#thinking about lucy right now

[uncanny-tranny]

Every time I think too deeply about how we've found the bones of thousands and thousands of years old ancient people and we've given them people names I just

Guys, do you get it? We put to name these ancient peoples whose bodies vaguely resemble us and we go, "you're one of us, and we will give you a name that we have invented". They are not here to have a voice for themselves, but they are here to be remembered.

To be named is to be loved.

[antigonesghosts]

What I loved about Cinderella's Castle is it is so entirely about Ella. We know starkid can handle a show with tons and tons of characters but I found it quite refreshing for it to be so wholly her story? I think it was a lovely choice for this show and man Bryce did such a perfect job of it, she is truly such a star

[bacchuschucklefuck]

love thinking kipperlilly spends her afterlife looking for lucy in a familiar forest

[jesuis-assez]

↠ Tim & Lucy scenes ↳ 5x10 - The List

[paranorahjones]

The fact that Lucy goes from a home where she is viewed only as a source of monetary gain at best and a nuisance at worst to a home where Lockwood gives her his childhood room and everyone shares tea and breaks bread together regularly and Lockwood refers to her as his colleague (and thus, equal) and treats her as someone much more valuable to him than just a colleague, taking every opportunity possible to protect her without a second thought. Throwing himself over her to shield her from Annabel, taking her hand and gently putting himself between her and the danger of the Shades and Lurkers (really taking her hand every chance he gets when appropriate), begging for his life to be taken over hers in that hostile situation, and something so innocuous and loving as preparing and giving her toast.

I know that Lockwood doesn’t exist only to be Lucy’s savior or anything, but the fact that he steps in to protect and provide for her nearly every chance he gets is just wreaking havoc on my emotions.

[theslotherin18]

Sera-ph-im. Seraphim. The seraphim sisters. Sera and Em. Where is the ph?

[dylanconrique]

if cliché bad, why grey restraining tim from following lucy into the o.r. after spotting her being pushed in on a gurney so, so good????

[valeffelees]

only bad thing about being in a fandom where one of the characters canonically has wings is the painful lack of classic wingfic. where is my everything's the same but people have bird wings watford au where one day baz notices simon hasn't been grooming his wings bc of an injury to his ribs so he sits on his bed and makes a whole fuss about how "i'm not doing this to be nice, snow, your wings are just a travesty to look at" and then proceeds to carefully and lovingly tidy his feathers in drawn out silence while they both pretend grooming someone else's wings isn't one of the most intimate things you can do for another person. will this heartbreak never end

[femninedelusions]

I couldn’t not post this photo of Lucy, look at her omg

☆Original Poster: lettertolis via twitter ☆

[justalittlebluetiefling]

I know they weren’t intended to be romantic from the beginning, but they really were out there turning Tim and Lucy into each other’s most important relationships from the very beginning and no I am not exaggerating.

[okiedokiegoosey]

theories w/ rocki bc @caterva told me to put it on the dash:

today's edition: cooper howard is not a naturally occurring ghoul.

i am pointedly putting this on lucy and not barb because we're going to talk about how it affects lucy and cooper's interactions. i may expand upon it on barb later. under the cut bc i am long winded and do not want to clog your dash with my cooper was an experiment theory.

disclaimer: these are my thoughts and opinions and that's it. they aren't law. do not have to apply to anyone. they're just here as thoughts and theories. that's it.

let's discuss how cooper howard is nothing like a naturally occurring ghoul in the fallout universe.

the first time we meet the ghoul, he's in the ground, and he's let up every year by dom pedro, but he's hooked to the same chem that's in the vials via iv. this directly goes against the general knowledge of natural ghouls being a. highly chem resistant and b. able to go on for at least a few decades without intervention for turning feral. it's important to note that todd howard himself said the show was canon, so that means game lore is in play here.

he called himself a bucket of drugs, which also, doesn't make sense to a naturally occurring ghoul or his personal character motives and development to that point. chem addiction itself is not uncommon in the fallout universe, but if we take his character as a whole. he takes it as it comes, he's a bucket of drugs. we see no indication in his supply that it's a chem addiction. hancock had a chem addiction that started his ghoulification. howard? yeah. no way.

and we have to consider how close he was to the memories of his past life after two hundred years and what he says about torture to lucy. he strung her up and lucy immediately dived into her own memories and personal mission to make him see reason. he immediately brings up studies, and if you look at his face, you can see a whole play of emotions before he said anything. that points in the direction of him having been where she was at some point. on the receiving end of what he perceived as torture.

so, let's say he was an experiment and not the product of continued radiation exposure. that also explains why his reaction was SO BIG to lucy smashing his supply. There is something inherently wrong with his regeneration and degeneration rates to need support beyond maybe radaway/radx on occasion to keep the radiation at a healthier rate? If the radiation were that bad, for him to need chem support so frequently, people would be dropping like flies due to the radiation. we don't see any evidence of that.

in theory, there's more than enough evidence to say he was tested on in a vault (hence why he knew at least janey made it in to one and not where she went after) and he likely wasn't the most willing to go in but did it for his daughter (dad of the century. take notes hank). If they'd separated them under the guise of protocol, he likely would've been more receptive to letting janey go before they went to night night sleep. it would also explain why he asks where the hell they are, because he knows for a fact at least janey is in a vault and likely trusts barb followed her own plan and went in one, too (more on that later. on barb). yes, he hated vault tec. that isn't up for debate. what is up for debate is how far he went to protect his daughter. his memory of where he knew she should be is too clear to indicate he was knocked out at any point. he knows they're in the vaults. that part he doesn't debate. he wouldn't know that unless he put janey in one himself. it would be more likely that he assumed at least she died.

now, what does this have to do with lucy? i'd be kinda hostile if i saw someone in a vault tec suit and i was their pet project, too. let's be clear about that. It's how he tells her he's her and to give it time is what I want to draw on first. we assume he means physically given the constant callback to her checking her radiation levels, but consider he meant mentally. that he too was a product of their design and look at how he turned out. he'd already called it quits with vault tec before the drop to think that kept him bitter. something in what we didn't see has his ire for them even higher.

plus, the name maclean would've triggered some memory. moldaver, too. we saw that. we know he's got a good grip on his mind (another reason the constant chem recall makes no sense in the grand scheme of things). i truly think his initial motive with lucy was to fuck with her because of her connection to vault tec. it was luck and chance she was useful to his personal mission, at least in the beginning.

let's put this naive (not dumb unless it's street smarts, in which she has no experience) girl in front of someone who has been through hell and back and still just wants to find her family. You see he's still capable of humanity (which goes against him being on the edge of turning feral too) because he does, in a way take responsibility for her, covers for her, and at least invites her along later.

nothing about this is to say the relationship can't turn romantic, okay? we aren't discussing that. if you want that for what you're writing, go for it. the room for interpretation is a beautiful thing, but at the very least, he cares enough about her to help her see her mission through to the end, too.

we aren't even going to mention the ghoul organs for sale which really wouldn't do anyone any good unless they're for science and research, which feeds back into the logic that someone is running experiments.

AGAIN ROCKI; TL;DR: all of this is to say that there are inconsistencies in the lore we know about ghouls and cooper howard to say he was a naturally occurring ghoul. his chem dependence leads to inaccuracies of his own cognitive function, and he was likely experimented on. it also explains why dom pedro kept him as he did in it's own way. his chem dependence also makes him unique in terms of a ghoul, and it's my theory that vault tec made him the way that he is.

[cyronite]

im so used to how finely curated my fandom experience is with star wars that im actually suffering trying to navigate the fallout fandom rn.

[marietheran]

No, you don't get it: the most tragic thing to ever happen in any of Lucy Maud Montgomery's books is that Anne would have been around 90 by the time The Lord of the Rings was published - and she would have loved it so...

And she absolutely did live to read it (look, I get to make the rules; it's canon from now on) but imagine her having access to it as a teen! Then, she definitely wasn't there to read The Silmarillion and these books were just written for her, you know...

(sad noises)

[manderleyfire]

hey, ali! i feel your pain about the tbosas adaptation! i cried so much during the movie but not because i felt emotional, seeing MY book comes alive on screen but because we were robbbbbbbbbbed and shot 😞😞😞😞😞😞 anyways, what's your opinion on the music tho? fav/least fav song? (my is the oldtherebefore and least fav the 0livia r0drigo's one)

hey, lollis!

‘robbed and shot’, exactly. i couldn’t have said it better myself because unfortunately, that’s spot on 🥲

I LOVED THE MUSIC! a dystopian reflection of our reality through intentional use of folk/bluegrass music is something that resonates strongly with me. i mean, they knew how to strike the right chord in the hearts of book readers for sure! *the only other thing i wish was different about the music it's the variety of tempo and rhythm because as much as i LOVED the unified sound of LG's songs, i would prefer each song to have its own individual tune and ~aura)

my absolute favourite adaptation that they did was 'nothing you can take from me' (boot-stompin’ version); i am utterly in awe of the powerful passionate energy that they gave to this song?? also i loveeed the similarity of rhythm and tone between 'nothing you can take from me' and a traditional american folk song 'man of constant sorrow', i kinda feel it was a deliberate parallel which worked just great. (also i’m glad they added maude ivory’s 'keep on the sunny side'!)

my least favourite is perhaps 'the ballad of lucy gray baird'?.. and though i did enjoy rachel’s rendition (she copies a young dolly parton in such a warm-hearted respectful manner!), and the respect for traditional appalachian music, she sang it in a cheerful 'to hell with you!' manner which is less intense and intimate that i remember it from the book to be? to quote tbosas here: 'the haunting melody set the tone, and her words did the rest as she began to sing in a voice husky from smoke and sadness' – the movie version really failed to capture both the haunting tune (their version doesn't really tell the story musically because of a major key) and the lucy gray's vulnerability here for me. in the book she did what carrie fisher told us all to do: 'take your broken heart and turn it into art' while in the movie she isn't even angry at billy taupe?? like his betrayal (and her place in the games) is not a big deal? she's openly rebellious and sassy with out of place 'i need no man' attitude and that simply didn't work for me personally.

it took some time for 'pure as the driven snow' to grow on me (i expected it to be more of a waltz-like, similar to maiah wynne's cover), but i'm coming around to it. yet… i wish it was STAGED differently??? they had to combine certain scenes and songs in the film but it was such a SURREAL idea to meld PATDS with 'sell you for a song' setting? and it took away so much from that moment of love and connection and unconditional acceptance, where lucy gray is finally ready to be emotionally unshielded in front of her lover (maybe for the first time ever)?? it was a PIVOTAL snowbaird moment but they needed to blend two songs together because obviously PATDS can't be love confession in form of a song because it should be taken as an ominous warning instead (duh!). 'bitch you better not turn out to be a bad guy even tho i knew you were a villain all along' :??? and it could've worked in its own angst-y way, if there had been any development in snowbaird love story?? but since movie!they are full on survival the whole time (there's no canonical teetering on the edge of an actual fondness/love and survival instinct), PATDS makes no sense at all. so… i extremely frustrated by the use of PATDS on screen but at the same time i love the sound of the full version on the soundtrack album.

annnd i'm actually IN PAIN because they had the audacity to leave so many songs out?? especially given their ties to the original trilogy?? 'deep in the meadow' aka rue's song???? 'the valley song' aka the one peeta mentioned seeing katniss sing at school when they were children????  the festive 'crawling to you' ('that thing i love with') likely performed at finnick’s wedding?? idk maybe it's a musical nerd who is speaking in me but i wish they could have included more of the book songs at least on the album, if not in the actual movie (even tho i'm still sure, it would've been possible to present the whole complexity of this book AND its poetic side too, if they decided to split the film in two).

[the score album wasn't much to talk about but 'snow lands on top' piece tho… vivid, striking, remarkable]

[caterpillarinacave]

Got any random Fairchild family headcanons, especially ones pertaining to Matthew and Henry?

Oh, I always have headcanons!

Also, sorry I took so long to answer, I am currently withering away to sawdust. 

Matthew was one of those “nicely disobedient kids”. Someone will be like “okay, keep your shoes on okay? It’s important not to take them off in here alright?” and he's like “yeah yeah yeah! I got it!” then tears his pants and shirt away and takes off running. 

Both Matthew and Charles were those kids who just hung off their parents 24/7. Actually, all the TID gangs kids are like that. Someone is always carrying at least one child. Henry’s lap is prime real estate. So are Will’s shoulders. What are adults if not your personal chauffeur?

Henry and Matthew actually do have very similar hair, although Matthew’s is straighter. Matthew can’t tell because, you know, he styles it, and Henry absolutely does not. 

Matthew’s concern about not looking like his father in GOTSM is distressing because its so unfounded. He looks a lot like both his parents, and frankly he’s the only one who's never noticed.

Christmas is soooo fun there. Mostly because they dont do any of it at their own house, they just go to all the christmas parties they get invited to and watch shit go down. Every shadowhunter party is a madhouse. Matthew and Charles get released into the crowd of children to play, and Henry and Charlotte just kind of sit to the side and watch everything dissolve into chaos. They’ll send Matthew and Charles home with an uncle or aunt, they're staying to watch 24 year old Micheal what's his name from some corner of Britain tries to fight his 64 year old uncle over the rise of livestock taxes in liverpool. Charlotte doesnt feel morally obligated to step until chairs become involved.

Other than the entertianment of christmas chaos, holidays are fun. They come with markets and present shopping. Matthew and Charles get paired off with whatever parent, then their basically free in a christmas market (provided they stay within five feet of said parent.) Matthew goes with Henry and has the time of his life. He comes home with pockets full of peppermint candies choclaty little fingers and a whole lot of happiness. Also, did you know theres fun holiday stuff in the shadowmarket? Whats better than sitting in your dads lap while he chats with a warlock in a demon language like forty people in the world speak, then going back to the cities for a chocolate croissant. Hey, it's safer than you think, Henry's not letting Matthew go anywhere in that market lol.

Of course, there a lots of bedtime stories and songs. Matthew is big on bedtime stories, though he has a few favorites. He's quite keen on Alice's Adventures In Wonderland, and he asks for it at least once a week. That was Henry's favorite as a child, and there are several copies to pick from which may be part of why Matthew likes it so much.

When Matthew gets a little older they move onto more interesting stuff. You know, the normal books for a nine year old; like The Travels of Marco Polo. Matthew is a well educated nine year old.

There's a lot of checkers and chess. Charlotte is decent at chess, and Henry's amazing at it, though Charles Buford and Matthew are more average. Matthew does, however, enjoy the aesthetic, and can play a mean game of checkers.

Tea time is important. World might be burning down but there will be tea on the Fairchild's table.

Matthew and Charles get sent flowers on special occasions. Doesn't really matter if they want flowers, or if they are "far to old for such frivolaty, I have things to do they'll simply die-" (coughcharlesbufordcough), they get them anyway. Henry and Charlotte have had the same ancient florist from Yorkshire doing it for decades, and considering she's been ninety since Henry was about six, and shows no signs of mortality, Charles and Matthew should prepare to have flowers forever.

One good rule for the kids in that house is to a) knock, and b) if that door is locked, do NOT open it. Really a rule all the TID gang kids know. If you decide to open, or try to open, or even hang out near, a locked door (or any thin walls) may the consequences be on your own head. Look, everyone in that group loves their partner very much, 

That’s why Charles Buford is so bitter btw. Didn’t know the rule, scarred for life. Pretty much like that vine. 

[leftistfanenboii]

So I have been playing Children of Morta and there are a lot of things I really enjoy about. I haven't quite finished the story mode

LET ME REPEAT THAT: I LIKE A LOT OF THINGS ABOUT CHILDREN OF MORTA! I LOVE A LOT OF THE GAME PLAY AND CONCEPTS GOING ON IN THIS GAME! ITS A BEAUTIFUL GAME AS WELL!

However... (do not pass this point if you are not up for dealing with criticism of the game, especially with a feminist lens)

The writing for the women and girls in the game is kind of awful. At least that I have seen so far

Mary is so chronically ill that she had to leave Lucy in the care of Margeret for years, and yet she is still having another kid. In fact, her whole character boils down to the sickly wife and the occasionally nay saying mother. Narratively, there isn't anything else to her, and in game mechanics, there is nothing to do with her. In a game about family, somehow, the mother is sidelined.

Sheila, the only woman mentioned so far at all to be a physical close combat fighter, never makes even an appearance and is, in fact, dead. Her death and the introduction of her son are used as a reason for character growth for Uncle Ben.

Margeret is supposed to be the matriarch to the family, and at least narratively and mechanically, there is a decent amount to actually back this up. Her upgrades from the book of Rhea are an important mechanic to progress. Her cutscenes consistently show her as knowledgeable and an authority in the family. She is still somewhat static, but she is shown to be consistently impacted by the revelations that have been made about the Corruption. However, she still has limited impact to the storyline for the family members compared to Ben, and her role as a magical herbalist and religious scholar are also overdone roles for older women characters.

All the playable girls (unless the final character I haven't unlocked yet goes against this trend. I am betting money that is not the case) are ranged fighters only. Lucy as a mage and Linda as an archer, which are some of the most common roles that women in media are put into. We rarely see, if ever, a woman in media that is allowed to be physically strong on par with her masculine counterparts, especially not in some way where she isn't damseled, killed, violated, or made palatable to male audiences. In fact, even Lucy and Linda both are made chickified by things such as their hobbies being music and art.

Lucy had to go through a whole trial to show she was ready to join the fight, while Kevin simply snuck out to prove himself with very little consequence for terrifying the family. Linda also sneaks out but only to join her father on his investigation at the start of the game and immediately return home.

All of these things separately, I could write off, but with these elements combined, it really comes off like the game has an issue devaluing the women in the Bergson family. It likely wasn't a conscious decision on the part of the writers. That is the insidious thing about patriarchal culture or any other cultural absorption of prejudice, you can unconsciously perpetuate it. However, it has been something grating at me while playing the game.