#they dont seem as into the series they just really like magu songs. but they are definitely aware of the series

[red-dyed-sarumane]

i was talking with my new mutual/friend the other day bc they really wanted to talk about magu songs & i mentioned liking oumen & they were like YES the story and every thing is soo good. i should ask them what they think about the girlies & what happened between them

[red-dyed-sarumane]

@musicalisotope hi im going to. make this a post instead of a reply sorry i have a lot to say on this.

aru sekai is a really. obtuse series. none of its going to make much sense on its own. if it does i need u to share ur brain with me. anyway,

i think if u want to start anywhere i'd say either aru sekai shoushitsu, marshall maximizer, or laboratory.

aru sekai shoushitsu is the very first song its really long & theres so much in it & it sounds like nonsense by itself, however its a pretty complete summary of the whole plot. if u get lost once u hit the fuu lines & after dont worry about it we dont have the context for those yet. it's a lot to take in but once u move onto the other songs it all starts to click together like oh shit thats what that meant. it IS a lot tho. its also the most objective song of all of them; the rest are very subjective to their respective characters' views

marshall maximizer is of course the most popular song but thats not why im saying it. im saying it because it's the first time the concept of losing one's self/ego is really expanded on & thats a very very big part of the narrative. the lyrics it might be harder to pick up on that but the text in the background talks about it in a more direct way. its subjective to the chara's pov but it does a good job of establishing that "person" vs "thing"(no longer a person) concept. important to note this character is only an observer of that.

laboratory is similar its that same major concept of those who are still "people" vs those who arent any more. the difference here being its her experience as she crossed the line between the two. its a lot more direct than the other songs & its pretty easy to see the whole weight of the scenario & because of that it really helps put the severity of the other songs into place.

as for the others theyre very subjective & its a little harder to figure out whats going on. but in short kyuuyaku hankagai establishes its not just a personal risk & its a very long repeating event, shuuen touhikou is mostly to answer the question "well what if they gave up & didn't face the problem", oumen mokushiroku is overall that its pointless to take huge risks to themselves beyond the obvious, unplanned apoptosis is actually showing how the "doing things for yourself will save you" concept works, kanon gets into how precise their work has to be to get anywhere among other things, kugutsu ashura is a wall of words idk why u would ever start there its also weird bc she doesnt seem to be affiliated with the rest of them? an outsider forced to endure the consequences i think. i still have to dissect this one more for sure, & the new one yamete kudasai is kind of similar to laboratory but it shows more of the reasons people are pushed to the point of losing themselves.

there are. a LOT of very small easy to overlook details across all the songs. theres no one way to progress through the story since all the songs build off each other & show off different aspects of the plot & world they live in. & u also have to take into account not all of them are reliable narrators (im staring at the unplanned apoptosis girl in particular). theres also a LOT of details we still need expanded on to get the full picture but i think we're going to get more side context songs before magu moves onto to the fuu song to continue the order in aru sekai shoushitsu. the text in the background of songs that have it is also a major part of the story u cant just skip over it if you're trying to figure out whats going on. (this includes kanon. the original tweet with the decode was taken down but i still have the text saved.... somewhere. i will get that for anyone that wants it. very brief but it gives a glimpse of what the start of a retry looks like as well as why theyre in the situation in the first place)

VERY few people keep up with it as a series most people i see just think the songs sound good & leave it at that so i dont blame u if u do the same but its a very intricate story if u have the time & patience to work it out

also small side note magu's said all the charas have names but theyre a secret until later so they have to have some relevance with whats going on. it'll be a very interesting reveal for sure. we think theres 2 names in aru sekai shoushitsu (saginuma hisame & layla) but we dont know for sure who they are or if theyre even any of the girls in the songs. (best guess is the the shoushitsu chara & kyuuyaku chara respectively). thats not super important to know rn tho. also aru sekai series is a fan given name based on the first song since magu has never once talked about the contents of the series outside of what we get in the songs. (unless directly asked but theyre vague in their answers)

[red-dyed-sarumane]

kyuuyakus so good not only bc its like the only song heavy enough i can tolerate at loud volumes that can Almost drown out my coworker who never shuts up but ALSO for the points ive said 74times & will continue to,

aru sekai shoushitsu set us up for something super sci-fi, which. yes. the series very much is. but it was so technical and almost coldly indifferent. and then we're given the whole "old testament" in the title & the whole intro reading that isnt far from dantes inferno type content as my good friend emimin pointed out. we've got this new aspect added in and at the same time the lyrics let you know this character's still dealing with the complex technical stuff, from the terms down to the second kanji in ashita being incomplete as though because of a program error or interruption or some other similar reason.

and it feels even more different because theres just so much emotion in this one compared to shoushitsu. all the "bye-bye"s written in ways that express deep pain, the fact that the "see you tomorrow"s are cut off in the way they are the first time, and so drawn out the second time. the genre's not the spacey, distant trance type that shoushitsu is; its heavy, its intense, its got as much to it musically as there are details in the story. it's not just to sound cool, it's getting her state of mind across just as much as the spoken words. the world's being destroyed physically & metaphorically, everyone's suffered this over and over, they've parted ways so many times and its just never something they can get used to, especially not if they want to keep trying to end this whole loop, she's stressed past imagination trying to keep everything in check when its just not possible, & the intensity of the music just emphasizes all of that. there's less intense parts too, sort of like a forced focus on what she's doing that all too quickly builds to a panic. or the in the second part where everything gets so dire, the bell's tolling and she's running out of time, the piano over top of it giving such an uneasy feeling, and then right back to that heavy panic. theres so much emotional charge in it you know the long notes aren't just magu having fun with it; you just know they're meant as screams. i dont even think i can say screams for help, i think she knows shes past the point of help or at least that she's supposed to be everyone else's source of help that it's just stressed lamentation. she's doing everything she possibly can and its not working so all thats left is to cry out about it.

and then u have the rute furute wo a motif in here that's added in under the "fractal wa/kurikaeshita" parts that really hits harder now with kannagi for extra context. knowing that this is in the past & can't be changed and everyone else is using this as a point of reference. then u of course have the nami no ne wo motif, & the longest & clearest instance of it aside from maybe oumen mokushiroku so u know she's herself & gets to live, gets to keep doing this & watching other people die. (although i have absolutely no frame of reference for how long she lives given this is a past event & she doesn't seem to be present in the more current time songs. we dont really have that context yet) & then we're back to the rute motif on top of what still sounds like a jumble of nothing. but i also thought the rute line was nothing and here its a big deal so i cant wait to realize what this other jumble is, considering its also under the last ima kizanda parts.

theres just so so much to it, so many little intricacies that build such a full picture from whats otherwise one of the more simple series songs & i cant love it more.

[red-dyed-sarumane]

actually wait having secondary thoughts here. listening to retry after having read a few chapters of unmei no makimodoshi.

so im still of the opinion its SO good magu got the collab with the sf loop series. thats perfect for them. that's literally what they do anyway.

but oh my GOD is it SO different from aru sekai series. in part bc the target audiences are different but also.

unmei no makimodoshi is about a boy (& later 3 others) who has a time machine in his eye & bc his sister died he's making it his mission to save everyone he comes across no matter what. kid is 14 & memorizing different routes to save strangers by redoing it literal thousands of times. it seems theres a little bit of higher stakes in the more recent chapters but only one of thems public rn so i dont know the whole deal. but thats pretty much what i got out of reading it. a boy with a good heart willing to do anything so others doing have to deal with loss. it doesnt seem like theres any threat to him so long as he doesnt die himself & hes only doing it bc of his sister. a good time loop story in its own right considering its probably aimed at middle school boys.

and then u have magu's own series where they're also repeating as many times as it takes, but its not just out of their own kindness. theyre risking their whole selves, not just their lives, but their humanity itself in their attempts to reverse the destruction of the world. theyve invested so much into it they cant really stop at this point. there people around them no longer "people" having lost themselves in the process. sacrifices in every way possible. its very heavy & just when u think the stakes are high enough theres new info that somehow makes it worse.

i just think its fun to see the range they have regarding the same topic. retry as a song is kind of the same topic they've been doing this whole time, is unmistakably their style in terms of sound & lyrics, and yet its a completely different way of handling it. its cool i appreciate this a lot