#they're just such different shows you know

[ventique18]

Papa 🐉 teaching his baby words. They're in the kitchen and he's showing him different kinds of condiments.

🐉: "Salt."

🐉🍼: "Solt."

🐉: "Your mother's accent. Not bad. Pepper."

🐉🍼: "Peppa."

🐉: "Isn't that a cartoon character? But you're not allowed to watch that, are you? Must be another accent you picked up somewhere... Well. Mustard."

🐉🍼: "Bastard."

🐉: "What?"

🐉🍼: "Bastard."

🐉: "Mus. Tard."

🐉🍼: "Bas. Tard."

He stares at his son. Is the boy insulting him? That can't be, right? He shouldn't yet know the concept of insulting someone at this age, much less insulting his father.

🐉: "Child. Princes do not--"

He remembers an old schoolmate and shakes his head.

🐉: "Proper princes do not curse."

The boy tilts his head, as if conveying that he doesn't understand. Then, he didn't know that's an insult.

Did he learn this somewhere else? The television? But all his shows are vetted to be good for children, and only for a few minutes a day. Then how in the world--

🐊: "SILVER! YOU DISCOMBOBULATED BASTARD, WAKE UP!! WE'RE GOING TO BE LATE!!!"

🐉, gently, to his son: "Be a good boy and wait here for a bit, alright?"

He had to soundproof the kitchen upon exiting it, just so his baby wouldn't be able to hear what he had to say to his tactless knight.

[sage-nebula]

This has been spinning around in my head since I watched season 2 arc 1, and I can't refrain from putting it down to post anymore.

In season 1, Jayce and Viktor get into a fight when Viktor evades the blockade to go speak to Singed in Zaun. During their fight, Jayce snaps at Viktor that he didn't know that Viktor's friend was from the undercity, and when Viktor asks why that matters, Jayce says the above: [people from the undercity] are dangerous (earlier he had also said, "there are people down there who seem hell-bent on destroying us!"). That's when Viktor grows cold, reminding Jayce that he is from the undercity, and even after Jayce apologizes, Viktor knocks his hand away, choosing to stand up on his own.

In season 2, chembarons hired by Ambessa (though no one knows that at the time) attack the memorial for the dead council members. In the aftermath, Caitlyn calls them animals. Notably, Vi shows no reaction at all to this; she doesn't so much as flinch at Caitlyn's word choice. Instead, while she does downplay what happened to an extent ("they wanted the spectacle, they're trying to scare you"), what's notable is that she separates herself from the people of Zaun. This is especially notable when she tells Caitlyn to call off the invasion, because of the risk it poses for those not from Zaun:

"Down there, you'll be on their terms."

Viktor seems to have pride in the fact that he is from Zaun. He has love for his home. As difficult as life was there, as much as the pollution led to his illness and disability, he has no shame that he's from Zaun and he still sees value and has love for the people there. This is why, when Jayce writes the Zaunites off as "dangerous", Viktor grows cold. He is no different from them, in his mind; if they're dangerous, then so is he.

Vi is . . . different.

In season 1 arc 1, Vi expresses to Vander that she has bought into and believes that those in Piltover are more than those in Zaun:

Now, here, Vi is still grouping herself in with the rest of Zaun. But there is a level of self-hatred (and hatred for one's home) that we don't see in Viktor. Viktor doesn't see himself as lesser than those in Piltover. He doesn't see the Zaunites as lesser than those in Piltover. Vi, however, does. She states this as if it is a fact. And while she loved her family, and has parts of Zaun that she likes (e.g. Jericho's food), it's worth noting that at the end of season 1 episode 1, she isn't telling Powder that they'll liberate Zaun, or fight for Zaun, or anything like that. Instead?

"This city's gonna respect us." This city. Not our city. Here is the first moment we see in which Vi puts some separation between herself and the rest of Zaun. She wants to make them respect her (and Powder). Even if she's less than those in Piltover, she still sees an opportunity for herself to be above those in Zaun.

All of this is to say that, when she has no reaction to Caitlyn calling Zaunites "animals", when she refers to them as "they," when she refers to Zaun as "their terms" . . . ultimately, it isn't too surprising. Vi represents a type of person who does exist in marginalized groups: the self-hating type, who hate others in their group for "drawing aggression" or "negative attention."

Think about queer people, for instance, who hate those who are flamboyant or open about who they are and who they love. The ones who think, "If we just assimilate more, be less of a bother, be less obnoxious, then the queerphobes will accept us." Obviously, other queer people find this type of person extremely frustrating, sometimes even infuriating, because we know that it doesn't matter what we do or how we act; bigots will never accept us.

But what we should understand, and extend compassion for, is that self-hating marginalized people are that way because it's a defense mechanism -- a survival mechanism, really. They can't square why bigots hate them, so they reach for any kind of explanation they can find, even if that explanation ultimately blames others in their own group and does more harm than good. Not to mention that hating yourself for who you are is often a result of long-term, systemic abuse -- the exact same kind of abuse that comes from living under an oppressive regime that murdered your parents and will assault you at any given opportunity, even for something as petty as your little sister miming shooting them with finger guns.

Vi says that she, "grew up knowing [she] was less than them." This is extraordinarily damaging to the psyche, and Vi's self-hatred -- and the extension of that hatred toward Zaun, not wanting to save them but wanting to make them respect her -- is a trauma response to that. One that Viktor, obviously, doesn't share (and neither does Ekko, or Jinx) -- but everyone reacts to trauma differently.

The point is, we saw shades of this already in Vi's childhood; her statement that she's less than topsiders, but that she wants those in the undercity to respect her. So when Caitlyn calls the Zaunites animals, Vi doesn't flinch. She agrees. And she speaks of them as separate from her, because Caitlyn has already designated her as one of the good ones (reinforced to her by what Maddie told her Caitlyn said right before the memorial), and because, well, those who attacked the memorial did do something horrible. And maybe if they wouldn't do that, and maybe if Jinx hadn't blown up the council building -- maybe if they were better behaved -- then the enforcers wouldn't have to invade and do what they were about to do, now would they? Those in Zaun -- or at least those in Zaun who decided to strike against Piltover -- brought it on themselves, so Vi isn't with them. She's with Caitlyn, and is okay with referring to them as animals.

It's interesting to think about.

[trials-of-a-spirit-worker]

Let me tell you something about those fuckers who voted your rights away, this conservative bastards who want to control/harm "make America great again" fuckers.

At the sheer core of them, they are fucking cowards. Absolute shit in their khakis cowards.

You scare them. Just by being gay, by being black, by being an immigrant etc. Because they're conditioned to fear what they don't know. They're conditioned to fear the unknown.

They thrive on fear because it's all they know. They want you to be afraid, to lay down and die, so they don't have to risk fighting. Because they're a one trick pony and they don't know how to fight.

Every right we've earned, every right we have fought for has been because fear mongers and fearful intolerant bastards wanted to keep control. Control is all they have. They are lifeless, worthless without it. So they work to take life and worth from everything else. It's almost like a cancer, how they work. Push everything they are, what little they know, the fear they live on, onto everyone else because difference is what scares them.

That's why it's them who have the wildest takes on others. They've been misinformed and brainwashed their whole fucking lives. They know jack shit about anything else.

Forced into an echo chamber of white Christianity that drills into their heads over and over again that anything outside of that is hedonistic, toxic, evil.

What they want is your feeling of defeat, because now they feel like they can get away with shit. Make sure that they can't. Be fucking gay, enjoy your culture. And do it unashamed! Embrace others wholeheartedly. Thrive in diversity.

Women, get real good at knocking these pathetic men down. Grab yourselves self defense tools, learn how to protect your body. "Your body my choice" bros? Send them a picture of a banana cutter.

Those people only know division, ostracization, fear mongering. When you show you are not going down, not without a fight, when you show love for people who don't look, talk, act like you know you are attacking them at their core. When we solidify, we attack. When we unify, we attack! Why do you think so many policies of theirs tries for separation, for singling out one group hoping others will attack them? Because that's all they fucking know.

Don't give them a chance to speak, don't give them a chance to think they have the jump on you. Shits gonna get real ugly but know our true target are the bastards in the red hats and the orange mistakes worshippers in office.

Kill them with your uniqueness. Force them to look you in the eye as they try and strip away your rights.

And punch all the through not to. That's how you knock out a fascist.

BE MAD BE SAD BUT DONT U DARE GIVE UP

[verysadlesbian]

Now that I have sat with my thoughts for a couple of days, I want to talk about some things:

There are too many people trying to defend Caitlyn's actions, so I have to say: NOTHING, and I mean absolutely nothing, justifies fascism. "Oh but she's grieving and blahblahblah" you know who else was grieving?! The mother of the kid Jayce killed in season 1. You know who else?! Vi and Powder that saw enforcers murder their parents, just like many other children from Zaun. Caitlyn destroyed her mother's legacy in the police brutality™️ operation, you understand how fucked up this is? Her mother's recording is saying "the people from Zaun deserve to breathe," and she did it anyways. If you sympathise with Piltover, you're either part of the problem or naïve enough to fall for fascist propaganda.

Ekko is the only real one. Not a single slightly evil bone in his body. Everything he does, he does for his people, not in a persuit of power, or revenge. He's genuinely good, so much so that he's willing to hang out with not only Heimerdinger, but also Jayce just so he could protect his community. He deserves so much better and I'll be heartbroken when he finds out that Vi was involved in Caitlyn's operation.

I don't know how Vi can forgive Caitlyn after what happened. I know I wouldn't. It just goes to show that you cannot trust that privileged people are going to be different just cause they were nice to you. Viktor found that out in season 1 and Vi is finding this out now.

Do you guys think the black rose is gonna pretend to be Mel?! I don't play LOL, but it is to my understanding that the black rose can make clones, so it'd be obvious that they're gonna take Mel's identity

Saw some people on twitter and tiktok (of course they were there) denying that jayvik has heavy romantic undertones by stating "they're friends! They're like brothers! Why everything has to be gay now?" and EVERYTHING HAS TO BE GAY CAUSE I SAID SO, NOW SHUT UP! But seriously though, I understand that to cishet viewers, their relationship might seem strictly platonic, 'cause they lack the eye that we, queer people, have for these things. And that's okay. Not everyone needs to understand the nuances of a homoerotic friendship. But in the same breath, they're quick to say that "Viktor was thinking about Sky, so obviously he's straight" and that pissed me off, cause: 1 - have you looked at him?; 2 - He feels responsible for her death (cause he was)! He's thinking about her because he feels GUILTY! that man was not interested in Sky whatsoever; 3 - it's so heteronormative to think that a man and a woman can't be friends, they're so adamant in denying jayvik cause "they're friends!" but they do the same fucking thing!; and finally 4 - HAVE YOU LOOKED AT HIM???

Anyone that sides with Piltover would probably be a zionist as well. I don't have to explain this.

The trio "Sevika, Jinx and Isha" is probably my favourite thing in Act 1, I just can't get enough of them.

[kinichval]

haiiii ;3 can i request kinich and a reader who’s like half siren? like in h20 where when they’re dry they have legs and mualani finds her injured and keeps her in the springs and one night when he goes to see her she’s singer and he like falls in love? i’m not the best with ideas but ignore if you don’t want to lol

hi !! ty for requesting :3 i love the idea so i gave it a shot. i'm not deep into the siren mythology so i switched the lore and tried my best writing this one < 3

"you can't just take in a random stranger in your house just because they're injured, mualani."

"but they were suffering and needed urgent help!"

"then, you should've taken them to the clinic. who knows how severe their injuries are or if they have good intentions."

the conversation of your savior and a stranger stirs you awake from your slumber, eyes fluttering open as your mind gradually processes that it is time to get up. well, maybe if your legs weren't a bit impaired then standing up would've been useful.

except you're not in the best shape as you found yourself tangled in washed-ashore seaweed causing you to trample over rocks and bruising your legs; this means that you can not transform back to your siren appearance (and vice versa if your tail was injured). thank archons, your ridiculous situation ended soon when a kindhearted mualani decided to tend your injuries.

you were honest with your true self with mualani, believing in your instincts that she is as kind as she shows herself to be. like you, she was one with the waters, a soul that's tied to the flow of the oceans and destined to live freely just as the waters liberty to just be.

in the silence of mualani's shelter where you rest and heal, there's the envy creeping up in your heart that you desperately want to repress. but no, it makes itself known for you are not like mualani.

mualani is a free-spirited surfer, an adventurer of the seas; while you were a siren shunned out by society, viewed as a menace and a threat to the land's safety. kill a siren on sight before they destroy your life is what the people would say.

but you do not have the heart to decline her kindness, rather you want to see her heart as a chance to be seen by humans in a different light. because if mualani can, then why can't they?

still, you uphold the value that your mother had instilled in you; there's no point in proving your kindness when they do not believe in your existence. so you remain hidden within the confines of mualani's home, waiting for your injury to subdue until you're able to become siren again.

"kinich, this is yn. yn, this is 'malipo' kinich." mualani introduced you to a trusted friend of hers with enthusiasm high enough to reach the heavens. simply, you give the dendro user a nod and a gentle smile, he returns the gesture with a civil nod of acknowledgement. kinich's reserved attitude is intimidating, given that mualani is the only human you had ever interacted with, you're confused how human relations work and whether the land culture is different from those who reside under the waters.

you trust that mualani hasn't let a word out about your identity, yet it doesn't assure you when you feel the man's skepticism clawing at your skin as if he's ready to capture you the moment he confirms your true nature.

or maybe you're just overthinking.

kinich never intended for his lingering stare to feel like a dagger pointed at your neck, on the contrary, he harbors the curiosity to learn about you. he often finds how his mind wanders off to mualani's newfound friend whenever the usually occupied space in his head is vacant. who is she? why is he so subconsciously adamant on knowing her? only he fails to grasp a clear picture of reason as to why the voices inside his head are telling him to seek at least a fragment of her soul.

"mualani, thank you for taking care of me."

as a parting token, you granted mualani to experience your siren form. the two of you are within the privacy of the springs that only a few ever come to visit under the moonlit night sky.

your heart sinks at the thought of returning back to the deep, uncertain if you shall ever come up to the surface once your clan learns about your predicament knowing that despite you were well taken care of, they will only emphasize the what-ifs and assert the dangers of a siren caught on land.

natlan's springs are peaceful. you requested to have time in the waters for yourself the next night; promising that when morning comes, you are off to return to the ocean where you belong. but right now, you are neither your ascribed identity or whom you want be, you are just part of the waters.

cold air hits your skin, you lightly splash the water with your luminescent tail and softly smile at the quietness. sometimes, the water doesn't have to be constantly flowing, staying still is alright.

in the midst of your solitude, you hum a tune that your mother used to lull you to sleep when you were a young siren. your voice mimics the gentleness of a mother's love, a cradling feeling of tenderness and comfort. slowly, it shifts to a song, your voice becoming louder and alluring.

and just like a serenade, your song had captivated a certain saurian hunter's attention, he stands on the opposite edge of the spring right across where you were situated in. your eyes still closed and immersed in your enchanting euphony.

"i believe i'm not under a spell, but allow me to compliment your melody. may i stay here and listen?"

kinich fixes his composure, hiding the nervousness inside his pocket. but oh, the moonlight acts like a spotlight on your figure, your true nature completely open for him to realize that you are not human at all.

but kinich isn't fazed, neither does he yield the urge to capture you in exchange for the prestige that comes with catching a siren alive.

"are you not afraid?"

instead, you were the one afraid, wrapping your arms around your torso as if it's any help in shield your true form from his green and amber eyes.

"i'm fascinated. you are a beauty."

at this point, kinich does not intend to supress his longing need for you. he's conscious and sober, implying that a siren's song is not all about luring prey into the waters.

sometimes, just like yn, a siren's song is an open book to her innermost thoughts and heartbeat's poems. it doesn't need to hold words for kinich to depict the sentiments carried into the wind as she sings; to be known, to be understood.

"may i stay with you for tonight?"

this time, you wish for the moon to stay in its place, for time to pause, and for kinich to stay in the springs with you.

[chlmtsdoll]

hear me out

reader and girl friends dancing and drinking at a nightclub after work when one of the girls says something like "holy shit, look at those two, they're hot"

when reader turns to look, she sees Patrick and Art laughing and having fun together

"i want the brunette one", one says, "are you crazy? look at the blonde, how hot he is", another responds.

"fifty bucks for whoever gets both"

reader smiles. it's showtime.

OH? IT’S GIVING SATC 🤭

This was supposed to be short but I got carried away I’m afraid ! 🎀 | 18 + smut, p in v unprotected sex, oral (m) receiving, heavy obnoxious flirting, kinda messy reader

When the club had been this crowded with a full dance floor and beautiful men nearly everywhere you looked, finally letting loose after a long work week with your girls was enough motivation to get the confidence pumping between the three of you.

Your friends were frozen. Facing the the bar area where this six foot blonde and brunette were standing, laughing like everything around them was funny. One had an infectious grin, hair untamed and a tight dark skirt that show cased his brooding arms. He was the tallest and had ‘a party girls wet dream’ written all over him. The other slightly more polished, could pass for the stereotypical Ken doll type with his charming smile, sterling blue eyes with golden locks combination. You couldn’t find why he would be here, he looked like the only interested in finding a wife type.

Either way, the two men had your thighs pushing against one another the second the girls began chattering about. And once you heard ‘fifty bucks for whoever can get both’ your ears were all game.

“Oh, I am so in. That brunette is scorching.”

“And ? Look at that blondes jawline, bitch.”

“Double the pay if they both finish.” You announce. Both of your girlfriend’s locks go up in the air as they whip around to see the smirk pulling at your lips. They quickly take upon one of their own as well.

“Oh… the competition just got serious.” One of them says.

“It’s been serious. Those guys are totally loaded..” The other comments.

Your eyebrow dips. “What makes you think that ?”

“Oh come on, what two guys that hot are going to come to the club and not be looking to spend their cash on a girl ?”

Her theory wasn’t too out of range. There was something quite different from the boys across from you all. Setting them apart from the other clueless guys around just trying to get as drunk as they possibly can. There was a more tamed and calculated aura to these two. Something that made them not only sexy, but stand out profoundly.

“..or, they could just be gay.” The other girl replies casually and the three of you burst into laughter.

“Oh my god, shut up!”

You giggle, slightly rolling your eyes to land on the two men occasionally eyeing the dance floor as if they’re considering joining in the crowd. And that’s when you caught the gaze of the one with the darker head of hair, he flashed you a smile that sent a thrill straight to your core. You tried not to blush so terribly your friends would be on to you and raise the stakes.

But you couldn't help but ponder if they’d been right too — not about the gay thing, but if they truly we’re packing bills.

And soon you found yourself worrying less about what was in you and your friends wallets, and whatever was in theirs.

“Okay. Let’s get in there. Game on.”

You and your girls were heading over to the bar, tight mini skirts and all with just the right amount of cleavage on display for your upcoming play date. And with hardly any nerves that you’d loose to the two, knowing you had it locked in with the way you just got checked out hard from the brunette all the way across the bar had your hopes high.

As you all were now getting ready to own that bar area, you let your friends have a try at playing with the men first — and it was certainly quite amusing to watch them try to flirt with both the blonde and brunette at the same time.

With fingers twirling in their hair, laughing a little too hysterically at whatever was said and trying to keep both of their attention, you wondered from observation if it crossed them that it wasn’t as easy as they’d think. One of the boys was either off staring at another cute girl or just looking for a drink when your friends hadn’t been trying to sweet talk them into a little more fun. The most they got was a couple flattering laughs from the two.. and you couldn’t help but chuckle yourself, their game play was adorable.

But they failed where you knew best. Multitasking.

So when it was your turn to get your head in the game, one of your friends walking past you in defeat from her attempt whispered, “totally gay.” in your ear post her rejection from the charming boys. You tried not to laugh in her face but you did crack and grin.

You were up next. And you wasted no time going in.

You played it all out in your head within a few minutes of taking note of the two and also of course where your friends lacked. It would be an easy job especially since you spent your week trying to sell to people at work. You knew charm like the back of your hand — soon enough you’d be making out with these guys in the back of the club in no time.

Hips swayed without any real effort as you found where the brunette had been standing nearby the vault of vodka and steely liquor at the bar. Purposefully leaning against the counter and close enough to his side for him to hear you call to get one of the bartenders attention, “Um- - could I get another drink ??” You attempted. But with it being rush hour, they'd all been too occupied.

And that’s when your plan started to make the magic happen.

The towering man beside you glanced over his shoulder at your presence, noticing you weren’t getting any luck with the attention of the bartenders and he inspected your soft and sweetened voice pretty quickly. But also with just how edible he thought you were from earlier, “what do you want, doll face ?” he turned to face you with a grin that was as overwhelmingly striking as they come. It could have made any girl want to drop her panties at the sight. And his voice sounded as if he knew that he absolutely could, “it’s packed in here, yeah ? I’ll get someone for you.”

If it wasn’t for your determination, you would have erupted into a melted pile on the ground after he winked down at you. “Oh- no, it’s fine. I’m sure my friends annoyed you enough.” You laughed lightly and he joined along with you.

“Nah, they’re cute girls… but I gotta admit, I was kinda hopin’ you’d be the one to come over and annoy me a little bit.” His eyes focused on the way your lips curled up into a swayed smile and your face was flustered quicker than the flashing lights on the ceiling. He could be bluffing. And he probably was. Even though that was supposed to be your job here — it was totally working.

You titter, “..really ?”

“Really.”

“Well than, I guess I stumbled into the right spot.” (You wanted to pat yourself on the back. You’d been farther ahead than you even assumed.) “What do they call you ?”

“Patrick, a hell of a fun time, Zweig. Your pick.” his tongue darted out to wet his lips before he took a swing of his drink, and you were all laugher as his green eyes followed you from over the rim.

This was when you could implement the gorgeous blonde to his right — eyeing off to a couple of girls on the floor. With your bottom lip pulled between your teeth, you step a little closer to Patrick, glance going from him to other handsome work of art beside. The space getting less and less personal between you two didn’t scare him either.

“Well, Patrick… who’s your friend- - ?” Your eyes darted to where he stood and the brunette hit his poor friend in the chest to get his attention on you, when he did, you noticed the uniqueness of his eyes up close. You could of seen it from across the bar — but this is another level. Some kind of otherworldly matter, it got you choked up for a moment.

He was about to make you bank.

“This is Art.”

Of course it is.

Your were trying not to drool as you took a little too long to examine the way Art leaned up with a miniature straw pressed against his pretty lips with a soft sideways smirk,

“I think he’s a cutie..” You sputter as you bit your lip with a cheeky smile. Trying not to get lost in Arts gaze — you had to remember the goal, get your head in the game to why you’d walked over here in the first damn place.

“I think you’re both pretty cute..”

“Yeah?” Patrick chuckled and grinned at his friend, they looked at each other like it had been some hidden kind of communication. Like they already knew what the other was trying to say telepathically. That was a signal to you that this was for sure a package deal — you’d have both of them tonight. Not only did they welcome it, but they’d probably been here for that exact motive.

Art gave you a little smile, “We had our eye on you the whole night honestly, so that’s good to know…”

There it is.

You laughed a bit and shrugged. Eyes following back to the darker haired one. “So I heard..”

“How come you aren’t out there?” Art nodded to the dance floor full of bodies, his eyes ran over you, “you’re a stunning girl.. no way none of these guys asked you to dance.”

You hoped to god you weren’t getting flustered. They’re just boys. Ones that you needed to be bedded by till the sun came up, but still.

“I’m- uh.. a bit shy.” (You weren’t. You had your fair share of men in and out of your apartment. Not as stunning as Art and Patrick although, so making them feel extra special wasn’t too much of a stretched truth.) “so it’s rare I even talk to guys.. but you two- - I just had to say something.” You giggled and they were leaning into your laughter with their own. You could swear you smelled Burberry cologne being sent your way from one of them, if not both. Maybe your friends had been right about the wealth.

Art and Patricks attention had been solidly on you. And you didn’t know if it was the way you decided to style your hair tonight, and the way you made sure to keep lustful but sweet eyes between them, or if your friends just sucked at flirting. But you were already yearning to keep this going.

It was time to throw them a curve to lock in their undivided for the rest of the night.

“Well- - I should get back to my friends, they probably think it’s way odd of me to even be over here..” you tittered with a soft goodbye smile as you began to turn away from the men and before you could even step away from the countertop, “wait!” was being called your way from over your shoulder.

A smirk was ridden on your lips once again. You turned back to face their pitch with curiosity.

“Stay a little longer?” Patrick asked of you with a beam.

“Yeah, let us buy you a drink.. what are you? An espresso?”

“No. Man, she’s a cosmo girl, trust me. You are- - aren’t you?” When the brunette corrected his friend, blue and green orbs focused on your answer in desperation you’d keep them a little more company. And you couldn’t help your decisive but giddy expression that was all too pleased with your work here.

“I am actually, yes.” You chuckled before taking a stand between the two tall and handsome men with much more than a quick fuck and collecting your rewards on your mind now. You actually sort of liked them. And that was rare with any man you’d meet doing an activity like clubbing, especially two of them.

As time went on, Art and Patrick were racking up on buying you drink after drink. As many as you wanted. Within as little as an hour that passed, you’d been with the two boys as if you’d known them your entire life. It could have been borderline love bombing with how fast you went from zero to a hundred. Both men simultaneously wrapping their arms around you from behind, laughing loudly as you’d been glued between the two of them. Even dancing in ways more than a couple flirts could have gotten you.

The boys were more than happy to keep tipping the bartenders with haughty smirks after getting you sparked up and hanging on their arms of course, even having one too many of their own. The three of you took it to the lounge area and your friends would be somewhere watching in disbelief and slight envy of how quickly you were able to get handsy with Art and Patrick.

You’d been passed back and forth on their laps as you chatted and even snuck a couple kisses by now. Totally giddy off their energy and the liquids they’d been giving you. The way Art had slipped his wallet back into his back pocket after buying you another drink, was a straight turn on to the point you’d been sticking sugary kisses to his neck as he did so with a couple playful bites, the man grinned at your bubbly essence. Your not so careful hands slid up his chest and slung over his shoulders, “Mmm- -You’re the sweet one aren’t you?” You giggle, finger tips run over his jaw and Art bit down on his peachy lip while he held on to your hips nice and easy, yet with a respectful distance. He couldn’t find the words to define the way he’d been enjoying the way you stroked his ego all night long.

“Don’t let him fool you. He’s actually a menace.” Patrick scoffed as he sat man spread in the seat across from you two with a cigarette in hand.

“Fuck off.” His friend defended lightly. It was the way you could tell he enjoyed the playful banter when Patrick poked at him tonight that solidified to you just how close they really were. You thought it was adorable.

“You two really do everything together, huh?” You toyed with Arts now loose collar, casually sipping on something clear with flirtatious eyes, and the man shrugged a bit as he glanced at the brunette across from him who was hiding a sardonic kind of look behind his glass.

“I mean, well- - somethings..” The blonde nodded with a soft smile, but you raised a brow. “Most things.” He corrected, he and Patrick narrowed eyes at one another. You noticed with a devious little hum at the way the blonde had still been holding back. It made your lips turn up with a grin, watching between the two as Art struggled to confess the obvious. “Okay. Yeah- kind of.. everything.” With a flustered look towards the brunette, Arts eyes trailed off with a sort of blush as you leaned into his shoulder. All close to the blue eyed man getting harshly coy now.

“That’s so cute. Like brothers..” you smiled in Patrick’s direction and he immediately let out heavy laughter.

“Not exactly.” The other man grinned. You tilted your head some, and looked at Art again with wonder in your eyes.

“Like.. lovers ?” Your eyes were wide as you focused on the blonde and he shook his head and drowned out his flustered expression with a swing from his glass. Patrick had smirked at your final conclusion, but still, the two gave you not a significant confirmation spite lingering looks and the newfound heat coming from Arts body.

Holy fuck

not just one, but both your friends had been right.

You were already one step ahead with more questions to coax out of the two if a bartender hadn’t interrupted with a new round of shots and your mind was quickly occupied as you ‘ooo’d’ at the tray being set beyond you. Patrick met your gaze and grinned. “Baby, come take one with me,” you were cheerfully being swapped from Arts lap to Patrick’s — bouncing over his way and also grabbing a shot with him.

A quick clink of your glasses filled the air along with your energetic giggles as the man who groped you with firmness in his lap contrast Art, drowned the substance at the same time. Patricks roaming hands were coarse and just as bold as he was when you straddled him after letting the liquor flow down your throat with ease, you wiped your stained lips with the back of your palm.

“Shit.. you took that so well, pretty girl..” Patrick took the glass from your hands, his hooded eyes stayed on you with a smirk. You brushed your fingers over the light stubble to his chin and leaned in close,

“I can take a lot of things pretty well.” You whispered so only he could hear with a smile, you scanned the area proudly as you were very aware of the show you’d been putting up all night. Patrick shifted in his seat with arousal, lips inches away from yours so you went in deep with a kiss.

The man groaned, “Is that so?” He pushed your hips farther into his lap as you’d been lipping off his jaw with a prideful giggle. You were messing with the hem of his shirt as you remembered you still had your own benefit of the deal to seal — getting the boys somewhere you could have your way with them. You came this far, why stop now when you’d been so close to victory?

“Mmhm… want me to show you how?”

Your words were music to the brunettes ears. His eyebrows rose as he watched you lean up with a grin, intertwining your fingers through his knuckles and Patrick stood as you were able to grab Arts attention too. Abruptly stripping him of his seat as well. “oh- - we’re going somewhere else..” the blonde rushed to follow where you’d been leading for a little more privacy. A secluded vip party section that you were a hundred percent not allowed in without a fee — but something about the trespassing turned you on even more. With a finger to your lips, you gave the two a silent “shh” along with your little grin and lustful eyes. They were all in with thrill and eager hands to get on you anyways.

You had gone to the nervously flattered one first. Taking his hands to wrap them around your waist, you stood on your toes to press your lips against his, carefully moving your jaw with Art’s and melting into the dance of it on instant. Your fingertips crawl through his butterscotch tinted curls like you couldn’t get enough. And Art went to a little bit of a risk, he didn’t stop his hands from slipping down to grip your ass beneath your tight skirt.

“Mmm.. easy blondie- -” you giggled with a soft push to his collarbone so he’d been a tad away from you once again, and Art finally let himself breathe with a mumbled curse coming from his lips.

You then made your way to the brunette beside him — but before you could even take your stance, the man pulled you in without a warning. Pressing his broad body against you as he collided his mouth with yours in one swift motion and your whimpers had been an immediate reaction by the way Patrick left sloppy kisses wherever he could. Down your neck, over the top of your chest. You grinned as you eyed the man next to him while Patrick tore into your skin.

You found the vile rising tent in Arts jeans quite cute.

You let your hand trail to where his button began and you undid it as quick as you could with the way Patrick had been holding your body like some kind of rag doll. Art helped you unzip them, and when Patrick had flung you around so your back was flush against his chest, your jaw was unleashed as you squealed.

“You really aren’t shy are you?” His voice was richer than before — full of the whisky and pent up from the foreplay of the last hour making you let out a loose laugh while the man pushed past your messy hair to kiss on your neck.

“I am- - but even the quite ones have our needs.. right, Art?”

The blonde let out a coy chuckle before his blush took over more of his expression and with that you had been hiking up your skirt to tuck your thumbs into the hem of your panties to pull them down your thighs. “Oh, shit.. shit” Art was already softly groaning as you used his undone belt buckle as leverage to get the lacy pair from your feet and he watched with overwhelming interest in the way Patrick caught your drift and started to get his own belt gone faster than you got them into that room.

“Fuck” Patrick, equally aroused, groaned when he had got his hardened dick out of his boxers. Your mind was so clouded from the tension of the way he grabbed on to your clothed breasts behind your top, rummaging to find your sensitive nipples — you were panting from the friction of his throbbing member that was far ready to fuck you senseless, just brushing against your upper thigh. You bit down on your lip hard as you looked up at the finely built man behind you who had a smirk stuck to his face before he toyed at your already slick pussy with his fingers.

“Go on… put it in- -” your drunken mind went fuzzy when the dark haired man started to slide through your walls, your hand went slapping against whatever you could reach in the confined space you’d been in as a full moan escaped you — your eyes fluttered from the way Patrick stretched you open on his cock. Keeping both hands on your hips so you didn’t fall over as your legs already begun to go weak. He didn’t even hesitate to plunge into you with a grunt. “I wasn’t- - even planning on.. fucking you tonight, but fuck, I knew you wanted it.” Patrick groaned out while he snapped his hips against your ass and you turned into a mess of whimpers. You’d been in a slight arch for his entrance, cunt clenching around his length so much so you were sure to turn into a stuttering mess within minutes.

Arts reddened cock was on your mind as he’d been right ahead of you just in reach of your sloppy fuck with the brunette. And as “Oh ! Fuck.. yes, yes” was being thrusted out of you, you still reached out to start stroking him. Art hissed on contact with your warm palms on his shaft like you’d been a pro. And he was gorgeous, eyebrows knitted away as he melted into your heavenly coax of his dick, stiff enough to cum right then just from the voyeurism of it all.

“Baby.. faster- - just like that..” Art groaned before putting a hand on your waist that was being rutted by his friend. You spit on your hand quickly before going back to use it on Art. Your legs were in fact giving out — but the bliss due to the man fucking into you was just too good to let go to waste.

“Patrick..keep fucking me- - mmm.. please, it feels so-so good.” You whine while your wetness sticks to the curve of your inner thighs, you could hear the man’s haughty snicker run through your ears. He was now digging his fingers into your hips, slowing his movements to watching himself pump in and out of your hole with rhythm.

“Hold still, sweet girl.. I’m gonna make you cum- -”

That wasn’t what you needed. But what the heck.

With Patrick pounding a couple cries out of you down the line, he'd been putting his hands roughly in your hair to push you over the ledge as you began to make a mess on his twitching cock. “Mmmh.. f-fuck- yes..!” You couldn’t give a damn at how loud you were being. Your creamy juices were left on the man as he wasted no time to pull out of you and start pumping away at his cock on your backside. Using the wall as a rest with his damp curls stuck to his forehead, he released ropes of his cum on to the dip of your back with a low grunt. By the time he tapped the last few drops on your ass, you had a teasing little hazy smile on your face and Patrick held you up again like used goods.

You got one down. You already knew with a few strokes of your tongue, Art would have that sweet release too. So you got on your knees without a question and attached your generous lips around the blondes member. He closed his eyes to feel the heated wetness of your mouth closing on him. “Oh god,” he panted as you suctioned your lips around his tip. Te naughtiest kind of sounds leaving you while you sucked a climax from Art at the same time. The feeling of his cock down your throat, mixed with the moaning through the moment his cum flows through, made your mouth feel totally full and fucked out. Art cursed at the way you looked so pretty taking him on your knees like this — but he thought you were far too comely to be down there for long, so as soon as you swallowed he helped you rise to your feet with a small stumble, but the man managed to keep you aligned as he grabbed hold of you with a soft grin.

“You’re too good, even drunk. I mean, shit..” Patrick panted as he observed your state. Just like before. Arms flung over Arts shoulders as you leaned into him with flirtatiousness.

“You fuck good.” You eyed him back, your voice was a little too impressed to the brunette, but he was appreciative of the acknowledgement. You had focused on the blonde again, whose chest was against yours, running your finger over his cheek in playfulness with a small giggle.

“And you have to play Ken in me next time..”

He looked down as he just couldn’t help himself but shy away from your compliment. “next time, huh ?” Art questioned with a soft chuckle, You nodded and kept your place temptingly close to the blondes lips. “Well then, we’ve gotta get you home first.”

After Patrick and Art insisted on paying for your Uber back to your apartment, they were also nearly begging for your number as well — and after a few waters to sober up, and a kind hearted snap of your seatbelt from one of the boys, you eventually did give in.

You nearly forgot you had a pay to pick up from your friends at your hangover brunch the next morning, and of course the girls wanted all the details about everything from the previous night while bills were paid to you gladly.

You planned on giving the two hot guys at the bar a handjob and couple kisses at the beginning. But exposing to your friends that you got to cum on Patrick’s cock while you jerked off Art and sealed your deal was an extra bonus as they both ended up being as sweet as they come.

Maybe two boyfriends wouldn’t hurt.

[catastrophic-crow]

okay. short, pithy statements aside:

i sincerely love creative works made by people. even if you don't think they're good. i will always prefer a flawed and rushed thing made by a person, compared to a flawless and technically perfect product regurgitated by AI.

artwork? if you you share something that you drew in five minutes on a napkin with restaurant crayons—how could i do anything other than love it?

fanfics? if you post a snippet of an AU that hasn't been fleshed out, but this one thing you decided you needed to post? how could i not cherish that?

i just—i care so, so much about the things that people make, just for the joy of making them. just to have, and to share. to show it to someone else, and say, "i made this, and i hope that you like it."

what's the point of AI works? yeah; sure. monetization, whatever. get the capitalist out of your brain for a minute, because i'm talking about the things we make and share as a community, not corporate products. if it's made by a machine, who is it for? the machine didn't make it because it loved it. the machine didn't "make it," at all. and even if there was such a thing as an ethical AI, who would it be for?

fandom is a collaboration. if the extent of that collaboration is putting a prompt into a text box and waiting for stolen work to get chopped up and forced through a sieve in the hopes that what comes out the other end bears some kind of resemblance to what you wanted...? come on. what's the point?

i love the things made by people. even when the people who made them don't love them, know that i love them, because they were made by people, and there could've been a lot of reasons for why they made them. maybe the person just couldn't get an idea out of their head until they made it; or they thought of something and wanted to make it because they knew their friend would love it; or they just wanted to, because they felt like it; or maybe, they made it because they love making things. maybe it was a little bit of a lot of different reasons. ...and i think that's beautiful.

the machine doesn't love making things. the machine is not a person. the machine is technically proficient at reproducing variations on (or just actual copies of) (usually stolen) work, from people.

and i don't love that.

'do you think you're superior for not using AI in your work' thank you for asking! yes i do

[dark-konohagakure2]

just aizen and baby trapping... can you see the vision... just him being a yan and breeding his squad member bc she keeps going agasint his word, aizen doesnt want her to ingure herself, after all aizen needs her for his plan..

tw: noncon, breeding, baby trapping, manipulation, power imbalance, abuse, size difference, humiliation, forced orgasm, sensory manipulation

All characters depicted are 18+

Aizen is a very calm man, frighteningly so, it would take the most dire of dire circumstances for him to so much as break a sweat, let alone lose his cold composure. Very few things irritate him, although insubordination is one thing he can't stand for, especially if it's continuously being done by the same person over and over again.

Normally Aizen would murder or mentally break anyone who'd dare to defy him, but he can't do that in this special case, this minion of his is required for his grand plan, and losing her would be a minor setback, a slight annoyance even. She's a tiny piece in his vast puzzle, but even the absence of the smallest of pieces will make the picture look incomplete. So instead of murdering or imprisoning her, Aizen has a different way to force her to remain by his side.

Aizen could easily just use his ability to instil feelings of adoration into her, but that would be too easy, not very fun for him. While usually a very serious man, Aizen does desire some recreation from time to time, and he isn't fully immune to desiring pleasures of the flesh, and if he can use those pleasures to ensure his plan stays on track, then Aizen will gladly indulge himself on her.

Aizen doesn't need to worry about getting her alone, he knows Las Noches inside and out, so if he needs to find her, he'll do so very quickly, whether she's preoccupied or not. Aizen's expression is unreadable, he's smiling like usual, but it doesn't reach his eyes, it never does reach those cold, calculating eyes of his. His touch is deceptively gentle yet firm as he holds her in place, his words as vague as usual.

"Why are you so insistent on defying me, hmm? Are you perhaps upset about not having enough responsibilities in my ranks? Well don't worry, I'll give you the most important responsibility of them all..."

His vagueness doesn't last very long when his intentions become very clear, as he pulls down her underwear, keeping her in place with his superior strength and size. Aizen is only doing this to remind her of his authority and to give her his 'responsibilities', but that doesn't mean he can't have a bit of fun with it, cruelly mocking her for being such a silly girl in thinking she can defy him without consequence, his mockery of her not stopping when when he's balls deep in her.

He isn't gentle, but he isn't rutting into her like an untamed beast in heat, he's not a simpleton who thinks with the head between his legs, instead he'll move at a pace that's somehow both too slow and too fast at the same time, the tip of his long cock brutally poking against her cervix with each thrust as he prepares to bestow her with his progeny.

Somebody walking in on them is a very real possibility, in fact she won't even know if someone is able to see them or is watching them, because Aizen will manipulate her perception to make it impossible for her to see anybody but him, so she has no clue if they're alone or surrounded by spectators. He's feeling especially cruel, so Aizen will tell her how good a show she's putting on for his Espada, even if they're completely alone.

There is one word that can be used to perfectly encapsulate Aizen's entire being: manipulation. Aizen can manipulate people with both his words and his Kyoka Suigetsu. In this case, Aizen will use his Kanzen Saimin to control not her mind, but her bodies reactions. He won't tell her that he's controlling her body of course, letting her believe that she's cumming uncontrollably on his cock all on her own.

"My my, cumming again are we? Your mouth might lie, but your body certainly doesn't... This is precisely why you're more suited for breeding than fighting."

Aizen will walk away from this lovely little encounter feeling very accomplished. Not only did he put a wayward puzzle piece back into it's proper place, but he ensured that it stays there permanenty. He doesn't really care about having a child, children aren't very interesting for him to interact with, but she certainly needs a baby in her fertile little womb, it'll do wonders to keep her compliant.

[alexanderwales]

I finished rewatching Death Note. I always forget how short anime is, with episodes that aren't much more than 20 minutes when you skip the intro/outro.

I hadn't remembered how much of a sniveling wreck LIght was at the end of the show. There's something about the ending that makes it feel like it was written and directed by a different person, not that Light wasn't always a little weird and pathetic, and not that the show didn't consistently go out of its way to let us know what a piece of shit he was (particularly his absolute lack of loyalty or empathy to anyone, even aside from the megalomania). But he takes the loss like a loser, snot dripping from his nose, voice cracking, begging, and it's so pathetic that I almost felt a little sorry for him.

I've always found the Death Note to be a very interesting prompt, one of those hooks that's so good I'd want to watch it even if it was bad. But in writing something like Death Note, the author has to make decisions about what to show and what not to show, and also make decisions about how they're going to portray the public at large.

There are two big things that stand out for me.

One is that we never get someone arguing against Kira. We get people who are actively trying to hunt him down, but they're mostly not stopping to say "this is why what he's doing is wrong" except a few lines about how he has a childish sense of justice, which is never expounded upon. Kira, on the other hand, we hear a lot from, not just the megalomaniac stuff, but the notion that criminals must be punished, that this is what people desire in their hearts. I get the strong sense that L does not actually care and just views this as an interesting puzzle for him to solve, but for everyone else it's largely left as an exercise to the viewer, and even then, there are moments when some of our task force members come dangerously close to endorsement.

To the extent the show has an answer, it's that (to quote Kanye West) no one man should have all that power, or that Kira has crossed a lot of lines, but no one argues in favor of rehabilitation or clemency or just fundamental humanity. Kira seems to largely be killing prisoners, who have already been sentenced, and are wards of the state, and he says "this is what people want deep down, they will give you the politically correct answer but they actually want the criminal class to be obliterate", which ... there's no character who actually voices any opposition to through the whole series. And I find that weird, because yes, the show has its own answers in terms of how it plays out, but in a show filled with people possessed of immense conviction, most of the people in opposition to Kira are just intellectuals who don't actually give a shit about the ideological question.

(The one big moment when it comes to a head, IMO, is when Soichiro Yagami refuses to write Mello's name entirely because of his principled objection to killing someone. I thought this was great, and I wish the show had more of it.)

The other big thing is that we don't really get a viewpoint of the criminals, with a few exceptions. One is the is Yotsuba group, who are killing people with the Death Note, and the second is the (somehow still functional) mafia that Mello hangs out with. There's also one other scene somewhere after L's death where we see a criminal begging with the police not to have his name written down, and that's about it.

The naive view here is that the show really does believe in Criminals as being a part The Other, a different sort of human being who walk among us. The criminal class are described as rotten and evil, they're shown as grotesque and with exaggerated features or bestial characteristics, and they're generally leering and impulsive. There is no consideration of their humanity.

There's a more nuanced take here, which is that we have a criminal as one of our main cast, Light Yagami, along with everyone else who takes on the Kira mantle. So what is the show saying about criminality through how it portrays them? And here ... I don't know. I kind of don't think that it views them as criminals in the same way? When we look at the ways that Light kills, I genuinely do think that the show thinks that this is different from the way that a capital-C Criminals kill. It's reactionary rather than criminal in and of itself, a response to the injustices of the world rather than being in the same class as those injustices. Light is narratively exempted, and Misa is to. Which isn't to say that I think the show thinks highly of Light, it clearly doesn't, especially in its ending, but I almost think that in the end it Others him too (and also has Teru Mikami drawn in particularly 'evil' style, like a creepy deviant gremlin).

So I enjoyed the rewatch, but there are things that sit a little oddly with me as far as the central themes go. There's probably some discourse I should read that's come out since I first watched it in ... 2010 or whenever, but I think I'll give that a skip.

[certifiedsexed]

hey there! i don’t mean this in bad faith at all, and i’m not trying to use a term that’s a fascist dogwhistle. i promise i’m just confused😭

so i’m not a guy, nor have i ever been perceived as one, but in one of your recent posts, you said that men can’t experience oppression solely based on the fact that they’re men. which was kind of confusing to me — i don’t think you’re wrong, i think it’s me but i don’t know how to get to how you see it like that.

because in my experience, men can experience oppression because they’re men, although i don’t know if i’m saying that right or conflating the meanings of certain terms. i’m probably wrong, and would just love some clarification?

for example, my brother and i were always held to different standards growing up — it was expected of me to always cry and be emotional, and i was a ‘stone cold bitch’ if that wasn’t the case, but if my brother wanted to show negative emotions like sadness he was treated like there was something wrong with him too. and i know it wasn’t my brother — i spend a lot of time working with my high school’s diversity team, and in a lot of the events we organise, guys talk about how they feel enormous pressure to be angry and never sad, and to have stereotypically masculine interests and never deviate from that norm.

i also know men who’ve struggled to get jobs such as teaching as those are viewed as ‘female’ jobs and it’s a common view that men who want those jobs are ‘only in it to be around kids’. i’ve heard many women around me perpetuate sentiments like that, so i know they’re not making it up, even if it isn’t equal to the systematic oppression women face in almost every aspect of their careers.

i’m not providing these examples to prove you wrong, since i do think you’re right. i’m hoping that a window into the way i’ve always thought might help you clarify this in a way that can help me to change my mind, since i just think i’m lacking some clarity or context here. i think i’m conflating abuse and stereotypes with oppression, but i’m really not sure. any advice would be really appreciated!

i’m so sorry if this comes off badly, i don’t mean it that way. i’m just trying to learn, i promise i’m not trying to promote the kind of hate and close mindedness you’ve been seeing in your inbox as of late.

Hi! As always, I do not mind answering genuine questions!

The things you're talking about growing up and seeing boys around you pressured to present only certain emotions, that's part of the patriarchy!

Certain emotions are supposed to be "feminine" and thus boys shouldn't show them, while girls are often always considered "emotional" in some fashion. That's not oppression based on those boys being men that you're talking about.

It's the backlash that the patriarchy, and by addition trans/misogyny has on men. It's boys being pressured not to show certain emotions because those emotions are "feminine" and they're supposed to associate feminimity with weakness and shit.

What you're talking about there is also trans/misogyny!

The idea that men who do things perceived as feminine are predators, the idea that specific jobs are "female" jobs [while even in those specific female jobs, men are generally paid better and find it easier to get into those jobs than women trying to get into traditionally "male" jobs"]

[Though obviously this varies based on race and whether they're trans, etc, etc.]

To be a little more clear, all of the things you're talking about don't primarily affect cis men/boys. They fuck up transfems, because it's trans/misogyny.

You're right! It's not systemic oppression.

You might wonder if it's social oppression, which is also a no. Social oppression would require a historical/systemic oppression behind it. But that doesn't exist in this case.

What it is is the common issue oppressors run into. While they benefit greatly from oppression, there is also backlash they face from their own systems of oppression.

Like white people who fall into suicide cults trying to work towards white supremacy, or TERFs who fall into groups where they slowly pick each other off as they discover they're not all exactly the same and wind up accusing each other of not being "real" women, systems of bigotry simply do not work out perfectly even for the oppressors.

They never do.

To create the patriarchy, you must establish trans/misogyny, you must establish intersexism and you must push people to conform to those ideals, even if they hurt your own.

It's similar to how white supremacy can harm white people, despite white people obviously not being oppressed racially. The backlash of oppression hits even the oppressors sometimes.

Suppression, as a term, would honestly work far better to describe what you're talking about.

So yes, it's stereotyping, yes it's abusive to tell your children not to show/feel their emotions but it's not oppression based on these guys in your life being men! It's part of how trans/misogyny, transphobia and intersexism are enforced.

I understand exactly where you're coming from! It doesn't sound bad and I genuinely don't mind answering questions! Especially since you've got some good ones!

I'm not sure if I rambled too much to explain this properly but I hope this helps! Let me know if you have any other questions and/or need me to clarify anything here. <33

[gryffin-who-cannot-fly]

so I agree with the end result of most of what you're saying, which is that trans men shouldn't be treated as a punching bag and that some queer/feminist spaces need to get a handle on their misandry towards trans men.

but here's the thing. you said

cis men who are generally praised and celebrated in society should be able to take some mean jokes or criticisms and accept they're not always going to be lauded.

and I just don't follow that logic. criticism is one thing, but mean jokes?

I want to quickly say up top that I'm not trying to have a go at you; I see this sentiment from time to time in the (online, usually) spaces I'm in and it's something I want to push back on.

first of all, and this shouldn't matter but it will to some people: you don't know the full identity of every person you meet. you don't know who is stealth trans, or autistic, or invisibly disabled, or has a history of being bullied. in an online environment you don't even know who's a person of colour or visibly disabled.

so if you throw a blanket 'I can bully cis men who are generally lauded by society' net, you will catch men who are not lauded by society, and add to their marginalisation and likely their poor mental health. I know bully isn't a word you used, but repeatedly making jokes intended to bring someone down is going to wind up being bullying.

now I say I don't think that should matter because: what is the great harm to us, in queer/feminist spaces, if we treat everyone with respect and kindness? the usual caveats of course, if someone is being antagonistic or otherwise making a space unsafe then that should be managed as appropriate, but even then no part of that should involve stopping your respect. it certainly shouldn't involve treating them a bit 'nasty'.

part of this is recognising the difference between systemic issues and individual issues. yes, 'men', broadly speaking, are responsible for complex systems of oppression that lead to harm, abuse, marginalisation, gatekept opportunities, etc. but random Guy No 625 that shows up with his girlfriend to the bi visibility event is not personally responsible for that. maybe he's contributed to it or maybe he's spent his whole life campaigning for idk abortion rights and you have no idea. it doesn't matter. he's certainly benefited from the patriarchy; it still doesn't matter. what would bullying this man achieve? nothing.

you mention that privileged cis men need to understand that privilege isn't going to carry over to queer/feminist spaces and I do agree with that. they should be treated with the same amount of respect and consideration as everyone else, and if they're used to the world revolving around them that is going to feel like less, and their feelings shouldn't necessarily be coddled about that. but again, that's not being mean to someone, that's just treating them like a human being.

idk. we should try and live in the world we want to create. that isn't always possible, but you can definitely treat every person as an individual deserving of respect. if they turn out to be a mysoginist, just respectfully kick them out of the space and move on.

I notice sometimes in queer and feminist spaces the idea of "this group is generally given more leniency and privileges in wider society; it's okay for us to be critical or even a little nasty to them because anywhere else they'd be praised". and that's understandable, i think. when you have real issues with men and how men act, it's ok to express that and to mock mens behavior. cis men who are generally praised and celebrated in society should be able to take some mean jokes or criticisms and accept they're not always going to be lauded.

but since queer and feminist spaces are generally more accepting of trans people and the wider society is not, this is also projected on to trans men. "trans men are men" was an affirming statement to our validity, but that was interpreted as "since trans men are men, and men are celebrated by society, I get to be a little nasty to them because the rest of society worships men. they can take it."

but the rest of society doesn't have that same level of trans acceptance. they don't see trans men as men, they see trans men as mentally ill, broken, mutilated women. so it's absolutely aggravating when we turn to queer and feminist spaces for solidarity, we face the same reactive nastiness cis men get and are told "come on, trans men are men. you are celebrated in society. you can take it." and when we look at the rest of society there's no celebration. there's only more nastiness and cruelty. so how can we "take it" when we have no community that accepts us and treats us without mockery? we don't have the shelter of acceptance that cis men have in the status quo, and sometimes we can't find a small umbrella of acceptance in queer communities either.

to be honest, I think a lot of people view trans men as a safe punching bag to vent their frustrations with men. you can mistreat a trans man and he's probably not going to fight you back since he's already so beat down. you can feel like you put a man in his place, you can feel like you're resisting the patriarchy. but all you did was act cruel to a marginalized person. and you know if you treated a cis man like that you might be putting yourself in danger, cos he might not take it lying down and he might not care as much about your wellbeing!

trans men are men, but trans men are not cis men. cis men are lauded and celebrated in society as long as they conform to the gender roles that were placed on them at birth. and this privilege is extremely conditional and not equally spread between men of different sexualities, races, ethnicities, ability, age, etc; trans men and intersex men are thrown to the side completely. I understand needing to vent about men. trans men do it too. but a persistent attitude of resentment and cruelty towards all men, including trans men, is not activism. all you do is push marginalized men out of the only communities they belong

[purinfelix]

Franco Colapinto, where his girlfriend gets jealous of his interviews, so she does everything to make him jealous in return.

a taste of his own medicine ⋆.ೃ࿔*･- franco colapinto

summary: you've had enough of your boyfriend's shameless flirting during interviews, and hatch a plan to get back at him for it w/c : 1.3k

a/n: AAAA this is such a cute idea anon - i wrote a good chunk of this a while ago but only just finished the last bit today, thank u for the req and i hope u enjoy !! <333

You wondered if your boyfriend could feel the stone-cold glare you were giving the back of his head from your spot in the VIP lounge - though if he could, he surely wasn't doing anything about it.

Initially, there hadn't been any problems with keeping your relationship secret - in fact, it had been your idea for a number of reasons. You just didn't consider yourself ready to be swarmed and scrutinised by the media or have the title of 'F1 wag' bestowed upon you. It didn't feel right, if anything it felt like a disservice to boil down your relationship with Franco to something so sensationalized. Keeping it private seemed the best decision, at least for the time being. But now, the longer you watched your boyfriend shamelessly flirt with anyone who crossed his path, the more you grew to regret this decision.

You weren't by any means a jealous person by nature, but something about the fact that no one but you had any problem with this situation - and only because they didn't know about your relationship - irritated you. If only you could figure out a way to make Franco feel the same way you were. Just at that moment, as if by fate, you spotted a young-looking boy in a race suit walking casually past the lounge. His carefree walk, curly brown hair and boyish smile - bingo.

"Hey there," you called out, hopping up from the chair you were sitting in and walking over to the boy.

"Oh, hello," he replied, seemingly taken aback by being addressed by you.

"Sorry, it's just that I'm a little new to all of this and," you look him up and down, "you look like you know what you're doing, do you think you could show me around?"

He laughs shyly, hand rubbing the back of his nape. "Well, I mean, alright then, I'm Ollie by the way."

"Lovely to meet you, Ollie." You offer a girly giggle which you try your best not to cringe at as you follow the boy, who begins to walk around the nearest garage.

He begins to explain things, the process of getting ready to drive, the roles of different team members and the physics of the car itself - all of which you could care less about, but you nod earnestly regardless. Along the way, you even offer any mechanic or engineer who seems your age a friendly smile, and even a wink if they're particularly good-looking.

It's just your luck too that all of this is happening just close enough to the media hubs where your boyfriend has been stuck all afternoon. You try your best not to look too often over at him, not wanting to give away the true intentions of this mini tour you're scored for yourself. He doesn't seem to share the same sentiment though, based off of how many times you've caught him stealing glances at you, his eye following watchfully as you laugh and tease your impromptu tour guide.

"And so every element of car design has the purpose of making it as fast as possible, either through aerodynamics or by making everything lightweight," he continues to explain excitedly, and even though you're starting to feel dizzy from all the nodding you give him a quick one.

"Oh, wow!" You say, and before you know it you've landed yourself in the perfect position - within both earshot and line of vision of your boyfriend who seems to be wrapping up one of his last interviews for the night. Now, for the cherry on top.

You watch as Franco finishes saying his goodbyes to the last of the media crew, his eyes now searching the paddock for you. Knowing that he's looking at you, you throw your head back in laughter at nothing in particular and bring a hand up to graze Ollie's upper arm. Though you have his back to him you know your boyfriend well enough that when you feel a hand on your own shoulder mere seconds later, you aren't too shocked.

"Oh, hello Franco," you hum, feigning innocence. "Ollie here was just showing me around and keeping me company, isn't he the sweetest?"

"Very sweet." He grins through gritted teeth, though his strengthening grip on your shoulder says otherwise.

"No problem, oh but hey I forgot to show you just one more th-"

"Thanks, kid, but my girlfriend and I have got to get going."

Trying not to make it too obvious on your face how pleased you were that your plan had worked, you thanked Ollie once more before you felt Franco's grip sliding down your arm and intertwining his fingers with yours. Desperately, he dragged you off and away from your tour guide - who had a slightly confused expression painted on his face as he watched the two of you disappear into the Williams garage. You were amazed by how quickly your boyfriend was walking as he pulled you into his driver's room, shutting the door behind you quickly.

"What was that?" he huffed immediately, not giving you a second to say anything. You only smiled in response, watching his normally calm expression morph into one of frustrated confusion.

"I told you, Ollie was showing me around, you were busy with your interviews anyways," you decide to keep up the act of innocence, though you can tell he's not buying it.

"Bullshit, what sort of showing around involves touching him."

"I didn't think you were watching, those reporters seemed to keep you pretty occupied," you say in a sing-songy tone, throwing yourself down on the couch in his room. You wait for him to respond - something equally sarcastic or quippy, but when you turn to look at him you see him staring at the wall in front of him, eyes furrowed in confusion. Slowly, the cogs in his mind seem to start working as his expression slowly changes into one of realisation.

"You were jealous," he breathes out, turning to you with eyes wide and brows raised.

"Oh pfft- I wouldn't say jealous, bored now that might be more accurate but-" You're interrupted by him taking a seat on the couch next to you, face now painted with a smug look.

"You didn't like that I was talking to so many reporters, did you?" His teasing tone is enough to make your heart race a little, though you try your best to keep calm.

"I'm pretty sure you were doing a little more than talking babe, you were flirting!"

He looks at you with a slightly offended expression, "flirting?" It's almost as if he's just realising what he was doing.

"Uhm, duh."

"Did it really look like that?" His brows curve up into a pleading expression, "I didn't mean to, I swear!" You let out a soft chuckle watching his apologetic expression.

"It's fine baby, just try to be a little less friendly next time - I think your PR team would appreciate it anyway." He nods, scooting a little closer so that he can lay his head on your shoulder. There's a beat of silence before he speaks again.

"You were jealous," he hums, almost as if he's talking to himself.

"Wh- so were you! Poor Ollie is probably terrified of you now!"

"Whatever, he's a big boy, he'll live," he sighs, reaching for your hand and intertwining it in his "Plus, don't act like you're any better using that kid to get back at me."

"Hey, I had to do something before you walked out of that media room with a second girlfriend," you crossed your arms in annoyance, refusing to even look at him.

"You're cute when you're jealous," he laughs, before turning to peck at your jawline. Before you can stop you're melting into his touch, bringing a hand up to brush his curly hair away from his face. It might be a weak apology to some, but to you - to be here with him, in the privacy of his driver's room, away from Ollie, the reporters, and the rest of the world - it's more than enough.

taglist: (reply/send me an ask if you'd like to be added!)

@spreadyourwings-my-smiling-angel @alelo23 @scill-a @multifan-idk

[mind-intheclouds342]

A new ladder - Reader x Curly

BEFORE I START

Yes, another story of Curly. What can i do? I love him.

THIS IS ALL INSPIRED BY THIS AWESOME ARTIST THAT I FOUND ON TIKTOK

btw the curly of this story will kook like this so you can already imagine him.

The user is ladonb.kokosa

PLEASE GO CHECK THEIR ART ITS WONDERFUL

That being said. Lets get start with

PART 1 - NEXT

"Cryostasis ended"

"His vital signs are stable"

"Who could it be?"

"Disinfect the wounds"

"There are no more survivors"

"They authorized us to give him the implant."

The man could hear several voices in the distance, he saw silhouettes, shadows, he couldn't distinguish the people around him.

He felt them putting a mask on him to anesthetize him, and everything went dark again.

When he woke up, he saw a woman checking his signs, and he was astonished to recognize her despite some of her physical changes.

She was his fiancée, the woman he was supposed to marry after that trip.

Why did she look like that? She seemed older, but in his sigth, she remained beautiful.

He made some sounds to get her attention, causing her to turn and look at him. She approached and pressed something on his neck.

Curly: "Linda..."

Linda: "...No... Tell me it's not you..."

The woman immediately stepped back, covering her mouth, unable to believe what she was seeing.

She didn't recognize the man laying in that bed in front of her, and she prayed so hard that he wasn't the man she was going to marry, but the fact that he recognized her confirmed her fear.

He could understand the terror on her face, but he didn't know there was something else he didn't know.

She took a deep breath and set her fear aside, sitting next to the man.

Linda: "Curly... If it really is you..." she said, still holding out a small hope that it wasn't him, "You were cryogenically frozen for 20 years... They rescued you because the Tulpar re-entered orbit near Earth before running out of energy, they were able to detect it and bring it back without causing damage, and that's how they found you inside... You have been in the hospital for two weeks today..."

He wanted to laugh as if what he was being told was a bad joke, it couldn't have been that long, right?

But looking closely at her, the small wrinkles now on her face and the few gray hairs she had showed her that she was real.

Linda: "They didn't find any more survivors and... The same press has taken care of paying your medical expenses because they want to hear your story... You have an implant in your neck so you can speak, a voice box, you have to press it if you have difficulties but in a while you won't need to do it anymore... and they did a skin graft... Including some prosthetics..."

She carefully took the prosthetics of his arms and raised them so he could see them, Curly felt like a completely different being.

Linda: "I recommend that you ask for what you want now because... As soon as they find out you're awake... They're going to bombard you with questions and the press will come here, they won't show any mercy."

The man tried to raise the prosthesis and pressed his implant on his neck to be able to speak.

Curly: "What about us?"

Linda: "Oh Curly..." she sighed, "When you didn't come back, I thought the worst... That you were dead... I just keep going with my life... I married someone else, I have two children... There is no longer an 'us'."

Before he could say anything else, a reporter peeked in and made a fuss upon seeing him awake; the place filled up in seconds.

The woman lowered her head and left the room in search of security to throw out the press, but the harassment didn't end there.

Curly chose to give them the answers to the questions they had by scheduling a meeting at the hospital.

Thanks to this, many people started donating things to him, including money to help him reintegrate into society.

But beyond the kindness of people, no one wanted to take care of him and help him, not even the nurses, they said they couldn't spend too much time near him.

Linda took care of him during his stay in the hospital while they fixed up his house that had been left abandoned.

Linda: "I found someone who can take care of you."

She commented while pushing his wheelchair, entering his house, that it looked completely renovated.

Linda: "I don't know if you still remember that I mentioned my younger sister, (Y/n), a couple of times?"

Curly: "The one who lived with your father?"

Linda: "That's right... My mom got full custody of her after a few years, and since then she has been living with her until she became independent shortly after turning 18..." 

Curly: "She was 12 back then..."

Linda: "She recently lost her job, I thought it would be a good opportunity for her. She is very responsible, I promise."

When they arrived in the room, he could see a woman standing and looking at the paintings hanging on the walls.

He had never met his fiancée's sister, but he had heard many stories about her, about how her father unjustly gained custody by labeling their mother as crazy, and since then they had fought to get the girl back.

He had been struck by how incredibly different she was from her sister; you two didn't seem related at all.

Linda: "Good thing you were already here," she mentioned with a smile to catch your attention. 

When you turned to look at them, Curly didn't expect such seriousness from you towards your older sister. 

"...Thank you for the job opportunity, I will do my best to help you," you mentioned, looking at the man, ignoring the woman. 

Linda: "Let me show you where everything is-"

"I've already been getting familiar with the place, it's not necessary, you can go."

Linda: "At least let me tell you which medications you should-"

"You have already sent me a message with clear instructions. I can do this, Lin."

Curly: "You should be more respectful to your older sister."

Upon hearing him speak, you turned to look at him again, without any expression. 

"...Lin"

Linda: "I'll leave, there is no problem. I'm sure you've already memorized everything to the letter. If you have any problem, don't hesitate to call me."

She indicated, she didn't want to make a scene and left without even saying goodbye to either of them. 

"...So you are Curly... It's a pleasure to meet you, I hope we get along well."

You had already made a bad first impression on Curly by treating the love of his life so poorly. 

"Lin left your pill organizer with me, and gave me the schedule for them, it's time for the first pill."

You took a bottle and opened it to take a pill, causing the man to tense up a bit as he remembered moments when he was given his painkillers.

Noticing his nervousness, you tilted your head somewhat confused and went to get something to drink so he could take the pill. 

What a surprise he got when you brought him a cup of chocolate along with the pill. 

"When I was little... I didn't know how to swallow pills, I would choke, so I would bite them... My dad used to give me pills with chocolate milk so I wouldn't have a bad taste in my mouth, don't you like the taste of the pills? These can be very bitter..." 

He thought it was very kind of you to consider that, immediately regretting having judged you without knowing anything about you. 

You helped him take the pills, giving him chocolate to drink slowly, it really helped with the bitter taste. 

Maybe... you weren't so bad.

[aventurineswife]

I've been having a bad day lately and am touch starved, so may I request Dan Heng x reader where reader who was always full of energy and never gets sad suddenly cried silently after someone said something hurtful to her?

The scenario I imagine is that the person made reader cry due to them saying something hurtful to them before walking away. And Dan Heng was behind reader all the time, feeling concerned about them since they've been silent for a few minutes, before Dan Heng walks in front of them to ask if they're okay but was surprised to see them crying all this time but made no crying sounds or actions to showcase their sadness, just head hung low and a few small hiccups, attempting to hide their sadness (silent cry) because they felt embarrassed to cry when Dan Heng's with them. (And ofc would love to see how Dan Heng would comfort them)

“Hold Me Until I Mend”

Summary: After a hard day, you, usually so full of energy, feel emotionally drained when someone’s harsh words hurt more than expected. Though you try to hide your silent tears, Dan Heng, who’s been quietly observing, steps in to offer comfort. Surprising himself with a gentle embrace, he reassures you that you don’t have to face these moments alone, and that he’ll be there whenever you need him.

Tags: Dan Heng x Reader, Hurt/Comfort, Emotional Support, Silent Crying, Fluff, Protective Dan Heng, Soft Moments, Comfort in Silence.

A/N: I HOPE THIS FIC CHEERS YOU UP, ANON!! AND I DEFINITELY GET YOU! 😪💚

It had been one of those days. You could usually shrug off harsh words, throw on a smile, and bounce back without a hitch, but today was different. You’d been feeling off, a little heavier than usual, and when someone threw a snide remark your way, it cut deeper than expected. They’d walked away without a second thought, leaving you standing there, struggling to contain the emotion welling up inside.

Dan Heng, who had been nearby and out of sight, had noticed the way your shoulders drooped slightly, how the spark of your usual enthusiasm had dimmed. His usual instinct was to give you space, as you tended to handle things with unwavering resilience. But this time felt different. When you didn’t immediately bounce back, something in him tightened, an unfamiliar concern that he couldn't ignore.

Quietly, he approached you, stepping around to face you. "Are you okay?" His voice was soft, careful, but when he saw you—head bowed, shoulders shaking ever so slightly, the occasional small hiccup escaping your lips—he froze. You weren’t making a sound, weren’t even moving to wipe away the silent tears slipping down your cheeks. It was as if you were trying to keep it all in, embarrassed to break down in front of him.

“Hey,” he murmured, his voice as gentle as he could make it. Reaching out, he hesitated, unsure if you’d want him so close when you were feeling this way, but ultimately decided to place a careful hand on your shoulder.

You stiffened slightly, but when you glanced up and saw the concern in his gaze, something about his quiet support softened the walls you were holding up. Without thinking, you leaned toward him, finding comfort in the steady presence he provided.

Dan Heng didn’t say anything, but he didn’t need to. Slowly, he wrapped his arms around you, his hold warm and secure, grounding you in a way that words never could. You could feel his heart beating steadily against you, and that simple rhythm calmed your breathing, letting you release some of the sorrow you'd been bottling up.

“Don’t feel like you need to hide this,” he whispered, his voice low and gentle. “Everyone has moments like this, even those of us who try not to show it.” You felt the warmth of his words, the way they wrapped around you, letting you know that he understood, that he didn’t see this as weakness.

He held you for as long as you needed, his quiet presence anchoring you as the weight of the day began to ease. When you finally pulled back, he gave you a small, reassuring nod, his hand lingering on your shoulder.

“If you ever feel this way again… I’m here.” he said, his voice barely more than a whisper, as though he was sharing a secret just between the two of you. His words, simple and earnest, made you realize that you didn’t have to face every hard moment alone.

A soft smile found its way back to your face, and Dan Heng’s gaze softened in return, a barely-there smile tugging at his own lips. He wasn’t one for open affection, but in that moment, you knew that you could trust him, that he’d be there when the weight felt too heavy.

[clini-calia]

It's tough. It is.

I'm a 30-year-old transgender man. From ages 16 to 23-ish, I was stuck in the alt-right pipeline, as well. I watched all that stupid bullshit with "feminists getting owned!!!1!" and what the fuck ever else. I think what pushed me towards it was how people on Tumblr used to be upset over EVERYTHING and would belittle me for my masculinity. I remember seeing a post that had a gif of a scene from some anime, I dunno which one, and it was of a naked girl laying down. People were complaining about her breasts not being realistic - it wasn't the size, it was that they weren't sagging or drooping, and that men need to be portrayed with rock hard dicks that never soften or whatever. But I was just sitting there thinking, "She's laying down... lol. Gravity is literally pushing her breasts against her chest, not pulling them down."

Anyway. Posts like that, but they got worse. I've had a lot of people on the left question my gender. "Why would you want to be a man? Women are the better choice." "I don't know why you'd want to do that, why give up your femininity?" I got into a small argument with a woman once on it, basically saying that it felt like trans men weren't really counted much and were largely ignored in the trans community, along with non binary people, who are usually just treated as "Women Lite." She got so angry that she told me, "You probably just wanna be a guy because you're too ugly to get one for yourself."

That's what tipped me over to the right for a bit. Until I realized they cared even less about me and that if given the chance, well. What happened on November 5th would happen, and they'd look for any excuse to strip me of my rights.

For cis, straight, white men it's not so easy to get out of. They're welcomed with open arms, there's no looming threat of having their rights taken away. So the pull of some "brotherhood" is more enticing. I was groomed and sexually assaulted by a man, but I was also sexually assaulted and groomed by a woman. I'll always believe that, no matter what, humans are just humans. White, black, gay, straight, trans, cis, man, woman - humans. And humans can be good, and they can also fucking suck. So I'll never say "all men are trash" or "all women are garbage" or anything like it ever again.

I see men's issues with mental health. I wish they would understand that it's the patriarchy that ultimately fuels those issues, and I wish some women would see how they also contribute to it. I see a lot of younger women these days placing men's entire values on their income, their careers, their appearances, what they can buy for them... I've seen a tweet of dudes just chilling and playing video games, showing off Pokemon cards or some shit and a woman quote retweeted it and said, "Men used to fight in wars. 🙄" Yeah. That'll stop toxic masculinity - tell men they're not real men unless they go to war and give up what makes them happy. Nice...

The patriarchy hurts women by enforcing the idea that they are to submit to men's wishes, stay at home, clean, cook, have babies. That's all women are allowed to experience.

The patriarchy hurts men by enforcing the idea that they are to overwork themselves, abandon any non traditional masculine interests and basic human emotions in favor of that work, and go to fight and possibly die in wars.

These ideals were put into place as soon as different tribes, races, countries and so on realized that, "Oh. There's OTHER types of people, and I want to be the most powerful and rich so they don't take what I have. Hmm. Better make sure women can only spit out plenty of babies and that plenty of those babies are men to be my soldiers and workforce."

If you're a man that supports any of those ideas, fuck you. If you're a woman that supports any of those ideas, fuck you, too. I'm sick and tired of generalizing people. I'm sick and tired of having to give up pieces of ourselves in order to put more money in billionaire's pockets. I'm sick and tired of men being told they're "too feminine" to be a man over being into stuff like sewing, baking, dolls, fashion, cozy games and I'm tired of seeing women being told they're "too masculine" to be a woman for being into coding, mechanical work, FPS games, science and I'm tired of seeing non binary people being told they're too much of one or the other to be non binary.

I'm tired of seeing men put down other men for having a fucking emotion other than anger or goddamn numbness. I'm tired of seeing women put down other women for being more attractive or not attractive enough. Just... stupid, petty bullshit that should have been over and done with decades ago, why the fuck are we STILL here?

It's tough. Because I love men and care deeply about men. But I also don't think we need to baby them and pat them on the back and say, "It's OK that you joined a fascist group of people that openly and proudly call themselves Nazis." And if a man ever tells me or any woman or AFAB person that it's "your body, my choice," I will grab the nearest blunt object I can get my hands on and beat the snot, shit, and blood out of them.

But I do think we need to work harder at not alienating our CIS, straight, white, male allies. We need to stop generalizing everybody and correct our language when talking about people. And we especially need to make it clear that the alt-right only seeks to divide for their own benefit, not for anyone else's. It's money and power that they want. Men, unless you are wealthy, you are just a vote and a pawn to them, nothing else. We need Democrats in the USA to stop rolling over and blowing kisses to Republicans in the hopes that they'll play nice and cut us some slack. It's not going to happen, not in meaningful numbers. And we NEED to crack down harder on alt-right online spaces. I don't give a fuck no more, get rid of that shit, I don't care if it's seen as too extreme or censorship, if you give these dangerous people a place to commune and feel safe with their harmful ideologies, then it WILL spill over into other spaces. And parents of young children: you need to BE BETTER at monitoring what your kids are seeing and doing online. Take it from someone who no-lifes online games: they are going into these spaces and saying heinous, horrible shit. They are being groomed, they are saying slurs and sexually harassing women, they are even seeking sexual attention and guidance from adults and strangers, and some of those adults are sick enough to take them up on their offers. One little trip into a few public instances of games like VRChat will be all the proof you need. I love the Internet, I really do, but I also see how its anonymity has done harm to us and has severely damaged how young people interact with each other, online and offline.

Anyway, sorry that was so long. I've been pissed the fuck off since I saw that Trump "won" the election and this shit has been on my mind for years, just even more so now.

I couldn't have said it better myself.

[featherandferns]

my thoughts on the rudy/madison discourse and obx 4 generally (spoilers):

I watch obx 4 for the characters. I appreciate the actors, find their behind the scenes moments entertaining at times, and indulge in the occasional interview or Instagram post, but I do not 'follow' the actors. My fanfics are about JJ Maybank as a character, not Rudy Pankow. I appreciate Rudy Pankow's attraction, especially when playing JJ's character, but writing fanfic about Rudy himself (or any other actor) is, for me, uncomfortable. That isn't to shame anybody who does write or read such content, it just makes me personally feel uncomfortable.

All this to say: I don't care about the drama. I don't care about why Rudy left the show, whether this was his decision or the writer's. I think Rudy's girlfriend seems lovely, but I am highly aware neither myself nor anybody else knows her. Rudy is a grown man. He's in his twenties. He can decide who he does and does not want to date, and who he does and does not want to spend his time with, both on and off set. An Instagram post Rudy made on his story on Canadian Thanksgiving I think summed it up perfectly: he loves his girlfriend, and if people can't get behind that, then get out.

Furthermore, Madison and Rudy do not owe anybody anything. I don't find interest or want to engage in the toxic debate of the 'he said, she said'. They're all adults, they all have their own lives, this is all between them. The speculation and pressure from fans is cruel and uncalled for. They don't owe anybody insight into their private lives. Maybe they aren't friends anymore - that's okay! People drift apart, people fall out. Yes, it's sad to see the change from season 1 in terms of dynamics, but a lot can happen behind the scenes. That's life! Also, I don't like the comparison between Rudy and Madison, and Madison and Chase. People saying 'but the actual ex-couple can work together fine' are forgetting that every situation is different! I had an ex-boyfriend at an old job; I was pissed at him for a few months but civil at work, and then I got over it and he apologised and we became actual friends about a year after the break-up. However, I have other ex-friends and ex-lovers who I could not ever tolerate or be near, and I can't imagine what it would have been like having to work with them after a falling out. If this is the case for Rudy and Madison, that's a really tough thing to navigate! Give them grace - yes they're actors, but they're humans too! The bottom line is: it's their life, leave them alone.

Following on from that, stop placing blame! We don't know why Rudy left the show. There's all different opinions and sources about who said what, who did what, who is the 'bad guy'. Nobody knows the truth but the three involved and, as I said before, they owe this to nobody to disclose.

I think Rudy leaving the show, whilst sad, is a fair decision. OBX began filming in 2019. You do a lot of growing from there and, especially with changes in writing, you can want a change. I think actors can sometimes be too tethered to their characters and it limits their future work abilities, because nobody can picture them as anything other than that character. You can still have successful careers because of this (think Camila Mendes and Riverdale; Matt Le Blanc and Friends; Ellen Pompeo and Meredith Grey), but Rudy clearly wants to explore other areas and other characters, like theatre and Indie movies. Good for him! We should support him! I don't love this 'I'm sorry we couldn't save you from your actor, JJ' stuff, because Rudy gave his heart and soul to that character and that performance. He doesn't deserve to be punished because he craves a change. It's the same as any other job/career; we all want a change sometimes.

The writers and show creators have been getting a lot of backlash too. Here's my thoughts on season 4: was it their best season? No. Did it do some of the other seasons and previous plotlines/character development justice? No. Did JJ have to die? Not necessarily. However, it is easy to lose sight of the small picture when you have increased demand and increased budgets. Netflix like 'bigger and better'. When people are given more creative freedom, sometimes things can veer off course. We can forget the original character motivations, dreams and desires by getting caught up in the spectacle. The only show I've ever seen that really keeps the characters true and consistent, whilst developing, and never forgetting a plot point, is Bojack Horseman. To me, that is the only show. It's a shame, yes, that it veered so far from season 1's aesthetic, but that's how it is.

As a fellow creator, I feel it's cruel sending so much blatant hate to the writers and creators for making the show. If Rudy did want to leave, they had to find a way to make this work for JJ. Yes, I've seen some say 'he didn't have to die' but I sort of disagree. JJ is too loyal and attached to his friends to just 'go off' on his own to somewhere else. That would also be out of character. I think the way he died, and the build-up and plot points that didn't get resolved prior to his death, is a little annoying. I don't like how it wasn't in Kildare, in his home, and in a different country. But hey - that's just me.

I know, that if I took so much time and energy and money, working and building something that I am proud of just, just to receive so much black-and-white hate, I'd be crushed. Constructive criticisms and opinions are good - we can be upset about a character dying - but saying 'fuck you' and 'we hate you' is a bit mean, in my opinion. The time and energy and work gone into this season is astounding. The travelling and set design is incredible! I mean, the shop is the most awesome thing I've ever seen!

I also respect that they killed JJ. I'm not saying I wanted him to die. I'm saying, it pisses me off when shows give plot-armour to the main characters. It lowers the stakes. You know they're going to be fine because they're always fine (think the majority of Stranger Things - there's a really good video essay about that here btw that articulates this point a bit better). JJ's death was shocking and upsetting, that's how a death (in a show, at least) should be, but it means hey, there are real stakes here. It's not fair he died! He didn't deserve to die! But he did, oh my God. It takes guts to kill of a beloved, main character. I agree, JJ was my favourite part of the show, but I respect the choice, personally.

I liked season 4. It wasn't as good as season 1, I wish they stayed more grounded and didn't start so many plot points without resolving any/all of them, but I liked it. It was entertaining. The acting was pretty decent, though the chemistry and acting when Rudy and Madison had scenes together was a little disappointing (again, I don't want to point blame at a certain individual; it's hard to have good on-screen chemistry, especially when you don't feel like it matches your character's true motivations).

Was it unrealistic at times? Yes, but OBX usually is haha. It's a show about finding EL DORADO at this point, like I can accept that they let Sarah and JJ get swept into the sea during a storm and come out fine, without a single earring out of place. Sure, whatever, I'll take it (so unrealistic, 90% would drown and you'd at least shed your clothes to help you swim and stay afloat but WHATEVER. Also put your life jackets on guys wtf it's a STORM).

I wish there was more development on the plots, done by having less plots at once, and more conclusions for JJ before his death. I felt as though we were building up to a big blow-out/resolution with Pogues which never really came. Also, don't love how they handled JJ and his biological dad. I don't think he'd be that willing to trust a random man who abandoned him so easy. Yes, he's reluctant, but COME ON. JJ has the biggest trust issues. I just don't buy it. Also, explain, please, how Luke went from being so wonderful and gentle with JJ to full on abusive? Just a bit of explanation would be nice, please. Not a huge fan of the pregnancy plotline but hey, sure, whatever.

So, yes, that's my thoughts on everything: leave the actors alone; the writers have balls for killing JJ but that isn't necessarily a bad thing; give people grace; treat people with kindness; I'm going to keep writing for JJ; and season 4 altogether gets a 6/10 from me.

I'm open to different opinions, further thoughts, or just general musings/ideas. I hope this doesn't upset or offend anyone, I'm not trying to spark drama or shame a certain person or people: these are just my thoughts and views! So, I won't be participating in any 'who's the bad guy' discourse surrounding the actors. I'm just here for JJ and the Pogues. Take care of yourselves and spread positivity in this crazy, difficult time <3 and, of course, rest in peace, JJ Maybank <3

P.S. These are my season-by-season ratings: season 1 - 10/10; season 2 - 8/10; season 3 - 6/10; season 4 - 6/10.