#they're off and too dark

[faceglitchsworld]

Hi! We are Monmungchi!

[puppetmaster13u]

Another Prompt in Memes?! Yes.

[starry-bi-sky]

finally giving fem danyal her own au and fulfilling my 'danny is an animal whisperer' agenda at the same time: mother of monsters danyal 2.0

i say "2.0" because TECHNICALLY 'mother of monsters danyal' is an au I made back in June for Dark fem!Danyal (who I promptly named Layal). However, I haven't posted much for her yet, and I like the "mother of monsters" premise too much to leave it only to Layal. Plus Danyal in that au was going to become the mother of monsters anyway, just with significantly less world domination and mass extinction.

'Animal whisperer' Danny has been something I've been thinking about since my latest DP 'wolfpack au' post and it's! So fun to think about, and who no better to assign the idea to than Danyal Al Ghul? Who comes from a family infamously known for their love of animals and nature?

Fem Danyal is just purely self-indulgent. *gestures wildly at her* i just lomvb,,, her,,,, I've only really mentioned her in context of the 'Things in Threes' au/my first Danyal al Ghul au with the facial scar, but she's!!! I love her. She deserves her own au <33

So kill three birds with one stone! Make a post about it.

Anyways, Danny has a large lair. Similar to cult leader danyal, her lair is a giant mountain region resembling nanda parbat with a big temple/palace-like area built into the mountain. It's large, it's overflowing with natural flora, with its own mini-floating islands hovering over some areas, and it's also completely empty.

Danny takes one look at her lair upon first meeting, -- noting that it looked relatively smaller from the outside -- and promptly, with the elegance of an Al Ghul, goes "What the hell??" Because yes, while she does enjoy her own solitude and privacy, this is a bit ridiculous.

For heaven's sake, there's even a massive lake in there! What's she going to do with all this space? Can she make it any smaller? Why is it so big in the first place? This looks borderline like one of the mega-islands!

She finds out later that apparently, the amount of ectoplasm a ghost has can have an effect on the size of their lair. And since she has such a large core, her lair reflects that. Wibbly-wobbly timey-wimey stuff, it's bigger on the inside so it doesn't take up "too much space" on the outside. Don't worry about it too much.

Danyal isn't totally opposed to having such a large lair, she's just... a bit baffled by it. It feels like so much wasted space is all. All this flora and no fauna to enjoy it with. It's practically eerie.

She decorates her temple-palace area, transforming rooms to match her needs as she sees fit. In the center of the inner gardens is a massive tree that she likes to climb, with twisting, winding branches. Sam and Tucker have honorary rooms, even if they can't safely leave the specter speeder for long periods of time, even with proper safety equipment. So does Jazz. Ali (Dani) has one too, but he can actually use that one, and Danny brought him to her lair so he could decorate it himself.

She has a personal garden, but for the most part she lets the flora exist as it is. Too much space to cultivate it en masse anyways.

Skip to a few weeks later, on her next visit to Clockwork. She developed a habit of going to see him semi-regularly just because. She enjoys his wisdom, and he has a lot of stories to tell, and when he's not being the cryptic and esoteric timekeeper, he's a bit goofy.

(pushing my dadwork agenda here,,, i think Danny deserves to go 'hey, Lord Clockwork, do you want me to buy you something' while she's at walmart, only to receive a singular glowing sticky note that says 'cucumber gatorade'.)

(She insists on referring to him with his proper titles even for the most mundane of things because it's proper, but Clockwork sees a future where she eventually calls him "Cee" and by all things in existence is he determined to get there. Anyways,,,)

On her next visit to Clockwork, just as she is about to leave, Clockwork stops her and goes; "Ah, I have something for you. Hold out your hands."

Danny does as such, and Clockwork doesn't give out things often, so her curiosity has spiked to the highest levels. He turns away from her for a moment, using his staff to summon whatever it is he needs, and when he turns around.

He drops a fish into her hands. Granted, a fish in a small glass tank. But a fish nonetheless. A small one, roughly about the size of her finger, with a blue-black, eel-shaped body and four sets of glowing eyes. She can see thin, almost translucent, but spiny fins down its back and the start of bioluminescent markings. It's swimming around in circles in its small container.

"Lord Clockwork." Danyal says all too calmly.

"Yes, Danyal?"

"What is this?"

"That is an adolescent leviathan, Danyal." She’s transfixed onto the tank, but she doesn’t need to see Clockwork’s face to hear the smile he’s stifling.

The myriad of emotions that runs through her all at once threatens to overwhelm her, and she can’t tell if the feelings are negative or positive. So she carefully closes her eyes to breathe in through her nose.

“Clockwork.”

“Ah, I see you’ve dropped formalities.”

She ignores that.

“Why have you given me an adolescent leviathan?”

She's expecting the trickster to look amused when she opens her eyes. Instead, he just looks endeared. "I know you're fond of animals," he says, "and you always look amazed when you come across an animal of the realms. So I thought you might enjoy taking care of the young beast, it's mother is dead so it has no one to care for it."

Oh.

"But, if you don't like it," Clockwork's hands reach out for the tank, "I can simply take it back--"

Danyal shifts the tank out from his reach and hugs it possessively. "I never said that. How do I care for it?"

And so clockwork gives her a list, and when Danyal returns to her lair, she sets up a large tank in her room for the leviathan to swim in -- it's much too small for the lake right now, she thinks. She'll feel better if it's somewhere she can find it. She names him Suhā.

Suhā grows quickly, and by the end of the mortal month she transforms one of the rooms into a large pond for him to swim around in. He's a very loyal beast, recognizing her as it's mother of some kind. Danyal takes great care ensuring that her beastie gets quality care, and Suhā swims to the surface to see her when he senses her in the room.

It spirals from there. Somehow, Pandora catches wind that Clockwork gave her a leviathan, and so the next time Danyal visits the Greater Athens, she gives her a baby chimera. It's eyes are still sealed shut, Danyal can't bring herself to say no. She names the little beastie Firas.

Frostbite hears about it too, and not to be outdone, gives her an animal she's never even heard of. Infinite-realms born, apparently. A fox-like creature with two small horns like an impala, four eyes, and tall legs. The name isn't something she's quite sure how to write down, and she's positive that her friends won't be able to comprehend it. She names her Eira.

Getting the three of them used to each other was... interesting. Suhā tried to eat Firas when Danyal first introduced the two, and they've hated each other ever since. Firas and Eira are seemingly getting along. Her island already feels full enough with the three of them on it.

Of course, that's not the end of it. With her luck, she begins stumbling across other monsters. Realms-borne or otherwise. An injured hydra in the Grecian islands that, through lots of trial and error, Danyal is able to rehabilitate and heal. It routinely comes to visit her afterwards.

A griffin with a broken wing that she moves permanently to the island that likes to keep to itself, but tends to come down when she's near. It gets along best with Firas.

A panther-like monster from the Shades Woods that had six legs and three tails, with ends that reminded her of a venus flytrap. It stuck around the heavy foliage and she can only make out where it was when she saw its golden eyes reflect.

She befriends a young indrik with its leg injured, and much like the hydra it follows her back to her island, and stays there in the mountains. It comes out when she's alone, much like her other beasts.

She receives two more leviathan -- one from clockwork, and one she finds herself while exploring the deeper and darker recesses of the Ghost Zone. It was huddled against the carcass of its mother, and she managed to befriend and get close enough to it to bring it back to her island. Suhā is fully grown by then, with a head bigger than Danyal herself and he still likes to stick her head out of the water for nuzzles when she's near.

He's not very happy with his new siblings, but he's not trying to eat them when she's not looking. So she calls it a win in her book.

And it's not just large beasts either; smaller animals begin popping up when she's not looking. Bird-like creatures and small mammals, and she swears she saw a doe (or something resembling a doe) grazing in the forest while she was walking by.

She takes back with her a lone snake egg once, and it grows so big it wraps around her island and sleeps with its massive head on the mountain beside the temple, like some smaller breed of Jörmungandr.

And on and on it goes. Some of the beasts she comes across never step foot onto her island, some of them follow her back, while others she has to carry back. Not all of the ones that follow her stay, and Danny rehabilitates the injured and releases them when they're fully healed.

It's hectic, and busy, and frankly she loves it. Some of her rehabilitated beasts return to visit her, or to have their children somewhere on the island, or whatever it is they need to do.

She becomes a bit infamous for it. She goes to visit Dorathea once, and as she's walking through the streets she can hear some of the denizens whispering while she walks past.

"Is that her?"

"Her highness' friend? Yes--"

"--that's the one--"

"--Mother of monsters--"

Danny's not sure how to feel about that.

Although, she can't say she's opposed.

Danyal Al Ghul, Mother of monsters, raiser of beasts. It has a nice ring to it.

[goldiipond]

my dearest friends the three shadows[relation withheld]

[aracariwren]

Imps of Miitopia

Alternate coloring + trivia:

They're drawn in order by their number in the journal.

There are 2 imp Miis because there are 2 different costume models (like every job's gear) and also because I wanted to draw both the 3DS and Switch promo/default Miis.

I didn't draw a face on the blue imp (Imp "Cheery Granny"/"Traveler's Friend"/"Teammate"/"YOU") because since they're the only imp monsters who have an entire face, they vary so much throughout everyone's playthroughs depending on what Miis you have.

I also made the blue imp's collar similar to the Dark Lord's because this imp resembles the Dark Lord the most, and they only appear as bosses, so the Dark Lord must value them a lot... They're the ones he calls on for help, after all.

For the imp, naughty imp, and clever imp, whatever eyes/glasses they had when they first popped up in the journal, those were the ones I drew.

I've never played the Switch version of Miitopia so seeing the red fiend threw me for a loop.... look at him... waffle fiend....

Spoilers are for the imp Miis' outfits (because one is end-game and one is post-game) and both the terror fiend and the red fiend (mostly/only encountered post-game). Mostly for the red fiend.

Thank you for reading, I leave you with this terror fiend gif. (⁠＾⁠∇⁠＾⁠)⁠ﾉ⁠♪

[lucabyte]

transfem loop + siffrin... you agree

i does agree.... i does in fact ... write a 7k word essay on the subject..... if you would like to perhaps click that link and read it if you were not already aware...... kisses u on the forehead......... sorry its that long but i had to cover all of my bases you know how it is with textual analysis when you're trying to draw a distinction between "headcanon" and "reading of the text" because those are different things.... to meeeeeeee.......

[outlying-hyppocrate]

well. did you fucking miss me.

[camzverse]

does the shirt color work or should i change it

[wikitpowers]

i just thought about how cute it would be if ty asked kit “why would i call you ‘baby’ when ur name is so pretty?” (ft. kit herondale B L U S H I N G like a damsel in distress) 😳

[pensivespacepirate]

it feels like the whole purpose of venom 3 is to kill off venom what the fuck

[cradle-of-darkness]

COOKIES OF DARKNESS NATION WE ARE OFFICIALLY BACK 💪💪💪💪💪💪💪💪💪💪💪💪💪💪💪💥💥💥💥💥💥💥💥💥💥💥💥💥💥💥💥💥💥💥💥💥‼️‼️‼️‼️‼️‼️‼️‼️‼️‼️‼️‼️‼️‼️‼️‼️‼️‼️‼️‼️‼️‼️

(long rambling in tags if u care)

[givemewallywestorgivemedeath]

Just found out electric eels a) technically aren't eels, they're just fish that look like eels and b) swim in a special way that make them extremely fast swimmers (with average speeds of 62 mph)

So anyway, merperson au where the speedsters are electric eels

[sesamenom]

here's some eriador nandor as nomads in the dunland area

(somewhat inspired by cave creature thingol)

i feel like they would favor varda as Lord of Arda over manwe, since without the treelight, their only light source would be the light of her stars + her creations are basically the only ones they're guaranteed to see every day/night.

some groups of the eriador nandor (namely lenwe's group) created glowy starlight tattoos (like a wearable version of feanor's artificial gems) as a dedication to varda (and a convenient light source). and since it's mostly dark except for the starlight, they have purple/sable face paint for war/hunting to enhance the glowy starlight effect. they mostly stop doing this after the rising, though, since the sun/moonlight makes the contrast less effective than regular green/brown camo, and it becomes more of a traditional than practical thing. (maeglin got his color scheme from the sable paint)

eol is one of the former-nomadic-nandor laegrim who migrated sometime in the first age and ended up in nan elmoth (his starlight tattoos eventually faded bc he spent too much time either indoors or in a very dark magic forest and also he was evil so varda stopped recharging him or something)

the rising of the moon and sun + morgoth + men + migration of laegrim leads to an erosion of nandorin nomadic culture (since its a lot harder to wander around mostly-peacefully stargazing when the continent is suddenly full of orcs and men) and by the third age there are like three nandorin nomads left around the southern coastal region

the oldest nandor (born between cuivienen and the rising) are more cave-creature-y, with semi-translucent skin, really big dark blue eyes (like the waters of cuvienen at night), and extra good night vision but worse normal light and color vision. the ones born after the rising have normal skin and eyes, though most of them still have the white/silver teleri hair.

[daily-sloop-john-b]

I want to see Harry Dresden as Tav. Give that wizard a gun. Have him be the token straight amongst the bisexual disasters. Let him make references none of the other tadfools understand.

He's gonna be real dubious about all the hot goddesses trying to fuck them over. Let him grab a beer with Gale and be like, 'depression year after your wizard hubris caused your girlfriend to break up with you, and you've spent a year alienating yourself from everyone but your cat? yeah, I've been there, buddy.'

[jankwritten]

i think one of my biggest gripes with TSATS is the sentence structure and the way that things are phrased.

Sentence structure: the book is CONSTANTLY using ", and", or "then", or "but" instead of splitting up a phrase into two separate sentences. Once I noticed it, I couldn't stop noticing it. In some places it works fine, but right out the gate, as the first line of chapter one, it 1) caught my attention in a negative way and 2) felt immediately clunky and awkward.

The way that the book demonstrates action also feels unnatural and doesn't flow as well as it could. Things are described as happening "now", such as when Kayla takes her lolipop out of her mouth and holds it at her side, the book narrates it as "now holding the lolipop at her side". We didn't SEE that action occur, we're just being described the RESULT of the action, does that make sense? As a reader, you want to SEE the action, you want to SEE her tug the lolipop out of her mouth, see her hand hang by her side as her expression pinches with anxiety over the discussion. We don't want to just be told that "now" her lolipop is out of her mouth, y'know?

There are also sentences that just feel flat out unedited, phrases that have too many words for what they want to accomplish, or with a structure that doesn't make sense - like on page 56, the sentence "They raced up the steps to the platform, Nico easily outrunning his boyfriend, though that was mostly due to Will having to get his land legs again."

First of all - why are they running up the platform? In the previous line, where we're told their cab driver got them to the station with 6 minutes to spare, the specific choice of saying "to spare" makes it sound like there is plenty of time to make it to their train. In the sentences after, we even learn that Nico and Will wound up waiting for their train anyway, so, the fact that they're running when Will feels sick reads...weird, to me. If I was car sick, and then somebody forced me to run for no reason, I would not be a happy camper.

Second of all - The addition of the final third of the sentence, after the second comma, should be it's own phrase. It should be given it's own space, like "(though that was mostly because Will didn't have his land legs back yet)." because it's not important information, just an offhanded comment Nico is making.

Third of all - "though that was mostly due to" and "having to get his" are clunky and wordy. It could've just been "Nico easily outrunning his boyfriend, who didn't have his land legs back yet." It's a smoother sentence that doesn't get bogged down by the extra words.

And that's just one instance. This book is LOADED with moments like this, where action will get lost in a sentence's wordiness. The book tries to be quick and snappy, in Riordan's style, but it fails because it can't quite nail down the phrasing.

There are also moments where the only thing the characters are interacting with is each other, only grinning, grimacing, sighing, glancing at one another, etc etc, instead of doing actions while they speak. Fidgeting with their hands, shifting from side to side, looking away at their surroundings, that kind of stuff is how you convey a MOOD. Body language is important when writing character conversations!! Is somebody relaxed, or are their shoulders tensed up, arms folded across their chest with their muscles flexed, leaning back on one leg with their body halfway tilted away, as if they were ready to flee at a moment's notice? These are the kind of details that I'm missing in TSATS, the kind of things that feel like they're missing.

I also have a lot of gripes with the dialogue itself.

People don't talk like they do in TSATS. The content of what they're saying is realistic enough, sure, yeah, but the specific way that a lot of the dialogue is phrased? It doesn't feel natural. Try reading some of the sentences out loud without editing any of the words. It doesn't sound the way a human being SPEAKS.

THAT'S what I mean when I say these characters are OOC. The way that they're speaking is uncomfortable and feels as if they're being used as a puppet, or a mouthpiece for what somebody ELSE wants them to say.

[opens-up-4-nobody]

The way that the sun hits leaves and clouds. I feel like I could watch the colors change forever. If I could slow down for that long.