#they really do not get along in mainline

[helps-the-writing-brain-go]

Billy - The Gamer

I don't think I've seen one of these yes, but I really love this trope

Billy wakes one day, finding his HP and MP restored to 50% for sleeping in a nest of cardboard boxes.

His minor scratches are gone along with his twisted ankle though he's still suffering from hunger and malnutrition

His usual quests are things he does anyway, though gamified I.e. picking up the trash he sees becomes a cleaning mini game in the park, he has a quota of newspapers to sell as a newsboy but if he sells over quota, he gets a bonus amount from the Game.

Getting his powers from the Wizard is part of a Mainline Quest

To access it, though, he had to be in the right place and time to help with an optional side quest of helping Tawny, either helping him escape from the zoo in his animal form or in his human form from being menaced by thugs

Billy can and has died, but idk whether to make it thar he wakes up from his last bed in the same timeline or if he reverts to last save, thus going back in time a bit

Becoming the Champion unlocks new magic side quests and more of the Main Storyline as well as a new map to the magical areas around the world, especially around Fawcett that he hadn't been able to access before

There are various skill trees that Billy works on and unlocks

Maybe Freddy helps him work out what kind of Builds he should go for and what Perks to unlock because he can be more than one as the Game affects him as both Billy and Cap

Maybe a secret third identity where he keeps going out with identity obscuring items and becomes known as a hard to find but always accurate appraiser (Because of the skill 'Observe') and a seller of rare and incredible goods like healing items or MP potions that have no side effects.

(Will probably write a part 2 some other time bc this is getting long but do u see my vision??)

[vicvinegarandhughhoney]

Dennis Reynolds is AUTISTIC!!!!

(At least, I headcanon him as such).

Here's why:

Sensory issues:

If you've watched the show, you probably already know what I mean, but Dennis really struggles to deal with sensory input. When there's a loud noise, he often covers his ears- like in Family Fight:

or he gets frustrated, lashing out at diners for being too loud (The Gang Dines Out), getting annoyed at Frank for chewing gum too loud.

It's worth noting that later on in this episode, Dennis can hear Frank chewing gum from the other room. He's clearly hypersensitive, and perhaps this even goes to explaining a little bit why his room is soundproofed? Could it be that rather than not wanting people to hear what's going on inside, he's desperate to block the noise coming from outside?? (this was suggested by @kod-lyoko , and I LOVE IT).

There are SO many examples of Dennis plugging his ears (often when the others don't react in such a strong way):

There are way too many examples to list here, and too many images I could give (the above were taken from @dennisboobs ' gif set) but hopefully you get the impression.

Social issues:

I feel like this one is pretty self-evident, but I find deconstructing the things Dennis does super fun, so I'm going to explain anyway: Dennis does NOT know how relationships work. There are a great deal of factors at play to cause this (I would argue that his early experiences in life definitely moulded his view in an unhelpful way) but the systematic way he looks at interactions REEKS of autism to me.

The DENNIS system is hardly peak autism representation (it's certainly not the bright and bubbly stuff people often talk about), but the fact that he has a system for romantic/sexual interactions, both for men AND women, feels super autistic-coded. He quite literally has a script which he follows to make interactions easier, one which he sticks to rigidly. And if anybody tries to implement this carefully thought out system incorrectly? Well, he'll let you know (e.g in The Dennis System episode where he blows up at Mac and Charlie for not getting it right at the fair).

He masks his social deficits well, but sometimes things don't go to plan. Sometimes, the girl on the cruise ship runs away, and Dennis announces that 'that's not supposed to happen'.

He comes off as creepy, but that's not his intention. He doesn't understand the way he's perceived by others in general- he thinks he's the King of St Joseph's, not realising he was actually an outcast all along. Just like a lot of autistic people, he didn't understand that he was on the fringes of society until it was thrust in his face, and that hurt.

Speech:

While Dennis often appears to speak pretty normally, there are a few occasions where his frustration causes this mask of normality to slip.

In The Gang Finds a Dumpster Baby, Dennis is caught off guard by the hipster's reading of him, and immediately goes back to Frank and Charlie, parroting almost the same words he heard right back to them, despite not seeming to understand them at all (perhaps a form of echolalia?).

"I'm out here trying to make a difference, and you're over here rummaging around in the trash like a couple of narcs! Okay, you can't just come down here with your mainline cashmere, mousse... quaff... hairspray, and start being like, a suburban tool!"

It's also worth noting that even the poetic way he speaks when he's angry could be a trait ?? As a recently diagnosed autistic person, in my report they spoke about how I used 'idiosyncratic' language (basically, peculiar language lol), and listed terms like 'connoisseur', which I guess were deemed pretty formal for casual conversation.

And it got me thinking, who else do we know who uses VERY idiosyncratic language? Dennis. Reynolds.

"The thunder of my vengeance will echo through these halls, like the gust of a thousand winds"

"Begone, vile man, begone from me!... I am untethered and my rage knows no bounds!"

"You didn't tell me there was to be pollen!"

Etc... etc...

The way he repeats 'savages, idiots!' during his rage at the frat bros feels very autism coded to me. Repetition of certain words and phrases is common!

Heightened emotions:

Again, something that I didn't know until I myself was diagnosed is that for a lot of autistic people, we spend most of the time at a pretty 'flat' emotional state, but when we do experience emotions, we experience them intensely. Frustration turns into anger, sadness turns into despair, happiness turns into ecstasy- it's why some autistic people might be misdiagnosed with bipolar disorder!

This, of course, fits well with the way Dennis experiences emotions. He spends a lot of the time believing he doesn't have any at all, and when he does feel something, it's overwhelming.

"And I have feelings! Of course I have feelings, I have big feelings, okay? And it hurts."

These lines hit hard regardless of the extra weight you put on them, but when you see them through the lens of autism, through the lens of a lifetime of misunderstanding and overstimulation, it makes them hit even harder.

It hurts him to feel. His emotions are so strong that they're painful, and he's never been taught how to deal with them, because nobody even knew he had them in the first place.

Stimming:

Finally, I think Dennis stims. A lot. If you search up 'Dennis Reynolds autistic' on this very site, you'll find gifsets and videos illustrating this.

He has a few very common ones, like tugging on his earlobe when he's anxious, playing with his fingers, etc, but if you pay attention to him even when he's in the background of scenes, you'll pick up on a lot. Dennis is constantly moving, and while you could suggest this is simply a result of Glenn's ADHD, I'd argue that some of these stims happen so frequently in Sunny specifically, that there's no way they're coincidental.

Glenn makes a lot of very specific acting and directorial choices in Sunny, so why dismiss these as choices too?

That's all I can be bothered to type up now, but here's my case for Autistic!Dennis ! Of course, he's a complex character so there's always room for different interpretations...

but as an autistic person, I hereby claim him as One Of Us™.

[thebibliosphere]

hello, this is just me kinda sharing unsolicited Batman related feelings that i’m wallowing in, don’t mind me

i started playing Gotham Knights after seeing a few of your posts about it, and i’ve had a bit of a Batman/Justice League/Batfam fixation for the past few weeks. i was enjoying it! the environments were interesting and the combat was cool, and i loved listening to whatever Alfred had to say.

however, i made the mistake of finding Gotham Cemetery as Nightwing and thinking, “wait, is Bruce…?”, followed my gamer instincts (which is usually something along the lines of “follow the lights”), and ended up climbing to a higher vantage point to see if i could spot Bruce’s grave.

welp, all i had to do was spin the camera a little and oh. i’m standing next it. my boy Dick is already standing next to his father’s grave. it’s cleaner, newer than the surrounding headstones, there’s fresh flowers on it, and the rain made for a scene that kinda wrote itself.

somehow that hit me harder than the video Bruce left behind, harder than the funeral. i got so sad i had to quit the game and start reading some Batman comics :’) i wasn’t expecting me the player to also process grief along with all the characters, damn.

anyway, hope you’re having an awesome day!

Oh man, yeah. I did the same thing and then spent a lot of time walking through the cemetery, looking at all the names. I really liked that they carved Wayne Tower out of his stone so that when you look through it at a certain angle, you can see the Gotham skyline through his headstone. (And then the game dragged me back there later for one of Dick's cutscenes, and I went through all the stages of grief all over again. I had a similar reaction to Barbara visiting her father's monument. I won't spoil it, but man. Man.)

The makeshift memorial outside Wayne Tower also left a lump in my throat the first time I saw it. As did the #ThankYouBruce hashtag they have on the electronic billboards showing Bruce's face in profile against the city.

IDK, just something about the idea of Dick having to walk past that every time he gets dragged into a shareholder meeting fucks me up.

The game has many issues, but its ability to wring every emotion known to man and some kaleidoscopic ones only known to shrimp out of my jaded husk of a soul is not one of them.

I hope you continue to enjoy playing it! And take breaks. I ended up mainlining an entire season of Wayne Family Adventures after I finished my first playthrough 😅

[edgy-ella]

IDW SONIC READERS, PLEASE READ THIS!!!!

I am begging you. On my hands and knees. Begging. More so than anything else I’ve asked of this fandom.

Please please buy the Fang miniseries when it comes out

Don’t just read it. Buy it. I will admit that I’m very guilty of reading through a lot of IDW Sonic through…less than legal means, and I know I’m not alone in that regard. But I think it’s really important that for this miniseries in particular, you actually go out and buy the damn thing. Show your support with your dollar.

Really think about it for a second—they gave Fang his own miniseries. Fang! An underutilized, underrated fan favorite for sure, but hardly a mainstay of the series. I’m sure that this was at least somewhat prompted by Superstars, where Fang is a major antagonist…but Bean and Bark weren’t in that game, and it already received its own online promo comic prior to the game’s release (notably, with Fang as the star).

Classic Sonic stories have also exclusively been relegated to one-shots in IDW, not a full on miniseries like what Fang is getting. Basically all of the IDW Sonic miniseries we’ve gotten so far have been plot relevant side stories to the main IDW comic that focus on side characters with little to no involvement from Sonic himself. Tangle and Whisper, Bad Guys, Impostor Syndrome…the only odd man out besides this Fang miniseries is Scrapnik Island.

Really think about it for a second. FANG is getting his own focus comic BEFORE KNUCKLES.

And that’s why it’s so important that we buy it.

I think Sega is using this comic to test the waters to see if people like Fang and want to see him in more future projects—be it comics, games, or even cartoons. But there’s more to it than just that.

See, Superstars hasn’t been doing that great. I know I said in an earlier post that people seemed to like it, but I retract that statement. It was damned by faint praise at launch, and now most of the discussion I’ve seen surrounding the game revolves around its flaws (chief among them being the middling OST and that the Steam version stealth installs an Epic Games service along with the game). No sales numbers have been projected as of writing, but it’s definitely been beaten out by Mario Wonder and Spider-Man 2.

So, Classic Sonic games aren’t doing too hot right now (I’m sure that many modern fans are jumping for joy at the prospect). But the classic characters are.

People really like the extended classic Sonic cast, just as much as they love the extended modern cast. From my experience, the two fan favorites are Mighty and Fang. Fang stands out to me in particular for a couple reasons: people were really upset that Sega specifically said no to Fang, Bark and Bean coming back after Ian snuck in a reference to them in IDW Sonic #3 (using their old team name from Archie, the Hooligans), and the fanmade 16-bit remake of Triple Trouble, Fang’s debut game, received private praise from many members of Sega and Sonic Team. People like Fang and the media he’s in, and Sega is starting to take notice. That’s why we’re getting this miniseries.

That’s why it’s so important that the miniseries sells well. If the big boys at Sega and Sonic Team see Superstars’ iffy reception but see Fang’s comic sell above expectations, then Sega will want to continue to use Fang (and potentially other “classic” Sonic characters as well) in more narrative driven projects. That means modern Sonic.

“But Sega won’t let any classic Sonic character into a modern Sonic project!” I hear you thinking. And to that I say, so? Sega changes its mind all the time. Remember that whole two worlds nonsense? That was thrown out with in Tailstube. Characters debuting in Boom and the comics were previously barred from the mainline games, but they’ve broken that “rule” in both Speed Battle and Frontiers. Hell, they’ve even been talked out of some of their sillier comic mandates, like characters not being able to wear different clothing.

For all their flaws, Sega does listen, and money speaks louder than anything. If this miniseries fails, Sega will just assume that people aren’t hot on Fang or the extended classic cast anymore and throw them back in the bar. But if the comic sells well, then Sega might take it as a sign that, hey, people like this character (and his two lackeys), we should put him in projects that fans are more interested in. Mighty and Ray probably wouldn’t be too far behind, especially given Mania’s success. Whether that means comics or games, modern or classic, who knows. What’s important is that it sends the right message to Sega, and they will listen to their consumers. That means us. If we don’t support this miniseries now, we might have to wait another thirty years for another chance.

[bladekindeyewear]

HS^2 bloggin’ mainline 2024-08-24

(Previous post - current page 666)

Section 3 of page 666 is now upd8'd, let's check it out! And as you can expect very much from the topic it's almost certainly covering, they've warned us via the twitter "Content warning for references to themes of physical and mental abuse, flashing imagery, and mild gore". By the way, when Force Refresh didn't reload the game data enough to show the new chapter in Google Chrome for me, I had to go in settings to "Delete Browsing Data" > "Cookies and other site data" for the Time Range "Last hour", because just deleting "Cached images and files" or "Hosted app data" didn't help.

(EDIT: THEY WERE NOT KIDDING AROUND ABOUT THE CONTENT WARNINGS, IF YOU HAVE ANY PERSONAL EXPERIENCE WITH ANY SORT OF ABUSE PLEASE BE CAREFUL WITH THIS ONE.)

Although, before we get into it (AND WAY BEFORE I SCROLLED BACK UP TO EDIT THAT EXTRA WARNING UP THERE), I wanted to cover something that'd been on my mind since my last post, predictionways: How IS Vriska going to escape the Plot Point?

There seem a number of obvious answers that we'll get some combination of, but the last one might not be obvious to everyone, so I wanted to cover it and flesh out / examine the possibilities so we all can feel really smart if it pans out at all the way I'm thinking it could pan out:

(1) Vriska realizes the true power and relevance she'd attained as a Thief of Light never left her heart all along, and this singularity is Nothing, a realm Void of relevance where only she exists. (Very like the Neverending Story after everything was destroyed, maybe?) If she allows herself to divest herself of some of her relevance she's been so desperately clutching onto, she can 8r8k the Plot Point.

Callie hinted that this singularity-center might need to be destroyed, and the fifth section is an 8-ball, a type of container Vriska is famously known to break. It may make a degree of sense that realizing her own power, her ultimate freedom, might be enough to do just that and free her.

(1a) Vriska becomes her Ultimate Self, and is too full of Light for the singularity to contain. This could break it or otherwise get her out of it...

...but I'm not sure it's either possible or a good thing for her to consolidate ALL of herself from the rest of Paradox Space into herself while she's trapped in here? Those versions of her perhaps deserve to keep existing rather than falling into a sea of herself that would need to hold powerfully to the self-actualization and psychological progress she's made as THIS version of her instead of the versions of her that didn't. We're not certain of all the mechanics of being an Ultimate Self, so it's hard to say whether or not it's possible... or could even see her backslide from this Therapy Session, which I really wouldn't want to see because this has been so good, and would definitely make some sense of alt!Callie / AL's warning that what was inside the Plot Point was hungry, because an Ultimate Vriska certainly could be. This doesn't seem the right choice unless in combination with one of the other options:

(2) Vriska finds the collapsed core of the Green Sun's power here and steals it for herself, a hidden treasure that could be intensely empowering, whether via Light or even giving her fancy barrier-busting Black Hole powers similar to alt!Calliope's dead!Jade body. I... feel this option is unlikely. It'd certainly count as something "greedy" inside the Plot Point that "isn't salvation" and could hasten the fragmentation of the Candy storyline because there isn't a singularity vacuuming its power all together, which could apply to breaking the Plot Point too, frankly... eh, I just still think other options seem more likely and better foreshadowed. Especially this last one:

(3) Vriska uses the same communication-across-barriers ability she used to contact (Meat)!Terezi in order to message JOHN and ask the HEIR OF BREATH to free her from the singularity as I once long ago wrongly predicted. If John is the only one who can reach in and pull her out, it would require Vriska to overcome herself enough to realize she needs -- and has the power -- to MAKE a divestment of relevance (as (1) suggested) to John from herself, and let John be the hero in her place for at least a moment. The arms he once reached everywhere with using his ultimate power suddenly become an arm reaching for another hand to pull someone to freedom.

Now on top of everything I mentioned in the old Breath, Blood, and the Flow of Reality post about John being one of the only people possibly capable of freeing someone from a singularity that "not even Light can escape", there's a bunch of EXTREMELY RECENT evidence for this, too. In addition to telling us how surprising and unlikely they would have found it to learn that Vriska messaged Terezi past the barrier sealing Candy's timeline away from the rest of Paradox Space, Callie ALSO just got done asking John to break Vriska out of jail, reinforcing it with an open statement that Breath was the aspect of Freedom, and John embodied the concept. And more importantly, John HADN'T BEEN NECESSARY to break Vriska out at all, and ended up only tagging along for conversation and fun, not even needing to tell Serket where to go! Which makes the entire relevance and narrative choice of Callie asking him to break her out better suited as foreshadowing for this exact necessity while she's trapped in the Plot Point, and all Vriska would need to do to make it happen is pull a trick (communicating across the Breach) we've already seen her pull before in the Epilogues. To have the courage and stability of mind to realize she can't do this on her own, and know who to ask for help. (Roxy, as a Rogue of Void, might even be able to lend her power to the effort too.)

Apologies for the pre-update writeup, I just really wanted to make that last John call for y'all if you hadn't realized the possibility, y'know, before we potentially see it happen a few upd8s from now. :D

Alright, on to all the trauma that Doc Scratch helped inflict on Vriska, manipulating her into actions that only injured her psyche further and her friends moreso, and all the guilt and anger she feels over it. I suspect she'll have to finally at least PARTIALLY realize the trick that's being hinted at regarding "ultimate freedom" -- ie, the answer to the Ultimate Riddle -- and just how much Doc Scratch's talk of inevitability not only gaslit her into thinking her worst instincts were unavoidable, but that even as he was TELLING her that he was manipulating her, he was admitting that he HAD to manipulate her to make this happen, meaning the power had been in HER hands all along, not his. Without Vriska provoked into being the one to inflict the injuries in the entire Team Charge vs Team Scourge cascade, without the fact that this was all FRIENDS hurting FRIENDS, none of them would have experienced enough of the severe psychological trauma required for Doc Scratch's half-Gamzee chucklevoodoos to control them into unknowingly writing his DNA code, and leaving those like Aradia in an inverted, highly manipulatable state for guiding their session into creating the Tumor that would birth the Green Sun. Let's click the White Cueball and start watching Vriska painfully confronting some serious emotional abuse and trauma from her past at the hands of a very-Dirk-Strider-like pseudo-parental figure...

*CLICKING THAT DAMNED CUEBALL NOW*

Okay, NO TIMESKIP notice this time, she looks the same in her room-- it would make sense that Doc Scratch is next on the chopping block this time and I'd WANT to see her live first reaction to it. What's with this poppy hoppy fun music? We're definitely getting something more sinister for Scratch. (Also I have to say, the music so far this entire Vriska Therapy Session flash has been... okay? But not up to the usual Homestuck banger standards the original comic's run spoiled us with constantly, in my personal view.)

VRISKA: Whew. VRISKA: Long day.

Oh gosh I hope she doesn't go into the next one IMMEDIATELY and rests first--

Oh GCATAVROSPRITE is the music this time, I get it! And he's acting more catlike than ever w/ those paws lifted!

GCATAVROSPRITE: mAYBE, yOU SHOULD TAKE A BREAK, fROM ALL THE TOTALLY AWESOME PERSONAL BREAKTHROUGHS YOU ARE HAVING, GCATAVROSPRITE: aND KICK IT WITH ME AND ERISOL FOR A WHILE, ERISOLSPRITE: yeah, you kiinda look liike 2hiit.

THANK you, get her to relax at least a BIT before tackling something harder than her freakin' abusive mother(s). Also,

--just, Erisol looking unexpectedly fly as fuck, and more Dave-like than ever. Like, I'm just surprised he looks so cool. Good damn art.

VRISKA: Says Scarfshades McLopsided.

Hey!!!

ERISOLSPRITE: 2ay2 the bu2ted a22 biitch wwearin the 2ame raggedy jacket 2he2 wworn 2ince wwe wwere liike fiivve.

FUCKIN' OWNED, GOOD SNAPBACK.

VRISKA: Says the guy who literally can't change his clothes.

That's low AND not helping your case, fuck you! You're being incredibly disrespectful AND proving him right!

ERISOLSPRITE: ii cant be held accountable for my dii2cordant cla22-2wwag diichotomy, but here you are a 2weep and a half deep iin a per2onally raiilored realm of 2elf-reflectiion and you 2tiill choo2e twwo look liike thii2.

EXACTLY, that's what we're saying!!! --Not that it can be helped TOO much, from an emotional standpoint she sorta has to take forms similar to her past to face her past to an extent, so...

Also, let me do the math on that... (6/13)*4 ≈ 1.85, so if we're still in "YEAR 4" then 1.85 solar sweeps have passed for her since she entered the Plot Point. If anything, Erisol's being generous as fuck here by rounding down instead of saying "nearly two sweeps". (And this confirms we haven't timeskipped again-- or if we have, must not have skipped MUCH.)

VRISKA: Heh.

What, can't mess with perfection?

ERISOLSPRITE: heh.

Oh shit, they're actually getting on, look at his damned animated grin. This is just some black-vibey friendly jabbing!

ERISOLSPRITE: anyway, come chiill.

Please, please do Vriska for your own damn sake.

Oh no, Tavros, don't suggest cat things.

Yeah, get some R and R. (And pointless playtime.) So you don't burn out. Good advice Tav.

FUCK IS HE STILL ALLERGIC? :C

.....okay GCATavrosprite you make a good goddamned point, you're doing pretty well against the allergies all things considered.

Oh no, she thinks she needs to keep going. :( This is gonna be even less fun for her than she thinks.

VRISKA: I'm kind of on a roll here. Gotta strike while the iron is hot!

Intense trauma-release therapy does not work that way!!! Heavy revelations have to be PROCESSED and mulled over before you subject yourself to more psychological pounding!

GCATAVROSPRITE: [...] aND IT KIND OF FEELS LIKE THE FIRE IS ABOUT TO GET REALLY REALLY HOT,

Ooh, a serious warning from Tav and Erisol that this shit is about to be some fuckin' BUSINESS. Listen to them! (Exactly as you put it Tav, that iron is gonna MELT too long in too hot a fire. I hope this doesn't knock her back at first and then we get ANOTHER TIMESKIP so soon mid-section... D: )

VRISKA: Whaaaaaaaat?

Oh she doesn't fucking see it coming, does she. She thought she just conquered the worst of her abuse with her mother(s) just now. She is NOT ready.

VRISKA: Oh 8lah 8lah 8lah, don't be such a pussy. GCATAVROSPRITE: i LITERALLY CAN'T NOT BE A CAT,

PFFF

VRISKA: How 8ad could it even 8e?

How genre savvy could you POSSIBLY have lost track of being to make such a statement?

...Welp, she's gonna try it. Let's hope it doesn't make her backslide into being too afraid to touch it for another year or two. :C :C :C

ERISOLSPRITE: ok wwell fuck u2 for tryiin ii gue22, havve fun gettiing traumatiized.

PFFFFDHF okay that was pretty funny

VRISKA: I'm not gonna get traumatized!

Lemme guess, smash cut to a dozen and change clicks from now: "...I got fucking traumatized."? X'D

Oh here we go:

{ENTER SCRATCH'S PARLOR}

OH HERE WE GO WITH SOME PROPERLY OMINOUS MUSIC. AND I LOVE THE TYPEWRITER SOUNDS AS HIS TEXT TYPES OUT AGAINST THE PURE BACKGROUND. THIS IS DONE SO GODDAMN WELL

(Even if I still think this music still doesn't measure up to original Homestuck tunes, it's still FITTING AND WORKS GREAT for the scene, and the style and art choices are top notch, especially the pure backgroundless white font.)

Yep Vriska, a "perfectly predictable inevitability", you should have seen this coming. Did you know you'd show up here, or did you not and he's rubbing it in your face? Cause I'd bet it's the latter.

It certainly has been a while, Vriska. You seem to have blossomed nicely.

CREEPY ABUSIVE UNCLE VIBES ALREADY REACHING CRITICAL LEVELS THREE CLICKS IN

Care for a piece of candy?

GOD DAMNIT

VRISKA: Oh fuck your stupid candy, you glo8e-headed little freak.

Congratulations Vriska, you've successfully lost 99% of your chill five seconds in, have fun getting traumatized

Doc hinting at the inevitability theme by saying he'd know for a fact she'd enjoy the candy.

Although it was less the wary hunch of a scared little girl than the delightful certainty that you'd come crawling back to me, sooner or later.

FUCK THIS IS JUST RAW ABUSIVE RELATIONSHIP WE ARE FULL NON-WATERED-DOWN EVERCLEAR HERE

Holy SHIT are they pulling out all the stops with his awful phrasing here, no wonder they put so big an emotional abuse trigger warning on this update on the twitter page. And it's only going to get worse.

Of course I know. I'm always watching you.

Fuck, this is just. Exposing levels of vulnerability and awful fear that Vriska had to contend with in her youth that we hadn't even PUT TOGETHER back then. Every veil of silliness has been ripped straight off to show the gory mess of how this would have psychologically affected her while she was younger, here. I used to hate the epilogues and early HS^2 a little for doing this so liberally, for making clear how RETROACTIVELY FUCKED things were in ways that made my heart ache without any balm or healing... but unlike those earlier glimpses into their past attitudes, THIS time we are fucking going to goddamn RESOLVE the psychological issues and get some clear closure on them. That's part of why the entire p666 Vriska Therapy Session / Hyperbolic Therapy Chamber is already quite nearly my favorite part of all Homestuck so far, and I DO mean ALL of Homestuck so far.

VRISKA: You know what? VRISKA: I've 8een pretty damn good. VRISKA: 8een losing track of the sweeps I've spent in here fixing pretty much everything other than the thing I actually came in here to fix, 8ut it's paying off! There's a convenient timer for the express purpose of tracking that.

Oh god don't show her. Don't make her worry about how much time she's losing in here or how much it might be reflecting out there.

VRISKA: Yeah, and I never look at it 8ecause it pisses me off!

Phew. At least she's had TIME to come to terms with worrying about it.

VRISKA: 8ut it's fine. VRISKA: It just means I've had a lot of time to think stuff over. VRISKA: Stuff that was holding me 8ack, throwing me off-course.

I get the feeling he's about to do a pretty good job trying to convince you that you can't escape this so easily. To throw the wrong sort of doubt at you about what exactly you're barreling towards. About who the real "YOU" is-- he's going to try and convince you you're the one who hurts people.

I like to think that I'm far and away the most prolific contributor to your baggage.

Fuck. This won't be good.

VRISKA: Man, I figured may8e this place was working up to something really intense, 8ut instead all I get is Glo8ehead the Gru8toucher playing puppetmaster again.

Eueuuugh that nickname D:

...Is Vriska shaking or laughing? I think she's shaking. D:

VRISKA: You fucked with a 8unch of little kids and 8lew up, then you LOST.

Lord English might have lost, but I don't feel quite like Doc Scratch really did. He pretty much gave his master the Paradox-Space-spanning story he wanted, from beginning to end.

VRISKA: You could 8arely handle me when I was six, I'm supposed to 8e scared of you NOW?

It doesn't matter that you're not six sweeps anymore, that's-- you're visibly shaking. This is a big fucking deal. This is digging into the creepiest and most disgusting parts of what was done to you.

Well, you're shaking.

There we have it.

...Vriska is pulling out the whole-ass PDF File word. I... I hope she's just trying to taunt him for manipulating children, here, and playing the uncle angle. He's not-- I mean nothing actually happened, right? Please tell me nothing physical actually fucking happened besides the cueball-explosion physical-abuse-ways, I don't want sexual abuse retconned into existence here...

Exquisite. I missed that fumbling braggadocio. It's heartening to know that this place hasn't cured you of it yet. It makes you so much fun to play with.

Yeah... the parts of Doc Scratch that Vriska is going to remember most clearly are the times where he was condescending in ways that denigrated her and confirmed her worst fears about herself, intentionally. :C

WHOA DID HE JUST SPACE SHRINK HER??? IS HE GONNA PUT HER ON THE TOY BATTLEFIELD?!

{o} ==>

Matching the scale and visuals of the situation to how she always felt. :C :C

And SICK that the music is breaking down, I'll freely give it credit for shifting to action mode.

Now then, why don't we have ourselves a little game?

Just like Dirk and Caliborn, and their union in Doc Scratch, always love to do to people.

FUCK he glitched away the "WHAT WILL YOU DO?" prompt. This is DEFINITELY about the Ultimate Riddle and Doc Scratch's ultimate lie that Vriska never had any autonomy, a lie he poisoned her with from an early age to make her even easier to manipulate both then and down the line.

DAMMIT, changing her clothes by force?! D: D: D: D:

FUCK FUCK FUCK NO THAT'S EVEN WORSE HE CHANGED HER INTO KID FORM HUGGING HERSELF FROM WHEN SHE WAS ABOUT TO BE INJURED THAT'S CREEPIER AND MORE AWFUL THAN I EVER EXPECTED NO WONDER THEY CONTENT WARNING'D THE FUCK OUT OF THIS, I'm going up there and putting some EXTRAS on there.

I don't have personal experience with this sort of abuse but I do have experience with some who HAVE and some who WORK therapeutically with those who have so this is playing out like a critical hit to triggers I can only empathize from a distance with and it's STILL getting almost too much already. Wow wow wow wow wow they didn't pull any punches.

Ah, and there she is. My favorite piece.

AAAAAA

Thief to E4; Thief takes Page.

That loud BLAM just then and the brown blood knocking her back along with her injuries, so pithy yet so HEAVY and with the meaty SFX to go with it, just, brutal, auughh.... Vriska's NOT getting out of this one lightly. She's not going to want to come back here. She's going to be too traumatized for a good while isn't she.

Thief to F5; Thief takes Maid.

Oh god I don't want to screenshot each of these...

Another meaty THUNK and some rust blood splashing her. God.

Thief to Z8; Thief takes Seer.

Even after all Terezi taunted her and so clearly loved being blind, she STILL hates herself for what she did to Terezi?? :'C

Her blood too D:

Z8 ISN'T EVEN A F8CKING P8SITION, YOU HACK!!!!!!!

She didn't even get the number of exclamation points right...

All the world's my board.

No Escape.

Thief to ∫40; Thief takes pawn.

Wait what, who?

Is that Gamzee's blood or Eridan's? She only killed Gamzee just recently in Candy... (Checks with digital color meter--) That's #680768 blood, which is closest to... Eridan's, huh, weird. Maybe Erisol will be able to help her with this later after she's run away. IF AND WHEN she can finally run away. It looks like he wants to reinforce the impression that he can make her kill ANY AND ALL of the people friends she knows, COULD have made her do it. That's horrible for her to think of herself.

Now Equius's blood. She's swearing but can't make it stop.

He even calls Kanaya (and her blood splash) nothing but her killing a pawn of his choosing.

Thief to Ω413; Thief takes pawn. Check.

This is one of the first reappearances I can remember of the arc number 413 since we started HS^2, I don't even recall it in the epilogues. What's in Check here, the kids' whole universe, the one the trolls created? Is he getting her to blame herself for that, too?

KARKAT'S BLOOD AUGH that's always tough to see whenever I have to see it, it just makes you want to protect him when you know you can't.

Vriska calling him a cheap fucking karma ghost, this a stupid fucking charade... won't stop the fact that this is real emotional pain she's feeling and real pain that was already inside her for nearly her whole life up until this vision brought it out into the open.

VRISKA: AND I'M NEVER GOING TO 8E CAUGHT UP IN YOUR FUCKING G8MES EVER AGAIN!!!!!!!!

Then why are you so afraid you will be?

Of course you will. You think you're better than me? Better than fate? Vriska, I am going to put you in situations where you have the potential to do terrible things. I am going to make things ugly. I am going to corner you. I am going to pressure you. And no matter how much "better" you claim to be, all I have to do is catch you at the wrong moment. You're one bad turn from burning all your quaint little progress to the ground. One lapse away from being mine again.

Yeah, these are ALL just more and more of her deepest fears about herself. That she can be made to kill again, so easily, no matter how far she thinks she's moved past it all. Until she internalizes the answer to the Ultimate Riddle and realizes she has the power to make the better choice-- to ALWAYS make the better choice, and he was just fooling her into thinking she never did-- how could she possibly escape this sort of trap? She can't, not yet. And that abusive cueball asshole INTENTIONALLY made sure she felt that way, because that's what kept her easy to control. Learned helplesness.

VRISKA: Get me out of here.

Fuck, she's so defeated... so helpless. Please, PLEASE let this work. Please make it so she CAN escape this memory RIGHT THE FUCK NOW and confront it later. Because I'm very afraid it won't.

VRISKA: I want a do-over. Oh, please. You of all people should know that you don't *get* do-overs. The rest of these frivolous little vision quests may feel like sparing you the effort of getting things right the first time around, but the real world doesn't work that way.

FUCK FUCK FUCK FUCK THAT'S EVEN WORSE THAN I EXPECTED

No, you'll just have to endure it. This won't take long.

LET HER OUT YOU FUCK

You had a good run out there, flying solo and swashbuckling around as if Light itself were yours to command. It'd be wise to remember that it's a borrowed blessing. You flourish at its whim. Continue to spit in its face and take it for granted, and it will abandon you once again, perhaps for good.

Back to the ultimate riddle shit again. Doc Scratch conning her into thinking "everything you've achieved, I made for you, or you stole from others".

Being a true Thief of Light doesn't mean being at the whim of Light, at the mercy of what she can borrow. Kanaya tried to teach her back when she wanted her to clean her room that anybody can make their own luck.

Instead Doc Scratch is playing the role of Demiurge, standing in place of the Sun and claiming all Light radiates from him, when there was plenty inside her all along.

Do you remember who you were, before it chose you? The choices you made when luck wasn't on your side? You were such a delectable little victim.

Bluh!!!!!!

Poor Vriska, with her voracious lusus. With her demanding legacy and her uncooperative, fickle little friends. So much was out of your hands, then; how could you help but mbe my lovely assistant?

Doc Scratch inherited every last ounce of Equius's nonconsensual creep factor from Arquiusprite.

And this is going into the relationship between Light and Agency again, Void and the Lack of agency-- when Vriska felt trapped, felt she didn't have a choice, that was Void hemming her in, her "bad luck streak". Agency is your ability to choose what you do next, and so is Light. That's the privilege sometimes but not exclusively known as Luck.

Vriska: You didn't fucking own me.

Still so helpless-looking, but at least a bit of defiance in her expression. Which I expect handily crushed, unfortunately...

Exactly.

Fuck! And yeah, that's his point-- he's trying to say she CHOSE to do the wrong thing when the chips were down, which is what she's most afraid she'll do again.

But she needs to internalize the fact that it was a choice... that it HAD to be a choice... is an important flaw in the way he gaslit and conned her.

But what matters is that I might as well have. You let yourself believe you had no option other than to take me up on my hard bargains, again and again. For all your talk of independence, all your combative posturing and insistence on your own freedom, you barely bothered to put up any actual resistance to my suggestions. You took the easy way out, swearing all teh while it was your move. What a phenomenal waste of your considerable talents.

Her psyche is playing against her with the cards face up here... she just has to read them correctly. This is what she's afraid of, but it's also the flaw in his logic, the source of his power over her. The idea that she never possessed Ultimate Freedom, even though he's practically telling her that she DID, just to convince her she's an awful person.

It was an insult, and a warning. You're a trump card, Vriska, but your potency is a double-edged sword. One you've gotten far too comfortable swinging around, in the past. What do you intend to fix, when you leave this place? What, I wonder, will you break? I'd encourage you to be mindful of both. Of course, you could always cast aside those pesky trivialities and go with the flow, smashing through circumstances with nary a thought for the consequences. It'd be easier. We could dance together again, just like old times. You choose.

This isn't the real Doc Scratch-- this version of him IS, in its sick perverse way, still helping her. Still giving her the hints to realize that true balance between embracing your role and yielding agency to others is CRUCIAL to make sure you're doing your best to do the right thing. Which is especially difficult when your role, your best methodology, is that of an Agency Thief. A dangerous role which must be careful with its moves so as not to gluttonously trample over the wills of others who deserve a say.

But in order to choose, to take up the mantle of Ultimate Freedom, Vriska has to TRUST herself enough TO choose.

Trusting yourself enough to entrust yourself with CHOICE is one of the hardest decisions you can possibly make. Few ever truly make that decision.

What'll it be, Vriska? Player, or piece?

Well?

Thief to ∞108.

Whoa, what now? What the fuck is this going to be?

I look forward to finding out. Good luck.

Oh, so it's sending her back to the Plot Point. ∞108, or 8108. Is this the elusive arc number of one of our timelines, of Candy? One of infinite... or 1 and 0, creation and destruction, sandwiched between two 8s, two Vriskas with perpendicular orientations, Vriska and Vrissy? Hmm...

Oh thank fucking god we're back...

HAH

thanks so much I needed that mood lifter XD

{Level Complete!}

Thanks for ENDING it too, holy shit. I don't think I could have taken much longer of something THAT heavy tonight. Wow, that was masterfully done... not dragged out, just enough to get to the true point. To a setup for her decision, for her personal answer to the Ultimate Riddle.

Which makes plenty of sense why the NEXT section seems like it's likely a weird colorless version of one of Davepetasprite^2's feathers. They're the perfect person to talk to about her Soul/Heart, the greater self and the meaning of Ultimate Freedom, just as they hinted at during their last big talk in Homestuck.

--Yeah, she didn't get as much help from that as she would have wanted... and now the candle is ABSOLUTELY burning down.

The glimpse of the next unclaimed tiers, here... are these hinting at the start of the next section? We have her inhibitions bound, then a reference to a child development psychologist, then a somatic spark-- physical contact?! Then Deja Vu, a flash of the past (or possibly even meeting her GHOST self from the ghost rain, the more vulnerable (Vriska) inverted to Page of Void mode that she BERATED TO TEARS back toward the end of Homestuck to prove how much more (Vriska) had grown than Vriska before leaving her crying and for Ghost Terezi from the pre-retcon timeline to meet)... Heuristic Grace, getting her luck back possibly... burning, getting hotter, and then a transcendental gleam? No, no that's got to just be a candle and it burning out the rest of the singularity... I still don't think Ultimate Vriska is the solution to all this, could it be?

Oh shit, I forgot about how the BLACK CANDLE is burning down due to VRISKA'S blue flame.

Recall my proposals at the beginning of this post? I completely forgot about yet one more opportunity for her escape:

(4) That Vriska's Light has been burning away at the singularity of the Plot Point this entire time, and will naturally destroy it no matter what, especially if she embraces her Agency and her inner Light. The Green Sun was not just a symbol of Light but an ultimate manifestation of Space power... and collapsed into a singularity, it could indeed also have been not just a Void but an ultimate manifestation of Time power. The years, sweeps, that Vriska is spending inside of it could be wearing it away all on its own, rapidly exhausting a reservoir of Time that alt!Calliope preserved at the center of the singularity just to give the noncanon timeline more time to exist than it otherwise would have had?!! Instead, Vriska is burning it up, and the sprites and ghosts who fell into the Black Hole during the Ghost Rain and concentrated themselves in this singularity are helping her use that naturally limited Time to arm herself and become the best version of herself she can be, so when the Plot Point collapses and shit really starts hitting the fan for the Candy timeline, they can execute a NEW plan to breach into the Canon/Meat timeline and do something so incredibly important that it reseats the timelines outside Paradox Space in new relevance stolen out from Canon. Something incredibly important, like unexpectedly facilitating Sburb's creation in what Dirk and Rosebot are trying to do, or sendificating the kids the final frog they used to create this Universe, or something, which came from somewhere we've still never resolved...

So many interesting possibilities here. And only two or three more updates until we'll know for sure what and how!

I'll probably continue to be too busy the next week or two to be in the mood to chew through bonus material or commentary. Talk to you next upd8 instead, most likely! :D

[pricegouge]

Well, exactly one person interacted but that's all I need. Behold:

141 and piss play 🤭

I already talked about Ghost and Soap here but let's expand on that.

We all know Soap is desperate for you in any way he can get you, but his heart would probably just completely stop if you asked him to pee on you. You may as well have asked him to tattoo his bite mark on your ass as far as he's concerned. He's not one for setting up scenes, exactly, but when you get home from work one night to find about eleven empty jugs of water and a empty fucking kiddie pool in the living room, it finally dawns on you that you might've fucked up.

Simon's kink is incidental until it isn't - when he starts to associate it with you cumming hard enough to make you see god. He's always on the hunt for it now, pressing on your belly until he can feel himself moving within you, until he's shuddering right along with you when you get overwhelmed, releasing hot and wet across his belly and thighs.

You were hesitant to tell Gaz about your interest in the kink until he confidently proclaimed one night that he was a try anything twice kinda guy. You'd both been drinking, and you're at that floaty stage where just saying to hell with it and asking him how he'd feel about fucking you til you pissed yourself, or perhaps pissing on you. You'd been expecting some negotiation, some hesitancy. You got none. Kyle was too drunk to fuck you properly, but all the alcohol in his system made him need to pee like a racehorse every three minutes and he was eager to please so he pulled your to the shower right then and there, putting you on your knees and making you close your mouth and eyes. No need to rush into it, he figured, not when he'd already told you he'd be willing to try it at least once more. It's hotter than you'd expected - hotter even than the water from the shower head. It stinks, obviously, but the thrill of it, the degradation, has you begging him to try it again. "No problem, luv," he says, stroking his cock almost absently, whiskey dick preventing him from even properly fucking you after debasing you like this. "Nearly finished a bottle of tequila all on my own tonight. Just give me a minute and I can mark those pretty tits."

It's easy enough to know John's a controlling man, another thing entirely to accept this side of him. He's clever about it though; has clearly dealt with pushback from previous partners. You don't even realize what he's doing when he starts mainlining you water each night ("You look dehydrated, love. Tough day at work?), the tricky bastard. And you find it odd when he starts asking if you need to stop and use the restroom whenever the two of you are out and about but it never occurs to you what he's really doing, because how could it? What normal person tries to control their partner's bladder? But that's exactly what he's doing. Took you long enough to figure it out, but by the time he's telling you to wait until the next commercial break, you've run out of convenient excuses for him. "Have to pee now, John," you gripe, but he just smirks, caught - not at all ashamed. He tries explaining it away as a desire to watch you squirm, but you know him better than that. If John Price wanted to make you squirm he would simply do it. No need for the delayed satisfaction of plying you full of liquids first. Still, you don't realize exactly what he's after until he nearly beats you over the head with it - stops your squirming with a firm palm pressed against the apex of your thighs at the next commercial break, exactly when he'd said. He's mean about it, pressing into your full bladder just as much as he coos at you about it all being okay, that he'll reward you real prettily if you just do as he says.

[yamujiburo]

✨YAMUJIBURO F.A.Q.✨

Should've made this a while ago! I'm starting to get a lot of the same questions in my inbox nowadays tho and I feel bad for clogging up y'all's timelines with the same questions haha

GENERAL QUESTIONS

Who are you?

I'm Kiana, I'm a queer, Japanese Jamaican woman, and a Director/Storyboard artist at Disney Television Animation.

What are your pronouns

I usually go by she/her but I don't really mind any pronouns~

Where did you go to school?

California College of the Arts (but I dropped out when I was hired at Disney)

How did you get hired at Disney?

My bosses found me on twitter through my Team Rocket fanart. They liked my drawing style and asked if I wanted to take a storyboard test. I did, I passed, I got interviewed and moved to LA two weeks later to start storyboarding.

Is this a repost blog??

No, you might know be better as @kianamaiart. This is just my Pokémon sideblog where I post exclusively (for the most part) Team Rocket and Pokémon art.

What does your username mean?

It's a combination of the main 4 Team Rocket members' Japanese names: Yamato (cassidy), Musashi (jessie), Kojiro (james), Kosaburo (butch)

What program and brush do you use to draw?

Default brush in Storyboard pro

**************************************

GENERAL POKEMON QUESTIONS

Who's your favorite Pokémon?

What are your favorite ships?

Any ship with Jessie. Yamushipping, Rocketshipping and Hanamusashipping are my top three!

Who do you ship Ash with?

I was a big Pokéshipper when I was younger but nowadays don't really feel strongly about any of the ships involving the kid characters. I'm also in the "Ash is aroace" camp.

Do you have any trans headcanons?

You can find em here along with other headcanons! It should be noted that I don't usually marry myself to one hc (unless it's for a specific AU I'm trying to build out) and love seeing various interpretations of a character! Trans woman Jessie, Trans woman James, Trans man James, Genderfluid Jessie, give em to me!

Do you play the games?

I've played all the mainline Pokémon games and very much enjoy them! But I am much more invested in the anime and the characters in the anime.

**************************************

HANAMUSA AU QUESTIONS

Where can I read all the comics in order?

Here! I update anytime I make a new comic and list them in chronological order (since I just draw comics at random points in the timeline as they interest me). This post also already answers some of the frequently asked questions about this AU like: How did Jessie and Delia meet? What are James and Meowth up to? How old are Jessie and Delia? etc.

What does "Hanamusa" mean?

Hanamusa is a combination of Delia and Jessie's Japanese names, Hanako and Musashi respectively.

When does this AU take place?

It takes place sometime after the Mezase Pokémon Master/To Be a Pokémon Master series. So all the events that happened in the series, unless retconned within the series, happened. Ash is 10 at the start of the comics.

What's the status between Jessie, James, Meowth and Giovanni/Team Rocket?

Not great terms since they were fired, but also not the worst terms. Giovanni just let the three of them go without any further issues. I will say that I've always loved the theory that Giovanni keeps Jessie specifically around because of her parentage and he as a soft spot for her that he keeps a secret. I feel like Matori was the one that got the three of them fired and Giovanni wasn't able to make an excuse for them this time (without showing nepotism/special treatment) so he was forced to let them go.

If you headcanon Delia as a lesbian, how did Ash come to be?

Delia was young when she had Ash and I hc that she just didn’t really explore her sexuality much! I myself didn’t realized I liked women until I was 18 and didn’t know I liked ONLY women until like 2 years ago. She got married, had a baby and realized after her husband left that she liked women (trans people exist obviously but I’m also interpreting Ash’s father as a cis man).

Who do you think Ash’s dad is?

I don’t know and I don’t really care to explore it. I’m going off of the novel interpretation that he’s just a deadbeat that left to be a trainer, failed and never came back because of the shame. He’s not important.

Isn’t Giovanni Ash’s dad?

That’s a common misconception that people remember wrong from the Pokémon Live show. Delia mentions she dated Giovanni but then left him and his gang after meeting Ash’s father. I also don’t consider the live show canon personally! I follow The Birth of Mewtwo timeline where Madame Boss founded Team Rocket.

Do you think Delia and Giovanni dated at least?

Nah, I think he’s too old for her? I always got the vibe from The Birth of Mewtwo that he was quite a bit older than Jessie and it’d be sus if he was dating Delia when she was married to, and had a child with her husband at 18/19. He’s a bad guy but not a BAD guy.

You mentioned you still ship Jessie and James. Why not make a Jessie, James, Delia polycule?

I have a few reasons I’ve mentioned before! 1. I’m in super deep with this AU already and I feel it’d be very confusing for casual viewers of my stuff if James was added into the relationship haha. 2. I’ve drawn Jessie and James together since 2011 and took this AU as an opportunity to try my hand at writing them as queer, platonic besties bc I love that interpretation of them a lot as well. 3. I’m not poly myself and the way I write this ship is largely based off of my experiences with my girlfriend. I just know I’d favor the Jessie/Delia of it all which isn’t fair and not a good interpretation of a poly relationship. All that said, I DO super enjoy seeing peoples’ poly headcanons and art!

Who does James end up with in this AU?

No one. He's aroace and is happy to be single

Do Jessie and James have all their Pokémon in this AU

I think they have all the Pokémon that they did by the end of Mezase Pokémon Master (all their Pokémon that were left at HQ). Most of their released Pokémon have stayed released and the Alola Pokémon are still in Alola. I bring back Arbok and Weezing post-Jessie and Delia getting married. I may bring back Chimecho, Growlie and Cacnea if I think of an idea I like!

What are Meowth and James up to in this AU?

Hop back to the top of this post under the "Where to Start" section. All your questions will be answered.

Does Ash travel with anyone at this point of his life?

I don't have anyone in particular in mind! I could see him making new friends (Nemona???) or traveling with different combinations of old friends. Like him, Misty and Goh, him, Dawn and Cilan, him, Serena and Lillie etc.

Will Delia ever get over her phobia of snake Pokémon

Not fully! I think overcoming fears is fine and good but I think real PHOBIAS are much harder to get past and I don't want to cheapen it. She slowly gets used to Jessie's Seviper specifically and gets to the point where she can pet it comfortably with Jessie in the room. But otherwise, still scared and would need that same amount of time per Pokémon

Is Jessie gaining weight or is it just me?

Not just you! Jessie puts on a bit of relationship weight overtime as you'll see in the later comics in the timeline. Jessie grew in poverty, never knowing when her next meal would be and that continued into her life as a Team Rocket member. Once she was able to settle down (with a woman who runs her own restaurant no less) she's able to live a healthier lifestyle with regular meals and puts on some weight because of that.

Does Jessie ever feel self conscious about gaining weight?

Nope! She feels happier and healthier and hotter. She's also unreasonably excited to clear out her old clothes and get a new wardrobe.

Would Jessie and Delia ever have kids together or adopt?

Nah, Ash is enough for them! I have come up with hypothetical kids for them but they're not canon to this AU. Just a fun little thing for me.

Will you ever put this on webtoon?

Nah. People mostly ask me this because they want to read everything in the order of the timeline but to my knowledge, you can’t reorder chapters or installments which would defeat the purpose. I also don’t think nintendo fan stuff would fly there. Also, also it’s just extra work and another place to upload and I want to keep this all fun for myself~

[kinopioa]

It's funny how these are technically 3 different chars

But due to sheer publicity of the latter 2 and bias, no one cares!

Let's elaborate

Rise of Lyric

RoL Shadow is a dick. However his main reason for fighting Sonic is entirely due to him fucking up in releasing Lyric. Unfortunately this is poorly explained, and most only saw the boss fight, so many assume he was just a bully for no reason

Post Final boss however

The teamwork dissing is important, I'll explain

In John Melchior's draft, the game was apparently meant to be more serious, but late dev Sonic Boom's brand was suddenly meant to be a comedy, so another writer took over to insert comedic elements along with prioritizing the *teamwork* gimmick. Whether Shadow was initially planned or not is debateable, but his dissing on it seems to have been the aftermath of this gameplay focus. It's also important to note that Shadow's origin is straight up not mentioned, and he's treated as a familiar

Shattered Crystal was made likely after this shift, hence

Shattered Crystal

So taking place in its own continuity, Shattered Crystal features Lyric wanting to use Amy's archeological knowledge to access ancient tech. Shadow is captured off screen and used as a pawn

When freed, he's confused and aggravated, especially upon finding that he was mind controlled. He however has no true hostility to Sonic unlike RoL, though mad dashes off to find the snake. Lyric in the end after the boss fight is taken out by him, then we get Stixk's crack teamwork speech

Again, Shadow specifies he's a loner, and weirdly states he's superior, but just leaves harmlessly

Meh attitude, though better than RoL in execution. This was written by Warren Graff, Ken Pontac, Tin Guerrero, interesting as it means they were aware of the brand distinction given differences to mainline

Meanwhile the TV Show

TV

Everyone knows of his infamous S1 finale apparence with him coming in on Eggman's villain council, calling them shit and leaving, then aggressively targeting Sonic and beating him up, says the fucking "shame to hedgehogkind" after breaking an IKEA cabinet entirely cuz...

He's evil

Why??? I really don't know

Season 2 is even dumber, you straight up have him want to nuke the entire universe. Again, villainous for no fucking reason

Even for Boom standards this is beyond stupid. He's an anti hero in SC, and nowhere purposefully destructive in RoL

People learned later about mandates from Sega, though it's important to note 2 things

-Shadow being an edgelord is entirely the writer's idea

-Sega barely wanted to use him in general for Boom TV

I can't stress this, for as much as fans pushed the "Sega wants bootleg Vegeta" narrative, nowhere do either writers say they were forced to. It was just them taking cynical piss at the "no jokes" mandate that clearly wasn't hard pressed given what happened, and did the surface level comparison that was common in the early 2000s. For as limiting as he was, they clearly did whatever the fuck they wanted given how much this contrasts with both Boom games

Ffs, they could've just had him petty at Sonic for taking the last burger at meh burger as a concept, there's a better way to have him be a dick

I'm honestly curious if his backstory would've ever been revealed in a later Boom game (hence the show being explicitly barred from making their own), but as we know, Boom was discontinued around 2016 game wise, and the show ended 2017

[descendant-of-truth]

Rise of Lyric has by far some of the most consistently expressive character animation of any 3D Sonic game ever, and frankly I think Frontiers should be embarrassed that it isn't at minimum on the same level as it, if not better.

Because here's the thing: RoL still looks awkward at times. Mouth shapes can feel a little weird, the eyebrows don't always seem to know what they're supposed to be doing, little things that give off the impression that it wasn't quite as polished as it wanted to be. But it's still LEAGUES above Frontiers, even with the progress it's made over other mainline games.

And look, I really can't claim to know how the models they're using work because I don't have the ability to mess around with them myself, but at this point I'm starting to wonder if they're just... not particularly stretchy by nature?? Because I can't imagine any other reason for them to be so stiff even when the animators are doing their best.

To prove my point, let's compare a very similar expression and pose of Sonic's from Frontiers and RoL respectively.

In both of these scenes, Sonic is expressing determination to fight in order to save his friends. In Frontiers, this is from the Final Horizon update, right after Amy, Tails, and Knuckles sacrificed their corporeal forms in order to bring Sonic back from corruption. Sonic is currently feeling the weight of that sacrifice full-force, lamenting that they gave up their chance at freedom for him, and uses that pain to push himself forward to really save them this time.

In Rise of Lyric, Sonic is staring down a robot army led by Metal Sonic as the door in front of them closes. He's already ushered Amy, Tails, and Knuckles behind him into a suspicious temple of sorts, but he's prepared to fight in case it doesn't close fast enough. He was told twice not to open the door in the first place, but he was concerned for his friends, and decided to prioritize protecting them over their own desires to keep fighting.

With such similar framing, it's hard not to see how Frontiers' expressions fall short. Both Sonics have their eyes narrowed, the bridge of their eyebrows scrunched down to separate them into two distinct shapes, and they're holding their fists up. But in Frontiers, it's not very clear what emotions he's feeling just by looking at him. Sure, he looks kinda determined if you squint, but at a glance, he looks almost more neutral than anything.

And it just gets worse the more you think about it because by all accounts, he should be having a MORE intense expression than the one in Rise of Lyric! I mean come on, the guy practically died five minutes ago and is gearing himself up for another round of Titan fights. He should be looking exhausted and utterly spent but like he's still gonna keep going somehow.

It got to the point where, halfway through writing this, I decided that it wasn't enough to just talk about what his expression should have looked like, and that I was going to put my money where my mouth was and redraw it myself.

I scrunched his eyes and brows down closer to how they are in the Boom screenshot for the determined look, made him look upwards with his irises instead of staring blankly ahead, and pulled up his lower eyelids to add an edge of desperation to him.

I kept his mouth in the same position, but tried to make it look a little more... angry? by curling it up on one side and showcasing his top teeth more. Finally, I changed the position of his body and arms a bit, to make it look like his whole body was tensing up along with his face.

These are all Extremely Doable in 3D animation - the only part I'm uncertain of is the mouth, since I tend to draw mouths with a very 2D mindset. But on principle, it should not be hard to shape his eyes to match his emotions. That is the absolute bare minimum of what you want your character models to be capable of in a professional setting.

And it's driving me nuts that Frontiers, savior of the Sonic games' credibility among the masses, is still being outclassed by what's considered the "second 06" of the franchise. What is happening over there that this keeps being a problem

[weirdowithaquill]

Traintober 2024: Day 30 - Oncoming Storm

The Coastal Run:

Glynn the Coffee Pot watched as the new engine for the branchline bustled about the yard, shunting trucks into place. His regulator sounded wobbly. “My own branchline, the Fat Director says,” huffed Thomas. “And yet there’s you old tin urn here telling me what to do. It’s not mine if there’s another engine!” Glynn could only chuckle. Edward had warned him about Thomas’ cheek and temper, and he was well used to the behaviour of the loaned engines who stormed about the mainline liked they owned the place.

In comparison to them, Thomas was a saint!

Still, there was one thing Glynn had to explain to Thomas before he could get any grumpier. Or before his regulator gave in; he really ought to mention that to Thomas. “It’s only until you’re settled in,” reminded Glynn politely. “Especially with storm season incoming.” “What does some bad weather had to do with anything?” snorted Thomas. “We had storms at Vicarstown and those never stopped trains.” “Oh no,” agreed Glynn. “Trains must get through no matter what. The big issue is the land around here isn’t stable. Knapford, Elsbridge, Dryaw and Toryreck are all built on reclaimed land from the old River Els marsh – it used to be one of the largest north of Liverpool. Rainwater normally drains out via the remaining marsh on the other bank, however during particularly bad weather, there are sometimes floods. It’s your responsibility as this branchline’s engine to look after the line when that happens.”

“Pah!” snorted Thomas, glaring out at the river. “It’s just some stupid water. What’s it going to do to an engine as big as me?” “You should not be so dismissive of heavy rain and flooding,” said Glynn crossly. “It’s very dangerous. You know… the mainline didn’t always go through Knapford tunnel.” Thomas raised an intrigued eyebrow. “Go on…”

“Oh yes,” hummed Glynn. “When we were built, the line only came as far as the abandoned harbour here. But the same company that had dredged the marsh here was invested in building a rail line to get the lead out of the mines. They had us built, and a line built around the headland.”

Glynn rolled forwards, leading Thomas through the yard to a set of points beyond the station. One set of lines continued straight along the mainline while another veered to the left, only continuing a very short distance before dipping down into weed-ridden ballast.

“Today, it’s a set of trap points to keep trains from heading for the tunnel, but back then it was our route to Tidmouth. It was a much longer journey, going right the way around along the craggiest and most difficult cliffs on Sodor. I hated taking my trains along that line; I always felt uneasy when I had to take my lead trains along that line. My siblings felt the same. One day, an oncoming storm had us all scrambling to prepare the line. One of my brothers had to get the last load of lead out to the harbour, and set off just as it began to rain. The rain lashed against the island, unleashing fury upon Sodor and dumping rain down by the lake-full. It was an absolutely horrible storm. Out on the line, my brother was doing his best to struggle against the buffeting rain and howling wind. Or at least… he was.”

Thomas gasped, realisation striking. “He…” “Wiped right off the side of the island with his train and most of the track. It was all swept away in the blink of an eye. Afterwards, a young Mr Topham Hatt helped build a railway through the hills, connecting the two towns and avoiding the cliffs.”

Glynn sighed, going back to his shunting. “I miss him so much. I loved my brother, and now he’d gone.”

Thomas sighed. He didn’t really believe in the idea of sympathy – likely a result of his upbringing. “Well, it’s done now,” he replied. “Let’s just do our best to keep my branchline smoothly. Do you know when that train bound for the Big Station is?” “Half past four,” replied Flynn easily. “But I’d be careful. The wind’s changed – a storm’s inbound.” Thomas scoffed. “Just because you felt some wind, doesn’t mean we’re about to get battered. And if we are, then don’t we have a job to do?”

Glynn couldn’t disagree with that. All through the rest of the day they worked hard, and as Glynn predicted, the weather began to change. Distant thunder rumbled as Thomas made his way up to the mine to collect his lead trucks bound for the Big Harbour. The first few fat raindrops fell as the little blue tank engine entered the mine, cold and wet and leaving dark splotches on the ground.

It only grew heavier as Thomas banged the trucks together. His regulator had begun to play up, leaving him irritable. He finished arranging his train, and set out into the oncoming storm. Rain buffeted the tank engine as he struggled on, each wheel turn struggling for grip against the rails. Wind howled and shrieked around him; branches were ripped off and flung into Thomas’ side tanks while a few stray roofing tiles were dragged from their spots and dropped onto the lineside with a smash.

Thomas was beginning to understand why Glynn hated the bad weather. Worse yet, none of the line were clearly visible, and the signals were barely any help. Thomas was still not used to this part of the island, and he just couldn’t make anything out in the driving rain and fog.

He rumbled through a station, and heard the roar of the sea being whipped up into a frothing monster by the storm. “That must mean we’re near Knapford,” suggested Thomas’ driver; he had to shout to be heard over the rain.

The train rumbled through the junction – or what might have been the junction, Thomas wasn’t sure. At the end of the station, they veered to the left, and the thunderous roar of the sea grew even louder. Thomas wasn’t sure where they’d ended up at all – but he hated it. The train was entirely exposed to the elements here, not even a few trees able to provide the slightest bit of cover. It almost sounded like he was running right on the coast – but that was impossible! The line ran through the tunnel.

Thomas struggled on, wheels slipping furiously as he tried to find at least the tunnel to shelter in. Anything would have been better than where he was. His wheels slipped again, and his driver rushed to stop the train from faltering. He moved too fast. Thomas’ regulator groaned, and with a clunk, slammed shut and jammed.

“Damnit!” groaned Thomas’ driver. “What will we do about the train?” “We have more immediate problems!” yelped the fireman. The two peered out of the cab to see the waves getting higher and higher, sea spray splashing against Thomas. It threatened with every crash against the rocks to rip the line right from the side of the hill!

Thomas felt queasy. “I don’t like this!” he shouted. “Get me out of here! Please!”

Suddenly, a whistle pierced through the roar of rain and sea. An engine bumped into their brakevan; Thomas could have cried in relief. The engine sounded just like Glynn! The engine dug its wheels into the rails and began shoving the train forwards. The minutes felted like an eternity, passing far too slowly. Thomas and his crew held their breath and prayed, both driver and fireman trying desperately to unstick the regulator.

And then, there was a bump. Thomas looked down, and could have whistled in surprise!

“Points?!”

Just behind them was the tunnel. Thomas’ crew did a double take, and fell against the regulator in shock. The bump jarred it back into motion, and Thomas shunted back violently, coming to a stop just inside the tunnel before his regulator gave out again.

Thomas thought he could just make out the shape of a Coffee Pot heading back down the weird coastal route.

A second whistle sounded out, and Glynn appeared in the mouth of the other tunnel bore. “Thomas! Thank goodness I found you! Where have you been?!” “Wait – Glynn? But weren’t you—” Thomas cut off with a gasp. He had a sinking feeling he knew exactly what had happened.

His suspicions were only confirmed when – to his horror – he found that there was no set of points beyond the tunnel. Glynn watched on, worried. “There were points here!” Thomas spluttered. “And a coastal run! I was nearly swept away!” “Thomas, the coastal run was destroyed nearly two decades ago. I don’t know what you saw,” replied Glynn for the fifth time.

But Thomas just couldn’t believe him. Not when he’d witnessed it for himself.

Back to the Master Post

[loupy-mongoose]

I have a very silly question for you.

Which of your characters would you assign as the protagonist to each mainline pokemon game.

(so for example, Randy was the protagonist of your BDSP/platinum playthrough, and Lav is for paldea)

duplicates are allowed

For the fun of it, I'll throw in which starter they'd pick as well. :3

Randy would LOVE to go to Alola, so I would like to have him be the protagonist of Sun/Moon. His starter.... I could see him picking Popplio. Surfing buddy. :3

Akoya I see fitting well in Sword/Shield. If she knew the starters' final forms, she'd pick Grookey. Big cool ape resonates with her. X3

Lav... I'm just gonna keep it to Paldea, and not even share which starter she'll pick.

I can also see Momo being in Sw/Sh, picking the go-getter Scorbunny. I feel like she would really get into the sports theme it has going. Also the giant Pokemon. XD

Midas I could see being in Black/White (maybe the 2's as well, but more so the first ones). With me seeing him as a Grass type trainer, he'd probably pick Snivy. (It could be fun to have him train the stereotypical "Smugleaf", lol)

Alola (Su/Mo) also feels like a good match for Persim, but it's hard to decide which starter he'd pick. He really wouldn't be a great trainer, per se. I feel like Litten would pick him, and drive him to be a better trainer. XD

Rosemary... Hmmmmmm.... Maybe she'd hear tales of Hoenn from her dad, and go on to be the protagonist of Ruby, Sapphire, Emerald, or more likely, Omega Ruby or Alpha Sapphire. She'd absolutely pick Torchic, assuming she knew their final forms. Blaziken is just her type.

I'll throw in the Branch crew too, why not~

Jovial I could see in Kanto--FireRed, LeafGreen, Let's Go. (maybe the OG GameBoy games, but I don't like playing them lol). She'd pick Squirtle.

Nicodemus I feel would be in HeartGold/SoulSilver (or the OGs). He'd pick Chikorita for it's chill vibe.

Pari... It's actually really hard to see her becoming a trainer. She already went alongside some trainers on their journey, and had a front-row seat to the trials and dangers they went through. So she might be a bit hesitant to do it herself. She'd much rather tag along with one of her human friends should they do another trainer journey. Mostly to protect them if something happened.

I don't know if that's what you meant, but I hope it was enjoyable nonetheless. X3

[hazel-of-sodor]

Day 29-Choices

Day 29-Misty

Other Stories

Other Days

A Western Summer

Thomas hummed as he ran along the coast with the early morning train. Normally Oliver took the train, but Thomas had volunteered as he was already awake, and wanted the time alone to think. He couldn't see far, the thick morning mist along the coast swirling comfortably around him, but he wasn't concerned. The train was a slow run, and no other trains ran this early.

His time on the Little Western had been better than he expected, more than he had dared hope if he was honest with himself. It was a gorgeous line, albeit very busy, in many ways a second mainline now that it extended up past Harwick. He had enjoyed running by the sea, and hoped the plan to restore the old coastal run to Tidmouth as part of the Ffarquhar happened.

His mood dropped at the thought of his line. By all accounts the damage had, if anything, been worse than initially suspected. The track would be repaired soon and he would pull the first train across the newly repaired bridge…but his line didn't need him. Wouldn't until well into Autumn optimistically. So many businesses and quarries had been damaged, there wasn't enough traffic for all the engines. People weren't taking the trains to work, because there was no work until their workplaces could be repaired or in many cases, rebuilt. From what Thomas heard from Percy, Daisy was able to handle the passenger traffic on the Northern half of the line by herself without issue, her seats far from full. Luckily the construction crews had taken on most of those left without work, but the majority of their work was within the towns. The only reasons the bridge repair had taken priority was to get engines out and supplies in. Thomas had been given a choice, he could return home when the bridge reopened…but he would be alone. The other engines were being transferred to other lines. With Thomas covering the passenger work, the little freight could easily be handled by an engine from the mainline.

Thomas missed his branchline so badly it ached. Excluding overhauls, that was possibly the longest he’d been away from his line since he had been given it…but he really didn't want to be alone.

He was tired, exhausted really, the idea of being alone in the shed every night, of spending everyday running up and down an empty line. Thomas wasn't certain he could take it. He certainly didn't want to put his coaches through it. They would do it for him he knew…but he didn't want to ask it of them.

His other option was to return to the Little Western. He could stay here until his branchline needed him again. He could relax on a branchline where he wasn't the leader, where his only duty was to pull his trains to time. He could spend the night in a full shed, surrounded by his fellow engines. He could stay with Duck.

The pannier had been a Ladysend. Someone who understood just how painful losing his branchline was. That it wasn't just a loss of position, as the mainline engines teased. It was like a part of him was missing. 

Thomas pulled into a sleepy station, only a handful people on the platform this early in the morning. As they loaded in, he considered his partner.

He had been surprised when the Great Western engine began flirting…once he noticed anyway. In the end he had decided to give it…to give them a chance. He couldn't exactly say why at the time, he had hardly given thought to relationships before. He couldn't even say for certain now why he’d say yes, but he suspected it was because he felt Duck was one of the few engines that saw him. Most of the early North Western engines still saw a little station Pilot when they looked at Thomas, a little tank engine who desperately wanted to escape the station yard. While it had happened less and less as the years went on, it had never completely disappeared. The newer arrivals had almost the exact opposite problem. They saw Caomhnóir. The Lady's champion. The engine that saved others from scrap. While Thomas was devoted to the role of Caomhnóir, and proud of his work…it was a weight. So many engines only saw his successes, not the stress that came with each rescue attempt…the guilt with every failure.

Duck was one of the few who saw the engine beneath where the two met. Oh there were others, but none that he was interested in…much less that were interested in him.

Thomas hadn’t realized how much weight he’d felt the last few years until he arrived on the Little Western. He was so used to the weight he hadn't known to do with himself until Duck had asked to court him.

 Thomas could admit to himself that it was nice being the one taken care of for once. To let another engine worry about the branchline… about him. Duck had proven a proper Swindon gentleman, seeming to thrive on the chance to pamper his partner. Thomas shouldn't have been surprised to find there was a Great Western way to court someone, or that Duck would be as dedicated to it as any part of the Great Western Way.

The guard blew his whistle and waved his flag, and Thomas rolled quietly out of the station. He’d enjoyed Duck's company much more than he’d thought he would, finding someone who understood the growing pains of being a station pilot turned head of their own branchline.

Thomas sighed, he suspected he would miss Duck's company when he returned home as much as he missed his line’s engines now.

If he went home, he'd be alone. If he stayed, he could spend more time with Duck…but it could be months before he could go home.

He puffed on into the mist, trying to make his decision.

[cyanide-sippy-cup]

Opinions on the new WFA chapter?

Literally peak. The beginning with Bruce and Jim is a great showing at just how traumatized everybody is. And the phone call with Bruce and Dick is really nice. It goes a long way to show the care they have for each other, how much they connect as the original Dynamic Duo, and how much they've grown past their argumentative selves. I know in the past I've made it sound like I hate Bruce arguing with his kids but that's actually not the case. I hate the abuse in the mainline comics, but I love what WFA is doing.

Not getting along with someone doesn't mean you don't love each other. That's a big lesson I learned in my life. You can get therapy, you can find outlets for your troubles, you can even separate from each other for a time to find your shape again. I like that so much gets portrayed in a simple little conversation, I love that Bruce actually cracks a smile at Dick's joke, and I Iike that Dick's the one to get through to him and convince him to talk to them.

Also, the Jason section was real neat! I know a lot of people don't like the idea of Bruce and Jay fighting in the past, but I actually really like that. They have opposing ideologies, that's how Under the Red Hood even happens. Jason is far too violent for B. I mean, he literally (potentially) kicked a rapist off a balcony once and, when asked, told Bruce "he slipped." It's when we get to the "Oh, Bruce was a bad father and Dick was a bad brother" that I lose all interest. It's the fun nuance and character depth that really makes a story work for me. And besides, any time I get to see Bizarro is a win for me.

In short, yeah I'd say it's pretty good.

[all-hail-trudos]

The way Zelda redditors behave like BotW is going to be the template for future titles is absolutely hilarious. They are convinced that Nintendo is done with classic Zelda elements forever. TotK proves it! Never mind that they can barely agree on whether this even deserves to be called a new game or overpriced DLC. Or that Nintendo themselves have said that this was a very big experiment, where they let a team comprised of mostly younger devs run the show, and the director of BotW has actually left the company to go work on Infinity Nikki of all things. I don't know what the future of Zelda is going to look like. I can't see Nintendo just walking back everything they did in BotW. (And they better not. Skyward Sword is the worst mainline Zelda title, and BotW was the exact opposite of the hand holding the series had gotten really bad for). However, we can guarantee one thing for sure. The open-air game concept that specifically defined Breath of the Wild and its direct sequel Tears of the Kingdom is not simply going to be the new template for the series.

I could leave it there with a "because Nintendo said so" but it's midnight and I'm already making bad decisions, so I'm going to go one further and back this up with a second supporting argument. That's not how Nintendo as a company works. That's not how they've ever worked. They stopped doing rational, clear iterative upgrades when they followed up the Gamecube with the Wii. The Zelda series itself has constantly been one of self reinvention. Ocarina of Time is incredibly special in that Breath of the Wild is the first time they've so clearly broken away from the model it set. But when you look at the rest of the series, it's obvious BotW was the biggest experiment, but not even remotely the first. Majora's Mask turned the main gameplay concept on its head by putting everything on a Very. Tight. Timer. When you hit midnight of the third day, that was it. Rewind or die. All your progress was reset except for your sword (iirc), your masks, and your rupees if you put them in the bank (because the banker was a time traveler?). Wind Waker flooded the whole continent and had you sailing around on a boat, using a proto-physics system to fill your sails. The wide open world of OoT was gone altogether, and Princess Zelda didn't show up until halfway through the game (we won't talk about what they did to Tetra). Twilight Princess made the game super linear and made Zelda herself almost secondary to the plot. Actually, TP almost feels like the most direct callback to OoT with the doubling down on horse mounted combat, an art style that looked more like it next to whatever WW was doing (but which would ultimately age a lot worse), dungeons that also felt more directly inspired, and a combat system that was a little less fluid and reactive. But it also had Link temporarily become a werewolf, and gave us an egregiously underappreciated Spaghetti Western shootout that came out of nowhere and was all together too brief. Then Skyward Sword came along, which was the least reinventive of the bunch mechanically, but which did at least try to turn the classic narrative on its head. Also Zelda went from being barely there to being a driving character in the narrative. And she walked so BotW Princess Zelda could run. That said, imho, you can see why they leaned so much harder into experimentation with their next game that nearly skipped a whole console generation, because by SS the series tropes were getting a little too strong. The series was actually drifting into iterative territory, and that's not the typical Nintendo way. Especially not with one of their two core in-house franchises.

(Please don't bring up Pokemon here. I know it's Nintendo's third core franchise. But please remember, Zelda and Mario are solely owned by Nintendo, while Pokemon is at this point is at the center of an entire corporate conglomerate, which Nintendo is only part of).

I get that some people didn't enjoy BotW. I can sympathize with the people who did not want more like it and who were consequently less than thrilled by TotK's arrival. But bemoaning the fall of the franchise and saying Nintendo is going to be like Ubisoft, EA, and all the other trend chasing studios out there is really going too far. Nintendo has spent too many years baffling investors to start doing that now. Yes, Tears of the Kingdom exists. No, it's not proof of the trend. It was a planned sequel (itself an enormously rare concept in Zelda history). You can't make a planned story and gameplay sequel to a game and just throw away the concept you're following up on. That would be an enormously bad idea. (Worse, even, than trying to make your sequel game stand on its own for new players and erasing nearly all memory of Link from the same people he helped save. I love TotK so much, but I am not blind to its flaws, what few there are).

ALSO yes Echoes of Wisdom has Zelda stacking beds into a diy staircase. NO that doesn't mean we're seeing a return of this apparently beloathed systems-based physics gameplay in 2D fashion. If there were physics, the beds would have fallen over. That's like calling Minecraft or Dragon Quest Builders a physics based exploration game just because they have objects you can stack. That is the dumbest take I've seen come out of a community that is profoundly skilled at coming out with dumb takes.

[galactic-glamour-girl-posts]

OK but...WHY did Rosalina make Rainbow Road?

Not long ago I made a post about how Super Mario Party Jamboree seems to imply that Rosalina made Rainbow Road:

But that just raises many questions:

Why?

If all versions of Rainbow Road are variations of the same one, why does it look different every time it makes a reappearance? Does Rosalina modify it or does it change whilst she's not around?

If they are different Rainbow Roads, why does she keep making them?

How could Mario have met Rosalina for the first time in Galaxy 1 if he had been racing on a road she had created for years? Assuming Mario Kart is canon to mainline Mario, which... is unlikely, ngl.

I'm gonna try and answer all of these because overthinking the lore behind my comfort characters makes my brain produce the happy juices 🥰

OK, so first off...why?

Rosalina explains in Galaxy 1 that she visits Earth every 100 years:

But we've never seen her park the Comet Observatory on Earth, not just in Galaxy but in any Mario media (I think, please correct me if I'm wrong). I'm not sure if she's even able to park it, it may be able to function like a starship, but it's also a space station, maybe it doesn't work that way. Either way, I'm pretty sure we've only every seen it in the sky. The closest Rosalina has ever gotten to Earth (in the mainline games, unless you wanna count 3D World) was using the portal through the Gate to get to Gateway Galaxy:

You could assume that maybe she meant that they fly by the planet, but her story book would have you believe otherwise:

So how does she get to Earth?

By using Rainbow Road!

Maybe this is how it goes: once she gets to Gateway Galaxy (or maybe she doesn't bother and just flies the Comet Observatory within close range of Earth), she creates Rainbow Road, and walks along it to get to Earth. Once her visit is over, maybe she leaves Rainbow Road behind in case others wish to use it, and she leaves.

Why doesn't she fly down to Earth herself? Um...

Nostalgia...?

Walking reminds her of and reconnects her to her childhood, humanity and earthly roots?

Yeah.

Yeah!

See, she even walks at the end of Galaxy at the end of her visit to Earth and only starts flying once she returns to the Comet Observatory, showing that she is both figuratively and physically re-embracing her role as a cosmic guardian:

Totally viable explanation, clearly this headcanon is watertight.

Anyway...

So let's suppose that Mario and pals find Rainbow Road one day (by using a telescope, during an adventure, it doesn't really matter how) and, being the completely sane people they are, unanimously decide to race on it.

So yeah, that's my theory - Rosalina made Rainbow Road to walk to Earth on her centennial visits...but there's the problem: centennial. As in, once every 100 years. If there's a new version of it in every Mario Kart, do 100 years pass between every game? That can't be right, Mario and the most of the cast aren't immortal, so what gives?

Well...remember that cycle she mentions in Galaxy 1:

She explains that when stars die, they turn into star dust that scatters across the cosmos, which then reforms into baby stars, baby stars who will grow up into stars. She calls this "the cycle of life". However, keep in mind that baby stars (Lumas) can also turn into comets, entire galaxies, etc. We see the result of the most recent iteration of the universe's cycle directly in Galaxy 1's ending, where Mario welcomes the newly reconstructed universe.

The universe repeats a cycle of rebirth indefinitely, but the cycle never repeats itself in the exact same way; every iteration is at least a little different...

...sound familiar?

What if every version of Rainbow Road we see in Mario Kart is the version she creates in that specific iteration of the universe? Hence why none of them are "quite the same". It would also explain why Mario, Peach and the rest are still alive despite a new road being made - the Mario in, lets say, Super Mario Kart, is not the exact same Mario in Mario Kart 64, and so on and so forth. Sure, to Rosalina it's been another 100 years, but to them, they don't remember the previous versions of the universe. Either that or the cast are preserved (or revert to a younger age, maybe?) after each cycle, like at the end of Super Mario Galaxy.

Speaking of, the fact that we still have discussions surrounding the lore of both it and Rosalina is just another reason why they both continue to be some of the best things to come out of this franchise, even 17 years later.

Happy anniversary!

****BONUS****

Here's more potential "Rosalina created Rainbow Road" foreshadowing that I missed last time I talked about this:

I'm just saying, Nintendo associates her with Rainbow Road a lot, it almost seems like they've been trying to imply she owns it since the Wii era...

Or maybe it's as simple as "Rainbow Road is the popular space track, so let's make the popular space princess its mascot." 🤷🏾‍♀️

[bladekindeyewear]

HS^2 bloggin’ mainline 2024-08-15 continued

(Previous post - current page 610)

Rested up some and back into this now! Rosebot is sounding quite a bit like the Horrorterror-advised Aradia Megido back in Act 5.1 isn't she. Let's get this ball rolling and actually see what sorts of civlization(s) they've brought about. Are we going to meet actual new characters from these races, or will they be played off as unimportant, or given semi-important roles whose actions still emphasize their theoretical hero titles like the carapaces (WV, PM, etc)?

==>

Whoaaa, look at this lanky motherfucker. I don't see hooves, so this has got to be one of Rose's... tentacle hair is more likely than dreadlocks, I'm guessing, but why do those feet look like elf shoes?

DIRK: Do you feel the part? ROSEBOT: It doesn't really matter what I feel. ROSEBOT: We have a job to do, and I'm trying to enjoy myself to the best of my ability while we do it. DIRK: Trying, huh. ROSEBOT: Speaking frankly, I've grown tired of... Rose gestures about the lab, the vats of our ectobiological triumphs and failures, blasé and almost weary in a way I haven't seen from her in a while. It calls to mind the exhaustion she felt before ascending, what must feel like a lifetime for her ago, and rings faintly of mortality in a way that concerns me.

There has to be some part of Rose that knows that what they're doing -- all of this, the abuse of power, doing whatever they want even if it leads to closing the great loop of Paradox Space -- isn't going to end well for her. I think part of her has known things couldn't end well for her as soon as she left Kanaya, so she's just... having what "fun" she can with the time she has left, and the only thing that's kept her diving deep into her work with glee instead of stopping is the REPEATED narrative interventions by Dirk to keep her brainwashed into moving forward without succumbing to her moral doubts. But it can all only continue so long until the weight of her sins is crawling on her back, and that comes with the sense a good Seer of Light would have that she's not going to get away with what she's done lightly, even if she believes she's too far along and too far gone to stop it, too close to their goal.

ROSEBOT: This. ROSEBOT: Fussing over all the tedious minutiae of getting the baby's room ready. ROSEBOT: The prospect of this Contest was entertaining to me for a time, but the longer it drags on, the closer we draw to the due date, the more it... repulses me. ROSEBOT: I'm glad you've agreed that we're basically done tinkering here. I don't think I have much more patience for it. DIRK: I can tell.

Dirk had to smooth over and make her dismiss how repulsed she was at the awful actions they'd proposed to do, OVER AND OVER AND OVER early on until she was practically sadistically gleeful in creating fucked-up monsters, but... now, he really doesn't have to do that much anymore. Rose feels she CHOSE all that she's already done, and the weight of that sin is sufficient that she can't stop anymore because if they DON'T FINISH DOING THIS, then all the immorality of what she's already done would be wasted, would all just be meaningless CRUELTY instead of the meaning that would even partially justify it in the end.

As appropriate when they're basically creating the concept of Sburb from the ground up, and the incredibly harsh cost of an entire civilization that comes with the opportunity to birth new universes from their ashes.

ROSEBOT: I'm also glad you've elected to hear Terezi out vis-a-vis the timeskip and save us the hassle of guiding the Deltritans manually. ROSEBOT: I know it must be hard for you. It'll actually be incredibly easy for me. Just time traveling forward is a no-go; at the frantic rate our pursuers are hurtling towards us, they'd catch up to Deltritus far before it had a chance to birth any sort of civilization at all, and that'd be a mess, especially with us only due to pop in millennia after the fact. We'd probably return to a planet totally unfit for Game candidacy.

I was wondering about that-- if they let their pursuers arrive early into the civilization's existence, the pursuers would have a chance to interfere with those civilizations' development before the game even starts. Heck, as long as Dave Strider is with them and willing, there's a risk they could interfere with the civilization's development even if they somehow wound forward the entire PLANET, which it sounds like he's implying they need to do somehow... what's the solution to make it inevitable in a way so that everything's "already happened" by the time the pursuers arrive and they can't interfere with the session's start?

Localized time travel, while technically possible, tends to get pretty fucked even in the most ideal of circumstances, to say nothing of the fact that it's way outside my wheelhouse as a Heart player. The concept works pretty well for my purposes, though, and as a burgeoning omnipotent narrative god, I can mimic it in a way that's functionally identical. The move here is that I'm going to envelop the local galaxy group in a pocket of my influence and narratively accelerate it via Bullshit so that whatever's going on in here goes on faster, so we can get to the good shit faster, so we can get on with our jobs, and so you gawking voyeurs have more of our lives to guzzle greedily down.

Christ, that's some Lord English sounding levels of temporal control over part of the universe, there! His narrative powers are fucking bonkers.

Why the galaxy group? Why not just the solar system, or even just the planet? My answer to that question is twofold. Firstly, I want the Deltritan societies to have a convincing view of their place in the cosmos, at least locally. What kind of civilization worth its soul-searching salt doesn't look to the night sky with wonder and curiosity in their hearts? It wouldn't do for them to exist in a world where the sun never sank below the horizon, or where the stars didn't dance tellingly across the sky, revealing the kind of hard-hitting secrets only astronomy can. Secondly, I'm showing off. I've been really coming into my own, powers-wise, and it's not just my Heart abilities that have shot up a few exponentially longer echeladders.

He's acting like Andrew Hussie or an equivalent author in the ability to make up an action needed and justify it via whatever excuse needed, like some strange Meteor machinery or the like for creating First Guardians or warping items between post-and-pre-Scratch timelines, or the like. Author powers can be truly terrifying; and author powers also explain how he can ensure that because the entire civilization existed within his narrative influence before the pursuers got there, he can narratively assure that no Dave-based time travel backward interfered, I'm betting.

He still would want his pursuers to arrive in time FOR the session that had already started, because I'm sure that session will in part be the battleground he uses to confront AL (alt!Calliope) and the others and deliver them the defeat his ego demands they face.

ROSEBOT: Dirk? Of course, Rose isn't talking about the mechanics of the timeskip. She's talking about the reasoning behind it, and the lack of precise control over Deltritus' development that will result as a consequence of it. I just figured I'd take the time to address the "how" factor to you all before the fucking pedants among you started making a fuss, acting like I haven't thought all this shit out. Yeah, you. You know who you are. Also, I'm stalling. Uncharacteristic of me, I know. ROSEBOT: Dirk. DIRK: Sorry. DIRK: Got caught up with something.

So Dirk either HAS successfully kept fooling Rose that he doesn't have narrative powers, or Rose is successfully bluffing that she hasn't at LEAST figured out that he's doing some sort of narration or has some influence without knowing the full extent of how it may have affected her... unless part of her STILL deems the final result more important even if she has an inkling that she may have been manipulated.

Why is he stalling, though?

ROSEBOT: Far be it from me to stand between you and your enigmatic somethings. DIRK: You're welcome to stand wherever you like. DIRK: Anyway, no, it isn't that hard for me. DIRK: It'd be fun, but as I keep having to explain to people, I'm willing to compromise on certain points. DIRK: Though I will say it's unfortunate to hear you making them, instead of our complainer on retainer. ROSEBOT: What can I say? ROSEBOT: I don't feel particularly inclined to play house right now. DIRK: Not even with me, huh? ROSEBOT: Not even with you.

You can only keep someone brainwashed into tolerating your company completely for so long when you're so obviously a piece of shit. And as Rose's Seer of Light senses bring her closer to understanding the personal consequences to HER of her actions, potentially -- the ones that were far off in the future when she made her "decision" to help with this operation -- the less she's going to be thrilled about owning it all. And she has VERY complicated Mom-related feelings about playing Mother most likely, even to an entire race. She would rather dodge the responsibility than fuck it up, just like she did with Yiffy. That's part of her existing trauma, most likely.

Also "play house" is a good intentional pun on playing Sburb.

==>

Cool-ass panels of them walking up out of the cave, followed by this gorgeous sunset shot where Rose looks absolutely melancholy:

For a while, neither of us says anything at all. Then, still silent, Rose turns and leaves the lab, a billowing stream of orange. I follow after her, at a respectable distance, and together we leave the mouth of the cave, making our way up the steps carved into the cliffside it now burrows into until finally cresting the plateau, and wordlessly taking a seat together at the edge of the cliff to look out over one of Deltritus' vast and alien oceans. "Wait, what's with the ocean?" you might ask. A while back, it became apparent that while my Deltritan offspring were to be terrestrial, Rose's were going to be aquatic.

That's actually an excellent way to keep the civilizations relatively separate and avoid their intermixing their cultures too much before The Game begins. Also, the Ocean and deep water's unfathomability is deeply tied with the Void, so if this race ends up being the ancestor race of the Horrorterrors, it makes sense that their monstrous progeny could live in the unlimited black strangeness between universes.

Back when I figured we'd have a more active role in their development, it felt appropriate to me that our base of operations should straddle land and sea, existing impartially at the precipice between the two competing worlds.

Yep, as I just said/thought-- keeps the civilizations separate.

I elected to transport (via Bullshit, of course) our humble grotto and the wreck of the Theseus to these cliffs overlooking the sea, that we might watch over our children from a locale more suitably dramatic and liminal than some fucking plain in the middle of nowhere.

The Bullshit he's referring to, the author's ability to handwave, simply means exploiting the fact that things could plausibly have happened offscreen in order to not have to write out the detailed mechanics of (say) the machine that they alchemized/built and used to transportalize their base smoothly to a new location, and can be used to employ all sorts of tactics offscreen... including, potentially dangerously, retroactively set-up countermeasures for whatever someone is about to do to you by simply narratively declaring that you prepared something for it beforehand, sort of like Joseph Joestar in Jojo Part 2. To Rose Lalonde, it'd theoretically be seamless, where she'd have the mechanical justifications that were created offscreen even if Dirk didn't even have to "write" the specifics.

Now, however, the effort (insofar as it was one, which it wasn't) seems to have been mostly in vain. No seagulls cry here, anyway. Rose and I made a lot of other filler-fauna to help our species integrate into the local biosphere while working through our respective game-plans, but I never got around to replicating or approximating seagulls. I guess I'm not gonna bother. It doesn't particularly feel like much of a home, anymore. As we sit side by side, watching the horizon, Rose is even harder to read than usual. I begin to feel the twinge of a vexation that I've been all too aware of over untold trillions of iterations of myself, a dread that's reared its head again recently. The fear that my plan isn't understood, my efforts aren't appreciated. That I'm alone, again.

You were always alone-- you FORCED Rose to understand and fully empathize with your plan, even if parts of her Ultimate Self were callous enough to have that dark capacity within her. And part of you knows that but wants to deny it so you DON'T feel like you're alone again.

I worry that she's slipping away. Growing disinterested in our time together. And I'm not willing to lose her, so as much as it feels like admitting a kind of defeat, I prepare to make her- ROSE: Thank you for taking me with you, Dirk. ...... DIRK: Yeah?

Whoa, holy shit.

So Rose feels like even the sinful meaningful acts she's doing here are worth it, now? But is still depressed? Possibly because she's been led to believe THERE WAS NEVER A PLACE for her back home, or that she'd have led things to ruin there instead of committing their crimes of creation/destruction way out here?

And again, it's showing us that-- whether due to Rose's genuinely built-up feelings, or if she's guessed the truth and is successfully bluffing about not knowing about the narrative abilities-- Dirk doesn't need to brainwash Rosebot anymore to keep her on board with the plan, unfortunately. She's too invested, committed too much of a Great Evil to not want to ensure the results that would make that evil even partially worthwhile. :C

==>

I hate that he "won" like this-- we ALL hate that he "won" like this. Even if it eventually turns out Rose is bluffing or figured it out. But Rose has to get her companionship somewhere, and as the abusive uncle-like figure that he is, he's made himself the only possible source of validation, the only company that could possibly "understand" her anymore. She has no one else left to cling to. :CCC

ROSE: I may be less than enchanted with this stage of the work, but I know it's important. ROSE: It's just straying dangerously close to a lot of things I'm trying not to fixate on right now. ROSE: Wounds that are still fresh, for me as a sum and for the myriad legions of my parts. ROSE: Home. ROSE: Family. ROSE: Petty, little things. ROSE: Personal things. DIRK: Those are important, too. ROSE: Not as important as this is.

Yup, as I guessed earlier, the fact that she's necessarily playing the absent mother figure feels like committing her Mom's sin and her inability to raise Roxy as Alpha Rose all at the same time. Those versions of her are all part of her now, and this is tapping into parts of all those traumas.

ROSE: For all my temporary discomfort with the prospect of settling down on Deltritus and starting what could very loosely be considered a family with you, I want you to know that my heart is in what we're working towards- DIRK: Technically, you don't have a heart. ROSE: Shut up. ROSE: - and that I'm happy to be here with you. ROSE: Not drifting around in a constrictive, small pond, getting caught up in trivialities like politics and celebrity and romance, ROSE: But saving the fucking universe. DIRK: ...

Technically, this all might be "necessary" to save Paradox Space or create it in the first place, rather; but it didn't have to be done this way, done by THEM, and Dirk Strider is the one who demanded arrogantly that HE wished to be responsible for it all, for writing it onscreen, for the trauma it'd cause to be the one who did it and his ambition to be the writer of all Paradox Space as a result, instead of an unknown civilization of frogs offscreen or something as it may have otherwise been. But Rose as an overembracing Ultimate Light Player here ultimately craves importance, and finds it more comfortable than the terrible fears of messing up relationships or even just being looked at as a goddess by Earth C's population, somewhat like Candy Jade expressed she felt earlier. Being a "Hero" and doing something "Important" (Light) is the only way her terrible self-esteem and negative judgment of herself, especially the negative self-judgment Dirk forced her to embrace by brainwashing her down this path, can consider her EXISTENCE worth anything at all. :CCCC

(Also, the Ultimate Rosebot "not having a Heart" is only true in the technical pun sense, since her soul as an Ultimate Self is present at full power within the robot and not fully digitized, with only a tenuous link to her body on life support, so she doesn't necessarily suffer the Auto Responder's disconnectedness with Dirk's broader "Heart"/Soul that allowed it to be malleably transformed into Lil Hal, Arquiusprite, and then Doc Scratch. Meaning that whatever happens to Rosebot, for now, Rosebot is still essentially Rose Lalonde. But if the connection between her main body on life support were ever broken, and Rosebot were LEFT with only the malleable AI algorithms designed to SIMULATE Rose, then... she WOULD be without a Heart, without a specific soul locking her unique personality down, and then would be vulnerable to being molded into something else like the Cueballs or Skaia or the like, possibly...)

Relief pulses through me in an immense wave. Relief and unfathomable, indescribable pride. It's almost paralyzing; I just sit here for a while, grateful for my shades and their ability to protect me from making eye contact with my daughter, who is in this moment as brilliant as the aspect that adorns her hood. I should tell her. DIRK: Well. DIRK: You're welcome. She scoffs at my barebones response, and I'm forced to marvel at her ability to communicate so weightily, conveying such a minutely specific blend of emotion as understanding, affection, acknowledgement, encouragement, admonishment, and so many more, all with the hardware of a literal machine. She's an incredible person.

Dirk DOES care about Rose, quite a lot, but that only makes his abuse of her even MORE fucked up. That's often the case with abusive relationships, especially parental ones.

To my credit, I am also an incredible engineer.

And he takes credit for the molding he's forcibly DONE to her to bring her to this point, to bring out these awful sides of her Ultimate Self willing to actually do this with him, the utter fucking asshole. >:( Which is again, characteristic of an abusive paternal relationship.

At any rate, Rose might be beating my ass on the emotive front, but I'm still capable of articulating myself well enough, and I'd better start soon or I'm going to begin to look like a real fucking dork. DIRK: I don't think there's anyone I'd rather be doing this with than you.

Thanks for at least opening up your feelings a BIT to respond to hers properly, at least, you asshole prick who still deserves to die.

DIRK: The rest of them just don't have it in them right now to understand what it is we're fighting for, here. DIRK: They can't grasp the stakes. DIRK: Even now, they're on their way here, actively trying to stop us from saving them all. DIRK: They'll probably catch us right before our entrance into the Game, actually.

Technically, AL and Dirk share almost the EXACT SAME GOAL here, a desire to close the loop of all Creation in a way that makes sense as a story. The main place they disagree is who should be in charge of it all... AL clearly believes that Dirk SHOULDN'T be in charge and it should be left to propagate on its own once set up, needs to deny him his ambition of becoming the tyrannical forever-author of almost all Paradox Space. But AL has a hard time letting go of control, and as much as she believes Dirk must be stopped, her actions tell the story of someone who may be just as willing to become the Forever Author of Paradox Space HERSELF too.

DIRK: I won't insult you by asking if you're going to be okay when the time comes to face them, demanding answers they won't accept to questions they aren't even asking, because I know that you will. DIRK: So I'm glad to have you with me. DIRK: I'm glad you understand.

Yeah, we always knew this was going to be the play. No appeal or objection their pursuers make isn't going to be met with a "this is more important than you understand" from Rosebot and direct opposition that stops and traps and stalls them (though short of killing them), and any appeals that Dirk has just been "brainwashing" her are going to ring hollow to her ears after all she's truly, herself, invested in this course of action even outside the brainwashing.

This isn't going to be easy to fix.

==>

DIRK: I'm doing this for all of us. I'm doing this for all of us.

The same false justification his iterations like Bro have used to abuse people all of his myriad lives. He cares much more about him (and his) being the one to have DONE it than the fact that it gets done.

Wait, what's this next link? Candy? Who's Big Kahuna-- oh right, Meenah (or one of her codenames she mentioned last time for one of the others)?

(Big Kahuna: Check the door.)

Ah, Karkat's home!

(BIGGEST KAHUNA: Return to base.)

KARKAT: KEPT YOU WAITING, HUH?

Why'd they have to make Solid Karkat here look as sexy as fucking possible in adult form. Oh who are we kidding, of course they fucking had to, and we love it. :D

(Rebellion Commanders: Confer.)

MEENAH: took you long enough bossman

KARKAT: I THOUGHT I ASKED YOU TO STOP CALLING ME THAT WHEN WE'RE ALONE. MEENAH: big bossman KARKAT: NOT BETTER. MEENAH: sweetie-pirate KARKAT: BOSSMAN IT IS. MEENAH: you got it bitch KARKAT: I CAN WORK WITH BITCH.

Hahahahah! These two have a great dynamic. (They're a couple in this timeline right, instead of him and Dave?)

KARKAT: ANYWAY, THINGS ARE RAMPING UP OUT THERE. KARKAT: ARE YOU JUST ABOUT WRAPPED UP? MEENAH: yep MEENAH: its a good thing youre back i just got off a real shipshow of a call with mrs fencesitter and agent short shorts a lil while ago MEENAH: looks like serious shit is about to pop off KARKAT: YEAH, I WAS LISTENING IN.

Fun conversations here, also calling out Roxy for only halfheartedly aiding the rebellion so as not to do much damage to Jane, which Jane in her current state couldn't possibly appreciate as still being any less than betrayal and which likely put even more of a wedge between Roxy and Meenah.

KARKAT: ALSO I'VE ALREADY HAD KIND OF A GAUNTLET OF A FUCKING DAY ALREADY AND I DIDN'T NEED THE PAN-ACHE. KARKAT: I KNEW YOU HAD IT UNDER CONTROL. MEENAH: youre lucky youre breamy as hell when youre out there doin tacticalypso or id have mutinied and kraken over this whole operation for myshellf

Breamy = "Dreamy", right, they're together romantically like I remembered.

(==>)

KARKAT: CONSIDERING NONE OF THE MAJOR PLAYERS HERE HAVE ANY SENSE OF TACT OR SUBTLETY WE'RE GONNA NEED TO MOVE OUT PRONTO. KARKAT: HOPE YOU'RE FIELD-READY, BECAUSE WE'RE GONNA NEED TO B- MEENAH: oh fuck yes MEENAH: dude let me say it KARKAT: YEAH, GO AHEAD.

Let's make this shi(p) happen?

(==>)

MEENAH: bring in the mothafuckin LOBsT-ERs

Excuse me??

(Also, having random war flashbacks of Sniper Lobsters in Elden Ring.)

(LOBsTERs: Assemble.)

*Sigh*

(An hour later...)

Okay THAT shot's pretty cool.

Karkat doing tons of tactical talking and shit...

MEENAH: KARKAT KARKAT: WHAT. MEENAH: krillax KARKAT: NOT REALLY AN IDEAL TIME FOR THAT, ON ACCOUNT OF THE FACT THAT WE'RE PROBABLY HOURS AWAY FROM THE MOST CRITICAL ARMED ENGAGEMENT THE REBELLION IS LIKELY TO SEE. MEENAH: it hasnt been an ideel time for like 6 sweeps MEENAH: you need to take a breatht-stroke KARKAT: ... HAHAHA, WHAT? MEENAH: you know what i mean MEENAH: youve been runnin yourshellf into the fuckin dirt for ages MEENAH: take a you moment KARKAT: MEENAH, THIS IS THE WORST POSSIBLE TIME TO TAKE A ME MOMENT. MEENAH: actually in like a day or so were either gonna be tridentumphant and busy as fuck or dead in the water so its like the best possible time all fins considered MEENAH: youve been out on field ops for like a week

Yeah, as a Knight of Blood, Karkat is EXTREMELY unhealthy about not using almost all of his time too diligently on his responsibilities.

MEENAH: maybe i wanna chat with my buoy toy for a lil bit KARKAT: YEAH, ALRIGHT. KARKAT: I DUNNO, FUCK. UH... HOW ARE YOU DOING? MEENAH: how are *you* doin KARKAT: PRETTY FUCKING STRESSED!

Pfffffff

KARKAT: ALSO THIS COVERT-OPS SUIT IS TIGHT AS ALL FUCK. MEENAH: well if its any consolation that may be rough for you but its a pretty great time to be your rear admire-all 38) KARKAT: MUCH OBLIGED. KARKAT: ... KARKAT: SERIOUSLY, MEENAH, I APPRECIATE IT. KARKAT: IT'S BEEN KIND OF A ROUGH... KARKAT: DECADE AND A HALF? KARKAT: BUT THROUGH ALL THE SLOG AND THE SHITTY TIMES AND THE UNCERTAINTY YOU'VE REMAINED REMARKABLY COMMITTED TO THIS. KARKAT: HELPED ME TURN THIS ABSTRACT, FRUSTRATED DREAM INTO A FUNCTIONING FUCKING REALITY. KARKAT: YOU NEVER WAVERED. KARKAT: YOU NEVER FLAKED. KARKAT: YOU STUCK BY ME.

Yeah. Dedication means a whole fucking lot to Karkat, both as a person and as a Blood player. And the fact that Meenah, who flaked out in some ways just to BE here instead of with her (Vriska) girlfrond in the dream bubbles, did a pretty good job of NOT flaking it seems like, especially since this sort of Rebellion effort is exactly her jam. The main risk she might start flaking is if shit ever starts to get peaceful again.

(==>)

She continues to look VERY good. :#|

MEENAH: not like dave huh KARKAT: WOW, STRAIGHT TO THE POINT.

Ah damn, yeah.

MEENAH: i mean hey i figured youd wanna glub about it MEENAH: conchsiderin KARKAT: SO YOU HEARD THE NEWS? MEENAH: yeah i mighta been listenin in on your converseation myshellf MEENAH: along with like half the comms team MEENAH: you left your mic on KARKAT: UN KARKAT: FUCKING KARKAT: BELIEVABLE. MEENAH: its all good MEENAH: actually pretty much everyone ate it up there was like gasps and cheers and occasional applause and shit MEENAH: not shore if youre aware of this but it turns out people fuckin love you KARKAT: WELL COLOR ME GLAD MY OPERATIVES FOUND IT INSPIRING THAT I TOOK CRITICAL TIME OUT OF MY MISSION TO PREVENT THE ENTIRE PLANET FROM BACKSLIDING INTO STAGNANT CONFECTIONARY FASCISM TO YELL AT A HAPLESS DIVORCEE.

Everyone's always cheered for you, my self-depricating dude. You're a rock star.

KARKAT: ANYWAY. KARKAT: YES. KARKAT: NOT LIKE DAVE. MEENAH: how you feelin about that KARKAT: I DON'T KNOW. KARKAT: I THINK MORE THAN ANYTHING ELSE, JUST FUCKING... KARKAT: DISAPPOINTED. KARKAT: EXHAUSTINGLY, FRUITLESSLY DISAPPOINTED. KARKAT: WE USED TO SPEND SO MUCH TIME TOGETHER TALKING ABOUT HOW TO FIX SHIT, YOU KNOW? KARKAT: SPITBALLING ALL THIS FRIVOLOUS AND/OR GRAVELY SERIOUS CONJECTURE ABOUT WHAT TO FUCKING *DO* WITH OURSELVES AND THE WORLD. KARKAT: AND THEN AS SOON AS IT STARTS REALLY MATTERING, AS SOON AS IT BECOMES CLEAR IT'S TIME TO DO *SOMETHING*, HE JUST WILTS. KARKAT: THEN HE SPENDS YEARS MILLING FECKLESSLY AROUND IN THAT DOMESTIC TORTURE LABYRINTH OF A RELATIONSHIP KARKAT: *MARRIES INTO IT*

Lots to gripe about there, yeah.

KARKAT: AND SUBSEQUENTLY DECIDES THAT NOW'S THE BEST TIME TO PLAY SPIES, PRESUMABLY SO HE CAN CONTINUE TO AVOID HAVING MISERABLE MATRIMONIAL PROCREATIVE SEX. KARKAT: ONLY FOR JADE TO FOLLOW HIM INTO THE CAUSE!

What the fuck??? Not just him not being into sex with Jade, but-- PROCREATIVE sex with Jade? Wouldn't that be impossible for him and her with her dog-ascension-replaced equipment downstairs-- unless we're talking about conceiving with surrogates, which Dave would DEFINITELY FIND any excuse to avoid doing himself, or unless he's trans-masculine, which is a damned popular headcanon for good reason?

KARKAT: WHICH, YOU KNOW, WAS OBJECTIVELY A PRETTY BIG BOON TO THE REBELLION. KARKAT: GOOD FOR MORALE, AND OBVIOUSLY THEY WERE INCREDIBLE FIELD AGENTS. KARKAT: BUT FUCK WAS IT A SAVAGE PAIN IN THE CHUTE. KARKAT: DO YOU REMEMBER THE PERIOD EARLY ON WHERE I HAD TO ASSIGN ANOTHER CLERK TO MISSION CONTROL WHOSE SOLE PURPOSE WAS TO MANAGE THE TWO OF THEM SO THEY KEPT THE FUCK OUT OF MY WAY UNTIL THEY FIGURED OUT HOW TO BE EVEN THE SCANTEST APPROXIMATION OF NORMAL AROUND ME? KARKAT: THE FACT THAT IT WAS NECESSARY AT ALL IS STILL FUCKING APPALLING.

Ugh, yeah, I was already pretty much imagining it would have sucked hard in exactly this manner back in those days.

KARKAT: AND THEN FINALLY, *FINALLY*, WE GET HIM SITUATED, HE'S ACTUALLY MANAGING TO CONTRIBUTE TO SOMETHING MEANINGFUL AGAIN FOR THE FIRST TIME IN WHO EVEN KNOWS HOW LONG.

KARKAT: AND HE JUST FUCKS OFF AND KARKAT: AND DIES. KARKAT: HE JUST CALLS IT THERE. KARKAT: SO KARKAT: DISAPPOINTED. KARKAT: DISAPPOINTED IS HOW I'M FEELING ABOUT THAT.

:'C

KARKAT: BUT- KARKAT: FUCKING- HOLD ON, I NEED TO TAKE THIS.

So what new developments are we discussing now?

(Karkat: Answer urgent comms.)

KARKAT: *WHAT*. SOLLUX: finally he picks up. SOLLUX: hey man. KARKAT: DON'T FUCKING "HEY MAN" ME.

BAHAAHAHAH! His old annoying-ass best bud! Who may or may not be contributing to the war effort with some sick hacking between video games.

SOLLUX: there's like a bazillion m0oks swarming ar0und my crib and none 0f the grubereats dudes are accepting orders right n0w. SOLLUX: probably 0n account 0f your inc0nvenient ass war. SOLLUX: could y0u pick me something up?

SOLLUX READ THE ROOM

KARKAT: MAYBE YOU'D GIVE MORE OF A FUCK ABOUT THE REPRODUCTIVE FUTURE OF OUR SPECIES IF ARADIA WAS EVER ACTUALLY THERE LONG ENOUGH FOR YOU TO GET SOME. MEENAH: ohhh snapper

Wait, so Aradia actually might possibly time travel back in her personal past over to the Black Hole trapped timeline to hang out with Sollux on rare occasions?! Is she capable of crossing back and forth when nobody else can? I highly doubt that-- but Davebot insisted she WAS still seeing someone... is it possible that she's asking to borrow alt!Calliope's powers whenever it strikes her on the rare occasion to go back for a date? No, it doesn't feel like AL would do her that favor... who the fuck is Aradia still dating? A DIFFERENT Sollux? Someone else??? Or does she have a free travel ticket that breaks the rules so hard that the whole Plot Point thing shouldn't even be necessary to break through!?

KARKAT: BETTER GET BACK TO IT, THEN, DON'T LET ME KEEP YOU. KARKAT: I'LL JUST BE OUT HERE FREEDOM FIGHTING AND DEPLETING JANE'S GROUND FORCES SO SHE WON'T HAVE ENOUGH MANPOWER TO STORM THE METEOR AND PUT A SPOON THROUGH YOUR SPINE, OH AND ALSO FERRYING YOU YOUR FUCKING FAST FOOD, I GUESS! KARKAT: GOOD LUCK! KARKAT: HOPE YOU GET A HIGH SCORE! SOLLUX: yeah im kinda in the z0ne right now. KARKAT: AWESOME. SOLLUX: hey kk KARKAT: WHAT. SOLLUX: are we still friends? KARKAT: OBVIOUSLY, DIPSHIT! KARKAT: STAY SAFE, ALRIGHT? KARKAT: ... KARKAT: ... KARKAT: DUDE! SOLLUX: s0rry im still gaming. KARKAT: BYE!!!!!!!!!!!!!!!!!!!!!!! SOLLUX: alrighty bro g0od talk.

D'awwww. Same as it ever was between them. :'D

(Rebellion Commanders: Finish up here.)

Oh, the top of the Meteor (memorial) is still buried above ground, to eventually eons in the future become Calliope and Caliborn's home (EDIT: or would have if this wasn't the Candy timeline, I forgot, but the Meat timeline has it as a similar memorial there most likely). Makes sense; it just extends deep ENOUGH underground for Roxy to have described the lab as such after going through the transportalizer.

KARKAT: YEAH, I'M DISAPPOINTED ABOUT HOW EVERYTHING WITH DAVE WENT DOWN. KARKAT: BUT TODAY NEEDS TO BE BIGGER THAN THAT. KARKAT: IT'S NOT PRODUCTIVE FOR ME TO SIT HERE AND WALLOW ABOUT WHAT COULD HAVE BEEN AND WHAT MORE I COULD HAVE DONE FOR ONE PERSON WHEN NOW, MORE THAN EVER, I NEED TO FOCUS ON WHAT COULD BE AND WHO'S WITH ME NOW. KARKAT: WHO I'M DOING ALL OF THIS FOR. KARKAT: WE'VE BUILT SOMETHING AMAZING TOGETHER, AND IF WE CAN HOLD ON JUST A LITTLE BIT LONGER IT'LL HAVE BEEN INCALCULABLY WORTH EVERY OUNCE OF STRUGGLE.

Yeah, said like a true Blood player and great leader.

...Lol at the crew's reactions subsequently.

KARKAT: COMMANDERS HARLEY, MARYAM, AND LALONDE ARE INBOUND, AND NOT LONG AFTER THEY GET HERE THINGS ARE GOING TO GET BATSHIT STUPID! KARKAT: BUT THINGS HAVE BEEN BATSHIT STUPID FOR A LONG, LONG FUCKING TIME, KARKAT: SO LET'S DRAG THAT IMPERIOUS CORPORATE BITCH DOWN FROM HER AIRSHIP AND REINTRODUCE A LITTLE NORMALCY!

Almost time to try and stabilize this whole damn timeline yeah, which may indeed incidentally give them the avenue to win against a more grounded-in-reality Jane Crocker.

(==>)

Quite the intimidating lineup of enemy ships.

MEENAH: target fuckin acquired

(Jane: Educate these fools on the art of war.)

You are in no position to educate anybody, Mrs. Mistress Executive. Dehydrated, grieving, and coming off of a particularly nasty sugar high, Sun Tzu wouldn't even let you substitute at this rate. What would your curriculum even be? Furious Fudge Flinging 101? Because you are completely losing your shit right now.

Hahahahahhaha.

Luckily we have already seen the beginning of these histrionics here.

Yeah, when Jane was yelling for her poison-tasting water boy because her throat's dry and she's ballistic. Jane doesn't exactly have the ROLE as a Maid of Life nor the personal experience to be a master war tactician-- all she's good at is enforcing order and anxiety (due to her Bard of Doom synergy theoretically) and, as a Maid of Life, having tons and tons of power, money and influence to throw at the problem and hope to overwhelm it with sheer might alone. Not much tactical about it.

(==>)

Oh, we're back to the tail end of that conversation! Is Jake going to decide on something he can actually do to *help* stop her here? And of course we're getting further Brain Ghost Dirk perspective.

JAKE: Oh flip. JAKE: Sorry janey i was handling an urgent matter. JAKE: Had to pop down the little boys office to shred some important papers. JANE: What? JAKE: Im spending a penny at the local water closet. JANE: Jake. JAKE: Im in the bathroom. JANE: Oh.

Hahahahah. Classic Jake-anachronisms.

JANE: UGH! JANE: You are always in the bathroom these days!

Doing spy shit, yes.

JAKE: Well my job is to taste test all your water for poison, JAKE: dear. JAKE: Forgive my impertinence but perhaps if you trusted the troops more, we could avoid all of this folderol and i could be promoted to standing by your side? JAKE: Thatd help my besieged bladder, for sure. JANE: Not happening. JAKE: Oh! Of course! JAKE: Silly me.

Jane really never trusted Jake for anything important, even when she WANTED him for a relationship. It's like there was hardly ever a potential timeline where their relationship might actually go well, it seems, unless they both got some seriously miraculous psychotherapy.

JAKE: May i ask... why? JAKE: Not to make a tit of myself here. JAKE: But wouldnt an enemy spy be childs play to spot, seeing as our troops share such similar faces? JAKE: Pretty much the exact same face? JANE: I once thought it an asset too! JANE: How clever I saw myself... JANE: "Hoo hoo! We'll avoid instating a draft by cloning an army!" JANE: "Unprecedented genius!" JANE: "Brand consistency!"

Oh wow, they've been CLONING TROOPS. That makes some degree of sense as a sort of counter for her "concerns" about the rate of troll reproduction, too. Also, she's MAKING LIFE, which seems a good hero title pun.

JANE: Of course, I realize now that if any serviceman developed mutinous, deviant intentions, he could simply slink back into the safety of the crowd.

JANE: The perfect cover for a tiger amongst zebras. JAKE: Grrr... JAKE: Friggin double agents, man. DIRK: (Amazing. Can I get a cherry on top of that?) JAKE: Why i oughta... the very thought! DIRK: (Fuck yes. Marlon Brando in the motherfucking building.) JANE: Exactly. It's horrifying.

Lol.

JANE: Thankfully I have practiced instinct where assassination is concerned. JANE: An instinct that has only sharpened in the wake of... recent tragedies. JANE: I won't be lulled into any such false sense of security this time, that's for sure! JAKE: Is that why the old henhouse has been feeling a bit spacious recently? JANE: I may have a handful or so of men in the brig. JANE: For safekeeping. JANE: They have snacks! A water trough. JANE: All unpoisoned, might I add. JANE: Who gives a toot anyways, we'll be depositing them out onto the battlefield soon enough.

Jane Crocker HAS technically been dealing with assassination attempts since childhood, too.

JAKE: Speaking of the battle... JAKE: What was the pre-established plan, again? JAKE: Just trying to refresh my simple mind on the details. JAKE: Especially the ones that situate our son near The Point. JAKE: I take it we have protocols in place a tad more delicate than simply "bombs away!" JAKE: Right? JANE: Sigh. JANE: Jake, do you remember when I went to the moon?

OH FUCKING HELL YES THAT INSTAGRAM STUFF WAS (at least Candy) CANON SHE'S SENDING IN ROBOT JACK NOIR AND HIS FELT CREW YESSSSSSS I WAS HOPING THEY'D COME BACK!!! It's the only way to make this fight interesting!!

Looks like she's about to recap anyone who missed that instagram compilation of the assassination attempt that teleported her to the moon before it was about to be shot into a crescent shape by the Carapacians as a ridiculous act of godly devotion and then she captured and rounded up the whole New Midnight Crew in collars. Jack Noir is a fearsome and fun adversary to be up against, especially when the presumed Prince of Blood is running with a destructive crew.

(Jane: Start monologuing.)

That's right, I remember, Jack brought a bunch of them back to life to work for him using Die's doll or something. Seems she has enough of a handle of them to not use prison collars on them now.

JAKE: Uuuuuuuuuuuuh. JANE: No? It was a huge deal. JAKE: Was this around the time all those carapacians took a big chunk out of it? JANE: Yes! JANE: You see, prior to that expedition, I'd been cooking up a contingency plan, of sorts. JANE: I put some serious man-hours into it. JANE: If things were to go tines up, our last line of defense is a machine that will emit a guided beam to a location of my choosing.

MOON LASER!!!! I'm getting Dr. McNinja flashbacks (which I'm a fan of if you couldn't tell by the avatar, sorry the site is down.)

DIRK: (A laser?) JAKE: So were destroying The Point now? JANE: No! JANE: No, no, no, no. JANE: Definitely not. JANE: We are *capturing* The Point. JANE: But if we don't... JAKE: Ah. JAKE: Contingency plan. JANE: Contingency plan indeed.

Jane doesn't care what the Rebellion thinks about this being important to the safety/integrity of the entire timeline or whatever, or saving the universe. She wants to win. If she can't have it, nobody can.

JANE: A surgical, precise, and most importantly *unexpected* means of victory, with virtually no crossfire. JAKE: Does that seem... JAKE: Sound? JANE: You know, Jake, you've been giving me the 3rd degree all day. JAKE: Hm? JANE: You're typically content stumbling through life as a soft-headed bimbo, and it's only now of all times you start showing stark, pointed interest in happenings outside of yourself? JANE: I find that odd. JANE: Suspicious even. JAKE: Erm...

He's definitely become more active in trying to figure out how to stop things and gather information as the critical moment approaches, yeah. And Brain Ghost Dirk's resurgence (if he ever left) is likely pushing him too.

JANE: You're thinking, "She's a bad mother," aren't you? DIRK: (Here we go.) JANE: Don't you try to deny it.

Oh pfff, not suspicion but marital fucking discourse. Heheheh.

JANE: I see you, up there on your high horse. JANE: Interrogating me! JANE: As if you have the right! JANE: Just what did *you* do, besides whimper like a kicked dog, as they took our boy away!? JANE: "TAVVY!" JANE: You can fly, you idiot! JANE: You're such a harmless, dunderheaded fucking nonentity that those seditious connivers would have *let* you tail them! DIRK: (Ouch.) JANE: Everything he has, *I've* provided. JANE: Everything he is, *I've* nurtured!

Jake probably trusts "Tavvy" in their hands more than yours, but that's neither something you know nor can accept. And the thing about Jake is that yes, he's a doormat, but Pages in Homestuck often seem to need to be given a long time in flourishing, non-traumatic environments to bloom into anything resembling their true role and power, and Jane has never had the confidence in him to try to build him up instead of spitefully knocking him down.

JAKE: (Criminy, bro, she has a death laser.) JAKE: (Like goldfinger.) JANE: Remember how I willed him out of my body, 3 months premature, because I was so excited to see him? JAKE: (The rebellion isnt prepared for that.) JAKE: (What are they going to do?) DIRK: (Fuck if I know, refract it off Commander Vantas' massive tits?) JAKE: (Were going to lose.)

HOLY SHIT AT THE PART I BOLDED JANE IS ABSOLUTELY FUCKING NUTS, she could have stunted her child's growth just for that selfishness! "Arrested Development" indeed!

Jake looks like he might be gearing to do something actually heroic for once. Like, say... to fly HIMSELF up to the moon and destroy a fucking moon laser.

JANE: You might be a primo actor, English, with that perfect smile and that stupid, sexy fake accent. JANE: But you are not a caring individual. JANE: My Dad... JANE: He had so much love in him that you could feel it when he entered the room. JANE: Across all the iterations of yourself, do you think your children ever felt even a MODICUM of that?

FUCKING OUCH SHE'S GOING FOR THE JUGULAR

JANE: Jade? Terrifying, JANE: I hate even thinking about it. JANE: And I don't doubt for a second that there were more. JANE: How do you imagine they turned out?

That's right, I've only played part 1 but Hiveswap indicates there were other children, with him even using Roxy as babysitter for his frequent absences. The Page of Hope, er... with Hope's phallic and white-blast reproductive symbolic connotations, er... might spread his seed a little wide.

JAKE: (I finally grew the gumption to get off the back foot, and were all going to meet the reaper regardless.) JANE: Let's face it. I held you accountable. JANE: Without me, you'd have left Tavros behind in a peanut factory. JANE: Asphyxiating on the floor, crying "Daddy, where are you! Daddy!" DIRK: (Dude.) JAKE: (JOLLY JESUS FUCKING CHRISTMAS!!!) JANE: What the fresh hell are you mumbling to yourself? JANE: Y- JAKE: WILL YOU SHUT YOUR GODDAMN CAKE HOLE!!!!!!! JANE: !!!!!!

YEAH THAT'S TOO MUCH INSULT FOR EVEN HIM TO TAKE. Even Brain Ghost Dirk is shocked at how low she's going. CHEW HER OUT, ENGLISH!

(==>)

JAKE: Listen to you, lecturing me about parenting and flagellating me with fucking... infanticidal peanut snuff fantasies! JAKE: Tavros isnt even allergic to peanuts anymore! JANE: What?

What?

How...?

(==>)

HOLY FUCKING SHIT WHAT THE FUCK HAPPENED JAKE HOPED HIM BACK TO LIFE OR SOME SHIT?!?! GAMZEE???

JAKE: Hes been cured since he was thirteen! JANE: How???? JAKE: Gamzee. JAKE: Via some vile cosmic caper or another it is *always* gamzee! JAKE: He found out! JAKE: Started rambling on and on about "how motherfuckin' malicious" it was to see "A dIfFeReNtLy AbLeD bRoThEr MiSsIn' OuT oN tHe NiRvAnA oF tHaT nUtTy MoThErFuCkIn' NeCtAr."

Yeah, Jane being in ANY sort of relationship with Gamzee was a war crime towards her whole family and reality itself.

DIRK: (Why are you doing the voice?) JAKE: "ThErE's WhOlEsOmE, hOlIsTiC hEaLiNg PrOpErTiEs AlL uP aNd StUfFeD iNtO tHe HaRmOnIoUs UnIoN oF pB aNd J." DIRK: (You don't need to do the voice.) JAKE: "WhAt EvEn Is ThIs SuLtRy BiTcH oF a LiFe WiThOuT a LiTtLe PeAnUt BuTtEr JeLlY tImE?" DIRK: (It'd be so sick if you stopped doing the voice.) JAKE: Then he pulled the "OuR dUtY aS sTrOnG mAlE mOtHeRfUcKiN' mOdElS iS tO nUrTuRe AnD gUiDe ThAt LoSt LiTtLe LeGuMe-InToLeRaNt LaMb," card. JAKE: "We StRaIgHt Up GoT tO bE tHe ChAnGe WhAt AlL nObOdY eLsE eVeR gOt DoWn To BeInG iN tHe WoRlD, fOr ThE lItTlE nEgLeCtEd NuGgEtS *wE* aLl WaS." DIRK: (Fuck me, then.)

Jake is invoking Gamzee's spirit Hopeways here, he HAS to do the voice, BG-Dirk. No getting around it.

And yeah, Gamzee would find insane fucking ways to abuse their son and Jane would turn a blind eye to it because of her pointless clown lust, it seems. NO WONDER TAVROS KICKED HIS CORPSE!!!!

JANE: He always felt you two had a common tragic upbringing. JAKE: I know... JAKE: After that, the insane clown started stowing peanuts around the mansion, tricking little tavvy into eating them! JAKE: Poor squirt was thrashing throat-first into anaphylactic shock bi-weekly. JAKE: I epipenned him so many times, i learned needlekind! JAKE: Worried myself as sick as our boy was, just wishing that nutty nightmare would nix. JAKE: Then, wham. JAKE: It did! JAKE: Thank god! JANE: I- JANE: I had no idea. JAKE: Of course you didnt! JAKE: You werent there!

Preach, Jake English!!!!! Preach all over this neglectful asshole bad excuse for a mother who gave Tavros privilege and little else!

JAKE: You might have expelled him into existence with your easy-bake tuna canoe.

SDFJ:DSKLJ EASY BAKE TUNA CANOE ARE YOU FUCKING SERIOUS JAKE XD

FUCK THAT'S HILARIOUS

JAKE: But i kept him alive! JAKE: I raised him! JAKE: Nelsons knickers, half the time it feels like "uncle" fucking gamzee had more hand in his upbringing than you did! JANE: Oh... my... JANE: I never... took a second to stop and think... JANE: I don't remember when he took his first steps. JANE: Or what his favorite food is. JANE: I didn't even fucking breast feed him! DIRK: (Which is fucking crazy, all things considered.) JANE: I don't... even know what his first word was. JAKE: It was "honk." JANE: Jesus Christ.

Oh my God. She's actually fucking seeing it. Maybe only for a moment, but... she's actually fucking SEEING IT. This is a radical breakthrough.

Ever since the talk between Jade, Rose, and Kanaya back there got SO FUCKING REAL, I should have been suspecting... is the stabilization they're attempting at the Plot Point working RETROACTIVELY to make the entire Candy timeline make more sense, and bringing even people as far out of character as Jane Crocker back closer to reality, radiating its effects somewhat backwards in time and not just forwards? To help people like Jane and Jake and John and such finally BREAK OUT of their respective head fogs and truly see what's been going on around them all this time???

(Canon Roxy over on the pursuit ship might even be helping Callie WRITE HER STORY BETTER than Callie started off doing! That would explain a lot, while possibly even providing a Void pocket to keep the plans they're writing to have it influence the main timeline back invisible to the dueling Authors!)

((ALSO also, if you wanted Candy to be closer to Canon, Gamzee's chucklevoodoo influence and Bard of Rage role would have gone a long way to keeping Jane in a relationship with him and unaware of the abuse of her son.))

Jane looks like she's about to come to terms with something serious, but I'm pretty sure we can't have her reverse herself just yet. Which means something is going to make her even madder-- something is going to blow her up and waste some of what she's finally realizing.

Jake might successfully chew her out, say he's leaving her, hang up and fly out from the ship (not telling her he's off to destroy the Orbital Laser), while Jane contends seriously with her sins as she approaches her climactic battle and provides an opportunity for Roxy to possibly save this version of her later...... but something gives me the feeling that this version of Jane is going to be kept irredeemable, which means that the most efficient way narratively to accomplish that... is for Jake to fuck up here by accidentally revealing he's been working for the enemy. By, for example, yelling at her for threatening to destroy the Plot Point when it's their best hope to save the universe/timeline when she knows HE SHOULDN'T KNOW THAT unless he'd known about The Point before all this. At which point he would HAVE to vamoose in a jiffy to avoid capture, and Jane would be too enraged to fully dwell on her failings in motherhood and relationships just yet. I think in the next couple pages we'll see which happens.

(AND, as I've pointed out repeatedly in the Epilogues and my earlier HS^2 liveblog-- (NO WONDER Jane never resurrected Gamzee even though she FULLY had the power to do so, and held an entire public funeral to appease his followers without revealing that she could have snapped her Lifey fingers and revived him this whole fucking time! She kicked him off the ship in the first place before Vriska killed him after all.)

Please tell me I haven't hit the image limit yet I HAVE to keep reading...

(==>)

JANE: He must hate me. JAKE: Oh, janey... JANE: It's true. JANE: Look at the way he acted during the hostage negotiations. JANE: His life was threatened, and Tavros didn't call out to me once! JANE: Like he... he knew I had other concerns. JAKE: Well, JAKE: You do.

Yeah, Jane never prioritized her family. She debated saving Tavvy mainly for the cameras.

JANE: Do you think I want to? JANE: I wanted this family! JANE: I can't help how much goddamn pressure I'm under! JAKE: Nobody asked you to shoulder any of that. JAKE: ...Dear. JANE: I had to! JANE: The rest of you couldn't be trusted! JANE: None of you even bothered to graduate high school! JANE: While you were all being shut-ins, and self-destructing, and fucking... cavorting!!! I was making public appearances. JANE: Somebody had to represent us, so people wouldn't assume the worst! JANE: They waited 5000 years for us, and for what? To see there was no plan, no reason, that none of their gods were really on their side. JANE: I had to become an adult before ANY of you decided to catch up. JANE: Sigh. JANE: If Tavros never felt any love from me, it's because I barely had anything left to give.

Holy shit, Jane feels the same way as Jade. Trying frantically to live up to the title of Goddess for the planet because she feels OBLIGATED to by her self-esteem, except she took a different route and threw herself into the role permanently at the expense of her family.

JANE: No wonder you both left. JAKE: !!!!!!! JAKE: Er... im not following. JANE: Come on, now, Jakey. When you went to go stay with John. JAKE: Zooks, you knew id skittered away this whole time? JAKE: And you arent mad? JAKE: Why? JANE: Because I love you, you bobo. JANE: I have loved you since I was 13. JANE: Sure, going off the map right after my father died was not the kindest timing. JANE: But you were always going to come back. JANE: And I mastered forgiving you a long time ago.

Whoaaa.

JANE: I even forgave you for Dirk. JAKE: Forgave me for... for being with him? JANE: What? JANE: No, I was always an ally first when it came to that. JANE: What's a... a dalliance between bros, really? DIRK: (Word.)

What is she talking about now? Is she blaming JAKE for Dirk unaliving himself in the Candy timeline???

Okay I'm paranoid about hitting the image limit soon and I'm willing to defer this revelation for JUST a moment, so let me post this now and start immediately writing my third liveblog post of the day. :)