#they’re called the b!g three cuz they have the most plot significance

[porcelainvino]

the b!g three (puck, kurt, santana) art

[unproduciblesmackdown]

it’s 7am and for no especial reason im gonna throw out “bat boy” numbers that really go off which is, really all of them, but still, might as well share my wisdom

a) COMFORT AND JOY: obviously!!!!! THE song. it is seriously like, wow. the drama. and its Such a jam. what haven’t i already said to endorse it? cuz i’ll say some more.

b) SHOW YOU A THING OR TWO: automatically gets second spot b/c its second most likely to be in my head. it’s all “i’ll show you a thing or two, second verse with these-two-notes [two-notes]” and i do a little dance for those two-notes. and the lyrics “you’ll soon complete it—but, wait! ((??)) don’t eat it ((oh))” will loop thru my brain like fifteen times. lot of Musical Style variation in this whole show and this ones got like, a highstepping chorus line theme & thats a delight. and lots of incredible lyrics too, like this song’s “but now say howdy to a summa cum laude.” oh wait and i suppose its self explanatory but meredith The Mom and shelley The Daughter are teaching edgar The Bat Boy like, all of general knowledge in a matter of weeks / maybe several months. dr parker The Husband / Vet is tangentially helpful but not really because he sucks. meredith’s patience is v nice. you really have to root for them, except dr parker, because he sucks.

C) CHILDREN, CHILDREN: any ranking order beyond this is basically just me throwing darts w my eyes closed but this is a good third cuz its again that musical variety......this ones like, this 90s-ish movie credits remix echoey chimy synthy thing going on?? but its really a jam too. when the company joins in with the “oooo~shalala” i go BERSERK.....and there’s this suddenly punk rockish break in the middle of it. pretty great. what’s going on is that, as edgar and shelley are fleeing from Society into nature / the woods to reinvent their notions of humanity, the god of that sort of stuff Pan has shown up with an eden-esque panoply of animals to sing this song to set the mood. obviously.

D) WHATCHA WANNA DO: speaking of punk rockish...this is that? it’s a bit head-tiltingly jarring as its just this number in which one of the local teens who found edgar in the cave shows up to the parkers’ house where he’s currently caged and reacts to him in a Thematic Microcosm of what will be others’ reactions, aka to reflect a like, lack of inhibition re sex and mostly violence back at his feral nature and perceived inhumanity. one of the stranger numbers in a weird musical, but still a jam, see: punk rockish

E) A JOYFUL NOISE (REPRISE): end the musical here and everythings fine! just a real short one but a lot of fun because of what i just said. edgar goes to the local revival to beg the townspeople’s and preacher’s acceptance, and they give it to him. yet more musical style variety and a shoutout to this exchange

F) THREE BEDROOM HOUSE: send the musical in a different direction in the middle of this and everything could still be fine. this is a fun boppish number kinda reflecting elements of “show you a thing or two” musically, which i suppose is since its again mostly about meredith having decided that they can make this mess of a situation work. that mess being that, edgar Was accepted by the town but actually her husband killed a local teen and then showed up and blamed it on edgar & implied the mysterious plague upon their cows was edgar’s fault too and edgar’s run off into the woods. then this one is followed by children, children. i could go in order but its chaos rules only!!! the amount of fun energy in this song is frankly great and its like hell yeah meredith!!!!! hell yeah hock this stupid ring!!! kill your husband!! or whatever. js

G) CHRISTIAN CHARITY: god this one is fun idk......also self explanatory imo. local teens have found a cave cryptid, now the sheriff has him, he’s dragged him into the house where the local vet lives and is just p much casually dumping said cryptid on them, which is funny. there’s Musical Themes here repeated w some of the townspeople’s numbers & set up for comfort and joy....what really gets me is the sheriff’s part that starts abt a minute into the number where it’s like, this really neat almost-lilting musical phrase in the key of i don’t know, but its cool. i like it

H) INSIDE YOUR HEART: man, this one’s got this like, p simple musical Theme in there that’s just like, that’s all you need really. sort of like, the classic ballad duet type of song now. but also sort of cutting its own drama, b/c the musicals like, tragicomic and all. like edgar has this whole swelling “oh god this curséd existence you have to leave me” declaration and then immediately you get shelley’s matter of fact “...no.” even tho its a bit Meta Humorous like that, frankly its still a pretty great straightforward and sweet number which im sure a lot of musicàl love songs Wish they could be, which is just made more Smh by the fact that a) it’s about shelley trying to convince edgar its okay to drink her blood and b) because right after it ends meredith shows up to belatedly inform them that they’re half siblings. shits a wild ride.

I) A HOME FOR YOU: careening back to the beginning....this one is also less like, oh shit im gonna dance along, more of a subdued and quiet number, but its a nice solo of meredith’s and p sweet but not in a way like Inside Your Heart where its gonna get immediately wrecked. instead its one of the more grounded songs where she’s just telling the feral bat teen now in her house that maybe he can like, belong somewhere. it also has the Additional Depth not yet revealed in the plot that meredith is aware that edgar is her own child whom she had previously presumed dead. and this song is also Significant in that it’s Reprised when edgar realizes he might actually be fully human (he’s not) and is eager to go to the town’s upcoming revival and win their acceptance; and its Musical Theme is briefly reprised in “apology to a cow” when edgar is at the total opposite end of things, having been turned on by the town thx to the betrayal of his evil stepdad, and then having his and shelley’s attempt to forsake the need for social acceptance in the first place Also Wrecked by their mom telling them she’s their mom, so then he’s just mad at everything and murders a cow b/c he feels the only thing left is to embrace their idea of him as a killer monster, and he Reprises the a home for you theme as he swears to kill both meredith and dr parker, which he doesn’t, although they do Die around him. whoops. wanna @ will roland and be like “hey can you sing this one single line from Apology For A Cow?? cuz its rly cool and honestly a lot of these songs make me sure that wroland’s version of this material what with his voice and acting and how dramatically that production seemed to treat the outlandishness in general all means i’d fucking go ballistic and i wanna hear ‘this face will be the last thing that you ever see’ cuz that key change and that like, rise and fall at the end,,,,OOF,,,”

J) I IMAGINE YOU’RE UPSET: just round it off by slapping this climactic song right down. it’s a lot. dramatic again but also kinda fun...ish......i mean its the “everythings gone to shit and lets bring everyone together for peak disaster” so how much fun can be had? yet the quick exchange of “i smell [...] her sweat” “oh my god” whole town: “JESUS!!” and the sheriff singing “im sorry your life’s a sham” like hfvlmao thanks dude. but there’s all the clashes of characters’ built-up emotions and edgar is over here covered in blood and demanding to be killed while the town is like YEAH but all meredith’s lines are especially bittersweet and honestly like its a weird absurd story obviously and we’re all here to be ourselves and have fun but the story does make me bummed cuz of thinking about it all as “okay, yeah, but if you treat it earnestly,,,,Sad” like man you hearken back to three bedroom house and how meredith is determined to see it all be okay and really like just wants to live with her kids somewhere safe and NOT with her crap husband who’s been ruining everything the whole time for once. and then she’s here caught between the final confrontation of the Dramatic Foils that are edgar and dr parker and in general everything is a bit too late. ugh. lot of Dramatic Exchanges here and musical theme reprises!! that’s the good shit. and then the song ends on dr parker’s sort of ominous yet resigned-ish “are you hungry edgar” (shoutout to comfort and joy!!) after which he cuts his own throat, and, just like in comfort and joy, (and sort of like just prior to comfort and joy, when edgar reflexively defended meredith from dr parkers Violent Behavior) when he presents edgar w the fresh blood edgar automatically Attacks, wherein dr parker takes the chance to stab him, and inadvertently stabs meredith when she tries to shield edgar, and they all three die w edgar bleeding-outly refuting his humanity to shelley, and then there’s the final number where everyone’s like wow that was some shit. but ACTUALLY there is also this one specific detail i’d be desperate to see from the nyu steinhardt version, which is that after they all die and there’s that Breathless Moment, the Man From The Institute who the sheriff had called earlier to deal with edgar Rushes In and sort of beholds the whole town gathered staring at these three bodies and maybe a cow’s head off to the side, and one of the townspeople just goes “...you’re late.” and i am so certain that this line is HghhfGH-wheeze-laugh worthy; but the performance i saw they did NOT do the timing right!!! they said it like right off whereas what you need to do is hold the pause at least three full seconds!! and then go: You’re Late. i’m adamant about this. so much of Landing The Delivery is timing!! anyways. god. press f. anyways. it’s now 9 am. thanks and good morning. basically saying that the whole soundtrack is basically pretty great and really will roland has doomed me to actually be invested in this weird story, b/c its the ol magical realism comedic-framed wild obviously-that-would-never-happen plot, but, still, you’ve got this teen trying his best and it COULD all be fine actually but it all goes to shit b/c nobody killed dr parker in time really. well i’d just like to conclude by saying it’s raining and that’s great b/c i love when it’s raining