power of afforable personal transportation. Needless to say, that can get unintentionally silly, but Super Cub has so much charm that it doesn't matter — it's great when it's good and still funny when it's not. 7/10

Shadows House

Shadows House turned up with a lot of potential, and I have to say it at least delivered on most of it. It has some problems; notably I'm not a fan of how the entire middle turned out to be a tournament arc of sorts that seems curiously inspired by Resident Evil memes, crest-shaped intentations and boulder punching included. I also think that this is a show that would be perfectly fine without explaining much, but I guess it is a shounen manga after all so we got dumped on eventually anyway. At least that came late - close relative Promised Neverland didn't show that much restraint. Shadows House is generally well written though, with great characters, interesting interactions and a great hook. But what really makes it memorable is that it's exceptionally good at the cute/creepy contrast, something that is often tried but rarely works as well as here, with great character designs and very appropriate production. I hope this gets a sequel, because it seems like it's just getting started. 7/10

SSSS.Dynazenon

Coming in with a fondness for Gridman, Dynazenon didn't have to do much to convince me. The surprise though is that it's not a rehash even if it's basically the same show, a character drama where occasionally huge and goofy fights break out. Dynazenon is Gridman done better, and the interesting part is how it accomplishes this - mainly by being far more conventional. I do appreciate that Gridman went for something weird and almost experimental, but that only really paid off towards the end while most of the show was a distraction/holding pattern. It just didn't feel like there was enough material for a full series there, more like a movie maybe, if even that. Dynazenon fixes this by just being a TV show, with an actual cast of characters that each have their own arc. And by spreading the material this way, Dynazenon ends up having a lot more nuance than its intensely focused predecessor, while having the same themes and not actually being any deeper. In a way, Gridman ends up looking like the spinoff in retrospect, while Dynazenon is the full package. 8/10

Thunderbolt Fantasy S3

So how good was this season? So good that Thunderbolt Fantasy doesn't end up at the top, that's how. And all the elements that made Tbolt such a sure thing are still there, big hammy puppets doing stunts and scheming never gets old. However, I do have to note that at this point, the writing appears to have gotten too comfortable. I don't expect it to ever top the amazing S1 ending, but at this point it's like Tbolt has stopped trying to deliver on endings at all and seems in the process of retooling itself into a longrunner instead. Barely anything gets resolved in S3 (the climax is that the climax of S2 is resolved again, for good this time... maybe), and everything else is just setting up plotpoints for the next season. Tbolt is truly lucky that it doesn't actually need to resolve anything to be a great time, but at this point I have to say that I'd appreciate it if they wrapped it up with S4. 8/10

Nomad: Megalobox 2

Speaking of sequels to shows I liked, Nomad doesn't so much improve upon its predecessor but steamrolls right over it. This is a tall order, since Megalobox was surprisingly good for a sports shounen and had a real nice, heartwarming ending that Nomad instantly negates for purposes of drama and everyone being extremely miserable. That sounds like a pretty terrible idea - and it would be, if Nomad wasn't as excellent as it is. To call it not the same show would be an understatement, because it's a true sequel, not just the same characters doing their thing some more, or new characters doing the same thing as the old ones did. Indeed my biggest problem with Megalobox was that it still closely adhered to its genre template and was very predictable; Nomad fixes this issue thoroughly. Nomad is about questioning what being a hotblooded shounen protagonist eventually leads you to, and how to fix everything you screwed up by being one. You could call it a deconstruction, but that term has been so abused for cynical, edgy "thing you like actually sucks" takes that I feel like it doesn't really fit here. Nomad isn't cynical at all, it's just a character drama about some boxers past their prime, and it being a sequel to a show that is indeed rather formulaic just enhances the experience. My biggest issue with it was that I really like what they did with Joe in this story, so the big focus on Mac's backstory felt like a distraction for a long time. But in the end that turned out to be absolutely necessary to make the ending work. The ending's just great, by the way, and I shall say not more about it. 9/10

Odd Taxi

Yeah boy, here's the show that has apparently become somewhat of a "greatest show you didn't watch" meme, which I can feel smug about because I don't need YouTubers to tell me what's good and followed this from day one. Anyway, Odd Taxi is indeed great, the greatest show in a few years even. What starts out as seemingly a relaxed hangout show in the vein of Midnight Diners quickly turns into a psychological murder mystery while never losing its quirky humor. The character writing is outstanding, with even small bit players being on a level that the average anime wishes it could have for leads. And the rollout of the mystery is exemplary, with answers given and new questions raised every episode with a satisfying and logical payoff in the end. This is also the rare anime that has rock solid production from the first to the last second; it's never really flashy but excellently done and highly consistent nonetheless. And the music just owns. I have a few complaints, mainly that there's a few logical weaknesses in the story (which wouldn't even register in a lesser show, but sticks out here since the rest is so immaculately constructed) and that the ending overextends on the emotions when the rest of the show is so reserved and dry in comparison. But those are only the reasons why I didn't give it perfect marks, and I almost did that anyway. 9/10

#Zombieland Saga #bakuten #yakunara mug cup mo #vivy: fluorite eye's song #super cub #shadows house #ssss.dynazenon #thunderbolt fantasy #nomad megalo box #odd taxi #anime #review #spring2021

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zuzuslastbraincell · 4 years ago

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For the salty ask game: 6, 10 and 16? <3

6: Has fandom ever made you enjoy a pairing you previously hated?

I never used to like kataang or maiko much, but I’m good with the former and really like the latter now.

while I’m still not a big fan of the kataang (without wanting to write an essay: ember island players ruins it for me), I’ve softened on it a lot largely just from seeing the content for it on here. they’re just honestly very sweet? I don’t know if it’ll last for practical reasons, but the idea of aang & katara offering each other hope from the beginning and until the end is just lovely.

as for maiko, I absolutely love the strength of mai & zuko’s dynamic (platonic or romantic) just from their boiling rock interactions alone. I feel like a lot of early s3 maiko very much demonstrates that they have some communication difficulties to work through together (thinking about the beach in particular here, but also the ‘are you cold?’ scene, as well as the break-up via letter interaction, that’s the big one) and in a sense mai represents part of zuko’s ‘ideal’ life as a perfect prince that he realises that he has to break from in the first half of s3, but I’ve come around to the idea that if they spent some time working through their communication issues they could really have something lovely? I do also think mai deserves a short break from the stifling culture of nobility/time to explore herself first, but after that? totally could work. like, i’m personally really attached to the gay zuko headcanon and always have been but a lot recent mutuals are maiko shippers and i’ve become very attached to maiko as well because of them (in parallel universes of course).

16: If you could change anything in the show, what would you change?

so many things....

1. less racist, more sensitive worldbuilding. crucially better south asian rep, clear south asian rep. this also means including removing the caricature of guru pathik and changing the design of combustion man (and p’li) not to include a reference to shiva. the show’s philosophies and vocabulary owes so much to south asian culture and the lack of representation in that aspect alone is shocking.

2. references to the fact that there are some air nomad survivors / descendents in hiding in various and that being a late s2 / s3 subplot. (maybe aang is still the last airbender tho? but certainly his culture won’t die with him). the culture isn’t perfectly preserved / has changed with time and enduring hardships, some things have been lost, but there are still survivors clinging on, proud. maybe it’s this community that helps with him the avatar state, not a random guru? or they could help him with his s3e1 dilemma about ‘blending in’, as many of them have discarded certain aspects of appearance in order to hide? i feel like this could add so much to aang’s arc in the latter half of the show.

3. better writing of the white lotus, with the white lotus as a international resistance org that operates in all nations, that uses old man’s pai sho club as a front. they’re introduced as opposing the dai li in ba sing se, as trying to organise resistance in secret, have ties to some local revolutionary/radical factions as they have a long standing rivalry with the dai li (& part of the reason the dai li side with azula is to crush the white lotus and resistance to their reign). iroh is not grand lotus but merely gets recruited in s2, as part of a redemption arc.

4. a subtle iroh redemption arc where iroh realises he cannot simply be passive and perhaps let the treasonous thought ”hm, maybe it would have been better if the avatar fought sozin” cross his mind - he needs to take a more active role in opposing the fire nation, and he joins the white lotus. i think he also needs to reckon quite specifically with the cost of the siege of ba sing se, he needs to make amends to those hurt from it on both sides - be confronted by fire nation defectors who left after the siege because why were their deaths less important that his son’s? as well as encounter how the siege left scars on the lower ring, in a less visible way (untrained lower ring residents formed resistance militia and generally died in huge numbers; plague and starvation greatly affected the lower ring, etc.). no iroh as a moral authority here - he’s morally grey trying to become good. also he doesn’t stick around in ba sing se, he realises the jasmine dragon, as lovely as it is, isn’t true redemption either, and at the end of the series he stays in the fire nation.

5. leading into point 3 (and 4): in s3 the gaang encounters and works with grassroots underground resistance in the fire nation. i think this is a better message than ‘oh the fire nation is a soceity ridden by class division that exploits its poorer / less privileged people and its own environment as long as it doesn’t affect the elite, and turns even its most privileged children into traumatised child soldiers and is indirectly hurt by its own colonialism and imperialistic culture, and that’s deeply sad’ - i think a better message is ‘the fire nation is a society with all those problems and you can do something about it. you can stand up. even though that’s scary.’ this resistance group is around for day of black sun (in fact they’re vital to it) and then you see a key member in boiling rock too.

6. no combustion man. honestly? weak writing. would much prefer zuko attempting to ‘stealthily’ track the gaang on the false premise of a ‘welcome home tour’ where he slips out under night to try and chase them down - this would mostly be alluded to in a few scenes. i also think this would get zuko to realise how much the fire nation itself has been hurt from war. i think the main early s3 plot points e.g. the beach episode still happens, as does the war meeting. i feel like zuko would need extra firepower to be a decent s3 threat - maybe he takes mai and ty lee with him? zuko ultimate lesbian ally takes bored lesbians from the palace for a knife throwing chi blocking field trip kjfshdj i’m joking. but seriously we could also have a combustion bender on board as well as a potential new character (i’m imagining someone like a younger p’li if i’m honest, same age range as zuko), as long as they have a character beyond being a scary assassin. maybe they defect early to the resistance group before the day of black sun, tell zuko they should too (but zuko doesn’t listen)? that’d be rad.

7. the existence of grassroots resistance would basically allow for the series to end with zuko being offerred the crown, but deciding to give it up / end the royal line. rather than a power vacuum, or iroh, the existance of resistance means there are clearly people (i.e. adults) who can fill that space. maybe this is a bit optimistic of me but i would just love to set up a scenario where zuko doesn’t become a boy-king of an imperialist nation and where absolute monarchy doesn’t continue, where there’s a clear shift in system. i understand the narrative power of zuko acknowledges he has inherited wealth and power that has been gained through exploitation and imperialism, and dedicating his whole life to undoing the damage his family has done, but i think he can do this without being the fire lord? in fact not being the fire lord is a good first step. zuko finds another way of doing exactly this.

8. talked about this a lot recently but better toph s3 representation & greater ties to the earth kingdom. also, i’d just appreciate a lot more flavour from the earth kingdom as a whole, and more prominent characters from there?

9. okay i’m not sure there is quite honestly space in the narrative for an azula redemption clearly on screen in as much depth as zuko’s but 1. i’d like iroh not to treat her horribly, thanks, and maybe even try to reach out to her at appropriate moments, maybe we see him (comically) say a lovely warm hello during her s2 appearances, maybe we see her play pai sho with him in s3 while he’s in prison in return for some secret info he’s not actually giving her while he’s not-so-subtly suggesting she should defy her father (but it’s too little too late, he already *chose* zuko in her eyes, and perhaps he did and is only just beginning to realise that) 2. i would like some hope and optimism at the end for azula. her breakdown is truly tragic but it feels like pain for pain’s sake in a sense - i would have loved for the finale scene with zuko & ozai replaced with a scene where someone visits azula and tells them they’ll be there for her and/or they love her. perhaps iroh, perhaps zuko (though i think that one would be more complicated obviously). i would love a post-finale scene where iroh sets up a tea shop somewhere in the fire nation where we see azula out the back, finishing up wiping down/mopping the patio, and before aang goes inside to say hi to his friends, we see them bump into each other - azula bows deeply, a clear apology, and aang accepts it. then we see azula runs off to go hang out with some friends before we follow aang inside as he encounters his own friends.

basically i’d rewrite a lot of s3. i’m dearly, dearly attached to s3, especially the second half, which has some of my favourite episodes of the entire season, but i think it’s flawed.

#drowning-in-cacophony #long post #sorry this ended up being REALLY long

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rizahawkais · 4 years ago

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I LOVED season 1 and 2 of the crown but found season 3 quite dull and difficult to get through. I'm enjoying season 4 (still havent finished bc I watch with my family and we're rarely all together) but I think that the earlier seasons were a lot better in my opinion

hi! i completely agree w you!

I AM SO SORRY FOR THE LATE REPLY! I replied to this the day you sent it but my laptop crashed and I lost everything I wrote so I put off till now!

All in all, the writing for the first two seasons were WAY better. My ranking is s2 > s1 > s4 >>>>> s3. In my opinion, season three was kind of terrible.

hahaha this is so so long.

In the first two seasons each episode’s mini story for the day was actually INTERESTING. Like, I loved where one episode was about the Mountbatten name and then the next was about the Great Smog! But, there was always an overarching plot and it always added up in the end. S1, S2 and S4 all had an overarching plot that worked! S1 was balancing family and the crown. S2 was balancing prime ministers and her husband. S4 was the downfall of Margaret Thatcher and Charles/Diana. S3 LITERALLY HAD NO PLOT! It was just a bunch of stories put together. The finale for season 3 was about the end of Margaret’s marriage! And although, it is an important event in the family’s history the fact that it was the finale episode????

Anyways, Season 3 genuinely just sucks. Season 4 is REALLY good. Yet, it still doesn’t leave as much of an affect on me like the earlier seasons. AND LIKE I KNOW BECAUSE I’VE REWATCHED THE FIRST THREE SEASONS SO MANY TIMES. I’ve only seen the fourth once because I’m too busy and it’s also too early for me to rewatch it. So, maybe my opinion of season 4 will change!

Now, because I am extra 😈😈 and crazy I will talk about every single episode IN ORDER. hehehehehehe. feel free to hate me

SEASON ONE

101 Wolferton Splash - 10/10 this episodes just sets everything up! we see how happy the marriage is and how loving king george is and we also see the FORSHADOWING!! we see lilibet and phillip making their life thinking they had time when we know they don’t and it’s just :( AN AMAZING PILOT EPISODE WITH AMAZING QUOTES!

102 Hyde Park Corner - 1000/10 this episode needs no explanation. the suspense and DRAMA right before lilibet finds out about her dad ALWAYS gets me!!

103 Windsor - 10/10 I hated this episode the first time I watched it! I didn’t understand the importance of her uncle and I didn’t understand the complexity behind the episode. I was 14 when I saw this episode for the first time! So, mind you I was quite ignorant. but, david basically represents the audience in the show for those who hate the monarchy and call them out on their hypocrisy. BUT DAVID IS A TERRIBLE PERSON! FUCK DAVID! i understand hating the monarchy and for him i know it was personal but the way he talks about his family in the letters UGHUGHGUHGUHGUHGUH this man is evil! there’s also the other story in the episode about the mountbatten name which is so brilliant!

104 Act of God - 15/10 this episode was boring on first watch but I WAS FOURTEEN! this episode took a break from the monarchy and concentrated on a british national horrific event THAT WAS IMPORTANT and i liked how it connected throughout the episode and all that and the CINEMATOGRAPHY OMGGGGG! anyways, something that pisses me off about this episode is that the crown kind of has the same kind of audience as euphoria! they only care about a hot actor or iconic character or the aesthetics AND THAT MAKES ME ANGRY! bc those are the ppl who call this episode the boring fog episode and the latest episode of euphoria a waste of time! they don’t understand the importance of what their watching. an event that killed hundreds by something that could have been avoided bc of science and for euphoria an ongoing pandemic of an ugly world and its affect on ppl not wanting to go on! IM SORRY THIS TURNED INTO A RANT but this episode is important in reminding audiences that disasters can be avoided but also once they happen anything can happen THIS WAS A SAD EPISODE OKAY AND I LOVED VENETIA SCOTT!

105 Smoke and Mirrors - 100/10 THE CORONATION EPISODE! Phillip tries to bring it to the common public and all the fighting between them just makes the coronation even more impactful when we watch it!

106 Gelignite - 8/10 I DESPISED MARGARET IN THE FIRST SEASON i saw her as a spoiled brat who wanted to marry her dad’s assistant! AND ALSO HOW DID SHE NOT REALIZE THERE WAS DEFINITE GROOMING INVOLVED! this episode is generally very good but margaret just pisses me off a lot! however, her not being able to marry peter boresend shouldn’t have been because of his divorcee status but bc he simply was a predator in anyone’s clear eyes IM SORRY IF YOU DISAGREE BUT SHE MET HIM SO YOUNG NO WAY THERE WAS NO GROOMING good episode but pissed off at margaret’s lack of critical thinking besides but I WANT HIMMMMM LIKE I WANT EVERYTHING

107 Scientia Potentia Est - 11/10 hated this when i first watched it! but now one of my favorites! lilibet feels dumb and needs a tutor! prime minister and wannabe prime minister have health problems and keep it from her! lilibet finds out by accident and they all get yelled at! I LOVE WHEN SHE YELLS AT MEN!

108 Pride & Joy - 10/10 this episode is just adds on to the overarching plot of the season: balancing the crown and family. margaret says disrespectful things to ppl who don’t deserve it in place of lilibet while she’s on the commonwealth tour fighting with her husband! then lilibet scorns margaret and we see an ugly papa loved me more argument! absolutely brilliant!

109 Assassins - 1000/10 hated it the first time but now I LOVE THIS EPISODE! it’s the painting and porchey episode and churchill leaving episode. It’s so so so good! i honestly have no words to describe the brilliance of this episode besides the acting done by almost the entire main cast CLAIRE WOW! MATT WOW! STEPHEN (THE PAINTER) WOW! JOHN WOW! HARRIET WOW! when we see the painting getting burned coincided w the downing st dinner GETS ME EVERYTIME I LOVE IT SO SO MUCH!

110 Gloriana - 100/10 the climactic fight between the crown and family! which will lilibet choose?? and the foreshadowing to suez MWAH!

SEASON TWO

201 Misadventure - 100/10 LOVE LOVE LOVE THIS EPISODE the cutesy lilibet and phillip until it all goes down WOW! and the suez stuff i love it all

202 A Company of Men - 100/10 this is where i think mike’s wife starts snooping or it’s the next episode BUT THIS IS WHERE SOMETHING BEGINS FOR SURE first of all it foreshadows the episode later in the season about philip’s childhood AND MATT’S ACTING!! it’s too good for words!

203 Lisbon - 100/10 i like it when they fight lol that’s the only way i know how to describe why i love it LILIBET WAS EXCITED TO SEE HIM AND SO WAS HE but then mike ruined it by being a disgraceful and dishonest man RUINING EVERYTHING

204 Beryl - 10/10 i start to like margaret bc i feel bad for her! she’s suffering she’s sad that her lil predator boyfriend is no longer w her but look who it is MATTHEW GOODE! he not suspicious at all but the writers are like here take 20 minutes of perfect chemistry between the actors!

205 Marionettes - 100/10 I LOVE THIS EPISODE basically someone who loves the monarchy insults the monarchy and lilibet actually goes to listen to them! w resistance of course but she still took everything he said to fix the monarchy !

206 Vergangenheit - 1000/10 one of my favorites! i didn’t know about david’s nazi past so when i watched this episode for the first time i was completely baffled! another episode where she yells at a man!!!! i’m always annoyed in this episode tho by all the talk from the priest about forgiveness bc im like why would u want to forgive david for being a nazi?? but i think it was intentional by the writers to show the importance of understanding forgiveness and the grounds for it! THIS EPISODE IS JUST PERFECT IM ANNOYED BC I DON’T WANT TO FORGIVE HIM

207 Matrimonium - 9/10 this episode is amazing BEFORE you’ve seen season three bc you root for margaret and tony! but, also throughout the episode there’s all that tony and family and his gf and bf stuff that you think is going to lead somewhere but doesn’t??? like what was the point of introducing his mother and his relationships if it was going nowhere and not even mentioned in season 3??? LIKE WHAT WAS THE POINT WHAT WAS THE REASON? but, also there’s lilibet and phillip fluff in this episode I LOVE

208 Dear Mrs. Kennedy - 10/10 this episode is fun as an american bc i think jackie kennedy and jfk are so idolized here in america it was so interesting to see this other pov! BUT I ALSO REALLY LOVED LILIBET DANCING W NKRUMAH! I THOUGHT IT WAS SO CUTE AND THE MARTIN CHARTERIS STUFF LEADING UP TO IT WAS SO FUNNY!

209 Paterfamilias - 100000/10 no words. IT WAS SO SMART TO PARALLEL PHILIP AND CHARLES this has a lower rating than the previous episode which makes no sense but only goes to prove the idolization of jackie and jfk

210 Mystery Man - 100/10 EVERYTHING FROM THE FIRST EPISODE IS ADDRESSED IN THIS EPISODE THE SEASON COMES FULL CIRCLE JUST LIKE SEASON ONE DID AND SEASON THREE DID NOT DO THAT AND SEASON FOUR DID IT TOO BUT NO WHERE AS GREATLY

every single episode of seasons two has a 9+ rating from me!

SEASON THREE (worst season)

301 Olding - 5/10 weak starter but good for introducing olivia as lilibet and harold wilson and departing churchill BUT THAT’S IT! like the whole spy thing just went bleh LIKE IT HAD POTENTIAL but it needed early seasons writing not third season writing techniques TOBIAS DID A GREAT JOB THO IN THIS EPISODE HE WAS A GREAT RECAST FOR PHILIP

302 Margaretology - 6/10 okay. just okay. margaret kind of bratty but you actually feel bad for her then she gets bratty again and then you feel bad for her again and the scenarios in the episode just didn’t feel real like the whole lyndon b johnson was so jealous of jfk that he was rude to the queen so they sent margaret JUST DIDN’T MAKE SENSE like i know this show is fictional but the fiction tends to be believable until i research the episode afterwards BUT FOR THIS it just didn’t make sense

303 Aberfan - 1000/10 ONE OF THE GOOD EPISODES OF THE SEASON! those first fifteenish minutes??? TEARS! i never knew about aberfan until this episode and seeing this episode made me cry!

304 Bubbikins - 10000/10 THIS EPISODE IS TECHNICALLY NOT AS GOOD AS THE ABERFAN EPISODE BUT THIS IS A PERSONAL PREFERENCE we meet anne and alice in this episode AND I LOVE BOTH OF THEM (erinsdoherty is my current url!) this episode is so sad and sweet at the same time and loving bc i’m a sucker for philip’s back story!

305 Coup - 8/10 this had potential I FEEL LIKE IF THEY WROTE THIS EPISODE DIFFERENTLY LIKE HOW THEY WROTE ONE OF THE SUEZ EPISODE IT WOULD HAVE BEEN SO MUCH BETTER the fact that it all went to nothing and nothing basically happened WHAT WAS THE POINT

306 Tywysog Cymru - 1000/10 this episode made me like charles! what a horrendous statement! but, like i thought his relationship w his tutor was so heartwarming and he actually seemed to care and all that and it just all in all MADE ME HAPPY like this episode isn’t sad it’s a happy episode until the last scene w lilibet BUT YEA they gave us this one good episode until we hate him which i appreciate makes the story telling better

307 Moondust - -100/10 hate this episode LIKE GENUINELY HATE IT HATE HATE HATE and tbh im generally very very nice w my opinions ANYWAYS I WAS SO EXCITED FOR THIS EPISODE BUT IT WAS SO STUPID LIKE THE ASTRONAUTS BEING ASSHOLES WAS STUPID PHILIP BEING AN ASSHOLE TO THE PRIESTS WAS STUPID LIKE PHILIP IS AN ASSHOLE BUT IT’S BEHIND PEOPLE’S BACKS AND THEN THEY KILLED ALICE OFF SCREEN I HATE THIS EPISODE

308 Dangling Man - -1000/10 HATE THIS ONE TOO this episode convinced me that the writers for the first two seasons to this season has changed all of a sudden we forget that david was basically a nazi and the charles we met two episodes ago sees him as exactly like this uncle who he swore he would be nothing like to the people of wales??? LIKE WHO WROTE THIS THEY WERE DOING CRACK WHILE WRITING THIS EPISODE and i felt NOTHING during the lilibet and david goodbye WHACK EPISODE TERRIBLE JUST BAD TERRIBLE

309 Imbroglio - 5/10 episode started off good but then just went a lil too crazy by making it seem like a whole secret spy mission going behind lilibet’s back

310 Cri de Cour - 4/10 bad just bad HBC GOOD ACTRESS AMAZING ACTRESS given bad material like NONE OF THIS FEELS CONNECTED THIS STORY IS ALL RANDOM AND WE HAD A WHOLE EPISODE ABOUT MARGARET AND TONY AND WE DON’T EVEN MENTION ANY OF THE CRAZY STUFF FROM THE LAST SEASON BUT WE CONCENTRATE ON MARGARET BEING A SUGAR MAMA MAKES SENSE YALL

once again i hate season three

SEASON FOUR

401 Gold Stick- 8/10 written weirdly but had GOOD SCENES such as meeting thatcher and diana! BUT THE SCENE STEALER WAS OBVIOUSLY MOUNTBATTEN’S DEATH AND PHILIP TELLING CHARLES THAT HE BECAME DICKIE’S SON INSTEAD OF HIM SAD STUFF so like the death was sad and dramatic and I FELT BAD but like i shouldn’t bc im south asian and mountbatten did bad stuff to us BUT IT DOESN’T CHANGE THE RIPPLE WE FELT

402 The Balmoral Test - 9/10 funny episode but needed early seasons’ writing

403 Fairytale - 9/10 good episode but needed early seasons’ writing BUT ALSO THAT SCENE BETWEEN CAMILA AND DIANA MWAH CHEF’S KISS THEY BOTH DESERVE ALL THE AWARDS but needed early seasons’ writing

404 Favourites - 7/10 this episode is good but frustrating bc u finally realize how terrible of a mother lilibet is BUT THE ANDREW STUFF WAS GOOD I AM GLAD THEY PUT THAT IN! i liked seeing thatcher’s non-existent relationship w her daughter NEEDED EARLY SEASONS’ WRITING

405 Fagan - 10/10 GOOD EPISODE I LIKE HOW WE WERE EMERSED IN FAGAN’S LIFE AND I LOVE THE ACTOR FOR FAGAN TOO AND I LIKE HOW IT WAS CONNECTED TO THATCHER AND FUELED THE OVERARCHING PLOT OF THE STORY!

406 Terra Nullius - 100/10 GOOD EPISODE CLOSEST TO EARLY SEASONS WRITING THAT’S WHAT MADE IT GOOD seeing them not get along and then get along and then not get along again through a series of montages made the episode brilliant!

407 The Hereditary Principle - 6/10 this episode. how do i explain? the material for this episode was absolutely perfect for the writers of the early seasons! POOR EXECUTION

408 48:1 - 100/10 i like the political episodes more than the family episodes SO THIS EPISODE IS SO BRILLIANT BC OF THE BACK AND FORTH AND I GOT TO SEE CLAIRE!!

409 Avalanche - 7/10 early season writers would have shown the arguing before the avalanche and diana’s reaction JUST SAYING

410 War - 9/10 THIS EPISODE HAD THE YELLING AT EACH OTHER SCENE THAT WAS SO GOOD BUT ANYWAYS THE PROBLEM W THIS EPISODE WAS THAT IT DRAGGED I FEEL LIKE THIS EPISODE AND THE ONE BEFORE SHOULD HAVE BEEN ONE EPISODE TOGETHER

ALAS, what i would like to say is that i feel that season 4 shouldn’t have been so diana centric! it was diana from the beginning of the season to the end! not, that i don’t love the whole diana story but it was dragged and i think she should have been introduced around the third/fourth episode of this season the same way tony was in season two! camilla should have arrived at the beginning of season 4 so that the intensity between camilla, charles and diana was more believable! if we season three wasn’t so spread out they could have had more brilliant episode.

OK HAHA I AM SO SORRY FOR THIS VERY LONG RANT ABOUT THE CROWN PLZ FORGIVE ME! AND IF U READ ALL THIS WOW! IDK WHAT TO SAY I THINK I TALK TOO MUCH HONESTLY :( anyways thank you for talking to me :)

#the crown #queen elizabeth #prince philip #princess margaret #princess anne #princess diana #prince charles #margaret thatcher #asks #i talk too much

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meandmyechoes · 4 years ago

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Something I wrote May 8th, 2020 02:44 about Rebels that I forgot to publish. But actually contain a lot of context for how I feel about reusing Ahsoka in general. I formally apologize for every ill will I had for Rebels Ahsoka’s design.

hot take: I don’t like Rebelsoka. Yeah, as if you can sum up my opinion like that.

Why I don’t like her is a really petty and subjective bias, so I am not being fair. The real problem I have with Rebelsoka was mostly my personal lack of enthusiasm in her art style and early on her role was... replaceable. Her unique place is as an ex-Jedi, which is why I’m glad and more accepting when they turn her story away from the Rebellion to focus on Jedi Business. Her early lines in Rebels was... delivering information that could easily been given to another rebellion officer. And it felt off to switch from that unsure teenager to this full-blown wise mentor.

With everything, the final verdict is of course, Rebelsoka is amazing. In the end the potential outweighs my complaints. Yeah, information feeder, cryptic vocabularies or poor cosmetic choices can be forgive in exchange for awesome duels, delightful mentoring and GOSH THAT ANGSTY “ANAKIN”. not that i hope we see more ahsoka stories but i hope we see more ahsoka stories you know. more than that 45 minutes of it ◔̯◔

As a TCW traditionalist, of course that was my definition of Star Wars. Bitter of replacement was a common feeling in the year 2015, but I’m also reasonable enough to expect a major stylistic change with Disney’s acquisition. So all in all, I am glad we at least have another show instead of none at all.

Even though I dropped out, I was there for Rebels in the beginning. If nothing, I learnt from Clone Wars not to underestimate a Season 1. Yes, no one from the Ghost crew captivated me the way Ahsoka did, but I liked them all equally. It was an enjoyable show when I judged it as an exposition and sanely do not compare it to the finale that Clone Wars was building. So Ahsoka coming back at the end of Season 1 really put me in a difficult place, when I thought I could move on to this new family, having accepted her departure.There were rumours, but I kinda expected her to set off the S2 premiere instead. I was also spoiled of that very last minute of revelation. Anyway, when she came back, and I heard Ashley’s voice, I just broke into tears. It’s literally a resurrection. I also couldn’t believe, that I actually get to see Ahsoka again in my life, and that she is suddenly so mature and wise.

It was difficult for me to adjust for two reasons: the art style and her maturity. I guess now I could put myself next to Anakin in 709 describing how I felt meeting Ahsoka again. I also really hated her art style in Rebels initially. She was... streamlined? had slick skin, but her lekku stripes are jagged, and i never get to see how her lekku grew into the shape they are now. and her whole facial patterns are different too?? and she actually doesn’t have clear sky blue eyes anymore? but somehow has deep purple eyes? and just all around no-no with the art style when it first came out. The style wasn’t an issue when you don’t have the my favourite as a veteran character for comparison. (say you don’t see me complaining about Hondo that much but didn’t they do him dirty) Even though I had no problem with her outfit or headdress, it’s just not my favourite of hers. and the fact that they’re forcing me to watch a cartoon character lined with age! and how tired she looks, with wrinkles! and pouches under her eyes! don’t do this to my poor daughter! let her stay happy and carefree as a 14-year-old 5ever! (18-year-old me holding an angry PTA sign)

It also closed a book on however I want her to be. stupid war in the stars making me accept canon. I would’ve been content with her just leaving and staying alive, when every fan set out on her dying before RotS. Yeah maybe she threw her entire ‘life’ away but at least, she’s not, dead you know. And seeing her thrown into another war, threw herself into another war, I wan’t sure I could handle that. The grief, the guilt, the regret, the sight of not seeing her standing by her family again. (good lord Filoni gave us the Rex and Ahsoka hug ;_;) I just want her to stay happy and carefree in my head okay?

and that constant battle of wanting to see more of your favourite character but also level enough to not want her to steal the spotlight form a promising new cast? and the lowkey distrust towards Disney that they brought in Ahsoka to trick more audience into a less-popular show? as a fake-ass apology? Are you suppose I’m ever gonna forgive you for cancelling Clone Wars even though you brought back its characters and basically made a TCW sequel? Are you asking me to overlook the damage, done to both TCW veteran characters AND Rebel’s originality if you don’t do it right? And when they really don’t give us much Ahsoka mid-season it was kind of.... *deflating high-to-low 7-note crescendo* If Disney is actually giving us “what the fans want”, it’s because we damn well deserve that apology without ever needing to forgive, less alone thank.

So anyway, I did dropped out of Rebels after the Season 2 finale. A bit of real world reasons too because I was getting busy in college and I have Rider, an all-year-round show to fall back on. So i just totally turned away from Star Wars in general after March 2016 where it was dead dead for Clone Wars. I caught up a bit of S3 but never finished it, and I’ve been on and off trying to do it to recover from TLJ but it didn’t feel enough (+ plus real busy irl)

I only even found out Ahsoka the White on social media and was utterly confused. Not sure if it was the best decision creative-wise then, and frankly hand’t given much thought since. But I definitely don’t mind Ahsoka Not Dying. I think I have more questions directed to this girl in person on her life and fashion and spaceship choices more than anything. You just sort of reached a point where like god let them rest.

I only wrapped up the series before I saw Walkabout. And there was like a 3-month gap since I started rewtaching late January after ep9. But I ran through the last season in 2, 3 days? It was really good. I didn’t expect it focus on just one planet, but the plot was good, even though the primary enforcer villain monkey just looks meh. Somehow strangely, the character I grew attached to is Kallus. You know, he is not in the main cast whatsoever so he really may not die? And the whole time as the finale draws closer I just was on the edge of my seat hoping none of my faves die. (Yeah the only mistake that finale made was sacrificing Gregor. not nice Dave.)

And the epilogue was amazing. The resolution again subverts expectation in a good way and gave us what’s plausible but not expected. And I love how the show actually balanced warfare and lore. The mythological episodes border on fantasy fairy tales but it still suits my taste. The balance is actually better done here than on Clone Wars. In a show titled Clone Wars, you kind of expect it to be about Clones and Wars. But Rebels connected the spiritual journey of the characters to the wider warfare. They needed the Force to train and guide them to their victory. And this prominence of the Force as a plot element and narrative influence is something I found missing in the later seasons of the Clone Wars (6 not withstanding).

The show made me genuinely escalates in loving these characters and gave us a well-rounded, complete Star Wars experience. It’s not my favourite, but it’s definitely a good show.

#tcw reviews #myechoes #why am i defending myself over nothing #this is a bit long and could be counted as meta but is actually devoid of reading of the text lol #ahsoka tano #star wars

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extreme-technicality · 4 years ago

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does talking to an anon help about ninjago help? cuz I'm down

DHDKCKGSC YES IT DOES THANK YOU SO MUCH FOR OFFERING YOUR SERVICES

Okay now that I know I won’t be clogging people’s dashes buckle the fuck in my dude and I should stress that I literally would not be talking about this as much as I will be if I didn’t genuinely enjoy the show. I’m gonna go season by season and just Rant

S1 has the serpentine as the bbeg and like, as far as villains go they’re p lit. They’re early enough that they haven’t been done to hell, things are fresh, the characters and dynamics are being fleshed out, and all in all s1 is a pretty solid season. There’s some fuckery that gets brought up re: how the FUCK aging works and what the actual timeline of Ninjago is and how Wu and Garmadon fit into that timeline, fuckery that LITERALLY NEVER GETS RESOLVED IN A SATISFYING WAY BC ITS REVEALED IN A LATER SEASON (s8, dw we’ll get there lmao) THAT THE ONLY REASON THE FIRST SPINJITSU MASTER, WU, AND GARMADON LIVED AS LONG AS THEY DID IS CUZ THEYRE BASICALLY DEMIGODS AND ITS IMPLIED THAT LLOYD WILL ALSO LIVE FOR A LONG ASS TIME WHICH MEANS ONE DAY HES GONNA OUTLIVE ALL HIS FRIENDS AND EVERYONE HE EVER LOVED WHICH IS A FUN THING TO THINK ABOUT AT NIGHT But anyway I digress, s1 also coincidentally introduces Lloyd (he wasn’t in the pilot episodes that set up the rest of the series) and the existence of Evil Dad Garmadon.

S2 is where Garmadon starts acting a lot more Evil and a lot less Dad. He’s the main antagonist for that season, and I actually read somewhere that the show was originally slated to end after s2 which high key explains the fuckery of literally every single season after this lmaooooo. Much like s1, I really can’t find much to complain about, the first two seasons are pretty decent as far as I can remember

Season. Fucking. Three. Where the fuck do I start??? I hate season three for entirely personal reasons revolving around the STUPID GODDAMN ROMANCE WRITING. okay lemme back up and explain a thing first so, Jay is dating Nya and they’re fine, they’re going steady, aND THEN????? THE BEGINNING OF THE SEASON INTRODUCES BULLSHIT LOVE TRIANGLE FUCKERY FOR ZERO GODDAMN REASON, BITCH I HATE LOVE TRIANGLES AND I HATE THEM EVEN MORE WHEN THEYRE DONE FOR NO GODDAMN REASON!!! AND THEN. AS IF THAT WERENT ENOUGH. THEY SHOEHORNED A ROBOT ROMANCE BETWEEN ZANE AND PIXAL AND I KNOW I RANTED ABOUT THIS A LITTLE BIT WHEN I WAS ACTUALLY WATCHING BUT I DIDNT GO INTO ENOUGH DETAIL!!!! THEY MADE THE OTHER NINJA OOC IN ORDER TO PROP UP THEIR SHIP!!!!!! AND AT ONE POINT ZANE GOES “its like we were…made for each other” AND I HAD TO FUCUCJDHVE I HAD TO SCREAM INTO A PILLOW BRO, IM SO TIRED!!!! NO THE FUCK YOU WERENT!!!!!! YOU WERE MADE FOR YOU AND PIXAL WAS MADE FOR PIXAL AND IF YALLS WANNA BANG BOLTS THATS FINE BUT DONT IMPLY THAT EITHER OF YOU WERE MADE INCOMPLETE!!!! THATS AN INSULT TO YOUR MAKERS AND YOURSELVES, MOVE ON, PLEASE AND THANK YOU. anyway that season also killed Zane (for the first time, but not the last) (spoiler alert lmao) and like, not to be an emotional little shit but I did cry a bit at his funeral.

S4 is honestly one of my favorites, even though the romance crimes continue (the love triangle bullshit is continuing and honestly I maintain that Cole, Nya, and Jay should all have gotten together and in my personal canon they DID, and also Kai has a forced romance) the VILLAIN makes up for it imo. He’s campy!! He’s funny!! He’s a clown!! He’s serious enough that if he says “I’m gonna kill you” HE MEANS IT and that’s so fucking refreshing!!!! S4 is honestly 8/10 just for the villain alone, don’t like that it retconned the SHIT out of the elemental masters and how many different elements there are TO master but eh, it’s ninjago, shit is stupid.

S5 was…interesting? OH WAIT I FORGOT TO MENTION THAT S3 INTRODUCED A GARMADON WHO WAS A LOT LESS EVIL AND A LOT MORE DAD, HONESTLY I THOUGHT IT TOOK A LOT OF THE FLAVOR OUT BUT THATS JUST ME LMAOOO. anyway s5 killed Garmadon, and I was a little sad cuz I like him okay??? I just think he’s NEAT, he’s got big dad energy, he was teaching Lloyd some shit that just got DROPPED and literally was never brought up again which is honestly a theme in Ninjago. Ninjago drinking game: take a shot every time they introduce a plot point or ability and drop it at or before the end of the season. WHICH THEY ALSO DID IN S5 WITH A DIFFERENT POWER ACTUALLY, so all the ninja are masters of Spinjitsu right, well s5 introduced the concept of Airjitsu which only Spinjitsu masters can learn and it lets them FLY and they used that for seasons 5 and 6 and then they nEVER BROUGHT IT UP AGAIN EVEN THOUGH IT WOULDVE COME IN HANDY FOR S E V E R A L DIFFERENT SITUATIONS ACROSS THE SEASONS, ONE OF THEM WOULD BE FALLING TO THEIR DOOM AND MY ASS WOULD BE YELLING “YOU CAN FLY, DUMBASS” - anyway, they do that again later lmao it’s fine. But what’s low key NOT fine is they made Nya the WATER NINJA!!! Like I’m not mad she has powers, except I kinda am, she was doing just fine as Samurai X and honestly the only reason she has super special ninja powers is for plot reasons. Also Cole got turned into a ghost, but by s7 he’s????? No longer a ghost????????? And that’s NEVER addressed or reasoned away, so like. Cool lmao

S6 didn’t happen. Like, canonically, s6 ends with wish fuckery that undoes the entire season and none of the characters remember anything that happened except Jay and Nya because S6 is the season where they get back together so they remember all those events for???? Feelings reasons?????? Unclear, moving on. The actual bbeg for S6 was a djinn with a vaguely Spanish accent, and to this DAY I don’t know why they made him have a SPANISH accent. Djinn are Arabic, not Spanish!! They’re not central or South American, either!!!! Your villain design makes no sense, do better

S7 had MORE time fuckery, and retconned what happened to Kai and Nya’s parents and hmmmhmhmhmhmhm that makes me Upsetti Spaghetti :3 not just the retconning, but the fact that they LITERALLY brought them back oNLY TO NEVER MENTION THEM AGAIN!!!!!! LITERALLY!!!!!!!! Okay so at the VERY very beginning, like pilot episodes beginning, Kai talks about their dad like he died/left fairly recently, BUT s7 contradicts that and claims that both of their parents were essentially abducted when Kai and Nya were little kids, which makes me question what in the fresh fuck two little kids were doing for all those years alone. SETTING THAT ASIDE FOR A HOT SECOND, their parents were also apparently good friends of Wu’s and old war buddies (from the Serpentine wars, which is YET ANOTHER bit of the timeline that doesn’t quite add up but honestly I could make a whole other post about that shit). But if they were such good fucking friends, why didn’t Wu check in every now and again??? What the fuck was Wu doing that was so fucking important that he couldn’t have been assed to visit his friends ONCE in like TEN MOTHERFUCKING YEARS and realize “oh shit, they’re not here and there are two tiny children running around unsupervised…My Kids Now : )” LIKE????? WU YOU LOW KEY SHOULDA LOOKED OUT FOR YOUR FRIENDS’ KIDS BETTER, THEY COULDA DIED BRO!!! Uhhhh the time fuckery also results in Wu getting yeeted ahead in time a bit and the ninja gotta find him

Season. Eight. I have…mixed feelings about this one. The beginning absolutely SLAUGHTERED me, and not in a “this is so fucking funny” way. No, the beginning made me feel like I was being flayed alive with just about every episode because Ninjago was back on its forced romance bullshit and this time it was Lloyd’s turn on the chopping block. That hurt my soul cuz like, look at that mans color scheme, he’s CLEARLY alloaro, why are you forcing romance on my aro man, why would you hurt me like that, BUT ALSO BECAUSE HE AND THE GIRL HE WAS BEING SET UP WITH HAD A LITTLE HEART TO HEART REALLY EARLY ON AND IT WAS THE MOST QUEER CODED SHIT!!!! IT DEADASS READ AS A CONVERSATION BETWEEN AN OUT AND PROUD QUEER AND A CLOSETED QUEER AND THEY MADE!!! IT!!!!! STRAIGHT!!!!!!!!!!!! The only thing that kept me watching at first was wanting to find Wu, and then I started enjoying myself once Cole found a plot-relevant baby and had fatherhood thrust upon him. Everything went from “ehhhhh” to “holy shit this FUCKS” once it was revealed that Rumi (Lloyd’s love interest) wAS PLAYING HIM THE WHOLE TIME AND WAS EVIL AND HAD AN EVIL GIRLFRIEND!!!!!! LITERALLY IMPROVED EVERYTHING ABOUT THE SEASON FOR ME, I COULD EVEN FORGIVE THE WHOLE “let’s resurrect Garmadon, but as evil as possible” BULLSHIT!!!!!!

S9 is a continuation of s8, Garmadon is back and 1000% Evil, 10% Dad, but none of the Dad energies is directed at Lloyd - it’s all directed at Rumi, and honestly I could write a whole ass post on just RUMI cuz that’s honestly my DAUGHTER and I LOVE HER and I’m MAD SHE DIES AT THE END OF THIS SEASON!!!! SHE DESERVED THERAPY AND TO LIVE WITH HER GF AND MAYBE SOME CRIME. AS A TREAT. RUMI DESERVED BETTER AND LOW KEY IM GONNA WRITE A FIC ABOUT IT, BUT ANYWAY WHERE WAS I

Ah right, so s9 has the four major Ninja stuck in the original dimension with no way home, while Lloyd has no powers (cuz he almost died last season) and has to somehow lead a resistance against Garmadon (who has taken control of Ninjago City and is working on the rest of Ninjago). Actually, s9 is pretty cool. Like, the end of s8 and into s9 are low key my favorite episodes, and I kinda wanna rewatch them now -

S10 is a FUN one. Garmadon got got last season, but he didn’t DIE, so he’s in cold storage and now there’s Another Threat and he’s the only one who knows wtf they’re up against so they let him out and he works with them. The funny part is, he is still Very Much Evil and doesn’t quite Get emotions like he did when he was, uh, human lmao, sO HE WOKE UP EVERY DAY DURING THAT SEASON AND DECIDED TO CAUSE PROBLEMS ON PURPOSE. IT WAS THE FUNNIEST FUCKING SHIT. 1000000/10 MY FAVORITE GARMADON, he ended that season by literally fucking off into Ninjago and they never decided to track him down 😭😭😭😭😭and I’m so SAD about it dude

S11 has another Serpentine as the bbeg, though in the setup to that they retconned how the fucking Serpentine tribes and history work??? I think???? Also Wu was a good 150% angrier and generally Done with the ninja’s shit, which was honestly refreshing tho I’m not quite sure I liked what the refreshed view was, but whatever lmao. S11 also had the ninja get yeeted to the dimension farthest from Ninjago, and honestly - okay, so they didn’t all go at the same TIME, Zane left about a week or two before the others did but there was time dilation fuckery afoot which I’m not too mad about cuz low key it makes sense. What I AM mad about is that they didn’t play the angst up to its full POTENTIAL!!!!!! Zane was EVIL in the other dimension!!!! Okay so I’m Ninjago he was only gone for maybe a week or two, but DECADES had passed in the other one, and all that time Zane was alone and disconnected from everyone he knew and loved, with a staff that boosted his power while slowly corrupting him and Turning Him Evil to help him, and like???? The thought of Zane trying to find a way home, trying to get SOME sort of message back, while he has to use the staff more and more to help him survive the long, lonely decades, so that by the time his family DOES show up its too late??? BRO. B R O. THAT JUST HITS DIFFERENT, BUT NINJAGO DIDNT DO THAT!!! THEY MADE HIM EVIL DUE TO MEMORY WIPE!!!!!! MEMORY WIPE IS BABY SHIT COMPARED TO A LONG, SLOW CORRUPTION!!!!!!

S12 was alright. It went into Cole’s mom, touched on some of the adventures she had had, threatened another forced romance (this time on poor Cole, just leave my mans ALONE) but thankfully didn’t follow through this time, introduced cool new powers that honestly hasn’t been elaborated on since that’s the most recent season I think lmao

Anyway thanks for reading and letting me rant!!!! I have,,So Much More I could talk about, PLEASE ask me about Rumi, some of my headcanons re: Garmadon and Wu’s dynamic, the Serpentine, my top five times they butchered Kai’s character for Plot Reasons, or anything else I brought up here that you want me to elaborate on!!!

#technical talks #ninja hoe #ask dadzawa #nonnie #this was honestly therapeutic tysm #and it let me kill time before I play Mario kart so bonus points!!#I definitely forgot to mention A Lot (like all the times one or all of the ninja lost their powers)#so like!!! feel free to bug me for more shit!!!!

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blodreina-noumou · 5 years ago

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question: how sexist do you think the show is? I used to think it used to be the height of feminism (I was a dumbass) but I want your opinion on what it does wrong, etc because as time goes on the way the narrative treats female characters is disturbing to say the least, at least to me

Be kind to yourself, anon - at one point, I do think this show was pretty good in terms of representing women in a diverse, positive way. While not “the height of feminism” (which is a tricky thing to pin down anyway,) the early seasons featured a range of women of all ages, abilities, races, and most sexual orientations.

Back in 2014, when it premiered, I think it was actually doing pretty good work at not only featuring these female characters, but making sure that their storylines included agency and motivations that went beyond what the men in their lives wanted/needed.

But the show has slipped a lot since then. Not only have our standards lifted, but the writing itself has taken a serious dive, and season six was the lowest point so far, for me. If we look at the way the female characters’ motivations have changed from season to season, it’s clear that, at some point, the writers kind of forgot that these women have agency and conflicting motivations, and don’t just exist to prop up the missions of the men or children in their lives.

In s1 and s2, Clarke was all about making firm choices and sticking with them. She was motivated by the safety of her friends and the rest of The Hundred, and a general impulse to “do the right thing.” No one single person or role compelled her - she was flexible and realistically able to fit into leadership positions, rebellion stoking, and squad commander. Although she was backed into a corner, it still felt as though her choices were hers.

In s5 and s6, Clarke is a “mama bear” driven into a illogical frenzy at the thought of her adoptive daughter being put into any sort of danger whatsoever, despite that being a reality of the world when one actually has to interact with people. Her decisiveness becomes impulsiveness, and her motivations are drained of all their complexity. It just becomes “Madi, Madi, Madi,” with no room for anyone else, and even less room for flexibility. She’s one-note, now. By giving her exactly one motivation in her life, one singular person to focus all of her affection and need to protect on, she’s been stripped of all of her complexity and agency. This is made even worse by the fact that she spent half the season on ice, essentially dead to the world, while her body was inhabited by the most charming lil sociopath this show has ever seen - one Josephine Lightbourne. A character who should have been a refreshing return to that kind of complexity, but falls flat for her own reasons.

In s6 we’re introduced to one of the most interesting characters in The 100 universe. A cunning, cutthroat, cold young woman with a cheery disposition and enough cleverness to kill a cat with a smile. Josie has been alive, on some level, for hundreds of years. She’s seen untold violence, and has become a greedy, selfish, cruel woman because of it. You would think that this kind of person’s return to life in this universe would’ve been earth-shattering - that she would’ve had some sort of epic, evil plan, motivated by the need to grab more and more power for herself. But what did Josie really, truly want in the end, more than anything? To reunite with her ex-boyfriend and body-snatch until the end of time, so she could stay with him, forever and ever. She was motivated, at the end of the day, purely by her romantic feelings for a man.

That’s disappointing to me. Especially because, in the latter half of the series, everyone’s motivations, but especially the women’s, end up coming down to one person - a person who is dependant on them for affection/comfort/softness/love, etc. Basically, everyone has now been hamstrung by their inability to focus on anything other than one person. And for each of the women, that’s often meant taking on the role of supportive girlfriend/mother, rather than having agency and goals of her own.

Other examples - Emori was a background character for most of season six, basically Harper Mcintyre’d, right up until her necessary betrayal of Josephine and Murphy becomes relevant to the plot. Echo was sidelined by her longterm romantic partner, ending up in serious danger, while he gallivanted off making googly eyes at his (old??) best friend, and this was treated as perfectly acceptable. Raven has been reduced to nagging shrew, and was also more or less set dressing until she become plot relevant to Madi’s story. Madi herself was the literal meat puppet of a creepy dude controlling her brain. Abby lived just long enough to make a meaningful sacrifice as a grandmother and then died. And so on.

I think that, as the series went on, and more and more characters and set dressings and crazy scenarios were added, the writers had to simplify character motivations and story arcs. If you just compare everything Raven went through and had to do in s2 (losing use of her leg; learning to use a brace; her romance with Wick; cracking the Mt Weather radios; figuring out how to stop the acid fog; watching her first love die; dealing with her grief; getting seriously wounded again at the end of the season, etc,) with what she had to do in s6 (work on a motorcycle; chastise Ryker for being a body-snatcher; watch Abby die; save Madi from Sheidheda) - it’s clear that the writers have shelved certain characters for the sake of others.

And what ate up the most time this season? The story of the Lightbournes, which is ultimately, yet again, a story about how a small group of people are solely motivated by protecting only each other, even if at the cost of everyone else. Specifically, Josephine is motivated by wanting to protect Gabriel from death forever, and her parents (particularly Russell) are motivated by making her happy, whatever the cost.

A cautionary tale for our OG heroes? Maybe, but it sure didn’t feel that way during the season.

The weird flipside of this is the way Bellamy and Russell existed purely for women in this season. Bellamy wanted nothing but to save Clarke, Russell wanted nothing but to save Josephine. But the difference is that, even within their singularly-focused motivations, Bellamy and Russell still had agency, and they both ended up making more decisions for the women in their lives than those women made for themselves. They moved the plot around the women, who simply had no choice but to react accordingly.

I think the show is trying to not be sexist, but in its current bloated state, it’s gotten really lazy, and the writers have lost sight of the complexity and characterization that made s1-s3 more impactful. I think JRoth and Co are probably bored with this universe - that’s why s6 was such an insane leap in tone, setting, and world-building.

And I think, like most human beings, they’ve allowed themselves to get comfortable with what they’ve already achieved. Unfortunately, the “good representation” aspect of this show has suffered a lot for it.

The short answer is: on a “how sexist” scale from 1-10, with 1 being “super sexist” and 10 being “not sexist at all” - we started at an 8, now we’re at about a 4. The show has done better. It will probably never do better again.

#asks #anons #sexism #the 100 #the 100 meta #pop culture #stephspeaks #long post

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themostrandomfandom · 6 years ago

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Hi! I found your blog the TKTD, and that fic and your theories have highkey gotten me back into glee :D your content is so interesting, thank you so much! I haven't read all of your analyses yet, so I may have missed something, but I'm still wondering a couple things 1. why did Brittany fail senior year? You've written a lot about her not being dumb (despite her intelligence being non-normative), and we know she's able to do at least very advanced math. It seems like her primary goal would be...

To move to the next stage of life with Santana, so why wasn’t avoiding failing out a bigger priority for her? Furthermore, as someone who was so involved with extracurriculars (Cheerios, glee), she must’ve needed to maintain reasonable grades to avoid academic suspension. So avoiding failing seems like something that would be on her radar? and 2. do you think brittany dropped the ‘if sex were dating santana and i would be dating’ line on purpose?

Hey, @savealtonrichards!

Sorry it’staken me so long to answer you! I don’t have much internet access these days.:p

If you’re infor a good ramble, it’s under the cut.

(WARNING:Here be griping about Glee writing—as one does.)

___

First thingsfirst:

Theout-of-universe stuff.

Glee is a show that’s difficult to categorize because while it ostensibly takes place withina realistic fictional universe (as opposed to say a fantasy or science fictionone), there are times when it noticeably deviates from reality.

Though thecharacters seemingly live in suburban Ohio in the early 2010s and areregular human beings living “regular lives,” there are certain aspects of theirexistences that absolutely strain credulity (even when one actively tries tosuspend disbelief).

Some ofthese breaches are obvious, like when Lord Tubbington is shown as being capableof using a computer. However, others manifest more as gaps in logic—the typesof minor “glitches” in believability that cause the viewing audience to go,“Wait a minute. That’s not how that plot development would play out in reallife.”

One exampleof this second type of breach is how between S4 and S6, the young charactersliving in New York, most of whom are supposedly tight on money, arenevertheless able to jet set back and forth to Lima seemingly every otherweekend, as if plane and train tickets are free and travel takes no time orenergy at all. Another is that Sue Sylvester could do all of the illegal,immoral, and just flat-out batshit insane things she does without ever being firedor prosecuted. Still another is that nineteen and twenty year-old kids likeBlaine, Finn, and Sam could be hired to coaching positions at their respectivehigh school alma maters, even though none of them holds a college degree orteaching certificate.

The breachin realism that is pertinent to our discussion has to do with Brittany’sacademic history—which as depicted in show canon is replete with gaps and holesand just doesn’t make much sense.

In episode1x07, we are told that for years Sue has been doctoring the grades of herCheerios, including perhaps Brittany’s. However, even after Will puts his footdown and flunks many of their teammates, the Unholy Trinity, including Brittany,continues to attend Cheerios practice. They are the only Cheerios who do.

How theyalone of the whole squad retain their academic eligibility is not clear.Santana may not be taking Spanish, as she’s not shown in the class. However,Quinn and Brittany most definitely are, so either they must be passing (whiletheir teammates are not) or else Will must have decided against giving them thefailing grades they would otherwise deserve, perhaps because he doesn’t want torender them ineligible for glee club.

WillSchuester is nothing if not a hypocrite, so honestly I wouldn’t put it past himto walk that particular low road.

In any case,the show never really clarifies to what extent Brittany may rely on Sue tomaintain a passing GPA.

ThroughoutS1, Brittany is reported to cheat off of Becky’s schoolwork in math class (seeepisode 1x09) and is shown attempting to cheat off of Quinn’s tests in Spanishclass (see episode 1x07), incidents which suggest that she does at timesstruggle with academic performance during her sophomore year.

However, herstruggles are not explored in depth, and her continued eligibility for theCheerios would indicate that either she somehow manages to make passing grades,struggles notwithstanding, or else that interference from Sue renders herstruggles moot.

Kurt alsoreports that Finn sometimes cheats off of Brittany’s math assignments (seeepisode 1x10). We don’t know if this cheating represents an isolatedincident or a pattern of behavior. However, if it’s the second option, then given that Finn maintains his academiceligibility for football even after having cheated off Brittany’s work, andconsidering that, unlike with Brittany, Sue is unlikely to have doctored Finn’sgrades, we can perhaps surmise that Brittany at least occasionally managesto earn passing grades on her own.

Even if Sueis pulling strings to keep Brittany on the field, come S2, the situationchanges, as in episode 2x11 Brittany quits Cheerios, at which point whatever“help” Sue had been giving her is almost certainly rescinded.

Shortlythereafter, in episode 2x13, Brittany remarks that hergrades are bad (“Totally. Most teachers think that by cutting class, I mightimprove my grades”), perhaps suggesting a drop-off due to a cessation in Sue’shelp.

Even so, it would still seem that Brittany isn’t altogether failing, asshe apparently passes the eleventh grade and commences thetwelfth grade with the rest of her class.

The shownever specifies to what extent Brittany and the other glee kids must maintaintheir grades in order to stay in show choir. On the one hand, glee club is notan athletic program, so the rules for eligibility may be different than withcheerleading or football. On the other hand, glee club is seemingly anextracurricular activity in which students may “letter,” and it does have itsown governing board and competition requirements, so perhaps its eligibilityrequirements are similar or even identical to those for prep sports. To whatextent there may be “house rules” specific to WMHS as opposed to district orstatewide rules for all competitive show choirs remains unclear.

My guess isthat there’s got to be some kind of statewide threshold for eligibility,particularly as we’re told, per Jesse St. James, that the Carmel High kids in VocalAdrenaline cheat and doctor their grades in order to maximize their practicetime and minimize their schoolwork.

Whatever thespecific requirements may be, the fact that Brittany remains eligible toparticipate in glee club throughout her junior year is another point that maysuggest that even without Sue’s interference Brittany maintains a passing GPA. ThatBrittany is eligible to rejoin the Cheerios come her senior year also suggeststhat her eligibility remains intact as she finishes out the eleventh grade.

However,things seem to take a sudden downshift from there, both in terms of Brittany’sprospects and in terms of narrative sense-making.

Come S3, we arefinally told that Brittany has a 0.0 GPA, though it’s never specified if that’sher semester, yearlong, or cumulative GPA. My guess is that it’s the secondoption, given that Brittany is told she must repeat the twelfth grade (asopposed to just making up a few credits during summer school or repeating multiplegrades).

That said,the situation surrounding her failure remains murky.

Prior to S3,Brittany has seemingly maintained a passing GPA, as is evidenced by heraforementioned progress through her freshman, sophomore, and junior years ofhigh school and her continued academic eligibility to participate in Cheeriosand glee club.

However, theshow never reveals how she has come by this passing GPA.

Our threemain options for explaining this phenomenon seem to be:

We can infer that Sue hasmanipulated Brittany’s grades in order to keep her academically eligible forvarsity sports.

We can infer that Brittanyhas achieved passing grades through her own efforts.

We can infer that perhaps somecombination of the above two options has taken place (i.e., that Sue hasmanipulated some of her grades, while others she earned through her ownefforts).

On the onehand, the show heavily implies that Brittany is a very poor student who wouldprobably be incapable of passing her classes if not for Sue manipulating thesystem on her behalf. On the other hand, given that Brittany maintains academiceligibility for Cheerios even when Will flunks many of her teammates in hersophomore year AND that she spends a significant portion of her junior year offthe Cheerios and still manages to pass, it would seem that Brittany is able tomake grades even during the times when Sue isn’t propping her up.

The questionsthen become: If Brittany can pass the eleventh grade “on her own,” then whydoes she fail the twelfth grade? Furthermore, how come Brittany is allowed toremain on the Cheerios and in glee club even once her grades start slipping?Why does her failure only come to light after it is essentially too late forher (or anyone else) to do anything about the problem? How come Sue, who hasnever had any qualms about manipulating her cheerleaders’ grades in the past,seemingly “allows” Brittany to fail her senior year? How come not a singleteacher or counselor at WMHS makes any efforts to help Brittany, even thoughshe is obviously struggling?

After all, Brittany’s 0.0 GPA seems to be a reflection of a chronic problem.

The firsttime we hear about said failing GPA is in episode 3x19, which is the sameepisode that features the WMHS senior prom.

For mostAmerican public high schools, prom takes place anywhere between March and June,which means that somehow Brittany is allowed to fail for at least one or two fullsemesters (or, more likely, given that many Midwestern American public schoolstend to run on the quarter system, two or even three full quarters) before Figgins tells her what’s up.

The school thenseemingly takes no action—at least as we see play out on screen—to helpBrittany course-correct for the final semester or two quarters of her senioryear.

She’s notput on academic monitoring or probation. She’s not assigned a tutor. MissPillsbury doesn’t set up any meetings with her to discuss her options or determineher future. No one writes her an IEP. She just crashes and burns until the endof the year, at which point she fails to graduate.

It strainscredulity that in today’s day and age Brittany could flunk out as “quietly” asshe did, without anyone—including her parents, coaches, guidance counselor,and/or girlfriend—realizing she was in trouble at any point along the way.

Where werethe midterm progress reports? The report cards? The summonses to MissPillsbury’s office? The failed tests that required the signature of her parent orguardian? Santana glimpsing an F on her Spanish essay and ripping Mr. Schue agoddamn new one because who is he to tell Brittany she isn’t conjugating verbsright when he can’t tell his own ass from an ñ?

Shouldn’tsomeone somewhere along the way have noticed something was wrong while therewas still time enough left to do something about it—and particularlyconsidering that Brittany is not only a student but a student athlete?

Per the OhioHigh School Athletic Association, a student must earn “passing grades in aminimum of five one-credit courses, or the equivalent, in the immediatelypreceding grading period” of athletic competition in order to be eligible toparticipate in a varsity sport, so in theory, after she fails that first term,Brittany shouldn’t be able to compete as part of the Cheerios squad at all, letalone be one of the senior leaders.

For therecord, the real life school districts in Lima, OH require a minimum GPAbetween 2.5 and 3.0 for student athletes.

One has towonder: Where is Sue in all this? How come she doesn’t intervene once she seesthat first bad report card?

After all,Sue has no qualms concerning academic dishonesty. By her own admission, she’s meddledwith her cheerleaders’ grades for years. Why shouldn’t she simply meddle in this case, too? Wouldn’tit be in her best interest to keep Brittany eligible to compete?

Come S4, Sueherself blames a “haze of pregnancy hormones” for preventing her from noticingBrittany’s S3 academic nosedive (see episode 4x02). Another contributory factor to her negligence may be her vicious congressionalcampaign against Reggie Salazar and Burt Hummel.

However,that Sue would allow Brittany to fail still presents a narrative problem, nomatter what her excuses for doing so may be, because the fact remains that academiceligibility is an issue that extends beyond her sole purview.

OnceBrittany fails the first academic quarter of the 2011-2012 schoolyear, shebecomes ineligible to compete in interscholastic competitions. The issue is outof Sue’s hands and into those of the Ohio High School Athletic Association.Some state official somewhere has the responsibility to mark her fileand bar her from any further participation in state cheer events.

—and yetthat never happens.

Somehow,Brittany remains a cheerleader (and member of the glee club) for the duration of the schoolyear, despite not passing a single class.

It’s one ofthose lapses in believability—those “Wait a minute. That’s not how thatdevelopment would happen in real life” instances—that takes Glee out of the realmof passingly realistic fiction and into the realm of exaggeration and camp.

There’s noway that Brittany could fail an entire year of school without facing anyacademic consequences—that’s just not the way that the American school systemworks, particularly when it comes to athletic eligibility.

How comeFiggins only notes Brittany’s failures in springtime? What is going on during the fall and winter?

For the record, episode 3x19 originally aired on May 8th, 2012. Within the universe of the show, the action of the episode may take place on the same date or at least a proximal one.

By allaccounts, someone somewhere along the way should notice what’s going on—if nota faculty member at Brittany’s own school, then some official on an athleticeligibility committee, or a college cheerleading coach scouting Brittany for anNCAA scholarship, or an auditor working for the superintendent, or a rivalcheerleading coach digging for dirt on Sue Sylvester’s stars.

Someone!

But no onedoes.

I mean,that’s what the show purports.

Figgins knows enough to inform Brittany thatshe’s failing, but he doesn’t do anything to help the situation except to lectureher for neglecting her duties as the senior class president and badger her intoplanning the prom.

Will and Emma, too focused on rescuing Puck from a similarfate, seemingly remain either oblivious to or unconcerned about Brittany’sacademic woes until she’s on the verge of failing her SECOND consecutive senioryear in S4.

And Santana? She’s blindsided. Somehow, even though she andBrittany take classes together and meet up during every passing block and spendall of their spare time in each other’s company outside of school, she has noidea that Brittany is in academic jeopardy—not until Brittany springs the newson her at BreadStix just before what should be their joint graduation.

Not untilit’s too late.

That’s canonas TPTB at Glee wrote it.

It makes nogoddamn sense, but it’s what we’re stuck with.

So.

Onto thesecond order of business, then:

Thein-universe stuff.

Returning toyour original questions: Why does Brittany fail her senior year—from asituational and character perspective? How come she doesn’t work harder not tofail?

Though earlyon, Glee at times tried to play Brittany off as an accidental or even dubiousgenius—such as in the scene in episode 4x22 where she’s first shown solvingcomplex equations for the researchers at MIT—they later fully committed to herprodigy, acknowledging it as the real deal.

By episode5x12, Baby Girl is shown as being capable of tackling the Riemann Hypothesis.Her work at MIT is serious. By S6, she’s doing complex math for fun, albeitwith kitty doodles drawn in the margins. The Brittany of episodes 6x03, 6x06,and 6x08 is able to slip in facts and impressive logical arguments alongsideher usual Brittanyisms and one-liners. Her intelligence is no longer subject todebate.

So what’sthe deal with her flunking out of high school? How can someone capable ofprocessing the most complicated calculus there is fail at high school algebra?

Here’s thething: While Brittany is indeed a certified math genius, there’s not always aneat one-to-one correlation between “raw intelligence” and “academicsuccess.”

Lots offolks who are plenty bright—including many who have impressive naturalaptitudes in certain areas—fail in traditional classroom settings, even inclasses that by all accounts they “should be good at.”

Some havebehavioral tendencies that are incompatible with the classroom culture. Others findthe course materials boring, either because they already know the materialbeing taught or else because the material is being taught in a way that isn’tconducive to their learning style. Still others learn at a different pace thanwhat the curriculum may allow for, working either faster or slower. Many simplytest poorly or have trouble focusing. Organizational issues, language barriers,home circumstances (which may interfere with one’s ability to complete homeworkor come to class rested and ready to learn), individual teacher-studentdynamics, problems with bullying at school, health or disability factors, etc.,etc. may also affect one’s ability to “make grades.”

Many of thesmartest people there are have failed in formalized academic settings. Conversely,many people of average or even below average aptitudes have found ways tosucceed in the classroom. Other factors such as one’s work ethic, connection toteachers and mentors, support networks, accommodations, etc. can also impacteducational success.

In Brittany’scase, there are myriad reasons why, despite her certified genius, she fails herclasses.

For onething, WMHS is a substandard learning environment, just to start out with.

Theatmosphere there is toxic. Bullying runs rampant, with the staff either whollyapathetic toward, powerless to intervene in, or even sometimes party to theperpetuation thereof.

The administration routinely mismanages its resources,spending an inordinate amount of money to support the cheerleading and footballprograms, though lacking certain other necessities—such as a functional specialeducation department, adequate handicap accommodations, and up-to-datetextbooks.

They also hire teachers who are both underqualified (such as Will,who teaches Spanish for years despite not actually speaking the language) andfrequently abusive (such as Sue, who should literally be serving jail time forthe way she treats the student body).

Multiple times, it’s stated that theirstudents test at below average reading levels.

While only a small percentage ofwhat Sue says should ever be believed, her claims that she doctors the gradesof her Cheerios to maintain their academic eligibility to participate in avarsity sport are seemingly accurate, as Will and Principal Figgins aver that such is this case.

Not a single permanentteacher, principal, or guidance counselor at the school, with perhaps theexception of Coach Beiste, appears competent to do their job.

The hijinks ofvarious staff members and students regularly interfere with the learning day.

Rememberthat old post about JennaB. Lacey, the Hogwarts student who just wants to get a proper education but isconstantly prevented from doing so because she has the misfortune of being inthe same year as one Harry Potter, whose adventures and misadventures areconstantly interrupting her lessons and preempting her exams? Just replace “Harry Potter” with “Rachel Berry” or “SueSylvester,” and you’re basically describing the life of your average WMHSstudent.

Though wedon’t spend a lot of time following the New Directions kids through theirregular classes, the few glimpses that we do get suggest that much of thecurriculum they are subjected to is either outdated or else straight upobjectively incorrect.

While theepisode plays the situation for laughs, Holly Holliday’s points about the sexeducation at WMHS being painfully inadequate aren’t at all off the mark. Mrs.Hagberg seems to experience episodes of dementia while teaching (and is aself-admitted painkiller addict). She frequently forgets her spatiotemporallocation and has on occasion been known to teach that the Nazis won WWII. Will speaksSpanglish and buys into racist stereotypes about Latinos. Sue promulgatesconspiracy theories and unsubstantiated revisionist history, purposefullyspreading misinformation as if she were the White House Press Secretary.

Later on, inS6, it’s shown that a complete overhaul is necessary to update the school’stechnology and curriculum in order for the students to start performing up tostandards on their state tests.

—and there’sBrittany, who learns differently than most people do, stuck in the middle ofall of this chaos.

Honestly,it’s a wonder that any of the kids at WMHS achieve any kind of mainstreamacademic success. That Quinn gets into Yale and Tina into Brown is kind of ascholastic miracle, all things considered.

So she’s upagainst a lot of impediments as barriers to her learning just as a baseline.

Then add inher individual difficulties on top of the other stuff.

Brittany’sis a unique mind. It is unclear to what extent book-learning and traditionaleducation work for her. She has a tendency to metaphorize concepts, suggestingthat she is an abstract thinker. Her flair for malapropisms also intimates thather mind is organized in “webs,” with various like-words grouped together byloose strings of associations. Though she is mathematically intelligent, she isalso emotionally intelligent and physically intelligent, as well.

Early on,her genius seems highly intuitive, as she is able to pull numbers out of theair, though she is not always equally able to explain how or by what means she hasdone so. In time, her methods seem to become more examined and deliberate, withtheory underlining what was once a more reflexive capability.

She isperhaps something of an autodidact, able, for instance, to teach herselfSpanish, though she apparently doesn’t fare well in the class in high school.

Though fewpeople on the show, save Santana, realize as much, she frequently runs abouttwo or three steps ahead of everyone else in terms of her conversations andsocial maneuvers. Her zany quips and seemingly innocent demeanor throw peopleoff, to the point where they don’t pick up on just how wily and keen she canbe.

On the onehand, this phenomenon affords her some social leeway—because, after all, she’sjust “Brittany being Brittany.” On the other hand, it sometimes results inthose who fail to understand her talking down to her, infantilizing her, andblowing her off.

Frequently, both Brittany and the people who engage with herwalk away from their interactions frustrated, Brittany because she’s beencondescended to, her conversation partners because they find herincomprehensible and off-putting.

So.

Considerthat many of her teachers—including Will—seem to be confused by the way shetalks and find her irksome to deal with and so tend to be dismissive of herduring classroom discussions.

Because herintelligence is non-normative, a teacher talking about A subject can get her thinkingoff on a tangent about B subject, C subject, and D subject, and pretty soonshe’ll be blurting out a question or comment about Z subject, which from herteacher’s perspective does not relate to the discussion topic at hand and mayeven derail the lesson, distracting the other students. The teacher then eitherreacts to Brittany’s question or comment with annoyance, shutting her down(such as Ms. Hagberg does in episode 3x02); or reacts with bafflement, ignoring her andglossing over what she’s said (such as Will does in episode 1x10). Either way, Brittanydoesn’t get her questions answered or her comments responded to in aconstructive manner, which means that, invariably, she doesn’t get what sheneeds to out of class.

By the timewe first meet her as a sophomore, Brittany’s reputation as a nuisance and“numbskull” precedes her.

Her teachersmake no effort to hide their low opinions of her intelligence.

In episode2x04, everyone ribs Puck for crashing his mom’s car into an ATM and gettingarrested. Brittany joins in the fun, remarking, “He may be the dumbest personon this planet—and that’s coming from me.” Though the moment is generallyjocular, the fact that Brittany’s teacher Will says nothing to defend her toherself speaks volumes. The incident is also not an isolated one, as later inthe season, in episode 2x17, Will directly questions Brittany’s intelligence toher face (“I get the three of you being on [the Brainiacs], but Brittany?”).

Tack on allthe instances when he responds to Brittany’s comments during rehearsals (andeven her later “cries for help” during S4) with bafflement at best and disdainat worst, plus the way he clearly talks down to her as if she were a youngchild rather than a teenager, and there’s no question that he thinks she’s adolt.

And he’s notthe only member of the WMHS faculty who feels that way, either.

SueSylvester is likewise a serial offender when it comes to calling Brittany dumband infantilizing her. Ditto for Hagberg and Figgins. Though we don’t get tosee Brittany interacting with many other members of the staff aside fromSheldon Beiste, Holly Holliday, and Shelby Corcoran—the last two of whom areonly at the school briefly—it stands to reason that there are other teacherswho share the same negative attitude toward her that the featured teachers do.

At onepoint, Brittany even says that her teachers have told her that her grades mightactually improve if she were to slough her classes.

Brittany’s“stupidity” is widely viewed as a given.

Time andtime again, the show depicts people taking her intelligence for granted andassuming the worst of her capabilities. Such attitudes undoubtedly influencethe way that her teachers approach educating her. If a smart kid like Quinn orArtie isn’t grasping a concept, then teachers will try changing their pedagogyup, teaching the lesson in a different, more effective way. The same is trueeven for an average student like Mercedes. If she’s struggling, a teacher’simpulse will be to show her patience because there’s a good chance thateventually (with some hard work and extra credit) she’ll get it. But not so with Brittany, whom most teachers seem to viewas an idiot. Why slow down a class for her? Why assign different readings? Whytutor her after school? Their assumption is that she is a lost cause.

Sue potentiallydoctoring her grades—and those of the other Cheerios—also exacerbates theproblem.

Thoseteachers who are aware of Sue’s meddling, and especially the ones who have beenbullied by her into being complicit, may feel a lessened sense of obligation toreally teach Brittany or attempt to accurately evaluate her learning because,after all, no matter how Brittany performs, she’s going to be handed a passinggrade in their classes anyway.

Conversely,those teachers who remain unaware of Sue’s meddling may believe that givingBrittany a failing grade will result in meaningful academic consequences forher, which will then lead to her getting the help and attention she needsvis-à-vis the systems that are in place to prevent kids from “falling throughthe cracks.”

Of course,because Sue changes Brittany’s grades after the fact, Brittany never receivesany such help.

The systemsdon’t attend to her. Nothing in her file gets flagged. No one pulls her aside.She just gets passed along from year to year and class to class without anyoneever really taking an interest in her learning.

Either way,she’s left ill-equipped to succeed in high school.

On top ofeverything else, Brittany may also have an undiagnosed learning disability,such as ADHD or ASD. Though of course the show never states that she does havea disability (undiagnosed or not), some neurodivergent fans see in Brittany a kindred spirit whose experiences inthe public school system resemble their own.

It’sdefinitely possible that she could benefit from some accommodations.

But as faras we know, they’re never offered to her—not only because, as we learn from Sueregarding Becky Jackson, WMHS doesn’t offer special education classes, but alsobecause everyone thinks that she’s just “Brittany being Brittany,” and she’s a hopelesscase from the get-go.

So howeversmart Brittany may naturally be, she’s got alot stacked against her at WMHS, including antagonistic teachers, theabysmally low expectations people set for her, Sue’s interference with hergrades (and then the sudden cessation of that interference), her non-normativelearning strategies, and other possible factors.

Add in thatduring her senior year, she’s also dealing with some extra pressures outside ofthe classroom, and what we have is a recipe for a disaster.

Note: Ofcourse, the show deprives us of hearing Brittany talk about the aftermath ofSantana’s outing, suspension, and disowning in her own words, but HeatherMorris’s nonverbal cues show that Brittany’s upset during this period is hardfelt. It’s a stressful time in Brittany’s life, and even after the initialwounds have healed somewhat, Brittany still devotes much of mental andemotional energy to trying to ameliorate the situation, to keep Santana in agood place, to help her smile, and carry on. That’s not to say that Brittana’srelationship or Brittany’s efforts to make Santana happy cause Brittany to failher classes. It’s just to say that Brittany’s senior year is one in which shehas a lot on her mind beyond the regular cares of just being a teenager.

Thesituation as it is, it’s perhaps unsurprising that she should struggle.

However, thequestion still remains: Why doesn’t she ask for help?

No one, includingher parents, teachers, or girlfriend, seems to notice she’s academicallydrowning until it’s too late. But just because they don’t notice on their owndoesn’t mean that Brittany can’t alert them to the situation, right? So whydoesn’t she turn to Mr. Schue and say, “I need some extra help on my historyhomework,” or confide in her parents that she’s just bombed another Englishexam, or ask Santana if they can perhaps study for chemistry class together?Wouldn’t it be in her best interest to do so? Shouldn’t she want to graduate sothat she can get on with her life (and follow Santana)? Why not just reach outto someone?

Easier saidthan done.

Brittany hasspent her whole life being disparaged for “not being smart enough.” Is shereally going to admit she’s struggling to many of the same people who are activelycontributing to her struggles?

Sure,ostensibly, Mr. Schue is her teacher, and he’s supposedly an advocate for her.But can she really turn to someone who has routinely made her feel like anidiot and confess to him that she’s not understanding her classes—andespecially when she’s fully aware that, even if she were to ask him for help,he is probably not the best person to offer it, considering that he’s not actuallya qualified teacher?

The samegoes for Sue, who habitually preys upon Brittany’s vulnerabilities and has beenknown to blackmail students whenever she has any sort of leverage over them.Brittany would have to be an even bigger fool than the one people take her forin order to ask a favor of a megalomaniac of Sue’s caliber.

If Brittanywere to turn to her, the best case scenario would be that she would once againresort to doctoring Brittany’s report card—which is not necessarily an outcomethat Brittany wants. The worst case scenario would be that she would find someway to make Brittany’s life hell for having even approached her.

Brittany has to wonder: Is there any good that could come of prompting Sue totake action if she hasn’t already done so (unprompted) yet?

Not evenEmma is a safe bet, considering that she seems completely oblivious toBrittany’s plight, even though it is literally her job to be on top of it.

She doesn’t pushWill to include Brittany in his Saturday Night Fever competition alongsideFinn, Mercedes, and Santana (see episode 3x16). She isn’t present to participatein the “come to Jesus” meeting Figgins calls Brittany in for before the prom (seeepisode 3x19). Nowhere along the line does she show any concern for Brittany’sGPA, even though she has access to Brittany’s records and presumably has aprofessional imperative to counsel with her concerning her future.

If she can’tbe assed to take an interest in Brittany’s academic struggles even though she’sbeing paid to do so, then Brittany’s not going to beg her to get involved.

Her inactionhas already sent the message loud and clear: Brittany is on her own.

As for whyBrittany doesn’t turn to her parents or Santana for help, things arecomplicated on that side, too.

Since wedon’t know much about Brittany’s relationship with her parents aside from thelittle we see of it in S6, it’s difficult to say why she doesn’t approach themfor help. Maybe she fears disappointing them. Maybe she feels that they won’tunderstand why she’s failing. (They might assume she’s being lazy or goofingoff rather than facing legitimate roadblocks to her learning.) Possibly,they’re dealing with some kind of crisis of their own at the same time thatBrittany realizes that she’s failing, so she doesn’t want to “bother them” withwhat she’s going through. Perhaps she does approach them but they either can’t or won’t helpher.

There’s alsothe possibility that Brittany is reluctant to involve her parents in her issuesbecause she fears the consequences if they find out that Sue has been doctoringher grades for years. How can she explain to them why she’s gone from having apassing (and perhaps even impressive) GPA in years past to having a failing(and even abominable) GPA this year? She’d have to admit that Sue’s been fudgingher report cards to preserve her academic eligibility—and doing so might resultin her parents asking her questions that she doesn’t want to answer.

Either shewould have to say that she had gone along with Sue’s meddling (even though sheknew what Sue was doing was wrong) OR she would have to admit that Sue hasbasically been abusing and blackmailing her and the other Cheerios, making herscared to come forward about the academic dishonesty. The first option oversimplifiesthe situation. The second option is the truth but one that’s probably difficultfor her to cop to.

In any case,for whatever reason, Brittany either doesn’t bring her problems to her parents’attention or she does but they can’t (or won’t) help her.

WithSantana, things are different.

Brittanyknows that if she approaches Santana with her problem, Santana will not onlycare but also understand all of the extenuating circumstances. Santana knowsabout the Sue stuff. She also sees how teachers and other staff members tend toreact to Brittany. She’s fully aware of the injustice. She’s also fully awarethat Brittany’s genius is misunderstood—that Brittany is smart, though her smarts don’t necessarily translate to hertopping the Honor Roll every semester. Santana has the full view of thesituation, and there’s no question that she’d be sympathetic to Brittany’sissues and do everything in her power to get Brittany help, if Brittany justsaid the word.

The troubleis that Brittany doesn’t want to say the word—not when Santana has been dealingwith her own troubles, which, on the whole, from Brittany’s perspective, seem so much bigger and moreagonizing than Brittany’s own.

Brittanycan’t bring herself to interject, “Um, excuse me, Santana, but can we take a break fromdealing with you being outed the entire state of Ohio, suspended from school,disowned by your grandmother, and homophobically bullied so that we can talkabout my algebra test?;” not when she knows that if she points out that she isfailing, Santana will pump the brakes on her own plans and ambitions in orderto stand by her side.

She doesn’twant to hold Santana back when Santana is on her way out of their stifling, gay-bashingtown, onto bigger and better things. She doesn’t want to drag Santana herpersonal turmoil, not when Santana is just finally getting clear from theturmoil in her own.

—andespecially not when Brittany views her own failure as inevitable.

Yeah, shecould tell Santana, and, yeah, Santana would try to move heaven and earth tohelp her. But in the end, there’d be nothing Santana could do. Brittany wouldstill fail, not due to any lagging efforts on Santana’s part, but becauseBrittany has never been able to succeed in school no matter how hard she tried,because the whole system is rigged against her and always has been. No matterhow much effort Brittany expends to show people she’s got a fine brain in herhead—by winning a quiz bowl championship, writing for the school newspaper,becoming class president, dishing out wise advice, etc.—no one except for Santanahas ever been willing to give her a chance. They always see her as an imbecileor a child. Even Santana can’t change the status quo. So why drag her into it?

InBrittany’s view, it’s better for her to help Santana pursue her dreams outsideof Lima than to do anything that might cause her to turn back or slow down.

ThoughBrittany often projects confidence, the truth is that just like the other twomembers of the Unholy Trinity, she has some serious and deep-seated self-esteemissues. After so many years of people calling her an idiot and treating herlike a child, part of her wonders if they aren’t perhaps right (see her speech in episode 4x22).

While shedoesn’t want to believe what the haters are saying, she also can’t help butfeel that maybe she is destined for Lima Loserdom. If so, then the last thingshe wants to do is drag Santana down with her—hence why she doesn’t mention herfailure to graduate until she’s sure that Santana leaving town and going toLouisville is already a done deal.

Is refusingto seek help from anyone a wise choice on Brittany’s part? No.

But havingdifficulty asking for help is a character flaw she comes by naturally. That agirl who’s been told “no” her whole life would be scared to ask anyone to takea chance on her and say “yes” makes sense. The behavior pattern is a consistentone that she displays throughout the show, such as, for example, in S4, whenshe stages not one but two separate public meltdowns in situations where sheneeds help but doesn’t know how to ask for it (see episodes 4x02 and 4x22).

Note: Thefact that Brittany actually brings herself to ask Santana if they can seekadult help regarding their relationship troubles in episode 2x15 shows just howmuch the issue means to her. Normally, Brittany would never suggest seekingoutside counsel, but in that case she wants so badly to set things to rightsbetween her and Santana that she petitions Santana to approach Holly Holliday.Her love for Santana outweighs her fear of making herself vulnerable.

Brittanydoes want to graduate high school. She does want to be with Santana andcontinue their relationship. She wants to escape Lima. She wants to prove thenaysayers wrong. She wants to start a new life somewhere where she’s notnegatively stereotyped and looked down on by everyone. She wants to livehappily ever after with the woman she loves. She wants all of these thingsdesperately, more than anyone really knows.

But she alsodoesn’t know how to get what she wants.

She feelsboxed in and like her situation is hopeless.

So she justtailspins until she crashes.

—and thetruly tragic thing is that nobody notices what’s happening with her until it’stoo late, either because they remain oblivious (like Santana) or because theyare apathetic (like Brittany’s teachers, coaches, and guidance counselors).

Per usual,Glee tried to play the situation for laughs, but there’s really nothing allthat funny about Brittany’s academic failures at all.

Like manystudent athletes, Brittany is a kid whose physical abilities have been valuedover her learning. As long as she’s helping the Cheerios to winchampionships—and make no mistake, like Quinn and Santana, Brittany is one ofSue’s superstars, whose dance and choreography talents are one of the main advantagesthat make the squad elite—then nobody cares if she struggles in her classes.It’s all about what she can do for the school and not what the school can dofor her.

Of course,in Brittany’s case, there’s even an added element of administrative apathy atplay beyond the usual “Just pass the girl so she’s competition eligible” bit.

Because ofthe way she thinks and acts, her teachers assume that she incapable of and/ordisinterested in learning. They allow their annoyance and exasperation with herto supersede whatever obligation they might feel to provide her with a realeducation.

The sad reality is that no one’s going to go out of theirway to teach a girl that they consider a) a nuisance to have in class; b)incapable of learning; and c) someone for whom grades don’t really matteranyhow, given that she’s one of the moving parts in Sue Sylvester’schampionship cheerleading machine.

So that’show Brittany makes it through grades nine, ten, and eleven: By being passedfrom hand to hand, with the faculty and administration turning a blind eye towhat’s happening because, ultimately, no one really cares about her educationanyway.

But thenBrittany enters grade twelve, and for whatever reason this system suddenlyfalls apart. Though she has previously made passing grades—some of themostensibly without Sue’s “help”—the coursework in her senior year gets thebetter of her.

Maybe thetwelfth grade material proves substantially more difficult than the eleventhgrade material. Maybe years of inadequate learning finally catch up to her. (Ifone never masters the basics of a given subject, then one can’t very wellnavigate more advanced material, after all.) Maybe the stress in her family andsocial life so distracts her from her schoolwork that she is no longer able to juggle it all, and she ends up dropping the academic ball. Maybe herteachers finally have enough of her antics and decide to grade her punitively. Maybea confluence of issues affects her.

Whatever thecase, she fails.

That no onein the WMHS administration takes an interest in her case is a tragedy. Thatshe doesn’t feel safe enough to ask any of her teachers or coaches for help isutterly heartbreaking. Particularly when we compare her story to Puck’s, thenumerous ways in which the system has failed her become painfully apparent.

No childshould flunk out of school because her teachers find her annoying.

—andespecially not when she is willing to learn, if only given the chance.

Throughouther time at WMHS, we frequently see Brittany taking notes in her classes andvolunteering answers during lectures, incorrect though some of those answerscertainly are. She isn’t a girl who sleeps through her schooldays or cutsclasses or goofs off. She’s trying her best. And as the way she really comesinto her own after she leaves WMHS proves, she isvery much capable of learning, albeit at her own pace and in her own way.

Imagine howvery different Brittany’s story could have been if even one teacher had realizedher potential—or had even just given her a chance of any kind.

Not onlywould it perhaps have been possible for her to graduate with the rest of herclass, but her genius could have been recognized sooner. The entire course of her life could have been changed for the better.

As thingsare, Brittany eventually succeeds inspite of her experiences in the education system, not because of them.

Hers remainsa sobering story.

Anyway.

Then, toanswer your second question:

No, I don’tthink Brittany drops the “—if it were, Santana and I would be dating” line onpurpose. I honestly think it’s a slip on her part.

Here’s thething:

ThoughBrittana don’t get a lot of foreground development during S1, they do have asubtle subtextual, “in the background” storyline that centers on the tension between howSantana thinks they need to be versus how they really are.

Whilethey’re both truly happiest when they’re monogamous with each other, Santanacontinually insists that they maintain publicly visible sexual relationshipswith popular boys at the same time that they’re sleeping with each other—youknow, to project at least the illusion of “straightness.”

However,despite her interest in appearing “heterosexual,” Santana is never able to keepup her sexual relationships with boys for long. Puck inevitably cheats on her.Finn inevitably turns back to Rachel. She invariably ends up back in amonogamous sexual relationship with Brittany, who is more than happy with thearrangement, given that she and Santana are actually in love. The cycle repeatsitself ad nauseum, until eventually, between episodes 1x10 and 1x13, Santanaand Brittany fall into a prolonged period of exclusivity with eachother.

During thistime, they’re sleeping together, plus doing all of their regular “best friend”things—you know, like sharing meals and going out to movies and sittingtogether in the back of the class and writing each other cute notes andcuddling and linking pinkies and generally being, you know, GIRLFRIENDS—whichis why Brittany feels confused about the status of their relationship.

Santana hastold over and over again that just because you’re having sex with someonedoesn’t mean you’re also dating them.

But she andSantana aren’t just having sex. They’re also doing all sorts of relationship-ystuff. Plus, you know, they’re in love with each other.

So doesn’tthat mean that they’re dating?

That’s thequestion that’s in Brittany’s mind going into the infamous party line scene inepisode 1x13.

To quoteextensively from thispost:

During S1,Santana feels secure in her arrangements with Brittany as long as she maintainsa sexual relationship with Puck and he brags about it around school. As long aseveryone knows that Santana has sex with a hot boy and “likes it,” then Santanafeels safe to also have sex with Brittany, per her own druthers. Even afterSantana and Puck officially break up circa episode 1x03, things are cool becausethey still keep having sex and Puck keeps broadcasting the fact that they do totheir peers.

But then circa episode 1x10, somethingshifts.

Though Puck and Santana continue to haveintermittent sex, Puck ceases to boast of their encounters starting around episode1x10, when he begins to woo Quinn in earnest, trying to prove his worthiness asa father and partner to her.

When Puck ceases to brag, Santana getsnervous and feels as if he has rejected her. Is she doing something wrong?Doesn’t he like it anymore? Does he know her secret?

In episode 1x11, Santana sexts Puck in adesperate attempt to rekindle his interest in her, but her efforts don’t panout. Pucktana likely stop sleeping together between episodes 1x11 and 1x13,and, when they do, it likely causes Santana to fear immensely for herreputation.

Ironically, though the thing Santana mostfears in losing Puck as her beard is that people will find out the truth abouther relationship with Brittany, Santana can’t help but run to Brittany when shefeels Puck’s attentions waning. She panics her way right into Brittany’s bed,seeking the approval, affection, acceptance, and validation there that shedoesn’t get from Puck. In so doing, she probably reveals some emotionalvulnerability or even neediness to Brittany.

Considering that Brittany is in love withher, it’s hard for Brittany not to read significance into her actions and thinkthat they signal something big.

Hint: They do.

Brittany starts thinking more and moreabout what’s going on between her and Santana. Since Santana isn’t dating Puckanymore, maybe Santana could date Brittany instead.

It’s because Brittany has the idea ofdating Santana in her mind—and heart—that she blurts it out to the group in1x13.

“Sex isn’t dating.”

“—if it were, Santana and I would bedating.”

It’s Brittany voicing what’s in her heartbefore she can really stop herself.

That she has no premeditated intention ofouting herself and Santana is clear from the look on her face the second thewords leave her mouth and she realizes what she’s just said. She spoke what wasmeant to be a private thought aloud, and she’s scared to death about what theconsequences might be now that she has. She immediately glances to Santana,gauging her reaction, wondering how badly she’s just fucked up theirrelationship. Though the conversation quickly moves on from that point, herheartbeat most likely doesn’t resume a normal pace for minutes afterward.

Anyway, I’ve jabbered for a good, ol’long while now.

Thanks for the questions!

#Crazy Brittanalyst Answers #savealtonrichards #Brittanalyzing #It's been a while kids #I just want queue

31 notes · View notes

courage-a-word-of-justice · 6 years ago

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The shows that have made it this season will be getting their tags...soon. Because I fell behind early in the season, trying to read ahead is nastier than it really should be...

Update: I forgot to roll out the tags...! Sorry about that.

One Punch Man 2 1

This season’s name…sounds counterintuitive, to say the least.

I love how Genos is carrying a box of hijiki (which looks like hair) and Saitama’s wearing a shirt that says “hair” (in kanji) all over it. It’s funny for a bald man and his “work of modern art”.

I never knew Genos was so blunt. Maybe because the last season was a good 2 – 3 years ago…and was by Madhouse and Shingo Natsume, and so this feels slightly different.

Oh, Sonic…! I didn’t realise how much I missed you! (Not to mention, you look hot with the off-the-shoulder shirt, y’know?)

“Enoki” is a type of mushroom.

Oh, Garou!...Oh wait, there isn’t much more of the episode left, is there…?

Afterlost 1

Oh great…this is the second time the subs don’t work on my device of choice. Then again, it seems to be a problem with the ad blocker and not the video…Okay, fiddling with the ad blocker worked.

Let’s play Spot the Main Character Amongst All the CGI Guys! Yay! (obviously sarcastic)

Without the volume…this OP is, to not put it lightly, s***.

Shoumetsu means “extinction”, not “lost”.

And the reward for Jankiest CGI this season belongs to…

Okay…this is stupid…if it f**ks up even more, I’m out of here!

I know the horned owl is your mascot, but that doesn’t mean you needed a real owl.

Waittttttttt…how did the scientists know Yuki’s father was responsible for this stuff anyway?

I feel like Takuya was shoehorned in. I mean, there’s a better example of this character type in Naofumi (Shield Hero).

This guy’s name, as we know it, is Geek. Wow (sarcastic). Also, I find it funny Takuya has a “ta” on his licence plate.

“…she’s just a package.” - Welp, you don’t get any more blatant than that for female denigration! I think Anime Feminist had a field day with this one.

Come to think of it, I saw some helmets back at Geek’s place but Takuya never seems to use one…

You had one job, Takuya…*sigh*

I swear I said a few previews ago I don’t like 1st person cam…no one ever listens to me, do they???

Not dis shitto agen!

Okay, enough complaining. It seems Yu-no wasn’t bad enough, so they had to produce something like the Chaos Dragon and Seisen Cerberus of old…

RobiHachi 1

It’s Takamatsu being Takamatsu again. Also… I forgot to mention this earlier, but…Taiga Umatani seems to be related to Kurari Umatani (who is credited for Boueibu), so…I wonder if it’s a collective writer’s name for Studio Comet, like Izumi Todo for Toei? The only thing that goes against that is the fact “Kurari” existed during the Diomedea days of Boueibu. Also Isekandar seems to be related to Yamato’s Iscandar (which Takamatsu seems to like, based on the fact he once used Matsumoto metres as a shorthand for being in space). If you don’t understand, Yamato’s endgoal contains a place called Iscandar and that’s by Leiji Matsumoto.

Okayyyyy…what are these rabbit creatures…? But yes, it does smack of Boueibu simply because the episode layout’s the same.

Hmm…? So Robby seems be En (the do-nothing life) in spirit, but Kinshiro in background, but also he runs away from his fortune. “Hmm” indeed.

Oh! That’s what this string of misfortunes reminds me of! The monsters of the day from Boueibu.

Acrymalide.

Hatchi is a Kinshiro in looks but an Atsushi by being a goody-goody.

Hmm…they actually bother to show girls now…apparently Takamatsu went to a boys-only school, which is why his original works focus on dudes (as in, you can pick out when Takamatsu is adapting someone else’s work because it has a heavier focus on girls as supporting characters).

Mechs and spaceships are probably two of the only ways I accept CGI…and you, Takamatsu sir, have just done it (the latter)!

Aw! Lookit his (Hatchi’s) face light up like a Beppu’s! It’s cute!

Hatchi getting out the hatch…lame, but still somewhat effectve on me (because that’s my wordplay game you’re playing, Takamatsu…!).

LOL, it’s a transforming mech. It seems my words from a few comments earlier were basically foretelling the future.

Kimetsu no Yaiba 2

Yikes, “Sakonji Urokodaki” has a lot of strokes…

My Little Sister Lives For Headpats…hey wait, don’t all anime kid sisters do that(?)

For some reason, I know the “Don’t Lose Your Way” meme from Kill la Kill and yet I’ve never…watched KlK…?(!)

I swore that was Giyu (it’s the haircut, I swear), but it’s a random demon…

When all you have is a hatchet…use your head. (LOL)

Ooh, nice eyecatch!

This is really black comedy, in a sense. (I remember this demon fight from the manga which is why I say that.)

Hmm…this wispy stuff wasn’t in the manga.

Come to think of it, I don’t know how Tanjiro got his scar…

If you squint really hard, you can see CGI Urokodaki and Tanjiro…

He probably has no footsteps because of his shoes. Or the fact he’s a ninja. Were there ninja in the Taisho era…? Update: Tanjiro has the same kind of shoes…oops.

Come to think of it, Daisuke from DN Angel had to dodge traps every day before he became Dark…(thinking of this because I reread the first volume of DN Angel recently)

Oh! Manga panel preview! That’s quite fun, really.

Kimetsu no Yaiba 3

I just really like how Tanjiro’s eyes grew larger with what was clearly resolution before he closed the door.

Why do the non-descript hunters look like Giyu too…?

I’ve never seen KnY so comedic…and that’s coming from someone who thought the Head Demon fight from last episode was funny.

Welp, this is…kinda interesting (<- says a fan of Touken Ranbu).

This letter writing…it reminds me of Kekkai Sensen somewhat.

This realistic water…it’s beautiful, but it looks like it came straight out of Niagara Falls. Is that…too realistic for anime?

“No matter…”

It’s a fox version of Speed of Sound Sonic! Then again, the real Sonic is around this season and probably won’t be happy about that comparison…

Is “that guy”…Giyu? Or the demon who slaughtered Tanjiro’s family?

Spider lilies! I didn’t mention it last time, but the symbolism of the spider lily makes the ED real cool.

Bungou Stray Dogs 26

I’v read the wiki page for Chuuya enough to know the next few eps involve the LN Fifteen, so even though I haven’t read a translation of the source material, I know some of the ins and outs of it already.

Ooh! Kitty! (If you’re a manga reader, you’ll know the cat’s significance.)

I think at this point in time, all viewers are used to Dazai’s bulls*** by now.

Is it just me…or did Bones use CGI for the city? It actually looks kind of good…! Sasuga Bones!

I have a fic that predates Fifteen and could be set in the same period (the fic’s vague enough that it could’ve been them at 15, 18 or even 12)…and basically the only thing I got wrong was the fact Chuuya doesn’t have his hat (because I wrote Chuuya as having his hat in the fic). Also, the banter is tenser than I imagined it, but that’s subjective and something only I, the fic writer, can compare.

I wonder who the yellow-tinted Ability holder is…? Update: That’s Randou. Spoke too soon.

There was a box in the subs…I wonder what symbol that might’ve been.

“…closest to the explosion.”

BSD 3 2

Oh, so that’s what Randou was for! I see now.

Chuuya may be OP, but he’s one heck of a fun character…also, he’s not as OP as Saitama, so…yeah.

Oh, the ED from last time is the OP. I should’ve known.

I like the almost storybook-style of this episode!

I thought Dazai was faking releasing the hostages…I was wrong.

Face-stealing aliens return! (They were around last ep too, I think, but they were harder to see then.)

Again, watch for the cat!

Well, with only one suspect (or 3, if you count the Sheep kids), it was quite easy to figure out one of them was behind it. I kind of suspected Randou, anyway, considering what I’ve learnt from all the mysteries I’ve read.

Because I was watching this episode with the volume down low (so I could hear the OP and ED), the volume really did work wonders for the plot this ep…!

King of Prism – Shiny 7 Stars 1

This is the final debut of the season, so basically how this and Shield Hero perform will decide what will stay and what will go. Oh, yeah…apparently this is the companion to a movie, but the movie and TV series have slightly different content.

This dude’s (the one at the very start’s) so grumpy.

…welp, I didn’t expect it to be that much CGI.

This chunk of exposition…makes me feel like I missed something. It was probably in the previous movies, come to think of it…

Basically, this is…uh, Makura no Danshi or Room Mate all over again??? I’m noping out of here…! Bye!

Shield Hero 14

I’m putting this on the chopping block…just so you know.

…uh, age gap romance? It’s hard to tell at this stage, but they (Filo and Melty) sure act like it is romance.

Welp, this survived the chopping block. “Raphtalia backstory” is a good enough reason to stick around for, isn’t it?

Double Decker! EX 3 (FINAL)

I always miss the OP when I’m not watching Double Decker, but I miss the ED even more…

I can’t believe they tried to get away with a Spirited Away parody…!

I can’t believe I get to see Dr Apple all buttered up like this…

I love how Kirill is censoring himself. (At least he can prove he’s not a girl, unlike Valery/Milla, whose entire shtick is the confusion between genders.)

Oh! I think I know the answer to the case already! It was Kirill’s soap, so Doug is the “killer”. But then…why is it Derick, of all people???

LOL, the angles were so reminiscent of Detective Conan…

Underwear-stealing sextuplets…? Why does that kind of sound like Osomatsu-san…?

Ahh…I really am going to miss this ED. See you next time!

Shield Hero 15

I never thought Raphtalia would be so angry…that’s Naofumi’s job.

Okay…it’s the age-old question: do demis listen with their animal ears or their human ears? Do they even have human ears??? (That’s 2 questions, isn’t it…?)

Uh…CGI dinosaur, much?

Shield Hero 16

…and of course, the Queen is a loli. Of course (<-sarcastic).

“Why’d I even have to feed this KFC farm?” – LOL, but I wonder what it sounded like in Japanese…? (i.e. I didn’t listen to it and when I try to do that, there’s always something over the top of it…)

Sarazanmai 2

I wonder if I’ll ever get used to watching Ikuhara on a weekly basis…?

Kappamaki…geddit?

Wait…y’mean, Keppi’s breath smells like cucumbers? Uh…okay, TMI.

Enta’s Japanese house kind of looks like the one in Mawaru Penguindrum.

Wait…why does the Japanese word for “Fish Buffet” (Osakanazanmai) end in –zanmai? Does that mean Sarazanmai is…Dish Buffet?! (LOL)

Notably, one of the signs said “Union” in katakana. It must be an English play on words…y’know, trade union and union = connecting with each other? I’m surprisingly enjoying myself a lot with Sarazanmai, by the way. I didn’t think I would, but I am!

I think that might be Irohassu water. Or Dasani. I saw both those brands in Japan, but I don’t remember which had the green flowers.

Oh…my goodness! Nekoyama (Cat Mountain) Mokichi (written with kanji for “hair” and “luck”). It’s a Boueibu monster! Frick, I’m laughing too hard!

It’s very small and very thin, but the word next to the cat in the eyecatch is neko.

“…Meow God!” – It’s a pun on “Oh, My God!” but with a “meow” in it. It’s pretty forced, but it does get the nuance of the joke across…

Why the heck did the subbers choose “herb” as the word for weed in this? “Weed” is sufficient, right? Right…?

Well…if that spurt of water wasn’t symbolic…I don’t know what is.

The title translates better as “…but I want to steal”. Y’know, add a little force into it.

The two As and the “sara” below it seem to make a zombie face, huh?

Ooh, that ending…

#simulcast commentary #one punch man #sarazanmai #tate no yuusha no nariagari #Chesarka watches Tate no Yuusha no Nariagari #the rising of the shield hero #RobiHachi #double decker #bungou stray dogs #King of prism - shiny seven stars #Kimetsu no Yaiba #shoumetsu toshi #afterlost #Double Decker! Doug and Kirill #Demon Slayer #Chesarka watches KnY #Chesarka watches OPM #chesarka watches bsd #Chesarka watches Sarazanmai

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kinetic-elaboration · 6 years ago

Text

February 5: Thoughts on The 100 2x03 Reapercussions

I am very tired and I should sleep but instead I’m going to bring my The 100 rewatch project out of hiatus yet again with Episode 2x03: Reapercussions.

I miss Anya so much!!!!! This is mostly my Dichen Lachman obsession showing but also the way she gives Clarke that ‘yeah, whatever’ look when Clarke says she’ll get her out of the cage... your Grounder fave could never.

The show honestly peaked with S2 and after this it should have abandoned all attempts at edginess because nothing will ever be more Pure Nightmare Fuel than the Mount Weather Grounder Cages.

Clarke/Anya: the ship that almost was.

So when Clarke takes Anya out of the prison room, she opens a door that says “End Containment Area” and underneath that it says “U.S. Department of Homeland Security, Mount Weather Containment Protocol.” And people really thought JRoth made this up omg learn some history.

Considering how they left things (Anya literally trying to kill her and all her friends) it’s actually pretty impressively selfless and magnanimous on Clarke’s part to not just rescue her, but immediately and unthinkably rescue her. On the other hand, Anya feels some remorse for leaving her people whereas Clarke’s like ‘here are some clothes [even though those random bandages are holding up pretty well??], let’s get a move on!’ (I know she intended to come back for them and she was being smart and practical but from the pov of, say, Jasper or Monty, this is cold as hell of her.)

I’ve said it before and I’ll say it again: early S2 Clarke is Peak Clarke: smart, sly, practical, brave.

Byrne mentions Earth Skills teacher “Davis” as being part of the search team for Bell et. al. My question: how many Earth Skills teachers did they have lol?

I fucking love this crashed-ship aesthetic omg I forget how much I love it and then I see it again....

“On the Ark, you did anything you wanted, without a second thought about the consequences.” Like mother, like daughter.

I ALSO miss Jasper and Maya. I’m probably like the lone person out there who still remembers them fondly but they were basically perfect because they were sweet but with the potential for a lot of darkness as well, my favorite combination.

WHERE’S MY ART SCHOOL JAYA AU?

So actually fun fact, that isn’t how the art work would have been stored in Mount Weather. They had special containers for the paintings to protect them and like a special cart thing to transport them quickly from their old homes to the bunker I read a book.

No one ever characterizes him this way sufficiently imo but Monty is really quite uptight in a way. Like first: don’t cockblock him man. And second: just chilll. This is probably why he used to smoke weed.

“Trouble? It’s Clarke. Whatever she’s up to, I’m sure she can handle it.” I mean.... he’s not wrong.

Except for the part where she’s covered in dead bodies. But even then...

So I always felt like the main point of the Reapers was as kind of a zombie police force for Mount Weather: to keep the Grounders scared of the Mountain, so they won’t poke around in it too much. Though of course they also collect Grounders, which is helpful, since the Mountain Men can’t walk that far from their home base (and, as stated, they probably want to keep most of that area Grounder-free anyway). But it occurs to me now that a third use of the Reapers is like dead-body collectors? The Mountain dumps the dead bodies out the trap door, and the Reapers take them away and eat them. So gross and efficient all at once. Mount Weather’s motto basically.

Murphy and his creating-a-distraction stones are still one of the funniest jokes this show has ever pulled, though if it were a quicker reveal after “something like that” it would be funnier.

Never mind, Bellamy appearing out of the bush is true underrated comedy gold,

That said, I feel like everything outside of the Mount Weather and Clarke stories here is filler.

Love! That! Ship!

Major Byrne says that Kane is on the verge of losing control of the camp but... I dunno.... everyone seems to be working together pretty well? Maybe if they had diversified the cast a little, not in terms of yet more Grounders but, like, non-leaders of the Ark, that would be more clear????

Okay, well, admittedly, when the Grounder prisoner is brought in they do start a mini-mob, lol. Also one of the delinquent’s fathers is shot, it would be cool if we knew who he was?? ETA: and then he dies and Abby’s like “does he have any family?” lol he just said that his son was one of the 100 so like obviously he does??

The costuming people, like the set people, really are the geniuses of this show. I love Clarke and Anya’s outfits, and Clarke’s hair somehow being both grungy and beautiful like THAT’s the apocalypse style I wanna see.

Also they absolutely 100% would have gotten together in the S2-S3 hiatus if Anya hadn’t been killed off.

“You saved my life because you needed me” IS true but she also did it absolutely without hesitation, even knowing Anya really quite truly hates her, so this speaks either to some foolhardy bravery mixed in with her practical thoughts, or just straight compassion, or both. I guess that sort of is a Clarke thing. She can be a grudge holder (seriously don’t tell me she isn’t: Wells????) but her grudges are NEVER more important than hard-nosed practical problem-solving.

Time for some gratuitous torture. Honestly, I like Season 2, it’s probably my favorite season, but it has some MAJOR filler problems. Like when it’s good it’s THE BEST but then other times it just doesn’t know how to fill 40 minutes so it resorts to pointless diversions (like Bellamy rappelling down the side of a mountain to save a character who is literally never seen again? for some reason?) or just straight out ugly violence for screaming’s sake (Raven’s surgery, Raven’s Grounder torture, Abby’s shocklashing, etc.) Like honestly I can’t even watch this. I’m just gonna browse tumblr until it’s done.

The Arkers really like the concept of “confessing” don’t they?

Like okay I’m not done WHAT IS THE POINT of this? It all but kills the whole Kabby vibe (I still lowkey ship them but sometimes I think...why?), it’s truly painful to watch, and it has no plot purpose AT ALL not even world-building because, lol, we know the writers don’t care to flesh out Camp Jaha in any real way.

Murphy is taking such sad glee out of instigating Finn’s madness/violence. The Luci of The 100 for sure.

This Bellamy story line is boring though I’m sorry. Some of these scenes (the Clarke or Mount Weather ones) I could watch a million times but this is like... kay, I know what happens already. So.

“There are some lines you can’t uncross.” I mean I think this show has actually shown that’s pretty untrue since people get over almost everything pretty fast. There’s always another horrific thing to do and/or experience!

Yeah my bitterness is seeping in.

Anyway when you come into an interrogation knowing what the “right” answer is, you’ll never learn anything, take note, stupid teenager boys + U.S. law enforcement.

Like honestly this Grounder is 500000x smarter than they are. He saves himself and rains gunfire and destruction upon his enemies. (Well, saves himself for a few minutes--but at least he got to cause harm to those he hates!)

“You thought I was the crazy one, huh?” Was Murphy ever crazy, though, or was he just coldly vengeful?

Speaking of coldly vengeful, Byrne could have been a potentially interesting character? Maybe? I’m not really into the type but as I said I want more Arkers wherever I can find them. And Kane needs real opposition. I have sympathy for him to a degree, but I also think he ultimately weakens rather than strengthens himself.

I love when Monty calls bullshit on stuff. “I can’t see Clarke? Try and fucking stop me, bitches.”

Jasper has such a big heart. Truly the emotional core of this friendship.

I like how Kane speaks as if his “diplomatic mission” of adults is so vastly different than Bellamy and Finn just going off on their own I mean, Byrne is little better than Finn? They’re both easily frustrated and fond of torture? It’s just that Byrne understands a chain of command--barely--that’s literally it.

How does it make literally any sense at all to shocklash a person one hour and make her the Chancellor the next? Like you’ve just encouraged the populace to think of her as nothing special, not above the embarrassing public application of extreme pain--but yes by all means expect them to fall into line behind her leadership. I mean I guess this sort of works if she was already somehow beloved (I guess I’m supposed to just believe that?) and now more sympathy has been generated for her--but such sympathy would seem to come at the expense of Kane. It would seem to be the opposite of what he, or really Byrne, was going for with that disgusting display. But whatever memory is a fiction I guess.

And they have this swelling-music romantic eye-fuck goodbye like??? He was just beating you!! JUST NOW!

What I’m getting out of Murphy advocating for killing the Grounder: first, he has a clear, cold, practicality not unlike Clarke, and two, he still thinks of the delinquents as his friends--how sweet. Two days ago he was killing them, holding them hostage, and stealing their ammo before a huge battle but still. Bygones.

This is not a great ep. for Bellamy leadership lol.

Finn executes a man, while wearing Clarke’s watch, in the place they had sex. Seems...symbolic?? IDK it’s late lol.

I miss Nyko a lot but also now that I’ve seen (part of) Slasher I’m not entirely sure I can ever see Ty Olsson in the same light.

Wouldn’t it be funny if they were literal brothers? Because I always assumed this was metaphorical but...was it? WAS IT?

Weird note to end on, I know. If patterns hold, it’ll be another 2-3 months before I do this again but I’ll try to be a little more on the ball about it.

#the year 2019 #2019: fandom thoughts #2019: the 100 s2 #the 100 #the 100 rewatch

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fitzykreiner · 8 years ago

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hello, do you mind me asking what happened with sleepy hollow? I only watched the first season lol

not at all! okay so first off, congratulations on escaping the train wreck early. second, there was a shitload of bs happening behind the scenes, 99% of which we are still in the dark about. the rest is under a cut bc damn.

BUT ANYWAY, the biggest point is that they killed abbie off. like full stop, not joking, they legit killed. her. off. which was a good/bad thing. good, bc nicole was being treated like shit bts & wanted off the show so she could get herself out of the situation. bad, for obvious reasons. also bc they actually thought the show could continue w/o her.

the first big problem they had was gradually shifting the focus of the show from abbie + her relationships w/ jenny, ichabod, & irving (+ the various other characters in her life that they either killed off or conveniently forgot abt lmao.) to ichabod’s crusty-ass boring-ass family and past. as u saw in the s1 finale, abbie stayed behind in purgatory so ichabod & katrina could leave. katrina stayed, continued to be a fucking nuisance at best, & they introduced a cool new mysterious character played by john goddamned noble and ruined it by making him ichy & floptrina’s nasty-ass son, also the horseman of war. oh and also death is actually ichabod’s old bro w/ a hot bod who was all set to marry katrina b4 ichy waltzed his homewrecking ass in. anywho, boring boring boring bullshit that had way too many storylines happening at once, none of which were interesting in the least. i genuinely forget if we already knew the henry/jeremy and abraham stuff in s1? so if i’m repeating things u already kno, forgive me. i feel like maybe by time s1 was over we already knew henry was actually jeremy who was actually war, bc wasn’t he in 1x06?? whatever, don’t care, he’s a piece of shit

the second big problem is that they sidelined and/or got rid of all of the poc/good characters: luke, irving, cynthia, macey, andy, ABBIE, JENNY, all while introducing cardboard cut-out white people/BAD characters no one gave a rat’s ass abt. oh and also corbin was like completely forgotten abt, until his son came into the picture and they mentioned him like…….twice. but yeah lmfao, it was a miracle if jenny showed up for longer than 3 min & abbie was continually given the b plot and less screen time.

the third big problem was that they FORGOT ABT THE MAIN FUCKING PLOT POINT. that abbie and ichabod were the WITNESSES who were supposed to be WITNESSING THE APOCALYPSE. like i’m not even shitting you, the apocalypse ceased to be A Thing. (btw what the fuck happened to moloch???? i don’t even remember,) death/headless horseman/abraham was given humanity & a storyline no one asked for & they were really trying to push a weird romance angle between him and katrina since they were together when he was still ~alive. war/henry/jeremy was the next horseman to be introduced, simultaneously w announcing he was the demon spawn of ichy/floptrina. so that was something we had to suffer thru. Crane Family Drama was a BIG tag in this fandom during that time. no one cared. everyone hated it. even the fucking ichatrina stans started getting tired of it, if that tells u anything. so anyway, once death and jeremy were dealt with, idk?? they just forgot abt the apocalypse being a thing???? fuck knows, man. i’ve almost successfully blocked most of the bs in my mind.

during this time, ~s2, orlando got fired. or he was “asked to leave”, so, you know. my man hadn’t given a fuck before, getting fired just let him release the last of the fucks he had. also during this time, the writing was just getting worse and worse. i mean, BAD. like it was on a steady decline since b4 mid s1, but s2 was the relatively small cliff of bad writing before the exponentially cavernous shit hole that s3 became. they started treating abbie like SHIT during s2 and ichabod continually resembled more and more of a flaming bag of dog feces.

but yeah, s2 finale, katrina has revealed herself to be the evil-ass snake we all knew she was, tho the writers copped out by saying she was good the whole time until she started to feel bad for her shitty son & decided to side with him. whatever. bitch was evil from the start. in the finale she starts up this spell to send herself back into the past to kill ichabod to nip the whole resistance to the apocalypse thing in the bud. in the middle of doing that, abbie jumps after her, so they both get sent into the past. there was some admittedly very cool parallels to the pilot w abbie waking up in the forest and stumbling around & bending down to touch the road she comes across, etc. long story short, abbie meets up w past!crane, they go to franklin first, he dies, then they go to grace dixon, & she’s able to send abbie back to the future and reverse the spell. so abbie and katrina are sent back to present day and kathy is pissed as hell that abs disrupted her plans and goes to kill her, but crane stabs her ass b4 she kills abbie. everyone rejoiced at that, let me fucking tell you. that shit was therapeutic.

s3 starts, they’ve already lost a lot of viewers throughout s2, but the stragglers are still clinging onto the show bc the s2 finale gave us hope that they might be able to dig themselves out of the hole they wrote themselves into. boy were we wrong. it started out alright, we all had high hopes. abbie had left to go to quantico & had become an fbi agent. crane was……..fuck knows. i think he took a sabbatical or some shit bc of the ~grief. it’s been like a year or whatever and all the sudden abbie is bailing his ass out of prison. he got a boy band haircut. they introduced a new guy, daniel, also fbi, played by lance gross, and teased a relationship between him and abbie. they also introduced a new villain pandora, fine, and breasty ross, who added absolutely fuck all to the story and just complicated their poorly thought-out storylines even further. also there was an angel???????? idk, i think he liked abbie and ichabod got jealous. that may have even been in s2, i don’t fucking remember, i wasn’t religiously watching at this point bc i had some sense of self-preservation. daniel was promising, and black, and a love interest for abbie, so of course his ass got the axe. there was a weird and uncomfortable bones cross-over. like, a cross-over with the show bones, on fox. in a desperate attempt to rake in viewers. it failed, to say the least.

i don’t remember the details tbh, but s3 finale abbie essentially sacrifices herself, again, for ichabod. only this time it was permanent and it was somehow even WORSE bc they had her do it just to further ichabod’s man-pain and journey. they literally had her say that her job as a person and as a witness was to further him, the white guy. she told him and jenny to take care of each other and fucked off to the afterlife. after which, neither of them really mourn this?? whatsoever?? and we find out abbie’s soul was actually placed into a little girl? fuck i have no idea, i didn’t watch it. so anyway, abbie’s dead, ichabod moves to washington, dc, and the show is somehow still crawling along while disemboweled, dragging itself along the dirty ground w bloody hands, begging for the sweet release of death. the writers refuse, and beat the dead horse even deader. bring in a new batch of characters, jenny & joe (corbin’s son) are somehow still relevant, ichabod is a shadow of the man he used to be (mostly due to t-mis’s hilariously lacking acting job, praise be). i can’t tell u anything that happened in s4 bc i at least loved myself enough to not watch that horseshit.

all in all, it was a cocktail of good ol’ racism, bad writing, and arrogance that was shitty hollow’s downfall.

#asks #anon #sleepy hollow #shitty hollow #shady hollow #this ain't even half of it. just be glad u got out when u did #this took so long i highly doubt ur still up im sorry :/

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itsmajel · 6 years ago

Text

Majel Reads - July 2018

Flash / DC - Coldfalsh

[What is this?]

Lovesick by Crimson1

Barry is broken and looking for an outlet, any outlet, as he spirals deeper and deeper into depression. Enter Leonard Snart, the perfect escape. He hurt Barry and his friends more than once, so Barry decides to hurt him back, but not with violence. At worst, Barry will get some no-strings-attached sex out of the deal; at best…he’ll get Snart to fall in love with him and then break his heart to spite him. What Barry doesn’t expect is to fall for Snart in the process.

[Explicit] [238,592 Words] [Read on AO3 here]

Tumbling Together by RedHead ( @coldtomyflash )

When Barry and Len discover that they’ve accidentally become neighbors, they learn to navigate their new living situation amongst misunderstandings and a surprising amount of common ground.

AKA the fun-as-it-comes Neighbors!AU which turns into a Pretend Relationship!AU filled with tropes, hijinks, and some vague notion of a plot.

[Mature] [178,182 Words] [Read on AO3 here]

An All Too Jagged Snowflake by RedHead ( @coldtomyflash )

When Leonard and Barry discover that they're Soulmates, they struggle with the many, many issues this causes. It might be easier without the collective difficulties of the Rogues, a meta-gorilla, and the military, but life has never been simple for either of them.

[COMPLETE. Diverges after the Season 1 finale]

Long fic, best read in three instalments: Chapters 2-17 (Soul Mark), Chapters 18-34 (Soul Bond), Chapters 35-50 (Soulmate).

[Explicit] [276,521 Words] [Read on AO3 here]

Got A Melancholic Temperament (that's what they said to me) by RedHead ( @coldtomyflash )

A new meta with a strange ability has public opinion divided on whether she’s a menace or a miracle-worker. The jury’s still out on the matter when the Snart siblings get caught in her crosshairs.

Or: Leonard and Lisa end up temporarily de-aged. It’ll wear off, but in the meantime, Team Flash has to figure out what the heck to do with them and how to keep them safe. Inviting them to live at the West house seems like a natural, if terrible, solution.

[Set after S2, ignores Flashpoint/S3]

[Explicit] [77,848 Words] [Read on AO3 here]

he's my latest accessory (wanna carry him 'round all over town) by RedHead , Swing Set in December (swing_set13) ( @coldtomyflash )

Having a dual identity has never been so frustrating

[Teen And Up Audiences] [5,864 Words] [Read on AO3 here]

Saints and Sinners by bealeciphers

Leonard Snart is a very simple man who wants one, easy thing from Barry Allen. It's Barry, surprisingly, who takes it a step further

[Mature] [5,198 Words] [Read on AO3 here]

How Are You, My Future 'Something' by bealeciphers

Leonard Snart is lying in his room in the waverider, after a visit to the year 2024. The Flash is lying beside him, unmasked and comfortable, but this Barry Allen isn't the one from 2016. Trying to get information, Len engages this Barry in conversation.

[General Audiences] [2,001 Words] [Read on AO3 here]

Face Blind by nirejseki

Barry's just a regular CSI. Totally 100% boring, normal, and standard.

Except for the fact that he's dating a supervillain.

(Prompt: Barry's just a regular CSI, and he takes his super villain fiance to his high school reunion. Maybe Len scaring the crap outta Woodward?)

[Not Rated] [3,107 Words] [Read on AO3 here]

Request for Proposals by nirejseki

In a world where marriage is an extensively negotiated contractual arrangement, getting Leonard Snart hitched is nothing less than a monumental task.

And Mick Rory's the sucker whose job is to find his best friend just the right spouse.

[Not Rated] [19,130 Words] [Read on AO3 here]

Your Mind, Like a Parasite by writerdragonfly

The Flash and Captain Cold accidentally end up stuck in each other's heads, only it doesn't stay that easy.

[Mature] [2,409 Words] [Read on AO3 here]

Surrender by cocoa_the_maniac, ladyofpride

“There are no negotiations for an ‘unconditional’ surrender, Barry. It’s either a yes or a no.”

Barry hums a little under his breath, contemplating his options. “You would get off on catching the fastest man alive, wouldn’t you…”

[Explicit] [7,559 Words] [Read on AO3 here]

So your Soulmate's a Jerk by The_Dancing_Walrus ( @thedancingwalrus-blog)

It was like an acid burn, for a moment everything felt normal and then it was like Barry's whole body was on fire. It was like the biggest shot of adrenaline, like he was suddenly way too aware of everything from the pain in his ribs to the smell of the front offices. He gasped at the same time Snart did, hand going up to his cheek which was still too hot and-

He turned, it felt like it took a lifetime, and Snart was on the floor staring up at him-

His whole hand had turned a red so dark it was almost black. A Lichtenberg figure, the analytical part of Barry’s brain supplied, Leonard’s Mark looked like a lightning burn.

(Russian and Chinese translations available)

[Teen And Up Audiences] [7,621 Words] [Read on AO3 here]

Tastes Better When It's Stolen by asimaiyat

“There are no negotiations for an ‘unconditional’ surrender, Barry. It’s either a yes or a no.”

Barry hums a little under his breath, contemplating his options. “You would get off on catching the fastest man alive, wouldn’t you…”

[Explicit] [7,559 Words] [Read on AO3 here]

Sugar and Spice by Liu

“You bake when you’re stressed and sometimes you give me cookies, but recently you’re giving me whole baskets each day, now I’m not complaining but are you okay?”

[Teen And Up Audiences] [2,292 Words] [Read on AO3 here]

Home Remedy by Liu

Barry is caught in a snowstorm and takes shelter in a coffee shop. He doesn't expect to stay for five days.

[Teen And Up Audiences] [5,021 Words] [Read on AO3 here]

call me (a hooker) maybe by Liu

Barry decides to solve his problem by calling a shady phone number.

[Teen And Up Audiences] [3,477 Words] [Read on AO3 here]

a look, a kiss, a time by Liu

Things are all wrong between them, before Barry runs back in time to save his mother and changes everything.

[Teen And Up Audiences] [3,295 Words] [Read on AO3 here]

Ever After by Liu

When Barry runs back in time to save his mother, he definitely does not expect to find out that in the new timeline, he's Leonard Snart's boyfriend.

[Teen And Up Audiences] [12,641 Words] [Read on AO3 here]

5 times Len saw Barry cry & 1 time when the tables turned by Liu

tumblr prompt fill for "Reacting to the other one crying about something".

[Not Rated] [2,622 Words] [Read on AO3 here]

Rock the Night Away by Liu

Barry is alone on Christmas Eve. He doesn't expect to find company in Captain Cold.

[Mature] [10,645 Words] [Read on AO3 here]

since we've no place to go by Liu

The first time his driveway is miraculously cleared in the morning, Barry is too tired to even appreciate it properly; he sighs in relief and goes back to bed, because it’s just one of those days when he’s constantly exhausted.

But it keeps happening.

[Teen And Up Audiences] [6,289 Words] [Read on AO3 here]

when you say nothing at all by Liu

There's a new barista at Jitters... and Barry's got a crush.

[Teen And Up Audiences] [2,001 Words] [Read on AO3 here]

Retrograde Motion by Liu

Leonard Snart is a name known to every forensic scientist this side of the Atlantic, and probably quite a few in Europe. It’s a name that graces the covers of a good half of Barry’s old university textbooks – or would, if Barry didn’t throw them all out years ago. Cisco’s not exaggerating (much) when he says the man is a legend… but Barry has exactly zero reasons to be excited about his impending visit.

[Teen And Up Audiences] [6,837 Words] [Read on AO3 here]

keep my mind (off the edge) by Liu

Len is diagnosed with an early onset Alzheimer's.

[Mature] [9,017 Words] [Read on AO3 here]

eventually, a beginning by Liu

Barry runs through the singularity vortex to find himself in a world where some things are NOT as he remembers them.

[Teen And Up Audiences] [8,768 Words] [Read on AO3 here]

this could be by Liu

Barry starts going to karaoke bars. It's pretty relaxing - until one day, Captain Cold shows up

[Teen And Up Audiences] [3,372 Words] [Read on AO3 here]

with the (poisoned) wind by Liu

Barry needs to get to a crime family's house to look for clues. Pretending to date Leonard Snart is his only ticket.

[Teen And Up Audiences] [8,080 Words] [Read on AO3 here]

keep on holding me like a grudge by QLaLa

What Barry calls "getting left in a panic room with Leonard Snart for two hours," Cisco calls "being a good wingman."

[Explicit] [3,886 Words] [Read on AO3 here]

costumes optional by QLaLa

Call it a hunch, call it intuition; Len was pretty sure his plans for the night had just gotten a lot more interesting.

[Teen And Up Audiences] [4,666 Words] [Read on AO3 here]

Since We've No Place to Go by QLaLa

A blizzard leaves Barry stranded on Christmas Eve, but there might just be one person left in town who's willing to help him pass the time.

[Explicit] [9,811 Words] [Read on AO3 here]

and in your heat I feel how cold it can get by QLaLa

“I saved your life," Barry said. He tried to grin, and managed a quirk of his lips. “The least you can do is share some body heat.”

Part 1 of draw me close

[Teen And Up Audiences] [2,366 Words] [Read on AO3 here]

wandering through our city to find some solace at your door by QLaLa

“You left in kinda a hurry this morning,” Barry said, and Len closed his eyes against the almighty hell he knew that sentence had just unleashed in the room behind him.

Part 2 of draw me close

[Mature] [3,689 Words] [Read on AO3 here]

in the middle of the night (when the wolves come out) by QLaLa

"A little chillier reception than I was expecting, Barry."

Barry rubbed his eyes and cast an exasperated glance up at the ceiling.

“It’s four in the morning, Snart. Spare me the temperature puns.”

[Teen And Up Audiences] [1,500 Words] [Read on AO3 here]

those three words over even "I love you" by QLaLa

Missing scene from episode 2x03, "Family of Rogues."

Later, he'd wonder if they all could've walked away from the heist in one piece if Barry had just called him Leonard.

[Explicit] [13,083 Words] [Read on AO3 here]

- - - - - - - - - -

( All summaries are the official summaries of the author. Stats and infos as according to hosting site or information given by the author. If any of the authors that have been tagged don’t want to be tagged, or if any of you know the tumblr names of the ones I haven’t tagged please let me know!)

Looking for more reading inspiration? Check out my fic rec tag here on tumblr, this month reading list masterpost for what I’ve read in other fandoms this month, my all-time reading list masterpost for more of this fandom or just check out my AO3 bookmarks.

#fic rec #rec list #reading list #marvel #coldflash #dc #flash #barry allen/leonard snart #majel reads #july 2018

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