#these are all three characters I care about quite a lot and who have genuinely good writing exploring the world around them

[ipseitydelrey]

idk if you do headcanons but I wanna know what you think each member of the BAU team would get you for your birthday?

<33

hi !! yes i def do general headcanons too, and this is such a good idea 🫶

birthday bash ☆ the B.A.U.

characters aaron hotchner, spencer reid, emily prentiss, derek morgan, jennifer jareau, david rossi, penelope garcia, tara lewis, luke alvez, elle greenaway; can be seen as platonic or romantic with any character

content just some general headcanons

aaron hotchner is incredibly observant and he cares for his team, so he will make sure you get at least a basket-full worth of stuff. he’ll likely say it’s from everyone on the team, even if he did pay for everything in the basket himself. he also goes out of his way to get presents for people he cares about (à la the halloween special where he got that darth vader mask for jack). included in the basket are some office supplies, flowers (of course), candies, and maybe a replacement of something you broke (like your favourite mug).

spencer reid will make sure to get you something that is functional from both an aesthetic standpoint and a practical one. of course, he’ll likely get you rare books with the pages yellow and worn from use, but are still delightfully charming, even if you’re not that interested in the contents of those pages. he’ll also treat you to a sort of last-minute-birthday-breakfast if you’re all called in to work, where he’ll get you your favourite pastry and coffee/tea, just the way you like it. antiquities are also a go to, whether it’s jewellery or otherwise.

emily prentiss is an enigma when it comes to gift giving; nobody knows what she’s getting for you, and nobody knows if it’s going to be a joke present or a genuinely thoughtful one (or some combination of the two). one present she might get for you are aphrodisiac chocolates because “you’ll never know if you get lucky” (her words).

derek morgan likely wouldn’t get you a genuinely thoughtful gift at first if you were relatively new to the team. but after some time on cases and at the office and such, he will put effort into his gifts. so for your first birthday with the team, he might play it safe by getting you gift cards; but after getting to know you more, he’ll get you something that is geared to your tastes, but it will be a gift that will remind you of him. although, he is just as likely as emily to get you a joke present, if not more.

jennifer jareau’s presents are quite rushed on account of her having to balance being an agent and a mom, but she does put a lot of heart into them. she knows more than anyone how taxing the job can get at times, so expect some well-deserved spa day coupons that she managed to find strewn around her place. it’s possible she’ll get you a couple instead of one. she will also likely give you a couple drawings henry and michael made, and you can bet that you’ll hang that up on your fridge at home.

david rossi in the early seasons (especially season three) would very likely not even plan on getting you a present unless he was reminded by hotch. however, in the later seasons, rossi definitely acts like the wine aunt who gives you straight up cash as a present. expect anywhere from $100 – $1k+, he has to use up the money he got from being a best-selling author somehow. also alcohol; he will get you expensive bottles of whiskey, scotch or wine, no room for argument (unless you have a legitimate reason).

penelope garcia goes all out for your birthday; obviously she puts the most effort in her gifts and more. for her presents, she will buy quite a lot, to the point where she might spend maybe half her pay check on the presents. her gifts mostly consist of decorations mostly for aesthetic purposes, but has little to do with everyday use. possible presents coming from her include paintings, pillows, fidget toys and mugs, all of which are very colourful. but she doesn’t just stop there with presents; she will likely organize a group dinner (or maybe a group breakfast, just in case of a possible case).

tara lewis is simultaneously the least expected and most expected member of the team to be a chaotic gift giver. she will also likely get you a joke present but while emily would get you something along the lines of a prank present, tara’s presents would be subtle and remind you of inside jokes either within the team or just between the two of you. also, expect alcohol, quite a number of the team will get you a bottle, including tara.

luke alvez definitely tries the hardest with his gifts (after penelope, of course), especially if he’s newer on the team. he’ll ask around for any ideas, either on what to get you or what kind of person you are with the team so he can figure it out for himself. if you have a dog (or two…or five), he will spoil the dog rotten with new toys, biscuits or dog accessories — which he probably collaborated with penelope on.

elle greenaway’s presents are ones that you shouldn’t really open with most of the team present because of their explicit nature. she’ll probably get you incredibly revealing swimwear (yet another collaboration with penelope), and also alcohol — specifically hard liquor. those are likely to be the only presents that you can actually open in front of everybody on the team without getting a lot of stares.

taglist @queermaxwooo @pleasantwitchgarden @hbwrelic @kissesforapence @theoraekenslover join the taglist!

[colourstreakgryffin]

HELLO! If you are taking requests can you do a Dazai Osamu! Reader with Alastor, Lucifer and Husk? Both romantic and platonic please. If you are uncomfy with it its perfectly fine!

Hehe! Okay. I actually haven’t gotten Lucifer or Husk yet and I like both of ‘em! I’ve written about this character before, Dazai Osamu but since it’s different, I’ll try it but i am sorry, I can’t manage over six over six-to-seven headcanons for the three boys in both platonic and romantic so just romantic it is! I hope that’s okay!

Alastor

Romantic

Alastor feels like he has to have you on a leash 24/7 and whilst it’s annoying, he wouldn’t mind being near you all the time. You’re a cunning and sophisticated person but you’re also quite suicidal and lazy at times so he has to have a eye on you all the time to ensure he won’t walk into you trying to make a joke, out of stabbing yourself

Alastor is quite protective. You’re a suicidal maniac and you even openly say to him you want to properly die with him, die with a handsome man and he is repulsed by this idea so he has to always cling you onto him to control your very bad habits and bad mannerisms. He will get you over them eventually, as your boyfriend, he cares about your health and he is thankful that you reciprocate

Alastor is glad when you’re more into your funny, caring state. When you’re more of an approachable and good person. Because then, it’s a golden opportunity to bond with you and not act as your damn suicide prevention police. He much prefers when you’re not fantasising and being picky about how you get erased then fail to complete these processes

Alastor’s quite impressed by your skills. You’re the strongest and youngest mafia leader back in your human life and your current sinner life so you have the passion you act you don’t and you’re more mature then you behave as. He is proud when he can watch you take charge and lead around the Hotel with your own knowledgeable being the main guide

Lucifer Morningstar

Romantic

Lucifer is a goofy sweetheart so you bet your ass that he is very good at keeping you passive and giggling, away from your dark mind. You’re always smiling and joking around with the King of Hell since he can handle you very well. He is as caring but he treats you like you’re made of glass. Something he won’t stop doing until your obsession over suicide dies out

Lucifer likes how mysterious you can be. You’re not entirely open, which he understands whilst being immensely open himself. He will just have to win your trust and your ability to express yourself over time as your new partner. You’re dark and enigmatic, if not the opposite of Lucifer and it’s a wonder why he likes you so much and he could write a book about why he likes you

Lucifer loves how committed and willing you are. You’ll do even the most shady things for him and he always feels both extreme pride and the extreme desire to scoop you up in his mighty six wings to kiss your face off. You’re so loyal and you do so much for him, it’s not a surprise that he sticks to you like he’s glued onto your hip

Lucifer is actually quite protective to you. He doesn’t want you touching even the smallest weapon, even if you’re an adult as well but because of your mental issues and how suicide trigger-happy you are. At least, you do have a good sense of humour and have a fun-loving side through how much you tease people, it’s adorable! Lucifer does like them, it, for some reason, soothes him hearing you play around more genuinely

Husk

Romantic

Husk is a grumpy, quiet but yet patient and considerate man. He may be older but he is still caring and makes a wonderful partner. Especially for this carefree and relaxed soul, one who expresses their suicidal tendencies quite a lot. Husk knows about your suicidal desires and for that, he has such a sharp’s tiger eye on you

Husk(in reality, of these three boys) is the most healthy to date. He is gruff and emotionless on the outside but compassionate and gentle on the inside, he is a Tsundere at best and he doesn’t mind being stern with you when you’re falling down a rabbit hole or trying to harm yourself like it’s some comedy show. You’re life is beautiful and you need to see that

Husk relates to you a lot, on deep levels. You’re both lonely, you’re both lazy, you’re both basically done with everything but you have each other, you both hide your real selves and your genuine personality under a armour of behaviours, so Husk acts as the proper one for you two. He tries to encourage you to join him whenever-wherever and to try put your wits and intellect to good use. He’d feel so proud of you if you did

Husk always sticks around you. He never leaves you alone, he doesn’t want you hurt so he takes you to bed with him, he cuddles you to his side whenever you’re both walking, he even comes into the bathroom with you. He does it for many reasons, mainly because he feels so comfortable with you

[ohnoitstbskyen]

let's spend an hour and a half enjoying the Heartsteel himbos | PARANOIA animation analysis

I have decidedly mixed feelings on the Heartsteel band splash art, which are intensified by the degree to which their 3 minute music video was able to near-instantly endear me to every one of these idiot himboyband doofuses.

Heartsteel is a project that suffers a lot in being compared to True Damage and K/DA, which are the most obvious points of comparison to draw, especially since Riot seems (at least to me) to have committed rather fewer resources to their virtual band project this go around. Wisely, thus, the Hearsteel project decided to attempt a very different narrative and emotional vibe with its characters from previous efforts. Where K/DA and True Damage both presented their characters as untouchable pop-gods at the top of their game, bragging about their accomplishments, Heartsteel comes from almost exactly the opposite place.

PARANOIA is a fearful, defensive, defiant song composed and performed like a triumphal power-anthem, coming from the perspective of a group of industry outsiders who have all been devalued or burned by the mainstream.

Ezreal is a one-hit-wonder whose image got run into the ground by controlling management, Yone a legendary producer burned out on industry conformity. Kayn is a pop music bad boy whose spiteful arrogance broke up his last band, K'Sante an ambitious vocal powerhouse who could never find creative partners, and Sett a disgraced rapper who lost his contract for punching a paparazzo.

These, then, are not pop-gods gracing the mortal realm with images of their brilliance, but a bunch of down-and-out losers and untapped talents trying to claw back their careers with nothing but found-family dynamics, the power of friendship, and Jackass-style promotional stunts in their arsenal. The music video depicts them running a night-time raid on a film studio, stealing props and causing god knows how much property damage trying to film their own comeback music video.

It doesn't.... quite nail the grunge independent vibe that it seems to want to go for, it has a rather inconsistent diegesis, and trying to cram character moments for six characters into a three minute song compresses the pace of the video to an almost manic emotional experience. I found that most of its setpieces and ideas did not land with me at all until a third or fourth re-watch, and going through the video frame-by-frame so I could actually take in what the video was trying to say.

Once I did, I enjoyed it a LOT. The character animation is expressive, dynamic and immensely charming. There's a ton of great texture work going on, interesting lighting, extremely creative effects, and the emotional heart of the video - the genuine affection between the band members as expressed through boyish shenanigans - hits brilliantly... once you slow the video down enough to really see it. There is also a truly astonishing amount of work put into flash frames and scribbly visual effects, and an absolute embarrassment of screenshots that could be wallpapers.

Anyway, I spent an hour and a half talking about a three-minute music video because I am the world's easiest sucker for charming character animation. Care to join me?

[meistwentyinchheels]

having many thoughts about percy (he drives me insane) idk what the kf devs put into this man, but i swear i'm addicted. like the more i learn about him the more obsessed i become,,,i think i'm mentally ill

anyways since i think a lot about him (and my kf mc, may. might actually drop a lore post on her at some point) i will now be sharing some of those thoughts. also have a strong feeling this post is gonna end up pretty long just as a heads up lmfao

also a lot of this is just speculation on my part and me trying my best to analyze the little amount of information we have as of the moment. just as a disclaimer, anyways!

out of the three love interests i genuinely think percy might be the angstiest route for the following reasons (under the cut):

like first off, the devs have mentioned in the past that one of the routes will have a forced breakup to serve the greater narrative (this was mentioned a really long time ago tho so it might've been subject to change, but since we have nothing that proves otherwise i am running with it.) and i do not believe in any way that it could be elio,,,unless the devs decide to throw us a curveball lmao jamie is still an option and he was my first thought when i found out about the breakup route, butttt i doubt it'd be him. so from process of elimination that only leaves percy. he's also the only one out of the lis that has been in relationships before and judging from past asks i'm assumingggg that those past experiences most likely still affect him.

second, every single mention of his family has been vague at best and there's been ZERO mention of his mother. in the asks only his dad has ever been mentioned and also in the studying event if u go off with percy and elio, go to check out the polo club and choose to stay back with percy he'll mention that he moved to the states with his dad. normally people would mention both parents, but percy didn't so it's likely his parents divorced at some point? also i had a whole ass supposedly sound argument here, but it got disproven bc apparently his step-dad also came with them to the states??? like yes it does still prove that his parents r divorced, but it can also imply he has 2 dads. that's so funny i love it. okay moving onto my actual point!!! since percy is a child of divorce it's likely also affected his view of love and romantic relationships. possibly in a skewed way, but who knows so that does add to the angst factor QUITE a bit

finally, percy's avoidant and deferring nature. during the festival event if you split up and then go to check out the festival games you end up running into percy, which is when the game tells you that he tends to defer to what others want and seems to be perkier exploring the games by himself. there's also a few occasions in-game where if the mc tries to ask percy about himself he tends to either A. brush the topic off or B. push the attention onto someone else (usually elio?). so i'd assume that he dislikes talking about himself? which would mean it would take him a good while to open up. which isn't inherently a bad thing, but it can also cause communication issues so. sigh.

is this flimsy evidence? yes! but do i care? no! also i would do a deeper dive into this if i was actually good at analyzing character behaviors,,,and if not for the fact that at the time i'm writing this it's 1am on a school night. there's also so many other things i could have talked about!!! like his name!!! maybe some other day. so like. do with all this information what you will. bc i certainly will!!! i have so many ideas!! many angsty notes!!! be prepared.

[goingmerryfics]

Hello!! I recently found your blog and I love it!! ❤️

I was wondering if I could request something!

Kid, Mihawk and Law with a partner who’s into gothic clothing. uwu

Gothic style S/O w/ Kid, Mihawk & Law

Content: Gender Neutral reader, SFW!

Notes* Glad to have you! Thanks for the request :) Out of anyone, I think these three would be the most accepting/understanding of someone with this style and even indulge in it a bit themselves so I tried to make this a little more personal to each character. That being said, I feel like they turned out a little shorter than normal, but I hope you still enjoy it!

Kid

He wouldn’t even bat an eye if this was a regular thing to be dressed in gothic style. It’s pretty common around the crew, and even if it wasn’t, Kid appreciates the aesthetic of the style

He also just doesn’t give a shit what you wear as long as you can do your job

Looking good while doing it is also a plus

For that reason, he would help you out with your makeup for sure. Not that he has much experience with it in the first place, but he just likes any excuse to look at your lips

On the other hand, if your weren’t introduced to him in black and chains, he wouldn’t recognize you if you just up and changed your wardrobe

You walk out of your room in your new style, the one you’ve been wanting to try for years and never had the bravery to out of fear of judgement

But after joining the Kid Pirates, it didn’t feel so scary to go outside of the world’s expectations

“Who the fuck are you!? How’d you get on my ship!?”

After managing to convince him not to just throw you overboard, he does the unthinkable

“Oh. You look good. Better than that boring shit you used to wear.”

He compliments you

Kid will pick at your outfits and give unsolicited advice on how to coordinate or style your clothing

He isn’t one for making jewelry, but he might try if you can’t find anything that would match your clothes

Mihawk

No comment from him. You’d have to outright ask him what he thought, and even then it would be a short answer

“Yes, it’s a good look on you.”

He isn’t actually looking at you when he answers, but it’s genuine

You’d find him staring at you quite often, though

He enjoys the style on you, especially since his style is very close/similar to gothic

He respects your backbone for sticking to what makes you happy, and he’ll encourage you to stick up for yourself if anyone has anything to say about your look

Honestly, he’s seen people look and dress a lot worse, so he doesn’t see why anyone should be making unnecessary comments

Despite being a man of few words, he would still compliment your outfits every time

He, having a eye for the fashion, would also help you coordinate and mix up your clothing items and accessories to freshen up the looks

“That won’t do. We need to get you some earrings that will match this.”

It’s such a sweet way to spend the time that you two have together

Law

Law gets whiplash at first

His emo phase is coming back to him all at once and he’s cringing internally

But despite his own emotional setbacks, he is happy if you feel comfortable dressing this way

He’s very level-headed, so there’s not going to be a very big reaction out of him right away

His perception of you hasn’t changed, and it won’t anytime soon

“Express yourself however you like, just make sure you don’t alter the uniform too much.”

He’ll warn you that the crew might ask some dumbass questions or make rude comments

He also will ask you some questions, very carefully, not wanting to sound ignorant

He would come to your aid if you needed support, especially within his own crew

If you’re the type to wear a lot of make-up, he’ll be on your ass about cleaning your face every night 

He’d even help you do a skin care routine to make sure you were taking care of yourself!

If you bother him enough, he’ll start to do it with you, too

Gets you stuff that remind him of you, things he believes may align with your style

All in all, he’s pretty indifferent to the style, and may even be open to dipping back into it a little bit

He looks great in eyeliner, but damn it he keeps smudging it

[mothiepixie]

I’m really curious because a lot of the Sanses have a jealous/possessive streak to them, and Motti seems so free-spirited and kind to everyone… does that ever cause conflict in their everyday life? Whether it’s from her hanging out with or getting hit on by other attractive people or monsters or, I guess in terms of “the bad Sanses”, would they ever try to get back at one another at all for hogging extra time with her behind the scenes? And does Motti ever feel stifled or is she appreciative and see it as them looking out for her?

I guess in general what I’m trying to ask is: To what extent are each of the Sanses with that quality jealous/possessive over Motti and how might she react to their behavior based on whatever level they happen to be at?

A lot of it really depends on who openly displays jealousy versus who is seething on the inside. Many of the Sanses lean towards redirecting her attention back to them or even asserting themselves so the person who is flirting or getting too close to her will sense the tension and back off. 

Others will openly show aggression and rudely call out the person which will embarrass Motti. Motti doesn’t perceive people flirting with her quite a lot because she gives the benefit of the doubt that they’re just being friendly since that is the energy she gives. So it will come off unexpected and unwarranted if one of the Sanses reacts boorishly.  While Motti is generally really easy going she doesn’t stand for rudeness and will reprimand if need be. 

Boysen, Big Red, the Bad Time Trio, and Nightmare are perhaps THE worst of the bunch. They don’t hold back or care to be couth and it will cause a lot of arguments.

Boysen is 50/50 with either showing or keeping his jealousy to himself. He has a three strike system he follows and while he does feel secure in himself, he does not like sharing and doesn't like someone lesser than him to even dream of thinking they have a chance. His methods are more insulting the person's intelligence, or attributes before his mask slips and threatens them. Motti will wait until they're home to have a heated discussion. A lot of it will be Boysen pointing out things about their character and that they annoyed him which will make Motti so frustrated she can't explain other then huffing.

Big Red and Motti will butt heads and while she would like to have a proper discussion when they get back home, he does test her patience and sometimes her hot headedness wins. They will have it out right then and there.

The Bad Time Trio see Motti like a cute kitten when she is upset and reprimanding them. It really doesn’t phase them in the slightest (mostly Dust and Horror), Killer likes to act like a kick puppy and try to use cuteness for her to forgive him (he’ll just learn to be more discreet and take care of the person out of view). If jealousy is amongst the three, then it’s one upping the other, smacking the other when Motti isn't looking, or even full on brawls. 

Nightmare doesn’t care in the slightest how upset or long Motti goes on a tangent about how he should act. He has made his claim on Motti and he’ll be DAMNED if he lets some nobody even think they can breathe her air. 

Other Sanses that keep to themselves when they are jealous try not to let it affect the quality of her life. Many of them genuinely know that their jealousy is indicative of their own personal gripes about the fear of losing her. 

Sans, Farmer, and Passive will simmer on the inside then be the kind to redirect Motti back to them, or display affection more so they feel more secure with her. 

Blue cares for Motti so much that if she chose another he would not stand in that person’s way because he cares for Motti’s happiness over his own. He will be the shoulder for her to lean on, but he will always pine for her. 

Dream is a conflicted and complicated fellow. He spends so much of his time giving every piece of himself to others, but also keeping everyone at arm’s length. So when he finally allows himself to love Motti, there are times he doesn’t want her to get too close because he struggles to accept her love for him isn’t due to his powers. However, when someone else gives Motti attention he may feel malcontent and unwilling to share her attention. He won’t ever admit he feels a sense of possessiveness, and will try to ignore his own feelings to make her happy. Lots of forced smiles. He could only share or allow someone to flirt with her if he has complete trust in them not taking her fully away from him. -cough- maybe someone like Blue-cough-

[dekusleftsock]

HMMNGGGSHSHHSHD IM SO LATE TO THIS BUT THERES SO MANY THINGS IVE WANTED TO SAY FOR SO LONG AND IVE JUST BEEN TOO DEPRESSED OR BUSY TO DO IT

I did just re-read the chapter, hazbin/helluva hyperfixation is gone y’all I’m back and ready for more.

Okay so, a couple of things I noticed. Let’s start there.

Throughout this chapter, it really is heartbreaking to see how Izuku regards one for all as Allmight’s power, and therefore a disrespect to him to give that away. Which is quite frankly insane given the nature of what the power is, but regardless it still shows me just how deeply he still cares for and admires allmight.

It also makes the transfer Izuku makes to Katsuki in the heroes rising movie all the more intimate; izuku wouldn’t just give the power to anyone, if not for himself (which is also clearly due to that fact since he still sees ofa as the thing that makes him a hero, not his characteristics), then simply out of respect for allmight and his legacy.

It’s just the anger you can see, feel in those words as he demands to know why. I’ve personally been in the boat of “Izuku dislikes Kudou immensely bc he hasn’t proven to be heroic and amazing like Katsuki has, and also he insults him a lot why would he like him”, since Izuku does genuinely have self respect (a common mischaracterization imo), he’s just also more forgiving and faithful to those he admires or loves (or both).

SPEAKING OF SELF RESPECT AND MISCHARACTERIZATION!

I want to highlight the words “But even so, this boy refuses to throw in the towel”, bc it’s such an important part of Izuku and his character.

He isn’t overly self sacrificial, he isn’t a masochist, he isn’t even a martyr—especially not a martyr.

Izuku is stubborn. That is not the same thing as wanting to constantly die for others; izuku is like Katsuki, he wants to fight for others. Giving up just simply isn’t in his morality.

And if “giving up” also includes letting someone die or failing to save someone out of his own negligence, that’s not because he wants to die.

I can’t explain how much the interpretation that Izuku wanting to die, even for others, is so fucking out of character. Izuku is stubborn, he’s stubborn in the way that he won’t just fall over and let the ground take him. Given the circumstances, Izuku would fight for his life just as he would fight for another.

THIS HAS BEEN THE CASE SINCE, I DONT KNOW, CHAPTER FUCKING ONE?

“Idiot! If I’d really jumped, you’d be charged with bullying me into suicide!! Think before you speak!!”

“Idiot…”

Like he’s so unaffected by the awful comment outside of being angry at the DISRESPECT of said comment. This is why all those damn suicidal Izuku fics have always felt so ooc. Izuku isnt a moody, brooding ball of depression, he’s a stubborn, courageous, and angry ball of depression. There is a difference.

Even before this, he literally attempts to say something or fight back to Katsuki, honestly it looks like he’s about to punch him here.

The only reason he DOESNT is bc HE DOESNT WANT TO GET HIS ASS BEAT

Btw for anyone who has or ever will be in Izuku’s position, punch him. I love Katsuki But hit him in the fucking gut. If you get your ass beat at least you can say you can took it like a champ.

Speaking from someone who regrets not punching three girls who were trying to gang up on me in middle school🫶🫶🫶

Anyway, I’d argue that Izuku not taking Katsuki in a fight was made out of self preservation, something he very much has.

And last but not least, we get to this lovely fucking page.

First of all…

Hm, ain’t that strange?

I’m not saying it’s fully a parallel, I’m just saying it’s something to consider.

Especially with the context that I don’t think Izuku feels shameful here.

He’s been a hero who didn’t look like one once before, I’m sure a snide comment through Shigaraki is nothing in comparison to the literal hundreds of civilians afraid of him.

Or, even more interestingly, what if he’s shameful of it, and okay with that? Now THATS some control over your emotions. This is demonstrating the very thing Banjo told him in the first place; using his emotions to fuel him. Let himself live with them, breath with them. They exist, and they hurt, and that’s fucking okay.

But it begs the question…. Why bring attention to it?

Clearly horikoshi WANTS you to see that Izuku is the one who looks like the monster now. He even looks devil like, blackwhip coming out of his back the way it is just feels like wings.

But maybe… maybe this is how he stops sweeping problems under the rug. Maybe this is him, Izuku, at his most animalistic form. Him. At his core. This is the Izuku he doesn’t want people to know.

The faceless, long clawed, oozing black monster.

He’s a kid who can take a fucking beating. He’s not Deku the useless doll, nor is he Deku the hero. He’s simply Izuku.

And you know what’s even more likely?

The black pit of anger that Shigaraki has formed, fueling his uncontrolled emotions and anger and despair, with the light tear showing something underneath…

What if, this was Izuku’s black ball of anger and shame, except this one is escaping his body, pouring out and showing all of that for what it truly is. Pent up rage, uncontrolled emotion, anxiety and shame, all mixed into one hell hole of a person—but a ball that can be molded, controlled, torn apart from the inside out.

See, the same way Kudou tears at Shigaraki’s mental breaking to see what’s underneath, so have the ofa users for Izuku. Slowly, but surely, the people in Izuku’s life have, while created that ball in the first place, also worked to destroy it. The final piece of the puzzle is for Izuku to choose to let it happen, and he is.

Learning to sit in one’s fear, doubt, hatred, anger, sadness, grief, happiness—without that emotion having to be something, simply something that flows through you, that you can choose to act on or not; this is where Izuku’s arc is coming to its tipping point. We are nearing the climax, I can feel it.

[puppy-phum]

Pit Babe Characters x Cartomancy ➣ Part 3: North & Sonic

Six of Clubs: Sharing thoughts and ideas. Offering advice and giving honest opinions. Three of Hearts: Community as a network of support; Valuing and strengthening bonds within a group.

for @pitbabeanniversary week 3 prompts: north & sonic

(more thoughts under the cut!)

disclaimer: i am not an expert in either cartomancy or tarot reading. i did a lot of research on these two sites to come up with these cards for the characters. some of the meanings associated with the cards are still only my own interpretation, so they might not be completely accurate.

i have never before really analyzed north and sonic as characters. they've always felt like the most uncomplicated ones of the bunch, tho i guess that air of simplicity is quite deceiving as i discovered through this. there's a lot hidden behind the playful banter and humor these two add to the series.

north: if in the previous edit i pointed out that jeff is the eyes of the group, then north must be the mouth. he's a chatterbox, someone with words prepared at all times, never afraid to tease someone and speaking with such honesty it's almost too blunt. this made me feel that a card linked to communication and negotiating suits him. he might not always be the most intelligent or tactful of the group, but he isn't afraid to say things how they are or point out problems or possible discrepancies amongst the pack. his words might be light, but he genuinely cares for his pack.

that care is often shown through well-timed (or not) questions and advice. it happens especially with alan and babe who north gives "relationship advice" (leaving that into the quotation marks bc the advice is dubious at best lol) – north meddles bc he is genuinely excited about the possibility of adding new members to the pack and into the lives of those he cares about. he is also one of the first ones to address the question of kim and if they should help him out after he's been taken, plus he's very eager to discuss the question of way despite the rest of the group deciding to remain silent about him and his betrayal.

sonic: i had to think again to pinpoint the core element of sonic's character but eventually drifted towards how he's portrayed as the nurturer of the pack. babe is very obviously the center of the pack with his loud and commanding presence, but i think the warmer, more caring center piece is sonic. he's the one who keeps noticing how the bond within and around the pack grow and change, and he is greatly affected once those bonds start stretching out or break completely.

the importance sonic places on these bonds is then the most obvious during the times those bonds suffer a sudden change. i chose his images accordingly: sonic is deeply hurt by dean's betrayal as it both hurts him and those around him; by babe's heartbreak over charlie's death as he's forced to watch one of them so completely shattered and lost; and by way's sudden passing bc that means a complete loss of a bond that once was so fundamental to the whole pack. i think his care towards the community around him also partly explains why he isn't pursuing a deeper bond with north (he doesn't like things changing too much) or why he is so open to accept ppl like charlie, jeff, kim, and pete into their pack (new ppl offer him new bonds to wrap around himself). sonic is the keeper of these bonds, but at the same time, he is strongly a creation of them and cannot imagine being without them (and i cannot really imagine sonic without at least north beside him either).

as a pair, i think most ppl agree that north and sonic are very healing. bc they're so attuned to everyone in the group and bc they're not afraid to voice both their happiness and concerns, the pack knows when they're doing well and when they should be working on being better. i think the others in the group who are less vocal and show their emotions less freely benefit a lot from these two who are so... loud, both literally and figuratively. it's nice to have this kind of anchor and lighthouse to guide the pack on their hard journey.

(if anyone wants to discuss these two and other thoughts north and sonic might cause, i'm open to hear anything you have to say! i did very brief and surface level analysis on them for this, and probably missed a ton of nuances, so it would be nice to hear different takes on them.)

[james-spooky]

Eddie Diaz and the Phenomenon of Queer Representation

A post to organise my thoughts ahead of the rest of the season and to really get this off my chest! (Spoilers for 9-1-1) (It’s long and I will inevitably have more thoughts about things I failed to mention)

Within queer representation in media, there’s a certain expectation that audiences have been conditioned to accept, including the omission of any representation at all. This has led to many non-canon ships being popularised in fandoms in an attempt to obtain agency surrounding queer media. One of these such head canons is Eddie Diaz from 9-1-1 who is largely speculated to be gay. This is sort of an essay and sort of me rambling on.

Picking up in Season 8, Episode 1, Eddie’s been trying for three months so keep his shit together and try to stay in contact with his son in the wake of the whole emotionally-cheating-with-the-doppelgänger-of-your-deceased-wife situation. I think the birthday zoom was really the beginning of his breakdown. To keep all of this inside him it way too much for someone to handle. He is going to break at some point with the stress. Not only that but as others have pointed out, Helena and Ramon are not actively participating in the reconnection of their son and their grandchild. This ties into their long-term goal which has been present across multiple seasons to be Christopher’s sole caregivers, without any acknowledgment of Eddie. To me it looks like he’s been trying to put on a brave face for his kid and sort of suppress everything (as he always does) to try and be a better father. But you can’t be that person if you’re not taking care of yourself; not necessarily “putting yourself first”, not in a selfish way but genuinely having self-love and a certain assuredness, something which Eddie doesn’t appear to have pinned down. I can definitely see him being introspective this season and forced to deal with quite literally everything that’s ever happened to him and to actually process that and who he really is. Ergo, realising his sexuality.

Tim said that the episode six thing was one of his favourite moments in the show, is actively excited for us to see it, is the episode where the “reason for the moustache” is “explicitly stated”; genuinely what else could this be other than gay Eddie. I cannot think of a reason personally. Other than “religion” which I don’t is a path they’d go down; I cannot come up with another reason for why they’re being so vague about it.

This is exactly the same thought process I went through pre-s7. I wrote down all my thoughts and analysis on those articles and Buck’s arc, coming to the conclusion that there could be no other outcome other than Buck being bisexual. Before s7 there were lots of articles about Buck and they all had that same sort of strange wording surrounding his storylines that season. E.G: “a season of self-discovery for Buck”, describing him getting off that “hamster wheel” of failed relationships. Whether or not you believe that he has achieved that is beside the point; the point is that, the vague quality to them which alluded his storyline going in a particular direction is happening yet again. Ryan has the exact same thing happening now, if not more with the majority of the season’s promo being his moustache. This is pattern recognition if I’ve ever seen it. Truly, due to the sheer amount of promo and interviews there have been, in my mind I don’t see another reason for why this would be, other than Eddie having a large and pivotal storyline this season.

It’s not just “about buddie”. When people pin down a character’s sexuality to purely the ship they’re in, it annoys me because it’s genuinely about the storyline and Eddies character arc. Yes, these headcanons have stemmed from the ship and obviously if they were to go down this route, the ship would most likely be a by-product of this discovery, but it’s not the priority. It may be an end goal, but what about the journey? It’s more than ship wars or trying to one up each other. For me personally, it would be so beneficial to his character to go in this direction. Not even just for his character but for the show and representation in general. What other show on a major network would have a character who’s been on the show for multiple seasons, had relationships with women, a wife, a child, religious traumas, PTSD, grief, catholic guilt and then having a gay awakening in their eighth season? None. How many have had strong platonic male relationships? A lot. Honestly, I don’t interact with those people who whittle down Eddie having a queer realisation or the possibility of Buddie being canon as “erasing platonic male friendships”. I simply don’t buy into that and my reaction towards those people who use that argument is just “Point me towards a show where (the written above happens)” and you can’t. Because it hasn’t happened. Not only that but queer ships in mainstream shows are notorious for “queer-baiting” and not “going canon”. I could name numerous shows where this has happened all to the dismay of a large percentage of the audience. In my experience in fandoms with popular queer ships, (majority mainstream shows with non-explicitly queer characters) I cannot think of a single time where they have been confirmed in canon. To me, this would be a huge step in the right direction for queer media as a whole. Of course, we cannot deny the massive impact that Buck being canonically bisexual last season has had and I commend ABC, the writers and Tim for bringing that to our screens. It was so heartfelt and truly amazing to watch. However, in terms of fandom and popular ships, it’s a little different. I’m in no way disregarding bi Buck, but rather exploring the impact that having a popular queer ship becoming canon would have on other media and the audience in general.

As queer audiences, we are so often let down with the directions that tv shows and film take in regard to their queer-coded characters. It’s become normalised to expect disappointment over seeing a popular pairing actually become “canon” within the text itself.

I’m aware that queer-baiting is definitely different than simply having queer-coded characters, however the two often come hand in hand. There is a misconception, in my opinion that “going woke is going broke”. I think that yes, having queer elements or characters in media definitely effect the reception and reaction, especially online from the general audience. This has happened time and time again and because the negative reaction is so loud, it drowns out any of the positive ones, forcing media companies to pull back in fear of losing money or audience. They want to be seen as “impartial” as a large percentage of audiences are bigoted but by removing any conversation surrounding queer representation in media, it immediately becomes biased and panders towards the people who shout the loudest. Queer people know all too well that on social media, it can be hard to avoid the rampant bigoted views that are shared so violently towards marginalised communities. Companies are so fearful of the backlash towards queer characters, that they won’t even have them at all, regardless of whether it would be classified as “good” or “positive” representation.

In my experience with fandoms with popular queer ships, when the show is still airing there’s this sense of hope that we cling to that it might “turn out different this time” and the character or characters might actually end up canonically queer or together. And every time, it ends the same. And even if they are confirmed queer, the “bury your gays” trope swoops in before it can truly be explored. As a collective, we tend to self-deprecate in order to deal with it but it’s actually quite a damaging thing. It reinforces the idea that queer characters and storylines are not of merit or valued in mainstream media. This turns into a vicious cycle of queer-coded characters staying queer-coded and never becoming canon as that’s how far the media company producing the show is willing to go. They are not willing to take it a step further and explicitly show queer characters having agency and a place in media as this will result in backlash. Additionally, even when we are given queer characters, a lot of the time there is a lack of depth or exploration of their queerness, almost as if it doesn’t exist. For example, Loki’s genderfluidity and bisexuality is canon and confirmed but a large amount of people who were invested in this, were disappointed to see it not having any effect on his storylines at all due to Marvel as a distribution company whose audience, or rather, targeted audience is largely cisgender, straight men. Therefore, queer audiences typically already have an expectation going into a show with a queer ship; it will most likely never happen. I’ve seen first-hand people who actively don’t partake in these shows in order to avoid being disappointed and it hurts me to think that queer people have obtained this way of thinking in regard to media. That we know it’s not going to happen so we either avoid it or watch it with the miniscule hope that something will happen. And even if it does, the show will most likely get cancelled after the first season in the name of “watch hours”, (despite how dedicated or prevalent the fandom may be, dead boy detectives, IANOWT, first kill etc.) once again solidifying the belief that queer characters or stories are not worth the time, money or value that heterosexual ones are. This causes queer media to have a lack of funding and marketing, essentially dooming them to crash and burn. It’s like building a house made of paper and then blaming the weather on its destruction.

So no, I don’t believe that “going woke is going broke” as I have personally indulged in many shows and films due to the sheer prospect that there might be a queer character or couple. Too many times, I’ve binged several seasons of a show (in an alarmingly short amount of time I may add) purely because there is a popular ship/one of the characters might be queer – emphasis on might. It is due to the fear of these media companies that queer shows and film are immediately disadvantaged straight out the gate. However, I do see there has been a change. Obviously, there are many popular queer shows that have been given chances such as Heartstopper and Interview With The Vampire. To me, this clearly shows that queer storylines and characters, showing diversity and marginalised communities does bring audiences and value (as we ourselves know) and it’s purely the skewed bigotry which overtakes the reception and influences the production of media.

Additionally, when bi Buck went canon, the sheer disbelief of queer audiences that it happened at all, to me showed the standards that we’re used to. We’re so used to not having that, that when it does happen, we’re actively surprised by it. Obviously, 9-1-1 in particular has showcased many queer characters before and continues to do so, however this was different as Buck was a previously established character for six seasons and so to have a sexuality arc for someone later in life was definitely a huge moment for bisexual representation in television.

For Eddie, if Tim is doing this storyline, he is right in the approach he’s taken. I’ve talked before about how they weren’t sure whether it was going to be Buck or Eddie having this queer storyline in Season 7… To me that’s basically confirmation of queer Eddie, right? Well, not necessarily “confirmation” but the fact that he was even considered at all for this storyline solidifies his queer-coding to me and that we aren’t all “delusional” for recognising it. I’ve said before but it makes so much sense for Buck to essentially “go first” by having him realise he’s bi and come out in S7 because it was a very different way of doing it, as you would have with Eddie. Buck is very sure of himself as a person and for him it’s something that was always there, but he never realised it and he’s quick to accept it! There’s no tortured Buck struggling with his sexuality (unless of course you count the basketball scene) it’s relatively smooth in the sense that he’s not having a breakdown over it; it’s just his relationship that’s rocky and provides those hurdles. This was refreshing to see as it can often be an expectation that the queer character in the show is negatively affected by their queerness. However, with Eddie, it wouldn’t make sense for him to have that arc in season 7 itself. Partly because it had 10 episodes which would not do it enough justice, and because Eddie already had a lot to unpack. For instance, his whole season 7 storyline was surrounding his deceased wife which was just the start of his journey. Even many seasons later, he is still grappling with the effects of his grief on him and Christopher. Everything is much deeply rooted in him, as is everything in his backstory.

His whole begins episode and all of the backstory we see of him, is him trying to be someone he’s not/who he thinks he should be. He was trying to be a big brother turned parent for his sisters when his parents wouldn’t. He’s trying to be a good father at nineteen, he’s trying to conform to the hegemonic standard of masculinity by marrying Shannon (pressured by the church as she got pregnant young) he enlists because he’s trying to provide for his family even though he doesn’t realise that it’s actually hurting them instead, he’s trying to keep custody of Chris from his parents who only see Chris as a “do-over” for Eddie. Eddie trying his best and get a job to provide for his son. Him doing anything his can for Chris. Shannon coming back, dating her again for Chris - despite the fact that Shannon wanted a divorce (and then died). Eddie dating Chris’ teacher who he loves but Eddie doesn’t. Again, for Chris. He’s always doing things for other people. His parents, Chris, his partners, but never for himself. We’ve seen him spiral before into his fighting arc; that was something he did for himself in a sense, but it was only because he didn’t know how to properly regulate all the pain and grief he was feeling! He’s a single father trying so hard to be the very best he can for everyone around him, to live up to “what it means to be a man” pushing down any emotionally vulnerability until he inevitably snaps. The church, his catholic guilt! This affects him in numerous ways - religious wiring quite literally effects the ways you think about everything and internalise the things that happen to you. Kim was something he did for himself, but it still tied to everything else and his grief. Because of all this, no wonder you wouldn’t be able to fit his gay awakening into a 10-episode season… Eddie requires more time and thought behind what he’s going to have to face and process by himself. For the first time, he is truly alone with his thoughts and is faced with who he is. Outside of his parents, outside of Chris, Shannon, the army, the church, the 118, he is discovering who he truly is, not what anyone else or any institution expects him to be. And this is why, it’s gonna take a lot out of him and is a much different storyline to the one that Buck went through.

Everyone’s sexuality realisation/coming out is different and I really can’t imagine Eddie going through the arc that Buck went through so I think it was a good decision to go with Buck for Season 7. Eddie has so much more to deconstruct and process in order to accept or even just realise his attraction to men, however that plays into his relationship with Buck. And even more so, his lack of attraction to women.

Honourable mention of “I’m broken. I’m broken and I can’t fix it,” being said in his conversation with Kim which is a heavily queer coded statement, as this is a concept that is frequent in the queer community of thinking you’re broken due to your identity. I’d genuinely be surprised if this is not the direction they’re going as there’s so many moments like this with Eddie across the seasons (cough dating feeling like a performance cough) especially this one, which just stand out and heavily resonate with queer audiences. I’d say if they don’t, it’s a huge missed opportunity and character assassination to be honest. I care so deeply about Eddie and he’s such a complex character, it annoyingly makes me mad when people undermine him or pin him down to one thing as if multiple things can’t be true at the same time. I know he’s a fictional character and in reality, it’s not that deep but when people undermine his queer-coding or deny it, it feels like denying a whole group of people’s experiences akin to his.

So, the “emotional reason” behind the moustache in my mind, would definitely link to the idea that Eddie has clung possibly extra hard to his perceived idea of what masculinity is to him/what it’s expected to be. Yes, the style of moustache is engrained in queer culture, but I think that it’s more so an accessory which he’s using to overcompensate for his queerness, (consciously or not). I’m relating this to one of my favourite queer films, Maurice, as in that movie facial hair, specifically moustaches play a significant role in displaying the characters attitudes towards their queerness without explicitly saying them. Maurice and Clive both go through phases of having a moustache, with Maurice first when he is in a period of reluctance towards his sexuality. He’s the more accepting of the two, so it doesn’t last long. However, as Maurice moves out of this phase and begs Clive to stay with him and be together, Clive transitions into that position and denies Maurice’s claims that they could be happy somewhere together. He clings to the traditional ideals of marriage and heterosexuality, as is the norm in 1910’s England, trying to bring an end to the whole affair. Later, when Clive announces he’s engaged to be wed to a woman, he has a moustache and continues to have this moustache for the rest of the film, showing how he’s never going to accept himself for who he is, and is using this to conceal his emotions. The moustache here, represents hiding your true self and repressing your desires, acting as a “mask”. This to me, is very reminiscent of how Eddie appears with his moustache, and I wouldn’t be surprised if they ended up with the same metaphorical reasoning.

In the first episode (the only episode that’s currently out), we saw that Gerrard approves of his moustache, himself being the typical masculine archetype that Eddie may believe himself to be or believes that he should be. Not that Eddie wants to be like Gerrard; of course not, he’s a bigot. It’s that portrayal of masculinity which ties into how he was brought up, and the ideals of the catholic church surrounding gender roles and sexuality. I thought this direct comparison was interesting between them as Eddie is definitely doing this for approval if not from others, but from himself that “this is who he is” when in reality it’s not. In my interpretation, the fact that they’ve specifically mentioned episode six as when he shaves off the moustache and has this physical manifestation of his inner demons, screams to me a queer arc for Eddie. I think there is so much potential for his character and storyline, not just for the ship he’s involved in but for himself and everyone who sees themselves in Eddie.

In conclusion, I really hope they go down this route and if they don’t, once again, it will be a huge, missed opportunity and I wouldn’t be certain where they’d go with his character if not there. This was just a chance for me to get my thoughts out, ahead of the upcoming episodes and I really hope we get to see a positive outcome for his character, whatever route they take.

[iwritenarrativesandstuff]

Q's Relevance and Parallels to Double Black

I had a sudden brainwave of thoughts (read: I only got three hours of sleep last night) and needed to share. I've thought this for awhile but I really think Q will be returning to the series at some point.

First of all, there's just too much ambiguity there and I want to know more about Q in general. What happened to Q to spawn an ability like that? Why does Dazai speak about them like they're the devil incarnate? What was the incident that led to so many Mafia deaths in an effort to lock Q up? Is there any significance to Q's unusual eyes (remember that most characters tend to have fairly normal eyes, and this is a series where the eyes carry symbolic weight)? What's with Q being strung up in this position that is eerily similar to a crucifixion, shortly before Steinbeck has a conversation about God existing but not loving them?

There's a lot there. I've spoken about this before in the meta I did about Dazai's change in approach after the Q chapter, which was genuinely an unexpected event he did not anticipate. But there's something fascinating about the way Chuuya reacts to Q as well. In fact, both Dazai and Chuuya are almost uncharacteristically murderous towards this kid, and that's real interesting, seeing as many aspects of Q mirror aspects of their younger selves.

Now I understand you might be thinking: uncharacteristically murderous? Story, they have both literally killed many, many people before. Yes, but context is important here.

Dazai doesn't have strong violent urges - not even in the Mafia, where he was considered terrifying more so due to his apathy in killing than anything. I can't remember a scene where Dazai is described as radiating bloodlust like Kyouka or Mori. Dazai is scary because of his indifferent hollowness at his worst points. Odasaku was described similarly in Untold Origins - there was no real desire to kill, just a listless cold follow-through. Dazai's sadistic methods, brought up by Higuchi in Chapter 25, are acknowledged as a means to an end, a method, not something done out of any strong desire or enjoyment. So when Dazai makes death threats or appears visibly angered - that's something worth taking note of. For him to make a promise to Q to pluck out their heart - holy shit. That is not typical Dazai behaviour. He doesn't even make that kind of threat towards Fyodor. Whatever happened in the past clearly shook him, enough for this moment to change his approach in the series and send him back to using darker methods again.

As for Chuuya, while he has and does kill quite readily, this is mostly in the heat of a fight. For him to give the go-ahead for murdering an unconscious child - it's unusually cold-blooded for him, and I can't think of another instance where he's down with lethal intent outside of combat and direct orders. I've seen some people talk about his reaction to Dazai suggesting he'll kill Q as proof that he's gotten darker since we saw him last in Stormbringer, from someone who would plead for the lives of the Sheep to be spared ("They're just kids") to being ready and willing to kill a defenseless child. While I think it's likely true that he's gone darker since that point - Chuuya appears to be more cynical in the present as well as having darker eyes with a smaller central pinprick of light than in Fifteen and Stormbringer - that's not the only thing going on here.

Thing is, Chuuya has always been fairly ruthless. He’s a very vengeance oriented character, right down to his fighting style (rebounding attacks and bullets). Hurt him or someone he cares about and he hurts back - and that threat will be destroyed. Parallel to this is how he is seemingly unable to turn his back on people who have helped him. Help him and he will remain loyal and protective even if that person goes on to stab him in the back. He has a very “give and take” mentality. Chuuya operates on the reciprocity principle.

So, about Q, here’s the thing: Q is a part of the Mafia, that's true. But Q has never helped them, only hurt indiscriminately. Mafia philosophy says “protect your own and follow the boss' wishes no matter what”. But Chuuya’s philosophy is saying “neutralize the threat”. And interestingly, Chuuya’s philosophy won here. If Dazai had've killed Q, Chuuya would’ve defied Mori’s orders in favour of his own judgement, which is extra intriguing because it emphasizes Chuuya’s loyalty to the people within the Mafia, not the Mafia as an organization itself. This is in full contrast to people like Tachihara and Hirotsu, who prioritize the organization and orders above all.

And about Q being a child: I don’t think this is such a big change in his character if I'm being honest. Chuuya knows full well how dangerous a child can be - he was that dangerous child. People underestimated him as a teenager and paid for it dearly; do you really think he'd make that same mistake? He also has a very warped view on the responsibilities and ways a child should be treated… while I do believe he probably is protective of those younger than him, he also equally understands that a child can be just as much of a threat as anyone else. For Chuuya, it’s always a matter of what wins out: the person or the threat? In this case, it was the latter.

The thing is, it's interesting the way they react when you look at the way Q eerily parallels aspects of their younger selves - as well as some things that carry over to the present.

Dazai and Q share central themes of control.

Q's mind control ability is actually referenced by Dazai as being essentially the worst kind of ability there is, and I know I've mentioned before how he seems to react poorly to those people who attempt to mentally control others, placing them on a heightened level of danger (think Fyodor, Mori). I don't think I need to get into Dazai's control freak tendencies - and what's more, after Q's introduction, after he says that mind control is the worst kind of ability there is - he ramps up his masterminding and enacts as much control as he can over the proceedings of the events that follow. Q's ability is interesting in the sense that it allows them control over others, implying Q came from a background of little control. I have also hypothesized that Dazai, with his need for situational control, similarly came from a background of little control. It's also likely they both were hurt by others - Q's ability turns any pain inflicted on them back around, giving them a way to fight back, while Dazai can level the playing field of any unfair advantages by nullifying abilities.

Q's small segment in Fifteen is also interesting: they're near completely zoned out, just staring off into the distance without responding to their environment until Dazai gets directly in their face. Then Q suddenly flips a switch and becomes all cheerful and playful. It reminds me of young Dazai's quick switches between faux cheerfulness and emptiness earlier in that same book.

They also both have quite interesting relations to pain. Q wonders why cruel things always hurt them, but Q makes this a foregone conclusion by purposely arranging others to hurt them so they have an excuse to hurt those people back. Q's pain becomes a self-fulfilling prophecy: they hate it, but the only means of control they know in interactions with others requires it. Dazai similarly hates pain - his pain loop, however, is more emotional than physical. Dazai feels isolated and alienated from others, but his attempts to exert control require him to distance himself and rely on his mind over all else. He also leans into his inhuman side when it becomes apparent pain is unavoidable (I think often of his reactions throughout Dark Era to Ango's betrayal) - again, this becomes a self-fulfilling prophecy. He will not find anything. He will continue to be separate from humanity if this cycle continues. That was why it was imperative that Odasaku break him out of it. Self-sabotage behaviours and unhealthy cycles, physical and emotional, are apparent with these two.

For bonus points: both have injured right arms.

On a more superficial level too, Q and Dazai both have "creepy child" energy, with emphasis on the child part - they are both legitimately disturbing at times but also have moments where they show childlike interest and behaviour. (I encourage people to check out Q's mayoi cards for this - I know it's not super canon or anything but it emphasizes their "kiddishness".)

Also I'm unsure if this is significant, but there's this detail too:

Q has a very unusual right eye with a star in the center. The right eye is also the one Dazai kept covered in the Mafia. Notably also, Q's right eye is frequently obscured by their hair in key scenes.

...Does it mean something? I have no idea. But it's potentially interesting so I thought I'd add it.

Meanwhile, Chuuya and Q share themes of loss of control.

For Q, this is quite obvious. They are literally locked up; imprisoned within the Mafia and unable to exert control over their circumstances. For Chuuya, it's a little more subtle but still present, I believe: I invite people to look at his character song and mayoi (particularly aquarium) for direct references to feelings of being trapped. However, looking at Fifteen and Stormbringer, there are a few mentions of freedom that are intriguing in relation to Chuuya's character. In Fifteen, both Dazai and Shirase mention Chuuya's "freedom"... but this is almost a mockery of what's really going on. A party to celebrate Chuuya's freedom is really an elaborate set up for a trap. Shirase telling Chuuya that he should have the freedom to act on his own wishes is really a cover up for a betrayal. In both instances, Chuuya's freedom is a lie. Stormbringer, at the very least, instates a sense of agency where he at least has the freedom to make choices about his own actions - that's the whole point of his hat; it's a symbol of autonomy (also anti-mind control; more on that in a bit). However, Stormbringer also systematically strips away the start of any alternate path Chuuya could've taken - he cannot be the child he was, he never got to hear the pitch on living in the light. He feels genuine gratitude towards those in the Mafia - they have his back, which is more than he could say before, but at the same time, the Mafia is kind of the last option available there if he wants not to be alone... and Chuuya does not want to be alone. (Seriously. His character song. Please look at it. Also Stormbringer.)

Now, onto their abilities, which also parallel in the sense that they are both used to "get back" at people. Chuuya rebounds attacks - bullets shot at him ricochet back at the people who fired, and Q hurts people who hurt them. There's a very reciprocal relation to the way they use their abilities, and it is absolutely to induce fear and intimidation in others, but there's a key difference. Namely, Chuuya fights only against enemies or people who strike first. Q, on the other hand, intentionally makes "enemies" out of even innocent bystanders just to have a reason to hurt them back. A lot of this is due to Q's misanthropic nature - I doubt Q has ever had a positive bond with another person, and so Q sees the whole world as their enemy - a world which, to them, does not want them in it. Chuuya, on the other hand, has had people who care about him, and he cares about them in turn. He's a bit jaded but he doesn't hate humanity, far from it.

In that sense, Q parallels Verlaine in a sense, right down to being kept in a special secret room in the Mafia, hehe. Though again, there's differences. Verlaine chooses to stay in that room, first of all, while Q doesn't have a choice. Verlaine's angst is internal identity based while Q's is more external situation based. In response to their pain, Verlaine chooses to relinquish control of himself (Brutalization), and Q chooses to have everyone else lose control of themselves (Dogra Magra). Verlaine says "look at how monstrous I am and how I hate and hurt because of it" and Q says "look at how monstrous you all are and how I hate and hurt because of it".

Chuuya is not so far on either extreme that he emulates this - but he could've ended up like Verlaine, and he admits it in Stormbringer. He could've maybe ended up something like Q too, if he'd remained trapped as a lab rat. But see here's the key with Chuuya: his hat makes it so the choice to lose control of himself is his alone, and moreover, that losing control doesn't mean he goes out of control. He trusts that he can lose control for a bit, place it in someone else's hands for awhile before it goes too far. Trusts that the choice to lose himself will be followed by the keeping of a promise to bring him back to himself. Chuuya has bonds, and that's the key difference.

But uh. Going back to parallels... about the scene where Q gets tortured... and the scene where Chuuya gets tortured...

Is this significant...?

...is... is this...

...

.............

Um. I may be delusional. But. Well. *gestures at all of this*

So, where does this leave us? Well, we have Dazai, who sees a manipulative, mind-controlling kid that he calls a "walking disaster", and we have Chuuya, who sees a dangerous ability user that is too big of a potential threat to not be dealt with, so the two decide the best course of action is to kill them about it. The reason Dazai did not follow through is likely a mix of his stated reason (the Mafia cannot harm Dazai so long as he is needed to stop Q), and probably also that he isn't really supposed to be directly killing anymore.

Nice, guys. Really clear and consciously held self-concepts you got there.

Considering everything, it's maddening that all we have on the dynamic between these three is: Q joins in Fifteen at the same time as the other two and is assigned to Dazai since he can stop their ability. Mori doesn't know what it is at that point but assumes whatever it is will be manageable because Dazai can just nullify it. It... clearly wasn't.

I feel like there has to be something here and that we're going to be coming back to it. Q, the old Boss, how Mori got so close as an underground physician in such a short time... there's so much about the Mafia we don't know so I'm assuming the story will shift to focus on these points again... someday. Hopefully.

[sissytobitch10seconds]

I think it's kind of interesting that Viktor is overshadowed by his siblings both in the canon and fanon.

In season one I could understand it. Despite Viktor being the main character that literally drives the entire plot, everyone focuses on the other characters. People make fun of Luther for talking about the moon all the time. Everyone is almost creepily obsessed with Klaus and the Vietnam fling that he had. No one really talks about Allison, but her story is primarily linked with Viktor's since she's trying to heal their relationship (fandom misogyny too). I think that there's a decent amount of talk around Five since he's such a fascinating character. There's quite a lot of talking about Diego too, since he loses Eudora and spends a lot of time trying to take care of Klaus. But no one really talks about Viktor and the amount of shit that he goes through in s1. All the siblings other than Allison completely abandon him too, and Allison only wants the idea of a 'sister' that she's built up in her head since she lost her husband and daughter.

In season two, it makes even less sense to not talk about what Viktor has done. He has a queer love story with Sissy and we get to see way more development and chemistry for, Klaus and Dave had a montage and some sad lines from Klaus as opposed to an entire arc through ten episodes, but no one really does anything with it. Allison gets basically no attention for the same fandom misogyny issues as before. Five gets some attention because of the fact that he's exhausted and still dealing with the Commission (his fight scenes are amazing). Diego gets the same treatment as Luther did but a little more deserving because the plan to save JFK was stupid. Luther gets totally sidelined and ignored too, but people really hated him in S1 so I'm not surprised. Klaus gets all the attention again even though his plot outside of Ben possessing him is honestly really boring and makes me so uncomfortable.

Season three is where Viktor should have gotten the most attention. If we're considering the fact that the TUA fandom has a very queer audience, then they should be super excited and celebrating the fact that Viktor is trans. Not only that, but he's also working his ass off so that he can fix things for Allison and get her back to a timeline where her daughter exists or back to the sixties. I think a lot of people ignore that, giving Five more credit than he deserves for trying to fix the world when Viktor was doing that until Harlan showed up and he wanted to handle that first. A lot of attention during the debut went again to Klaus, which was actually warranted this time since he was plot relevant by showing us things about Reggie and discovering his powers. Diego got more attention since he was parenting Stan and fighting with Lila, which was nice. Five got some meme attention but nothing serious and Luther got a little bit of genuine love. But mostly people just posted the conversation where Viktor comes out to his family and continued to ignore him.

Now Season four is out and no one cares about Viktor. He stands up to Reginald and says all of the things that he needs to say, he fights like Hell to try and save Ben from the Durango and get him someplace stable, he owns a bar and got fucking KIDNAPPED. No one is talking about him, all people are doing is complaining about fivela and the ending.

Viktor moved to Nova Scotia probably to get better trans healthcare, but also because none of his siblings care about him. My man is a tiny trans man that got kidnapped and ransomed off the street and they couldn't care less about him when they show up, Five is taking notes about the room they're in instead of checking to make sure that his childhood best friend is okay. Luther may have made him best man at his wedding, but it was just because Viktor had only just come out and all the other siblings were non options (never been close with Five, butted heads with Diego who didn't even want the wedding to happen, not their Ben, and Klaus was officiating) which was the same reason Lila was Sloane's maid of honor. Diego and Viktor barely spare two words at each other despite their closeness in the comics. Lila and Allison say something briefly to him before they also fuck off further into the plot.

Viktor isn't liked by his family despite them trying to include him in it when it's convenient for them, and he's also disliked by the fandom. I went into the TUA tag and about half of the top twenty posts were about someone else with him tacked on as an afterthought.

[cosmosrebellion]

An underrated aspect of HibiMikuChris is Chris and Miku's dynamic.

From Chris' perspective we have an idea of what would make her fall for Miku. She was the first person Chris accepted genuine kindness from. She was the person who helped Chris when she was on death's door. Miku takes care of Chris and always makes sure she's comfortable and doing well. She makes Chris feel safe, and that means the world to her.

But from Miku's perspective I think it would be really interesting to explore the idea of her not quite understanding what these new feelings for Chris are, and that kind of bothering her. She spent so long pinning for Hibiki that I can even see her feeling guilty at first for having romantic feelings for someone else.

But also it would be something she wouldn't be able to ignore. I can see so many little ways Miku would be jealous and possessive of Chris because she's bottling so much at first, and it would even confuse her why she feels like that.

I do think Hibiki would have similar feelings, but because of her character arc by the end of XV, I think she would understand that the two of them feeling like that about Chris wouldn't mean less love between them, but more love for Chris and a whole lot of more love between the three of them. And then she helps Miku realize that it's okay to want to share their love with Chris and they all become girlfriends.

[outivv]

Hello! Can I make a request, please? An MC who behaves like Jack Sparrow. For dorm leaders 👀✨

The last request was not sent anonymously, so if it doesn't bother you, please delete it. It was awkward :D

– anon🦐

Synopsis: Jack sparrow like reader!

Warnings: not proofread

Characters: dorm leaders (ace, Leona, azul, kalim, vil, idia, and malleus)

Pronouns for reader: gender neutral/ not mentioned

A/n: hello!! This genuinely is such a fun request Omg Omg. I was like eying this for a while, cause I couldn’t get to it until now which I do apologize for :’). Anyways! Hope you enjoy, and have a great rest of your day <3!

— Riddle —

You make him mad. You’re so unpredictable, and all over the place and he can’t like… pin you down metaphorically.

You also get ace and deuce into trouble too. You’re either dragging them down with you, or make a quick last minute escape, and riddle can’t manage to give you a proper earful.

He thinks your mannerisms, and way of thinking is so… hard. You’re so carefree even if you get in trouble over 100 times, how exactly can you just… be so casual???

— Leona —

He can’t quite figure out if he likes you or not. You’re similar to him, in the way that, you skip class because you just don’t really care. But the fact that you’re even similar to him posses him off.

He probably at first thought you were actually stupid when he first met you, but the when you actually did something super smart, and actually admirable he fucking collapsed. JEGEUR HE WAS LIKE “no.” IN DISBELIEF

Leona could probably only hang out with you in small dosages. He probably gets easily overwhelmed by you, and just doesn’t wanna deal with that HVSJEHE.

— Azul —

M. Pirate. (Derogatory). M. Drunkard. (Derogatory).

If you can’t tell azul doesn’t like you very much. Mostly because you’re so unpredictable. He can’t get you to sign a deal whatsoever, no matter how tempting he makes it????

Jade and Floyd like you and that actually makes him so mad JEGEIEJ. I mean who can blame them, your pirate stories (that are mostly over exaggerated) are cool. And jade and Floyd find you interesting, which, grated, is hard to do.

You’ve probably been banned from mostro lounge three times over.

— Kalim —

“Wow a real pirate! Oh my god that’s so cool!” He says as he literally has a treasure room, with a magic carpet in it. >:T

He is so interested in everything you have to say he absolutely adores you, and wants to hear every one of your stories.

You probably both get into a lot of trouble and sneak around campus a lot. You give jamil a absolute headache every time you step foot in the scarabia dorm.

— Vil —

“Ew.”

That’s it.

Vil probably saw you went “ew dirty pirate.” And shooed you out of the dorm JEVJEHE. He’s super mad that epel likes you, so he probably prohibits you from stepping in the dorm LMAO.

Teaches you about hair care, skin care, and overall care HEGEH. Then after all that sure you can step within 20ft of the dorm.

— Idia —

Stays. Clear. Of. You. At. All. Costs.

He cannot, and I mean cannot be around you. Mostly because again, you’re insanely unpredictable, and Idia can’t figure out your thinking pattern AND THAT FREAKS HIM OUT

Any time you need to talk to Idia you are forced to go through ortho. Unless you sneak into ignihyde when ortho isn’t there, and break into Idia’s room. Which. We all know you’re not above doing that.

— Malleus —

You have only been allowed to see malleus like five times because of Sebek. And his stupid. Guard. Knight. Whatever. (Kidding ofc I love Sebek)

Malleus was probably very interested in you and your behavior from the moment he heard of you, and wants to learn more about you.

However HE CANT FIND A TIME TO DO THAT. Malleus sneaking out arc >:). He’s becoming a rebellious teenager for you, you should be proud <3

[shutupineedtothink]

More ep 8 + 9 thoughts, in no particular order:

Rio looks at Agatha the way Agatha looks at other people when they say something angry or misunderstood or untrue about her — mainly, hurt. It’s fine, I’m fine. By not accepting her nature, Agatha’s doing the exact same thing to Rio that people have been doing to her for centuries and if that ain’t trauma i don’t know what is.

I’ve heard people say it was out of character for Rio to go all evil witch in ep 8, but I think it was a choice. She was so hurt by the deal Agatha wanted from her to never see her again, she said you know what, fine. You think I’m evil? I’ll be evil. Let’s play. But even as she puts on this show she’s saying things like I’m the natural order of all things and you love me, and why don’t you want me? And again, this is an Agatha move. Putting on the show of the evil witch to hide her pain underneath. Calls back to ep 1 too, when she says I can’t kill you, but I can make you wish you were dead.

I tend to kill my coven members. So do I. — That boy and Agatha are mirrors what did I tell you. 🙌🏼

I still can’t quite wrap my head around what she was thinking when she tried to give him up to Rio. Did she see him start to turn himself in and know that that’s what Rio needed him to do, so she changed to her evil side to make him second guess himself? Or did she genuinely think screw this in that moment and then changed her mind? I don’t know, and I don’t think we’re supposed to know, and that’s really interesting actually.

And Billy! Basically manipulates her into sacrificing herself for him using Nicky! My dude you really aren’t that nice. In that sense… he really got all of them killed.

I say more about this in my general show overview post which is coming soon, but once I was able to let go of where I thought Agatha should go as a character, I realized a couple things: a) her journey isn’t over, so this wasn’t supposed to feel like a complete arc and b) I think the point of her character is that you just can’t pin her down in one category or another. She’s not fully evil, she’s definitely not good but she can make good choices, she’s not a complete villain but she’s not a hero or anti-hero either. She’s truly unique in the MCU in that sense. And interestingly, it seems like Billy is going in a similar direction. We’ll see.

So Agatha is the “maiden mother crone” of the last episode right? We’ve now seen her in all three stages, she was the mother up until she died and now is the crone as a ghost playing the Guide to Billy. I’m gonna go with that.

There’s a .2 second look of pain on Agatha’s face when Rio tells her Lilia is dead. That’s when she found out. She does care about them, she’s just definitely not going to show it in front of anyone else.

Lots of great line repetitions in these last two eps (covenless witch, get used to this feeling, etc), but one I could have used again was Rio’s “te veo” — she does say the line about watching Agatha just as closely as you watch everyone else, which was great. But idk I wanted that to come back one more time.

See my previous post for my Nicky thoughts but it seems like the more discourse comes out the more we all agree that is Rio’s child just as much as Agatha’s. The question then becomes, was he just created from their love and magic, or for some other reason? Personally I would love to see more play out with Nicky and him possibly being “a demon, or an agent of Mephisto” and that’s why Agatha can’t face him. She needed more time to figure out how to change his fate but she couldn’t. It’s almost a Bucky/winter soldier situation, but instead of hydra it’s literally the Marvel god of the underworld controlling him. There’s a movie in there somewhere for sure. (MCU witch movie??)

The music banged in these eps especially the choral opening to ep 9, so cool.

Am I the only one wondering why Agatha is RunNInG when she’s in labor? Like where’s she going, who’s she running from? Just an interesting opening.

It’s Agatha All Along in several ways: Agatha (and Nicky) originated the ballad, Agatha used the ballad to kill witches for centuries, she was telling the truth all along about the road not existing, she was the one who bound Jen, and she knew all along it was Billy who made the road. Not exactly the character transformation I was gunning for, but I see the vision now.

The Peggy Carter cosplay I live 🤌

I still don’t think Agatha outright intentionally killed Alice. I still think she either genuinely didn’t have control in that moment, or Billy subconsciously made her do it to make her the villain. (Edit, Jac basically confirmed option 1)

I LOVE that she’s a conwoman. It makes so much sense for her character and even in a more genuinely evil context I love a con.

Agatha says she was going to kill them in her basement on day 1, but Lilia stopped them. If they didn’t attack her, would she have found another way to take their power? Idk but it seems more to me like she’s just trying to make Billy feel better.

I’m itching for more, but I do love the emotional moment between them in the basement at the end. Agatha lets just a little bit of her true feelings peek through, and Billy gets a little perspective as well.

Ok, I’ve now listened to the full 3.5 hour House of R pod on the finale, including their interview with Jac Schaeffer, and she confirmed a lot of my thoughts here so. Nice.

OMG Jac said this thing about the Road being Agatha’s lie that Billy made real and I got CHILLS

I’m expecting some baller fan edits for this show now that it’s over absolutely can’t wait

I could probably say more, and if I think of more stuff I’ll add it in comments. But also look out for that full show review post.

[coraniaid]

Reverse Unpopular Opinion: Season Four of BtVS

[Reverse unpopular opinion meme.]

I’ve been (very, very slowly) rewatching Season 4 on and off all year (and occasionally writing Tumblr posts complaining about this very process about the episodes I’ve been watching), and I think it’s fair to say that this is definitely not the best way to enjoy any season of television.  

That being said, I feel I’d be lying at this point if I pretended this was my absolute favorite season of Buffy the Vampire Slayer.  In hindsight, the show was in a strange transitory place this year: having lost some of the grounding framework that the high school setting gave the first three seasons of the show – as well as having suddenly lost some of its actors and writers to the new Angel spin-off – and not yet having quite figured out what it was going to do instead.  One can imagine some alternate reality where the show ended up taking a very different direction after this season.

That being said, here are five things I like a lot about Season 4, with as few caveats as I can manage:

I think the opening four episodes of this season – The Freshman, Living Conditions, The Harsh Light Of Day, Fear Itself – are as strong as, if not stronger than, the first four episodes of any other season of the show.  Every other season has at least one dodgy episode in this opening block – in fact Season 3, my favorite season of them all, manages to have two of them! – but where is the bad episode here?  The Freshman is a criminally underrated season opener.  Living Conditions is a fun character episode and a great showcase for SMG to act in ways she doesn’t normally get to on this show.  Fear Itself is the best Halloween episode the show ever did and it’s not even especially close.  The Harsh Light Of Day is my least favorite of the four, for reasons I guess it would be against the spirit of the game to go into, but I certainly wouldn’t say it was a bad episode by any means.  Perhaps none of these episodes would trouble my personal top ten, but they are four very solid episodes nonetheless.

While Anya had of course appeared in a handful of Season 3 episodes, I think Season 4 is the point where Emma Caulfield really makes the role her own.  This season’s version of the character – a blunt-speaking outsider whose romantic struggles are often deliberately contrasted with Buffy’s own [in the aforementioned The Harsh Light Of Day, for example] and who is inexplicably attracted to Xander Harris – could easily have come across as a fairly lazy attempt to replace Cordelia Chase, and I think it’s largely to Caulfield’s credit that she doesn’t.  Anya feels very much like her own person this season, and an increasingly integral member of the group.  It’s a performance that retroactively redefines the character: of course this is who Anya is.  Of course she always acted this way. It's only when you back and rewatch The Wish or Doppelgangland that you realize she didn't. And I think it’s pretty obvious, for example, that when people [e.g. people like me] go back to write Season 3 fanfiction where Anya features more heavily than in canon they [again, meaning me] invariably end up writing the Season 4 version of the character instead.  Anyanka might have appeared for the first time in Season 3, but Anya belongs to Season 4.

I really like how important to the show Willow has become at this point and how much of this season is all about her.  Just go back and look at the first season, in which Willow is arguably the member of the Core Four the writers cared least about – when she existed mainly to nurse a sad unrequited crush on Xander and to be good with computers when the plot required someone to be – and then compare that to this season, where she is Buffy’s best friend and roommate, unambiguously the second most important Scooby, and the center of a – genuinely pretty groundbreaking for the time – .season long subplot about coming out as a lesbian.  And of course Amber Benson is great as Tara too.  I’ve criticized the character of Oz for being very transparently written just to be Willow’s Nice Supportive Boyfriend and never becoming much more than that, and on paper you could level the same sort of charge at Tara.  And sure, obviously she was written to be Willow’s girlfriend and it’s impossible to seriously pretend otherwise.  But I think Tara manages to become a more rounded character than Oz very quickly. Even in this season, when she doesn’t yet have much connection to the others (she will, later, go on to become a key member of the group and a friend of Buffy's in ways I don’t think Oz was) she feels a little more complex than he did.

Faith is in this season!  I don’t just mean in the two parter This Year’s Girl / Who Are You? either. Of course, both of these episodes are great: the scene in the church in Who Are You? In which Faith (in Buffy’s body) breaks down while fighting Buffy (in Faith’s body), -- screaming repeatedly at her own reflection that she’s “nothing”, “disgusting”, and a "murderous bitch" -- is one of my favorites in the whole show.  But Faith feels like a real presence in the show even in the episodes she’s not actually in herself.  Unlike Kendra or Jenny in previous seasons, or even Cordelia the season, the other characters still talk about her and remember she existed when it’s appropriate that they do so (and in a way that they won’t really do again until … well, until Faith comes back in Season 7’s Dirty Girls).

Finally, Restless is possibly the best episode the show ever did, and certainly one of its most creative.  Willow’s dream sequence in particular is fantastically well done. I think this might be my favorite single act in all of Buffy.  Why this all works for me – apart from the fact that the show now has years of history to fall back on and reference – is that it’s an example of the show being utterly unafraid to play to its strengths.  Characterisation, dream sequences, dialogue, foreshadowing, oddly striking visuals, random moments of comedy … these – rather than tightly written plots or rigorously consistent world-building or anything that requires a working knowledge of world history or how the US military functions or what capitalism actually is – are the show’s strengths.  So Restless embraces all of these elements, and just doesn’t bother with anything else.  And the result is a season finale that – by virtue of not really being a season finale at all, at least according to the usual rules – is not quite like any other season finale the show ever did.  Which is, on reflection, a pretty fitting end to Season 4, a season of the show not quite like any of the others. 

[toxic-mothers-tourney]

PSA: with this is mind, I'm replacing Medusa'a guaranteed slot with Beatrice Horseman's. Medusa is not necessarily disqualified, but I included her before I thought very hard about the specifics of this tournament and I think Beatrice embodies the archetype better than Medusa (and most of these evil scientists) do

getting a LOT of submissions for evil scientist moms who experiment on their kids. I wonder at the widespread connection in media between presenting a woman as cold/cruel/unmotherly/inherently evil and their non-traditionally feminine careers