#they got their happy ending :’)

[snap-my-kneecaps]

I’m so violently unwell, his face 😭😭

He survived and got the hug he deserved, I’m going to have a meltdown

[made-my-peace-with-all-the-bad]

Marbit taking their dog for a walk in the snow

[apinktrashcan]

Been thinking about how the meadow scene at the end of MJ pt.2 is green and orange.

Are you kidding me

[elliada]

“Let's go home. Right!”

Gundam The Witch From Mercury — Episode 24: May All Blessings Find Their Way To You, I'm Wishing It.

[marymekpop]

I wait for you and you wait for me. We will wait for each other.

[stellar-waves]

another core memory

[letmetellyouaboutmyfeels]

I am incredibly serious right now when I beg you all, please, and if you have Twitter or Tiktok or whatever to please spread the word: click on an author's profile on Ao3.

You want to know if an author has written more? Want to know if they're still writing? Want to see more from them? Want to know if they've written a trope or kink or sex scenario you enjoy?

Click on their name. And look at their profile.

I cannot tell you how many times in the last six months someone has read a new or newer fic of mine and said they (a new reader who has read nothing else I've done) "can't wait to see what you do next!" I've written 50+ fics and over a million words already.

"I don't know if you're still writing..." click on my profile. I am. I literally wrote a 128k+ fic for that ship last month.

"Would you ever do X?" "Please do Y!" I already did. Click on my name and look at my works.

Archive of our Own is a library. It's an archive. Not social media. It is your responsibility to fight back against the laziness that corporate algorithms have trained into you.

Click my author name. Just click it. Just click it.

Before you demand more, or ask if a writer will do XYZ, or wonder if the author still writing, or anything - click on their profile. Click on the author's profile.

I'm not trying to be mean or condescending or anything like that. I'm just exhausted. It's disheartening and frustrating to repeat myself ad nauseam, because someone couldn't take thirty seconds to do the tiniest bit of work to see if I've written lately, if I've written more for their ship, or scan my works to see if I've written what they're asking for. Please. Please. I'm begging.

Click the author's name, and explore before you ask.

[featherfangart]

'Not now, not in front of--'

[hinamie]

in spite of everything, I had fun <3

[mischievous-thunder]

Wade explaining to Althea why he's brought home the guy he kidnapped three days ago and eventually fell madly in love with

[cellystars]

Deeply hoping that these two would continue to be Godparent/Godkid by the end of the season, I need to see these two have a friendship! :"O

[turtleblogatlast]

Leo learns something about himself 🏳️‍⚧️

Based roughly on this old post.

Bonus:

[Leo is taking the fact that he was born biologically female simultaneously very well and also not so well but overall he’s mostly coping with the fact that it was Draxum that just essentially gave him the turtle equivalent of ‘The Talk’.]

[scribeofmorpheus]

Why Dragon Age Veilguard isn't a "Cathedral"

Concept art by Matt Rhodes

"To disinherit the storylines of past games goes directly against the notion of building cathedrals."

What is inherent with Veilguard that keeps bothering me is the fact that the world's choices truly didn't matter--and it doesn't simply bother me from a player perspective, it's not simply a grievance borne of frustration to what I (as a longtime fan) have lost. It's about the very culture of the arts under capitalism's new media habituation cycle [x][x].

Yes, I spent hours of my life playing and replaying each instalment of Dragon Age. Yes, I painstakingly curated a 'canon' world state by replaying what came before in preparation for Veilguard. Yes, I am even more unsatisfied with the end product--time hasn't helped, it's just widened the divide. But, and I can't stress this enough, these very personal gripes aren't what hit home the most. It's the inherent disregard of legacy. A legacy that the previous writers and game developers were building towards.

In the DAV artbook, "cathedral" is the word used to describe the process of making a game. Matt Rhodes' exact words are: "One artist can make a painting, but it takes a team to build a cathedral." Cathedrals took centuries to build. The architect who drafted the first blueprints would likely never see his work realised, he had to rely on those who came after him, like-minded and passionate, to see it through--for the culture, for the future, for legacy. Painters took on several apprentices for this reason too--giant frescoes were not completed by one man's hand, even if it is one man's name that immortalises them. Similarly, if you weave a narrative around choice, what good does it do to take it away at the final act if not to fall to caricature?

To disinherit the storylines of past games goes directly against the notion of building cathedrals.

Late-stage capitalism and profit-margin-obsessed game producers forcing developers to churn out meager content, to make a known brand into something it's not, to chase a fad or a popular trend... o, how reductive and cliche you've been forced to become Bioware. We have lost the cultural thought patterns relative to Cathedrals. We know only of barn-raised churches--done in a day but unlikely to last the turn of the seasons.

And don't even get me started on the music of Veilguard either. From Origins to World of Warcraft to Everquest to Baldur's Gate to Dungeon Siege, you can hear the intricate interconnected weave of sounds inspired by the Dungeons and Dragons-esque fantasy genre. You hear it in the repeated use of certain instruments, in the harmonic weeping notes of a bard-like singer or the foreboding echoes of drums as if of war. In tavern songs. But then, rather than hire someone who loves these worlds and this genre, who is a hungry artist looking to make a name, a legacy if you will, for themselves with a spectacular score, you hire any already sated composer, one well-into the encroaching years of career fatigue, whose notes repeat in countless projects, who feels less concise and more uninterested with each new project. One who has long since cemented his legacy. Someone in it for a paycheck and nothing else! And, to top it off, you let him compose something so minimalist? I am offended actually.

Cathedrals! We should have witnessed the final tile being placed on the Dragon Age cathedral. Instead, some architects walked up, tore down the interior and installed IKEA furniture and called it authentic before having to call the previous architects to come and fix the "load-bearing issues", forcing them to rush and add a coat of varnish and a few 'aged' details for authenticity.

[egophiliac]

2025 is the year of the DRAGON SLIPPERS

[hvbris]

@multipleoccupancy . Theo's family gets bigger

The Baudelaires had been in New York for a few days now, living in the house of their new guardian: Theodore Beneventi. New York reminded Violet of the town where she grew up, only bigger. Much, much bigger.

Mr. Beneventi, who had told them they could call him Theo, seemed like their most normal guardian so far. For starters, he was not afraid of turning on the stove, which was very nice, because it meant the Baudelaires could enjoy a warm meal for the first time in a few weeks. There were no snakes in the house either, which, to be fair, was to be expected. And of course, here, they were not ordered to do horribly long and difficult chores.

The other thing that differed from their last guardians, was that Theo already had a family. He had a wife, Andrea, two sons, and a baby daughter, who was already getting along great with Sunny.

Violet felt like their luck might have finally turned. Even the terrifying shadow of Count Olaf didn't seem as scary, considering that Theo was an FBI agent. She did not usually consider herself lucky, not since the terrible fire that had killed her parents, at least. But for the first time in months, she was feeling much more hopeful than usual.

And, it's with that noteworthy hopefulness that she left the room she shared with her siblings, and tip-toed to the kitchen. It was still early in the morning, but she was awake and craving a glass of milk.

"Good morning," she said politely when she saw that the kitchen area wasn't empty. Theo was already there. He was very nice, and she already felt comfortable around him, so she poured herself a glass of milk. "The view is very beautiful from here," she commented, not only to make conversation but also because it was true.

[ryllen]

[ x ]