#they all look unhappy because *I* was unhappy whilst sketching them
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potato-lord-but-not · 12 days ago
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can you draw the profiles of all the malevolent boys?? just genuinely curies, i love your designs of them :))
used this as an excuse to overcome the art block ty <3
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themangaguide · 4 years ago
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There is lots of movement
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Finest manga of perpetuity!
The story of the death mage who doesnt want a fourth time is incredible in every feasible means. It starts having a few tiny arcs including the Black Swordsman called Guts who tracks devils called Apostles down. We are not really certain he does this at the start nevertheless the mangaka, Miura recommends that there's lots of history between these Apostles and Guts. The setting is practical desire at first with dashboards of high-fantasy and great components spread in some locations. Digestive tracts does not seem like a nice personality at first. He is adverse rude, wood and also ridiculous. The single particular figures are his fairy companion, Puck and also him. There aren't any real figures that one may add themselves to along with the tone is extremely bleak. Designs as an example existentialism are raised regularly due to the fact that the marketplace wonders Guts stays at what seems a hopeless goal. Its eventually revealed he includes a personal grudge against among the God-Hands called among the 5 divine beings of the the death mage who doesnt want a fourth time globe, Femto.
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faerieenergy · 4 years ago
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A Life Set for Me
Hello adorable people! I’m sharing one of my first writings publicly that I wrote where I tried to create a painting with words. Let me know what you think (with gentle kindness)! I'm going to share a recent post I shared with my friends and speak about it more in depth. I wanted to weave together different ideas into one patchwork of writing. Although I do meander a bit, think of it as a lovely sketch, that I've taken time to think about, and all the visuals, smells, tastes, and sounds embedded in each and every moment. In my attempt to create a smooth flowing narrative using a random assortment of joyous things, there may be parts that aren't as perfect as they could be when connecting the sections, however, I will try my best to paint words onto a page in a manner that aims upwards towards beauty and encompasses the written word as a beautiful painting. Here is what I shared:"A friend asked me what is the life that I want to set for me. I thought about the most delightful things I could and here is what I came up with: A place to enjoy nature, the blossoms of fruits, the deep enjoyment of psychology, creating music that moves, to be engrossed in an orchestra, to delight at and invoke classical beauty, to be light and feel warmth and lightness in my being everyday, to float amongst the stars, to be immersed in classic novels and literature, to be moved by stories, to be in the good company of a hot cup of tea, a few birds and daffodils, the crunchiness of snow during winter, being able to gaze at the ocean, to feel the breeze beneath me while lying in a hammock, to hear the giggles of children as they run and play, to cuddle with innocent sweet cats, sing the melodies of life, be up early enough to witness the morning dew, be taken away into the past where I can explore ancient civilizations, and understand the deeper mythological symbols that appear in our dreams." We were discussing how sometimes in life, you have to determine your own path, even if others have set one out for you that they would like you to do. Sometimes, others want the best for us, but because they do not know us deeply, they may only suggest things that on the surface seem like the best choices. But because we know ourselves best, we are the best person to make that choice. I've recently felt that we've forgotten about who we are as human beings. We have always been surrounded by the natural world and it is this world that can uplift us, inspire us and make us feel at peace. After all, without Mother Nature, we could not exist. In a quest to earn as much money as possible at an unsustainable pace, I have seen people really suffer greatly, myself included. Before the coronavirus hit, I was a cog in a machine, and I let so much time pass me by without a chance to stop and smell the flowers. When I was working at my job, I always felt unhappy, but never understood why. More recently, I realized that it was because I lacked creativity in my work. I needed to be creative to feel sane. It's a weird thing to think about but after I watched an online lecture about creativity in which it was said that "creative people who aren't creative will wither and die", I realized that's exactly how I felt. For creative people, being creative is like being able to lift your head above the water while you're swimming to take a breath of air. Being restrained from doing so is like swimming with no oxygen and leaving you gasping for your breath. We literally need it to survive. I thought about what my ideal life would look like. I wanted to be surrounded by nature and have a chance to see the blossoming of fruits. Recently, I grew oyster mushrooms from a kit and it was quite amazing to see them double in size everyday. There is a type of magic in that and it happened quite quickly. Being able to see a flower open or a fruit grow right in front of your eyes is magical. I'm currently delving into the depths of psychology. Before I discovered psychology lectures online, I didn't realize how much of an impact knowing psychology could have on a person's life. It's one of the most important things we should know our whole lives. As a creative, I've had trouble fitting into the real world, so to speak, so I felt lost for a very long time. When I discovered that I am the way I am due to my personality type, everything became clear to me. I'm currently reading about Carl Jung, a psychoanalyst from Switzerland and his impact on the field of psychology. While Freud is most famous for being the father of psychoanalysis, he split from Jung due to a difference in beliefs - Freud focusing more on his belief that everything was due to sexually repressed memories and roles, whilst Jung believed that the human mind went a lot deeper and was more complex. What's interesting to note is that Jung infused an element of spirituality to his studies and said that understanding this spiritual side is important to psychology. And I don't mean that in a sort of religious, dogmatic way. What I mean is there are somethings we do not understand as human beings and there are things outside our knowledge that nevertheless are truths, but they are truths in a different way than scientific truths. One of his discoveries was the concept of the collective unconscious. When we dream, the dreams represent symbolic meanings as opposed to literal meanings and the dream is how our conscious mind connects with our unconscious mind. Every person has an unconscious mind that only becomes active while we sleep. The collective unconscious is what all human beings share, all the way from our ancestors to the people who haven't been born yet. We share a common collective unconscious of symbols, myths, and universal truths. Psychologists have been studying this and I found this concept in particular very interesting and surreal. For example, someone dreams of something and they wake up, and look up the dream to see if anyone else has experienced the same thing. Often times, they find that such a dream is already documented in a culture's myths, although the person was never exposed to such a myth in the first place. How could this happen? Likewise, cultures all over the world have developed similar myths and stories, even if they had no contact with each other, so it wasn't because of cultural influence. Yet, how could this happen? I began to get very interested and curious in this phenomenon. The most recent thing I read on this topic was the fact that creativity comes from the collective unconscious, so I began to think...is my creativity something that is wired into my DNA? Something that imprinted in humans' brains that go back millenia? Just like our human brains evolved from lizard brains and other animals, we still retain elements of those brains, on an emotional level, even if our consciousness has evolved. I also wanted to be in a space where I could create music that moves. Recently, Ennio Morricone passed away, and I couldn't help but revisit his performance of "Gabriel's Oboe". It is truly one of the most sublime and poignant pieces to have ever been composed. Music has an ability to move us, to change our lives and make us better men and women. My hope is to be able to create transformative music that transcends and uplifts us. After watching the performance of this piece, I watched the movie "The Mission", where "Gabriel's Oboe" plays a central theme. After I watched the movie, I was so overcome with emotion. The piece gained a deeper meaning for me after I watched it because it provided context of the story behind the song.  Everything in that movie was so symbolic and deep, and I could see at a very deep level what it means to be human. Being able to create music and be engrossed in an orchestra is one of the highest forms of art that I can imagine. Orchestral music has been one of my biggest passions all my life. It was a place that I could go to make friends, work in harmony with others, and learn from our conductor. This involved being pushed, being disciplined, and overcoming our own personal difficulties. It is not easy but it's worth it. In addition to music, the art that has been passed down for thousands of years by our ancestors shows the ideals of civilization, as those long ago experienced it. Classical beauty, has inherent value and that value is derived from goodness, truth, and timelessness. There is a reason why it is so pleasing to look at Venutian paintings. I've wanted to delight in and invoke classical beauty for the rest of my life because I believe by striving to be elegant and refining oneself as a journey towards self-realization, we can become our ideals and these ideals are what inspire other people towards the greater good and to be the best version of themselves. They benefit us, our family, our community and the entire world. Not only of they are inherent personal value, they add real economic value to our cities. Who wouldn't want to be lounging right near a fountain with beautiful Greek goddesses in a grand plaza with Roman neo-classical buildings nearby? Imagine yourself in the ancient city of Kyoto, Japan or the Forbidden City in China, surrounded by  the splendor and symbolic carvings that are part of these buildings. These works of art connect us to the past and provide meaning to our lives. One of the things that brings me the most joy is to be light and feel warmth and lightness in my being everyday. For far too long, I've avoided this because I felt that I need to work hard and do the grind in order to be financially and career-wise successful. But I realized that the solution is a lot simpler than we think and sometimes, it's right in front of our eyes. I noticed that when people are light, they spark lightness in the people around them. Because life can sometimes be difficult to bear, we need a light of hope in at least one person around us. Feeling the lightness and warmth makes everything a lot easier. I haven't done this too much before, but I'd like to float amongst the stars more. Looking up at the sky is marvelous and awe-inspiring. Human beings were inspired by the galaxies up above, something of profound mystery yet wanted to learn more about the cosmos. Everything from our navigation of the seas to astronomy rests upon what we witness in that swirl of stars. The best kind of joy to experience is to wrap yourself up in a blanket or sleeping bag and go witness the constellations on a cool night with clear skies. There you can see yourself among the stars and each tiny shimmer of light as a sun in a far away galaxy. I admit that I haven't caught up to be the most widely-read in classic works, but it is something I look forward to the rest of my life. I love curling up with a good book to read. It's like the movie Alice in Wonderland, you go through a portal and get transported to a new, sometimes whimsical world to explore. Reading for pleasure is one of the most delightful things in life. Immersing yourself in a book is like walking through a painting that has layers and layers of depth to it, carefully crafted and expertly woven together. I realize that many people, in fact, I would say most people do not like pleasure reading or reading in general, and I see that as a little bit of a pity because there are just somethings you cannot easily understand through a short explanation or overview. Thankfully we have audiobooks now that we can tune into when doing chores and other errands but I think the act of reading a book is special in and of itself. To be immersed in classic novels and literature is to be exposed to some really interesting stories and profound ideas. I don't mean just works of fiction but also works of non-fiction that have really changed humanity. You really have to think about the genius involved from the people that produced these types of works. One of the things books are very good for, are to immerse yourself in their world. Like books, movies, films and video games are also forms of narrative that impacts us in a profound, meaningful way. To be moved by stories means that you have experienced something deep and meaningful, perhaps a universal truth that has resonated with you. I recently came across a quote that was quite intriguing to me, "the most personal story is the most universal story". Recently, I have been watching a TV show, SKAM France, a series about the lives of teenagers. SKAM, which means "shame" in Norweigan and where the show originally originated from seeks to break taboos. What is very interesting is that each season focuses on a different main character and a social issue. Combining French cinematic filmmaking with beautifully written storylines masterfully told is something I have not seen in years. I don't remember the last time I experienced such a beautiful set of stories that made me feel compassionate and helped me understand the plight of different issues in a most lighthearted, exquisite way. One of the best things in life is to enjoy the simple things. If I could teleport anywhere in order to be anywhere at anytime, I would choose to reside in the country or in a village where I could relax and where time moves slowly. I would love to be in the good company of a hot cup of tea, a few birds and daffodils as they are some of the most delightful and simple things I could imagine! Tea leaves, freshly picked, in an assortment of flavors from strawberry to mint to orange while watching nearby birds fluttering, taking time to catch worms and eat seeds, and gazing at the yellow sunshine of daffodils is how I'd like to spend a bright early morning. During the wintertime, when it snows, the entire landscape is blanketed with a glistening, pure, white layer of radiance. When you wake up in December and see tiny snowflakes that accumulate amongst the trees and on the grass, you feel magical, like a child who experiences joy for the first time. It is only when you go outside, with your snow boots on, fluffy scarf wrapped warmly around your neck and layered underneath a thick coat and pants that you step out onto the horizon. The crunchiness of snow during winter echoes as you take that first step into the tiny crystals underneath foot. You can smell the crisp, cool air of winter, with a scent of pine trees and burning logs in fireplaces off into the distance. I'd love to sit perched on a rock, on a cliffside, looking into the deep blue sea. Being able to gaze at the ocean, surrounded by sunlight and clear blue skies and puffy white clouds is an ideal vacation spot for me. Places like Santorini, where the city is a mix of blue and white, its royal blue domed roofs and windows, its whitewashed buildings and pebble-lined steps are idyllic and tranquil, nestled up high on a mountain, inviting you to discover its mysteries while you gaze at the blue Aegean sea below. It reminds me of childhood, a time when things were carefree, and can still be, where we played amongst our friends, when we were naive and innocent. To feel the breeze beneath me while lying in a hammock, was to experience a kind of freedom where we could run around on the morning dew grass with just our bare feet and experience total relaxation. It was a place of solitude and and comfort, the hammock enveloping you as you looked up into the sky and started to daydream. It is delightful to hear the giggles of children as they run and play, whether they are playing with dolls, trucks, a violin or wanting to slide down the stairs on a mattress. Their ability to be easily amused and their boundless energy reminds us all that we must not forget the inner child within ourselves. As we enter adult life, it is easy to forget who we once were as children, but important to cultivate that inner child as a lifelong process. Our fascination with young animals and baby animals are most endearing. As a child, my family adopted a kitten, a calico, a tiny girl that had white mitten paws, an orange tabby front leg and a black front leg. She was beautifully colored, in a patchwork of orange, white and black, with a white tip to her tail. To cuddle with innocent sweet cats, such as my kitten was one of my most treasured memories growing up. Within time, she grew up to be a small adult cat, but not without being a silly kitten, who chased after ping pong balls, snuggled in blankets for nap time and mewed in her high-pitched voice. What my cat taught me was that an animal could have her own soul, her own independent mind and thinking and despite humans' attempts to train her, she consciously chose to ignore our requests when called and made decisions for herself. It is important to celebrate important moments and sing the melodies of life, and I believe there is nothing more powerful than a large choir creating a transformative, ethereal experience. One of the best performances of this is the Angel City Chorale singing "Baba Yetu" on America's Got Talent. Baba Yetu, or the Lord's Prayer in Swahili, is an orchestral-choral piece composed by Christopher Tin and well-known in the video game music world. Every time I listen to it, there is a very warm sense of beauty, uplifting spirit, and honoring of ancient ancestors. To be awakened by light and to be up early enough to witness the morning dew, is to witness a beautiful transformation of Mother Nature from her sleep into a goddess that awakens with the healing powers of water that sprinkle all over the endless stretch of grasslands that are the foundation of our homes. It is the beginning of life, as each new day brings new hope and as the sun rises slowly in the distant, we get to experience the beautiful transformation of dark purple to pink to orange to yellow. One of the things I'm most fascinated by is the mysteries that surround ancient civilizations. Even though we have legends passed down to us, there is an element that the ancient peoples lived with that we do not fully understand. In 2014, I went to Anhui, China to see the famed Emperor Mountain, the site many ancient Chinese philosophers and painters went to in order to be inspired. If you have seen Chinese paintings of the mountains surrounded by beauty and mists, that is where they went. As I rode the gondola to the top of the mountain, I felt surreally transported into an ancient world. The clouds were soon below us and the wind at the top of the mountain was strong. During this trip, I visited the mysterious Chinese grottos. There were about 36 grottos constructed, all man-made, hand-chiseled. What was mysterious was that these grottos were not recorded anywhere in local history books and modern archaelogists do not understand what their purposes were. They found very few items for daily living in these grottos so they concluded it must not have been a type of shelter. Perhaps it was a place of religious significance or a place for soldiers to hide in case the city was to be invaded? Although these grottos were discovered in 1993, when I visited in 2014, they still did not know the purpose of these grottoes. What was most intriguing was that these man-made caves were carved in such a way that they were supported by "H" beams and that was before the discovery of modern mathematics and physics. How did they know how much to carve out of stone so that the inside of the mountain would not collapse? Due to mysteries like these, I thought that if I could be taken away into the past where I can explore ancient civilizations, I could discover an essence of life and ancient wisdom only possessed by people of the past. After I learned about the collective unconscious, I began to wonder more about it since it intrigued me very much. I wanted to understand the deeper mythological symbols that appear in our dreams because there were things I was experiencing in life that I did not really understand. As of late, I have been keeping track of my dreams and writing them down to gain an understanding. Although many people may assume that dreams are nothing but a random occurrence of events, I do not believe that to be so, based on the readings I have been doing so far. Even Jung, Freud and neurobiologist/psychologist Pierre Janet have done research on dreams to show that they present a symbolic meaning in our lives, and that the unconscious exists, although we still do not understand it very well. And this is the aspect of psychology that really intrigues me. It is a path I will continue down, to study depth psychology, because I believe it holds the key to so many things in our life that we need to unlock to connect with our true souls. Thank you for reading my painting with words. Much love xoxo
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zak-animation · 6 years ago
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Box Lift Iterative Development Review
In this post, I’m presenting my own iterative development for the ‘box lift’ task: our second animated exercise within the stop motion brief. In my initial response to this task, I mentioned how I wanted to work on the sequence independently in order to produce a more successful, refined animation. Stop motion is a demanding and time-consuming process, and it needs adequate time to do so. Here, I’m discussing these iterations completed in my own time, evidencing a more successful response to the ‘box lift’ exercise.
The main purpose of this session was to further develop on my own skills with stop motion animation, producing two more attempts at the ‘box lift’ task, considering ideas of timing, performance, and narrative. My main take away from the initial attempt was to consider the posing of my armature more - take the time to make sure the pose is correct, and easily understood by the audience. A second idea was to exercise some restraint on the movement and timing: to take multiple frames with little movement, as stillness can be just as effective as motion. On the flip side of this, I also wanted to explore how to create a fast motion, considering making larger moves between frames to believably communicate a quick movement.
With these iterations, I wanted to go beyond the brief’s expectations of a simple ‘box lift’ and inject a hint of a story: the idea that there is a narrative within these scenes, and the audience are watching one sequence out of a larger story. Something not described in the brief, it is important to recognise that animation, as a craft, is intrinsically linked to the idea of visual storytelling. This isn’t true with all forms of the medium, however, it certainly is true with stop motion. With exercises like these that put the focus on physical movement, it can be easy to forget this idea. Additionally to this, I wanted to explore how I could convey emotion and feeling through performance, body language and timing in both of these tests, to contrasting effects.
The Process Largely an intuitive process, stop motion has always interested me as a form of animation. With no drawing or digital skills needed, I feel like stop motion is one of the purest forms of animation: simply an animator with a puppet, putting on a performance for the audience. The focus is on the movement, the acting and the body language of the puppet: with something like traditional animation, audiences are amazed by the brilliant sketches, or how real CGI hair looks like to really concentrate on the motion. Stop motion animation, however, is essentially this idea incarnate: the focus is on the motion, and how animators are able to bring a physical puppet or object to life before their eyes.
Previously, I attempted to animate in a way similar to that of rotoscoping: tracing off a live-action reference. Whilst this was an interesting idea, it ultimately made it more difficult for me to not only see the setup, but offset the timing of the piece: effectively, some parts of the sequence were working directly on ones, whilst the latter half was shot with a more traditional approach, using twos.
Having learned my lesson, this time I was also working from my own live-action footage for reference, but on another device - allowing me to slow down the frames on a separate screen. This separation ultimately helped in the process, allowing me to focus on the posing and timing on Dragon Frame, and simply return to my phone when necessary for help with posing. This separate visual guide was a major help and factor in the success of my latest iterations: with a clear reference, I was able to work effectively and efficiently with a clear direction of where each pose would lead next.
Something I struggled with in the workshop was my own personal timing: given the number of students waiting for their turn on the studio, I ultimately felt pressured to complete my test quickly. One benefit of taking the time to develop the task independently is the absence of this problem: I’m hiring out the studio, and therefore working purely on my own work, without any time pressures. This allowed me to focus on creating an engaging animated performance, and to take the time to explore stop motion and it's practiced in more depth. In this process, I feel like I have gained a new level of understanding of the basic mechanics of a ‘box lift’ animation. The process of moving the armature after each frame is rather intuitive and the main challenges of the session arose from the posing and timing of each animation.
With these tests, I wanted to explore two different approaches to the ‘box lift’ task: a reluctant, unhappy approach and one of speed and agility. Working from my own reference allowed me to make the posing of each sequence authentic to each movement, and on each iteration, I wanted to develop past this reference and add a hint of narrative to each one. This represents my ability to quickly come up with ideas on the spot, acting out each movement and character and essentially ‘improv-ing’ from there. With this quick-fire approach, I was able to develop these tests beyond the expectations of the brief and inject a sense of story to each one.
As a whole, I feel that this independent development session was much more successful and helpful to me as an animator. Without the added pressure of other students waiting to use the studio, I was able to take my time with each sequence and the added benefit it a larger studio meant I didn’t accidentally hit the camera in the process. My animated outcomes are much more interesting, evidencing two clearly different emotional performances and approaches to the task.
Animations Review
‘But Why’ With my first animation, I wanted to look at emotion through posing. Presenting an annoyed, unhappy teenage character who has just had a row with a parent. The aim of this sequence was to convey his ‘fed up’ personality: he is reluctant to pick up the box. In my storyboards, I wanted to add a little secondary action to further convey this annoyance: having the character kick it first, out of childish frustration. My animation evidences a more reserved emotional performance, looking at conveying human emotion through body language.
In these iterative sessions, I wanted to challenge myself to do more than one action for each sequence: in this test, I wanted to have the character walk on screen, and drop the box. Something not mentioned in my storyboards is the sense of narrative I added, introducing a sense of conflict between the two characters: the armature and an (offscreen) parent character who is making the armature pick up the box in the first place. In this test, I was working beyond the limitations of my live-action reference, adding a few more actions (such as the look off camera and box drop) to make the sequence more characterful and interesting.
With this, I managed to create a clear line of action with the puppet: it’s easy to tell the character is unhappy with his situation because the armature is heavily arched downwards. The performance of the armature is an overall success, I feel. Through an arched back, drooping head and shoulders and a slow walk, I have been able to convey the idea that this character is reluctant to pick up the box.
Once the character has lived the box, the walk over to the left-hand side of the frame is convincing, I feel. Unlike the first walk, which was somewhat stilted due to superfluous frames, the timing and movement of the armature create a convincing sense of locomotion.
Finally, the quick timing of the character dropping the box on the floor in a sarcastic, annoyed response to the off-screen parent’s orders is also interesting. The use of follow through as the armature bends down and arms drop after dropping the box suggest the box’s weighty nature - and by not having the character’s head falter or move, I’m able to greater exaggerate the sarcasm and unhappiness in the armature’s performance.
As a whole, this test is much more successful and interesting than my first initial test. Despite this, it’s important to recognise the flaws in each iteration as a way to develop upon them next time.
This sequence could mainly be improved through a greater exaggerated performance: having the character visibly sigh at the sight of the box, and simply exaggerate all of the motions more up to the point that the audience can easily tell the character is reluctant to do the task in a simple frame.
Additionally, the walk up to the box feels weirdly stilted - something that can arise through minor movements whilst working on twos. I could fix this in post-production, simply taking away the additional frames that I don’t need. Whilst the small kick of the box is an interesting secondary action that hints at a personality, it is ultimately too slow to really have a strong sense of impact and force. This use of quick, dynamic movement is what I will be exploring in my next iteration.
Having explored a reluctant, unhappy approach to this task - I next wanted to continue working from my reference and storyboards, by animating a dynamic, agile character pick up the box - with an emotional twist.
Broken My final iteration for this task was, in many ways, a total contrast to my first test described above. Where that character was reluctant, sarcastic and annoyed to find the box, here, I wanted to present a character who is thrilled with their new discovery.
This character’s movements are much more agile, quick and dynamic: presenting an individual who is light on their toes and possessing an effortless charm. The purpose of this sequence was to have a character lift the box with style, in a fast motion allowing the audience to see how light the box is. Alongside character performance and timing, my main focus with this lift was to convey the box’s light weight.
This is something that I feel I managed to convey effectively, with the armature picking up the box with a specific dancer-esque pose. The initial movements are exaggerated, and this test represents a completely different approach to this task. My initial tests were filmed using minimal movements between frames to create a slow, weighted approach. With this second test, I experimented by creating quick, dynamic motion through larger changes to the armature between shots.
As a test, it’s an engaging sequence - with some secondary action that helps lend a personality and further bring out the armature’s personality. At first, our character is happy with finding the box, rubbing his hands together in anticipation. The posing on this sequence, whilst a little fast for my liking, is able to convey the character’s excited and curious personality.
Finally, I went beyond my storyboard and added a change of emotion. This is something that I’ll be exploring for next week’s task, however, I wanted to challenge myself to explore an emotional breakdown in this example. After the armature places the box back down, he pats the box twice. This was a small piece of acting that helps illustrate the character’s sensitive nature. An exercise in limited motion and timing, I had to take multiple frames as a way of ensuring the audience can tell what’s happening.
The main success of the piece, I feel, comes from the emotional break after our character pats the box. There isn’t much movement in the sequence, but from the simple shaking of the head, and holding his face in despair - my peers were able to understand that the armature was upset. After such a quick and happy motion, I wanted to explore the opposite to this in a single sequence: what if that character puts the box down with care, and realises he shouldn’t have moved the box in the first place. This was simply an example of me improvising on the spot, however, I feel like this resulted in an interesting test.
The change of expression and emotion is effective, however, the sequence is in need of more frame holds. The purpose of the animation is to showcase the character’s athletic posing and approach to picking up the box, and the character’s sidestep is far too quick for the audience to see what is going to happen. If I were to attempt this sequence again, I would spend more time anticipating each key pose. Even with a fast movement such as this one, it’s important to hold keyframes as a way to ensure the audience understand what I want to convey in the performance.
Additionally, the side-to-side head movement when our character is checking out the box is a little jolty, I feel. Again, I need to add some more frames holding this key pose, demonstrating that the character is looking at both sides of the box and not simply shaking his their head. It’s a successful test, and the change in emotion evidences a personal challenge, however, the sequence could use some more exaggeration and anticipation before each pose. A key principle in animation, anticipation allows the audience to see what is going to happen through small actions that prepare for the main action.
Something that I also want to work on is the idea of dynamic speed: experimenting with timing and movements within stop motion to create an engaging sense of rapid speed. Having the armature quickly pull the box up with a different speed than the rest of the piece would elevate this iteration, I feel.
As a review of this session, however, I’ve been able to further develop my understanding and stop motion abilities, producing two more attempts at the ‘box lift’ task with an ambitious attempt at character performance and beginning to hint at a narrative beyond simply the action itself. In comparison to my first test, these iterations are much more successful and evidence the purpose of iterative development within the medium of animation.
Stop motion animation, as a craft, is a demanding and time-consuming process: it needs all of our attention whilst working, and as such, I personally find it difficult when several other students are waiting for their turn. Taking the time to develop upon the tasks set in the workshop, however, has allowed me to produce stop motion outcomes of a far higher quality and ambition as it lifts the pressure of time off my shoulders. With my own schedule, I was able to hire out the stop motion studio and really get lost in the work. This will be something that I continue to explore as I continue throughout the project: placing a focus on producing more practical iterations and less on reflections here on this blog.
Whilst I would enjoy producing more iterations for this specific task, the limited nature of this introductory project means that we will be set a new exercise each week. I need to strike a balance between the work I’m iterating on and producing new animations, and as such, my aim for this project is to complete all my practical responses and iterations in the week we are set them. This has given me a week to explore this box lift exercise beyond the requirements of the brief and allows me to stay on top of an increasing workload.
Next week, we will be exploring a more complex stop motion sequence: having a character walk on screen, and visibly change their expression and emotion. In preparation for this, I will begin recording my own live action reference to get a better understanding of the movements and posing and produce a few storyboard iterations of the sequence.
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spicynbachili1 · 6 years ago
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A trip to Final Fantasy fan fest 2018
“Should you discover,” says the catfish, “everyone seems to be smiling round me.”
It’s true. This enormous fish individual has been waddling by means of crowds of people that grin whilst they duck beneath the beast’s large barbels. A number of individuals are taking pictures. I peer into the gaping mouth of the fish. Two human fingers immediately lurch out, gripping onto the creature’s lips from the within.
“I’m a namazu,” says Missy Allan, the 32-year-old girl within the costume. “It’s an enormous catfish… they usually’re usually actually dumb-looking, and I really like them… I assumed it could convey numerous happiness.”
Once I counsel that additionally it is barely terrifying, Missy is unfazed.
“That’s part of their pleasure.”
She stretches her hand out of the mouth to supply a parting handshake, her human limb showing from the maw of this googly-eyed creature, like a tongue.
That is the sort of unsettling marvel chances are you’ll witness on the Closing Fantasy XIV fan competition, a conference for the monster killers of the eight-year-old MMO, Closing Fantasy XIV: A Realm Reborn. A get-together internet hosting 1000’s of gamers (though the passes round their necks insist they be known as “adventurers”).
The web universe that unites these followers is like many others. You discover enormous maps, go on world-saving quests, and band collectively to raid dungeons for loot. You dance round cones and circles projected on the ground to keep away from injury, a display screen busier than an Amazon warehouse staffed by bees. The story is drenched within the cheery anime tropes followers have come to anticipate from the sequence.
However this instalment additionally acts as a vortex for Closing Fantasy paraphernalia. Bits and items of the opposite worlds bleed into it. Kefka (the scary clown from Closing Fantasy VI) exhibits up for a struggle. You may play Triple Triad, the cardboard recreation loved by Squall and buddies in Closing Fantasy VIII. You may gamble within the Gold Saucer, a theme park from Closing Fantasy VII. This final crossover is thematically applicable, as a result of this 12 months’s fan fest is going on in Las Vegas.
Other than having an an overwhelmingly alliterative identify, the Closing Fantasy Fourteen Fan Pageant is equal components cute nerdery and fetishistic cat ears, a conference of moogles and magic. Cosplayers strut round like foam peacocks: a spiky dragoon, a vampiric elf, a moon goddess.
The primary corridor is a pit of noise and color. There’s an enormous cactuar. There’s an artwork exhibition. There’s a stage for internet hosting shows from the sport’s creators. And, in fact, there’s a chocobo racing recreation.
(Click on to play GIFs)
Within the very center of the corridor, surrounded by followers, there’s additionally a protracted wall the place gamers scribble their names.
Right here, for 2 days, a monk and a samurai who struggle side-by-side in a Free Firm (a participant group like a clan or guild) would possibly see one another for the primary time. However the massive deal of the weekend is the announcement of a brand new growth known as Shadowbringers. The primary corridor fills for the displaying of a brand new trailer. Afterwards, director and producer Naoki Yoshida arrives on stage, quickly joined by localisation chief, Michael-Christopher ‘Koji’ Fox, appearing as translator.
Yoshida is a smiling stage presence with a straightened fringe and fingers coated in metallic rings. The followers know him as “Yoshi P” and there’s applause between each small declaration he makes. At one level, the gang begins chanting: “Yo-shi P! Yo-shi P! Yo-shi P!” Till he redirects the reward to the dev workforce, and the chanting mutates. “Dev-team! Dev-team! Dev-team!” It’s the sort of viewers so charged with unbridled fanaticism that it’ll erupt into cacophonous applause at some good field artwork.
Yoshida goes by means of the upcoming options of the growth. There will likely be user-controlled farms. There will likely be dwarves and pixies and thrilling server redistribution (at this an unsettled murmur grips the gang). There will likely be dungeons and forests and cities and homes.
“And yet one more factor,” says Yoshida, in one in all his many crowd-taunting prospers.
“Blitzball!” shouts a person within the crowd, to in-joke laughter.
No, not blitzball. It’s a brand new playable race. The director reveals this by turning and displaying the again of his t-shirt to the gang. It’s a non-chalant Bugs Bunny. Everybody within the room cheers, as a result of it could possibly solely imply one factor: the attractive rabbits of Closing Fantasy XII, the Viera, are coming to the sport.
They’re placing on a present as a lot as making an announcement. At one level, the president and CEO of Sq. Enix, Yosuke Matsuda, comes on stage (to gasps and cheers) wearing a blue cape, wielding a mage’s employees. A jolly sketch ensues between the Japanese builders, one in all them taking part in an interfering CEO, the opposite a tight-lipped supervisor. The entire thing is sort of a pantomime. Did Matsuda simply announce a brand new blue mage class? Oh no he didn’t. Oh sure he did.
It’s a grand present, designed to tickle the feelings of precisely the sort of one who is keen to fly to Las Vegas and gown up as a moon goddess. However the bards and conjurers of this digital land weren’t at all times so completely satisfied. A few of them keep in mind darker instances.
Closing Fantasy XIV had a poor launch. Eight years in the past, gamers arrived (a lot of them migrating from the earlier MMO, Closing Fantasy XI) anticipating a wondrous new world of monsters and journey. As an alternative, they received a glitchy world of bugs, efficiency issues and complicated interfaces.
The elders of Sq. Enix ordered a full retreat. Naoki Yoshida turned the brand new director. They needed to reboot the entire thing. Three years later, it relaunched, sporting the subtitle: “A Realm Reborn”. It seems to have slowly recovered. At present, there are wholesome participant numbers, say Sq. Enix. Though the latest boast of “14 million gamers” is as deceptive as any studio’s massive quantity, because it contains trial accounts and inactive ones (“Be a part of an indeterminate variety of individuals unfold throughout 66 servers!” in all probability doesn’t lower it with the promoting division).
However these numbers matter little to the die onerous longears and cat individuals of the fan competition. They’re too busy racing chocobos to care, or getting into the “cactpot” raffle, or smashing an enormous hammer in a “take a look at your energy” carnival recreation.
A few of them are reaching out to the touch an enormous reproduction of the sport’s quick journey crystals.
This crystal matches in effectively in Vegas, town of facsimile. If there could be a 1:1 reproduction of Michelangelo’s David in Caesar’s Palace, why not an enormous shard of Aetheryte?
On the principle stage, there’ll quickly be a panel about lore, through which a whole bunch of individuals will assist create the flavour textual content for a brand new beast, with microphones handed round to take recommendations. The ensuing monster is a gargantuan liopleurodon with bone armour who eats tiny kings and wears their crowns. The gang known as it “the Vegetarian”, and based mostly on the laughs this suggestion obtained, I can report with confidence that it was a very good joke.
All of the whereas, that wall of signatures is changing into crowded. At first, gamers wrote their names beneath their server. Nevertheless it’s quickly change into a chaotic slab of cursive, with the severs – Cactaur, Hyperion, Ultros – misplaced among the many names.
On the foot of the wall, there’s a portrait surrounded by flowers and trinkets and snacks. A shrine to a long-eared warrior.
That’s unhappy, I feel, this MMO will need to have its personal Vile Rat, a useless participant commemorated by others. So I ask a close-by fan: who was this?
“It’s Haurchefant,” she says.
I frown. Her-osh-o-fan?
“Haurchefant!” she says once more, as if I had not heard of Jesus Christ.
Haurchefant Greystone wasn’t a useless participant in any case, however an aristocratic NPC knight. And amongst gamers he actually has a Messianic popularity. Within the story quests that pepper the MMO, he dies taking a magical spear for the participant character. And since everybody on this corridor performs the identical story, they had been all personally saved by him. He died, in order that we could stay.
Two Sq. Enix employees come to examine the shrine and its trove of goodies. There are Doritos, Nature Valley bars, half a loaf of bread, a handwritten letter (“I do know you might be with me,” reads one line. “I can really feel it”). There are even some greenback payments. I ask a staffer what they’ll do with all of it.
“We’ll take it again to the workplace,” he says, “and recreate it.”
As a lot love and enjoyable that’s bouncing between the partitions of the Rio, there are grievances too. Occasionally, an MMO will take in the issues of the actual world. In Closing Fantasy XIV, there’s a “housing disaster”.
In 2014, a patch added neighbourhoods full of homes to the world. A dungeon diver may now change into a house owner, as long as they’d about three million gil (the in-game foreign money) of their pockets. However on crowded servers, there weren’t sufficient plots to go round. Shortages imply that the paladins and rogues of this land now collect in residential districts each time a patch is because of add new homes. As quickly because the contemporary suburbs pop into the sport, there’s a literal race to purchase land. Two gamers informed me they solely received a home for his or her clan by exploiting an elaborate loophole. They purchased one other clan and inherited that group’s home, one thing you’re “not likely purported to do”.
“It’s important to nickel and dime,” stated one of many householders.
New suburbs full of homes have since soothed demand, and there are different measures to assist hold the housing market wholesome. Should you don’t log in for 30 days, for instance, your property will likely be repossessed. Nevertheless, it stays an issue, say these gamers.
This isn’t the one smudge of actuality to mark the unbelievable realm. Gamers are additionally working brothels in-game, as Kotaku reported final 12 months. There are pubs and houses populated with scantily clad cat ladies promoting naughty phrases to johns, and making artistic use of emotes to get busy.
“Huuuhh!?” says director Naoki Yoshida after I ask about this throughout a press Q and A. He appears stunned, however it’s onerous to consider the creators of the sport aren’t conscious of this most MMO of participant behaviours. I simply need to know the studio’s place on cybersex for gil. Do they quietly discourage this sort of factor? Or are they completely satisfied to show a blind eye to this erotic function taking part in?
“Can I make a really common response to this?” says Yoshida, through a translator. “In the beginning, earlier than you even begin taking part in the sport there needs to be a consumer settlement that pops up and you should have needed to test it off…
“So inside that consumer settlement there’s a clause that states that something that… breaks the legislation, any exercise or any remarks which might be made that should break the legislation or infringe on any kind of legal guidelines, for these gamers… there will likely be punishment… both that being your account being banned or… some sort of penalty will likely be imposed upon them.”
It’s a strict invocation of the legal guidelines of Eorzea, relatively than actual life legal guidelines (though maybe he’s reminding us of that too). Is cybersex actually that regarding? Even when it’s a consensual encounter between two grownup gamers?
“Regardless,” says Yoshida, “that’s nonetheless eligible for an account being banned.”
It possible doesn’t matter to roleplaying matrons and intercourse staff whether or not their methods are bannable or not, since it could take one of many individuals concerned within the attractive dialogue to report it. However whether or not it’s in opposition to the foundations or not, soiled discuss is one purpose why numerous roleplayers hold logging in. Nonetheless, it’s a really sober and severe reply from a person who, lower than 24 hours from now, will appear on stage dressed in a flashy Kimono and singing an indignant rock track. Sure, the competition’s finale was considerably surreal.
This rock live performance featured The Primals, a band made up of assorted builders. The sound director is on lead guitar. The top of localisation is on vocals. Yoshida appeared as a particular singer, wearing a Kyoto-made Kimono with a white tiger emblazoned on it. There’s something surreal (and but very Closing Fantasy) about seeing the pinnacle of a studio performing what quantities to a really costly session of karaoke. However the crowd loves it. They’re one massive holler, signing alongside, glowing batons swinging in unison to tunes all of them know from repeated boss fights. The entire state of affairs could be cult-like, if it wasn’t so adorably geeky.
With the live performance completed, the fanfest is over and the cat ears have to be put away for one more 12 months. Closing Fantasy XIV might be not the MMO for me. However there’s extra taking place on the earth of Eorzea than I may have imagined. The worship of useless NPCs, the housing issues, the strangers cyber-rutting within the corners of fantasy taverns. But alongside all that intricacy and intimacy is a recreation that calls for the love of holy knights, barbarians and even catfish. Once I consider Closing Fantasy XIV any further, I’ll keep in mind the namazu. It’s massive, it’s barely unsettling, and I don’t actually perceive it. Nevertheless it makes lots of people smile.
Disclosure: Sq. Enix paid for this journey.
from SpicyNBAChili.com http://spicymoviechili.spicynbachili.com/a-trip-to-final-fantasy-fan-fest-2018/
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jindesignupdates-blog · 6 years ago
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Survey on lost
So to post the result of the survey - so thankfully I received 40 responses!! 
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HURRAY :) and the responses are interesting to read, and the feeling it gives me fits perfectly the purpose of the project. 
- Knowing others are lost too, and it is okay to be lost and it is a normal thing. So let go a little for now. - 
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lost in spaaaaceeee
Below is a summary of the answers and I picked a few interesting ones and edited so that it can go into the ‘LOST BUT NOT LEAST’ coping cards.
What phrases comes up in mind related to lost? (Lost connection, Lost in translation.. etc) 
>  the answers for this can be inspirations for the gifs. 
Lost cause, Lost goal, losing my mind, lost opportunities, lost in thoughts, lost in the world, Lost memory, Lost in space, he is a lost case, get lost, lost yourself, Lost fight, lost and found, lost the battle, Lost in the ocean, Lost in life, Lost in the city, Lost bet, Lost direction, Lost youth, Lost faith, Lost in translation, Lost in time, Lost in the crowd, Lost soul, Lost in your light, Lost hope, Lost track of time, Lost interest, Lost virginity, Lost child, Lost control
What are your stories of losing something? (It can be something funny, interesting for you. You could lost something and found it in an unexpected way, or you could have found another opportunity instead. It can be losing anything - objects, motivation, opportunity..etc)
> The question in the card can change to : You know, other people also lost things. 
So i'm not sure what kind of story i have. But there were one story with my mom. She needed to take a part in conference and from the morning she were trying to find her glasses. After 5-6 hours of search she wasn't able to find it and in panic went to the clinic near our house where you can get glasses. In a hurry she came in and starts to say : I need a new glasses, now, as soon as possible, I lost mines. Everyone in the shop were looking at her for 20 seconds and my mom said: "Why you are looking at me, i need glasses". At this moment everyone started to laugh and one of the workers bringed her mirror. She was laughing and talking about it to everyone next 2 weeks..
I lost amazing watch which I got for my 10th birthday the same day I got it. My parents were so angry and punished me and I was so sad for very long time. Also I didn´t get any other watches from them ever again. They couldn´t be found anywhere. After 10 years, when I was helping my parent to move furniture I found them inside of the flowerpot where they fell from the sofa. They were still going on!
Also, I lost my new iphone 4S 8 years ago. That time it was a big deal to have one and I was saving for it for half a year... So I was pretty desperate. I needed to use my boyfriend´s PC to connect to find my iphone app. I would never use his PC if it was not for this. Instead of iphone I found out (as he left his email open) that he was cheating on me and finally after long unhappy relationship I pack my stuff that day and left him forever. Iphone was never found but I didn´t care anymore anyway.
I lost my wallet after a night out in Korea. I only realised I had done so when the taxi dropped me off outside my apartment and I didn't have any money to pay him. I asked him to take me back to where we started so that i could try and find it but he just swore at me to get out of his taxi. I had a few days of pure stress without my wallet but the wallet was posted to me by whoever had found it with everything still in it. I couldn't believe it. That NEVER would have happened in England.
One time as a child we lost my dog. We looked everywhere for him. Spent hours going up and down the street calling him, and eventually gave up to come home and cry because an escaped dog in the city probably wouldn't survive long. As a last ditch effort after all this I went to check my bedroom closet. There he was, curled up and sleeping cozily on a pile of clean laundry. He hadn't heard a thing.
Sorry, I lost track of all my losses
I lost my virginity in a nightclub in rural Spain and got kicked out of the club after being caught
I actually lost myself for a while in the past when i prioritized the wrong people and vibes in my circle. We live, we learn, then progress (:
I lost very important files for a client and lost a job and money!
Getting drunk, “losing” my wallet, cancelling my bank cards, then finding it in my freezer 3 days later. I must’ve put it in there when I had gone in to get some chicken nuggets.
I once lost the equivalent of 5euros in my cousins home in Serbia. I didnt think much of it as it was only 5euros but my cousin and his mum were so surprised by my reaction. In their eyes these 5euros was worth more than in mine. Later on they found it and gave it back :P just goes to show that not everyone values things equally.
What do you do when you feel lost? Do you have a ritual that works for you? (Take a bath, Take a deep breath, Talk to someone..)
> The question in the card can change to : When I feel lost I__________
look at old pictures to remember who I am.
take a bath, walk and nap. 
go for a walk alone with music.
talk to close friends.
write every thought on the paper.
just keep on stressing out. That’s my ritual.
try to think of activities that would make me feel more as a whole. Usually it’s doing sports, cooking and cleaning. 
go to the nature, that helps me a lot to understand how "small" our problems and egos are in comparison to nature, earth and universe. 
read the letter I wrote to myself few years ago with priorities and aims I want to reach in my life. 
usually feel depressed so I go to mountains for a walk to clean my mind, usually during night. 
normally go on a long walk somewhere whilst listening to sad music. 
take time alone to gather myself, take a shower, relax, maybe go for a walk - anything that helps me think without distractions.
talk to fiends or do stretching or  some other sport which helps to clear mind and then go back to thinking about the issue.
just try to focus on something different for a moment, chill, watch a tv series and drink some wine.
Sleep.
breathe and calm down and try to be rational, see what caused it and think about what to do next.
try to breathe and watch a lot of Netflix.
always call my mom and just have a nice chat, she always helps me find myself.
remind myself of how lucky I truly am by being healthy, fed, warm and free to choose my path.
hold my knees and cry in the shower if it’s a bad loss and sing in the shower if it’s a good one.
enjoy the very rare feeling of loss of control and just wander around spontaneously.
have a high speed walk. If it doesn’t help I talk to some of my closest relatives or friends.
try to tell myself things are better now.
meditate, exercise and google “how not to fee lost” hundreds of times.
get lost! I spend my time alone; free of counteractions.
take time for myself and enjoy tea or coffee in a cafe while sketching.
play certain type of music.
first try to solve it by myself but that usually doesn't work so I tend to talk to people about it to hear different opinions.
Freak out. Calm down. Drink. Repeat.
talk to friends I can trust and drink.
meet my amazing group of friends :)
am not the most religious person but usually when I lose hope completely i try my best to pray more.
listen to music, cry and seek out friendly faces.
stop, take a deep breath and look for anything familiar.
need cold air, smoke and cigarettes.
frequently have deep talks with my friends and I believe they are incredibly valuable to me.
exercise, get out the house and do something, act with purpose.
Sleep. It washes all the feelings away. Or... take a walk with my dog, have some relaxing time with him.
talk out loud out
do something fun like painting, watching a movie, creating something, reading.. etc..) 
do physical activity to get my mind off it like dancing swimming 
travel somewhere where I've never been before
cry until there's no tears left, if nothing helps I wait it out and move on until the feeling fades.
What do you do when you lose something?
> The question in the card can change to : When I lose something I __________
remember it forever. literally, and not even on purpose, I can remember every time I lost something special, most because I am still mad at myself about it.
freak out, and then try to start searching with a clean mind.
 accept the fact, because I believe it was supposed to happen.
write down and think about what i can do.
am probably sad for a bit.
panic then regroup and figure out a way to gain it back.
try to figure out where I used it the last time. If I lose a game, I'm usually a bad loser.
recall from the memory every step I did before I realize where I actually put the thing. If I don't remember, I just wait for a miracle that it will appear on the most visible place or when I am cleaning my working table.
call mum.
am angry, because I don´t want to waste time searching. First I search for it in very disorganized way, but if it doesn’t work I calm down, and think step by step where the thing can be and in which moment I saw it last time.
I go step by step back in time and try to find it. When it is a person, I feel really depressed, this puts me into a box with my memories combined with my imagination where I can spend time with that person, this can be also triggered by place or objects which reminds me of that person. When it is job, or some opportunity I just go over it and become more motivated to find a even better job/opportunity.
Get angry and stress the fuck out for a bit before just becoming dejected and sad.
think back to where I might have left it. I think of all the normal places it might be, then run through the list of places I might have put it and forgot.
try to fix it first and then just cope/accept it
Momentarily - look for it retracing my steps. Truly lost - I get angry.
go to the same place where I last had it, try to recreate the same situation. Sometimes works, sometimes doesn't.
do nothing.
am stubborn so I search until I find it :)
depending on how valuable it is to me I either get sad and look for it everywhere or i just let it go.
try to find it.
ask my girlfriend where it is or my mum for advice.
buy and replace. If not possible, mourn the loss.
internally battle out the opposing feelings of possessiveness versus learning to let go. Meaning, I fume for a couple of seconds until my mind gets captivated by a random shiny object and I forget.
blame myself :)
try to replace it
smile
mention a verse from the Quraan. In other words, I mention God first, then start looking for answers second.
have a hard time coping with it if it’s a real life person but if it’s a material thing i don’t bother that much! No need to stress.
swear profusely
usually just call myself dumb and then try to go back through the things I've done since I last saw the thing.
start looking for it like crazy
tell myself that I will try not to lost something again
usually forget about it the next day if they are things I don’t really sweat that much.
keep calm and look for it.
tear the whole house up. Then cry, take a deep breath and start the process again. It’s usually where I looked first.
pat myself down, also imagine a headless chicken running around. That’s a pretty close description of what I look like.
usually debate the ups and downs and what I can do to retrieve this thing. Maybe even debate whether the thing lost needs retrieving. Generally a long mental conversations with myself.
go back through how I lost it, let it go after a while.
panic. Haha. I try to remember what was I doing when I lost it.
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readfelice-blog · 7 years ago
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moominland chronicles 01 (berlin drei)
I just watched my kettle properly for the first time, counting up the degrees on a digital thermometer on its handle, slowly changing colour inside the hotter it got until it went red. The bear saw it immediately, he was filled with a childlike excitement, watching him melted my heart, but now that the princess is gone and I am just meat again I can see it with dancing eyes as well, though I still see the bear every time I turn it on, but now I’m not afraid to look at it anymore, I think that means that the pain has become tolerable, perhaps soon it will have totally faded.
But I, meat, am not unhappy, far from it, I am at one with my surroundings, for perhaps the first time in my life, certainly in recent memory. I am by no means perfectly happy, I am human and people are gushing through my life like tides of the ocean, which brings joy, confusion and many other emotions in its stead, maybe those white horses on the crests of waves are carrying all the people in my life, on this imagined sea.
Everyday I, the meat, now visit moominland, its called something different here in Berlin, it’s called Treptower Park, it is my world for the summer. I sat at the banks of the river Spree today and looked out, cushioned by thick fat curdles of grass, surrounded by merry groups, a couple taking tea together, two young men kicking their feet in the water.
It was swans, white and blue motifs that enchanted me today, lulling about up and down the banks of the river, their calm quiet eyes and ochre bills lit by the lowering evening sun. They’d appear and then disappear again, skirting up and down, something about their gait, the apparently slow and careful way they move is a kind of hoax, it’s really a seamless affair and deceptively fast. It arrested me and I had to draw them.
Meat has never really drawn from life properly, it’s something that has always been terrifying, people are intuitive, even when their backs are turned they can feel your eyes studying them, then it becomes a strange game of cat and mouse between you, I have started to just sketch as much as I can while they aren’t looking, as soon as they turn I focus on another area of the drawing and pretend I cannot see them, it seems to do the trick for now. In these hot transcendent days it feels like the only thing that can be done, it is a factor in the opening of the channels inside me, to experiencing life first hand and to being curious about the forms that cluster everywhere, the shape of leaves, the way light catches a tree trunk through the dense thickets of foliage, the menagerie of signage in primary colours that rolls through the cityscape. The man in the vermillion shirt, reaching his hand out across from his seat on the tram to pass his young daughter her bottle of juice.
Yesterday I, meat, experienced something like an out of body experience, not from flashing lights and euphoria inducing chemicals, but from a kiasmos album and walking round my moominland, in rhythm with the music, almost dancing as I hopped over monuments, stood to watch the water ripple on lakes, trudged down forest tracks to find stern white houses and through gardens of flowers, moominland is every park I have ever been to rolled into one, it is utter perfection, berghain has disintegrated and been replaced by somewhere filled with life and sunlight. My life has dramatically changed in such a short time just by letting myself be filled with nourishment rather than vitriol, I do not want to completely trace what has happened to me, because there is a beauty in the mystery of this whole process.
I know my routes to and from moominland like the back of my hand, once I leave it stays with me, that place, it contributes to my vivid journeys home, today as I sat on the tram I felt truly like I was inside a tram, both windows that slid down either side of my carriage were in my line of vision and I felt the world scooting past all around me, as if I could absolutely feel the motion of my inert body held on this vessel. It melted my heart just like watching him watch my kettle, especially when the most beautiful dog I have ever seen boarded and stood a little way down from me, with silky downy fur, silver with gunmetal patches and golden eyes, a gargantuan creature, its back would of dwarfed a 3 year old child. I wanted to run and hug it, in fact I took the door further away as my exit just so I could walk past it, I’m normally shy with other people's dogs but it beguiled me, and as it came to say hello I stroked its head, the desire to cuddle it raged inside me but its handsome female owner might have been a bit shocked and I held myself steady, despite it following me to the door and looking up at with those precious eyes.
All of this has happened to me, whilst being alone, I am not alone all the time here, far from it, but the delightful, exhilarated moments, come when it is me viewing life, taking in all the smells, sights the ambient noise.
The meat misses the bear, who is still a ghost in her little yellow house, who was something beyond a fantasy and the rarest of creatures in her life. But she has the moon and the virgin and a host of new characters in her life that are rich and exciting and sometimes you have to close a chest full of treasure because it is not yours to take and really the weight of it would be unbearable.
Perhaps one day I might be given that kind of gift again, but it will be mine, not stolen.
But for now moominland is filling my days and sharpening every sense I have.
I am in love again.
I am finally in the garden after years of trying to find the entrance.
I have found the sun.
Now I’m going to carefully study ‘The moomins and the great flood’, taking notes, sketches, scooping in the magic of Tove Jansson. 
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worriedfox-blog · 8 years ago
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Cheat Summoners War
There are several phone rpgs with reliable graphic and several items to collect, but many aren’t pleasurable when you significantly commence to play around them. The tutorial was relatively standard: summon monsters, force them up, equip runes and obtain systems. Online players have entire charge of what proceeds on even while fighting with each other there aren't any quickly measured damages totals or simulated charge card battles, all things arises quickly together with the player will have to pick out which among the monsters problems the opponent and only what talents to utilize. |an fun monster area, but what is the issue? In fact, like multiple much the same armor generators, that you also provides complete “pay-to-win” attributes in it. Somewhere around 30 of people crystals may be obtained each and every day, thats generally 1/3 among the mystical summon, nonetheless they may also be used for exclusive systems, excess power, or supplementary arena battles. 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Additionally, it features a go forwards preference that accelerates deal with sequences to the extent that three or more gatherings. |Skillzoom a fire place-type fairy, as an illustration, doesn't just have a different elemental positioning compared to usual waters-type fairy, even when they are practicing disclose much the same structure statistics. For each type and version, there's a comment thread that athletes make ways and feed-back to make the monsters below Summoners war alert almost all steps dangling near improves player skills, which needs to discover additionally attributes in hometown (just like learning resource fusion and arena safety), though the vital grind in the armor hack is maxing out all of your current monsters’ stages. They've range since the camera system on a regular basis techniques near in deal with. Summoners war chart the equipment also provides plenty of free items pretty much every in certain cases. 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A make trades procedure, non-public chitchat from friends, in addition to a better quality giving you from guilds to bring up several. Be careful the ai is sort of dumb when you use aoe spells or ressurections some battles with truly specific strategic recommendations really needs to be handled by hand. The game may be performed safely and never having to A reliable armor hack if you wish a thing to decide upon your time and efforts. I really like the exclusive talents for each individuality and wanting to burden them in deal with. Addictive, but advantageous to have. I actually have been playing farmville only for two several weeks now and yes it still has not |I would recommend farmville towards the person that delights in the monster gallery/rpg armor generators. 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Cheers tom vasel labeled as summoner conflicts “absolutely fantastic” and “one among the most significant armor generators of 2009“. |Absolutely yes, without a doubt, i understand that vintage adages… “don’t assess a newspaper by it’s cover” “don’t assess a game title subject all through the field art” “don’t assess a movie by the design of benefit from schneider inside the cast” (okay, that you could quite possibly significantly come with some worth) …and nonetheless i specified to neglect them and forgotten 12 several weeks of armor generators goodness. And, for those who are made ready to bunch two decks jointly, there’s plenty of space or room for all those existing summoner conflicts decks inside the field - even though charge card sleeves! (could this assess be these days geekified? Carton place fancy?!) also incorporated are (undoubtedly) the necessary dice & counter tops to have the game… in addition to a decent two-product high quality table.
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