#they both think the other one is more traumatized

[lockheed-martin-unofficial]

TF One spoilers!

My favorite Starscream shots from the movie!

Throne. Need I say more?

This is where he looks like he’s gonna be a good guy but curveballs into declaring that the strong should be leading. As a Starscream redemption fan I’m a little disappointed but ALSO I find it hilarious and on brand

Starscream being taller than D-16.

ASKING HIM TO HIT HARDER?? TFO Starscream is peak feral Starscream and I love it. Getting defeated and continuing to egg him on. I’ve noticed a trend that Megatron tends to hold Starscream by the neck when they fight. Especially when it’s serious. With the detail of Megatron being the one to crush Starscream’s throat in this continuity, imagine if that was the case in other continuities. Megs doing the same (probably traumatic) move in order to intimidate him? That’s some delicious angst right there.

Not included: Shockwave trying to intervene, Soundwave going “nah I wanna see who wins”

Aww. He’s just a little guy and it’s his birthday. He’s a little birthday boy. Don’t hurt him.

Kinda wish he was more of a threat, but I also love his energy here so I can’t complain. Picks a fight he can’t win, escalates when he’s losing, gets defeated. Go girl give us nothing

I found the detail that it was Megs crushing his throat that gave him the signature squeaky voice both funny and sad. Love how his first instinct is to threaten violence here. Disrespectfully disagree with how quickly he stopped talking after Sentimeter turned away though. Starscream would NEVER shut up when someone makes fun of him. He’d yap so hard. The essence of Starscream is stubborn refusal.

Hell, he’d bite Sentinel’s hand right that instant.

I enjoy this scene because it looks like they’re just chill now, like he’s with Elita and Bee. Especially since every time I look at it I think Bee’s arm is Starscream’s. Wanna draw that.

First language reveal ewwwww

That’s all folks! I’ll post my other screenshots later perhaps

[tobi-smp]

I don't want to hold anything against this specific person, because I Remember the discourse that lead to this and I know exactly how it could get passed around and warped (either through telephone or someone's own memory shifting with time).

that said, I never liked that discourse specifically Because it was a clear misreading of the text, and what better opportunity do I have to talk about it now.

the context was the bench trio therapy stream. tommy had been beaten to death by dream, sat in limbo for months, and then revived and told Explicitly that dream was planning on escaping prison and tormenting the rest of the server.

the mindset that tommy is in is that he Has to do something, but he's deeply traumatized by what's happened to him. he's Scared to go back to the prison, but he has no choice but to do it for the safety of everyone else in the server.

the "therapy stream" was bench trio Trying to do exposure therapy on tommy to help him work through his trauma in the lead up to attempting to infiltrate the prison. and the entire point is that they Absolutely Were Not actually helping.

what they were Actually doing was triggering tommy by exposing him to things that he was traumatized by, because they didn't actually know how to do exposure therapy and what they were trying to do wasn't healthy in the first place.

so the Context of this conversation is tommy desperately trying to just, Get Rid Of his trauma (something that is absolutely not possible) while entering a worse and worse mindset because he was intentionally triggering himself.

Likewise, the context for Tubbo's half of the conversation is that he Very Intentionally represses his own trauma, both from Himself and from other people. he puts himself in a little box that he buries under the floorboards and asks people to ignore the way the boards creak when they walk on him.

there's a million ways you could cut Why he does this. part it is his people pleasing, willingly pushing himself down for the sake of everyone else no matter how painful. seeing Himself as an accessory to the people he cares about, rather than a whole complete and important person. and in part because it feels Safer, it's Safer to pretend that nothing hurt him.

and Why that is is complicated. part of it is External. he doesn't Get to be angry about what he's been through, because the people he's angry At will just hurt him again. and if he thinks about how he's hurt then he Will get angry, so he just Won't Think About It.

and part of it is that I don't think he wants to process his trauma any more than tommy does. because it's painful, because he doesn't have the tools to actually work through it, because they aren't Safe so he can't afford to break down now (trouble is, there never Seems to be a "safe" time to think about himself).

they're the Repression Brothers. the difference being that tommy's at a different stage of it. not a Healthy One, but different.

tommy spent months not being able to put into words what exile was, what pogtopia was, was the final control room was. and he still won't be able to put it in plain words for some time from here.

but he's reached the point where he Can't ignore it anymore, but he still doesn't know what to Do about it. he's still frustrated with an (to an extent) Ashamed Of his trauma. he feels Lesser Than he was before and wants it to all just go away and go back to Normal.

he's doing this because he Has To, because he Has to be strong enough to fight dream. because if he's too scared to do it then he'd be sacrificing everyone else's safety.

he and tubbo are doing the Same Thing in different fonts, sacrificing their well being for the people Around Them, including Each Other.

so, lets go back to that moment that started all of this.

the exposure therapy was on the final control room section, with tommy working through having been killed by dream.

tubbo mentions that he died that night too, and tommy says something to the effect of "you did, but you have thicker skin."

this has been taken out of context to mean "you did, but I have it worse than you," when IN CONTEXT it means "you did, but you're stronger than me," or more accurately "you did, But I'm Worse Than You."

tommy does not see his trauma in the context of stupid apologist discourse. he sees his trauma as something that makes him Worse, as something he Shouldn't Feel. as something that makes him Weaker than everyone else, who Obviously are so much more put together than he is.

when he says this he's not saying that he's more important than tubbo, he's putting himself down in comparison TO tubbo.

and this is absolutely still harmful ! This is legitimately one of tommy's character flaws ! but it is Not the selfishness that people make it out to be.

it's tommy accidentally hurting other people by seeing Himself negatively. it's an unhealthy relationship with mental health, and a Realistic one considering the circumstances and setting.

likewise, it's Just As Much born from tubbo's own unhealthy coping mechanisms. tommy assumes that what happened didn't bother tubbo the way it did him because Tubbo wants him to think that.

Tubbo doesn't let tommy see how much he's hurting, which in turn feeds into this cycle.

tubbo assumes he Has to shove his trauma down for tommy's sake (for the sake of Everyone he cares about), and so tommy assumes tubbo was just Stronger than him and wants desperately to just shove his own trauma away the way tubbo seems to be able to.

this moment IS tragic, it IS an example of the two of them hurting each other. but it's BECAUSE OF HOW MUCH THEY CARE ABOUT EACH OTHER !!!

Both Of Them are trying to be strong enough to protect the other, and it's Hurting Them. it's unhealthy, but it 's not Malicious. it's self-sacrificial not Selfish. it's not something they've done to each other but what's been done To Them by the world they live in. what they've done to Themselves trying to live in it.

this shouldn't have been a discourse moment, it should've been clingyduoers tearing each other apart in the street at the tragedy of it

[accirax]

Danganronpa: Despair Time Chapter 2 Episode 14 Dissection

I can't think of how to introduce this dissection other than just saying "god damn??". This chapter-- especially its second part-- has been a wild ride, and one that it appears we're nearing the end of. However, we still have one important question left to answer, which I'm sure I'll talk about here. So, let's chat.

SPOILERS for Danganronpa: Despair Time Chapter 2 Episode 14.

Also, I will be discussing Ace and Eden as equally likely blackened candidates in this post. If it will upset you to hear about the prospects of either or both of them being the killer, you might want to sit this one out.

Given what happens later in the episode, it's very interesting that the episode began with (more or less) Ace "admitting" that he has no idea how the murder mechanism worked. A truthful method of disqualification, or a masterful play by Ace to ask Teruko to ask him about the murder method only to pretend that he has no idea what it was? Time will have to tell on that one, because I honestly have no leads.

Similarly, is this Eden being genuinely shaken up and not remembering what transpired in the Gym, or trying to play the helpless innocent card to get out of having to help Teruko explain the murder method that she stole? Spoilers for my thoughts later in this dissection, I guess: they're so evenly matched that it's crazy.

I've always thought that Hu is the prettiest DRDT character, and this episode did nothing but prove me right. Hot damn, ma'am.

The insistence that this questioning is "traumatizing [Nico]" makes me think that Hu could be projecting her own experiences on to them. Perhaps she was once an innocent in a situation for which she kept taking the blame? That would be interesting as another connection between Hu and Nico, of both of them having taken the blame for someone else's follies.

This was a hilarious comeback; never change, Ace. Or, maybe you do need to change slightly, to become a less cowardly and impulsive person. Or maybe I should at least be rooting for you to have the chance to change in the sense that you live long enough to have that work out for you.

Yet another instance of J being the one to say that murder is bad. I wonder if this has to do with her character/backstory in some particular way (although given what we know about her past I have no idea what that would be), or if DRDTdev just needed a judgmental and confrontational person who would snap back at anyone to take over these kinds of lines.

(That's not me dunking on J's character btw she's valid for this)

This was a really clever way for Charles to phrase this to make Hu listen and settle down. I appreciate the out-of-the-box yet logical thinking. (Also I missed hearing Charles' voice :,D)

Woah, I was not expecting to get a Closing Argument comic for the Gym murder, but I am obviously delighted that we have one! Also, OH MY GOD, THE CEILING GRATE. How did none of us even think to consider that as part of the murder mechanism?

However, there are still some aspects of the state of the Gym that haven't yet been accounted for with this version of the murder timeline. I don't really think it's anything that would stop Nico from being Ace's would-be killer at this point, but I'll list them out here in case they are or in case they turn out to be relevant to Arei's murder. I'll also be trying to debunk them, though.

Moved Benches: Some of the benches near the pullup bar were knocked over. These probably fell either in some sort of struggle while knocking out Ace, or when Ace's body fell from the fan.

Moved Weight Rack: The weight rack was moved closer to the bench press and flipped on its back. I guess this really was also knocked over in the same fashion, no matter how unrealistically difficult it should have been to move due to its weight? Or it really was "workout preferences"???

Nico's Missing Cowl: When Teruko and Eden found Nico at the scene of the crime, they weren't wearing their typical dark cape thing. I have no clue why. You could say that Nico was trying to look less instantly recognizable, but it's not as if anyone (other than maybe Teruko) who saw a dark-haired 5'5" individual in a blue shirt instead of a gray cowl would think it was anyone other than Nico. There's also ye olde theory that they might have used it to soak up blood somewhere, but 1) Ace seems to have lost less blood than it may have seemed, and 2) the cowl was still not seen anywhere in the crime scene. I think I remember speculating that after Nico hypothetically used it to soak up blood (or, on second thought, maybe used it to gag Ace with the turpentine), they then stuck it in the fridge to hide it for the time being, at which point MonoTV discarded it and Nico got a new cape from their room. Maybe if it was used to apply the turpentine, Nico also could've put it away to prevent themselves from being affected by the fumes? I guess that's what I'm going with.

Lack of Tape on Pullup Bar: So, this one is obviously relevant to the murder already because Rose not being able to do a pullup is part of what tips off Teruko to the fact that something is off with the tape. However, I have no idea why the tape actually got removed from the bar. I still maintain that I don't think anyone could have stolen the tape off of that bar and repurposed it elsewhere-- most online sources seem to agree that kinesiology tape isn't reusable, and the fact that it was already wrapped around the bar in such a tight spiral would make it difficult to conform to any new specific shapes. My best guess is that Nico might have tried to use the bar instead of the light grate at first, determined that the tape was preventing the wire from sliding properly, and then removed the tape before determining the bar still didn't work. Or, Nico could have tried using the bar before settling on the broom, and thinking that it wouldn't work with tape on it... for some reason? Kinda scratching my head here.

I wonder how long ago it was. It's been four days since the Chapter 2 motive was revealed, although Ace was attacked only two days after the motive. Furthermore, Ace had started bullying Nico to some level already by the end of Chapter 1. I'm sure that Nico must have known what their secret was and probably didn't want it to be shared. My guess would be that they probably started cooking on murder pretty shortly after the new motive was released. That would also work with Charles-via-Whit letting everyone know what the custom weapons were in the first Class Trial.

This was the perfect response for Nico's character. They don't understand why an untruthful "sorry" would actually serve as a courtesy for most people, so they try to say what they feel and get ostracized for it.

Gotta say though, Ace, that was a pretty aggressive reaction from someone who said he "didn't need other people to tell him lies just to keep him happy" ;) (/j)

Damn, way to throw Levi under the bus. I can see why, for someone like Nico, they would want to assert themselves as not the most abnormal person here, though. I just want them to be neurodivergent buddies :(

If that's the case, then I'd have to imagine that we won't be seeing Nico as a killer again down the line. However, they could also just mean "getting caught"/"going in without a solid gameplan," so it's still possible we will. There's also the possibility of them doing something more like a sacrifice kill, although it would take a lot of character work to make something like that feel within Nico's nature.

Sorry to keep screenshotting every little thing Nico says but they keep saying really interesting things. The fact that Nico specifically mentions their father as opposed to "parents" or "family" makes me think that we'll hear more about their father specifically sometime in the future. Or, who knows, maybe their other parent left or died.

Nico: I don't expect you to forgive me. Very few people ever do. So I don't see the point in acting sorry.

This was very interesting as an addendum to the above screenshot. What exactly did Nico "ask for" forgiveness for in the past? Was it just more social blunders, as they described in ch2-e2, or did they get into more trouble closer to this level than we realized? It could also be an indication that Nico has spent time with people who believe that being nonbinary is a crime that Nico needs to feel sorry for. Fascinating stuff, indeed.

Points for Ace being the killer. We know that he went into this trial looking to suspect Nico ("[...] I'm pretty sure I know who the murderer is. It's not David, it's Nico"), so if Ace is the killer, it would make sense if he'd want to make the crime scene resemble Nico's to make his bait more credible.

Hey, it's the aforementioned T A P E T I M E, motherfuckers :D (still /j) Personally, it's quite gratifying to hear that it wasn't just a visual malfunction or a minor detail blown way out of proportion.

You're, uh... getting to this point much faster than I expected, queen. I don't think she's now going to go down the exact same distrustful rabbit hole that she was in before, but there's definitely still potential for her hopes to be crushed by the end of this chapter. Or, maybe she will accept some people as genuine friends, and instead in the future have to confront how she feels when she loses a genuine friend, or not blaming herself for the effects of her luck, or something along those lines. I like that Teruko isn't a static edgy protagonist, though. Like, don't get me wrong, I've always known and appreciated that she has depth, but it's refreshing that she isn't someone who's so stubborn about her own way of thinking that she refuses to admit when she's in the wrong. Teruko really wants friends, guys.

TERUROSE REAL??????

(Also Rose's speech was excellent as well I just didn't have anything in particular to say about it other than "wow" at the moment)

Yahoo, lockdown logic strikes again! Also, a quick

Is Teruko Correct In This Assumption?

Personally, I fully think yes, only Ace or Eden could be the culprit at this point. MonoTV confirmed that it tried to restore the Gym to the best of its ability but couldn't return the tape, which means both that there was no tape in the Gym to be taken and that there was never any spare tape in the Storage Room that MonoTV could have used to replace the roll. I guess you could say that there was an extra roll of tape in the Storage Room that someone else took before the murder took place, but that level of coincidence seems implausible at this point in the Trial.

No, for anyone other than Eden or Ace to have acquired the tape, they must have either stolen it from one of those two or asked for it from one of those two. Asking them seems very unlikely-- for starters, if it was Ace who took the tape, I don't think he'd be giving free hand-outs to anyone. And, if Eden isn't the killer herself, that means all of her fright regarding stumbling upon Ace's body was genuine. I don't think she's naive enough to then hand over what was used in Ace's murder to anyone asking... or at least not without bringing it up now. Beyond that, anyone who would ask either of them for the tape would have to know that the tape was used in the murder attempt, knowledge of which was very limited. This episode went to lengths to establish that Nico was the sole culprit behind the attack on Ace, and while it's still possible it could all be an elaborate lie, the explanation Nico gave felt very in character and important for their characterization moving forwards. So, while Nico would obviously know it was used, if Nico asked either of them for the tape, surely neither Eden nor Ace would trust them. Otherwise, I think Rose is the only one who could have found out it was gone, but even so, given that neither Eden nor Ace have tried to argue that Rose asked them for the tape, I don't think that happened.

You could also say the same of neither Eden nor Ace claiming to have had the tape stolen from them-- but I could see either of them feeling like claiming to have taken the tape at all right now would be a death sentence, so I understand why they wouldn't say it. Still, I don't know if the narrative is there to support the tape having been stolen from them. On the day after the Gym murder (Day 7), Eden isn't seen in the daily life at all. If someone stole the tape from Eden on that day, I would think that DRDTdev would at least want to show us who Eden was spending time with on that day (given that he put in the effort to make the tape sprite disappear from the Gym at the time it did), so that we would have any idea who might have done so. Ace is seen once in the Day 7 daily life, arguing with Hu, Nico, Levi, Veronika, and Arei. However, having just been attacked, I imagine he'd be hyper-aware of anyone getting close to him, and therefore would be more likely to notice if someone was rifling around in his pockets (if he has pockets?).

Really, I think the only possible candidates for who could have stolen tape from Ace or Eden would be Levi (mostly just for Ace) and Arei (from either of them). Levi might have had an opportunity to take the tape from Ace on the night he was attacked, the night of Day 6. Eden said last episode that Levi "kept trying to help him" after Ace was attacked, which could imply that Levi was the one to put bandages around Ace's neck. Furthermore, he does have a criminal past, which could make him better at stealing. Similarly, Arei is confirmed to be a good pickpocket, stealing Min's pen without Min noticing at all. I think she's the only one with the proper buildup to have taken the tape from Ace at that breakfast, and would be the most likely to have spent time with Eden when Eden was off-screen. (Although, it would have to have been before lunch, because Eden says the last time she saw Arei was at lunch.)

However, I don't think many people think that Levi is the killer anymore, and if Arei stole the tape from Eden or Ace only for the killer to then steal the tape from Arei, I would start to wonder why DRDTdev even made the tape such a scarce resource in the first place. Remember that, if the killer was purposefully trying to recreate Nico's idea, they likely knew in advance that they would need the tape to pull off their plan. It was used in enough places that seizing the opportunity to take it off of Arei seems unlikely, as it was too fundamental to the plan's inception. Besides, for the killer to replicate Nico's plan in the first place, the killer likely needs to be Nico, Eden, Ace, or Teruko, who are the ones who could have most easily taken the tape on their own.

I've already seen people accuse this Trial of being bloated, and while I strongly disagree (I only think cases are bloated when they're stalling for time and have nothing of interest to discuss, and we've still had PLENTY of interesting stuff to discuss), if we spent a whole 'nother who-knows-how-many episodes reversing all of the progress we just made to say that either Nico wasn't actually the one to kill Ace or that someone who didn't see the crime scene killed Arei, that bloating problem would only seem worse to those people.

I understand if you don't want to believe that Eden or Ace has to be the culprit for whatever reasons-- whether that be that they're your favorites and you don't want them to die or you really like your theory and don't want it to be false-- but I really think that this episode cemented that either Ace or Eden will be voted for as the blackened for all of the reasons above. Therefore, I shall be proceeding accordingly.

She was WILD for this. Hilarious line of reasoning.

What's Up With the Body Discovery Announcement?

The "reveal" of this line of logic was no surprise to me. As someone who's believed that Eden is the culprit for quite a long time, we've had to figure out ways to get around this thing before, and besides perhaps "not witnessing the murder," someone else seeing the body before the BDA rang is the most obvious way to cheese it.

However, in order for this to be a thing, we have to ask ourselves-- who would have actually seen the body first?

David claims to, but he has an alibi starting at 7:30 AM with Veronika and J. Both because Arei theoretically wasn't dead before then and because we've been operating off of the assumption that a meal takes about 30 minutes to eat, I don't think any of the three of them could have stumbled across Arei in the morning. Nico and Hu both have an alibi, which I'm going to consider solid enough to remove them from possibility-- one of them spotting the body would be helpful to make Eden the killer, and I think the only people who believe that Hu and Nico are lying only believe so under the condition that one of them is the killer. Whit is out, because him seeing the body beforehand doesn't actually accomplish anything, and so is Charles, because we can assume that, if he saw the body, he would be out of commission. I'm also going to strike Rose from seeing the body before breakfast, both because she's very likely to have been asleep and because if she had already seen Arei's body in the Playground, she probably wouldn't have refused to draw a diagram. That would leave only Ace, Levi, and Arturo as non-blackeneds who could have helped facilitate culprit!Eden from not being caught by the BDA.

However, we also have to consider that "before 8 AM" isn't the only time someone could have stumbled across Arei's body. They also could have seen it before Teruko, Eden, and Whit did while everyone was looking for Arei. So, what do we know about what happened during the search for Arei? Not much. Hu says that they should split up, while J says she's going to check Arei's room. Teruko says that most people are probably searching the first floor, an assumption that's supported by Teruko, Eden, and Whit not seeing anyone else while they check the second floor. You might think that would eliminate the possibility of anyone else seeing Arei's body during the search, but Teruko did say most people, not all. There's also what MonoTV said when Teruko and Veronika were investigating the Gym.

MonoTV: It's too high! If you stood in the movie screening room on floor one and started punching through the walls, you'd fall into the playground.

This not-yet-addressed piece of evidence got me thinking about the possibility of someone seeing Arei's body from above, standing in the Motive Screening Room. It still probably couldn't be Teruko, Whit, Charles, Rose, or J, but anyone else would theoretically be back on the table if that were the case. That being said, I can't find any visual differences in how the Motive Screening Room looks between the beginning of Chapter 2, when the search for Arei begins, and when Teruko goes to check the motive secrets (other than a curtain being added over the screen in the third case). So, unless there was already a heretofore unmentioned hole to peek through in the room, I wouldn't count on that being the case. The connection between the Motive Screening Room and the Playground will probably just be relevant to a different chapter.

Therefore, that leaves us once again with Ace, Levi, and Arturo. The main problem with believing that any of them could have seen the body beforehand is why they wouldn't have brought that up at this point in the Trial. Here are my best guesses as to why:

Ace: I have genuinely no clue why Ace wouldn't have brought up that he saw the body in the morning (assuming that he actually did) to defend himself at this point. It's not like it would make anyone more suspicious of you.

Levi: Levi does seem to be a bit dense regarding what is and isn't helpful behavior in a Trial, so the most likely possibility to me is that he just didn't realize that confirming he saw her was helpful. Like, "oh, I didn't realize that me confirming that I saw Arei would help us pin down Eden as the killer. I was just trying to figure out how David and I both saw Arei's body this morning and I didn't see him." "Wh-- David was obviously lying!" "He was?" "I already told you he was lying before..." "Levi... we talked about this..." Bonus points for it not being out of character for Levi to be unfazed by seeing a body, though.

Arturo: In Arturo's case, I think it would have to be that he'd still be worried about people seeing him as suspicious for saying he found Arei's body in the case of accusing Eden specifically. They already have a past history of conflict, and I could see someone brashly accusing Arturo of throwing Eden under the bus just to get revenge on her for the secret thing (even if I don't think he would actually do that). He also made an enemy out of Arei, so I don't think he would be particularly fazed by seeing her corpse either-- similarities to Felicity's cause of death notwithstanding. However, I also find it likely that he trailed after J in going to check Arei's room.

So, what's our conclusion here? Does this mean that Eden is basically fully cleared by triggering the BDA? I wouldn't count her out just yet, but the evidence isn't looking great for her. It's quite possible David only brought up this argument to A) hold out suspension of disbelief that it's not just Ace for a little while longer, B) drop this logic as foreshadowing for a future killer's plan, C) characterize the kind of logic he uses in a Class Trial, or D) bring up this argument in canon so that the people who theorized that the BDA might not clear Eden or Whit wouldn't be like, "wait, but what about...?" However, it's also possible that one of the possibilities I listed above, something I might have missed, or the "see no evil" idea (as FF put it) could keep Eden in contention. That dynamism is part of what makes Ace and Eden feel so evenly matched.

See, this is what I assumed David was getting at after Nico reminded me of his early-morning alibi. But then he just kept talking...

I'm not going to delve into what David was thinking here too much, because I already have an anonymous ask about what I think David's rationale was that this will almost certainly come up in. However, as a short version, I imagine that David is trying to get everyone angry at each other in the hopes that it'll incite another murder that he can get the class to fail? Or to cause enough discord in the group that they just fail this one. That would be why he also rags on Rose for not remembering the tape, and insults Arturo's sister-- he wants no one to trust anyone so that the murder-solving process will be as un-streamlined as possible.

The fact that he targets Teruko so specifically is probably because he (accurately) assesses her as the only real threat there. Charles and Rose can help, sure, but their mental struggles make them easy enough to eliminate if you play your cards right. Teruko's main flaw is her lack of trust, so if David wants to weaken her, it makes sense to go right for that jugular. Furthermore, by stating his plans so plainly and publicly, it might incite other people to fight back against him and say that Teruko should trust them. However, that kind of olive branch might make Teruko even less inclined to get close to them, if what Teruko said to Eden at the end of ch2-e03 can tell us anything. Didn't stop Eden from trying at the end of this last episode, though!

After taking some more time to think about what David was up to this chapter, I might change my mind on those being his goals. But, this post does serve as my initial thoughts of sorts, and that's what I initially think about this scene.

I wholeheartedly agree.

Does Ace Have Nothing To Do With Arei?

What Ace has to say is more or less true-- barring the breakfast in which Arei didn't talk at all (AKA, no conversation), Ace has literally never been in a small group event with Arei. However, although they didn't talk to each other, Ace did overhear the conversation between David and Arei, which does give him a connection to Arei. Quite relevantly, Arei did say this to David during their conversation:

Arei: You said that sharing our secrets would help fight against the motive. But when I think about it, not a single good thing has come out of that. Eden was stupidly naive, as usual, and tried to talk to Arturo, so now I have to protect her.

From this, Ace could probably surmise that Eden had Arturo's secret, she talked to him about it, and that Arei stepped in to save her from Arturo. He was one of the few people who could have known that Eden and Arei grew closer before the murder occurred: another connection Ace had to information about Arei.

However, before you use that evidence to call Ace the killer, let me remind you that he still doesn't have enough information to write the note from just eavesdropping on this conversation alone. As I outlined in this theory (same as the one I just linked above), whoever wrote the note had to specifically know that Arturo's secret was about his sister, which Arei doesn't divulge (quite possibly because she didn't even know) to David. Therefore, although Arei mentioning Arturo and Eden in this conversation is interesting, it doesn't actually make Ace any more likely to be the killer, because he still would have needed to find some way to spy on Eden's secret and/or Arturo and Eden's conversation to write that note. (Unless mentioning the sister specifically was an oversight plot hole, but I never want to use that as my reasoning.)

So, do I get what Arturo is getting at? Yeah, Ace and Arei were never particularly involved, and Eden clearly has a greater connection to the victim. However, there is more to the Ace/Arei bond than it might first appear, and it's possible that could come up in the Trial moving forward.

This distinction-- between "Arei was my friend" and "Arei could have been my friend"-- could be very telling down the line. Eden pauses mid-tear-filled rant to distinguish that Arei is not her friend, not because she's dead, but because they hadn't reached that point yet. Arei is not Eden's friend in death. What can that possibly mean other than that Eden killed Arei?

... BUT THEN HOW THE FUCK CAN EDEN GO AND SAY ALL OF THIS, BE THE KILLER, AND THEREFORE PROVE DAVID RIGHT???

AND THE "BECAUSE THAT'S WHAT FRIENDS DO" REFERENCE??? AT THIS HOUR????? I DON'T EVEN KNOW IF THAT MAKES HER SEEM MORE OR LESS SUSPICIOUS!!!!

OUGH AND THE MIN PARALLELS TOOOOOOO

MIN WAS TERUKO'S FRIEND BUT ALSO A KILLER. DOES THAT MEAN EDEN IS GOING TO BREAK THE CYCLE OR DOES IT MEAN THAT WE'RE STUCK IN A DOOMED STORY IN WHICH TERUKO IS THE PROTAGONIST? IT COULD GO EITHER WAY!!!

Jumping back in time for just a moment...

A Piece of Evidence That Lines Up to Them Only

I thought about making this its own separate post, but decided not to. If you guys want me to make this part it's own separate post so it's easier to find/comment on directly, let me know, and I'll set that up.

But before you can make your decision, I suppose I have to explain what I aim to do here. Basically, Teruko has told us that she's still torn between Eden and Ace (mood), and that, while she'll start off attacking Ace, she's looking for any pieces of evidence that could prove that only one of them could have committed the crime. Problem is, we have no indication of what that specific piece of evidence could be, and, trust me, it could be a lot of them. Thus, what I'm going to do in this "mini" theory is list out every piece of evidence that I can think of, and say whether it points to Eden being the culprit, Ace being the culprit, or it can't point to either of them. Perhaps once we're done, you'll see why I'm so conflicted on which of them it would be.

I'm going to tier these pieces of evidence in terms of least likely to be the missing piece to most likely to be the missing piece, starting with all of the aforementioned unexplained gym evidence. The knocked over benches and weight rack were not part of the replicated crime scene, and I have no idea how Ace or Eden would have wound up with any version of Nico's cowl. The missing tape on the pull-up bar has the greatest likelihood to be relevant, but as we're already suspecting both of them for having the tape, I don't think it'd be a decision maker. Any of those pieces of evidence would be likely to come up in proving that Nico wasn't the one behind Ace's murder, but this theory is operating under the assumption that Nico is the one who tried to kill Ace, and either Ace or Eden killed Arei. If you want the answers for your own theory, do your own homework. (/lh)

Ace or Eden will get a point for any evidence that I think would better be used to accuse them as being the culprit. Therefore, winning points is actually a bad thing if you want to be innocent. For convenience of "scoring," Eden will be purple because of her shirt and Ace will be pink because of his "maroon" hair... and because I needed red and orange for the likelihood ranking.

UNLIKELY FINAL PIECES OF EVIDENCE

Arei's Body Swinging: This evidence has already been used to establish that Arei was killed in the morning, not at night. Either Ace or Eden could have killed Arei at 7:30 AM, so point to neither of them.

Ace Trying to Assign Himself to Guard Duty: This one is obviously a point for Ace if it were the final piece, but it's such a minor happenstance that I doubt Teruko would think to bring it up as the main thing against him. Like, she could bring it up in general, but I don't think it'd be her crowning jewel. Still, it's a piece of evidence we haven't discussed yet, so credit where credit is due.

Arei's Bound Wrists: Bound by the grippy tape that either of them could have stolen. Point to no one.

Broken Playground Lights: The lights in the Playground are broken, likely from the mechanism being hung up through the ceiling rafters. You could argue that this is a point for Ace's strength, but I don't think throwing a ball that high requires so much strength that Eden couldn't do it, especially if you might be able to use the see-saw to launch it somehow. Point to no one.

Dried Up Puddles: This has nothing to do with either of them. Point to no one.

Carousel Wrapped in Tape: Again, either could have had the tape, so point to no one.

Two Pieces of Rope: Either of them could have taken the rope from Storage and cut it; point to no one.

Food/Utensils/Napkins in Trash: Probably David's dinner. Possibly evidence of Eden and Arei having breakfast together, but that's a stretch. Point to no one.

Cups/Tissues/Palette in Trash: Rose says these were hers. Point to no one.

Incense in Trash: I know thebadjoe had (has?) theories about this being used to conceal the scent of Arei's body being hidden in the Relaxation Room a day earlier than anyone thought, but I find that to be too much of a stretch to accost Eden for it here. I think it's just filler. Point to no one.

Grippy Tape in Trash: I should just stop writing out tape evidence. Point to no one.

Broken Jugs: The killer used jugs of water to make Arei heavier, which broke when she fell. They probably had the fish water in them, but we're not talking about the fish themselves at the moment. I'll say point for Ace because the jugs are probably from the Gym, and we've seen Ace in the Gym far more times than we've seen Eden.

Needle and Black Thread: This evidence... might have to do with the ball of clothes, which we'll get to later. However, if this is relevant to the murder, it's probably from the Dress-Up Room, in which we've seen Eden but never Ace. Point to Eden.

Construction of the Note: After a bit of internal debate, I'm going to call this a point for no one. Why? Well, it's because Eden would have reason to help construct the note whether she was the killer or not. If she is the killer, she might have wanted to guide the discussion that followed its reconstruction, to urge to Rose and Whit that she's innocent and that someone must have framed her. It would also give her reason to come into the Trial already having a handwriting sample on her. However, if Eden is innocent, she also easily could have just wanted to help out. Most importantly, Eden already brought up the note being constructed in her initial defense, so I doubt Teruko would reuse it as the nail in someone's coffin.

Splashing Arei With Water: Either of them could have thought of this and accomplished this. Point to no one.

SOMEWHAT LIKELY FINAL PIECES OF EVIDENCE

Body Discovery Announcement: While this may very well play an important part in solving the case, I don't think it'll be the final smash, so to speak. That's mostly because we already talked about it a lot in determining whether Eden could have done it. In the end, I think we'll either have to come up with a way to justify Eden having cheated the BDA-- by Levi or Arturo having seen it or via see no evil-- or we'll accuse Ace without the BDA being a problem. I guess I have to call this a point for Eden because if the BDA were to be the damning evidence, I think it'd have to be for her. However, in my heart, this is totally evidence supporting Ace being the killer.

Arei's Broken Neck: I'm using this as a stand-in for the strength of the killer, in the sense of lifting Arei up and being able to stop the carousel. This is a point for Ace, because he's a professional athlete and Eden is generally the weakest person in the cast.

Scratches on the Ground: This evidence certainly seems to indicate that there was a struggle at the Playground, but is there anything more to it than that? I'm more willing to believe that Ace could have beaten Arei in a fight, but does that point to Eden because there would've been more of a struggle, or Ace because Eden wouldn't have wanted to fight Arei at all? Ace also normally wears heels (while Eden and Arei don't), which is what Hu cites will naturally scratch up the floor. This evidence is vague enough that I don't think it'll be used to point to either of them, but if it did, I think it's more likely to be Ace.

Ball of Starched Clothes: For starters, I'll share (I think it's) thebadjoe's theory that the ball was adhered together using starch from the Relaxation Room that's sprayed on the plants at night, because I saw some people questioning how the clothes could have been stuck together. Anyways, the ball of clothes itself is definitely a point for Eden, because we saw her in the Dress-Up Room specifically looking for Teruko's clothes. Although, Ace certainly saw Teruko and Hu's new fits, so he could have figured it out for himself.

Actual Acquisition of the Tape: I don't think this will be used as the final piece just because I feel like the narrative is pointing towards the damning evidence relating to Arei's actual murder as opposed to Nico's. However, it's relevant to discuss, so I'll list it here. Although Teruko says that Ace and Eden had equal odds at the tape, on the surface, it really makes much more sense if Eden was the one to take it. Star explained it well here, but I'll add my own recap: in the moments when the tape must have been taken, in between when Nico leaves and when MonoTV kicks everyone out, Ace is recovering from unconsciousness, covered in blood, full of rage, and has all eyes on him. Meanwhile, Eden is scared, sure, but she had a clear moment to actually examine the scene of the crime and is also knocked to the ground-- potentially right next to the tape-- with all her wits about her. While it's not impossible to believe that Ace sleight-of-handed the tape, Eden had a much clearer path to taking it. Point to Eden.

MOST LIKELY FINAL PIECES OF EVIDENCE

Arei's Missing Glove: To my memory, Arei's glove hasn't been brought up in the Trial at all, which is definitely strange, because it must be missing for a reason. If DRDTdev is crafting so much detail into the BDA that the swinging of the body is plot-relevant, there's no way he would have just missed giving Arei her glove. The question is, what was this used for? Those who are familiar with my theories should know that I've never been a fan of dress-up theories, so I'm going to discount that possibility. The thing I thought was the most likely was that the killer donned the glove so that their hands wouldn't get super scratched up from grabbing the grippy tape-d carousel bars, before gleamingtempest reminded everyone that both Eden and Ace already wear gloves. Still, looking at them, Eden's gloves are probably made of something more like cotton while Ace's gloves likely have some sort of tougher grip on the inside. So, Eden would probably be more likely to need something else to protect her hands. Also, given that both of Arei's wrists have marks on them, the glove was likely taken off before her wrists were tied. I can't figure out why Ace would have taken off Arei's glove before restraining her or how he would have gotten Arei to take it off otherwise, while for Eden, at least, I can imagine her asking Arei to take off her glove. Therefore, I'm going to call this one a point for Eden, while also throwing out that it might just be missing if Arei didn't bother putting on her glove for the early morning meetup.

Fish on the Playground: You've heard it from me before, Eden has an alibi through the entire time the fish could have been taken. With seemingly no accomplices (other than possibly Arei) in sight, I don't know how Eden would have gotten her hands on those fish. Meanwhile, Ace had a great opportunity. Point for Ace.

Pieced-Together Note: This evidence is very confusing, because I don't see how/why either of them would have implemented it. For Ace, I wrote that entire theory (I'm not going to link it a third time) about how, based on the information in the note and the layout of the first floor, it really seemed like eavesdropping was impossible, and the person who wrote the note had to be Arturo or Eden. Then there's what thefandomenchantress pointed out about Ace's pedantry making it seem like he wouldn't misspell "responsible" in the note, and that he just doesn't give me the vibes of someone who writes in cursive. By all accounts, it really seems like Ace can't have written that note. But then again, why would Eden have written that note? Okay, bad phrasing; she wrote it to get Arei to come to the Playground. But still, why would she sign it? Or if she were to sign it, to make sure that Arei knew it was her, why include so much detail about what Arturo's secret was? More importantly, why wouldn't Eden have just stuffed the ripped up note into her belt, or her pockets, or her room if it would serve to incriminate her? Put it wherever she put that glove! Hell, why not eat the note, if it's a life or death situation? There's the "reverse psychology" argument, but similar to what Teruko said this episode, it would have been much simpler for Eden to have pretended that Arei came to the Playground for some other reason without the killer planting some sort of note meant to frame her. And it's not like I think Eden is really the type to misspell "responsible" either. So, I'm kind of at a loss. It's such a major piece of evidence that I feel it has to come into play again somehow, but I'm not sure how. I think I'm going to call this one a point for Ace because at the very least I understand why he would want to leave this evidence here, even if I don't know how he created it. For Eden, I don't get why she'd leave it lying around, even if in pieces. You can call it revenge for Eden getting the point on the BDA, if you wish.

So, what are the results? If you add up all the points together, you wind up with 6 points for Ace and 6 points for Eden. Funny. If you tier the points, however, with 1 point for unlikely pieces, 2 points for somewhat likely pieces, and 3 points for the most likely pieces, you get 12 points for Ace and 10 points for Eden. Of course, that's using my tierlist of which pieces of evidence are most likely and on top of that, assigning the BDA and the Note the way that they are (if you flip them it's 11-11), but still. If you're invested in my findings, these are the results.

Needless to say, I hope you can understand why I'm having such a hard time determining which one of them will turn out to be the killer. Although, I must add...

If we're suspecting Ace first before we've done our Debate Scrum, that's not a good look for Eden never being suspected again in this Trial.

Concluding Thoughts

What? A conclusion? I've never done one of these on a dissection before?!!

Yeah, well, this time, I have stuff to say that I couldn't really correlate to one image in particular! And also I ran out of images, so this is what you get!!!

I spent that whole "A Piece of Evidence" section talking about the physical evidence that could support Ace or Eden being Arei's killer, but in it, I really didn't get to talk about the narrative implications of either of them being the killer at all. I know that Narrative Defenses are typically Venus' thing, but I have my thoughts on this, too. Namely, that both of them are riddled with narrative problems for being the killer at this point.

(Note: I don't mean "problems" in the sense that DRDTdev has written anything poorly. What I mean is, my own perception of how the characters are conveyed has me currently raising red flags about how either of their stories will pan out as a killer or how the rest of the story will pan out without them. At the time the answer comes, I have full faith that I'll be satisfied with the results.)

Let's start by looking at Eden, the spotlight character of the end of this episode. After that whole heartfelt speech with the CGs and the tears and the brilliant voice acting and the everything, how could Eden possibly be the killer?! I'm the one who was trying to defend the possibility of her still being the culprit after her little rant last week, and while I could probably do that again with this speech, it just felt so... I dunno, sincere. You can really feel Teruko's reluctance to put her faith in Eden, but her choice to do it anyways. Teruko already showed signs of growth this episode by admitting that she can't always solve mysteries by herself, so could that be a sign that she might come around on the group faster than we initially anticipated? If Eden was the killer, it would crush Teruko so hard. Is there any recovering from that? Can we really prove David right?

On the other hand, Ace is, quite possibly, one of the most intertwined members of the cast. He's probably Levi and Nico's #1 correspondent, and he's up there for Hu as well-- assuming they both survive the chapter, I'm sure their animosity towards each other will only grow in Chapter 3. With Ace just having given up on Levi, having just been the target of Nico's battery and Hu's verbal lashes, can the story really work without him in it at this point? Eden hardly has connections with anyone other than Teruko-- Hu's probably next, but Eden probably ranks, like, fourth on her list after Nico, Ace, and David-- which should make her more expendable. Is it really Ace's time already?

However, despite my complaints, I also think that both of them could be really good options as the killer here-- the two options I prefer over anybody else.

Eden is the character who's most connected with Arei. She plays into the chapter themes of being a good person beautifully. She's a good person, a tragic figure, that killed not because she wanted anybody dead, but presumably because she had something back at home that she had to get back to at all costs. Killing her off would break Teruko-- would break everyone. With the reveal of everyone's secrets, next chapter is going to be a living hell, so why not make that hell worse by removing the biggest conflict de-escalator here? It would force other people to step up to bat. It would give everyone a chance to change, what Eden wanted for Arei most of all. Eden's development isn't an arc, per say, but a fall-- a reminder that even the "most good" people can do the unspeakable.

Meanwhile, Ace has perhaps the most obvious reason to kill someone: he literally almost fucking died himself. Ace's execution would be a reminder of the physical reality of the killing game. That actions have consequences. Even if the guy who started all those fights is dead and gone, you can still feel his presence lingering in the arguments between the others. The guy you underestimated most of all-- not for being kind, but for being dumb-- can send you into a multi-hour spiral in which you accuse even the sweetest of participants. Ace's development isn't an arc, per say, but a fall-- a reminder that reveling in your own distrust and anger might lead you to do the unspeakable.

For someone who's spent so long believing that Eden is the culprit of the chapter, it's really amazing how down-to-the-wire DRDTdev has made the end of the case, where either option feels so believable that it's like you can picture the rope in their hands. Whether my theories, old or new, were right or wrong, I am highly looking forward to watching next week's episode and discussing it with you all. See you on Friday-- just try not to freak out too much before then, alright? (/aff)

[ghostdiva]

ok so the new trailer for episode 3 just dropped. big hype. here are some theory's, notes, and observations.

also I took a lot of screenshots...

anyway here we go.

so the adventure is set to be "The Mystery of Mildenhall Manor". Now, I do think that Caine is gonna be the quest giver this time, sending the gang to find something inside the spooky, probably haunted manor.

small guess is that they gotta find Matilda, one of the ghosts haunting the manor, and trap her in a vacuum. idk why, it's literally just a hunch.

Jax also takes a moment to harass Pomni with a vacuum, which just makes me think of Luigi's Mansion.

anyway, the gang (minus Zooble) are gonna go in the manor and try to find whatever they're looking for, and either by agreement or random set of events, the gang is gonna split up, Pomni and Kinger being paired up. I don't really know if Ragatha, Gangle, and Jax stick together or not, as they're not really shown much in the trailer.

I am inclined to believe it is a set of events that separates the gang tho.

it's the one of the reasons I can think of that'd make Pomni climb on the door like that.

I mean... outside of the very spooky decorum.....

which Pomni has a pretty reasonable reaction to

btw, I fucking love Pomni's cartoon physics with the squash and stretch rubber-hose animation. it's so expressive and fun to watch.

anyway, it seems Caine is determined to have Zooble go on adventures. so he literally sits them down and tries to therapize them.

though with Caine being an AI with very little knowledge of how the human mind works, this goes predictably horribly.

I imagine Zooble tries on some level to convey to Caine the ludicrousness of their situation. stuck in a digital world getting repeatedly traumatized by meaningless adventures that seem to do more harm than good. though I get the feeling Caine would miss the point, leading Zooble to correct him, and/or get upset at him for not understanding. watching this verbal fight happen between these 2 will probably lead to us, the viewer, understanding more about Zooble.

anyway, back to the manor with this cute little guy.

look at him, he's so cute and squishable. unfortunately this guy is the only cute and squishable NPC here because Pomni and Kinger seems to really be going through it.

they're mostly poking around, opening drawers and stuff. maybe they're looking for a key to get back with the others or something? who knows.

they both probably stumble around in the dark for a bit, both figuratively and literally.

they might end up stumbling into an antagonist NPC, which is the only way I can explain some of these screenshots.

it looks to me like Kinger is facing something. I mean, He's missing an eye in the first one, smacking something with a gun in the second, and looking really worried in the third. Plus the fist 2 have similar lighting so I'm inclined to believe those 2 pics come from clips in close time frames to each other.

there's also another image that has similar lighting...

now... this may sound weird, but I think that either Pomni got Possessed somehow, or something tried to take her shape. Possession seems more feasible since we know at least 2 of the NPC's in this adventure are ghosts, and at least in media ghosts are known to possess people. seeing as digital circus seems to love pulling from video game mechanics, this wouldn't surprise me at all.

this would also kind of explain why in the "POMNI WAKE UP!! IT'S TIME TO GO ON AN ADVENTURE" video, in the "Kinger with a shotgun" clip, he seems to be hitting Pomni with the gun. it makes a lot more sense if Pomni ends up getting possessed somehow, forcing Kinger to hit her in order to defend himself from the ghost.

this also could tie back to the worried look on Kingers face in the screenshot before Possessed Pomni. Cause he'd know what he has to do, even though he doesn't want to hurt Pomni.

Hell, I'm pretty sure Kinger even openly protects Pomni in this episode.

because of the shot in the trailer taken from this hole's perspective

not only is Pomni hiding behind Kinger, but he has one of his hands out in front of her, as if to protect her from whatever is in that hole.

also in regards to guns, Kinger isn't the only one who gets to have a gun.

Pomni gets to wield a shotgun too, and it's likely to help both herself and Kinger fight off whatever was after them in the hole.

Ghost possession and gun-slinging aside, I do think that Pomni and Kinger have a little heart to heart in this episode.

boy doesn't that screenshot look familiar. reminds me of episode 2 with the blue lighting and concerned expression on Pomni's face. That scene in the test room where Pomni comforts Gumigoo. this time tho, she's comforting Kinger. it almost makes me wonder if this will be a reoccurring theme, with all the other characters eventually having a heart to heart with Pomni, and Pomni comforting them.

it'd really make her live up to her quote in episode 2 "I guess I just don't want you to feel like you're nothing. I don't want anyone to feel like that".

the only thing I do still have questions about, is wtf is Kinger looking at here?

I mean, it looks like the eyes of a ghost, if they could make their eyes glow like that.

ya know what, maybe he's looking at a mound of pillows or something.

yeah, like that.

[pizzabox-box]

You know… depending on whether Fake Peppino becoming Peppi-No hinges on him actually managing to eat his brain/the like or just taking a bite out of him in general…

Idea: middle of the road version on Dead Man Walking where Feppino/Peppi-no did manage to take a bite out of Peppino, but instead of a full decapitation the wound was something survivable like biting off some fingers/a nasty bite on the arm that drew blood or something

Peppino’s now got a weird traumatized clone twin that he’s pissed at (and frankly has the right to be) for trying to kill him/successfully biting off a chunk of him, but its softened somewhat that the clone A) clearly only just developed the understanding of what he did and is visibly horrified, B) is. Basically now really close to being Actually a Second Him despite being a weird dough-frog and C) apparently as part of gaining a copy of his memories, he now has the experience of being attacked in his brain from both sides including the painful one??

(Or. Maybe it isn’t softened/ it takes time for him to feel any way other than GET THE FUCK AWAY FROM ME. That’d be understandable esp depending on how major the injury was tbh-)

AN ARM FOR AN ARM (TW BLOOD and hurting Peppino...again.)

I've come to the conclusion that in order for Peppi-no to gain Peppino's memories Peppino has to die. Luckily this is NOT the case. Peppino survives. In this scenario Peppi-no gains inteligence of a regular human and the ability to nearly perfectly imitate Peppino.

But still Peppino would be out of order for a while, blood loss is no joke! So in the meantime Peppi-no would have to be the one completing the levels, atleast until Peppino recovers.It would be a long and bumpy journey but I think they would eventually mend their relationship.

Authors note: Usually putting pseudough onto an open wound would be a terrible idea, but for the sake of "cool" I'm putting that aside. Peppino with a strange new arm it is! Pretty fun concept!

Also, since I'm getting so many questions about this subject I will most likely make a big post where I will explain "What would happen if fake pep bit off this or that chunk of Peppino" and the logictics behind "getting a piece of Peppino" in more detail.

But after that no more bitting Peppino >:(

[ford-between-dimensions]

So Ford.

Gonna put it all on the table. One stream of consciousness done as neatly as one can at 11pm after a distressing day of my own.

To start,

You are a traumatized man. Plain and simple.

From familial trauma to making a deal with a literal demon to familial trauma AGAIN, mentally speaking you are not well.

I don't care how much you deny it. It's the truth.

You're a golden child, someone who could supposedly do no wrong, put on a pedestal ever since you were a child.

And that causes a disconnect between yourself and others in terms of empathy and understanding.

Now, to Portal Incident #1.

As you've said, you were in the wrong. Fiddleford warned you against testing/using it several times and you dismissed him on every occasion. You didn't even ask him if he was okay when you pulled him away from the portal after he almost got sucked in. Yes, you were not the one who put the memory gun to his head and made him use it over and over until he lost his sanity, but you still inadvertently gave this man intense trauma for the sake of your hubris.

Also, I may be misremembering, and please correct me if I am, but the portal was for Bill, yes? He's the reason you were building it in the first place. That adds another layer of complexity and nuance into the situation given how you were heavily manipulated into doing so.

You were in the wrong. And while an apology is a bandaid on a beheading, it is certainly a start.

Whether you realize it or not, you are incredibly selfish and vain as a result of your upbringing, and while it does not excuse your actions whatsoever, it does explain it to an extent. You are a broken person, one who needs to relearn empathy and actually thinking about other people. You think so highly of yourself yet you're incredibly lonely and that, for lack of a better word, fucks a person up.

This isn't even touching on everything with your brother. Because frankly the current topic isn't about that. But oh boy do I have thoughts on how fucked up that all was for BOTH of you.

Now.

With all that being said.

Why the fuck do you keep shooting children? Like?? You do realize that's WRONG???

(Ooc did any of that make any fucking sense omg I just did so much word vomit I am so sorry)

…I’d…rather not discuss this any more.

[breached-containment-script]

So the scarring discourse is still going.

No, characters keeping scars does not automatically equate to that being torture porn. In this context, fans clearly intend it in a way that says "even if you end up with physical marks, it doesn't diminish you". Or is Aang getting scarred torture porn too? Or do you think things like Mortal Engines movie shrinking the female lead's facial damage to a minimum "spared her of physical trauma"? No, it was afraid of depicting something deemed "ugly" and it's a huge disservice to real people who look like she was described in the book.

The topic was not handled super well in ATLA. Katara's wounds got healed leaving no trace on her, on her psyche nor on how she views Aang which is not just unrealistic, but you can literally feel in the show Katara having to go "no Aang it's ok, I'm fine, you don't have to beat yourself up over it, I'm healed, let it go Aang, it's not your fault," it is too much. It would have been much stronger had the burns left some mark, even a tiny one, because then Aang's reluctance to practice firebending would have made more sense and all characters would have gotten a more solid demonstration that the Avatar can be dangerous too. It would have been a wakeup call to Katara that Aang isn't a completely harmless kid she can always shield and protect. That's character development! This would have been a more powerful moment in the progression of their relationship, especially after they sort it out and Aang learns safe firebending later on, because they'd have a more real problem to overcome rather than just Aang's guilt.

Again, show didn't frame things too cleverly - there's no heightened moment of perhaps Katara being extremely happy that she discovered a part of her lost Southern waterbending heritage (just remember her behaviour with Hama, there's none of that here). The show just removes her wounds, she's confused about the ability, and this leads to Jeong Jeong making a point about how fire is wild and destructive. The whole segment ends with removing the source of the problem (wounds) and is about how evil fire is. Aang ends up being traumatized anyway, he isn't less traumatized because Katara's wounds didn't scar.

The point is - Katara gets nothing character-building out of this event, even though it made her cry and cradle her arms for several minutes on screen. Because of this her burns could be considered torture-porn (slightly). Her discovering healing abilities is not a reward she got exclusively because she suffered the burns, she could have discovered it by accidentally hurting herself, or healing someone else. Imagine if Aang hurt himself by being reckless and Katara discovering she could heal him? What she should have gotten out of specifically being burned by Aang, is a changed view of him. I don't mean her viewing him negatively, but taking a step back and both learning they should be more careful. Who said zutara stans want Katara getting scarred by Aang in order to make Aang a villain in this? He literally cannot be a villain here, he made a big mistake by being careless. It's got nothing to do with zutara. It's not helpful to misinterpret some storytelling tools that have nothing to do with shipping, just to prevent them from creating some later story hooks which could potentially be used in shipping a NOTP. Heck, Katara getting scarred could even be used (with skilled writing) in shipping her with Aang - like zutara fans use Katara being angry at Zuko and expecting him to demonstrate that he wouldn't betray or hurt them again.

And if you have a distaste for two happy friendly characters hurting each other on accident, that's fine, but well I have a scar on my arm from my brother's scratch that happened on accident. These things happen and stories shouldn't be scared of portraying it, especially if later on they show how to make ammends and overcome the problem. I'm not saying "Katara should definitely have kept her scars!!!" I am showing narrative weak points and suggestions how things could have been done differently, what benefits it could have had character-wise and what that might have changed.

[soaps-mohawk]

(i apologize in advance as this is probably gonna be long as hell. I love Price so my brain just honed in on him this latest chapter, sorry for the rant but i. am. invested.)

Since Price always has and always will be my favorite character in both canon and AUs, it breaks my heart (in a good way) to see him doubt his entire person. It almost feels like he could sit on the edge of the bed after yet another sleepless night, sigh and just go "i'm leaving the pack". Saying Simon can take over and that he never should have marked anyone, not even Kyle, because of his lifestyle and personality. Not sure if it's the same as canon in this fic, but Price has been a military man since he was a teen. He's not going to leave it, not even sure he can even if he wanted to and it has shaped him as a human. With him now being so experienced, (traumatized), mature and capable of cold hard logic, I could see him looking at the current situation and just going "this isn't working", identifying himself as the biggest reason for it not working and attempting to remove himself just as coldly as he would leave fatally wounded soldiers in the field or blowing up civilians (like in the 2019 game with the bomb hostage) because that's just what you have to do sometimes for the greater good. I could see him sitting down and having this talk with Simon over a cigar. Not sure how this AUs Simon would respond though, especially with the current situation..

A lot of focus is always on omegas (for understandable reasons) in omegaverse AUs when it comes to weakness, doubt and hurt because alphas are the strong providers and protectors with all the power, both physically and emotionally. It's nice to see fics where alphas aren't some indestructible machines that don't get affected when things happen. They're even more sensitive than omegas if you look at things close enough. Just look a little too long at their omega and they're ready to throw hands like immature teenagers.

All that to say; Even if it hurts, I'm always glad to see Price get some focus, especially as the packs leader. And always looking forward to updates!

I love long as hell asks, so bring it on!!!

Mhm mhm I agree with this 100%. John is such an interesting character to flesh out because he's totally committed to his job, even if it means sacrificing others. And now he's having to face that in this fic, not just with his team and pack, but also with 'mega. He's being hit with that reality right now. He has a lot of hard decisions to make. Does he continue with his lifestyle or does he leave the military? Does he leave the pack and live with that pain forever for the sake of doing what he's always done, or does he face the fact that his life has changed drastically and now he has to leave to take care of his pack and omega? That's a huge conflict for him in this part of the story, as well as the rest of the pack. His decision is going to change them forever, one way or another. They all have decisions to make, but they can't really do that without knowing what he's going to do.

I do 100% agree with that too. Alphas get portrayed as these big, tough people that have no emotion except provide and protect and they get watered down so much when really they'd be so emotional. Probably more-so than omegas at their core.

I love showing stuff from Price's POV. He has such a contrasting POV from 'mega and I think it's important to show kind of what's going through his head in different situations since there's so much that weighs on him and his decisions. It's also just fun to show other POVs besides 'mega's. I love exploring things from other perspectives.

[precious-little-scoundrel]

i wanna pick ur brain all about bucky transferring this fatherly devotion from ida’s baby onto lu. it’s so ducking sweet and sad to me

Ooof go right ahead. What little I can just summon up right now is this man genuinely did not give himself room to think of any other outcome to Ida’s pregnancy than getting out and keeping her safe and raising that child. If he had even a slice of other possibilities in his mind it was dying trying. There wasn’t another postwar concept to him. And then it’s just.

Gone.

And they don’t even kill him for his part in it. And the ordeal doesn’t even kill Ida so they just fucking float in this limbo of grief over something that doesn’t feel like it happened except for the fact they can hardly bear to keep living with this very real hole in the hearts. And Bucky’s attentive care to Lu certainly ramps up after that, to keep himself sane.

Also because the SS have taken over around the same time and she is all the more threatened and traumatized by that, Gale and Jack are both going through the horrors and Bucky is positively helpless to help to prevent or talk them out of their choices, it’s one of the only things he’s got going for him on the emotional level of wanting to make it out. Make sure she gets out. Make sure Gale gets out. Really doesn’t care if he does but maybe he can make that happen.

Which he does.

[byemambo]

Monster Next Door EP. 9: The Power of Expression - A Double Edge Sword

So it's been awhile since I posted any content of my own for MND, but this episode genuinely got me in the feels. I am curious whether or not there are lots of people tuning into the series because I feel like its promotion leans very playful and I'm sure for some, leaving very little room for there to break the confines of stereotypes surrounding MBTI and introversion/extroversion. However, like how I personally feel about We Are, both series have more underlying themes for those who can recognize its significant beneath the surface.

Disclaimer: this analysis will lean into my own personal connection with the character Diew, and I'll be highlighting themes such as loss of a loved one, neurodivergence, and other underlying themes of mental health and trauma. If that's something that could possibly be triggering/sensitive for some, I would just like to preface before y'all begin reading and be bombarded with some deep topics. Alright, everything is under the cut (extremely lengthy read)!

Diew's Childhood: Reverting Back into His Shell

For those who have tuned into the series, we understand that Diew has a hyperfixation of turtles, and we're sent back to a flashback montage to reveal more about his upbringing and family dynamic during childhood. We're also revealed more about Diew's connection with his father before he passed away, which low and behold: me and Diew share very similar stories as I've also lost my dad during childhood, which caused a lot of strain between me and my own mother just the same as Diew (for similar and different reasons in comparison). I might have not caught it trying to go back to find out the exact age Diew's father passed away, but the flashback gives us a rough estimation between his preteen-teenage years where a proper social relationship is established between the two.

When someone experiences traumatic events during critical developing years such as childhood and adolescence, many will remain rooted in those existing emotions and outsiders may view them for the "mental age" as our emotional growth becomes stunted. Because Diew had a close relationship between him and his father for all sorts of reasons that many people can relate to: having someone be your cheerleader, someone to introduce you to the world around us, someone to understand your own individualism and cater to it accordingly. However, I believe one of the biggest reasons for such a strong connection between Diew and his father is fairly simple: existing as the closest form of unconditional love.

Although the series hasn't stated it like The Rebound has, I personally believe Diew to be autistic, if not autistic, definitely someone of the neurodivergent experience. Even though the series revolves around the concept of MBTI, specifically categorizing Diew as your average introverted person navigating the world around him, I wholeheartedly believe his character is deeper than such a superficial label (which I believe is the main reason for why many might stray away from giving this series a chance). Even though I haven't been formally diagnosed with autism, I am diagnosed with ADHD as an adult while relating to various characteristics that are innate in autism, but many of these traits and experiences fall under the neurodivergent umbrella. I also think that the usage of the turtle archetype is incredibly powerful for the characterization of Diew: turtles are known by social norms as "slow," physically or mentally, "in their shell" aka shy/kept to themselves, and can be irritating to others because they're unaware of most "normal" social cues and are considerably lacking "common sense", etc.

In the opening sequence of the episode: we see the dynamic between Diew and his father, which as the episode progressed, we witness a conversation between the father and son about how books become doors to our own worlds that as I summarize: books become portals to our own worlds that make our ordinary lives extraordinary. Since the theme of the series is about next door neighbors meeting and falling in love with one another, I believe the relevance of Diew's love for books to be more significant than that: neurodivergent people tend to live in our own worlds.

In my experience which has developed into my own artistic branding: many of us live in a neurotypical world where we feel like an alien walking amongst other human beings, but we weren't given the travel guide or manual in understanding how to interact with them. Despite knowing that we're also living out the same human experience: nuance comes into play and for many, can hijack our lives for the worst. In Diew's circumstance as well as the average child: we are clean slates that deal with the concept of nature vs. nurture early on, as well as our environments playing critical roles in our personal development and how that development will in turn, affect how we interpret the world and engage with it.

Because Diew is a child who's quieter (in this case, not shy to interacting with others), this becomes a disruption in societal norms (which of course vary between culture to culture and other underlying intersectionalities based in race, gender, sexual orientation, religion, etc). For many neurodivergents, our engagement with the world around us breaks the pattern and mold of what society expects from each and every individual to maintain order. During childhood, most of us are our authentic versions of ourselves but hand ourselves over to the norms of society and its binaries. For many who learn from observation that their own silence and solitude is weaponized by those who adhere to the social norms, many teach themselves learned helplessness: what difference does it make if I were to speak up? It's not like anything would change because they still won't accept me for who I am.

I tend to speak in metaphors, but specific to my art background: while neurotypical society tends to interpret the world in grayscale, we tend to interpret the world in full color, as majority of us excel in pattern recognition and memory, are detail oriented, hypervigilant, and so much more. However, this experience can be overwhelming for many, which contributes to one's baseline in areas such as faulty social communication/interaction, sensory overload, mental dissonance, etc. We see this with Diew having a single close friend, wearing noise cancelling headphones to cut through sensory overload, having social anxiety during moments of being the center of attention or being asked to do things against his will and being reprimanded for honesty over "politeness."

Due to Diew's socialization and innate personality traits, his support system can act in one of two ways: acceptance or rejection/denial. Unfortunately, this is where the crossroad between his central support system begins: the desire to appease the social hierarchy of life and to come out on top, the selfishness of living life thorough the self interest of yourself or your family. To be the most recognized, the most well off, the most luxurious, the most successful, etc. For many parents that navigate the world with emotional immaturity, their priority lies in conformity over authenticity, their acceptance in changing themselves for the sake of appeasing the group. For them, nothing is more detrimental than being singled out and ridiculed/mocked: this insecurity becomes generational, this insecurity evolves into life-changing consequences such as hereditary mental health disabilities or the nurturing of one in a "normal" family. The toss up between acceptance versus denial sets itself in stone the moment moral value is assigned to one's character, when someone becomes of value based on the origin's value system.

This exchange between Diew's mother and father highlighted the moment Diew adheres to this moral belief: Diew is not like other kids. Well, what about me makes me not like other kids? In comes comparison, in comes self doubt, in comes perfectionism, in comes abnormality, in comes conflict, in comes all sorts of insecurities that take over the vulnerable: children who simply don't know any better because if mom and dad said so, it must be true, right? My parents can't be wrong about anything if it has to do with me? I am their child after all, I'm their blood, I'm the whole of two existing halves.

We have not received this context in the series, I could only put two and two together through my own lenses and what I know and experienced: the various trauma responses and coping mechanisms from each affected family member. Diew and social communication, Diew's mother and obsession with control, Diew's grandfather and undermining his physical health to maintain peace within their household. What becomes a reality check for most of us growing up as neurodivergent people: the moment we step outside of what we have been taught to believe, and finding out that we might have been wrong for most of our lives, that we've been living for all the wrong reasons. That we were living for others and not ourselves. That we cannot survive without the "care" of our loved ones: the same people who expect appraisal and worship while oppressing and undermining others in the same breath.

Intention vs. Principle: The Flaws of a Mind Reader

Although there were other moments in the previous episodes to strengthen the themes of this episode, I felt like the Phrae trip highlighted these reality checks once Diew has difficulty adjusting to God's boyfriend treatment, which is primarily acts of service. This also becomes a game of mind reading and taking away Diew's autonomy, another version of his mother and her severe control issues. The trip is another home away from home, where this behavior evolves into babying and coddling, but because the intent is out of their best wishes for Diew: damned if you do, damned if you don't becomes Diew's life motto which he slowly breaking away from after being introduced to new people in his life that showed him different experiences outside of his family and his ex boyfriend. That there are people who exist and accept him for him, that there's no reason to hide anymore.

What I appreciate throughout the scenes leading up to Diew's confrontation with God is how well Park portrays these moments of frustration and questioning God's integrity when it comes to verbal communication (his microexpressions are everything to me, saying so much with such subtlety). This is something that I have issues with as someone who describes herself as "open book," and find myself irritated whenever people are not straight forward about their intentions, or set expectations in one moment and abandon them at the drop of the hat. For us, because we tend to navigate the world with so much nuance, direct and clear communication is nonnegotiable, and if you have various mental health disabilities (I've checked into the game), the mental race to make connections and recognize the established pattern based on the evidence of prior engagements and experiences becomes instantaneous but also exhausting. But P'God had always known how to respect my boundaries...why is it changing? What made it change?

The café scene also highlighted Diew's hypervigilance, isolating the conversation between God and his friends. Because all of them tend to joke and speak with humorous undertones, social cues become incredibly difficult to decipher at times, especially with people who you haven't established expectations for communication with. Because God know his own friends but Diew does not at the same level of depth and experience, statements like these only invite more intrusive thoughts that continue to spiral as more stimuli piles on: God's friends and their lack of indoor voice in a quiet establishment, social cues pointing towards God botching the group's plans for "Diew's sake," inconsideration towards those occupying the same space and carrying themselves with entitlement, this scene stressed me out and I would have done the same as Diew in that moment. Because I'm being catered towards and everyone else is miserable because of it: I'm probably the problem then...because I'm not like other people and I'm difficult to understand and accompany. Honestly: this is why I shouldn't have come with them. I'm just burdening them.

Power of Communication: It Takes Two

This exchange not only went in the direction I was expecting it to go, but the resolve was incredibly sweet and heartwarming to me. Going back to the "damned if you do, damned if you don't" motto: what I find so special about Diew despite his superficial characteristics appearing "ungrateful" or "undeserving" to some is that his growth completely transforms the motto. Damned if you do, damned if you don't, but I'd be damned if I let this misunderstanding separate me from the person I love. What I appreciate about God on the receiving end was the navigation of this conversation and how both parties confront their innate ideologies and understanding. Diew prefaces the difficult conversation with praising God, not starting off the exchange with immediate criticism that would drive most insecure people away and tune out any revealing information afterwards. However, God allows Diew to finish his entire thought before proceeding with his response. which I anticipated as such: "I'm doing all of this for you and now you're saying you don't like any of it, so that makes me the bad guy then."

The beautiful moment that had me rooting for Diew was the confidence in standing his ground, something that we've seen develop in him as the story progresses during exchanges with people such as Jane and his mother. That he has autonomy, that he has a voice that is heard and accepted for what it is and not what it's "supposed" to be, that he can be understood because he may not be like other people, that was never the problem, which actually lies with everyone unwilling to become the person they need to be for him: that his boundaries may force you to reevaluate the way you carry yourself in this dynamic and no longer hold the power within your hands. The moment of recognizing that we become victims to the world by choice and the confinements of our own body and mind, and that the world may never truly reveal itself to those who deliberately choose ignorance over awareness: the choice of empowerment over oppression.

On the opposite side of this exchange, God goes through a revelation: the misstep in passive listening. Many people, especially those with faulty communication and emotionally perplexed, only engage in communication to hear what they want to hear. To identify within the confines of the binary: good vs. bad, like vs. dislike, yes vs. no. During the first half of the conversation of reassuring God with positive reinforcement, Diew softens the blow that will most likely arise: the potential of punishing someone else for doing a "good" thing. Insecurity feeds off of self identification, rooting itself as a core belief once someone turns that delusion into a false reality: the moment Diew says "I really don't like it" becomes that signal for confirmation bias to rush in. Win's prior qualms against him despite being in the same band, Jane antagonizing Diew while also putting God down in the process, and I'm sure so much more. If not properly dealt with and nipped at the bud: these intrusive thoughts become a breeding ground for toxicity to occur and cause a rift in the dynamic from an exchange of false words. But through his own personal development and growth: God was able to turn a not so pleasant moment into another piece of evidence that he is a safe space for Diew to unmask and keep the conversation true to himself. Rather than chasing Diew back inside his shell, he only invites Diew to continue remaining in his authentic self.

Emotional Dumping: The Arrival of Guilt and Shame

This part of the episode almost ran me over ten different times: it made me feel seen, it made me feel heard, it made me feel represented. All because I've literally had this exact same thing happen to me (and more) with my own mother, so this moment felt incredibly personal to me and understood Diew on a deeper level than most viewers might have not even considered when watching this series. When your family goes through a grief as difficult as the death of a parent, the drastic switch from a two parent household to a one parent household is absolutely devastating, especially when your children are young. Single parents if they choose to remain single stretch themselves thin, they are constantly overwhelmed with doing all they could and still unable to scratch the surface with many things, and unfortunately most of them trap themselves with egocentrism by comparing themselves to an alternative life unlived if their partner were still present. Most of them subscribe to a life filled with "debt" that requires repayment: this repayment is their kids believing in the narrative of being a burden, of being owed to repay back every little piece of ourselves to our parents, of being told that we cannot survive without their involvement (some even going as far as using the existence of their own children to support their entitlement for reparations), of simply existing to uplift their parent at the cost of their own autonomy and self worth.

"And I a bad son?" I don't think I could really describe the emotions I was experiencing when I witnessed this exchange of words, because I've had this conversation in my own life on multiple occasions verbatim. The headspace Diew occupies when it comes battling this internal struggle between being a "good" son while also expecting his mother to be a "good" mother, and the devastation that comes along with realizing that those two conditions may not actually exist. The progress Diew achieves from being someone who was intimidated by person to person interactions, someone who people benefited from his own silence and inability to confront others, someone who deep down deals with a battle of justifying his own value due to inconsistent value judgments from his core support system, brings me to tears because for many of us, myself included, deal with this level of trauma to the point where therapeutic intervention and personal accountability for debunking and redefining our core beliefs that have deeply planted themselves inside of us may be the only solution to properly negating all that we've known. That no matter what I do, I'll never be good enough, not even for my own mother.

God's response to this moment of being told such a personal matter (even if it was only the surface) honestly continues to heal parts of me little by little and living through Diew vicariously. The development of their relationship and taking the appropriate time to address various areas in their dynamic: some days will be baby steps, other days will be strides, on occasion full speed, every now and then there will be rain checks. But the one thing that will remain a constant: I'm willing to embark on this journey with you by my side.

Honorable Mention: There's No Place Like Home

Ok time to ACTUALLY go to bed at a reasonable hour tonight: thank you for those who made it down here, I bring cookies! 🍪 But on a more serious note: my ears are always open to feedback or any thoughts others might have. I appreciate MND for having this level of characterization for these two and I can't wait to see what else they'll get thrown into even better if Pee gets socked in the face by God but of course on Diew's terms. Alright good night <3

[batobbsession]

I need someone to write about the canon and extreme fanon versions of characters meeting. I just feel like it would be so funny. Especially with Tim.

Canon Tim: Grew up with a loving family and then they died, went to boarding school, worshipped Dick as a child, kind of a playboy, social butterfly with ulterior motives

Fanon Tim: sad, depressed, coffee obsessed, terrible parents, stalked the bats, has an iffy relationship with his siblings

[turtleblogatlast]

I love Raph and haven’t said that enough so to be more specific I love that Raph is a soft boy who loves bear plushies, a gross boy who eats an assortment of things that are definitely better left alone, a smart boy who is more than capable of taking down villains through planning and fortitude alike, a strong boy who is dedicated to training his muscles and fighting prowess, a teenage boy who loves his brothers but is more than happy to tease and roughhouse with them, an angry boy who sometimes lets his anger take a hold of him to cover the fear, a gentle boy who is generous with hugs and affirmations to those he loves, a capable boy who takes on more than should ever be expected of a teenager, a good boy who just wants to be a hero and slowly comes to realize the cost of that duty, a good boy who has no reservations about putting himself in the way of harm coming to his family, a good boy who’s a great brother and son and person and deserves only the best the world has to offer.

[triglycercule]

horror being very specific with table manners and he berates people (dust and killer) for eating like fucking pigs

i think it'd be morbidly funny that because there was no food in horrortale but the cutlery and stuff was all there that maybe he would pretend to eat with no food on the plate. it was in a satirical way that he would joke maybe around horror paps or alone where he would pretend to eat and have really good table manners but then the satire joke became REAL and now horror is incredibly specific about how to eat food

you MUST hold the fork in the left and knife in right says horror. no killer you can't duel wield the fucking knives this is a table not a slaughterhouse. dust pick up your elbows off the table. actually how about you get your entire upper body off the table tf why are you SLEEPING ON THE FOOD??? killer's sitting fetal position in the chair because of course he wouldn't sit normally like the idiot he is. dust is forced to put his hood down and reveal his face no more mysterious shadow style because it puts horror at ease. they cannot have a single peaceful meal because once they get past the table manners phase it then becomes a completion to see who can eat the least (because they suck at everything including eating)

[deanpinterester]

i know this is A Reach and possibly nitpicky but i think the prettification of the hunger games movies can be seen even in the small matter of katniss's hairstyle. what's described as a simple and practical braid in the books is now a fancy diagonal over-the-shoulder dutch braid in the movies (a braid that is neither functional when the purpose is to get your long hair out of the way, nor very quick/easy to do on yourself), and added to that is the fact that katniss has bangs, once again something that is very impractical when you consider that katniss hunts for a living and those loose hairs would not only be visually obstructive but would also get caught in the bowstring and yanked like hell every time she shoots. in the training sequence of catching fire you can literally see that the bangs are in her eyes. there's a reason olympic archers always have their hair tied up and tucked out of the way. if she were to have a dutch/french braid, the point of that would literally BE to get those shorter hairs out of the way. but since this is a hollywood movie of course they have to make their star have pretty hair that frames her face just so

[allgremlinart]

they kicked me out of the Loves Azula club a couple months ago for saying she was probably an abusive sibling as a kid lieekk I still loves her. let me in.

[pwurrz]

being obsessed with yakumo is a job and baby i’ve never called in a sick day!!!!!