#thillana

[bnandwww]

Hamir Kalyani Thillana - Three of Us

Recently someone recommended me to watch Three of Us, and I did. Shefali Shah, queen of acting, is the protagonist, who is visiting a Konkan town to remember the familiar faces and sights from her childhood, before memories fade due to the onset of dementia. While the story is melancholic and gives a indie-like feel. I got surprised seeing a BN dance practice scene! The scene focuses on the…

[miserable-individual]

NOT ENOUGH PEOPLE KNOW THIS GEM AND IVE BEEN LISTENING TO THESE SINCE THEY'VE BEEN RELEASED LISTEN TO THIS PEOPLE PLEASE IM OBSSESED WITH THE FIRST ONE ESP

[keoshaarts]

Call : +91 7997101777 | Whatsapp : https://wa.me/917997101777 | Youtube : https://www.youtube.com/@KeoshaArts

Thillana 2.0 Dhanashree Bharatanatyam Dance | Vinayaka Chavithi 2024 | Hyderabad | Keosha Arts & Bharatanatyam

Presenting "Thillana 2.0 Dhanashree Dance" – a mesmerizing Bharatanatyam group performance at Harivillu Apartments for Vinayaka Chavithi 2024! Watch this energetic and graceful celebration of culture as the dancers beautifully blend tradition with modern choreography. The vibrant Thillana in raga Dhanashree adds a festive touch to the occasion, capturing the spirit of Lord Ganesha. Don’t miss this stunning dance showcase by talented performers!

Keosha | Bharatanatyam Dance Music Arts

#bharatanatyam #ThillanaDance #vinayakachavithi2024 #groupdance #indianclassicaldance

#Keosha #KeoshaArts #Bharatanatyam #Arts #Dance #Music

#Baratanathyam #ClassicalDance #IndianDance #IndianMusic #IndianClassic

Arts School Keosha Arts art is life Culture | Creativity | Celebration

[neeharikaneeru]

Revathy Thillana | Neeru | Ramu Raj

Revathy Thillana is a mesmerizing Carnatic classical music composition performed by the talented vocalist Neeru, accompanied by the skilled mridangam artist Ramu Raj. This Thillana, a vibrant and rhythmic piece, showcases the beauty and intricacy of Carnatic music.

[vishnavishivaa]

Ae Manpura Mangaiye

This is the full OS- I am clearly OBSESSED WITH modern first meets.

*******

Aparajit Ravi was excited for the Bharatanatyam program he was going for. He usually loved Bharatanatyam, being a dancer himself. However, something about this program hit different, in the very being of his soul.

He looked at himself in the mirror critically. He had chosen what is often called pattu pitambharam, the colour Krishna is said to wear famously. Something had told him this was the right kurta for this program. He quietly smiled when he saw the mirage of a peacock feather on the mirror.

Kanaka Sridhar.

Never had he met her, yet her dance felt etched in every inch of him, the romantic in him awakened since his best friend Rudra had told him about her.

Speaking of, Rudra had been throwing him a knowing look since he mentioned Kanaka, and Balaram Anna, Aparajit's elder brother, had taken cues from Rudra. This was so normal in Aparajit's life, but somehow, this time, everything felt different.

"You ready, Ajit?" Rudra asked with an innocent smile, dressed in olive green and wearing his calm smile with mischievous tints only Aparajit knew and understood. His best friend was up to something, mused Aparajit, even as he nodded in affirmation.

"I am, but..." Aparajit rarely faltered, but in front of Rudra, he had no reason to not.

"But?"

"Something about today feels signficant, Rudra. What is going on?"

"You will see at the dance program, Ajit. Come come," Rudra smirked mischievously, causing Aparajit to groan. His best friend was hiding something from Him, but Rudra could also not be cajoled.

Definitely not to tell Aparajit what He wanted to know badly.

"Come on, Kanna," Balaram added, the tone of His voice a smirk Aparajit knew all too well. The latter looked at His elder brother with big, hopeful eyes, but Balaram shook His head.

"You are getting nothing out of me. Come, let us go."

***

A strange nervousness filled Kanaka that day, as she sat in the make up room of Sivagami Petachi auditorium. It felt like life was coming to a full circle. This was the place she had done her Arangetram too, and it was incredibly special to her.

Yet, the strange butterflies in her stomach surprised her. Kanaka adored dancing, and when she danced, she was in the zone of Vishnu, as she loved to call it.

When she danced, she always lost herself to the music, the movement, the emotions, and in the world of Keshava. She felt that anything that was there was Krishna's, and whatever she did was for Him as well.

Moreover, the dance today was entirely Vishnu focused- She was starting with a Shabdham on Venugopala, then doing Innam En Manam varnam, composed by Lalgudi G Jayaraman. This was to be followed by two padams for a change, one being Aasai Mugam melded with Kaakai Siraginile, bringing together two masterpieces by Bharatiyar, and another a small padam Chaliye Kunjanamo, written by Swati Thirunal. Finally, she was to do Kalinga Narthana Thillana by Oothukadu Venkatasubba Iyer.

Today was the greatest exhilaration for her, and yet.. she felt her life will change with this performance. She reached for her handbag and pulled out the little Navaneeta Gopala, her lucky charm, and stared at Him for a moment. His little face was the greatest strength in her life.

She took a large breath and whispered, "Kanna, whatever you do, it is always for the best."

Girija and Medha buzzed in, and Kanaka looked at her best friends, smiling quietly.

"He is up to something," Kanaka said, feeling tears wet her eyes for some reason. But this was her best friends, who adored Krishna as their elder brother.

"He loves you, Kanu," Medha hugged her gently. "All will be well, you will see."

***

Aparajit felt an excitement fill him, as the compere for the day started speaking. He saw Rudra jolt mildly, and looked at his best friend. He had realized what was going on without being said; Aparajit patted Rudra's arm in support and turned back to the stage.

The sound of the salangai from backstage was a steady cadence, a sound his heart seemed to recognize. He smiled, eyes eager on the stage, when she walked in to the Thodaya Mangalam, the start of any dance program.

And he froze.

Tham thana tham thana kangal sontham solla

tham thana tham thana kangal sontham solla

His heart hummed that his vision was for her- this is why he had been born, in fact. He watched the inordinate grace that had become her being, and he knew that this dance will be one for the ages.

Idhayathin mozhiya ippothu ezhudhungal pallaviyai

He watched her start her Shabdham on Venugopala, and an awareness thrummed through his veins. The way she did it was as if she had given herself to Venugopala, as if He were all she wanted, needed and wished for.

And this was not the focus of the Shabdham. To any layman, her Bhakti will be clear. But to Aparajit's eyes, Kanaka's samarpanam to Krishna was the highest of awakenings, somehow.

It was as if... no, there is no way that is true.

Ae Manpura Mangaiye, Nillaayo?

He watched her go backstage with longing eyes as she finished the Shabdham, clapping loudly. He knew his eyes spoke of stars, but that is what she was made of; an ethereal woman, dancing as if she was an illusion on Earth.

Semadhulai vaai mozhi, sollaayo?

He smiled to himself when those words came to his mind. She was indeed beyond an apsara even, her beauty, he felt in his heart, was like Thirumagal... the One meant for Aparajit.

"You see now, don't you?" Rudra whispered knowingly, and Aparajit nodded.

"I see now, Rudra."

And she entered with Innam En Manam, making Aparajit's heart stutter. Bhamae, his heart whispered, delight filling him. My heart, his soul whispered, as he watched Kanaka in an energetic jathi.

She was speaking to him, his veins throbbed.

en kalithogai muraiyil paadugirai

en kalithogai muraiyil paadugirai

en kurunthogai mozhiyil pesugirai

en paamara mozhiyil paadayo

Aparajit watched as Satyabhama asked Krishna why He had forgotten Her, Kanaka embodying Satyabhama Herself. He felt like He could see a peacock feather floating around Kanaka, a symbol of Krishna in Her very presence.

Unexpectedly, their eyes met when she was finishing the jathi, and he froze. Those eyes... like the wide petals of the blue Lotus, ever expanding... oh, he had always known those eyes.

kangal paarthen kavi aanen

innum paarthal enge poven

And yet, he could not look away. Just a glimpse of her had given meaning to his life in a way he had never felt before. A type of energy filled him, the union of the inner shakti with the body, or so it felt like.

unnale kamban thaanduven

un idazh mele... ezhudhuven

He smiled a little when Kanaka did the whole Krishna cajoling a purposely pouting Satyabhama. Satyabhama seemed to always know that Her husband loved cajoling Her out of Her pouts and sulks at some mischief He has done. It was all an ethereal Leela of the couple who had chosen to make Their love as human as it is Divine.

Their eyes met again, and his heart sang- a powerful melody of an ancient feeling.

ae manpura mannava, nillaayo

en paamara vaarthaiyil, sollaayo

ae manpura mannava ae manpura mannava

The sweet pleas of Satyabhama cajoling a supposedly sulking Krishna stunned Aparajit's heart, for he could feel himself living the very scene. He knew a smile akin to nostalgia had touched his face, but his eyes were rapt on Kanaka alone, his mind zoning out of everything but her.

The varnam ended as SatyabhamaKrishna reconciled, and Aparajit felt a tear fall down his cheek. Usually he would wipe it off.

But not this time.

No.

This time, he would rejoice.

In the love, in the awakening, and in the flutter of the most ancient truth of all.

******

@ahamasmiyodhah @mahi-wayy @yehsahihai @theramblergal @krsnaradhika @ramayantika @achyutapriya @thegleamingmoon @nidhi-writes @houseofbreadpakoda @hum-suffer @kanhapriya @kaal-naagin @krishna-priyatama @willkatfanfromasia @celestesinsight @arachneofthoughts @idllyastuff @mahaswrites @braj-raj @krishna-sangini @krishna-premi @chaliyaaa @tripurantaka @writersiya @ambidextrousarcher @zeherili-ankhein @rang-lo @nushkiespeaks @sambaridli @sambhavami Let me know your thoughts!

[cytocutie]

The folded leaf grows green and broad: Amba — Deepa Bala

Painting (oil), 40.5" x 30.5" x 1.5"

Presented at The deYoung Open 2023 (ID #343)

Listed for $2235 *

Deepa Bala is an oil painter, illustrator, and printmaker based in California. To view more of her work, visit deepening.net . You can also find her on Instagram @/thillana .

The deYoung Open is a triannual exhibition featuring artwork by California-Bay Area creators. The most recent exhibit was on display at The deYoung Museum in San Francisco from 09/30/2023 to 01/07/2024. To learn more and view a digital gallery of all 883 pieces that were featured, visit deyoungopen.artcall.org . And if you're an artist from Alameda, Contra Costa, Marin, Napa, San Francisco, San Mateo, Santa Clara, Solano, or Sonoma County, you should consider making a submission for 2026! Applications will probably go live in early June 2026, so you have some time to plan :)

I am not an affiliate of The deYoung Museum, Deepa Bala, or any of the artists featured in The deYoung Open 2023. I'm just posting to celebrate some amazing CA artists. If you are the artist and would like me to take this post down or add additional credit, please message me on Tumblr.

* Listing price is shown on the deYoung Open website at time of writing. The artwork may no longer be available for sale.

[bambioleo]

can you suggest some good carnatic music? could be old, new all that you like. I fancy them but havent really dig into it till now

maha ganapathim is a classic it’s iconic it’s simple it’s complex because it’s simpke never goes wrong and alaipayuthe and vatapi ganpathim are both comparatively longer with like 12/13 minutes each if they’re singing it properly so there’s that and DHANASREE THILLANA when I tell you it’s such a good thillana like excellence really

and there are some songs that came out in mallu movies and they’re all proper proper kritis but some have been a little modified into being semi classical but still good

listen to nagumo (the chitram movie version) and from the same movie swaminatha paripalaya and then there’s another song called devasbhathalam it’s like the ultimate vocal practice ever

[maximuswolf]

Sounds of Isha - Kathanakuthukalam Thillana [Carnatic Classical]

Sounds of Isha - Kathanakuthukalam Thillana [Carnatic Classical] https://www.youtube.com/watch?v=xzdpuA3178U Submitted March 20, 2025 at 01:26AM by nothingarc https://ift.tt/aLu7ybY via /r/Music

[atplblog]

Price: [price_with_discount] (as of [price_update_date] - Details) [ad_1] M. L. Vasanthakumari - An Evening Of Bharathanatyam - S/33ESX 6046 - LP Record Madras Lalitangi Vasanthakumari (Tamil: மெட்ராஸ் லலிதாங்கி வசந்தகுமாரி) (popularly referred to as MLV) (July 3, 1928 - October 31, 1990), was a Carnatic musician and playback singer for film songs in many Indian languages. MLV and her contemporaries D. K. Pattammal and M. S. Subbulakshmi were popularly referred to as the "female trinity of Carnatic Music.[1] A prime disciple of the G. N. Balasubramaniam, she was the youngest among the established musicians of that era, and was the youngest female awardee of the Sangita Kalanidhi award. Record Details TitleM. L. Vasanthakumari - An Evening Of Bharathanatyam - S/33ESX 6046 SingerM. L. Vasanthakumari MusicK. N. Dhandayuthapani & Dharmapuri Subbarayar Releasing Year1972 GenreIndian Classical (Instrumental) LanguageTamil LabelColumbia Made InIndia ManufactureThe Gramophone Co. Of India Ltd Serial No.S/33ESX 6046 Side One Alarippu - Thisram M. L. Vasanthakumari Jathiswaram - (Ragam : Hamsanandi - Talam : Roopakam Thrisram) M. L. Vasanthakumari Varnam - "Sakiye" (Part 1) (Ragam : Sankarabharanam - Talam : Adi Chaturassram) M. L. Vasanthakumari Side Two Vanram - "Sakiye" (Part 2) M. L. Vasanthakumari Ashtapadi - "Nindati Chandana" (Ragam : Darbari - Talam : Adi) M. L. Vasanthakumari Javali - "Sakhi Prana" (Ragam : Senjurutti - Talam : Adi) M. L. Vasanthakumari Thillana (Ragas: Hindolam, Mohana, Darbari Kanada & Kalyani) M. L. Vasanthakumari Specification Size12 Inches Speed33 RPM Record ConditionExcellent Cover ConditionExcellent Manufacturer ‏ : ‎ The Gramophone Co. Of India Ltd. Item model number ‏ : ‎ S/33ESX 6046 Studio ‏ : ‎ The Gramophone Co. Of India Ltd. ASIN ‏ : ‎ B0CC5H7C24 Country of Origin ‏ : ‎ India Net Quantity ‏ : ‎ 1.00 count [ad_2]

[musicverse11]

The Iconic Music Directors Behind Rajinikanth’s Hits

Rajinikanth, fondly referred to as the “Superstar” of Indian cinema, is known for his larger-than-life presence, magnetic charisma, and unmatched versatility. While much of his fame stems from his acting and on-screen persona, his musical legacy has been equally significant. From the soulful melodies of his early films to the electrifying dance tracks of recent years, Rajinikanth’s film music has become a cultural phenomenon. With the advent of digital platforms like Spotify, his music continues to enthrall audiences across generations. This article explores the evolution of Rajinikanth’s musical journey and its impact on Indian cinema and beyond.

The Early Years: A Foundation of Melodic Brilliance

In the 1970s, when Rajinikanth began his career, Tamil cinema was witnessing a musical revolution led by iconic composers like M.S. Viswanathan and K.V. Mahadevan. The soundtracks of Rajinikanth’s early films reflected the simplicity and elegance of that era, with songs often characterized by soulful melodies and profound lyrics.

One of the standout collaborations during this time was between Rajinikanth and the legendary composer Ilaiyaraaja. Movies like Bhuvana Oru Kelvikkuri (1977) featured haunting melodies that perfectly complemented Rajinikanth’s intense performances. Tracks like “Ramanin Mohanam” showcased Ilaiyaraaja’s genius and Rajinikanth’s ability to convey deep emotions through music.

As Rajinikanth transitioned into lead roles, his film music evolved to reflect his growing stardom. Songs began to incorporate more energetic and catchy tunes, signaling his transformation into a commercial superstar.

The Golden Era: Ilaiyaraaja and Rajinikanth

The 1980s and early 1990s marked the golden era of Rajinikanth’s music, thanks in large part to his collaboration with Ilaiyaraaja. This partnership produced some of the most iconic soundtracks in Tamil cinema history. Movies like Thalapathi (1991), directed by Mani Ratnam, featured evergreen classics such as “Rakkamma Kaiya Thattu,” a song that topped BBC’s list of “World’s Top 10 Songs of All Time” in a 2002 poll.

Ilaiyaraaja’s compositions during this period not only elevated Rajinikanth’s films but also set new benchmarks for Indian film music. The songs were characterized by their intricate orchestration, blending traditional Carnatic music with Western influences. Tracks like “Sundari Kannal Oru Sethi” from Thalapathi and “Engeyum Eppodhum” from Ninaithale Inikkum remain timeless favorites among fans.

The Rahman Era: Reinventing Rajinikanth’s Music

As Tamil cinema entered the 1990s, a new wave of music began to emerge with the arrival of A.R. Rahman. His collaboration with Rajinikanth redefined the musical landscape of the superstar’s films. Their first major project together, Muthu (1995), included the global hit “Thillana Thillana,” a song that showcased Rahman’s ability to create infectious beats paired with unique instrumentation.

The duo’s next milestone came with Sivaji: The Boss (2007), which featured chart-topping numbers like “Style” and “Oru Koodai Sunlight.” Rahman’s modern, experimental approach perfectly complemented Rajinikanth’s dynamic screen presence, creating a synergy that resonated with both traditional and contemporary audiences.

One of their most celebrated collaborations is Enthiran (2010), where songs like “Irumbile Oru Irudhaiyam” and “Kilimanjaro” became instant hits. Rahman’s futuristic compositions matched the film’s sci-fi theme, proving that Rajinikanth’s music could adapt to any genre or era.

Adapting to Changing Trends: The Role of Digital Platforms

In the 21st century, music consumption underwent a paradigm shift with the rise of digital platforms like Spotify, Apple Music, and YouTube. Rajinikanth’s music, traditionally consumed through cassettes and CDs, found new life in the digital realm. Spotify, in particular, has played a significant role in bringing his iconic songs to a global audience.

Playlists featuring Rajinikanth’s top tracks, such as “Superstar Hits” or “Rajini Classics,” have gained popularity among younger listeners who may not have grown up during his peak years. Songs from movies like Kaala (2018) and Kabali (2016), such as “Neruppu Da” and “Ulagam Oruvanukka,” have introduced a fresh, contemporary sound to his music catalog while maintaining his signature style.

Why Rajinikanth’s Music Stands the Test of Time

The longevity of Rajinikanth’s musical appeal can be attributed to several factors. First, his films have always placed a strong emphasis on storytelling through music. Whether it’s a rousing intro song that establishes his character or a romantic ballad that deepens the narrative, music has been integral to his cinematic identity.

Second, his collaborations with top-tier composers have ensured that his soundtracks remain innovative and relevant. From Ilaiyaraaja’s classical touch to Rahman’s cutting-edge experimentation, every phase of Rajinikanth’s career has been marked by musical excellence.

Lastly, the themes of his songs — hope, resilience, love, and celebration — resonate universally. Tracks like “Vandhenda Paalkaaran�� (Annamalai, 1992) and “Muthu Muthu Mazhai” (Muthu, 1995) continue to evoke joy and nostalgia, transcending generational and cultural boundaries.

Conclusion

Rajinikanth musical journey is a testament to his enduring appeal and versatility as a performer. From the melodious tunes of his early years to the pulsating beats of his recent films, his music has evolved alongside his cinematic persona, reflecting broader changes in the Indian film industry. In the digital age, platforms like Spotify have ensured that his musical legacy reaches new audiences, proving that Rajinikanth’s music is timeless.

Whether you’re a lifelong fan or a newcomer to his work, exploring Rajinikanth’s songs is a journey through the history of Indian cinema. So why wait? Dive into his iconic tracks on Spotify and experience the magic of “Superstar” Rajinikanth through his music!

[mysticalblizzardcolor]

Basant Bahaar Thillana

Basant Bahaar Thillana ~Jayanthi Kumaresh Veena 🙏🕉️🌞https://youtu.be/Ox4VkT3F2a4?si=1inurap1mNJ0Gwh5 via @YouTube

[kreosstuff]

Carnatic Classical Vocal | Thillanas | Thillana Sindhu Bhairavi | By Bom...

[xyzzyxsworld-blog]

#Kalinga#Narthana#Thillana#experiment#rhythm#language

[odedmusic]

Ragam Nalinakanthi Thillana - Nalinakanthi - Aadi

#OdedFriedGaon #OdedMusic

[vatt-world]

vathipi ganapathi - obvious / under current

thillana

thagaraja - emtion/inflection in music