#these bboy move

[timmurleyart]

Follow the leader.💲💵🟦⬛️

[thatwasmyperfectending]

Wang Yibo - One and Only "Believe" trailer

"Dream is when you believe in it, and it believes in you."

[yibo-wang]

Who are you rooting for sdcfinals?

oof I'm rooting for so many this time but I'm really looking forward to seeing either kyoka or zaizai taking the winning towel.

[kithtaehyung]

I'm honestly not sure whether bboy is supposed to mean bad boy or baby boy but either way i'm voting for yoongi 🫣🫣

HELP ME SDJDFHKD we mean bboy like breakdancing!! when they were trainees (and pre-injury) yoongi showed off some breaking (starts here at 0:23)

remnants of his breaking exist in his dope ass footwork (dna, idol, etc.), and the way he hits moves sharp while also looking distinctly smooth doing it (bs&t, black swan, etc.) really his textures are so damn good.

[sanstropfremir]

Quick question: what do you mean when you talk about "tricking", and can you give an example?

I was just reading your Kingdom reviews (I had skimmed over it before because I like your analysis, but I had not watched Kingdom at the time) and you mentionned that some of the younger groups used "tricking" a lot instead of dancing, but I don't see it, mainly because I don't have a clear idea of what "tricking" is and I can't find a definition that helps

you are SUCH a trooper for deciding to watch kingdom in the big year of 2023, i salute you.

i'm kinda....using an old definition of tricking which is probably why looking it up didn't help. 'tricking' is a style related to breakdancing where the focus is more on elabourate flips and acrobatics rather than traditional power moves. i'm referring to the sentiment that tricking isn't/wasn't really considered 'dancing' bc it relies much more on increasing spectacle of the jumps instead of musicality, and although i personally still agree with that sentiment, tricking has evolved a lot and that might not be true anymore.

what the boys on kingdom are doing isn't actually 'real' tricking (just in the same way that a lot of kpop dance isn't 'real' dancing, it's a simpler variation), but broadly it's the best word i can come up with that gets the closest to what they were trying to do.

you can see an example here of some tricking sets, plus a bboy set that shows a bit of comparison between the two.

[c-40]

A-T-3 214 Nona Hendryx 

Sean Combs sampled Transformation by LaBelle member (and their main songwriter) Nona Hendryx a few times - see yesterday's post for more about about tracks sampled by Puff

LaBelle split up in 1976 and Nona Hendryx embarks on a solo career but she's also writing and contributing backing vocals. Hendryx sings on Talking Heads' 1980 album Remain In The Light and 1983's Speaking In Tougues as well as touring with the band (recorded for the live album The Name Of The Band Is Talking Heads). This led to the 1981 single Love Is Like An Itching In My Heart, a cover of the The Supremes original, produced by Talking Heads' Jerry Harrison and TH's session musician Busta Jones. Then there is Material, Hendryx's performs lead vocal on the 1981 singles Bustin' Out (written with Hendryx) and It's A Holiday, in 1982 she appears on Material's sophomore album One Down. And also in 1982 Hendryx features as guest lead vocalist on the Rusty Egan, Pete Barnacle (Visage), and his brother Steve Barnacle (Night Moves) project The Cage and their cover of the T-Connection classic Do What You Wanna Do

When it came to Hendryx's second album Nona it was Material who she chose to make it with, it was a great choice and of course Bill Laswell/Material had recently made that series of hip-hop/electro 12s for Celluloid. Nona Hendryx carries on working with Bill Laswell after the Nona album

Lets start with the biggy Nona Hendryx - Transformation the queer classic that she still performs live

Nona Hendryx - Design For Living features an amazing array of women: Laurie Anderson, Tina Weymouth, Patti LaBelle, Valerie Simpson, Nancy Wilson (of Heart), and Gina Shock (of the Go-Gos)

Nona Hendryx - Steady Action there's some incredible players on this album

Nona Hendryx - B-Boys Hendryx' nod to burgeoning bboy culture, there's an instrumental on the b-side it's not really a bboy track though which I've always thought was a shame

Nona Hendryx - Keep It Confidential was also a club hit, remixed by Nick Martinelli & David Todd

Nona Hendryx - Run For Cover

[female-malice]

Do you think bgirls and bboys should have separate categories like in sports? Because people say they do due to physiological differences.

However I have been following breakdancing for a while and I don't see much difference in their performances? Obviously there are some moves including levitation that are incredibly hard but I don't see most b boys able to ace it either.

No. Breakdancing is an acrobatic performance art, not a sport.

In Festival Mondial du Cirque de Demain, there are no separate categories for male and female acrobats. And female acrobats still get half the awards. Performance arts isn't about pure athleticism. A great acrobatic performance is about risk, showmanship, charisma, timing, and grace.

[ikno-io]

Explore the importance of vocabulary in break dancing, including key elements, the role in dance battles, and the balance between perfecting moves and creativity. read the full article: https://bit.ly/3LY78KP #breakdancing #dance #bboying #dancemoves #entertainment read more: what is vocabulary in break dancing

[topicsfromatoz]

BREAKDANCING FROM DUSK TILL DAWN, BREAKBEATS FOR THE BREAKDANCE BATTLE #HIPHOP #BBOYING

Breakdancing, a vibrant expression of urban culture and athleticism, seamlessly integrates elements of dance, music, and competition. Rooted in the streets of New York City during the 1970s, breakdancing, also known as breaking, has evolved into a global phenomenon with a dedicated community and diverse following. As a form of artistic expression, breakdancing captivates audiences across various categories on platforms like YouTube.

Within the dance category, breakdancing stands out for its dynamic movements, including spins, flips, freezes, and intricate footwork, all executed with precision and flair. Its fusion of athleticism and creativity makes it a captivating form of entertainment, appealing to viewers seeking high-energy performances and jaw-dropping stunts.

In the sports category, breakdancing is recognized for its competitive nature, with dancers competing in battles to showcase their skills and style. These battles, often accompanied by intense music, highlight the athleticism and agility required to master breakdancing's intricate moves, attracting sports enthusiasts drawn to the excitement of competition.

In the lifestyle category, breakdancing embodies the ethos of urban culture, representing self-expression, community, and resilience. It serves as a medium for individuals to express their identities, tell their stories, and connect with like-minded enthusiasts, fostering a sense of belonging and camaraderie within the community.

In the music category, breakdancing is closely intertwined with hip-hop culture, with dancers often performing to beats and rhythms that drive their movements. The synergy between music and dance enhances the overall experience, creating a multisensory spectacle that appeals to music lovers and aficionados of urban genres.

#Battleoftheyear #breakdancing #hiphopculture #music #breakbeats #athleticism #urbanculture #NewYorkCity

Breakdance, breakdance in athleticism, breakdance in New York City, The Rock Steady Crew, Grandmaster Flash, Les twins, Afrika Bambaataa, Kool Herc, breakdance in hip hop culture, breakdance head spins, breakdance flips, breakdance freezes, breakdance footwork, breakdance power moves, breakdance music, battle of the year, b.o.t.y., breakdance battle, breakdance crew, red bull bc one, b-boy, b-girl, breakdance battle,

[yibo-wang]

who in your opinion should win SDC this year?

oof there's so many good dancers this year but i really wanna see kyoka or zaizai in the finals. (better yet if both of them are against each other). kyoka style of hip-hop is my favourite. there's so much groove in it and it looks like she's always enjoying it which just makes me wanna start dancing with her.

zaizai is also my favourite. his skills are amazing and all the big moves he keeps on surprising with every week. not to mention one of the few bboys we've seen so far who's great at musicality.

other than the two of them probably zyko or carlton. they're both so talented.

[rangelpoeta]

Olha o Nível desse molequinho Prodígio do Break Dance 🌪️🌪️🌪️ #breakdance...

[regioonlineofficial]

Hip Hop dansers, Bboys, graffit artiesten, rappers, je  kunt ze 23 september 2023 allemaal live in actie zien in Vlissingen tijdens de eerste editie van Urban Culture Festival 'Royal Flush'. Het festival vindt plaats op een unieke locatie onder de Scheldekraan naast de welbekende Machinefabriek aan de Jan Weugdekade. Het festival duurt van 11.30 tot 17.00 uur en is gratis toegankelijk. Het festival is voortgekomen uit het Creative City Boost Zeeland (CCB) project. Binnenstad Vlissingen nog meer laten bruisen Thomas Goossens van 5th Dimension Gallery en Rich Johnson van Johnsons uit Vlissingen waren er als de kippen bij toen bleek dat het CCB-project initiatieven wil stimuleren om de binnenstad van Vlissingen meer te laten bruisen. Ze spreken veel Zeeuwse urban makers en organisatoren en merken dat er behoefte is aan meer samenwerking en events. Er leeft ook de wens voor een fysieke urban hotspot waar alle urban disciplines, dans, muziek, sport en kunst samen komen. Royal Flush Het festival is de eerste stap naar meer samenwerking en een uitgelezen mogelijkheid om de urban scene in de kijker te zetten. De afgelopen maanden is er in samenwerking met Vincent Huibers Graffiti Agency hard gewerkt om een mooi gevarieerd programma in elkaar te zetten. Hip Hop Avenue Jam Hip Hop Avenue, de urban dans studio in het centrum van de stad, organiseert een Hip Hop dance battle waarin stand up dansers en een breakdancers in duo's tegen elkaar battlen. Een professionele jury kiest wie de beste moves gooit op de dansvloer. Aan het begin van de dag is er ook een kidsbattle waarin kinderen onder de twaalf jaar hun danskunsten in de strijd gooien. Tussen de rondes door kun je als bezoeker genieten van optredende Hip Hop dansers en urban woordkunstenaars. Graffiti Jam Op het festival kun je lokale en nationale graffiti artiesten in actie zien op een betonnen wand van 16 meter lang. "De oude Hall of Fame, een legale plek om graffiti te spuiten, in Vlissingen gaat helaas verdwijnen. Hierdoor zijn lokale graffiti artiesten genoodzaakt hun heil buiten Zeeland te zoeken. We zijn heel blij dat we op deze manier de wens voor een nieuwe graffitiplek hebben kunnen invullen", aldus Vincent Huibers. De wand wordt na het festival definitief verplaatst naar het skatepark in het Nollebos. Zeeland graffiti verzorgt tijdens het festival gratis toegankelijke graffiti workshops. Royal Flush wordt georganiseerd en gesponsord door Hip Hop Aveneu, Urban Umbrella, Vladdie.nl, Zeeland Graffiti, Vincent Huibers Graffiti Agency, Mooki, Johnsons, Montana, Fritz, Provincie Zeeland, CBK Zeeland en gemeente Vlissingen. Het festival is voortgekomen uit het Creative City Boost project Zeeland en wordt mede mogelijk gemaakt door een bijdrage uit REACT-EU. Over Creative City Boost Zeeuwse binnensteden levendiger en toekomstbestendiger maken door verrassende samenwerkingen tussen cultuurprofessionals en ondernemers. Dat is in het kort het uitgangspunt van Creative City Boost Zeeland. Provincie Zeeland en CBK Zeeland zijn de samenwerkende partners in dit project. Vijf steden doen mee: Goes, Middelburg, Vlissingen, Terneuzen en Hulst. In elke stad werken cultuurprofessionals en middenstanders samen aan vernieuwende activiteiten en producten in de stad. Daarnaast werken jonge creatieven (het talentteam) onder begeleiding van CBK Zeeland aan evenementen. Het project loopt in het najaar van 2023 af. Over REACT-EU Onder de noemer REACT-EU stelt de Europese Unie extra middelen beschikbaar voor een versneld economisch herstel van regio's na de coronacrisis. Creative City Boost is een van de dertien Zeeuwse projecten die mogelijk gemaakt worden vanuit dit programma. Het project ontvangt € 625.000 van het Europese Fonds voor Regionale Ontwikkeling (EFRO) en het Rijk; de Provincie betaalt de andere helft (inclusief cofinanciering CBK).

[c-40]

A-T-4 028 You Can Break Dance Too

1984 is the year of the breakdance craze and officially the peak year for 'learn to breakdance' records. Compilations titled Breakdance in 1984 could have anything on them, some albums contain original tracks, club or pop hits of the day, others are studio rerecords, sound-a-like albums. The funny thing is none of them have any bboy tracks on them, NO BREAKS! it's all electro for the poppers, lockers, robotics, and street dancers? at least The Rock Steady Crew album had a cover of It's Just Begun on it, it's an awful cover but the original is a bboy record. Anyway, all the music below are original compositions

The Wildstyle Club - Everybody Break (B-Boys Version) + (Up-Rock Freestyle Version) this one is from Italy. The tracks are co-written by Tony Carrasco of Klein & M.B.O. et al. The b-side features Spyder-D which is cool

Merrill & Brown – Waterfall Steven "Boogie" Brown was the other half of Snatch with Bernard Fowler (not to be confused with the no wave group Snatch). Fowler & Brown were also in the NYC Peach Boys together and The Smurfs who did Smurf For What Your Worth. The a-side of the record is narrated by Rosey Rose who it says was the choreographer at the Roxy niteclub

Merrill & Brown – Planet Rock the blurb on the sleeve reads Learn How... with this explosive package of breakdance music with vocal instructions. Plus... 50 full-color dance photos, authentic "hip-hop" music, step by step directions

Super Coper & Clarence Breakers - This Is the Way You Do the Breakdance this is a Peter Brown thing which has been reissued recently. I've gone for the 7" edit ,the full length track is almost 9 minutes. I'm thinking the bass line is from an earlier P&P associated production but this time played on a synth, it's going to drive me mad that - I know what it is, it's Gt Down by Horace Andy but that doesn't come out for another year

Mr. Robot - Dancing Like A Robot (Break My Style) following the Rock Steady Crew onto record is Mr. Robot... and here he is performing in the film Breakdance Sensation 84

All Rounder - Break Dance true to his name All Rounder gives breakdance a bajan twist

Alex And The City Crew - Breakdance this is an easy one to find. Alex And The City Crew were a crew from Holland. The a-side is filled with electro hits, Rockit is a rerecord by B.T. & The City Slickers. The b-side has original material and a few of the tracks have instructions. It's worth buying for the poster if it's still in the sleeve (see image below). There was also a video. I'll spare you the music

Larry Wolff & The Streetbeaters – Breakdance out of California, no instructions just all original breakin' tracks. It was remastered in 2021! and it's on Apple Music - you can hear the appeal, nowadays it sounds close to old arcade or early console music and that has a following

The Breakers - Breakdance U.S.A. (The Original Step By Step Method!) this is The U.S. Break Express Dance Team and they narrate moves over versions of popular records from the day like Thriller and Beat It. I can't find any snippets online

Finally here's a breakdancing class on Germany's ZDF

I'm off to watch some breakdance battles

[jowi8597]

10/07/2023 One and only Douyin update 🔥

Yibo doing bboy's moves, he's so talented 😍😍😍

[yuuana]

Music May 2023 #6: Ten - Birthday release: October 2022 genre: Kpop

Welcome to part two of two in the 2022 Birthday Song Adventure! Look, it's been a long week and that's the best I can do right now. Pretend we're having a fun and exciting adventure? For me? ^^;

So I'd noted yesterday's "Birthday" was the second of two. By the time of this "Birthday"s official release, Ten had already previewed a version of both it and a possible choreography as part of his time co-hosting/mentoring the show Great Dance Crew in China almost six months earlier - Leader TEN special stage "Birthday" - which both showcased his power as a dancer and ended up being far tamer than the official release choreography. But we'll get back to that in a minute. Perhaps unsurprisingly, between having two completely different writing teams and being written for very different artists, the songs don't sound anything alike. So the fact that they still end up having a sameness in underlying message - you're someone special, so let's make today all about you like it's your birthday - amuses me to no end. But where Red Velvet's song is a bass-heavy, brassy bubblegum pop party song, Ten's is a much slower, sensual groove that flows smoothly between his standard tone and falsetto with the same seeming ease as his dance moves.

Ten is rather famous for being a top-tier dancer in multiple styles, including contemporary and bboying, so it's hardly a surprise that the video spends most of its run time focused on him dancing. The sensual sounds of the song are complimented with a very physical dance routine that perhaps only a handful of dancers in the world could hope to match as Ten shows off his high level of mastery over his own body. What's easily missed by people who may not know better is the number of subtle ways he's playing with gender expression, combining costume elements that are both masculine-coded and feminine-coded to create styles that are entirely Ten. The stacked bangles, the veils, but also the bolero jacket and various chains. It's a whole sensual feast and I keep getting lost in it because the way he dance is, as always, art in motion.

"Birthday" is Ten's fourth SM Station single and available now wherever you prefer to do your Kpop streaming.

*This is another instance of genre being a bit of a thing - I settled on Kpop because TEN's most known for being an SM artist, but most of his activity is with WayV, NCT's Chinese subunit (he himself is Chinese diaspora via Thailand), while the song itself is entirely in English. Which is not unheard of in Kpop! But it is still a thing, so.... Want to sponsor a song selection? You sweet angel! For the low, low price of one (1) KoFi, I'll write up the song of your choice. ANY song of your choice. Yes, even that one that's been played to death. Yes, your obscure faves too. Sponsor a current CB for the next open Music Monday slot or sponsor a throwback for a Thursday feature! DW | Twitter | Mastodon | Ko-fi | Patreon | Discord | Twitch