#they are quite literally everything to me.

[deputy-jude]

Ohohohoh!!!! (First of all, thank you @platedpixels <333 your art is as lovely as you are, so bright and full of colour!!!)

Train time!!?!?!

@simmshine TOMMMYYYYY YOU ARE SUCH A WONDERFUL ARTIST AND WRITER AND YOU'VE BEEN SO KIND TO ME AND I'M VERY LUCKY TO HAVE MET YOU!!! The usage of warm lighting in your work always inspires me like EUSGSHSGHH OHHHH YUM YUM YUM YUM

@whereishoney dude literally everything about your art is so.. How do i even explain it?? Your drawings always have such beautiful linework, the colours are just so right for the piece?? That doesn't do it justice but that's how i feel about it. You're also one of the kindest people i know <33

(Toms, charlie, you both are <33)

@m0ther-of-p3arl I'VE BEEN MOOTS WITH YOU FOR QUITE SOME TIME, AND WE HAVENT INTERACTED SINCE, JUST KNOW THAT I THINK YOU'RE VERY SWEET <3

@yawningawning we haven't spoken in a long time, but i still remember the empires shelby/naturewives art that i made for your kiki's delivery service au!! You were really fun !!!!

@haiamkai MY VERY VERY VERY WONDERFUL FRIEND AHSGSHAGAHSHSJSGSHSH you're so sweet all the time i eish we talked more :(

@crowsongcaws your writing is immACULATE. it truly does honour me that you chose to write not one, but TWO mini-fics based of my fh work (i was genuinely BAFFLED AHSHAJSGSJAH /POS)

I LOVE ALL MY MUTUALS SOO SOO MUCH AHSGSHSGSH RGHH AGHHHH

positivity train!

if you see this or are tagged in it, tag a couple of your favorite mutuals/blogs and let them know you appreciate seeing them on your dash!

@h0neysugarfree @blueberrylovv @bequiteanddriveeeeeee @cherri-bomb-bomb @eg0mechan1c @fatrexicisback

[baphometsss]

I don't wanna sit here and act like I'm a professional or anything, because I'm not, but as someone who has had to do a lot of work to overcome trauma and reconfigure my brain more or less from the ground up, there's a lot I have to say about Solas's mental state

We know that Solas was essentially used and abused by Mythal for millennia. Even if he wasn't under a geas, he was twisted from his purpose by being made to fight, and then created the Wolf's Fang which was used to make the Titans tranquil and started the Blights. He made those choices himself, but it's important to understand that no choice is ever made in a vacuum. She took advantage of his vulnerability when he was given a body after however long as a spirit semi-existing peacefully in the Fade, and moulded him into a weapon.

He is broken, because Mythal broke him. I'm not incapable of seeing why she did what she did because like I said, no one makes choices in a vacuum and I could write about her for a long time too (in a similar way to how I have had to do myself in my own life in understanding why others abused me). He was so traumatised by everything that happened and he was trauma bonded to Mythal pretty much from the minute he gained a body. Trauma bonds are not about love. He definitely interpreted it that way, as most people do, but that's the weapon abusers use to keep the victim under their control. Abuse abuse abuse show a scrap of love and then abuse some more. If I just take it, I'll get the love/attention I need. I will earn it, because love is suffering, and I have to suffer to earn getting my basic needs met from my family/friends. Mythal, as his creator, was the one who he would've attached to in a similar way to spirit Cole/human Cole.

Trauma bonds are pathological. Mythal made him believe that if he did as she asked, and kept supporting her, then eventually he would gain her favour and they would be able to free all the elves, and he'd be able to live according to his true nature, which is one where he doesn't have to fight. (Remember his personal quest in DAI? He actually kills the rebel mages for corrupting his friend--another Wisdom spirit--into Pride.) In reality, she was just using him. She always kept the bone just out of reach for her lapdog. The line from Rook where they say (paraphrasing here) 'you know, I was actually excited about getting your approval... That's how you do it, isn't it? Keeping giving little scraps of approval to keep someone loyal, and then you turn around and betray them' is so telling too.

Where--or from whom--do you think he learned to do this?

It literally reeks of a pathological trauma bond and honestly, with how isolated, 'grim and fatalistic' Solas is, it is not a surprise that he's so broken.

Solas, essentially, is little more than a lap-dog to Mythal. He followed her like a lost puppy, because especially in his early days, that's kind of what he was. You have to remember that most of the insight we get about Mythal is from Solas's perspective, and he is not a reliable person when it comes to her after so long being repeatedly terrorised and twisted and manipulated. There are several instances where he describes being betrayed by her, and mentions some of the things she did, but he never quite holds her fully accountable and ends up directing his rage elsewhere. (The parallel between Mythal/Solas and the rebel mages/Wisdom is important here.)

This awesome post by @mythalism only reinforces this. He is so messed up in that scene, he is broken, he is holding the Wolf's Fang up, trying to give it to her because it symbolises the burden he has carried for thousands of years trying to avenge her death. He never wanted the Fang, like he never wanted a body. Mythal just stands over him, fully aware of what she did to him, and only getting him to stop because Rook petitioned her successfully, and the reunion with the more benevolent Mythal within Morrigan tempered her anger. She was a goddess, with the unequal power dynamic, right to the end.

As a side note, on the potential romance element between Mythal and Solas, I read an excellent breakdown of it on Reddit a while ago about how out of character it would've been for Solas to keep something like that from a romanced Lavellan, especially in Trespasser when he comes clean about his plan/past. I can't find it now because it was pre-Veilguard release, but it made a lot of sense to me. Solas and Lavellan never have a love scene in DAI because Solas didn't want to 'lay with them under false pretences'. Lying about who you are when sleeping with someone is nonconsensual. You can't consent to sleeping with someone if you don't know their true identity, and someone who knowingly lies about who they are to get into your pants is a sexual predator. For someone who led a slave rebellion (no doubt many of them being sex slaves), and a former spirit of Wisdom, Solas would've been well aware of this. In the unsent letter from Solas to Lavellan he says he came so close to breaking and desperately wanted to stay with them as Solas, with the implication being that that is where he planned to sleep with them once he'd come clean. But because he stops, because he's still unable to forgive himself or release himself from his trauma bond with Mythal, he breaks away, and they never have sex.

Bottom line: Solas would've been honest about it. Especially that. As the Inquisitor says, he can't lie about his heart.

And it's why the Solas/Lavellan romance is so powerful because quote, 'you change everything'. Solas thought he knew what love was, that love was loyalty, devotion, worship, etc. It's not just his plans or worldview that Lavellan changes. Lavellan sees him for who he is, without the mantle of Dread Wolf, and because of that he's able to express his true nature to her, even if he's not being totally honest in Inquisition. Lavellan got much closer to the real him than most, as he says, and changed his understanding of love completely. Unfortunately, he has unfinished business, an unresolved trauma bond, and his crushing sense of duty to the past is what keeps him from taking that final step towards letting go of it entirely. Trick also says Solas doesn't think he deserves love, which tbh is kind of a hallmark trait of people who have survived abuse.

And honestly? Call me a simp but I think he really was trying to get the Inquisitor to stop him. He saw himself being unable to let go because he was so broken and burdened by his guilt, and knew he couldn't save himself--was too proud to admit that he couldn't, because how pathetic does it make him look? And how could he stop now without rendering all the damage he'd wrought pointless? Yet here was someone who had changed him right down to his core, who understood him in a way few people ever had, whom he trusted, whom he loved in a way he hadn't loved anyone else before. It took him 'centuries' to build up rapport with the members of his rebellion. The man doesn't not know how to form attachments without trauma, and suddenly he forms a strong one with someone who loves him completely and without condition. It's a jarring change.

Lavellan says that maybe they're being prideful themselves, refusing to see their own folly. But I think in admitting that they might be wrong, that it might be wishful thinking borne from misguided love to a truly terrible person, they've rendered the point moot. It shows self-awareness, which isn't folly.

If anyone can make Solas understand true love, it's Lavellan. Lavellan loved him when he was being his true self. Lavellan loved him after his betrayal was revealed. Lavellan loved him when his guilty conscience and terrible actions almost destroyed the world. Lavellan loved him because they knew the real him, and knew that his heart and spirit were broken, and knew that their love would endure, that their love would heal him.

And that's exactly where they end up. Healing the past, soothing the Blight, and loving one another completely.

[bloodreinasbathwater]

Xo Xo Gossip Girl

Pairing: Jack Hughes x Gossip Blogger! Reader

Part 1

a:n The way I find myself digging for the perfect chapter gif only to scroll for five minutes and save my favorites is so embarrassing. I'm gonna need his girlfriend to hand over that game card... anyway hope u like this chapter.

word count - 4k

Masterlist Link

GIF by wyattjohnston

...

HOCKEY HEARTBREAK: THE REAL REASON BEHIND THE HUGHES-DEGREGIO SPLIT

Posted by Y/N @ The Daily Whisper | 11:42 PM

Settle in, Whisper Warriors, because do I have some piping hot tea for you tonight.

You know those moments when the universe just hands you the story of the year? Well, last Saturday at Vibe, somewhere between my second cosmopolitan and watching Matt Rempe fail at dancing (yes, that's tea for another day), I quite literally bumped into none other than Serena DeGregio. And let me tell you, after a few shots of liquid courage, Hollywood's newest "it girl" was ready to spill everything about her recent split from hockey's favorite bad boy, Jack Hughes.

Now, we've all seen the headlines: "Hockey Heartthrob and Rising Star Call It Quits." But the real story? It's juicier than your mom's Thanksgiving turkey.

According to Serena, our beloved hockey star couldn't handle being the second name in the relationship. While she was booking Netflix specials and selling out concert venues, Jack was sidelined with a shoulder injury that kept him off the ice for three months. And apparently, watching your girlfriend's face on every billboard in Times Square does things to a man's ego.

"He's still stuck in that high school hockey star mentality," Serena told me, twirling the olive in her martini. "You know the type – peaked at eighteen, never had to grow up because everything came easy."

But here's where I have to play devil's advocate (and maybe it's because I've seen those ice-blue eyes up close at press events). Having covered Jack's career since his rookie year, there's more to him than Serena's bitter pill would have you swallow. This is the same guy who started a youth hockey program in underprivileged neighborhoods. The same player who spent his injury rehab volunteering at children's hospitals. And let's be real – anyone who's seen him handle a puck knows he definitely hasn't peaked.

Maybe it's the journalist in me, but something about this story feels... incomplete. There's always two sides to every breakup, isn't there?

Update coming soon... if I can track down Mr. Hughes for his side of the story 😉

...

Y/N stretched back in her purple velvet office chair, admiring her latest post on the screen. Her "lair," as she liked to call it, was her happy place – fairy lights twinkling across the ceiling, framed magazine covers featuring her biggest stories adorning the coral-painted walls, and her trusty mini-fridge humming softly in the corner, stocked with Diet Coke and chocolate-covered almonds.

The story was already gaining traction, comments pinging faster than she could read them. Her phone buzzed – Alyssa's face lighting up the screen. Y/N smiled, knowing her best friend had probably already devoured every word. As the head of corporate sponsorships at Manhattan's largest sports marketing firm, Alyssa always had the best insider information – and opinions to match.

"Y/N! Have you lost your mind?" Alyssa didn't even wait for a hello. "That post about Jack and Serena is everywhere! My entire office is buzzing about it. The PR team for the Rangers is having a field day."

"Good evening to you too, bestie." Y/N spun lazily in her chair, a satisfied smirk playing on her lips.

"Never mind pleasantries. I have information that's going to make your next post even bigger." Y/N could hear the smile in her voice. "You know that charity gala at The Plaza next weekend? The one my firm is coordinating with?"

Y/N threw her head back and groaned dramatically. The motion made her neck crack, and she absently rubbed it while whining, "Don't rub it in. I've been trying to get press credentials for weeks. Even my usual connections couldn't get me in."

"Well, guess who's not only attending but is being honored for his youth hockey program?"

Y/N shot forward so fast her chair rolled back and hit the wall, rattling her framed cover of Time Magazine. "Jack Hughes."

"Bingo. And since I'm basically running the whole event..." Alyssa paused for dramatic effect. "I happen to have an extra ticket with your name on it. Perks of being best friends with someone who has to make sure all the corporate sponsors play nice with their hockey darlings."

"Shut up!" Y/N leaped out of her chair, nearly tripping over her discarded shoes in excitement. She caught herself on the edge of her desk, sending a stack of press releases flying. "Alyssa Martinez, you beautiful genius! How did you swing that?"

"Let's just say I convinced the foundation board that having an influential blogger there would be good publicity for their youth programs." Alyssa's voice took on a more serious tone. "Though after this post, I might have some explaining to do. You better make this worth it."

Y/N's heart raced as she glanced at her blog post still glowing on the screen, her mind already spinning with possibilities. "Trust me, this is going to be the story of the year."

"I'm counting on it. My reputation is on the line here too, you know. These athletes might be my clients, but you're my best friend. Don't make me regret mixing the two."

"Have I ever let you down before?" Y/N was already opening her notes app, fingers flying across the keyboard.

"There's a first time for everything," Alyssa teased. "So, are you ready to get the other side of the story?"

...

One Week Later

Y/N stood before her full-length mirror, smoothing down the silk of her black dress. Beside her, Alyssa was applying a final coat of mascara, her own black dress a perfect complement with its off-shoulder design.

"Stop overthinking it," Alyssa said, catching Y/N's distant expression in the mirror. "I can literally see the gears turning in your head."

Y/N sighed, fiddling with her delicate silver necklace. The blog post about Jack and Serena had exploded over the past week, becoming her most viral story to date. But something about it had been nagging at her, keeping her up at night as she replayed Serena's words in her mind.

"It's just..." Y/N paused, carefully considering her words. "What if we got it wrong? What if Serena isn't the victim she's making herself out to be?"

Alyssa raised an eyebrow. "Since when do you second-guess a source?"

"Since something doesn't add up." Y/N moved to her vanity, pretending to touch up her subtle smoky eye while her thoughts raced. "I've been doing some digging. Every charity event, every hospital visit, every youth program – Jack Hughes doesn't publicize any of it. His team's PR doesn't even push it. What kind of attention-seeking bad boy does good deeds and keeps them quiet?"

"So you think Serena's lying?"

"I think..." Y/N turned to face her friend, determination settling over her features. "I think she's a scorned ex trying to control the narrative. And maybe... maybe I helped her do it."

Alyssa's lips curved into a knowing smile. "And this sudden crisis of conscience has nothing to do with those ice-blue eyes you mentioned in your post?"

"This isn't about that," Y/N protested, but she could feel the heat rising in her cheeks. "This is about the truth. The real story." She grabbed her clutch, checking one last time that her phone and recorder were inside. "Every good journalist knows there are two sides to every story. It's time I found out his."

"Well then," Alyssa linked their arms together, leading them toward the door. "Let's go get your story, Lois Lane."

As they stepped into the waiting car, Y/N's mind was already racing with possibilities. She'd built her career on exposing the truth, even when it wasn't pretty. But tonight felt different. Tonight, she wasn't just chasing a story – she was chasing redemption. And maybe, just maybe, she'd find out who the real Jack Hughes was in the process.

The Plaza Hotel beckoned in the distance, its lights twinkling against the Manhattan skyline like a beacon. Y/N took a deep breath, steeling herself for what was to come. Bad boy or misunderstood hero, she was going to find out the truth – even if it meant admitting she got it wrong the first time.

...

Jack's pov

Jack's knee wouldn't stop bouncing under the pristine white tablecloth, making the water in his parents' glasses ripple like tiny earthquakes. Luke, ever the annoying little brother, flicked his ear.

"Dude, you're making the whole table shake. What's got you so worked up?" Luke's grin was nothing short of devilish. "Could it be a certain viral blog post about your 'high school mentality'?"

Jack pinched the sensitive spot under Luke's bicep, earning a satisfying yelp. "Shut up, man. At least I didn't trip over my own skates at practice yesterday."

"Boys," Ellen Hughes' warning tone cut through their bickering. She smoothed her navy dress with one hand while giving them both the look – the one that had stopped many locker room fights in their youth. "You're at a charity gala, not the rink. Act like grown men, please?"

"Yes, Mom," they chorused in unison, sharing a quick grin that made their father Jim chuckle behind his menu.

Jack let out a heavy breath, tugging at his bow tie. It felt too tight, like everything else lately – the press, the expectations, the endless questions about Serena. His leg started bouncing again.

"That's it." He pushed back from the table, his chair scraping against the floor. "I need a drink."

"Water," his mother called after him. "You have a speech to give!"

Jack waved in acknowledgment, weaving through the sea of evening gowns and tuxedos. His shoulder twinged – phantom pain from the injury that had started this whole mess. Or maybe it was just his body's reaction to stress. The blog post had been everywhere this week, his phone blowing up with messages from teammates asking if he'd seen it.

He had. Multiple times. Each read made him want to throw his phone into the Hudson.

Reaching the bar, he slumped against the polished marble, pressing his forehead to the cool surface for just a moment. "Water, please," he groaned to the bartender. "Still, not sparkling."

"Trouble in paradise?"

The voice was unfamiliar, tinged with curiosity and something else he couldn't quite place. Jack lifted his head to find a woman in a black dress perched on the barstool next to him, stirring what looked like a cosmopolitan with delicate fingers. She wasn't looking at him directly, but he could see the hint of a smile playing at the corners of her mouth.

Before he could respond, a flash of red appeared in his peripheral vision, and he had to fight the urge to groan out loud.

"Jackie!" The voice was unmistakable – Rebekah Chen, Page Six's most persistent reporter. Her red dress matched her lipstick, both as bold as her personality. She latched onto his arm like a barnacle, fake nails digging into his jacket. "I've been trying to reach you all week!"

Jack threw his head back, closing his eyes as if that might make her disappear. "Not today, Rebekah," he muttered, feeling every muscle in his jaw tense. His hand curled around the water glass the bartender had just set down, knuckles white.

"Oh, come on!" She pressed closer, her voice dropping to what she probably thought was a seductive whisper. "Just a few questions. I can help you clear the air about that nasty blog post. Make that gossip guru eat her words." She batted her eyelashes. "All I need is a teensy exclusive about what really happened with Serena."

Jack's laugh was hollow as he extracted his arm from her grip. "Right, because that worked out so well the last time." He took a long drink of water, adam's apple bobbing as he tried to maintain his composure. "No comment, Rebekah. Same as yesterday, and the day before that, and—"

"But Jackie—"

"Not happening." Jack's voice was firm as steel. "There's nothing to say, Rebekah. Not to you, not to anyone."

Rebekah huffed, her red lips turning down into a pout. She opened her mouth to protest again, but something in Jack's expression must have finally gotten through. With a dramatic sigh and flip of her hair, she clicked away on her stilettos, no doubt in search of easier prey.

Jack's shoulders dropped as tension bled out of them. He turned back to the bar, catching the mystery woman in black watching him in the mirror behind the bottles. When their eyes met, she didn't look away.

"That happen often?" she asked, taking a slow sip of her cosmopolitan.

Jack let out a dry laugh, running a hand through his carefully styled hair. "More than I'd like. Apparently, 'no comment' is journalist-speak for 'try harder.'" He paused, studying her reflection. "Though you don't seem like the pushy type."

"Maybe I'm just better at playing the long game." The corner of her mouth quirked up, and she turned to face him properly. "Besides, the real story usually isn't found in ambushing someone at a bar."

"Exactly." He found himself leaning against the bar, angling toward her. There was something about her that made him want to keep talking. "Like this blog post that went viral this week. Everyone's got an opinion about who I am, what I did wrong, but—" He stopped himself, shaking his head. "Sorry, you probably haven't even seen it."

She hummed noncommittally, that almost-smile playing on her lips again. "I might have caught it. Though I tend to be more interested in the stories that don't make headlines."

"Like what?"

"Like why a professional hockey player spends his injury rehab teaching kids to skate in Harlem instead of lounging on some beach somewhere."

Jack blinked, caught off guard. He'd been careful about keeping that quiet. "How did you—"

"Just someone who pays attention," she said, gathering her clutch. "The real story isn't always the loudest one, is it?"

Before Jack could process what she meant, Luke's voice carried across the room. "Jack! Mom says get back here. Speech time!"

The woman in black slid off her barstool with practiced grace. "Sounds like you're needed elsewhere."

"Wait," Jack said, suddenly not wanting her to disappear into the crowd. "I didn't catch your name."

"Y/N," she offered, and for a moment, her smile was full and genuine. "Good luck with your speech, Jack.”

She moved past him, the subtle scent of her perfume lingering. Jack found himself watching her weave through the crowd, his mind replaying their conversation. There had been something different about her – the way she'd asked questions without really asking them, how she'd known about his volunteer work but hadn't tried to use it against him like Rebekah would have.

"Dude." Luke appeared at his elbow, poking him in the ribs. "Stop staring into space. Mom's going to kill us both if you're late for your own award."

"Yeah, yeah, I'm coming." Jack followed his brother back to their table, but his eyes kept scanning the crowd. He spotted her finally, sliding into a seat near the back beside another woman in black. As if sensing his gaze, she glanced up, raising her cosmopolitan in a small salute.

For the first time in weeks, Jack felt himself genuinely smile.

...

"...and with your continued support, we can make sure every kid who wants to play hockey has that chance, regardless of their circumstances. Thank you."

The ballroom erupted in applause. Jack's shoulders relaxed slightly – public speaking had never been his favorite part of the job, but at least this speech was about something that mattered.

Near the back of the room, Y/N leaned toward Alyssa. "We should go," she whispered, gathering her clutch. "We're not gonna get anything else tonight."

Alyssa nodded, already standing. "At least the champagne was good."

They slipped out as the crowd continued clapping, their heels clicking against the marble floors of The Plaza's ornate lobby. Y/N's mind was already spinning with how she'd write this up – not the puff piece everyone would expect, but something different. Something true.

"Y/N!"

The call echoed through the lobby, making her freeze mid-step. That voice – she'd just been listening to it give a speech about youth hockey programs and second chances.

She turned slowly, Alyssa's hand gripping her arm in surprise. Jack Hughes was jogging toward them, bow tie slightly askew, still slightly breathless from his speech. His hair was ruffled like he'd been running his hands through it, and there was a slight flush to his cheeks that hadn't been there at the bar.

"I—" he started, then seemed to realize he was still slightly out of breath. His hand came up to rest gently on her bare arm, the touch surprisingly warm. "Hey."

Y/N's eyebrows rose. "Hey yourself. Shouldn't you be back there accepting congratulations?"

He waved his free hand dismissively, though he didn't move the one on her arm. "They'll survive without me for a few minutes." His ice-blue eyes darted between her and Alyssa, a mix of nervousness and determination crossing his features. "You should come out with us. Both of you," he added quickly, offering Alyssa a genuine smile. "My teammates are headed to this bar just down the street. Nothing fancy, just... drinks. And conversation."

The way he said 'conversation' made Y/N's pulse quicken. There was weight behind it, meaning she couldn't quite decipher.

"I don't know," she started, but Alyssa cut her off.

"We'd love to," her supposed best friend said, ignoring Y/N's sharp look. "Lead the way, Hughes."

Jack's face broke into a grin that transformed his entire appearance. Gone was the serious hockey player from the podium, replaced by something younger, lighter. "Great! I just need to grab Luke and dodge my parents." He squeezed Y/N's arm gently before letting go. "Don't leave, okay? Five minutes, tops."

He was already backing away, that grin still in place. "Wait for me," he called out, just before turning.

Y/N waited until he was out of earshot before turning to Alyssa. "What are you doing?"

"Getting you the real story," Alyssa smirked, already typing on her phone. "Isn't that what you wanted?"

Y/N opened her mouth to argue, then closed it. She thought about Jack's smile, the warmth of his hand on her arm, the way he'd said 'conversation' like he was offering something more than just drinks and small talk.

"Five minutes," she conceded, trying not to smile at Alyssa's triumphant expression. "But if this backfires, I'm blaming you."

"Honey," Alyssa linked their arms, steering them toward the bar's entrance. "Something tells me this is going to be the best story you've ever written."

...

The bass thrummed through Y/N's bones as they approached the club, the line wrapping around the building like a snake. Jack stayed close to her side, his presence warm and solid as they bypassed the queue entirely.

"Mr. Hughes," the security guard nodded, unhooking the velvet rope without hesitation. "Welcome back."

Inside, bodies packed the dance floor, but Jack navigated them through the crowd with practiced ease. His hand ghosted over Y/N's lower back, guiding her through the maze of people until they reached a raised section cordoned off with another rope. Several men Y/N recognized from hockey highlights were sprawled across the plush booths, drinks already flowing.

"Look who finally made it!" Luke called out, now free of his bow tie and jacket. "We were starting to think Mom trapped you in conversation with the Vanderbilts again."

"Barely escaped," Jack laughed, helping Y/N up the small steps before following. "Everyone, this is Y/N and Alyssa."

The team welcomed them warmly, shuffling to make space. Y/N found herself wedged between Jack and the booth's arm, hyperaware of every point where their bodies touched. Her notebook felt like it was burning a hole in her clutch.

"I'm telling you," one of the players – Miller, according to his heated gesture at his teammate – was saying, "game seven, '94 Finals. Best hockey game ever played."

"You weren't even born yet!" Another player – Thompson – argued back. "2010 Olympics, Canada versus USA. That's peak hockey right there."

"You're both wrong," Luke interjected, leaning forward. "2018 World Juniors, outdoor game. Nothing beats playing in actual snow."

"That's because you scored the winning goal, you biased little shit," Jack laughed, his arm sliding naturally along the booth behind Y/N. The movement brought him closer, his cologne mixing with the lingering scent of his aftershave.

"What about you?" he asked, turning those blue eyes on her. "You follow hockey long?"

"My dad used to play," she found herself saying truthfully. "Nothing professional, just beer league, but he loved it. Taught me to skate before I could walk."

Something in Jack's expression softened. "Mine too. Well, him and my mom..." He shifted, angling toward her more fully. "It's different now though, isn't it? The pressure. Everyone watching, waiting for you to mess up. Luke and Quinn, they get it, but we're barely home at the same time anymore. Summer's all we got, really. And even then..." He trailed off, vulnerability flickering across his features in the dim light.

Y/N's chest tightened. This wasn't the cocky player from the tabloids or the bitter ex-boyfriend from Serena's story. This was just... Jack. Raw and real and trusting her with pieces of himself she had no right to.

"I need a drink," she blurted, already sliding out of the booth. "Excuse me."

She practically fled to the bar, gripping the edge of it when she reached it. "Whiskey sour," she managed when the bartender looked her way. "Strong."

"Oh my god, Y/N!"

She turned to find Rebekah Chen stumbling slightly, clearly several drinks in. Her red dress was slightly askew, her lipstick smudged at one corner.

"Is Jack here?!" Rebekah's voice pitched high with excitement.

"No," Y/N said firmly, accepting her drink from the bartender. "He's not."

"Ugh." Rebekah deflated, then perked up again almost instantly. "But oh my god, you'll never believe what Serena told me about him." She leaned in conspiratorially, alcohol heavy on her breath. "He's a total player. Like, major cheater. She said he was always sliding into girls' DMs when they were together, coming to places like this..." She gestured around the club. "Getting with random girls behind her back."

Y/N's eyes widened despite herself. The Jack she'd just left didn't seem capable of that kind of betrayal, but...

"Yeah!" Rebekah pressed on, encouraged by Y/N's reaction. "Serena has receipts too. Screenshots, dates, everything. She's just waiting for the right moment to release them." She swayed slightly. "Guess the golden boy isn't so golden after all, right?"

Y/N's drink suddenly felt heavy in her hand. Behind her, she could hear Jack's laugh carrying over the music, warm and genuine. She thought about how carefully he'd helped her through the crowd, how softly he'd spoken about his brothers.

How absolutely screwed she was if she was starting to believe in him.

...

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[crimson-and-clover-1717]

When I watched OFMD this year, I literally knew three things:

It was called Our Flag Means Death

It was a pirate comedy

It had been cancelled

I didn’t know Rhys Darby (‘that Murray bloke from Conchords’) or Con O’Neill (‘the weird guy from Chernobyl’) were in it until they came on screen. And please don’t stab in me in the face, but I had never heard of Taika Waititi. I’m very much not the target market for this show. Although I will say I think it’s universal in its exploration of the human condition. So if you’re human, the show is for you.

I knew nothing about budget cuts, editing decisions, or even at this point any circumstances around why it had been cancelled. I had not an inkling it was a romance. I had no notion it was going to overtake my life to such an extent.

I watched one episode a night for 18 nights (I know, I know… I binge-watched it immediately afterwards over two days, and haven’t stopped since). I also had no-one to talk to about the show as I watched the 18 episodes. No-one I knew had ever heard of it. I really was a blank canvas.

And this is what I thought. Other than finding Calypso’s Birthday a little uncomfortable on first watch (and that’s largely because I find torture, even the OFMD variety, difficult to engage with - I always skip the opening of 206 now), I saw no difference between the seasons in terms of artistic merit. It’s possible that because I didn’t experience an 18-month hiatus, and build up my own version of what season 2 should be in my head, I didn’t have any expectations to be knocked down. I just engaged with what they asked me to watch.

I fell in love with this show at ‘My name’s Stede. I’ll be your robber here today.’ I fell in love with Stede Bonnet when he did his little Scrappy Doo air-punch in episode two.

With regard to season two, The Innkeeper affected me so much I honestly think it altered my brain at a structural level. More so than The Chain sequence which is when I think this show started affecting my brain chemistry.

I also loved the development of Stede and Ed outside of their personas. The couch scene in Fun and Games made me believe in them as a couple in ways I hadn’t quite in season one because they were growing and being real with each other. I thought their arguments were so well-written. Man on Fire has one of the most authentic representations of couple miscommunication I have ever seen on tv. And I think Mermen is really good in doing what it needed to do, and did it well. How do you end a tv series that gives a satisfactorily emotional ending, but doesn’t give away everything in case there’s another season?

Ed’s journey in particular just ripped my heart out and then glued it back together. And seeing Stede continue to develop his very nonlinear understanding of the power of his earnestness and gnc self, whilst still sometimes wrestling with notions of traditional masculinity… I needed to grow a second heart.

When I learned of the financial and time constraints later on, I was shocked they had achieved such a high standard of tv.

Imagine my shock when I discovered the Canyon…

It’s fine if you don’t like season 2, or season 1, or OFMD at all for that matter. But if you want me to say season 2 isn’t any good, or as good as season 1, then you want me to say something that I have never felt to be true. When you experience it holistically like I did, it all hangs together beautifully.

[3vergr3en]

Kissin’ and hope they caught us!

Part two | spotify playlist

PAIRING (📖) . loser!collegeau!jake x fem!college!reader

A/N (🖊️) . I'm crazy over loser Jake (he's so cute 😕) my obsession with the headcanon abt Jake being a loser trapped in a hot man's body is concerning in the name of feminism. he has me gripping my hair like im going insane or smth

ADDITIONAL INFO (💻) . W/C is 2.2k! porn with little plot. Reader is smitten with Jake!! Jake is a little oblivious but it's okay, his geek charm makes up for it (and for the fact that he's PACKING). These two are FREAKS and PERVS. No p in v, oral (male received), Jake cant help himself from cumming inside, public sex!! everything about this fic is just so filthy and nasty 🫣

You recalled all the times when you dreaded going to college. It would be a new chapter of your life and you didn't know if it would turn out well.

But that would change as soon as you stepped into your campus's library and laid eyes on such a greek god of a man who sat at a table surrounded by books. Looking past the round frame of his glasses, you can see his big doe eyes that held a blend of curiosity and intellect. But that innocent look to him would only fuel your desire as you take in his features. His plump, soft pink lips curling up into a warm smile complimented his chiseled jawline. You don't know how a man could look so handsome yet so cute but you knew right then that college would be the best time of your life.

Midterms were nearing and what does a studious girl like you do during these times?

Eye-fuck your best friend who's taking the time out of his day to help you study.

"Y/n?" His soft-like-butter voice brought you out of your daze. "Do you understand this?" Jake asks, bringing your attention to the section in your notebook where his.. long, slender fingers are pointing.

You tug your bottom lip between your teeth, biting back the whimper that threatened to slip out when you watch him pick up your pen and skillfully swing it around his middle finger till it sits perfectly on his ring finger. You can only imagine how his fingers could feel inside of you. Curling just enough to reach that spot that makes you see stars. Yeah... he's getting it tonight.

“I uhm— I don’t understand, sorry.” You reply with a lack of sincerity. You knew damn well what you were doing. You like to say that hearing it from Jaeyun would make studying fun.

Jake grins, letting out a soft chuckle. Who’s he to turn you down when you’re seeking his help. Because in reality, he’s had an eye on you for a while. He will never forget the day when he first met you.

It was a Tuesday, and Heeseung came literally begging (almost on his knees too) him to do his paper that he forgot was due at 11:59 PM that same day. And what does sweet, caring Jake do? You guessed it, he manages to cram a 6-page essay into his already busy schedule. He remembers sitting at a table in the library, books about whatever Heeseung was researching were scattered around him. He was on the brink of calling it quits and letting his friend fail (which was most likely not gonna happen) and quite literally started praying for a sign of some sort to encourage him to continue on.

And as if he had his own personal angel watching over him to hear his prayers, the sound of your boots clicking against the smooth, wooden floorboards drew his attention from the book sprawled out in front of him. There you were, strutting through the double doors with a smile. The confidence that oozed out of you had reached him even when he was across the room. He watched you talk to the lady at the front desk, in awe when you tucked a strand of loose hair behind your ear as you focused on something. You were like a shot of espresso and he drank in the sight of you. You were everything he had ever dreamt of in a girl. From the hair to the way you dressed, hell, even your smile. He was too lost in his thoughts to realize you were walking up to him. It wasn't till you spoke that snapped him back into reality, "Hey, is this seat taken?" You ask, pointing at the empty seat next to him.

He just stares.

Holy shit. You were talking to him. Holy shit. Holy fuck. shitshitshit. C'mon, Jake. Say something.

His voice slightly cracks when he mutters a quick, "No."

You bite your bottom lip, smiling at his reaction. "Great. I'm Y/n, you are..?" You ask, sitting down in the chair beside him.

His eyes dart around the empty seats surrounding the two of you. Why would you want to sit directly next to him? Do you think he's cute? Well, you're definitely cute. You're really hot. Drop-dead gorgeous even. Wait. Why are you staring at him like that? Did he- OH-

"Jaeyun! Sim Jaeyun!" He almost barks out, cringing into his seat when he gets shh'ed at by a random student.

You giggle quietly, slouching down to match his level. "Nice to meet you, Jaeyun. I hope we can be friends."

Friends... Yeah.. I can do friends! (he def cannot do friends and neither can you)

"Hey Jake," You calling his name startles him. "Hm?" He really needs to stop dozing off in front of you.

"There's this book that I couldn't reach earlier. Could you help me with that?" You chuckle, giving a moment for the boy to process. And as if on cue, his head perks up to look at you. There he goes.

You guide him towards the very far back of the library, specifically a corner that had students unlikely to come by. It was shielded off by another shelf of books, allowing for you two to go unnoticed.

"Where was it again?" Jaeyun asks, his height easily granting him access to the tallest shelf.

"Right.." You point at some random book, "There."

Jake, too immersed in his determination to find the said book, fails to notice you sinking down onto your knees right next to him. "Y/n? What's the title of the book? I can't really..." He finally goes to look at you. But he's confused when he's met with an empty space that was once occupied by you. He looks around until his gaze travels downwards where he sees you looking up at him with a smile.

"Y-Y/n! Wh-What are you doing?" Oh god. He can feel himself twitching inside his sweats. This is a very dangerous sight to see you in.

"I wanted to repay you for helping me, Jaeyun." You calmly explain, batting your eyelashes at him.

He's dreaming. He has to be.

"You're such a sweet guy y'know..." Your hands snake up his legs, "And I was thinking 'How could I ever repay him' but then," You lean in to plant a kiss on his prominent bulge, "This idea popped in my head not too long ago."

Jake could only lean against the shelves of books to steady himself. His hand glued to his mouth to muffle any sounds that slipped out while you pulled down the waistband of his pants.

This is exactly like his wet dream but so much fucking better.

"Y/n— oh fuck.." He moans into his hand when he feels you pulling his cock out from its confines. The cold air hitting his warm dick makes him hiss.

"Holy fuck, Jake. You're huge." You gawk, staring at his cock that you were lazily stroking. It was average in length, but fuck, the girth makes up for it.

"Fuck. Please, Y/n." The way he moaned your name sent waves of heat straight to your core. You swore you could feel your slick seeping through your panties.

Your hand feels so much better than his by a long shot. It's so soft, so warm. If it feels this good in your hand, he wonders how it would feel to be buried inside of you.

As pre-cum oozes out from his tip, you couldn't help but circle your thumb around the head of his cock. This must've been a sensitive spot for him by the way he abruptly thrusts his hips forward. "F-Fuck. I need to feel more, please." He begs almost pathetically, eyes hooded in need. Need to feel your mouth around his dick.

"You have to stay quiet, Jaeyun. Don't want people to find out what we're doing back here, do we?" You question, giving his cock a tug that makes him whimper.

You're so hot when you're manhandling him like this. So so hot. "No." He answers shakily, his chest heaving up and down.

You smile at him. So obedient. So cute.

You flattened out your tongue, slapping his head on the pink muscle. He tilts his head back, jaw slacked and mouth open, but no sounds come out. Only heavy breaths and quiet whimpers. Your warm breath fanning over his cock feels so good. But nothing will prepare him when he then feels you licking up a long stripe from the base of his dick to the very tip. If it weren't for the shelves supporting him, he'd be on the floor right now.

You moan before lapping your tongue at his tip, collecting his pre-cum. "You taste so good, Jakey."

You felt daring all of a sudden. Having the man of your desires stand here, letting you suck his dick was hotter than any fantasy you had. You relaxed your throat, giving yourself a moment to prepare for what you're about to do.

Jake could sense something coming from you. The way you looked up at him, he can see in your eyes what you're thinking about. He didn't really know exactly what to expect, but he brought one hand to cover his mouth just in case.

A guttural moan rips out from Jake when you suddenly try to take him whole into your mouth. His eyes widen as he realizes that he was louder than he anticipated it to be. He just prays that no one comes snooping around. Especially not when he has his dick down your throat because not only would that be petrifying, but he can not let you stop. Now now. Not when he had spent countless nights fucking his hand, hoping that it'd be your mouth one day. Now that it's happening, he can't let a second go to waste.

You gagged around his length, feeling the head of his dick hit the deepest parts of your throat. And what's crazy is how he isn't even fully in your mouth. There was still a couple inches left. That fact alone was you clenching around nothing. You could only imagine how he'd feel inside of you. He'd make you feel so full, so stuffed. You moan at the thought, sending vibrations into his dick that makes the boy rolls his eyes to the back of his head.

Jake, on the other hand, was reeling in the pleasure of having your warm, wet mouth around his cock. He moans into his palm, teeth sinking into the flesh to the point where he almost draws blood. It's surreal how your mouth makes him go fucking crazy. His head feels so light yet so heavy.

Your hands gripped the back of his thigh to steady yourself while pushing more of his dick down your throat for merely a couple of seconds before pulling away. You're gasping for air, perhaps you overestimated how much you could take him.

Jake nearly cums at the sight. Your chin is glistening while a string of saliva connects your lips to his raging red tip. He isn't sure what came over him at the moment, but he needed to feel your mouth around him again. He finds himself sliding a hand into your hair, grabbing a handful of it before shoving his dick past your swollen, pink lips and down your throat. "Fucking take it. Holy shit." He groans, mouth open with a mantra of your name spilling out.

You're blinking away the tears that pooled in your eyes, trying to focus on breathing through your nose while your best friend manhandles your mouth. This was a total 180 of how he usually is, and you loved it.

Everything about this was so lewd. The sounds of you gagging around his dick mixed with Jake moaning was music to your ears. You look up at him through your lashes, taking in how cute he looked in his specs while moaning your name.

"This mouth feels.. fuck. Feels so fucking good." Jake mutters, hips snapping against your face as he feels his high nearing. "G-Gonna cum down your throat. Sh-Shit, you're gonna take all of my fucking cum." He's just rambling now. Mind is too fucked to even think about anything else but cumming down your pretty little throat.

With one final thrust, his pelvis is flush against your face as he feels himself emptying his load down your throat. "Holy fuuuck.. Oh my god, Y/n."

You could only sit there and swallow everything he gave you. This is your way of repaying him.

He doesn't pull out till he feels himself going soft in your mouth. And he's quick to start apologizing once he does, "I-I'm so sorry, Y/n. I didn't even ask where you wanted me to cu–"

You're swatting your hands around, shaking your head as you swallow hard. "It's okay. I wanted it." Your voice is hoarse due to his assault on your throat. But you loved the result of it.

He helps you stand up before combing out the knot in your hair that he caused. "Well, the library is about to close for the night. We should get—"

"Do you want to come over to my place, Jakey?" You ask, holding his hands in yours.

He nearly chokes on his own saliva. "Uh,, y-yeah! We can!" He agrees, nodding almost frantically.

"I need help with biology. Specifically anatomy." You smile, trailing your finger down his chest.

"Yeah... I-I can help you." He whispers out.

"Yeah?" You giggle, pecking the corner of his mouth.

He'll help you with whatever it is if it means you'll repay him by giving him head.

[monstersholygrail]

Once again the polls were soooo close. God, I eat this kinda stuff up. I love when two options are basically fighting to win. It’s so much fun. The choose your own adventure polls go hard

The fact that it was between hate/angry sex and domming his ass is literally everything to me. Yall are so awesome istg. Bro deserves to get turned into a pathetic little sub. But angry sex will be just as rough and delicious if not more so

I noticed quite a bit of a dip in engagement for this installment. I hope you guys are still enjoying this series and having fun with it

I know the options were a bit different this time due to reader needing to go see the headhunter. But your options on who to fuck are returning in the next fic!

Headhunter Dragon will be featured and I’m so excited for you guys to meet him. He’s a cocky douchebag so you’ll have to fuck it out of him. Turn him into a sloppy mess. Expect claws, sensitive scales, fire breathing, and a fun little plot twist. It’s gonna be hot asf. Pun intended

[cityofmeliora]

the Terzo autism post ♾️

this is kind of an analysis post and kind of a headcanon post.

Terzo reads as autistic to me, especially during his first two concerts when he was speaking without a script and trying to figure things out.

Terzo has that "trying new things is scary and i need to feel like i'm getting a good grade at social interactions and everything has to be done correctly or i'm going to explode" flavor of autism.

[AFTER PERFORMING PRIME MOVER] PAPA EMERITUS III: How am I doing so far? I've been studying these moves so you would feel comfortable. Are you comfortable? Linköping, Sweden (June 3, 2015)

Terzo says he studied the choreography for 'Prime Mover' so the audience would feel comfortable. he's trying to do what people expect, and he keeps checking if he's doing alright and asking the audience if they like what he's doing.

[BEFORE PERFORMING ABSOLUTION] PAPA EMERITUS III: So, we're gonna finish this off with something as weird as a new song. What that delighting, or did you not like that? Yes. Good, good. Linköping, Sweden (June 3, 2015)

PAPA EMERITUS III: So, I know it might seem a little confusing –it's even a little confusing to me, sometimes– y'know, playing new songs for people who've never heard these songs. But I tell you what– we have a really good ending song that you will understand why it is an ending song when you hear it. But now it might seem a bit strange, huh? Sweden Rock Festival - Solvesborg, Sweden (June 4, 2015)

Terzo feels weird about performing new music because it's new and the audience doesn't know what to expect and neither does he. he keeps trying to assure the audience that it'll be okay. but i'm pretty sure he was the only person worried about it. he was about to release a new album, so it completely made sense that he would be performing new songs. he just hates not knowing what to expect, and it doesn't occur to him that not everyone thinks like him.

and then this clip... i think it speaks for itself, but let's talk about it anyway. (i included the audio because i really want people to hear him speaking here.)

PAPA EMERITUS III: Okay! We are now officially wrapping– with a song. It's not a rap song, though. [STUTTERS FOR SEVERAL SECONDS] I've heard from my brother that you are somewhat of a singing crowd. So you like singing, eh? That is fantastic because that is exactly what we're gonna do right now, and if you had said no, that would have been… weird. So thank you for not being weird and weirding me out. I'm weird enough as it is. Sweden Rock Festival - Solvesborg, Sweden (June 4, 2015)

like where do i even start with this. him thinking he needs to clarify he's not going to be rapping. the stuttering. the fact that he listens to what Secondo tells him so he knows what to expect. him saying "[...] if you had said no, that would have been... weird. So thank you for not being weird and weirding me out. I'm weird enough as it is."

he feels like a weirdo and he just wants things to be normal so bad. 😭

he also gets really irritated when people are incorrect / do things incorrectly. he has the literal / rigid thinking patterns characteristic of autistic people

PAPA EMERITUS III: Well, it's getting late. AUDIENCE: NOOO! PAPA EMERITUS III: Yes! It's not a matter of opinion. It is getting late. Sweden Rock Festival - Solvesborg, Sweden (June 4, 2015)

he tells the audience it is objectively true that it is getting late.

then there's the whole bit where he wants people to clap along to the music but he hates it if people clap wrong or don't clap with the correct rhythm.

and the bit where he asks the audience to say "Meliora" and emphasizes the correct pronunciation versus the incorrect pronunciation.

Terzo strikes me as someone who is constantly trying to perform a very intentionally constructed social personality, not only as an entertainer but as a person. and while he's naturally charismatic and charming, it's actually quite difficult for him to perform this public personality because he's constantly concerned with getting a good grade in social interactions and things being done correctly.

and there are all the quotes about Terzo being a recluse who only interacts with others as much as is strictly necessary. this is definitely clinical depression, but i think his autism is also a factor.

he got comfortable once he settled into a routine and created a script that he could repeat, though. after that, he was really on autopilot during his concerts. which is also so so autistic of him <3

[kinardsevan]

So I’m split 50/50 on this at this point. Because we don’t have crystal clear answers on ANYTHING, and there is a part of me that’s like “leaning into the trope actually makes sense for everything else they’ve done with this story”. But then obviously the interviews are so ass backwards, and and and…

Lou’s answers also aren’t crystal. He said he was back at SWAT, which he quite literally is right now, so it’s not like he said it and he went back weeks later to shoot SWAT. His answers about “opportunities” isn’t clear either because working actors by nature, always have opportunities. We have no idea if 911 includes those opportunities (based on my theory of this being a fake out, I mean).

I will say though. When rewatching the breakup from the understanding that Buck is very starry-eyed and “look at you, you magnificent Gay Man”, the breakup is easily understood for me. I vibe with @spectres-fulcrum’s theory. It actually makes a SHIT ton of sense. Further, I’m not gonna lie… if someone told me they wanted to take the next step in a relationship (and that step was moving in together), but I Love You hadn’t even been said… I’d be checking for a fever. It unfortunately comes across as not understanding the seriousness of the suggestion. Like obvs our little shipper hearts were smashed when Tommy was like “not only can I not live with you, but it’s unlikely that I’m the person you’ll choose to stay with”. When you couple the fear with the reasonability of what he’s actually saying, it makes sense.

This is why I’ve said that at its core, if the people writing the story have a brain and didn’t just throw shit at the wall (which will remain to be seen), there has to be a come to Jesus moment about their feelings for one another. Buck has to address whether he actually loves Tommy or if he was just along for the ride because Tommy made everything so easy. (I feel like we as the viewers know they’re in love, but it has to be expressed. And then there needs to be some level of effort in the story where Tommy is pulled into the fold.

I say all that (again) to point out that if this is NOT what the show is doing, and they just split them up because they thought it would make good drama (or some other shitty excuse)… that’s not just dropping the ball. That’s proverbially shitting the bed. And if that’s actually the case… imma see my way out (probably).

So yes, I hold out hope that everything we’ve been told over the past week is to keep us distracted. But I also know that when I reread those same quotes and rewatched the breakup with a clear head (and not from my shipper standpoint), things felt clearer.

In closing…. They did still massively fumble the way they were trying to communicate the issues in the relationship. This was not done well by any stretch of the imagination. But we’ll see what they settle on doing next.

ngl if it turns out that Tommy was coming back all along and that this was all part of the romcom ‘breaking up then making up’ trope i’m gonna be so embarrassed for getting this sad 💀 but that’s what i get for catching up with a series for once ig

[capquinn]

I can’t stop thinking about Quinn’s son having the same little cheek birthmark or whatever that is on him too. A literal tiny Quinn makes my baby fever go insane

STOP bc Quinn’s son is his literal mini me, down to every tiny feature. It’s honestly the cutest, most insane thing, like they copy and pasted Quinn and hit shrink.

He’s got Quinn’s big, soft eyes, that same hazel colour. And his hair? It’s already showing hints of those darker waves, exactly like Quinn’s, and every time you brush a little curl away from his forehead, it’s like you’re looking at a baby version of Quinn himself.

And his smile? Even as a baby, he’s got this slow, soft grin that creeps up just like Quinn’s. It’s that same shy smile that doesn’t quite reach his eyes immediately, but when it does, it’s pure warmth. And sometimes, when he’s really happy, he’ll get this little dimple on one side, something that’s undeniably his daddy. It’s sort of of smile that stops everyone in their tracks.

But that little birthmark on his cheek… it’s almost uncanny. It’s in the exact same spot as Quinn’s, and it’s the first thing people notice. Even strangers will say, “oh, he looks just like his dad,” just from that one little detail. But it’s not just that; he’s got Quinn’s same soft, rounded cheeks and those delicate eyebrows. They give him this gentle expression, like he’s quietly taking everything in, even if it’s just the ceiling fan or the lights above him. And those long lashes? All Quinn. When he’s staring up at you or drifting off to sleep, you can’t help but marvel that a baby could already look so much like a little version of his dad.

Ellen still can’t believe it; she’ll trace her finger over his cheek, marvelling, saying things like, “it’s like looking at Quinn as a baby all over again.” You can tell it makes her a little sentimental, like she’s living these moments twice over.

And Quinn just kind of shrugs it off, maybe even rolls his eyes, but there’s this quiet pride there, you know? You can tell he’s melting inside every time someone calls it out.

[dreamertf]

Follow the Instructions

/hello! Hope you enjoy this one, im gonna start tagging ai as #ai tf so if you dont want to see any ai images in your tfs you can block that tag. Ill also be putting a disclaimer at the top of each post that has ai.

/contains ai images & video

/includes; muscle growth, suggestion tf, straight to gay tf

"Yeah, Im feeling fine!"

Jason was tired of how weak and scrawny his best friend Max stayed throughout their time in high school and now, college. So he had given Max a new black market roid that promised to "make him a bro." He crushed up a few of the pills without looking at the instructions and baked it into a cookie he gave Max.

Jason wasn't so bad himself, 6'4" and muscular, with a charming face. Little did he know that his height that he had since he was a sophmore in highschool would be changing.

Jason stared at Max as his skin started to ripple and shift.

"Are you sure?"

"Never better, bro."

Max ripped his shirt off as his muscles swelled. A deep canyon of rippling abs leading up to two giant slabs of muscle. He flexed and stretched as his biceps filled out.

"Sorry, im feeling a little hot." Max said non chalantly. His muscles continued to grow as he flexed them.

"Oh my god it worked"

"What worked?"

"Oh nothing, dont worry about it."

"Ok brah"

Their surrounds changed from school as it turned into a living room, a living room Jason had been in so many times before, Max's living room. All of a sudden, Jason felt a pull towards Max. He couldn't stop looking at him, like literally. He traced Max's outline as each muscle became more prominent. He stared at the giant as he grew taller and taller, but something wasn't right. It was like everything around Jason was getting taller too.

Unfortunately, Jason hadn't looked into how the roid actually worked. On the back of the small blue box, it read ;

Are you tired of being weak and nerdy? We got you covered. We believe the human mind is a powerful tool, and our Bro Pill helps you to use it to your full potential! Not only does it shift your mindset to be more focused on sports and the bros, but it also changes various other aspects of your life in order to fit your new you! We recommend taking one pill weekly until desired affects.

WARNING: taking more than one pill a week may intensify the effect you have on other people

Jason panicked as he felt himself losing muscle and height. His features softened as he turned from a rugged man into a young 20 something twink. It looks like the god of Jason's creation has type cast him as his twinky boyfriend. Making Max a jock apparently didn't override his sexuality.

"What are you doing to me?"

His voice was still deep, too deep for someone like him.

"Make that voice a little higher, and can you please quit being so worried brah? Be like me, stop thinkin as much little guy huhuhu."

A wave of relief came over Jason as he collapsed onto the couch. His body continued to shrink as he lost his height, becoming about 5'6" compared to Max's new 6'8". His musculature toned down more, not as defined anymore.

"Whatever you say babe" Jason giggled, his voice much higher and more flamboyant.

"Thats my pretty boy." Conversely, Max's voice became much deeper and demanding. Jason felt himself starting to get hornier.

"I'm so happy i couldfind you. Your ass was like made for my dick huhuhu" Max said as he spread his legs wide as his pouch grew bigger. He had one more explosive growth as his shoulder broadened and his pecs filled out more. Jason shifted in his seat as his ass grew more plump and muscular.

"What do you mean?" Jason feigned innocence, turning the ditziness all the way up.

"Come here and I'll show you, slut."

[alotofpockets]

Common ground | Part 2 | Niamh Charles x Arsenal!Reader

Where you and Niamh grow closer after having hosted a children's event together

Read part 1 here

Woso masterlist | Words: 1.6k

-----

After going out to dinner with Niamh, you couldn’t even remember why you were dreading spending the day with her so much. All throughout dinner you were talking and getting to know each other, you had been so comfortable that your waiter had to come over to let you know that you had to leave since the restaurant was closing soon.

Once outside you laughed at practically being kicked out the door, you reached your cars with the biggest smile on your face, “We should do this again sometime.” With a matching smile Niamh agreed. You exchanged numbers before saying bye and each heading home.

Exchanging numbers turned into texting every day. Texting turned into calling, and calling turned into facetiming. Whenever you both had a free moment, you would video call and be in each other's presence. 

Besides online contact you also meet up at a restaurant or at each other’s places at least once a week. You were growing closer with Niamh every day, and when you were sitting together on the couch, watching a movie together, everything just felt right.

You quickly realised your feelings for Niamh, and it seemed like she felt the same way about you from the way the two of you interacted with each other.

When she knocked on your door that evening you quite literally pulled her into your apartment. “Come on, I'm making your favourite.” By her hand you pulled her into the kitchen, where you had already started dinner.

“No music while you’re cooking? That’s not like you.” You hadn’t even realised you had forgotten until Niamh mentioned it, “Can you put some on, please?” Busy with stirring the pots, you handed your phone over to Niamh, and went to Spotify and turned on her favourite playlist. 

The soft music filled the room, and Niamh slotted in beside you. Helping with dinner, but mostly just snacking on the ingredients when she thought you weren’t looking. Cooking with Niamh has quickly become one of your favourite activities. 

That night laughter filled the kitchen, and you were alway standing just a little closer together than was necessary. It all felt so natural, and each moment Niamh’s hand touched you a jolt of electricity moved through your body.

After dinner the two of you settled on the couch to watch a movie, like you always did. You didn’t know how Niamh convinced you to watch a scary movie, well you did of course. All she had to say was please, and you had crumbled. Now you were hiding behind the blanket that was draped over the both of you, whenever a scary scene came up.

Niamh chuckled every time you hid. It wasn’t until maybe the fifth time you had done so, that she pulled you into her side for some comfort. For a moment all you could focus on was Niamh, but then a loud sound from the movie scared you again and you hid your face into her.

“Now that wasn’t so bad, was it?” Niamh joked when the end credits rolled. “Not so bad? I am frightened for life!” She chuckled and got up to clean up the dishes. 

The second you heard a noise, you sprinted after her. “Wait! Don't leave me here alone!” Niamh, completely unphased by the movie, chuckles again. “How are you gonna sleep here on your own?” Her comment was more so meant as a joke, but your eyes widened in fear. “Oh God. You have to stay the night, please.” 

You looked in your closet for some clothes for Niamh to bed, your eyes landed on a pair of your Arsenal shorts. The idea alone made you giggle, but you know you couldn’t do that to her. Instead you opted for one of your old national team shorts along with an oversized shirt. 

“I see what you’re trying to do here.” She joked upon seeing the shorts. “If I hear any complaints, next time I will offer Arsenal ones.” She held up her hands in surrender. “No complaints here.” 

It was easy enough to convince Niamh to share your bed, rather than her sleeping on the couch. I mean the argument that her sleeping on the couch would still leave you alone in your room with all the scary noises surrounding you.

You were laying in bed face to face, just looking at each other for a while before you spoke up. “Besides your choice of movies, I really enjoyed tonight.” Niamh smiled, “Yeah me too, but I also liked my movie choice very much. At the very least it meant I got to hold you close.” 

Her words caught you by surprise, and your cheeks flushed immediately. “Yeah, I did like that part.” Niamh’s hand reached over to move a fallen strand of hair behind your ear, the moment itself had you frozen in place, your eyes moving down to look at her lips. Niamh took that as her sign to lean in.

The moment her lips were on yours, you melted into the kiss. Kissing her made the rest of the world fall away, only leaving the soft and warm presence of her. She was gentle at first, seeing how you would react. But when you leaned in, closing the space between you, she let her hand slide to the back of your neck, pulling you even closer.

The kiss deepened, your mouths moving in a slow rhythm. Your hand found its way to her cheek, gently brushing it against her skin as you felt her smile into the kiss. When you finally parted, both slightly out of breath, and your foreheads still pressed together, you shared a soft laugh.

“Took you long enough.” You say softly before placing another quick peck on her lips. “I was waiting on you to make the first move, actually.” You laughed at the situation, both having been waiting for the other to make the first move, and at the same time being glad that one of you did.

The comfort of the moment made you feel safe, no longer scared from the movie. Niamh wrapped her arm around you and pulled you closer. You cuddled into her side, making yourself comfortable. She kissed your forehead before resting her head on yours.

As you were playing with her hand, your mind was working hard, trying to figure out how to ask Niamh what was circling your thoughts. “Do you think we could be something more? More than just friends?” 

“I think we’ve been something more than friends for a while now.” Niamh answered instantly. It warmed your heart, knowing that she had felt the same way. “But if you are asking me to be your girlfriend, the answer is yes.” You smile into her shoulder, “I like that.”

You continued talking until you fell asleep. The next morning you woke up in her arms, and couldn’t help but smile as the memories of last night flashed before your eyes. As you were about to turn around, Niamh tightened her grip on you, “Don’t go, this is way too comfy.” You kissed her cheek and cuddled back into her side. “Okay five more minutes.” You had a match later, so you knew you couldn’t stretch it too long, as much as you would have really liked to stay like this for the rest of the day.

True to your word, you dragged Niamh out of the bed five minutes later. She was still a little groggy, her hair slightly messy and her eyes sleepy, but she looked adorable. Her in your clothes brought a smile to your face. “We should do this more often.” “Get up this early? No thanks.” She joked, as she wrapped her arms around your waist. “But yeah, I think so too.” With a peck to your cheek she moved over to make drinks, while you made the food. 

As you were plating the food, a knock came at your door. “Oh shit, I forgot Leah was giving me a ride today.” Niamh’s eyes widened, her national team captain was at the door. “Don’t worry, she won’t think anything of it.” You said, followed by a whispered, “I think.”

You opened the door to Leah, already clad in her Arsenal tracksuit. “Hey Lee, come in. We were just having some coffee.” Her eyebrows arched, “We?” Your eyes moved over to Niamh at the counter. “Morning.” She said nervously, while raising her cup of coffee.

Leah looked her teammate up and down, noticing the messy hair and shorts that were definitely yours, “Well this is unexpected.” She didn’t give anything away with the way she said it, which was making you nervous as well. Leah noticed the way the two of you were sharing anxious glances. “Oh chill out you two, I think it’s cute.” You sigh with relief and finish your breakfast. You leave Niamh and Leah to talk while you take a quick shower, before re-entering the kitchen in your Arsenal tracksuit as well. “I’ve got to go, but you’re welcome to stay however long you would like.” You move closer to kiss her but stop and look at Leah before you do. “Right, I’ll be in the car.” She hurriedly leaves your apartment, making the both of you chuckle.

“How would you feel if I was still here when you came back home?” You smiled instantly at her question. “I would love that very much.” You kiss her softly before grabbing your bag and heading out the door. Already excited to be coming home to your girlfriend after the game.

“Don’t say it.” You say as you step into the car with Leah. She lifts her hands, “I wasn’t gonna say anything.”

-----

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[tarotnoob]

What's happening for you in December 2024?

Randomly, doing a tarot reading. Probably should have done one before the election, huh? But actually, I went to Asia in October and that was after being extremely ill for like 2 and 1/2 weeks with an infection I'd never heard of.

Anyway, I wanted to do something fairly simple so this shouldn't necessarily be a collective reading [future me: JK I do have global predictions in here], but that tends to happen when I do these types of readings. Hopefully it will just apply to you individually and I will try to give as many specific examples of what to expect as I can.

Pick the pile or piles you feel most drawn to and scroll down. PS: apologies for typos as always. I voice to text and I'm too lazy to go back and edit.

Pile 1

Significant dates in December could be the 10th definitely, the 4th, or the 2nd. I think you can see what's happening based on the oracle cards... For December, it kind of reminds me of when you're using a navigation app and you suddenly find out that the way that it's taking you is a dead end and it has to reroute. Because I almost feel like that closed door is at the top of the escalator and then you reach the top and then you have to come right back down.

Or I also get the sense that maybe there was an opportunity or plans that end up getting canceled. It could be like a flight, it could be a party, it could be a job opportunity, it could be some type of obstacle that comes up in a relationship. I mean the literal way of looking at it if you want to go by the cards and what the circumstances could be. If you start with the ten of cups which is joyfulness and happiness or family and then it's followed by a ten of swords well it definitely feels like a period of happiness is probably coming to an end. I don't mean that in a like terrifying way. At least I don't think. I just feel like December for you if I'm honest and I want you to be prepared, you might have a lot of ups and downs. Clearly there are going to be some good times and then there are going to be some bad times and then there are going to be some more good times. And then you might be faced with a choice in which you have to figure out a different way of going about something.

Basically what I want to tell you is that for those of you who picked this pile, you might want to have a plan b for anything that you have coming up. It might even seem like everything is going to work out fine but then you get to the airport and at the last minute your flight is canceled. And it's like okay well what are you going to do now because you were trying to get home for the holidays. So are you going to get into your car and drive? Are you going to try to find another flight?

I mean if you are American, there's a good chance that you might feel a little depressed going into the next year. If you are American and not depressed knowing what I'm talking about, please unfollow.

But even after the ten of swords, we have the four of wands. So maybe it is a little bit of a tower moment that happens for you in that something that was working before is possibly coming to an end but with the four of wands, it might be that something else will come in that provides a stronger foundation. And I see you in the 2 of wands looking for that. An example would be let's say you want to quit a job. It was good for a while but it's sort of coming to an end where maybe you aren't learning anything anymore or it's getting tedious or something else is going on. And you start to think okay maybe I want to work abroad or maybe I want to do something completely different so you have this choice to make.

You might be looking for a different kind of happiness or you might even need to go on a vacation to think about things. Some of you might have had a relatively rough last few months of the year and so you need to do something fun? I sort of wonder if the four of wands represents New Year's. Not that it really matters. Plus people's New years are different

Other specifics or collective kind of readings. Again in terms of the collective, there could be some up and downs in terms of good news that happened throughout December. I do see people needing to go around to get the information that they want or to get where they need to go. It's almost like if anybody is trying to advance like in an upward trajectory whether it's career or seeking something, it looks like there will be blocked doors.

I have two cards that for me indicate family or the home. So some of you could be relocating or moving house. Some of you may be breaking up. Some of you may get not great news about a family member. But more than anything I just see annoyance at like a plan or event having to be canceled or rerouted. Like you were really excited to attend a concert or a party and at the last minute it gets canceled.

On a worldly level if we take it just a little bit dark, and you look at the word defenses and you look at this ten of swords and you have a castle and you have somebody who kind of almost looks like a general looking out at a globe, we might see some more conflict in terms of wars or discord among countries. I know that might seem obvious because it's always ongoing. Maybe serious enough to where there's some type of lockdown. Sometimes when I look at the escalator I get a bit of an ominous feeling. Like you go up the escalator but you don't really know where it's taking you. And then even when you get up there the door seems to be locked or guarded or blocked.

On a lighter note it could be about being blocked from your creativity or some type of blockage in the way of feeling happy or being happy or finding happiness. Some of you might be feeling a little depressed and you're looking for answers about how to be happy or what makes you happy or things you could do to be happy. Some of this might especially have to do with relationships or family. Because it's almost like if I was the ten of swords person and on either side of me I'm thinking and daydreaming about a fantasy life where I'm happy but in the meantime I'm pinned to the ground with like 10 swords and I just see darkness above me. And two of wands guy is also searching.

But what can I say other than December is just going to be up and down for you. You might feel guarded or you might be dealing with other people who are a bit tense and also guarded, especially if you are going home for the holidays and maybe you have negative interactions with family. But also you might have a little bit of fun with family.

We can talk about how you have two tens and 10 is the number of completion. But that just makes me think well the year is coming to an end. I do still think that an era of happiness is sort of like maybe coming to an end in some way whether it's like friendship or you're an American and you feel like dark days are coming again.

For those of you that do have to make an important decision by the end of the year, I do see you finding your answers that you need. Or being able to come to a decision.

Random but back to being collective, I do wonder if there are going to be some negative things happening toward the gay community or gay rights. That should be obvious but when you look at the little rainbow colors and the ten of cups and then you put it next to the ten of swords and then you have a card next to that that's usually indicative of marriage. You might see more states in the US voting on gay rights and gay marriage. And it could even be that the world will be watching these events as well maybe the US sort of falls apart in terms of its social and legal freedoms.

It's interesting Dad the mountains and the ten of swords are far away and then in the two of swords sorry two of wands, it's like you've moved past that moment and are now on the shore that you are longing for. So again since I misspoke, I think there's a decision to be made on maybe your perspective or attitude about how you are looking at something and then finding ways to change that perspective or to find different solutions. Just like how I was saying that you would have to reroute it might be that mentally or intellectually you have to change your perspective or else you're going to be stuck.

It definitely seems to be putting emphasis on finding what brings you Joy and not just yourself but maybe people around you or making sure that you surround yourself with people that make you feel good and happy. And if you don't have people like that then maybe the alternative is to just be by yourself if that's better.

And I do at least see a few people who are looking for love or wanting a family or wanting to start a relationship or to settle down in something like that that feels domestic and stable. But maybe it seems like it won't happen or it's far off. But again I think it comes back to perspective and okay well let's say you're only trying to find people through dating apps and that's not working well sounds like you might have to try a different way of finding people.

And the last thing I will say is that the escalator looks to me like it has stopped and the defenses card obviously also is about being stopped and the ten of swords is the most negative card here and that person is stuck. So I think if you are feeling stuck even though this is obvious advice, you're going to have to think about another way of doing something. If it's not working. Or if you aren't making any progress. And this doesn't indicate any particular choice one way or the other since it's the two of wands. That's just the part of the path where you are making a decision. So the answer right now is to find the path. And it's whatever path leads to you being unstuck.

But also in general also see some division around the world. I mean that's to be expected. Like factions being split in 2. More situations in which people are split into groups and separated and like pitted against each other or being on opposite sides of some issue. In conclusion basically I think we'll see an arise of global conflict as we enter the new year. More things on the news.

It could even be that people are forced to start paying attention more to what's happening on a global scale, watching more news, needing to be more educated about the things that are happening. Not just the US obviously but Africa, Middle East, Europe and the western part of Asia. All the bits you can see in the globe there.

There's an emphasis on water to me. This could be we might have more issues with contamination in the oceans, hurricanes, tsunamis, some issues being weird with the water or a focus on water.

The last thing I'll say is that I see an emphasis on blue and yellow in particular so maybe the confidence to speak out or say what you think or to speak as in to make decisions. Or have confidence in the way you're thinking. Confidence in the decisions that you're going to make.

There's definitely a sense of being planted firmly. So I think again maybe people having to choose sides and being firm in that.

Yeah I wonder if there's going to be some type of outbreak that happens through water. Like contaminated water or water shortages.

Or if not that then a particular country that is surrounded by water might be in the news in December. I'm feeling more like it's Europe though. Or like the Mediterranean. Like Greece or I don't know. But something curious that has to do with water around countries like that or even Spain or Portugal. I can't tell if it's good or bad I just feel very fixated on the idea of water. It doesn't feel like it has to do with weather though. But it feels weird. Like something incredible happening? In my mind I'm seeing like submarines emerging from water or maybe it's because I watched too much of this alien show and it kept talking about UFOs emerging from the water. But it's almost like this feeling of people being fascinated by this thing that's happening and then it turns out to be kind of like not good. But I don't know why I feel that way

Or maybe it's like a Titanic situation and people go on a cruise and some type of cruise ship accident happens and it's around Europe. Or like not the Olympics but like some major international event that's happening in Europe by water and something surprisingly catastrophic happens? I don't know why I feel that way. I hope that doesn't happen though. I don't think it's a why. A volcano?

An oil spill? Yeah I'm leaning more toward a situation like one of those and it maybe pollutes the air or the water. Like turns it black. And maybe it f**** up the water. An earthquake? Maybe it's like something like that happens and then for some reason you can't get resources to those people. Because like you can't fly through the air or you can't get through the water. I don't know if it's a military thing. I'm still just getting something more to do with the water but I guess even militaries could potentially like poise in the water or drop weapons and then that destroys the water or land or sky

Well that got pretty dark. But I feel so strongly that it has something to do with water or the sky and turning black and people potentially dying because of contamination or poison or toxins... sorry just keep in mind that's the collective part.

I probably should just do a separate reading on world predictions....

Pile 2

I wouldn't be surprised if some of you are drawn to both piles one and two. I kind of feel like they overlap a little bit. Hopefully I remember that there was a point when I was laying at the cards and I kept not being able to figure out which way the hanged man went.

My first impression was to say as advice for December to not consider shortcuts or cheating. Or be wary of people who are going to try to cheat you to get what they want. I almost feel like you will be at a point where you have to make a decision whether you want to do it the right way or you want to accomplish it through kind of nefarious methods. Granted that could be somebody else to be wary of. In particular they could be a Pisces or you could be a Pisces. Or maybe there is a particular planet in Pisces this December. The last pile I talked a lot about water in terms of a collective event but again I'm drawn to blues and water for this pile as well but I'm finding this more to be a theme related to emotions or even blocked creativity

I also feel like there's advice to block out people who are like that who are looking to start a fight with you. I see the two of swords as someone protecting themselves from the negative energy that's happening and the five of swords. And even with the hanged man I see like a sense of protecting your mind and your space. So I don't usually say things like this but I wonder if you should request protection from your guides or whomever or if you will be especially under protection this month. I also feel like you have a lot on your mind in terms of philosophically or creatively. But you have a lot of thoughts going on in December. It almost feels like a lot of contemplation in terms of trying to find peace? Like if your job is particularly stressful, consciously making effort to find ways to avoid that type of conflict. Like whether it's literally doing yoga or reading more or exercising

I should also say the dates of the 2nd, 5th, and 12th or 3rd could be significant.

It might be that you have a decision to make early on in the month and then there might be a little bit of conflict but by the mid part of the month I think it should be worked out relatively somewhat

I think you might be standing your ground more and having to introduce firm boundaries with people. Again I'm thinking about the defense card from pile one. You may find yourself getting into Petty arguments with people so you might need to find ways to avoid that or remove those people from your life.

To look at it less negatively per se, you might actually win out on some type of competition or project? That's not really what I'm seeing it as about but the five of swords doesn't always have to be the worst card, I mean it could be that there's a competition and you end up being the winner and you collect your reward.

But I don't really see that. I see the message as being to protect yourself from that type of energy whether it's you starting to feel angry or like you want to pick a fight or it's other people picking a fight, I'm seeing the hanged man and the two of swords are saying to relax and go with the flow and be more mindful.

It could be that some type of wisdom or information that you come across allows you to win over a certain circumstances or I guess I just feel like it's more use your best judgment or wisdom in a situation when you come across conflict. Like don't be rash to react, I'm getting you should think things through and don't rush it and really use your head the right way before you make any kinds of decisions. Especially ones that could hurt other people. But if you think it is the right decision, you should probably follow your gut

I wonder if you might have some restless dreams this month. Not nightmares exactly but fitful sleeping or when you dream come with the dreams are of like fighting with people or yeah maybe some bad dreams. Like with pile one though, there just seems to be a blockage...

And with that pile the advice was also to consider your perspective and changing it when you want to find the most amicable solution... The hanged man is about saying things from a different point of view. So I think there will be a lot of reflection on some type of conflict with friends or at a job or people in general.

It's interesting in two cards the figures are holding swords.

I suppose I should bring in the oracles. But integrity and play time was what made me think even when playing a game not cheating or not taking shortcuts. Or when engaged in a battle, not using cheap tactics to win.

This could also be an overall message of when you want to deliver a message. Like if you want to get your opinion across you can't do it by forcing it on anybody or making it seem like you are absolutely right and now I'm going to push this on you. It's almost like delivering a message in a kind and respectful way. That's not really something I can do well. Because often we have emotional reactions to situations and we go well you were wrong and I'm right. When sometimes it's about perspective. And if you really want to convince someone, that wouldn't really be the way to go about it

So I guess to be specific you might have an argument with somebody in December. And before the argument happens, I can put it in your head that before you take on that mentality that I'm right and you're wrong, to consider the other person's point of view even if they are like completely wrong by normal standards, if you really want to reach them, you're going to have to put a little bit more thought into how to communicate that. Like even if you are in a relationship now, and you have a fight with your so, and you start to think well I just want to be right I don't care, thinking about okay like how does your tone or how harsh you need to say that affect your partner

In that instance, there are ways of getting your point across that you don't have to be cruel and you don't have to make it into a competition if you really care about the person.

The hanged man makes me want to say maybe be a little bit more benevolent than you normally would. Even if the person is despicable. I think also maybe whatever is happening in Pisces in December will be affecting you creatively and in terms of your sleep again. Because with the two of swords and the hanged man I feel really drawn to that aspect of Pisces that has to do with like the sort of nether world. I don't mean like Scorpio, I mean that like 12 house stuff. So in conclusion you might be experiencing some spiritual conflict or philosophical conflicts in December related to conflicts with other people and their beliefs and you not having the same beliefs. I feel like you will have choices whether to stoop to their level or not and you should take the high road

But there are indications of somebody in the situation being Petty and cruel

I also see opportunities for creativity. This could be anything from going out with friends to try to make a candle or feeling like you want to write or paint

But mostly my advice is to for this month in particular for December is to act with a little bit more decorum and maturity than you normally would. If you're always like that then don't worry but I just feel like you get special bonus points if you act a little bit more mature than normal. Like if you go home and you fight with the siblings, you decide to be the mature one if a fight breaks out. Like leading by example is what I'm getting

You might do something at night time that is particularly fun. Like stargazing or a concert or doing something fun but it's night time. I also feel like in terms of when you will feel the most creative will be more at night time as well

Silly little things to say would be being around water will feel inspiring, listening to music, doing yoga and meditation will help a lot this month. I also feel called to tell you to consider taking vitamin c. Make sure you're getting enough sleep and as my friend would tell me drinking water. It just feels like a good time for you to detox. Emotionally and spiritually and even physically

For me in terms of colors there's an emphasis on blue and red with a little bit of green. So finding ways to feel stable, stabilizing the way that you think, which makes me think of meditation and you know maybe writing and journaling to organize your thoughts, this is what came to me just now is listening to the kind of music that stabilizes and connects your mind with your heart? Like whether you're working or exercising or doing something creative but listening to music, listen to music that fits your mood or what you're trying to accomplish. Or maybe I just need to say that music will be a great mood stabilizer for you this month

And again besides you being a Pisces, you might meet somebody this month that is a pisces or a Pisces will have a lot of influence on you this month

More than likely I see conflict with that person but still. But if you are feeling like you are spiraling in some way or stressed out, definitely turn to spiritual and creative practices as a way to stabilize and calm yourself or distract yourself. Because I do think that you might be attracting people who want to annoy you or pick little fights with you or they might be little tests to see if you'll react emotionally when everything in the cards is saying that this is a time to work on that and remain calm in those types of situations... and again really listening to your gut this month. Listen to your instincts when it comes to people or situations.

And also if there's high amounts of allergens or environmental irritants or pollution, wear a mask or don't go out. I don't know why for the first two piles I keep seeing like pollution as being a big deal whether it's the sky or water or something

There's lots of gray in the cards too which I'm not really sure what that means because none of the chakras are gray. But that color is coming in pretty strongly like a gray and silver. I don't know if that's supposed to represent smoke. Nothing really comes to mind for me when I think of gray or silver so I'm not sure how to read that....

It could also be that something significant is going to happen for you during Pisces season. I just get the distinct impression that there might be somebody who wants to or tries to take advantage of you and maybe they are a Pisces or this happens in the Pisces season so be especially vigilant and discerning between now and like March. And then to be even more specific, if you're traveling be mindful of pickpockets or making sure to lock your cars or your apartment when you leave and keeping a close watch on your valuables

I don't know, maybe watch out for people wearing yellow boots or shoes. And red tides...

Also I know you always hear this on YouTube but genuinely as I'm trying to think about why this creepy five of swords guy is looking at two of swords lady like this, you might have somebody who's kind of creepy and watching your social media. If it's an x or a weird jealous acquaintance or friend or frenemy. You might consider blocking them or turning your social media private. Because I do get the sense that for some of you, you're being watched and I feel like you need to be protected or you need to protect yourself a little bit, especially because they could be energy vampires or trying to send you negativity. So that's why I feel like you need to be especially spiritually and even physically vigilant this month. It's not like I'm saying I see impending doom

It's more I feel obligated to give out a warning to be especially vigilant toward people who would want to do you harm or cheap or like be a bully. But it reminds me of sword art online when you can put a tracer on people and keep track of what they're doing and where they are. There's just this feeling of something following you.

But on the other side of it it could also be something as simple as you being stuck on some type of fight that you had with somebody. Whether it's road rage or something somebody you know said that was kind of hurtful. But I talked a lot about negative stuff but keep in mind your Oracle cards indicate fun times and keeping your integrity and being a bit more creative this month and wanting to feel more in touch with your spiritual and creative side and finding outlets for that this month. That way you can tell the negative people to f*** off in a more spiritually progressive kind of way

Pile 3

This is the first pile to feel like it's really about the people in your life. But there are a few ways to read it. For example since we have perseverance here, it could be the expectation of receiving something from somebody. Page of pentacles indicates it's more likely to be physical or the physical manifestation of something. As in there's something that you have been wanting to give someone or I've been wanting to receive from someone for a long time and then receiving it. Of course it could also be about a communication or message regarding this as well. Something that you've been wanting to hear for a long time from somebody. The people involved could be somebody like the Queen of wands and somebody like the king of cups

So yes it could be a romantic message especially with a red rose involved. Obvious examples could be receiving an engagement ring or some type of token of affection from somebody. If the Queen of wands is giving it, it could even be something that she creates to give to the king of cups.

But I think also if the cards just represent aspects of your personality, it could be something that you yourself are creating or even saving for since we're likely talking about money or finances or again something physical. We have two of the more creative and sensitive Court cards, so it could be writing a book or making an album or whatever creating something physical that takes a bit of a creative and sensitive process. It would also be you taking the lead on it.

It also feels like there takes some time to create this and maybe even some difficulty or obstacles along the way in order to create it or establish this relationship. It could even be a romantic situation in which you have been waiting for a soulmate and you might hear from them this December or the chain of events leading to this meeting could start in December. If you already have an established relationship, something significant could happen in December or just something romantic.

Flowers in particular seem to be something happening here because I'm drawn to the sunflower on the queen and we have the rose. So it could be just somebody giving you flowers or something related to growing something. Or just something easy and romantic. It's just that this could stand in for so many things since it can be a physical object or sometimes when I read pentacles, it can be something that's been thought about for so long or talked about for so long that it becomes a physical element or a part of you. So for example like a commitment could be seen as a pentacle. So two people are talking about a relationship and taking it to the first level or the next level. So that pentacle can represent an offer of commitment.

Let's break it down to be a little bit more specific though. If we look at the order that the cards are in, it seems like the queen is offering something to the king but the king isn't looking. This could be that it's the queen that is the one who takes action first, it could be a sign that you are the Queen of wands, and if you have been waiting for a soulmate or something that the king facing away from the queen means that you haven't met this person yet. And sure you could meet them in December.

That could make sense as the queen here is known to be more bold. So I would guess that she's going to be the one that makes the first move. And just because I say she it doesn't really matter. This could be either person in this situation but they would represent those type of qualities of being more bold and outgoing. So it's almost like she is either making the first move by saying hey do you want to talk or hey I like you or she's bold in the way that she sends him a gift or some type of offering. This could be an example of how you even meet. Like let's say you go to a bar and you buy somebody a drink. In this scenario, you probably wouldn't know the king but you would be the one making the first move. There would be a conversation because pages have to do with communication.

If you aren't looking for something romantic, of course you could read this as platonic or even work related. Granted the rose in perseverance kind of throws that off but that could just be speaking about you...

At the most simple way of reading this, it could be words or some type of communication that's being exchanged by these two people. It could be a person who is quite bold and creative and confident and they decide to have a communication with somebody who is emotionally mature and a good listener. And maybe the conversation is somewhat serious and about some type of problem that you're having that requires strength or perseverance. Basically just saying maybe in December expect to have a somewhat deep and serious conversation with someone.

But what are my first impressions when I just look at the cards? Do I see it as kind of romantic? Yeah if not romantic then some type of long-standing affection or feelings. To me it feels like both an established relationship or something that will be coming. Because when I look at the perseverance I see this as either two people who have gone through a lot together and sharing some type of commitment and communication being a big factor of their relationship. And on the other hand I see the perseverance as someone who might be have been somebody who has waited a long time to have this conversation with this person or to find this person at all. Like it feels like celebrating an anniversary and exchanging gifts for that. Or talking about the relationship.

Again I see one person as being a bit more bold and extroverted and outgoing and the other person might be more calm and not necessarily quiet but probably the queen does most of the talking. Hence why it seems like she's the one approaching the king or talking to the king or giving something to the king. And maybe sometimes it seems like he's not listening but he definitely is.

Other things could just be some type of contract happening between two people. I mean this could be so many things like somebody taking out a loan, signing a lease, purchasing a house. What seems to be Central would be it's something that is investing a lot of time or has taken a fair amount of time. But whatever it is is a serious commitment. It may also involve something physical and financial. So that's why some of those things may come up as well.

Other simple things are just receiving a text, email, phone call from someone that you've known for a long time. It could be unexpected. It could be that you haven't heard from them for a while. But you do seem to have some type of communication or exchange of communication about something. Almost like getting together with an old friend and you start talking about old times. So that could be a situation you'd go home for the holidays or go on a trip or whatever and you run into somebody that you've known for a long time and you talk about the old times. But to me there's more an aspect here of two people talking or exchanging something that has taken time to cultivate or grow and having been through different challenges and struggles together maybe or the two people talking about similar challenges that they have faced. I mean this could literally just be somebody's therapy session as well. But I feel more like it's a struggle that both people have been through and have shared and them talking about it or discussing something related to it or are embarking on a situation in which commitment and finances are likely involved and also talking about those matters.

It could even be if you haven't met this person and you meet this person part of how you become closer or the things you talk about initially in the relationship or friendship have to do with challenges or struggles that you both have experienced in life and having one of those long deep conversations about it kind of like lost in translation. The movie. And again it doesn't have to be romantic if you don't want it to be, this could definitely be a good friend or somebody who becomes a good friend or a relative or even like a stranger you sit next to on the plane or train or bus and you end up having a long conversation throughout your flight or journey. But it's a nice shared moment with somebody. It feels a little bit vague so I probably should have pulled more cards to figure out who the people are but I don't think it really matters.

It can also be just somebody giving a gift to a friend who's having a hard time or for any other purpose possible. But it feels like it's the Queen of wands giving something to the king of cups, that has meaning and purpose and will be helpful toward him or acknowledges him or represents some type of affection so like giving a gift to a friend, giving a gift to a partner or a lover or someone you care about and thought goes into it and care goes into it and it seems to be a token of affection. Kind of unusual for the third pile as usually it's the second pile that has a bit of relationship vibes but this pretty clearly has to do with probably two people and any of the above types of interactions. It's not like a passionate love or romance that I'm feeling it's feeling more long-term or mature in affection. It's not a hookup.

[lucygxybaird]

billy x reader - time traveler billy

Everything happens so quickly that you don’t have time — at first — to realize how odd the situation is. The man’s clothes make him look like a refugee from a Western, and everything about him, from the curl of his hair to the way he stands marks him out as someone…different, somehow. Not to mention, of course, that he’s standing in the middle of the street, looking about as out of place and freaked out as a squirrel dropped into the middle of the ocean. 

But even if you could put your finger on it, you don’t have the time to consider what makes him so strange. 

First, you’ll have to get him out of the path of the oncoming car. 

You have, in point of fact, never actually tackled someone before, let alone someone who seems to be quite a bit taller than you and undoubtedly heavier. But you take your best shot, leaning in and diving at his waist, hoping to make him fold like a lawn chair. Maybe it’s just the shock, or maybe you actually find the right angle — you have no idea, but it doesn’t really matter. You manage to knock the guy sideways, both of you stumbling toward the safety of the sidewalk as the car screeches past, the driver laying on his horn. 

You watch as the guy flinches at the noise, actually clapping his hands over his ears as he squeezes his eyes shut, like he’s praying with all his might that the noise will just stop. Fortunately for him, the car turns the corner up ahead, and the sound of the horn fades as it goes. You watch it go, wondering absently how long Speed Racer is going to keep honking, and then you look back at the guy whose life you’ve saved.

“Are you okay?” It’s probably a stupid question, considering what little information you already have, but you don’t know what else to say. The guy lowers his hands and squints at you, staring as if you’re the one dressed like an extra from The Good, The Bad and The Ugly. “Hey — are you alright?”

He shakes his head, more like he’s trying to chase away a bothersome gnat than answering you. 

You’re starting to worry that he’s hit his head, although you can’t see a cut or a bruise on his temple. Now that you’re looking at him properly, it’s really rather difficult to keep from noticing how…well, how hot he is. It’s probably — definitely — inappropriate to even think about it, you’re well aware, considering he’s either injured, intoxicated in some way, or just going through it, but you can’t ignore the fact now that it’s quite literally staring you in the face. 

His eyes are large and blue, framed by thick, dark lashes as long as your pinky finger, set above a strong, straight nose that reminds you of a Greek statue, as perfectly sculpted as if it’s been made from marble. His lips are astonishingly full, his jawline and cheekbones each as defined as the dictionary, and you think there just might be the shadow of a dimple in his chin. And he’s tall, too, topping you by nearly a foot, his broad shoulders tapering to an angular waist. You realize, belatedly, that you’re staring, but then again, so is he.

“Are you okay?” you say again. “Is there something I can do for you? Someone I can call?”

He swallows, giving another shake of his head. “I don’t…I dunno where I am.” 

It’s the first time you’ve heard him speak, and his voice brings to mind sage brush and sunsets, the smoke that swirls over a campfire as it crackles with life, warm and husky, with a twang that makes you think of the bite of whiskey. 

“Okay,” you say, and without thinking about it, you take his hand. It feels natural, like trying to guide a lost child, or trying to make sure you don’t lose him in a crowd. As soon as his palm touches yours, you feel a shock race up your arm, and you have the strangest sensation of a door closing, separating one moment from the next as definitively as an axe splitting wood. 

His fingers curl around yours, his expression almost pleading. 

“Okay,” you repeat. “Okay. Just…come with me. I’ll help you.”

You can tell, if not just by the expression on his face — half-hopeful, half-bracing, as if he’s expecting a blow to fall any second — that he’s not used to asking for help, especially not from strangers. It makes your heart hurt just a little bit. You give his hand a gentle squeeze, and you’re softened — or maybe melted — by the way he smiles at you, shy but appearing more heartened than he did just a moment ago.

Then another car whizzes by, and he winces like someone has taken a shot at him. He ducks down, his eyes so wide that they look like a pair of full moons, their cornflower centers the only source of color in his face. “The hell is that?”

You stare at him. If he didn’t look so terrified, you’d think he was joking. But if he’s not joking, then he’s either on an incredible cocktail of drugs, or he’s from that weird isolated cult town in The Village. “It’s…it’s a car,” you say. 

“A car,” he repeats, as if you’ve just told him the secret to life in Mandarin. 

“Yeah,” you say. “You know…a horseless carriage.” 

For some reason, this seems to impart some understanding to him, but you can tell he’s still plenty freaked out. “Carriages don’t go that fuckin’ fast!”

You try very, very hard not to laugh, but god, it’s hard. You’re having to draw on nearly every ounce of compassion you have. It helps that, really, he’s not wrong. Not that you’ve ever ridden in a carriage, because you’re not Keira Knightley in a period film, but you don’t think they’re capable of speeds like that. 

“If it makes you feel any better,” you say, “you don’t have to worry about getting into a horseless carriage with me. I hate driving.” 

Now that it’s just the two of you standing on the sidewalk again, the road mercifully free of cars, he seems to relax a little, at least enough to consider your words. “Well,” he says. “That’s something.” 

Not entirely sure where to go, you decide the police station is as good a place as any. It might be a little Hallmark movie of the week, but maybe someone has already filed a missing persons report on him. With that thought, it occurs to you that you need some information first. 

“Do you remember your name?” you ask.

The look he gives you indicates he has never been quite so offended in his life. You can’t help but laugh this time. “Well, I don’t know!” you say. “You don’t know where you are, you’re walking around here looking like a puppy at the start of an ASPCA ad — maybe you’re suffering from some kind of amnesia.”

He doesn’t look any less nonplussed, but something about your laughter has loosened the muscles in his face. He smiles at you. You try to ignore the way your stomach flips to focus on his answer. “Billy,” he says. 

You fight the urge to repeat his name, rolling it around in your mouth like candy. “Come on,” you say, his hand still in yours. “We’re not gonna get anywhere just standing here. Do you trust me?”

He smiles again, though this time with a bit of a razor’s edge to it. “Not like I got much choice, honey,” he says, and then pauses, softens. “Yeah. You’ve been nicer to me than most people would’ve, findin’ a stranger in the middle of nowhere, actin’ like he’s been dropped on his head. I wouldn’t have blamed ya if you’d run the other direction.”

You have no idea why, but what springs from your mouth before you can help yourself is: “I couldn’t do that to you.”

He studies you for a minute. His gaze feels as physical as a caress, and just as intimate. If not more so. You both do and don’t want it to stop. 

“Come on,” you say again, at least in part to break the silence. “Follow me.”

The two of you start walking, following the weathered gray slabs of cracked, uneven concrete that your small town calls a sidewalk as it winds its way into town. 

After a few moments of quiet, he says, “You never told me your name.” 

When you introduce yourself, he smiles again. “That’s nice,” he says. “Pretty.”

Your stomach flips again, and you have to remind yourself that you don’t know anything about this guy, except — only just now — his name. The fact that he’s tall, gorgeous, and really does give off a hurt puppy sort of vibe doesn’t matter. And it definitely doesn’t matter that his smile spreads across his face like a sunrise coloring the sky with ribbons of pastels. He could be a serial killer, or if not that extreme, some kind of — 

The two of you are still, for reasons not entirely clear to you and probably not much clearer to him, holding hands, so you’re jerked out of your thoughts by the fact that he’s gone stock still. 

“You’re takin’ me to the sheriff?”

If the dread clinging to his voice like a weed choking out a weaker plant wasn’t bad enough, he’s frozen still on the sidewalk, looking at you as if you’ve…well, as if you’ve betrayed him somehow. The pit of your stomach turns to ice.

“The sheriff?” you repeat. You feel oddly, stupidly, disappointed. A guy with nothing to hide doesn’t act like this when someone brings him to the authorities. The disillusionment washing over you makes your tongue sharp. “Who the hell are you, Barney Fife?”

He frowns. “I told you my name.”

“Yeah, I — never mind.” You shake your head and let go of his hand. The bare skin of your palm feels oddly cold. “What’s the matter? I thought someone might be looking for you. Maybe someone filed a missing persons report.”

“I don’t think so, darlin’.” He glances at the police station again, his throat bobbing. A pause, and then, softly, like he’s making a confession: “Nobody left that cares about me that much. Unless they wanna cause me some hurt.”

You feel the strangest mixture of sympathetic and prickly, as if you’ve been caught doing something wrong by someone who has been directly and seriously hurt by your actions. “Well…” You clear your throat, trying to find the right words to defend yourself. “I mean, listen, what kind of hurt? Are you a criminal or something?”

One corner of his mouth tilts up in a bitter approximation of a grin. “Or somethin’, honey,” he says. “I got a reputation I never wanted and that I’m not proud of, an’ not one person reads about me in the paper or sees my name on a wanted poster—”

Wanted poster? But something about his fierce, stung expression keeps your mouth shut.

“ — ever gave a damn about the truth. About why I did all that stuff. I didn’t want to!” When his voice rises, equal parts angry and hurt, you can’t help yourself. You reach for his hand again. He takes a deep breath, his fingers grasping yours. “I didn’t want to do any of it. I just wanted…I wanted things to get better. Every time I thought they would, they just got worse.”

You know it would make sense to ask what he actually did, but somehow, you can’t bring yourself to put the words out there. He looks ashamed and angry, but defiant, too, as if daring you to do it. Or, worse, to pass judgement. But you just press your lips together. 

“I wanted to go straight,” he says. “I wanted a good job for a respectable boss, so I could keep a roof over my head and food in my belly. Damn it, I just wanted some peace—”

When his voice breaks, you feel it in your chest, as if a fissure has opened up in your collarbone. Your own eyes burn, a reaction as instantaneous and out of your control as a burning red welt raising up around a bee’s stinger. It hurts you, to see him hurt, and you can’t even begin to explain to yourself why that is. 

“Well, I…I…” You fumble your words, not even sure what you’re going to say. But you know you have to say something. “I…okay, so, we’ll…we’ll go somewhere else. We’ll figure it out.”

He looks about as shocked to hear you say that as he was by the car burning rubber on the road leading into town. “You mean it?”

You swallow down the stupid feeling that you’re going to cry, and you nod. “Yeah, come on,” you say, and you hold out your hand again. He takes it. “We’ll go back to my place.”

He offers you another crooked smile, but this one is more surprised, almost tender, like you’ve shown him something sweet and unexpected hidden in the palm of your hand. “You sure about that, sweetheart?” he says. “You don’t know me all that well. I’d understand if you didn’t want a strange man in your home.”

Forget not knowing him that well, you don’t really know him at all, but you just tell him, “I’m sure.”

Because you are. In what seems to be the theme of the day, you can’t explain why, but it just feels…safe. Despite the little Dateline-themed voice in your head telling you otherwise, you can’t ignore the certainty, heavy and inexplicable, that you’ve been here before. He’ll step into your apartment and feel at ease, because this isn’t the first time he’s been your home. It will fit like an old coat, comfortable and soft and easy. 

It’s insane, but you can’t turn your thoughts away from it. 

His fingers lace with yours, and he rubs his thumb over your knuckle. The way he’s looking at you, so intently, his gaze never wavering from yours, makes you feel as though you’re being turned inside out, exposed. The moment when he froze with fear as the two of you approached the police — sheriff — station seems distant in both time and space, like you’ve gone forward many miles and many years in time in the space of just a few minutes.

“No cars, right?” he says, his crooked smile widening. The word cars sits in his mouth like he isn’t quite used to the shape of it, but you’re so charmed by the fact that he’s trying to make a joke. That the two of you have a joke to share. 

“No cars,” you say.

You’re walking again. Now and again you pass other people, who look at Billy the way you must have looked at him when you first saw him — eyebrows furrowed, pushing down over their eyes, glance flicking over him as if a quick look will make any more sense than a lingering one. Billy doesn’t seem to notice, or if he does, he doesn’t seem to care. He’s too busy looking around at everything else; it all seems to shock him to varying degrees, whether it’s the buildings around you, the streetlights and the power lines silhouetted against the sky, the concrete beneath your feet and the asphalt of the road running beside you. 

As another car zooms by, Billy lets go of your hand, dosey-do’s behind you, and takes your other hand. Now he’s standing between you and the road. “I don’t like those things,” he mutters, more to himself than to you. “But I like you near ‘em even less.” 

Your apartment building is a brick rectangle studded with windows, a pair of double doors set in the middle at the top of a wide set of concrete steps. You lead Billy inside and he stops as you reach for the elevator button. 

“What the hell?” he says, again speaking under his breath.

You push the button, watching Billy’s face as the call button lights up. He flinches at the ding, looking around for the source of the noise; you squeeze his hand gently. You wonder again where the hell he came from, that every piece of modern technology seems to make as little sense to him as ancient Egyptian hieroglyphics. “It’s okay,” you say. “Just trust me.” 

Implicit in your voice is this: I won’t let anything happen to you.

He seems to hear your silent promise, or maybe the words you actually say are enough. Billy smiles thinly and nods.

When the doors slide open, though, he balks. “Are we supposed to go in there?”

“Yes. It’ll take us up to the floor my apartment is on, without us having to go up all those stairs.”

He swallows. “Okay.”

You step into the elevator and he trails after you with the air of a child who is expecting a switching out back. When the elevator starts to rise upward, Billy stares at you incredulously. “It’s okay,” you say again. “It won’t take long, I promise.”

He has a white-knuckle grip on your hand, and he jumps a little at the ding from somewhere above your heads as the elevator comes to a stop. When the doors slide open, he relaxes a little. “That’s all?”

“That’s all,” you confirm, and you lead him down the hallway. He waits while you fish your keys out and let yourselves inside your apartment.

As soon as the door closes behind you, Billy’s shoulders soften. You watch him as he looks around, feeling oddly nervous. As if it matters whether or not he likes your place.

Your building is old — you think from the 1920s or thereabouts, if you remember what your landlord said when she showed you the place five years ago — and it shows in the way it looks. Wooden parquet floors the color of honey are softened by rugs that you found at a flea market, a brown velvet couch slouching in front of a square, red-brick fireplace, framed by a mantle scattered with knickknacks. Billy smiles as he wanders over, picking up a little statuette shaped like a cat, wearing a collar of flat chips of glass.

“Cute,” he says, offering you another smile, and you feel inordinately pleased. 

His gaze roams around the living room. To his left, a doorway hung with a beaded curtain leads into the kitchen, and in front of him, a hallway runs to the back of the apartment, with your bedroom on one side and a bathroom on the other. His gaze turns back to the mantle, lifting to the wall above it, where a flatscreen TV is fixed.

“What is that?” he says, leaning forward to inspect this dim reflection in the screen. “A mirror?”

Despite yourself, a snort works its way out of your mouth, and he shoots you a wounded look. “Sorry,” you say, putting your hand over your mouth. “Sorry. No, it’s my TV.”

You have another, smaller one in your room, but you decide one television might be enough for him to deal with right now.

“A — a T…V?” he says, repeating the two letters distinctly, as if they have nothing to do with each other. “What’s that?”

Your lips part, and you stare at him for a second. “Billy,” you say. “Where are you from?”

His brow furrows, like he doesn’t quite understand what you’re asking. “Well,” he says slowly. “Most recently I’ve been livin’ in New Mexico. Why?”

New Mexico. That really doesn’t answer your question. “Where in New Mexico?”

His puzzled frown deepens, but he doesn’t ask why you’re pressing him. Maybe he figures you deserve to know, after saving his life and bringing him back to your apartment. “Lincoln, right now,” he says.

You don’t know much about Lincoln — or New Mexico, for that matter — but you don’t think it’s some reclusive community where they wouldn’t know about elevators or cars. 

The next question you have is crazy, totally insane, really — but you think you’ve seen doctors on TV ask concussion victims the same thing. And that’s definitely all it is. Because there’s no way this could actually be the problem. 

“Billy,” you say again. “What year is it?”

Now it’s his turn to huff out a laugh through his nose. “What year is it? It’s 1881.” 

You’re so floored by this statement that you blurt out, without much — or any — tact: “No, it’s not.”

He looks like he’s on the verge of arguing with you, but maybe everything hits him all at once. The cars, the technology he doesn’t understand, the very world around him that looks so different from what he’s used to. “What…what year is it, then?”

You blink. “2024,” you say. 

This time, when he laughs, there’s no humor in it, only a sharp incredulity. “You’re crazy,” he says, but without much heat. It’s almost like a plea, as though he’s offering you the opportunity to take it back. To say something that actually makes sense, because — and you have to give it to him, he’s not wrong — this doesn’t make sense at all.

And yet, unless he’s been severely brainwashes or he’s just putting you on, it’s also the only option.

“How did I get here?” he says, and he sounds — and looks — like he might cry again. “What do I do now?”

“I don’t know,” you say. Then you reach for him, and even before your hands find his face, he’s moving closer to you. He holds onto your waist, like you’re a lifeline. “I don’t know. I don’t know how you got here, or why, but you’re not alone, okay? You have me.��

It doesn’t even register with you at first that this is an incredibly strange, if not downright dangerous, thing to say to someone you met not even two hours ago. Especially considering you’re saying it to a man who is bigger and undoubtedly stronger than you. But you don’t feel like you’re putting yourself at risk. 

Billy, though, says what you’re thinking, except he says it with a sense of wonder. It almost sounds like a prayer. “I don’t even know you,” he murmurs.

Yes, you do.

The thought seems to come from outside of you, as if someone has turned to a fresh page in your mind and written it there in their own hand. 

Billy says your name, still in that awestruck voice. It feels as though there is a web spun between you, gossamer-fine but indissoluble. The fact that he could be an honest-to-god time traveler makes more sense to you than the idea that you only met him today. 

“1881,” you repeat, and he chuckles.

“2024,” he returns. 

“How old are you?” 

“Twenty-two.”

“Oh,” you say, relieved. Although technically if he’s twenty-two and from the year 1881, that means he’s around 165 years old, but who’s counting? “Me too.”

He smiles, an uptick of the corner of his mouth that nonetheless makes your heart skip in your chest. You decide that you want his hands on you, always, his gaze on you, always, but then you remember something else you have to show him. 

“Come here,” you say, taking his hand again. You lead him down the hallway to the bathroom, the sight of which earns you another look at his stunned, disbelieving face. “Okay. This is my bathroom.” You point. “That’s a toilet.” You try to remember when toilets were invented. “It’s like…an outhouse. But inside.” 

Billy snorts. “I know what a toilet is.”

You hum. There’s that, at least. “This is definitely new,” you say, and you point to the shower. He nods. You have one of those with a glass door, which you — a little embarrassingly, now — have declared with decals of cartoon sea creatures, including a whale, a puffer fish, and a little scuba diver.  “Right. This a shower.”

You push the door open, reaching inside and turning the knob so the water comes pouring out. Billy jumps at the sudden noise and stares as steam fill the room. “It’s hot?” he says uncertainly.

“It can be,” you say. “If you twist this knob here, it can get cooler, though. But it won’t hurt you.”

“What do you do?” he says, peering at the shower. “It’s for bathin’?”

You nod. “You just…” You blush and gesture vaguely at his clothes, before gesturing equally vaguely to the floor. “And step in. There’s soap and shampoo for your hair.”

He smiles crookedly. “Are you tryin’ to tell me I don’t smell like roses, honey?”

You laugh a little. “I mean, well…”

He grins again before looking resolutely at the shower. “Okay,” he says. “I’ll try.”

You give him privacy, shutting the door behind you, though you hover nervously in the hallway in case he needs you. You’re worried about him slipping and falling, so you have to resist the temptation to press your ear against the door. Finally, you hear the water shut off — you’re proud of him for figuring out how to do that, without dousing himself in ice water or boiling himself alive — and you realize, just then, that you have to get him fresh clothes.

“Hold on!” you call through the door.

You hurry into your room and find an old college t-shirt that you “borrowed” from your dad, along with a pair of pajama bottoms that are advertised as unisex but absolutely swim on you at the cuffs, so you hope they’re long enough for him. You knock on the bathroom door, and when it opens a crack, you hold out the clothes while carefully turning your head away. “Here,” you say. “These should fit.”

“Thank you,” he says, voice muffled by the door, and then he takes the clothes and the door shuts again. 

You perch on the couch in the living room, waiting for him. The bathroom door opens fully, releasing a cloud of fragrant steam, and you smile encouragingly as you see Billy standing in the doorway. The pants do indeed fit, although the t-shirt hangs on him a little. 

“What did you think?” you ask. “Of your first shower experience?”

Billy chuckles, coming to sit next to you on the couch. You’re so aware of his proximity that it makes the air between you sing. There’s something about the sight of him, freshly showered and smiling, seemingly more relaxed now, that makes you want to lean into him. 

“It was nice,” he says. “Warm.” 

You’ve lost count of how many times today that it’s happened, but once again, he takes your hand. 

“Thank you for takin’ care of me,” he says softly. “You’re a sweet girl. I’m glad I met you.”

Coming from anyone else, being called a sweet girl would make you feel like a toy poodle. But coming from Billy, in his warm, molasses-slow drawl, it just makes you feel warm, like you’re bathing in sunshine. 

“I’m glad, too,” you murmur.

It would be crazy to kiss him right now, right? You know the answer is yes. You know that. Still, ever since the moment his voice broke outside the police station, you’ve felt…protective over him. More than that, you’ve felt connected. It’s as if seeing him break down, even if it was only for a moment, in turn broke down something between the two of you. 

You remember that sensation when you first took his hand, as if a door had slammed solidly shut between this moment and the rest of your life, and you think maybe there wasn’t so much of a barrier up in the first place.

Billy touches your cheek with the very pads of his fingertips, as if he’s afraid that you’re a bubble that will burst from rough contact. “What the hell?” he says softly, and you laugh, because you know it’s not really a question you’re supposed to answer. “We just met today?”

You nod.

“And some way or another, I’ve traveled…” A pause while he does the math. “140-odd years in the future?”

You nod again. 

“Alright, then,” he says mildly, and he kisses you.

It feels like the world turns inside out from a point centered around the two of you, spiraling and twisting outward until it forms again, entirely new, bigger and grander, humming and buzzing like a live-wire. Your hands grasping his shoulders feel like the only reason you aren’t just floating away, and the way he grips your waist makes you think he feels the same. You press closer to him, his arms encircling you as he pulls you onto his lap.

A hoarse chuckle comes from somewhere around the fireplace. “You kids usually take longer than this.”

You jump out of your skin, and before you can blink, you find yourself sprawled on the couch cushions, Billy on his feet in front of you. One hand goes to his belt only to grasp at the air. He scowls and brandishes his fists instead, and then—

“Old Moss?”

You sit up. “You know this guy?”

An old man has his elbow propped on the mantelpiece, a tattered hat perched on his head. He’s shorter than Billy, stockier, but their clothes are much the same, along with the weathered tan on their faces. The old man, though, has a beard covering the lower half of his face, spilling over his chest like dirty cotton. 

“I…” Billy shakes his head, seemingly just as flummoxed — if not more — than he was before. “I knew him when I was a kid. He helped my family cross the country.”

The old man — Old Moss — chuckles. “I’m not Old Moss, son,” he says. “I took on this form to make you more comfortable. Otherwise you would have tried to wallop me, I bet, and that wouldn’t have been good for you.”

Billy stiffens, and he puts one arm behind him, to keep you behind him on the couch. “Who the hell are you, then?”

Old Moss (you don’t know what else to call him) shrugs. “A representative of the universe,” he says, waving his hand to underscore this grand sentiment. “My speciality is helpin’ lovers find each other in every lifetime.” 

A shiver dances down your spine. “Every lifetime?” you murmur.

“Oh, sure,” Old Moss says. “You two have found each other in every life since your souls first came into being.” He smiles crookedly. “Thanks to me. You’re welcome.”

Another grin creases his face. “This time, I thought I’d try things a little bit differently,” he says, shrugging. “I’ve never pulled one soul from a different point in time before. I wasn’t sure if it would work, to be honest with you.”

He grins again. “Judgin’ by the way you were treatin’ her face like an ice cream cone, though, I’m guessing it did.”

Despite yourself, you giggle. 

Out of the corner of his mouth, slanting a glance at you, Billy murmurs, “What’s a—?”

“I’ll get you one later. You’ll like it,” you assure him, and now you do stand next to him, patting him gently on the shoulder. “Don’t worry, though, you kiss better than that.”

Old Moss chuckles. “You guys got any questions before I go?”

You think for a second. “How many lives has it been?”

“Mmm…” The old man tugs on his beard thoughtfully. “I’d say this is your…I dunno, I lost track. Somewhere around 200, I think, maybe a little north of that.”

Your hand creeps into Billy’s, and he squeezes gently.

“And we loved each other in all of them?” you say.

Old Moss’s expression is almost unbearably kind. He nods. “All of them,” he says.

Billy’s shoulder presses against yours, and you feel the contact from the top of your head to the soles of your feet. Somehow, over 200 lifetimes of loving him doesn’t seem like a surprise. 

“An’ I…I get to stay here with her?” Billy says now. “I don’t gotta go back there?”

Buried in the snowy tangles of his beard, Old Moss’s mouth twitches. You can’t tell if it’s a smile, or if he’s trying to swallow tears. “Yeah, son,” he says. “You get to stay.”

Billy’s hand tightens around yours, as if he’s worried — despite Old Moss’s confirmation — that someone is going to take him away from you. You grip his hand tighter in turn. Like you’re going to let that happen.

You look over at Billy, and he turns his head to meet your gaze. You can see every one of those lifetimes in his eyes, caught in his gaze like snowflakes on his lashes, and you hope there’s going hundreds more, going on until the world itself ends. Nothing else will be enough. 

By the time you can turn your eyes away from him, Old Moss is gone. You look over at Billy again, and he grins at you. “I guess representatives of the universe favor Irish goodbyes.”

You grin back at him, winding your arms around his neck. “It seems like I’m stuck with you now,” you say, and he chuckles. 

“Seems so.”

He leans down to kiss you. The world turns inside out and spirals again — and again — and again — and…by the time it’s settled again, and Billy breaks the kiss, you think that you’d be happy if you spent this lifetime and each one to come just doing this.

“So…” Billy smiles crookedly. “About that ice cream cone?”

You laugh. There’s a thousand things to set him up with — how the hell does somebody get a Social Security number at twenty-something years old? — but you can figure that out later.

For now — 

“Let’s take you to get one,” you say. “And I’ll introduce you to the unbeatable combination of gummy bears and ice cream.”

“What are—?”

You laugh, taking his hand and rising onto your toes to peck his cheek. “Just trust me. You’ll love it.” 

[jaal-ama-daravv]

With Emmrich's romance which version do u prefer lich or not? And why?

Oh this is a hard one for me, I am very torn on which path I prefer.

Thank you so much for asking!

Allow me to explain why I am torn -

Lich Path

This path holds a place in my heart. On one hand, Emmrich has achieived his dreams of lichdom and averted his fear of death. We love an ambitious king who remains irrevocably in love. But he has not faced his fear, he averted it. Emmrich's fear of death most likely stems from his parents and with being apart of the Watchers since he was a child - similar to Rook Ingellvar. If Emmrich takes up lichdom, his fear of death does not dissapear, it transfers to Rook.

Whilst both mortal and lich Emmrich fear Rook's death quite heavily, when Emmrich is a lich, this fear is based around Rook's death and Emmrichs inevitable grief that will follow for eternity. I am of the mind where I believe that Emmrich would 'go rogue' if Rook were to pass on. Purely because of the type of love they share, Emmrich's past, and that he would not be able to cope with the loss of the flame of his heart. The most magnificant thing to ever happen to him.

In saying that, when Emmrich takes up lichdom, Rook states that Emmrich has everything he needs to tackle Lichdom. (i.e., you can accept the death of others, including Rook). Incredibly wrong, so incredibly wrong as seen throughout the rest of the romance following. A) His argument with Rook about death and living without them for eternity (man would go rogue due to who he is as a person), B) He is found by Davrin crying in his room, alone, after the death of Manfred. C) Throughout the banter in the game, Emmrich avoids and/or is cold to the topic of Manfred's death. Dismissing and avoiding any claim that he misses him.

Emmrich is not equipped to take up lichdom because he feels so deeply, and loves so deeply. So fucking deeply. He borderlines being an empath with OCPD if you wanna get literal. His obsessions and compulsions being death, affection, and magic.

Whilst I believe that both paths embody the soulmate trope, I adore this path because it transcends reality and they would, Emmrich would, find Rook in each world. Through any means neccessary. Yes - Emmrich is about rules and order, and is gentle and kind, but this man (now lich lord) is a powerful mage. A very powerful mage who can speak to the dead. There are hints throughout his romance that he would go unhinged should his weakness (Rook) be exploited (aka, dead). Read about and see more below -

See cinematic here, and dissection of the romance here.

Mortal Path

I am yet to dissect the mortal argument & romance scene, however they will be coming shortly, but for now I will expand my thoughts here. You can find the intial romance dissection here .

Mortal Emmrich path is incredibly wholesome and fullfilling. Emmrich gives up his dream for his love for Manfred. Whilst this is heartwarming to others, it does not tick my boxes personally. I wouldve preferred Emmrich consideration of mortality to be a mixture of Rook and Manfred. In saying that though, Emmrich's lichdom path has a significant amount of more romance-esque dialogue. Particularly in the romance and lichdom decision scenes. So it's an odd choice for the developers, or an oversight. I think I am turned off by it a tad because there is minimal fear towards Rook's death. Whereas Lich Emmrich is devastatingly scared. Idk, I'm in two minds.

I really do love the mortal path as I believe it adds more depth to Emmrich, it adds a layer of resilence instead of avoidance. Thinking of the romance scenes, the mortal scene is about love and wanting eachother, whereas the lich path is about desire and acceptance. Both are remarkable. God this is hard.

Emmrich's fear of death does extend to Rook during the argument scene and this is evident throughout the rest of the game and romance. Stating that he is afraid he will die and be a burden to Rook. These romance argument scenes are flipped in retrospect - In the mortal scene, Emmrich fears his own death will hurt Rook, and is terrified of that because he loves her so much. In the lich scene, Emmrich is terrified of Rook's death and the pain it will cause him because he loves her so much. My one grivenance with this scene is that Emmrich can say, "At your age?" in a condescending tone which I think it very out of character. But aso backs up my point that he has a fire to him.

However, the mortal romance has a significant amount of benefit to it. A) Emmrich somewhat learns to deal with his mortality, B) He has Manfred, C) They can spend their post-game days enjoying their life together, instead of the fear that will forever creep on Lich Emmrich.

I implore you to also remeber that it is evident that mortal path Emmrich believes that he is 'too old' to enjoy this type of love. He never thought it would come to fruition. This is evident by the banter, dialogue, and flirt options throughout the game. "its gratifying a fresh faced adventurer noticed me at all" and more. Hence his fear and feelings of burden towards Rook being evident in the argument scene. I'll break this down more later.

Give The Eternal Flame a read.

At the end of the day, Rook was right. Things would be easier to deal with if Manfred were around.

Verdict

I really, really, really love both and Im really torn between them because they are both fantastic and have individual meaning whilst remaining true to the concept that Emmrich and MW Rook are made for eachother. Soulmates. It honestly pains me to say, but at this point in time - I think at the end of the day, as much as I love the Lich romance, and the more content it posesses. Like, love love love the lich romance. Unless there was a canon way in the future for Rook to join him in Lichdom, I prefer the mortal romance path.

This is due to 3 reasons -

A) Whilst the romance content in game is better for his Lich romance and appeals more to my favourute tropes, becoming a lich lord is not something Emmrich is equipped for. He would need a romanced Rook to join him to be 'fine', if that. Inevitably, Lichdom is his way to avert his fears, not face them.

B) Mages can live for an incredibly long time. Especially ones that are entwined with the Fade. Even more so ones that can speak to the dead. I think there is some meaning for that we will uncover in future game adaptions.

C) Emmrich states that he is happier with Rook and Manfred and would not give it up for anything. Whilst both romance scenes are incredibly powerful and romantic, the mortal romance scene is a masterpiece with facial expressions and tension. You can feel the love. Whilst you can feel the love in the Lich romance scene, it is centered around acceptance. See below.

At the end of the day it comes back to the question of what would Emmrich's parents want for him? The question that confirms his romance. They woud want him to be happy, with someone who cares for him. And that is Rook. Emmrich would be happy for the rest of his life. Emmrich has yearned for this love his entire life. Lich Emmrich would be happy, for a time. Then descend into madness, leaving him unhappy and distraught.

[what-eats-owls]

It matters how you do it

I finished Dragon Age: The Veilguard and had some big feelings about it. Spoilers for basically everything under the cut, and frankly, it won't make sense unless you've finished the game anyway.

First of all: I had a blast with this game. I didn't find Act 1 slow, I did find Act 2 a bit of a whack-a-mole, and then Act 3 kicks you in the kidney (complementary) while insisting it's for your own good.

I've seen some recurring complaints: that it lacks depth/edge/darkness, that it abandons previous lore, that the previous choices don't matter. I don't entirely disagree. To me, it felt like a massive Dragon Age 4 game that pivoted to a different, tighter game after complaints about bloat in Inquisition. The key is that when editing down, there's such a thing as trying to trim the fat and taking a chunk of the roast with it.

I enjoy the concept of Lucanis's character, and the voice actor sold the hell out of him, but the storyline felt like being taken to a museum and allowed to see one (1) beautiful unfinished sculpture. Why did Spite, specifically, work? We know the spirit of Justice became Vengeance by abomination, we knew Solas was Wisdom before he became Pride, so what was Spite before, and why wasn't that tied to Lucanis's own personal arc? (Doubly so if you romance him!)

Similarly, Harding was a delight, and her greenhouse was such a lovely little haven. I would have loved to see more explanation of the connection between plants and the titans, and how Harding's own personal struggles with rage connected to that of the titans. She has every reason to be angry and scared, and the game tells us she pushed that away—but we don't actually see her toxic positivity manifest to that degree, until she abruptly has an angry clone.

On the flip side, I loved the other five character quests, and I felt they had solid, poignant arcs that delivered. I also adored their interactions with the codex—if anything, I wanted to see more of that type of interaction on the screen. You have to fill in a lot of the character work for Rook yourself; Rook has all these interesting potential backgrounds, but I think starting the game playing through those, a la Origins, would have gone miles towards establishing more personal stakes up front and made for a stronger start.

So that's all my nitpicking. But let's talk about the bigger theme: It matters how you do it.

In the first Fade conversation with Solas, he gets so mad when Rook refuses to let him DARVO them about the consequences of his botched ritual. This makes way more sense when you understand he's literally imprisoned by his own regrets, and he needs Rook to have that same kind of regret in order to take his place. His entire arc is about rationalizing binary choices and shitty actions that hurt others in the name of a hypothetical greater good that he wants.

Solas can't engineer every binary choice Rook's forced into, but he uses Varric to maximize Rook's regret. He is trying to quite literally mold Rook into him, and the game is great at presenting this both as a coldblooded manipulation and a broken plea for validation—if you let it. You don't have to give Solas a moment of consideration; you don't have to take time to view his memories, or kill his demons, or listen to those scraps of Mythal still holding onto the good in him. You don't have to do any of it.

But you can. And in the end, it matters.

It matters because for every companion, you can encourage them to either be more nurturing/compassionate or destructive/closed off versions of themselves, and that is frequently tied to continuing or breaking from a cycle. (The exception is either Neve or, presumably, Lucanis, who are forced into the Hardened version depending on which city you save.) These aren't presented as morally opposing choices, just who you want them to be. You can see how the Grey Wardens fucked up bad with griffons and decide they have a better place. You can help Emmrich face his fear by finding deeper meaning in life instead of indefinitely postponing death. You can help them do things differently.

So when you get to the final choice in the game, you may have two options: physically force Solas into saving the Veil, or trick him into it. The kind of binary choice Solas has molded you into making by pelting you with cruelty and manipulation.

Or, if you've taken the time, you can get him to understand he's wrong. You bring out the people who saw the best in him and speak to what he's had to endure, even as you're showing him there's another way. You reach him not as Pride, but as Wisdom. And he goes willingly.

Ultimately, I think DA2 and Inquisition grappled with big questions of oppression and violence, faith and authority. It makes sense for those games to delve into harder, uglier subject matter, and ask you to make binary calls.

But my read of Veilguard is that, at its core, it's about how those decisions are meant to trap you in regret at best, and numb you to rationalizing cruelty at worst. It's why the companion who loses their home city becomes colder, more isolated, in response—more like Solas.

That's why it offers you a third way at the very end, but only if you've worked for it. A better way is possible, yet it has to be more than words. You have to understand where the pain comes from, what maintains and is being maintained by the current cycle. Then, and only then, can you break it.

I can't wait to play it again.

P.S. Utterly obsessed with the Trevisan fish merchant.

[identityflawed]

to every single arcane fan on the planet who is pissed at caitlyn for her actions in s2 act 1, please listen to me:

you are right to be pissed, that’s kind of the point, but hating her means you have to hate… like every other character. grief is a powerful factor in almost all of arcane and the motives of every character are based in something they’ve lost: whether it’s family, ideals, reputation, land, etc, they’re all dealing with loss and that causes them to act in morally-challenging ways. because that’s what grief does. a loss unthinkable causes actions unthinkable.

caitlyn joins the grief club a bit later than your other main characters, jinx and vi. but unlike jinx and vi, we actually see cait’s actions fresh off the block. the time cuts in act 1 only showed the clean-cut effects of losing their parents on the bridge, and then the new jinx and vi that occurred after the five (?) year time-skip after the explosion in the warehouse. you don’t see them when they’re full of raw grief and terror and illogical actions. you don’t see how severely vi was beaten in prison, how she must’ve lashed out in response to being taken away from her sister, how she continuously made the situation worse for herself because she felt like she deserved it, that she should’ve fought harder, been a better leader and a better sister. we don’t see jinx’s mental breakdowns afterwards, we don’t see how silco grooms her, how he uses her for his literal and emotional goals, how she’s shattered and how she pushes people away because of her own mistakes… but we’re seeing it with caitlyn, we’re seeing the rawness that comes with all of it, and we’re seeing how that impacts the narrative and other characters. people who haven’t grieved don’t seem to understand that it is like containing a storm, and you cannot do it by yourself, all of the time, and sometimes it gets out to other people if they press hard enough.

arcane is very cyclical in the way that all characters follow the same path, over and over again. caitlyn and jinx are following narrative paths, especially when you compare ambessa to silco. i do wonder if jinx knows that silco stabbed vander, that he was the one who ruined everything, hired the goons to jump them and scared her into dropping their haul from jayce’s workshop, etc. i wonder if the reason she continues to spiral is because she doesn’t know, and if caitlyn will get the same treatment with ambessa’s betrayals and her hand in the attack on the memorial.

whatever the case, you cannot defend jinx and hate caitlyn. they are not the same, i understand, but they are both products of massive grief that they blame themselves heavily for.

back to the idea of grief being a storm, because the most common gripe i see with caitlyn is how she promised vi she wouldn’t change, and then changed within a day. this isn’t… this is not an unreasonable course of action from caitlyn, given the situation and how she’s feeling. she is like… at most, a couple weeks out after her mother’s death. it is still an incredibly fresh wound, and she is sort of hinging her entire self-worth and identity on her ability to make the shot that resolves this feeling inside of her. she doesn’t get to make that shot, and fresh off of that miss, that realization that the fight is going to be prolonged and that vi is not as unattached to jinx as she says she is…

both of them made strange promises in that tunnel that they didn’t quite keep. how can you blame vi or caitlyn for picking their family over the girl they met less than a month ago? isha was a wildcard in that fight, but they both knew that caitlyn wouldn’t actually miss the shot. vi didn’t flinch when caitlyn shot 2 inches behind her, vi didn’t flinch when cait shot the gun out of isha’s hand, or the finger from jinx’s, etc, etc. it wasn’t about missing, it was the realization for vi that she can’t just cut herself off from her sister (especially when there’s signs that powder is still in there), that it is much easier said than done. and for cait, it was the realization that vi is not with her. that vi never changed.

that’s kind of the issue. vi didn’t want caitlyn to change, but caitlyn wanted vi to change, and they’re both in situations that demand change and stagnancy, respectively. see what i’m saying? does any of this make sense?