#there's something really interesting here

[nietzhat]

anyway if i was misty just saying i'd leave the group train on my own rejoin and watch ash's progress and pay attention to his fighting styles again and challenge him until i won and then i'd slit his throat i'm sorry

[luveline]

𝐜𝐡𝐚𝐧𝐠𝐞 𝐲𝐨𝐮𝐫 𝐦𝐢𝐧𝐝

You try to break up with your boyfriend. Aaron just wants to know why. (And what he can do to fix it.) [4k]

c: fem, stripper!reader, angst, hurt/comfort, fluff epilogue, suggestive themes mdni. requested here 

˗ˋˏ ♡ ˎˊ˗

I don’t want to see you anymore. 

The text doesn’t compute at first. He reads it twice. Reads the sender’s name, his heart stopped clean in his chest. 

He puts down his pen.

The idea that the text wasn’t meant for him crosses his mind, but that might further break his heart. He knows you have clients, but you don’t contact them outside of the club. 

His second thought is that he’d been a client unknowingly, but he made it clear to you those few months ago that he liked you as you, not as a service provider, and not as something to be bought. You thought he was trying to acquire you as a private escort. He explained it as what it was truthfully, if vulnerably.

He’s being broken up with, he surmises. Over text. By a woman he adores, who he’d thought was happy. Aaron opens his phone to call you, clicking your contact, bringing it to his ear. You don’t answer. He calls again and he’s clearly declined three rings in. 

He puts his phone down and has a few minutes of unbreathable heartbreak. Just a few minutes, his hand to his stomach, trying to think of things as reasonably as he can. 

Aaron doesn’t care that you’re a stripper. He might’ve at first. Denied his attraction to you, because of course he had feelings for you when you were standing against the side of the club in your dancing lingerie, who wouldn’t fall in love with you? Every fool lucky enough to see you undressed must assume the same thing. He thought it wouldn’t work, and that you’d never be interested in a man like him. 

Interviews for information lended themselves to rare moments of conversation. He liked how you talked, how your eyes moved to his, the way you watched his mouth. Your unusual friendship with Spencer drew you closer, and activated a rare seed of jealousy within him that helped him place you in his life. He had real, tangible feelings for you. 

And now it’s over. 

He scrunches his eyes closed and gets up from his desk. Puts his coat on, but leaves his things where they are on his desk. 

“Hotch?” Morgan asks as he descends the steps down from his office into the bullpen. 

“I’m not sure when I’ll be back.” 

“What happened?” 

Aaron turns to Morgan, hiding his panic as well as he’s able to. “I have a small emergency. It’s fine. Can you make sure things are okay here?” 

“Hotch?” Morgan asks again. 

Aaron keeps on going. He tries your number again on the way down. Three times, a fourth by the time he’s at the parking garage. 

The fifth time, you answer. 

He almost breaks the phone, its plastic body creaking in his hand. “Honey?” he asks. 

“I don’t want to see you anymore, Aaron. Is it hard to understand?” 

He’s taken aback. Some part of him had held onto the hope that it was a mistake. “Yes,” he says slowly, struggling to pull his keys out as his car comes into view, “it is.” 

“I don’t want to be with you.” 

“Have I upset you?” 

“Would that make it easier?” 

“No. I don’t think anything would make it any easier. Honey, this feels so sudden. Can’t we talk about it?” 

“I don’t want to see you.” 

“Please.” He can’t imagine never seeing you again. Just a few days ago he was sitting at the dinner table with you laughing opposite, your socked toes brushing his ankle. “Please, give me the chance to fix this.” 

“Aaron, it’s not really fixable. Please don’t call me again.”

“Y/N,” he says, firmer now. Anger leaks into his tone —what’s going on? “Let me come over. We need to talk about this.” 

���No–”

“It’s not fair to me for you to do it over the phone.” 

“…Okay. Fine. I’m at home, but I have work at six.” 

“I’m on my way.” 

He hangs up. Your terse allowance is all he needs to get in the car and drive, checking his watch. There’s plenty of time between now and six. He can figure out what’s wrong and hopefully change your mind.

He thinks about it more seriously as he’s parking outside of your place. Perhaps he doesn’t want to change your mind. You aren’t acting like you, none of your kindness can be found in such a swift dismissal, but he thinks of your foot under the table, your sock rubbing along his ankle without comment. 

He takes the stairs to your apartment. It’s not the nicest place to stay, but it’s far from a slum, either. He doesn’t worry about you when you’re home beyond the usual everyday fears: Is she eating? Sleeping? Having a good day? 

Now he’s thinking, What did I do? 

He gets to your apartment and pauses at the threshold. After a moment's deliberation, he knocks. 

“Come in, Aaron.” 

He pulls down the handle and lets himself in. You’ve mail piled on the sideboard and your shoes tucked under it, a coat rack further in bragging scarves and coats and jackets of all different colours. He’s always liked the interior of your apartment. It doesn’t feel as cold as his own, parts of your personality peeking in through everything, from the flowered tiles in the bathroom to the glass lampshade in the bedroom. 

You’re sitting in the kitchen with the light off. “Hey,” he says, voice already laden with relief he doesn’t mean to share. 

“Hi.” 

“Can I sit down?” 

You gesture for him to do as he likes. 

Aaron sits down at your table. It’s a small square just big enough to share dinner, plain wood edged in a darker slate grey outline. Sometimes when you’re feeling especially pretty, you’ll lean heavily on an elbow and grin at him, enticing him in for a kiss.

“What’s this all about?” he asks quietly. 

“I just think we’re… at the end of our relationship.” 

You don’t sound truthful. He knew there was something strange in your voice over the phone. 

“What’s making you feel that way?” 

“Does it matter?” 

Again, avoiding and evasive. 

He meets your gaze unflinchingly. “I care about you. I love you,” he says. “I know I can’t be who you pictured for yourself, and if you really can’t see a future for us, then… I’ll have seen it alone. I just wish I could understand this sudden change. Did I do something wrong?” 

“You’re not who I picture for myself,” you agree. 

“No?” he asks. 

“No. You didn’t do anything wrong, but I can’t see us together. We’re not the right fit.” 

You twist a ring around your middle finger. He thinks he’s starting to understand. “Do you think we’re not the right fit?” 

“Please don’t use your psychoanalysis on me.” 

“It’s not psychoanalysis, sweetheart, it’s– I know you.” He grimaces. “I’d like to think I do. And I’m allowing myself the audacity to believe you were happy with me just a few days ago. What happened between then and now to change your mind?” 

You stare at your two-toned table. Your mouth opens to talk, little but air making it out. Your shoulders begin tightening like you’ve been keyed between them, twisting and twisting. 

“What do you want me to say?” you ask. 

Dramatic, he’d hope you could say you don’t love him, or don’t care about him enough to let him convince you the rest of the way. “Is this really what you want?” he asks instead. 

Your staring turns to squinting. With a start, he watches a small tear drip from the corner of your eye to your nostril, to your cupid's bow. 

“No,” you say carefully, “it’s not what I want. I don’t like you being against me.” 

“Then what’s making you feel this way?” 

You cover your eyes with one hand. “I wanted to do this over the phone,” you say in a squeeze. 

He reaches for you but doesn’t touch. “I couldn’t let you.” 

“I just want you to be happy,” you say, so high he can barely understand you. “I’ll never be like you, Aaron. You’re so smart, and you’ve done so much. You’re a hero, and you must look so stupid with me. What do you think people say when they realise what I am?” 

“It doesn’t matter to me what they say. I know you, and they don’t.”

“What about what I think?” 

“What do you think?” 

You wipe your face roughly, eyes lit with an anger he’s unprepared for. “I told you, don’t psychoanalyse me. I don’t want to have to explain it, I just want to say what I have to say. I don’t want to be with you because you won’t be happy, and neither will I.” 

Aaron isn’t too prideful to recognise when he needs to fight for what he wants. He reaches over the table and takes your arm into his hand, picking it up, feeling down The length of it until he’s curled his hand over your smaller fingers. “We are happy,” he says softly, giving your hand a small shake. “I understand where you’re coming from. When we first met, I couldn’t have predicted that I’d be here with you now. I do wonder what people think when they ask me what you do and I tell them you’re a performer. I know we agreed to it, but there are moments where I feel like I’m being cruel to you. But just because there’s a stigma surrounding what you do, it doesn’t mean that you’re any lesser than me. You’re not less intelligent, or less accomplished. We chose different paths and I’m glad we did. If you weren’t a dancer I never would’ve met you.” 

“Do you know how it feels for me to come home to you sometimes?” you ask weakly. 

“I’d hope it feels as it does for me. Every time I see you, I’m relieved.” 

“Aaron, I get this rush of safety, like you’re– I’m finally safe. I can take care of myself, you know that, but now I have you it’s that I don’t even want to. And that’s stupid. I know that that’s stupid.” 

“What I’m thinking,” he says, soft, not as worried about being without you now as he is of the horrible way you’re feeling, “is that you’ve thought about all of this a lot. I’m glad you’ve taken time to reflect on us and your life, but I wish you’d thought more about what we both want.” 

“I want you to be happy,” you argue, as you had a few moments ago. 

“And I’m never happier than when we’re together.” He shrugs. “Love isn’t about work. Your job shapes you as mine shapes me, but you have to know that who you are is what’s important.” 

“I don’t know who I am…” 

“I know exactly who you are,” he says, rubbing a loving thumb over your knuckles. 

“I’m… I’m sorry for the way I spoke to you, on the phone. I knew if I talked to you like this I’d be too much of a coward to really see it through.” 

“I see. You’ve planned my heartbreak weeks in advance.” 

You shake your head sadly. “Aaron, we’re not good for each other. You make me this awful, weak version of me, and I’m no good.” 

“We have been nothing but happy since we met.” Aaron pulls your hand up and kisses the side of your wrist. He isn’t ashamed of you. He doesn’t make you weak, you aren’t. “I don’t know how to explain it. Sometimes it feels like we’re from different worlds, but it’s not that melodramatic. You’re my partner. I love you. It’s hard not to think about what others think of us, but I know exactly what I think of you, and I know what you think of me, too.” 

You share a look. 

“I’ve never heard you talk so much,” you say, your frown fading. “I’m sorry.” 

“You haven’t done anything wrong.” 

“When I thought I couldn’t get any more embarrassing,” you mumble. 

“You aren’t embarrassing. Please, put the thought out of your head.” 

“Thought out of my head,” you repeat, still mumbling as you flex your fingers, pushing them between his and intertwining your hands. You bring them linked to your forehead and take a heavy breath. 

“Do you really want to break up?” he asks softly. 

Your breath warms his arm. “No.” 

“You can have the things you want, you know? I imagine that there are people who laugh when I tell them about you, but you have to know that their opinions would never matter to me.” He pulls his hand from your head to encourage you to meet his eyes. “No one else matters but me and you. We don’t have to factor in other people. We can just be together.” 

“I’m not worth all the fuss,” you say under your breath. 

“What, this fuss? Honey, a few weeks ago you cried in my lap because I got you that cake from the bakery. And you know what? I didn’t want you to cry, but getting to rub your back?” He chances a smile. “That made my night.” 

“You like making girls cry.” 

“Yes,” he says, trying not to grin like a fool as you stand from your chair and put yourself in front of him. He is no saint. He pulls you onto his thighs and wraps an arm around the small of your back, your legs either side of him. “That’s my goal in life, sweetheart.” His voice falls to a whisper as you hang your head against him, tip of your nose to a rough cheek. “Making you cry…” 

Your arms creep to his neck. Resting on him, rather than hugging. He doesn’t mind, he’ll do the hard work. 

“I’m sorry,” you murmur. 

“It’s okay.” He turns your face with his to press his lips to your cheek. “It’s alright, honey, bumps in the road happen with everyone.” 

“All my fault.” 

“Maybe next time, if you feel so strongly about something, you can just extend me that little bit of faith and… know that I’m here for you. Even if it did mean we wouldn’t be together, it doesn’t have to be that you’re alone, making such a big decision. Valiant,” he adds, enjoying the warmth of you seeping into his shirt, his face, his neck where your wrist is laid against it. “You’re not a coward. But I wish you wouldn’t be this brave about breaking my heart.” 

“Stop making me feel guilty.” 

His laugh is a breath against your cheek. “No, it’s fine, isn’t it? Use me and abuse me.” 

“Shut up. Stop, what is this weird guilt tripping you’re doing?” You laugh at his absurdity. “I’d never abuse you.” 

“I know. Just step on me a bit.” 

“Stop, stop,” you mumble, your voice turning slowly from self-pitying to honey, all that love for him he knew you still had like threads of gold shooting through it, “I don’t wanna step on you, I never would…” 

“Just rough me up a little.” 

“Never.” You press your face to his neck. “Thank you for not letting me do it.” 

“I won’t let you go so easily.” His hand trails up your back, feeling the softness of you beneath your t-shirt. Fat, muscle, all of it familiar, and treasured by his touching. 

He squeezes you rather tightly, then, but you don’t complain, you just sigh. 

“It’s not that you’re not who I picture for myself, like I said before,” you confess, leaning all your weight against him, barely held up by your legs either side of him. “You weren’t, but I didn’t realise that I could have you. I didn’t really know men like you existed. I should’ve known I was looking in the wrong age bracket.” 

“That’s not very nice. In my line of work they call that a feedback sandwich, honey. Something cruel between nice things to distract me.” 

“Sorry. Just had to get it in.” 

He considers your teasing a return to normalcy, guiding your head away from his with a hand to the back of your neck. “If this was a ploy to make me leave work early, consider it successful.” 

“I know your attention usually falls to other places, Mr. Hotchner–” You burst into giggles as he pinches the back of your neck, but it’s only to pull you in for a kiss, smiling against your parted lips as your laughter fades away.

You scrunch his shirt in your hand and kiss him nicely. 

“Sorry,” you say. 

“Forgiven.” Even if he did almost go into cardiac arrest at his desk. “I like begging to stay. It builds character.” 

“How long will you be like this?” you ask, shaking your head slowly, your smile poorly hidden. 

You’d needed a reminder, is all. Aaron isn’t solely business and sternness, he’s an idiot, your idiot, who likes to tease you, and doesn’t care who knows that. When he’s working he’s one person, and when he’s with you, he’s another. Both have their qualities and faults, but only one version is the one he needs to be with you. 

“At my age it’s perfectly normal to have a young and beautiful wife,” he says. “You’ve seen some of the other Section’s worker’s wives.” 

“I’m not that young,” you say. 

“So you admit it?” 

You reward him with a tired sigh, cuddling into his collar. 

—

…I'll never be your beast of burden. So let's go home and draw the curtains…

Aaron’s humming from the bedroom. He knows every classic rock song to exist, every word to every Beatles song. When the chorus comes, he sings under his breath, but you can hear him regardless. “Am I rough enough, am I rich enough? I’m not too blind…” he fades off. 

The music hums under your feet. Record player open on the floor, his Some Girls vinyl on the plate. 

You press a hand down your side. 

To inspire less worry on your part, you and Aaron are trying to be more open about the other sides of your lives. His work feels alien to you, and you worry that yours is dirty to him, despite reassurance that a job is a job. You know that already, but you can’t make yourself believe that he’s as happy as he could be if you were, say, a checkout girl. 

You’d make a cute checkout girl, he’d said. 

This is cute, too. Babydoll lingerie with feather edgings, starkly white against your skin. You fluff out the ends and neaten the crotch of your panties. Nothing is on show that shouldn’t be, but it’s still lingerie. It’s meant to excite. 

“Honey,” he says, dulcet tone carrying to the bathroom, “are you stuck again?” 

You laugh. “I bet you hope so.” 

“That’s accusatory in nature.” 

“I’m coming.” You give it a last glance in the mirror and head into the bedroom. 

Aaron’s sat against your headboard, flowery pillowcases behind his head and back. He discards the little figurine he’d been playing with out of boredom and looks you up and down, corners of his lips curling. 

“Home only,” he says. 

“I knew you’d say that.” 

“You look stunning.” His eyes seem darker. All pupil. 

“I have to wear some of these at the club, Aaron, that’s why I bought them.” 

Something in your voice makes him smile. “You said I could veto the ones that are too beautiful.” 

“I said too slutty.” 

“Honey, they’re all revealing in their ways. And I don’t have a problem with it…” He takes a breath. “Much. But some of these are meant for…” 

“The man who loves me?”

“Exactly.” 

He’d said something similar about the light blue set with darker flowers, the black set that showed the curves of your chest, and especially about the pink one-piece with white ribbons. That one gave him pause. 

“Spin?” he asks. 

One day it might bother Aaron that you dance, but for now he’s gently approving. Just wants you to be happy. So you do a little spin without any attempt to be sexy and beam when he whistles. 

“Beautiful. Really, honey, that’s the nicest so far.” 

“I have a confession.” 

“Yeah?” 

“This one was for you.” 

He’d know if you were lying. “For me?” he says, in that tone bordering stern, as much of his professionalism as you’re used to hearing these days. 

“Yes, sir.” 

“Don’t,” he says, seductions gone as he tips his head back into a pillow patterned with lavender and peony. “Unless you’re done trying those on, I don’t want to hear it.” 

“This is the last one.” 

“In that case.” He covers his face with a cushion. 

You look down. Your stomach is a little bloated from lunch, and you have a shaving rash on your left knee, but Aaron won’t mind. He never does. Without worry, you tread to the side of the bed and climb onto it, one leg over his lap. The last time you’d been sitting in his lap, you’d been teary-eyed and regretful. Fuck, what was I thinking? you ask yourself, slipping a hand under his rising shirt to feel his abdomen. It’ll never not be weird, the FBI man and his stripper girlfriend, but it doesn’t have to make sense to anyone but him and you. 

You ease the pillow down his face. 

“Are you blushing, Aaron?” you ask. 

“Not purposefully.” 

“You look a little… hot.” 

“That makes two of us.” 

It starts slowly. The heat of you atop him, the pillows moved out of the way. You didn’t expect him to stay unbothered as you paraded your new spoils, but his willpower is remarkable, and he only breaks when you let yourself settle on his lap. His big hand cups your face. 

“That’s funny.” You lift up enough to be in kissing range, but don’t kiss. You just wait for him to react, holding your weight off of his chest. 

He finds the small of your back and drags. Your gasp isn’t your own, a breathy, excited thing as he brings your face to his for a kiss. Your lips almost immediately part in anticipation of his eagerness, of his hand on the back of your neck, and the unflinching heat of his mouth as he turns his head. Your noses brush. He wades in deeper, his own breath already failing him as the bridges of your nose press hard. 

They aren’t rough kisses, but there’s something desperate there. He holds you to him until he can’t, ushering you onto your back, his weight bearing down sudden and steady. 

“I can’t believe I nearly lost you,” he utters, stroking your cheek, edging back in to kiss you before you can reply. 

You wrap an arm behind his back and hike your leg, soft thigh naked and waiting for his touch. You didn’t nearly lose me, you think. To be lost, you’d have to be something worth losing, and you’re not sure you are, but Aaron? 

“I don’t think you could,” you mumble, forcing him to kiss your cheek, your jaw, the line of your throat. He nips at your neck, a shudder racing through you. 

“I have no intent of letting it come that close again, sweetheart.” 

His hand dances up your side to the soft hill of your chest. 

You hold the hair from his face and let him kiss you. He’s here to stay, no matter how odd a pairing you might make. You love him. That’s all he cares about. 

“Want me to do that thing you like?” you offer softly, mildly playful. 

He laughs into your neck. “No,” he says, “I think tonight is about you, hm? You’re all dressed up. I think that deserves a reward.” 

You knew he’d like the white babydoll. 

˗ˋˏ ♡ ˎˊ˗

[pucksandpower]

Malfunction

Franco Colapinto x physician!Reader

Summary: Franco’s concussion has come and gone, but his desire to see the angel of a physician who likely saved his life has only gotten stronger … it’s just a shame that he tends to lose any semblance of composure when you’re around

Note: this is the much requested second part to Malpractice … but even better than the first part if I do say so myself 🫣

The Las Vegas Grand Prix is a distant blur in Franco’s memory. The crash. The pain. The disorientation.

But there’s something else that lingers, too. Something soft that refuses to leave him alone.

It’s the image of you, kneeling in front of him, your hands steady even as his world spun. Your voice cutting through the haze, your gaze sharp and intense, demanding his attention. The way you pushed him to stay alert, to pay attention, to focus on something other than the chaos in his head.

Franco knows he owes his sanity, maybe even his life, to you.

It’s been a week since the crash, and he’s been cleared by the medical team to race again in Qatar, despite a lingering headache that’s been stubbornly hanging on. But it’s not the headache that’s bothering him. It’s the fact that you’re not here. You’re not at the track. Not in the garage. Not hovering over him like some kind of guardian angel.

He wants to see you again. Needs to.

He’s sitting in the Williams debrief room, surrounded by engineers who are talking a mile a minute about tire wear and lap times. But Franco is barely listening. He keeps checking his phone, hoping for some sort of miracle: a text, a call, anything that might tell him you’re here. That you’ve returned to the paddock.

But the screen stays empty.

“Franco, are you with us?” James Vowles’ voice cuts through his thoughts, snapping him back to the present.

“Yeah, sorry,” Franco mutters, rubbing his eyes. “What were you saying about tire strategy?”

James raises an eyebrow. “It’s fine. Focus on your recovery. We’re just going over the data from today’s practice. You’ve got time. But-” He looks around, making sure no one else is listening, “-don’t be distracted during qualifying tomorrow. We need every bit of performance we can get from you this weekend.”

“Right.” Franco nods, but his mind drifts again, his gaze slipping back to his phone. It’s like the rhythm of the weekend has been broken without you here, without the sharpness of your voice telling him he’s being an idiot, without your soft, steady presence making everything feel a little more manageable.

A soft knock sounds at the door, and Alex steps in, his casual smile immediately making the room feel a little lighter. His eyes flicker over to Franco. “How’s it going, mate?”

Franco immediately perks up. “Alex! You’re a sight for sore eyes.” He straightens up in his chair, suddenly interested in the conversation.

Alex raises an eyebrow, clearly amused. “Is that because you’ve missed me, or because I bring good news?”

“Both,” Franco grins. “But seriously, I’ve been thinking about something, and I need your help.”

Alex folds his arms, giving Franco a knowing look. “Uh oh. What have you gotten yourself into now?”

“It’s about Y/N,” Franco says, leaning forward with a mischievous glint in his eyes.

Alex’s eyebrows shoot up, but he doesn’t seem too surprised. He sighs, already knowing where this is headed. “Ah, I should’ve known.”

“No, listen,” Franco presses, his voice a little more serious. “I need her to come to Abu Dhabi. She has to be there. I-” He pauses, trying to put his feelings into words. “I’ve been thinking about her all week. I just … I need to see her again.”

Alex raises both hands in mock surrender. “Whoa, whoa. Slow down. You want me to convince her to come to a race just so you can see her again?”

Franco shrugs, looking entirely unapologetic. “Yeah. Pretty much.”

Alex shakes his head, a bemused smile tugging at his lips. “You really have it bad, don’t you?”

Franco hesitates, his smile faltering just slightly, then nods. “I do.” His expression softens. “She helped me when I didn’t even know what was happening. I’ve never had someone take care of me like that.”

Alex takes a moment, studying Franco’s face, then lets out a long breath. “Look, I can’t make any promises. Y/N’s a resident physician. Her schedule is insane. She barely has time to breathe, let alone fly out to the Middle East for a race. But-” He hesitates, as if weighing his next words carefully. “But I’ll ask her. I’ll see what I can do. But no promises, okay?”

“Just ask,” Franco says urgently. “I don’t care if it’s a long shot. I need her there.”

Alex chuckles, shaking his head. “Alright, alright. I’ll ask. But you owe me a beer if this works.”

“You got it,” Franco grins, already feeling the relief of having put his request into motion. “Thanks.”

***

It’s late by the time you’re wrapping up your shift at the hospital. The weight of your scrubs feels heavier than usual tonight, your body aching after hours of rounds and consultations. You’ve barely slept all week, the demands of your residency taking up every last ounce of energy. All you want to do now is crash into bed and forget about the world for a few hours.

But then your phone buzzes in your pocket, and the familiar name on the screen makes you stop in your tracks.

Alex.

You sigh, glancing around the empty hallway before answering. “Hey, Alex. What’s up?”

“Hey,” Alex greets you, his tone casual but there’s a hint of something else in his voice. “How’s it going?”

You roll your eyes, leaning against the wall. “You know, same old. Patients, paperwork, more patients. I swear, I’m starting to see people’s illnesses in my dreams at this point. What’s up?”

“Well, funny you should mention that,” Alex says with a chuckle, “because I’ve got a bit of a favor to ask.”

You brace yourself. “What now?”

“I need you to come to Abu Dhabi.”

There’s a beat of silence. “What? No. I can’t just drop everything and fly to Abu Dhabi. You know how insane my schedule is right now.”

“I know, I know,” Alex says quickly. “But listen, it’s not for me. It’s for Franco.”

You blink, unsure if you heard him right. “Franco? What does he have to do with this?”

“He, uh, well, he’s been asking about you. He really wants you to come. He … he kind of needs you there, Y/N.”

You frown. “Needs me? What, like for a medical emergency?”

“No, no,” Alex quickly reassures you. “It’s not like that. He’s just — he’s been a bit, you know, off since the crash. He keeps talking about how much you helped him, how much he needs to see you again. He’s … kinda, well, taken with you.”

You pause, processing the unexpected request. “Wait. You want me to go to Abu Dhabi just to … see Franco?”

Alex sighs. “I know it’s a lot to ask, and I totally get it if you can’t make it. I just thought I’d put it out there, because he’s really … well, he’s really worried about seeing you again.”

You take a deep breath, staring at the floor. There’s a tug at your chest. Franco’s crash. The way he looked when he stumbled into the garage, his eyes unfocused, his voice thick with concussion. And how you couldn’t help but care, couldn’t help but feel something stir in your chest as you took care of him.

“I don’t know,” you say softly. “I don’t know if I can get time off. I’ve got a million things to do.”

“Please,” Alex pleads, his tone sincere. “Just think about it. I’ll take care of the rest. You don’t have to worry about anything. Just — just come for the weekend. For him.”

You hesitate for a long moment. Your exhaustion is overwhelming, but so is the pull to be there for Franco, to check in on him after everything that happened.

“Okay,” you say finally, your voice quiet but firm. “I’ll see what I can do.”

Alex lets out a relieved breath. “Thank you. You have no idea how much this means to him.”

“I’ll talk to my supervisor tomorrow and see if I can get a couple of days off. I’ll let you know.”

“Great. I’ll keep you posted. Thanks again, really.”

As the call ends, you press the phone to your ear, staring at the blank hospital hallway. Something in your chest stirs, a mix of curiosity and something else you can’t quite name. You promised yourself you wouldn’t get involved with any of these drivers. But Franco … there’s something about him. Something you can’t shake.

You don’t know what’s going to happen in Abu Dhabi. But you know one thing for sure: you’re going to see him again.

***

Franco is buzzing with energy as he walks away from the Williams garage after FP2. The track is alive with its usual Friday hum: team radios squawking, mechanics wheeling equipment, fans pressing against barricades for a glimpse of the action. Normally, this is his favorite part of the weekend — the calm between sessions when he can breathe and think through what’s next.

But today, his thoughts are miles away.

You.

Alex told him you’d agreed to come. He’s spent all week mentally preparing for this moment, imagining what he’ll say when he sees you again. He’d told himself he’d play it cool. That he wouldn’t come off as desperate or weird. That he’d be charming and effortless.

And now, as he walks toward the Williams motorhome, he’s running through those lines in his head like a script. But then, through the glass doors of the motorhome, he spots you.

You’re sitting at a table with Lily, wine glasses between you. You’re mid-laugh, one hand lightly gesturing, the other wrapped around the stem of your glass. The sound of your laugh doesn’t reach him, but your expression — warm and animated — is enough to stop him in his tracks.

Franco stares, frozen. For a second, he’s not a professional driver or a smooth-talking twenty-one-year-old. He’s just a guy, floored by the sight of someone he’s been thinking about far too much.

And then, because the universe has a cruel sense of humor, he walks straight into the glass door.

The sound is embarrassingly loud — a deep, resonant thud that draws the attention of a couple of mechanics nearby. Franco stumbles back, clutching his forehead as the door wobbles slightly on its hinges.

“Oh, come on,” he mutters under his breath, blinking rapidly to clear the stars dancing in his vision.

Inside, Lily gasps, already half out of her chair. But you — you just press a hand to your mouth, visibly trying to suppress a laugh.

Franco pushes the door open this time (successfully, thank God) and steps into the motorhome, trying to salvage whatever remains of his dignity.

“Didn’t know the motorhome was defending itself today,” he says, flashing a crooked grin as he rubs his forehead.

You’re still smiling, but there’s a glint in your eyes as you take a sip of wine. “I see you’re still finding creative ways to injure yourself.”

Lily, standing now, gives him a once-over. “Are you okay? That sounded bad.”

“I’m fine, I’m fine,” Franco says quickly, though he’s still holding his head. “Just testing the structural integrity of the door. Very solid. Great engineering.”

Lily rolls her eyes, muttering something about grabbing an ice pack before disappearing into the kitchen.

You lean back in your chair, tilting your head as you look at him. “You know, you really don’t have to keep hurting yourself just to get my attention. There are easier ways.”

Franco blinks, momentarily thrown off by the teasing edge in your voice. But then he recovers, his grin widening. “Oh, so you noticed me, huh? Mission accomplished.”

You arch an eyebrow, unimpressed. “Hard not to notice when someone face-plants into a door.”

“Ouch,” Franco says, clutching his chest dramatically. “First my head, now my ego. You’re ruthless.”

You laugh, setting your glass down. “I’m a doctor. I call it like I see it.”

“And what do you see?” He asks, leaning casually against the doorframe (or at least trying to — he slightly misjudges the angle and has to correct himself, which makes him look anything but casual).

“I see someone who might need another concussion test if they keep this up,” you say dryly, though there’s a hint of amusement in your tone.

Franco seizes the opening. “Oh, you’ll give me a test? What, right here? Should I sit down? Or maybe lie down? Whatever you need, angel, I’m ready.”

You roll your eyes, but the corners of your mouth twitch. “I’m off-duty, thank you very much. And stop calling me angel.”

“Why? It suits you,” Franco says without missing a beat. He steps closer, his grin turning just a bit sheepish. “You did save me, after all.”

“From driving with a concussion,” you reply, crossing your arms.

“Still counts,” he says, shrugging. “So … you’re really here. Thought maybe Alex was messing with me.”

You tilt your head, watching him carefully. “Why would he do that?”

“I don’t know, for fun? He likes to mess with me,” Franco says, his grin turning rueful. “But I’m glad he wasn’t. It’s … it’s good to see you.”

Your expression softens, and you glance down briefly before meeting his eyes again. “It’s good to see you too.”

For a moment, there’s a silence between you. Not awkward, but charged. Franco shifts his weight, scratching the back of his neck. He’s been preparing for this moment all week, but now that you’re standing in front of him, he’s at a loss.

Lily reappears then, an ice pack in hand. She tosses it to Franco, who catches it against his chest. “Here,” she says. “For the door-shaped bruise you’re probably going to have.”

“Thanks,” Franco says, pressing the pack to his forehead. He winces slightly but keeps his gaze on you.

Lily looks between the two of you, her lips twitching as if she’s trying not to laugh. “Well, I’ll leave you two to … whatever this is,” she says, grabbing her glass and retreating toward the other end of the motorhome.

Franco watches her go, then looks back at you, his smile softening. “So … you’re here for the whole weekend?”

You nod. “Lily convinced me to stay. Said I needed a break.”

“You do,” Franco says quickly. “Definitely. Big time.”

You raise an eyebrow. “Oh? And why’s that?”

“Because …” Franco hesitates, then decides to go for it. “Because I haven’t been able to stop thinking about you since Vegas.”

You blink, caught off guard by his honesty. “Franco-”

“I’m serious,” he interrupts, stepping closer. “I know I’m probably coming off like a total idiot right now, but I don’t care. You-” He gestures vaguely, as if struggling to find the right words. “You’re different. You’re not like anyone else here.”

“That’s because I’m not supposed to be here,” you say, your tone light but your eyes searching his. “I’m a doctor, Franco. Not meant for … whatever this world is.”

“Doesn’t matter,” he says, shaking his head. “You could be anything, and I’d still want to know you. You’re …” He trails off, then laughs at himself. “God, I’m bad at this.”

You laugh too, finally relaxing. “A little, yeah.”

“But I’m trying,” he says, his expression earnest now. “And I’ll keep trying, even if it means walking into more doors. Or walls. Or whatever else gets in my way.”

You shake your head, exasperated but undeniably charmed. “You’re ridiculous.”

“Ridiculously into you,” Franco counters, grinning.

You groan, but your smile betrays you. “Stop. That was awful.”

“Was it?” Hr teases, leaning just slightly closer.

“Yes,” you say firmly, though there’s a hint of laughter in your voice. “And I’m not letting you use your injuries as an excuse to flirt with me.”

“Then what excuse should I use?” He asks, tilting his head.

You roll your eyes, but you’re smiling now. “How about none? Just be normal.”

“Normal,” Franco repeats, as if testing the word. “Okay. I can do that. Probably.”

“Somehow, I doubt it,” you say, but your tone is lighter now, your guard lowering just a fraction.

Franco grins, sensing the shift. He might not be smooth, but he’s persistent. And right now, that feels like enough.

***

The hospital hums with its usual rhythm: the sharp beeps of monitors, the steady shuffle of footsteps, and the occasional murmur of voices echoing down sterile hallways. You’re halfway through your shift, mentally cataloging a growing to-do list, when one of the nurses finds you near the break room.

She looks far too amused for your liking, a sly smile playing at the corners of her mouth. “Hey, Doc,” she says, her tone conspiratorial. “You’ve got a patient in Room 43. Interesting case. File’s by the door.”

You glance up from your notes, immediately suspicious. “Interesting how?”

“Let’s just say … not your usual trauma,” she replies, her grin widening. “Go see for yourself.”

With a sigh, you grab your tablet and head down the hallway. You’re too tired to entertain the nurse’s cryptic humor, but curiosity tugs at you anyway. When you reach Room 43, you spot the chart hanging by the door. You pick it up and start skimming, your brain automatically processing the medical shorthand.

And then your eyes land on the complaint: penile fracture.

You freeze. Your brain short-circuits for a good five seconds.

Penile fracture. Seriously? You take a deep breath, fighting the urge to laugh or groan. It’s not unheard of, but it’s rare enough to make your day a little more … colorful.

Squaring your shoulders, you prepare yourself for what’s undoubtedly going to be an awkward encounter. Professionalism, you remind yourself. You’ve handled weirder cases.

But all of that resolve shatters the second you open the door and step into the room.

Because the patient isn’t some anonymous stranger.

It’s Franco.

Franco, lounging on the exam table like he doesn’t have a care in the world, scrolling through his phone with his free hand. Franco, the same man you’ve been dating for months, who absolutely should not be in this hospital room right now.

Your mouth opens, ready to deliver your standard introduction, but no words come out.

Franco looks up at the sound of the door, his face breaking into that familiar, devilish grin. “Hey, angel.”

“What the-” You stop yourself, gripping the edge of the clipboard like it’s the only thing tethering you to reality. “Franco, what are you doing here?”

He sets his phone down, looking at you with wide, innocent eyes. “I’m a patient. Clearly.”

You take a deep breath, setting the clipboard aside. “Please tell me you’re joking.”

“Nope.” He leans back slightly, gesturing toward himself with both hands. “Broken dick. You saw the file.”

Your jaw tightens as you step closer, lowering your voice. “Franco, this is a hospital. You can’t just-”

“I didn’t just anything,” he cuts in, feigning indignation. “I’m here because you abandoned me this morning. And now I’m suffering.”

You blink at him, completely thrown. “Suffering?”

“Yes!” He says, sitting up straighter, though the smirk tugging at his lips betrays any attempt at seriousness. “You left me. Alone. In bed. With …” He lowers his voice dramatically. “An issue.”

Your brain scrambles to keep up. “An issue?”

Franco sighs, as though the weight of the world is on his shoulders. “Blue balls. A raging, unresolved situation. You’re a doctor — you know how dangerous that can be.”

“Dangerous?” Your voice rises slightly before you catch yourself. “Franco, I left because I had to come to work. Like a normal person.”

“Right, but normal people don’t leave their boyfriends high and dry,” he argues, his tone edging into the realm of petulant. “Do you know how much it hurts? It’s practically a medical emergency.”

You close your eyes for a moment, pinching the bridge of your nose. “So let me get this straight,” you say slowly. “You’re here because you have blue balls. And instead of — oh, I don’t know — handling it with your hand and some lotion like a grown adult, you decided to come to my workplace and waste everyone’s time?”

“I don’t see it as wasting time,” Franco says, crossing his arms. “I see it as seeking expert care. From a very qualified, very beautiful doctor.”

“Franco,” you say warningly, but he’s already grinning.

“Besides,” he continues, his voice dropping into a teasing lilt, “don’t you think it’s romantic? I’m literally willing to suffer for you.”

“Oh my God.” You press a hand to your forehead, feeling a mix of exasperation and disbelief. “You are not suffering. And this is not romantic — it’s ridiculous.”

“Ridiculously sweet,” Franco counters, clearly enjoying himself.

You stare at him, torn between wanting to strangle him and laugh. “You know I could get in trouble for this, right? What if someone finds out I’m treating my boyfriend? Or worse, that you’re faking a medical emergency?”

“I’m not faking,” he says quickly, holding up his hands in mock surrender. “The pain in my cock is very real.”

“Franco.” Your voice is flat, and you fix him with your best no-nonsense look.

He hesitates for a beat, then leans forward slightly, lowering his voice like he’s about to confess something scandalous. “Okay, maybe it isn’t a fracture. But it is painful!”

You throw your hands up, resisting the urge to laugh despite yourself. “Unbelievable. Absolutely unbelievable.”

Franco pouts, his lower lip sticking out in an exaggerated fashion. “Come on, angel. Don’t be mad. I just wanted to see you.”

“You couldn’t have waited until my shift was over?”

He shrugs. “What can I say? I’m impatient. And in my defense, you looked very cute leaving this morning.”

You sigh, shaking your head. “You’re impossible.”

“And yet, you love me,” he says, his grin widening.

“Don’t push your luck,” you warn, though there’s no real bite in your tone.

Franco leans back on the exam table, looking far too pleased with himself for someone who just disrupted your workday. “So … are you gonna examine me or what?”

You narrow your eyes at him. “Do you want me to call security? Because that’s where this is headed.”

“You wouldn’t,” he says, his confidence unwavering.

You cross your arms, raising an eyebrow. “Try me.”

Franco holds your gaze for a moment, then sighs dramatically, throwing his hands up in mock surrender. “Fine. No exam. But only because I value our relationship.”

“Uh-huh,” you say, not even trying to hide your sarcasm.

He grins again, the kind of grin that’s always been your undoing. “You can’t stay mad at me, angel. Admit it.”

You roll your eyes, but a smile tugs at the corners of your mouth despite your best efforts. “Franco, you’re lucky I like you. Otherwise, you’d be on your way out of here in handcuffs.”

His eyebrows shoot up, and he smirks. “Kinky.”

“Oh, for the love of-” You don’t bother finishing the sentence, turning toward the door instead.

“Wait, wait!” Franco calls after you, sliding off the exam table. “I’m kidding! Don’t go!”

You pause, looking back at him. He’s standing there with his hands in his pockets, his expression softer now. “Seriously,” he says. “I just … I missed you. And I thought maybe this would make you laugh. Or at least roll your eyes. Which it did, so … mission accomplished?”

You sigh, feeling your resolve waver. It’s hard to stay mad at him when he’s looking at you like that — like you’re the only person in the world who matters.

“Franco,” you say, your voice quieter now. “You can’t just show up like this. I have a job to do.”

“I know,” he says, stepping closer. “And I promise I won’t make a habit of it. But … can I take you to dinner after your shift? As an apology?”

You study him for a moment, weighing your options. Finally, you let out a small sigh. “Fine. But only if you promise to behave.”

“I promise,” he says quickly, holding a hand over his heart.

“And no more faking injuries,” you add, pointing a finger at him.

“Scout’s honor,” he says, though the mischievous glint in his eye suggests otherwise.

You shake your head, exasperated but smiling. “You’re unbelievable.”

“And yet, you keep me around,” he says, grinning.

“For now,” you say, opening the door. “Now get out of here before someone sees you.”

“Yes, ma’am,” Franco says, saluting playfully as he follows you into the hallway.

As he walks away, you can’t help but smile to yourself. Ridiculous as he is, there’s no denying that life with Franco is never boring.

[cherrygirlfriend]

touchy subject III pairing: reader x exfiancé!rafe synopsis: seeing your ex-fiancé after four years. warnings: angst and comfort. fluff. mentions of miscarriage/stillbirth and DUI. wc: 2.7k part 3 and the last part of touchy subject! click here for part 1, click here for part 2 i really liked writing for them and honestly i'm considering occasionally writing blurbs for them and what their relationship would shape into, lmk if you'd be interested!!

seeing you in front of that store felt like it might've killed rafe. the first face he fell in love with, the woman who'd left him with nothing but scars and an engagement ring. somehow, he still managed to stay alive.

but hearing you say his name in the soft voice he hadn't heard in over four years, the same one that you used to tell him you loved him every single night before your body went slack in his arms, that might have been the final blow.

"what are you doing here?" you managed to mutter, your hand instinctively going to your locket, squeezing it in your hand, and the gesture didn't go unnoticed by rafe.

"what's this?" rafe asked as the two of you laid in bed, his finger tracing the patterns on the heart-shaped locket resting on your chest, the one you'd worn around your neck for as long as he'd known you.

"this?" you asked, opening the locket, displaying two pictures; one of them was of you when you were a little girl, standing between your parents with a wide, toothy grin on your face, and the other was a picture of you and rafe, taken at midsummers. "i got this from my mom. it's a family heirloom of sorts. when she's born," you looked down at your stomach, "we've gotta get a picture taken of us three so i can put it here."

he let out a small chuckle, "i'm honored that you want me in your heart."

"i think you're always going to be in my heart," you rolled your eyes, "whether i want it or not."

"i'm here to see you. i thought that'd be obvious." rafe said without an ounce of emotion in his voice, the sound causing a shiver to run down your spine. grieving your daughter on what would've been her fifth birthday wasn't a moment you exactly wanted your ex to witness, but this was still rafe. the man you loved for so long, the only man you ever loved, the one you were going to marry, and this was still the house that was supposed to be your home.

so you stepped aside, pulling your cardigan closed as a way to close yourself off from the man as you walked further into the house, not daring yourself to look back at him, fearing the urge that still remained in your chest to just pull him close to you and be in his arms.

you heard the door close, pressing your eyes shut as you stood in front of the fireplace, your arms crossed in front of your chest as if defending yourself, the man's footsteps echoing in the room, "it's cold in here."

"the radiator's broken."

"can you just, at least look at me, or something?"

"do i have to?" you chuckled humorlessly, and when you felt his hand on your shoulder, it felt like the room got ten degrees colder, the man slowly turning you around to face him, and when you refused to look up at him, focusing on the baby blue sweater he was wearing, he brought his hand to your chin, gently lifting it up, just like he did every time he was about to kiss you.

"we need to talk."

if someone was to ask you what would be the most uncomfortable situation you had ever been in, this would be among the top 3, right after you got the 'birds and the bees' talk and the time you said your goodbyes to the same man now sitting beside you, the space between you two big enough to fit another person.

"why did you come back?" rafe asks, without even sparing you a glance. you decide to do the same, your gaze staying on the fire crackling in front of you.

"i don't know. a part of me thinks it's because i missed home."

"and the other part?"

missed us. missed her. "missed my mom, i guess."

your mother had driven you home from the hospital, insisting that she'd stay with you for the next few days; you still hadn't seen rafe. you couldn't face him, couldn't face the guilt you carried around for being the reason your daughter would be coming home in an urn.

she'd gone to the store for groceries, leaving you to sit on the couch you and rafe had picked out, staring at the engagement picture that hung above the fireplace.

you didn't know how it started, how every single vase ended up as nothing but shards of glass on the floor, how the coffee table had ended up as planks of wood, how your fists were bruised from beating them against the walls, your knees bloody from when you'd collapsed on the ground amongst all the glass.

"do you know what day it is?" rafe asked with a weak voice, and you could hear him try to swallow down the emotion crawling up his throat.

his question made you want to let out a small, humorless laugh. you don't know how you could ever forget. "of course." the day i killed her.

rafe stood up, running his hand over his chin before trailing over the short strands of hair on his head, "why did you do it?" he looked to you. "why did you leave?"

"i had no reason to stay." you say emotionlessly, your fingers intertwined as you kept your eyes on them as if you were praying.

"you had me. you would've had me if you just let me be there."

"rafe, i killed our daughter."

"what-"

"i'm the reason our daughter isn't here. i'm the reason she doesn't exist. i'm the reason that today isn't only her fifth birthday, but also the fifth anniversary of her death."

rafe kneeled down in front of you, his hands cupping your cheeks, not caring if it made you uncomfortable, or that this was the first time he'd properly touched you in over four years, the only thing that mattered to him was that you listened.

"you did not kill our daughter."

"i did."

"no." he scoffed, "you aren't the reason she's dead. the reason is the drunken asshole who drove at you. you loved her with your entire being, with everything you had, even before she was born. you would've been the most amazing mother in the world. don't you dare blame yourself for something you had zero control over."

"i shouldn't have driven in that weather. i knew it was gonna be raining, that the roads would be slippery-"

"no." rafe said sternly, "look at me."

your eyes moved to look into rafe's steel-blue ones, shimmering with unshed tears, his jaw clenched, and only then did you realize that he was cupping your face in his hands, his touch somehow managing to make you feel warm even in the cold apartment.

"i won't have you blame yourself for something you had no fuckin' control over. evelyn was so wanted, by both of us. she would've been so loved. we would've done anything to protect her, and to keep her safe. if any fucker even thought about hurting her, i would've made sure they'd regret ever being born. but you are not to blame for her not being here."

rafe's hands moved from your cheeks to your hands, the man instead taking your clenched fists into his, letting out a small sniffle, and when he pressed his eyes closed and let out a sigh, a tear rolled down his cheek.

"yeah, you could've not driven in the rain. but i should've been the one to drive you to your mom's, you were eight months along, an insane man would make you drive yourself, or i should've made sure you got home before it was dark, or i should've picked you up myself. there are so many things we could've done differently, but that doesn't mean that either of us is to blame for it."

"i spent so long blaming myself for what happened, but not even for a moment did i blame you. you did everything to keep her safe, and i know it, and i'm sure that she knows it too. you loved her more than anything, and i won't let some drunk driving idiot make you feel like you did anything wrong."

slowly, you opened your fists, half-moon prints on the palms on your hands caused by your nails, and without even realizing, tears had been rolling down your eyes the entire time that rafe had been speaking, the man standing up and pressing a kiss on your forehead that felt like it burnt and would leave a mark that'd be there forever, before he settled down next to you.

a strand of hair was stuck on your cheek, almost glued on there by the tears you shed, the blonde man tugging it behind your ear, his eyes still on you, his hands still cupping yours.

"i don't blame you for what happened, nor do i blame you for pushing me away. but i wish you would've let me in, to be there for you, instead of leaving. so we could've grieved her together."

"i think we should break up, rafe."

"what?" rafe turned to look at you; this wasn't what he had been expecting to hear after two months of silence, "if this is about the baby-"

"i can't do it anymore." you closed your eyes, letting a tear run down your cheek, "i need to leave. start over."

you turned your head to look at him, his words feeling like a weight had been lifted off your shoulders, and even though you tried to find it, there was nothing in his eyes that said that he was lying.

"you don't blame me for any of it?"

your voice was weak and feeble, as if a part of you was expecting him to tell you that he did, but when he pulled you into his embrace, he told you the truth in the best way he knew how to: without saying a single word.

you didn't know how long you had been in rafe's arms; it felt like hours, while also feeling like the moment had lasted mere seconds, like you two lived in your own bubble. it felt like the last four years hadn't happened, like you had never left.

but when he pulled away from the embrace and looked down at his watch, letting out a sigh, you knew what was coming. the bubble burst.

"i should probably get going." rafe let out an exasperated sigh and rubbed the bridge of his nose before starting to get up off the couch, stretching his long limbs.

"yeah, yeah." you said softly, clearing your throat, trying to act like nothing had happened, like you hadn't gone through every memory you shared while he was just holding you to comfort you, "your girlfriend's probably waiting for you."

rafe stopped in his tracks, turning to look down at you, "girlfriend?"

"shit," you chuckle softly, fidgeting with your hands and chewing on your lower lip, "i guess she's your fiancée, now."

he sat down on the couch next to you while you simply avoided his gaze, not wanting him to read everything you were feeling like he so often seemed to do, but your attempt was unsuccessful, the man bringing his hand to your chin and gently turning your head so you were forced to look at him, his brows slightly furrowed while he looked at you pointedly.

"what girlfriend, or fiancée?"

you didn't know if rafe was acting stupid, or if he was genuinely confused, but you could still remember the woman with him at the jewelry store, the woman who had managed to make him smile, whose back rafe placed his hand on.

"you know," you clear your throat, taking his hand off your chin and turning your head away from him, not wanting him to see the tears brimming in your eyes as you thought about him waiting at the aisle for another woman, "the woman at the jewelry store."

rafe let out a soft laugh, and when you turned your head, facing him, he was nearly keeling over in laughter, his head in his hands.

"what?"

"that-" rafe said inbetween laughs, "that wasn't my girlfriend."

"what?" you mumbled softly, your brows furrowing, "what do you mean, rafe?"

"sorry-" he continued laughing for a while only to be stopped by a soft smack you delivered to his shoulder, before the man took a deep breath, looking at you with a small smile gracing his lips, a sight that still got your heart to flutter, "that wasn't my girlfriend, or my fiancée."

"then... who was she?"

"that was," rafe let out another chuckle as if you had said something foolish, taking one of your hands in his and intertwining your fingers, "wheezie's girlfriend."

you tried processing the words that had left his lips, but no matter what, they didn't seem to make since. "why were you in a jewelry store together? wheezie's only like-"

"wheezie's nineteen." rafe shook his head, "her girlfriend, lucy, asked me to help her pick out a ring. sarah was supposed to go with her, but she had some preschool stuff to deal with relating to jack, so i got stuck with that duty…"

"isn't nineteen a bit... young?"

"it is. but you remember how young we were when we got engaged? or sarah?" a fond smile took over rafe's lips as he turned to look at the fire that was slowly burning out, letting the next words out in a hushed tone. "guess it runs in the family."

"guess so." you say, biting down on your lip, turning to look at the fire with him, your cheeks warm as you felt like an idiot for your assumption.

"i still haven't moved on." rafe said, letting out a breath, "i don't know if i can. i don't think i even want to." you turned to look back at one another at the same time, both of you seeing the same melancholy in the other one's eyes, "there's no one i would ever want to be with other than you."

you took a deep breath, his words ringing through your head as you looked at him, a damp trail running down his cheek was still visible from the tears he had shed, and you took a deep breath, making a decision that you knew would impact the rest of your life.

"me neither, rafe."

you brought your hand to his cheek and felt the tear he had shed under your touch, pulling his face to meet yours until your lips clashed, feeling the exact same that it did four years ago, making you wonder how you ever let it go.

SIX MONTHS LATER...

you laid on a blanket in the middle of a field of sunflowers, your arms crossed behind your head and your eyes pressed closed, letting the sun beam down your face, warming you up as your bare feet were being tickled by blades of grass.

your daydreaming was interrupted by the sound of footsteps, and you opened one of your eyes to see rafe stumble through the long flowers into the small clearing you'd found, a small chuckle leaving your lips.

"don't laugh at me." he scolded, shaking his head as he landed on the blanket next to you, letting out a soft grunt.

"why not?" you asked, sticking your tongue out at him, your boyfriend gasping in feigned offence, about to quip back at you, only to be stopped by the small, chaste peck you pressed on his lips, even the small display of affection managing to leave him speechless.

as he settled down next to you, you smiled while looking up at the sky, white clouds covering a part of the beautiful icy blue nothingness that was so much like rafe's eyes, your thoughts on her. you took rafe's hand in yours, keeping your eyes trained up while you let yourselves just exist together.

"you're always going to be in my heart, evelyn louise cameron." you said softly as you traced the patterns on your locket, rafe turning his head to look at you, a somber expression on his face as he pressed a gentle kiss on your forehead.

"yeah, she will. and neither of us will ever forget her."

[space-invading-pigeon]

Hellfire Adopts Steve Pt. 2

Pt 1

Eddie may be repeating his senior year, but he's no idiot. He's intuitive, a quick thinker, and generally, he's an excellent judge of character. Which is exactly why he protested Gareth's decision to drag Steve Harrington, the former King of Hawkins High and current King of Don't Fuck With Me, to lunch with Hellfire.

Jeff and Freak are both genuinely terrified to have His Royal Highness picking at subpar mashed potatoes in the uncomfortable plastic chair across from them; to his credit, Steve Harrington seemed unbothered by the situation, even as Princess Nancy Wheeler and her own little pet outcast Jonathan pass him on the way to their own table. Eddie watches with growing interest as Steve boredly ignores Nancy's attempt to catch his eye (it's almost hilarious- he'd been at the Halloween party last month where Nancy got absolutely shitfaced and then screamed at Steve in front of the entire student body, and yet here they are, Nancy trying awkwardly to speak to Steve and Steve resolutely going about his business).

Gareth stammers through a story about their latest DnD campaign, his round face practically glowing with excitement as he uses the peas on his tray to illustrate what their party had been up against. Eddie fully expects Steve to say something rude, dousing Gareth's smile and deserving every bit of ire Eddie can muster, but Steve just smiles at Gareth and ruffles his hand through the unkempt curls Eddie's been trying to get Gareth to take care of.

From there it only gets weirder. Steve seems to have taken a real shine to Gareth and is nothing short of a perfect gentleman to Jeff and Freak, but he loves to bicker with Eddie. Honestly, Eddie's impressed at just how much Steve seems to like bitching at people.

Steve is also surprisingly responsible? After that first lunch, Steve is around all the time; he shows up to Hellfire meetings with his backpack full of homework and a Tupperware full of something delicious (Eddie had nearly cried the first time he took a bite of Steve's macaroni), only to completely ignore their entire session to study. Occasionally, the walkie Steve carries with him whenever they aren't in school will crackle to life, and Steve will make himself scarce pretty quickly.

Overall, Steve is awesome. Eddie hates to admit it, but watching such a prim and proper guy emotionally destroy someone for commenting on Freak's size, and Eddie just knows that the damage done to Tommy Hagan's car after Gareth showed up to Hellfire with a busted lip and glassy eyes was Steve's fault.

========

Steve is actually really enjoying his time in Hellfire. He doesn't really mention it to the kids, and both Nancy and Jonathan are still avoiding him, so Steve sees it as a win: he gets to make friends who haven't seen him get his ass beat by interdimensional horrorterrors that have ruined dogs and flowers for him forever, he gets to learn more about the game his new little brother is obsessed with, and innocent kids don't have to bear the brunt of King Billy's reign of terror.

Gareth decides almost instantly that he likes Steve; not only because he saved Gareth from bullies or brings them food better even than Wayne Munson's, but because Steve always listens to his DnD stories. Jeff and Freak (who Steve will only refer to by his Government Name, Melvin) grow to like him as well, not at all encouraged by the food Steve brings or (on one memorable occasion) the incredibly realistic melee weapon, straight out of a flick like Red Dawn, that they found under his seat one day.

[kinardsevan]

What is your opinion on Tommy coming back or not? And in they case we see him again, do you think it’ll be just for closure (ex: Abby in season 3) or maybe for a BuckTommy second chance?

fun fact: i was considering doing an entire breakdown with a bunch of Oliver's interviews from the start of this arc until now to point to my opinion:

Tommy is coming back. The romcom theme is still in effect, and we're only about midway through the 3rd act.

Long story short (and without sources right now), I think that the interviews were actuallly pointing in this direction with the wording for a hot second. We have OS telling us that he thinks the best relationships have a "will they, won't they" bit where the audience and the characters are pining. We've seen this play out on the show. And we also have to remember that Oli knew during this interview that the breakup was coming. We also have the interview (I believe it was the Decider one I linked last week) where he mentions choosing to fight for the relationship or not. I feel like a lot of people have taken the context of that and twisted it into "they didn't do it right away, so they're not going to". Except, there's ANOTHER quote of relevance, which is Oliver talking about how Buck's queerness isn't tied to Tommy or Eddie, and only to himself.

Obviously, there have been things said since 806 that would point towards me being delulu, except, here's the issue: TM, OS and LFJr are NOT going to tell us that Tommy is coming back if that's the intention. It would spoil the surprise of it all, and the win of it all. What fun is there in that? What TM has said is that Tommy is Buck's romantic past but that doesn't mean he won't turn up again in the future (all relevant and true facts which do not shut down a reconciliation). Lou never out-and-out said he was done with the show. He's said time and time again that he wants to come back. TM has mentioned Tommy coming around again. OS literally said in an interview "they may run into each other on scene and have it be awkward".

Now obviously we don't actually have the full story with how things went down and the show decided to go with splitting the boys up. I think the fact that Lou has called out the bullying but says he wants to come back suggests that it wasn't him saying it was too much. I have two theories that could honestly run concurrent with one another:

Evan and Tommy break up in 806 at the end of the episode. With 911 having 18 episode seasons, this quite literally only makes up the first third of the season. It set up the beginning of the year for us. We're now two episodes into the second part of the season with a pretty clear idea of where the next three will go and suggestions (by fans, nothing official) that the "soonest" we could see LFJr again is 812. This is reasonable, as it would be the end of the middle of the season. Knowing that TM has suggested he might do a multi-episode season finale, pushing LFJr back into the show in 812 (or even the end of 811 if we go with my theory that Eddie could possibly leave around this time and Tommy helps them pack up/his and Buck's first time spending time around each other again), there would still likely be something around this time period that would be around when they would open the doors to this. As it is, we know that 809 and 810 go together, and then we'd have 811 to really flesh out the end of Buck's fling. I think there's even more possibility of LFJr being in this episode as well because if the plan is to bring them back together (which everything has been suggested so far ON screen in terms of keeping Tommy "in" the story), three-episode arc gives us several things: a. it allows the show to make the point that Buck's queerness is not intrinsically attached to Tommy; that his interest in men is as equal as he know his interest in women is. b. it gives them the ability to also show that his feelings for Tommy are not based in Tommy being his "first", or Evan needing to "discover" more about himself. They're in love with each other, and the show has given us the pieces for that. LFJr has acknowledged it in an interview, Tommy loves Buck. We also know that Tommy's line to Evan is "you'd end up breaking my heart, and I don't think I could deal with that". When I hear that sentence, what I'm actually hearing is "I'm already in love with you, and if I let myself fall more in love with you by being with you every day all the time and this ends, I won't survive it". By relation, we have Josh ask Buck if he loves Tommy and Buck waffles, but I think this has more to do with his lack of understanding of what a healthy love is in a relationship, given his past relationships. He never got to tell Abby. Ali left. and saying I love you to Taylor wasn't about the core of actually being in love with her, which I think is another important piece for BuckTommy: they don't just love each other, they're in love with each other. Still, sometimes it's hard to quantify that feeling, and I think (as I've referenced before), for Evan it was easier to ask Tommy to share a living space with him than to share how he feels about him because historically, things haven't worked out well for him when he's been in love outwardly. Further, the questions Josh asks Evan are directly correlated with loving someone, and Evan answers yes to all of them. (I don't think I need to add this, but he also sees a future with Tommy, talks about being engaged or married. He's serious about Tommy in a way he never has been before.)

There's also the theory that the breakup happened because of scheduling conflicts. Now obviously the show could've found other ways to work around LFJr's scheduling issues by having Tommy go on a trip or what-have-you, but let's remember OTHER things that have been said by OS in prior interviews: a. back in June, he did an interview where he stated that he wanted and hoped that BuckTommy would go through issues that couples normally go through in their first year together. He wanted normal issues. This storyline IS normal. b. he didn't want to repeat Tarlos. By the very definition of what the show is doing right now, we're not. Tarlos and BuckTommy are their own things with their own reasonings.

One of the other things I also keep being pulled back to is these issues: first of all, we know how LFJr plays with the 911 demo, given that they got to see it last season. It's why he was written into more episodes after his initial four episode arc and brought back. ABC has also used BuckTommy in their own adverts, which suggests that they are very supportive of the relationship continuing because it draws in viewers. Truly giving that up for good feels like dousing yourself in gasoline and then considering striking a match. Second, people also keep calling out that TM only plans a few weeks in advance. I believe this is true with story beats. We know that the writers room has a general idea on character arcs, thanks to some of the discussion on the cheese page post-806. I really struggle to believe that TM didn't know going into going forward with the breakup whether or not he wanted to bring LFJr back. We know he waffled back and forth on the idea of the breakup, meaning he probably had other solutions on his mind for whatever LFJr's schedule needed adjusting for, and this is what he decided on. Also, even if 8b hasn't been broken down yet (we know it hasn't), they would still know at this point what they do or don't want, what their ideas might be. Solidification for why Tommy should be brought back is directly shown in the reaction by the GA and the fandom to the breakup. They may not know exactly how that reunion happens yet, but what they have suggested is that Buck's new relationship will be short-lived. That he's using it to cope. We also know he's still processing the break-up and still misses Tommy. These are all things that point to the story not being over. Plus, I feel (once again), if the story really was over and they didn't have plans to continue this in 8b, LFJr wouldn't be talking about wanting to go back. It be far more "yeah that sucked, but it's over now and what can you do? I'm off to this new show and I'll never be back." (I've commented also on the fact that the fangirlish interview comment about his "i'm going here, doing this, have some opportunities" statement is very run-of-the-mill. Obvs I could mean something. Or it could literally just be a canned answer.) (This might feel a little off-center, but I think his commentary on trusting TM and knowing what he's doing in one of his post-806 interviews directly suggests that he believes the story is going to be handled properly.)

I realize at the end of the day, all of what I'm piecing together could mean zilch and Tommy could possibly never come back. They could truly just drop the story and never circle back around, set fire to a beautiful arc and lose thousands (possibly millions) of viewers. I've certainly suggested myself being one of them. But I don't see BuckTommy only getting an Abby fix for two reasons. LFJr wants to come back and continue the story, and Connie Britton only ever intended to do one season. Also, the fling has been called out as being planned to be short-lived. Why bother mentioning that if you don't have other plans for the story.

The last thing I'll leave you with is my commentary from the interview Oli and Aisha did with the guy from Chicago. That reporter obviously liked the BuckTommy storyline and said he's choosing to believe that the relationship is paused, not over. By relation, we had Oliver say three things: (1 and 2) Buck is still looking for love, both in himself and with another person. (3)The season is only half over. Circle that back to 806-808. Buck is finding love in himself by dealing with it in a healthy way (so far) with the baking. We've also seen the "cracks" Oli mentioned with his continued urge to want to text Tommy, as well as him fighting it off by baking (referencing the "pendulum swinging"). Looking for love in others will likely be this arc where he tries to deal/move on. I feel like we collectively watched the end of 806, and then 807 and 808 yelling at the TV "you're in love with him, piece it together already!" (or maybe that was just me???). But truly, whether it's a fling, his therapist, or Bobby/Maddie/Eddie who finally spells it out of or him, I think there will be a point at which we see that come to fruition. The seeds were sewn in for it in the scene with Josh. Now it's just about watching those seeds sprout.

Final note: we've had a good run up to this point with these two. Did we truly thing that the honeymoon phase would last forever? (I didn't. Conflict and the pink bubble popping have to happen eventually.) If we really want to suggest that what BuckTommy has is real, they have to go through this and come out the other side. I think everyone is justifiably frustrated due to the 4 month wait on new episodes (I personally would not have left people hanging quite like this, but that's just me), but the narrative does lead us toward what the show is doing with the suggestion that it does have a natural (and good) conclusion. (Possibly with a helicopter/truck/jeep crash?!)

And just as my singularly LAST note, here's my other thing: Evan and Tommy both have abandonment issues. (Tommy's are clear based on the break up and we know Buck's.) By that correlation, when these two finally get back together, they're never going to fucking let the other go.

(This was so much longer than I intended it to be, but that's my answer 😂😂😂😂😂😂)

[2amriize]

.ᐟ friend!RIIZE flirting with you ༉‧₊˚.

req: I js discovered your blog and im obssesedddd😭 could you do riize as friends flirting with you on party and being very bold? thank youuu

pairing: friend!riize x reader —masterlist

⭑.ᐟ shotaro

Your group of friends had decided to throw a party to celebrate the end of your first year at university. The party was pretty crowded, and although you didn’t usually enjoy these events, you were having a good time. At one point, Shotaro, one of your closest friends, came over to talk to you, and the two of you spent a long time chatting while sipping your drinks. You weren’t sure if it was because the music was so loud or because Shotaro had had a bit too much to drink, but he kept moving closer to you, leaning in to your ear every time he wanted to say something. You didn’t expect him to place his hand on your hip and whisper:

"You look too good tonight, and you smell amazing... Should we find somewhere more private?"

.ᐟ eunseok

Since you arrived at the party, you’d been hanging out with your friend, dancing and having some drinks. The moment you noticed Eunseok watching you, you couldn’t stop wondering why he was staring. When your friend stepped away, Eunseok wasted no time approaching you to start a conversation, offering you a drink while his eyes swept up and down your figure. After a few seconds of silence, he brought his hand near his lips and said:

"Wow... I've been waiting all night to come up to you, and I don’t know if I can wait any longer to get even closer."

⭑.ᐟ sungchan

One of your friends suggested playing truth or dare during a small party your group had planned. After some time drinking, you all decided to make things more exciting with the game. The questions and dares grew increasingly bold, which made the situation even more interesting. You didn’t expect that one of the dares would result in you spending five minutes alone in a closet with Sungchan. It felt strange being so close to him, and you couldn’t help but notice how he was looking down at you.

"People will probably think we’re doing something in here..."

"I mean... I wouldn’t mind giving them something to talk about if it’s with you."

⭑.ᐟ wonbin

Although you’d known Wonbin for years and were part of the same friend group, the two of you had never really talked alone, so you didn’t know much about him. One night, your group decided to go to a nightclub together. You spent a long time dancing and drinking with your friends, but gradually, they began pairing off with others or heading off with their significant others. At one point, you stepped outside for some fresh air and ran into Wonbin. You ended up talking for a while about how it seemed like everyone had someone except for the two of you. After a moment of silence, he surprised you by saying:

"If we were together, everyone would be jealous of us... Don’t you think? I think we’d make a great couple."

⭑.ᐟ seunghan

You weren’t a big fan of parties, but Seunghan had spent weeks convincing you to attend one that a classmate was hosting, so you finally agreed. You didn’t plan to stay long, but at least you could keep Seunghan company for a while. When you arrived, you went over to him, and he offered you a drink. The two of you ended up talking for a long time. You were good friends and got along really well, but something about the way he was looking at you that night felt different. Every chance he got, he’d touch your cheek or your shoulder. When Seunghan stepped away to grab some snacks, a guy approached you to ask for your number. As soon as Seunghan returned and saw what was happening, he placed his hand on your arm and said:

"Hey, back off. I saw her first, she’s mine."

⭑.ᐟ sohee

It always surprised you how much Sohee’s personality changed after a few drinks. You were at a party he’d organized at his house, and although he was usually calm and adorable, just one drink made him outgoing and energetic, chatting with everyone. But for some reason, Sohee had stuck by your side all night. At one point, you stepped out into his garden to get some fresh air, and the two of you sat on the grass. After a few seconds, you noticed Sohee was staring at you.

"Mgh? Is something wrong Sohee?"

"I don’t know if it’s the alcohol or you, but my heart’s been pounding all night when I’m around you. I can’t stop looking at you, y/n."

⭑.ᐟ anton

Your friends had decided to celebrate the end of exams with a night out at a nightclub. You were with a big group, and you’d spent hours dancing and drinking with your friends. At one point, when you went to the bar for a drink, you ran into Anton, one of your friends. You chatted for a few moments while waiting for your drinks. Once they arrived, you turned to leave, but you felt Anton grab your hand. Confused, you turned back to face him. Pulling you closer and placing his hand on your arm, he leaned in and whispered:

"I’ve been watching you all night, y/n, and I need to know if I have a chance with you or if I should just pretend I’m not obsessed with you."

masterlist // taglist: @regularsuh @gacktsa @totheseok @kkumistars @taroddori @enhacolor @ladylilith @electric-hearts @astrobymarwa @layluv123 @sunflowers1610 @nctrawberries @synkjellies @ramyeonzprincess

[book-lore]

No shade to the OP on this one because I do know some people who will do this and what I am going to bring up here might be specific to me, but I would still encourage people to be enthusiastic about their horror interests anyway.

I work in a library and thus I have access to EVERY. SINGLE. WEIRD AND MORBID BOOK you've heard of and so very many that you haven't. My reading list is a joke among my colleagues because while some of them are reading the newest Sally Rooney or Jennifer Colgan, I am regaling them (gently, but I'll get to that in a minute) of my favorite books that have featured some truly awful things. And yes, I've told patrons about this too, some to confusion and others who find it very useful. I get that this context is different from someone who might meet at a random social gathering, but if someone is going to meet you with suspicion about what you are reading, and they aren't going to hear you out about what makes it great, they probably won't be a lot of fun to talk to in the long run anyway. My coworkers think it's funny that I read such heavy, depressing topics because I am really friendly and upbeat at work. They also like that if they are looking for something a bit spooky but not going to plunge them into a story that they can't finish, they know I have them covered because of that whole gently telling them thing. I take into account their comfort level and when they ask me about my favorite topics, they know they can trust me not to send them into the deep end.

And maybe some random person has read all this and thought "that's fine in a library but that doesn't work in meeting people in other spaces", actually it does. One of my closest and longest enduring friendships began with someone who insisted they did not like horror stories or movies. They were not interested in the scary stuff, according to them. Over time, they realized that I wasn't going to make their life miserable by making them watch stuff beyond their comfort level and they developed their own taste in the genre, a lot of it from the media they already liked. They just thought those things didn't count. This wasn't always the case for people who I talked to, but the ones that mattered, especially with one of my best friends, it turned out that they weren't so quick to judge.

So talk about your obsessions. Talk about the things that excite you and make you happy. Maybe it won't be for everyone but it's not supposed to be and some people around you are still going to find it fun to listen.

being someone who's passionate about their interests when you're a horror fan really is a special layer of hell because every interaction you have with another person where the conversation turns to your hobbies and personal entertainments is a trial where if you show too much unrepentant glee at getting an opportunity to talk about your preferred subject you get to watch them mentally move you onto their list of untrustworthy individuals to avoid in the future in real time

[thesiltverses]

The horror of Eric Carle

Becoming a dad has really been a reminder of all the half-forgotten books that got me interested in horror: the ones that I will definitely share with my kid (The Minpins) and the ones that I probably won't (Not Now, Bernard)

And then there's Eric Carle, and now it's all coming flooding back - the very first time in my life that I experienced terror. Seriously, what the fuck is this?

Carle's most famous book, The Very Hungry Caterpillar, is in its own way uneasy and strange (the caterpillar's voracious and growing hunger is presented ambiguously both as an unavoidable and natural process of change and something greedy and grotesque; the caterpillar appears to devour its own place-of-birth and then feels good about it) but it flies under the radar by being very unCarle-like. The caterpillar is largely tiny and cute, we get plenty of colourful close-ups of tasty-looking food, and there are only two pages and a cover which feature Carle's favourite preoccupation: giant animals with irregular, scissor-cut eyes staring unhappily at the reader as they threaten to grow larger than the page itself.

I genuinely remember feeling deeply unnerved by Carle's first major piece of illustration work, Brown Bear, Brown Bear, What Do You See?, written with Bill Martin Jr., but only now do I understand why. Holy shit, I have so many questions.

Brown Bear, Brown Bear, What do you see? I see a red bird looking at me.

Why is the rhyme-scheme so frantic and breathless, like it's being chanted out during an escalating ritual somewhere deep in the forests? Why are the animals - textured via collage as if half-carved from wood themselves - staring directly at us, the audience, before then revealing that they're actually looking behind us at something else which is staring back at them in turn? Why do so many of the animals look so fearful and haunted as they acknowledge the vast web of visibility which exists between them?

Why does the 'white dog' page - perhaps the only-genuinely-friendly-looking animal - briefly plunge us into night-time, creating the impression that these creatures are somehow watching each other across spans of time and space, when Carle is fully capable of just drawing an outline around the dog?

Why is the teacher's neck extending like a xenomorph's tongue as she glares with narrowed eyes down at the children (what horrible act have they caught her doing?) Why is the cover of follow-up Polar Bear, Polar Bear, What Do You Hear clearly depicting a Tuunbaq stalking the reader?

What seems remarkable and bizarre is that Carle, a talented artist, deliberately chooses to draw animals for infant readers which are neither cute nor charming but which consistently embody the internet joke about hares - feral wilderness prophets who've glimpsed the truth of the universe and gone mad - and has made a stunningly successful career out of doing so.

Carle's beasts know something terrible that they do not fully understand, and which they are incapable of sharing with us.

I'll avoid the crass temptation to draw serious biographical inferences here (Carle believed he had PTSD from an adolescence spent in Nazi Germany, and his works were inspired by his childhood walks with his father, who returned home psychologically shattered by his own experiences as a Soviet prisoner-of-war) and just say that there is something wonderful, awful and innocent in the fact that perhaps the most popular baby-book artist of all time, when asked to draw a goldfish, would respond with what is clearly a monstrous open-mouthed leviathan rising up from black depths to devour us all.

Look at this horrible fucking thing. It rocks.

[vaguely-concerned]

thinking about not only the specific people lucanis pulls in to represent the 'locks' in his psyche, but the storytelling that happens in the structure/order of them. the underlying ideas are presented something like:

the lucanis who went into the ossuary never came back out again; he died down there (the boy caterina raised is gone forever) -> you're putting yourself in danger doing this (by being close to me), you should leave because I can't bear it if you get hurt because of me -> it doesn't matter even if we do try this, it won't work anyway (again because of me) ('you know what he's like, you can open the door but he won't walk through it' :'( oofie doofie) -> what if the real secret is that there was never anything but the monster in here from the beginning. you should leave, there was never anything here worth saving in the first place. (implicitly: what if I deserved what happened, all along.)

it runs pretty cleanly from outward-oriented attachment anxiety ('caterina won't even want me back like this, she won't recognize me (the same way I no longer recognize myself)) and gradually deeper inwards until we reach self-image and self worth. or you know, the harrowing basic lack of it lol.

"careful -- they'll know we're not right," spite says in one of their first scenes... but clearly, some very deep part of lucanis has feared or suspected for much longer than that that there's something inherently not right at the core of him, way before any demon entered the picture. and the voice he gives those lines to is the person who should know him better than anyone in the world, who he has loved more than anyone in the world -- and who deliberately chose to hurt him so horrifically anyway. 'It's better if I'm just a monster and deserved what happened than it is to allow for the idea that the brother I love doesn't really exist and maybe never did'. it's better if he's fundamentally flawed in some way that needed fixing to help him survive, and that's why caterina chose to hurt him again and again -- out of love. (this one I think he might have a very sad wakeup call on one day if he ever ends up with the responsibility and care of a child of his own in some way and realizes just how alien the idea of ever intentionally hurting them for any reason is to him. oh buddy. also interesting that he keeps caterina as the outermost lock -- there IS a distance he keeps there that he hasn't with illario. he doesn't resent her 'anymore' he says, but he also keeps her carefully further away from his deepest self.)

as far as I could tell the only note in the mind prison that's fully hidden and needs to be uncovered is the sad painful helpless stupid little truth that even after all this, even knowing what happened... he still loves his brother. is there anything illario could ever do that would make lucanis completely stop loving him, do you think? sometimes the trouble with unconditional love is that it is, well. unconditional, even when some terms and conditions probably would have been in order haha.

that's the pattern you see there again and again; he would rather destroy and abandon and imprison himself at every turn than let go of love, even when it's just scraps, even when there's only ever enough of it to hurt him. it's only when rook shows up and as it were takes his hand and walks along with him that he can entertain the idea of changing the story of what walking out the door might mean in the end.

[vigilskeep]

Do you think maybe Villa Dellamorte has one of those massive pantries/root cellars and that that's where Lucanis used to hide away as a child? Tucked in somewhere dark and cool, reading his wyvern books by lamplight, the cooks and sculleries checking in on him and keeping him secret from Caterina? Maybe he found a blanket someone "accidentally" left there, or a small cushion, and never questioned the little basket of snacks that found its way into his nook.

i’d believe it! it definitely seems like the kitchens were a safe place for him and that’s one of the reasons he has such positive associations with cooking and being around the food. when the crossroads magically smell like home and comfort: “coffee. like illario and i smelled in the kitchen where we grew up.” and from banter with emmrich; “i used to help the kitchen staff in the villa when i was a boy. it gave me something to do between lessons with caterina.” “so it’s not a crow skill for hiding poisons in food.” “it’s good for that, too. but mostly i just wanted to know how to make churros.” something he was allowed to do just out of interest, that can even be passed off as useful for his training. remembered kindnesses from the staff would mesh well with how much compassion he has for the household slaves in the wigmaker job. i can see them letting him hide away in the pantry like you say and pretending he’s sooo good at assassinning that they couldn’t possibly notice

less directly connected to his pantry-based living habits, but i also think we have a canon version of something like what you describe that he kept completely to himself: the secret “escape route” you take into the villa dellamorte, about which he says “illario doesn’t know it’s here. caterina didn’t even tell me about it. i found it playing here alone as a boy.” and it’s a sort of cave-like passageway under the house. you KNOW that was his little wyvern lair and that he really loved it if he didn’t even share with illario

[erinwantstowrite]

bear with me here because i'm gonna ramble about something i've been thinking about for a while... and i'm not complaining, i'm just noticing

sometimes i think we've leaned so far into the vigilante side of the batfam that we miss out on what really makes their characters: detective work. we need more mysteries in their lives that don't lead up to some big bad "we already know who's doing it" or an "end of the world" or "yet again: this fucking guy." we need more stuff where spy movie music plays in the background and dumb adventures that don't lead up to some huge grand event with a big name villain. the shock factor stops being shocking or interesting in any capacity if we're like "Gah! the Joker! ... Again!" or whatever

does that even make sense? like "yeah sure they're blowing up a building again and there's hostages. oh look they're gonna poison the water supply." these aren't bad and that's not what i'm getting at because obviously this is a classic for comics. you need to have characters/antagonists that show up more than once and who can make a story better by being in it. and i did say to bear with me- that's because im tired. so like i hope im getting this across the right way? it's just that sometimes i don't wanna see a huge explosion, i want these motherfuckers solving a regular murder or a disappearance or regular corruption in a local office without it being tied to a grand reveal like "actually this person knows you as a long lost relative" or "they were at that circus can you guess which night they went?" that kind of thing? if you get me? like... more of the small time stuff makes the big stuff important, it makes it stand out more. at some point, the format gets repetitive even if you're switching up the villains. you can make these situations/mysteries still fun to solve for the characters and fun to read for the audience if you do it right

the concept of a detective dressed as a bat and having a sidekick in traffic light colors is inherently goofy as hell??? but that is what is so charming about it??? i think we have lost the balance between them being silly while also being intelligent with important conversations that criticize the world as we see it and teach lessons and can go over dark topics. nowadays it's always end of the world problems or just straight up the most gruesome true crime you can think of?? or they can ONLY do the dark stuff and the criticism without offering a balance of the good in the world. or we keep coming back to the FUCKING JOKER-

like yes they are vigilantes and with that comes a different level of their work, but their brand should be a mix between a black and white detective film that can get very nitty gritty and a classic spy movie, that kind of thing. at the end of the day, it's what makes them so different from the superheroes. that's what appeals to me.

seeing them in the big superhero groups is fun, don't get me wrong. it's always funny to see them standing next to people who are so powerful they never really fit in with anyone but each other, who chose to step up and use their powers for good. the Bats' specialty is Gotham and yet here they are stopping a god or whatever. and they do stop the god or whatever, all the while being an important leader and strategist to their teammates. they're important to have in these cases. but if there's a world ending event every time i pick something up, it's not as fun

the fact that they are so very human and not fantastical is why i like reading them. it's what makes the joke of people, even Gotham citizens, theorizing about them being cryptids, funny. they're fucking weird but that's because they're detectives. people who love to solve mysteries usually have a fatal flaw of curiosity. they forget the bounds between social interactions sometimes because they're used to working through problems or being intertwined with partners that understand them. but they're very much human. so human that it hurts them in many ways. and idk i've just been thinking about it lately and idk what point i'm trying to get across actually

it's just that in my eyes that's how it really is for Batman- a black and white movie narrated by a very serious man who took up a job to help people, one that has a deeper commentary on the world and viewed outwardly as pessimistic but actually has a deep hope for his city and who tries to help even the people who have wronged others. He's a stationary man in the belief that him being a constant can serve to soothe others and help them move forward. He stays in the middle of the path so he can tell everyone what is up ahead. he blends into the Gotham rainy night to serve justice but in a way that saves both the victim and the perpetrator. (the way he tucks a Robin into his cape is the same he does for Gotham with his mere presence.) and his background is actually so important to his story and yet people still somehow gloss over the lesson from it? he lost his parents because of a man who was on the opposite end of the spectrum to where he was in life. and yet he chose to help the people like the man that killed his parents. he could have done anything else with his power and money, but he instead is choosing to bring as many people up with him as he can. He's Mr. Serious that no one else can get a read on. and yet he walks into a room and he's already piecing together your life and what you're going through because he thinks it matters. he comforts people who have lost something or someone or themselves. I picture Batman and I don't picture a man trying to save the world, I picture a detective walking around a crime scene and trying to save at least one person every time he puts on the cape. and he put on the cape and became a vigilante because then he could go out of the bounds of what laws have been set up- and specifically, Gotham has other people in power who are corrupt, keeping the system that way. that's why Batman being a billionare and throwing himself into helping people at the risk of his own life is so important. he knows that if you are alive, you have something or someone to lose, no matter who you are. the dude is a bleeding heart but he doesn't know how to express it, in fear that if he gets too close, if he moves down the path with them, he'll be lost again

and then he's met with someone who should be a complete opposite, but isn't at all, because they're two sides of the same coin. his partner in crime, his son, a boy that is nothing like the black and white world that he sees. and that's the point in his life where he first sees that potentially getting lost is worth the risk. Robin is color and passion that needs guidance to move forward, but can not do so unless the stationary man learns to move with him. the kid is loud and reckless and you'd think he's from a different genre from the detective but they aren't so different, really. not when you look close enough. Dick grew up moving from place to place and seeing the world, knowing so many different people from different cultures. He's been learning to fly and jump and embrace the free fall his entire life. He's clever and he's sharp, and he thrives in the action and adventure. it's that perspective that compliments the stationary man. one is steady and the other pushes. he's the same genre but a different generation. and Batman introducing him to the way of life he chose for himself was another way he could save someone. because let's be real for a second? Dick would have gone down a very dark path had he not had Bruce, who understood, who saw not just himself in the kid but also saw who the kid has been his entire life until now. he saw Dick's parents, he saw the family he had in the circus, he saw the joy he had in what his family was doing. he saw the grief and the fire and the color that Dick's world was made of. because to Bruce, it always matters. Dick had to come to terms with Bruce's perspective to help anyone who they come across, to always give more chances, and it kept Dick from losing his color

what gets me is that the man who lives in the black and white world can actually see many different shades of gray (because black and white always needs the medium), whereas the boy in a world of color and light can get so focused on the bright that he can become single minded. and yet the boy sees a world of color and delves deeper into the lives of the peolle they come across and can be much more open minded, and the man in the black and white world sometimes forgets the shades of grey are right there. they are just like each other. they can exist without the other, but do they want to? because the black and white can be built up into the colored image, like the inking and shadows drawn on a comic book page before the colors are added in. they meet in the middle to complete each other. Bruce has been passing the story over to the next generation for a long, long time, even before his story was complete. and just like with the first Robin, it was so for every Robin afterwards. they each color in the lines differently, but that's what makes Robin so special, so unique. they are an art style that branches into their own life, but can not forget where they started: tucked into Batman's cape and the inky black of his world

and so detective work really frames their hunanity to me. the mysteries they get their hands on, the glimpses into the lives of Gotham citizens that they swore to protect, it's fascinating. it's what makes their story stand out compared to the people who can lift trucks or cast spells or run around the world in seconds. so yeah ig that's what i'm trying to say? that i want to read more of that? in both canon and fanon. cause even the small time villains we see can be like. AWFUL people and it takes out the fun of their gimmicks. and if it were any other day this would be a more coherent post but alas, it is not any other day

[caelivir]

hold me down | oliver aiku

synopsis. oliver’s always been different with you. he doesn’t figure out why until tonight.

pairing. oliver aiku x fem!reader | wc. 1.8k | genres. established relationship + fluff + pet names (princess & doll) | warnings. only a little suggestive cuz is it really an aiku fic if it isn’t?

notes. ooc oli because he would never in a million years do this but im just a girl and i have dreams okay. also a little late on this but thank you for 500 followers. i love love love you guys so much. | divider by @/plutism !!

when oliver comes home, he’s burnt out. the combination of a workout with the athletic trainers and an afternoon practice back-to-back had drained the life out of his muscles. he makes a note to never do one after the other ever again.

oliver sets his duffel bag by the side of the living room couch. he lets his weight fall back on the cream colored cushions. he takes a moment to stare up at the plain ceiling before his eyes flutter shut.

he ascertains that he wasn’t asleep for long when a gentle shake at his thigh slowly yanks him from his state of slumber. his mind is still groggy, yet oliver can already confidently guess who would dare to wake him just by the shape of the hand on his thigh. it's the only other person he gave a copy of his apartment key to. he doesn't question why you're here. he's used to you coming over to stay a few nights.

“you okay, oli?” you ask, hints of worry laced in your pretty voice.

“mhm.” oliver hums. he picks his head up. "no need to worry about me, princess."

you’re fresh out the shower. he realizes this after he picks up on the addicting scent of your coconut and vanilla bodywash that you keep stashed in his bathroom; he senses that there's something else mixed in with it too. he recognizes it to be hints of orris and cedarwood, a combo that he finds on his own clothes. his eyes travel and the sight of you in his shirt nearly makes him pounce on you. he doesn't have the energy for that though, so he opts for reaching out for your hand.

"are you sure? i only woke you 'cause i didn't want you sleeping on the couch. do you want to move to the bed?" you gently squeeze oliver's fingers. "i'll clean out your practice bag too if you want."

"no."

"no?" you chuckle in bewilderment at your boyfriend's sleepy defiance. oliver weakly pats his thighs. you bring your eyebrows together in thought.

your eyes had widened ever so slightly, and he knew you just figured out what he wants. you shake your head. "we don't have to today. you're tired."

"mmm, don't care." oliver denies your refusal and pats his thighs once more. he sees you sigh, the falling of your chest pushes the air out of your lungs, but a soft grin replaces it instantly because who are you to defy him?

you approach oliver, hiking up one leg to come down on one side of his body with the other following immediately after, settling your weight on his lap. your arms drape over his shoulders.

he squeezes your hips before asking the signature question. "how was your day, doll?"

"let me think." you play with the green tips of hair at the back of oliver's neck as you rack your brain for interesting moments to share with him.

oliver isn’t sure how this habit started, but he couldn't be bothered to determine the exact details of its beginnings. all that he’s certain of is the fact that this little routine you’ve developed with him is the best part of his day.

he adores the feeling that comes with your entire weight resting on top of him. he loves being able to take in every detail of your beautiful face up close. he’s addicted to your voice and the stories that you inject into his veins.

he'll admit, some days it’s not even about hearing about your day, some days oliver would use this established routine as an excuse to get touchy with you. his hands would wander down to your ass and you'd throw glares at him. your narrowed eyes would only egg him on more. in response, he’d sit up straighter to kiss your neck, sucking and nibbling at that one sweet spot that makes you scratch at his back. you’d lose track of your story, trading details in for stutters.

you'd say that it’s sly and underhanded. you'd chastise him for not listening, but some days you’re just as unfair. oliver could be in the middle of sharing his recollection of the photoshoot he had earlier in the day when you decide to sneak your hands under his shirt. you’d play dumb as he shivers beneath you, your doe eyes encouraging him to continue. he’d try to carry on with his story, but all he would be able to focus on is your palms running up and down his abs. you'd nod your head as he speaks, there’d be a twinkle in your eye that lets him know that you’re fully aware that he’s on the verge of snapping and taking you right there.

other days no words are exchanged at all. oliver can read your mind just by having your mouth on his. he can tell just by the way you tug on his hair and whine against his lips that you badly missed him.

and sometimes oliver isn't able to be there with you at all. he deems those days to be the worst. they're reduced to facetimes where you try to hide your pretty face from him. the calls lag and crash because some days he's halfway across the country or on an entirely different continent.

today doesn’t fall into either of those categories, and he's most definitely thankful that it isn't the last. today, oliver is solely focused on hearing from you. he lets your rambles take root in his bones. he studies you as you talk. the lights in your eyes rival the stars. the smile on your face as you recall the dog you saw at the park could kill a thousand men. the fire of your touch could set the world ablaze.

oliver is well-aware that he's not worthy to be graced with such beautiful sights. he's no saint. his past is stained with his unfaithfulness and his trail of many relationships. he isn't sure why you gave him a chance despite knowing what he's done. you had said that at least he was being honest about it, but that had only left him with more questions than answers. shouldn't that make you more put off about dating him?

he chooses to ignore it; he shoves the question deep into the corners of his head until it's practically invisible. instead on picking apart that question, he focused on you.

throughout your ongoing relationship, he's put thought into your dates, making sure that they're never exactly the same. he spoils you rotten but not with lavish gifts. the one time he did you were severely unhappy at his thoughtless spending, and thus he made a note in his mental archive to reserve such actions only for your birthday (and anniversaries). instead, he ties your shoe laces for you and he fixes your jewelry. he kisses away your tears when you cry and learns the recipes to your favorite meals. he sits you up on the surface of the sink in his bathroom and brushes your teeth for you when you're too tired to do it yourself. he lets you drag him into doing skincare and makeup because it gives him an excuse to admire how cute you look when you're focused, and he gets to relish in the feeling of your hands brushing against his face.

it was baffling. when oliver first started realizing how much he does for you, he felt like an alien had possessed his body. there was something that had latched itself onto the controls of his brain. that had to be the reason why he was acting so out of character. when he told this to itoshi sae, he was called a fucking idiot and a loser, and looking back, he probably was. the answer, the explanation for his new behavior was in front of him the entire time.

it's simply because-

"i love you." oliver utters out loud. your hands freeze in his hair. whatever you were saying previously dies on your tongue.

"huh?"

oliver blinks slowly. the words had slipped out unintentionally; the gravity of them crush him suddenly. the aftertaste of them is foreign, like they were never supposed to be spoken from him. it's new territory. it's the first time oliver's said that to you in the four months you've been together. it's the first time he's said that to anyone for that matter.

he contemplates taking it back, as if he could ever extract the words from the air and shove them back down his throat. but why bother with jumping through those loops? he has no good reason to take it back. he has no use spinning a truth into a lie. so instead, oliver offers you an upturn of his lips, his heart threatening to break out of his chest. he soaks in all of your microexpressions. your mouth is stuck in a cycle of opening and closing, your eyebrows drawn together in disbelief.

"idiot." you mutter shakily, gnawing at your quivering lip. you bury your face in the crevice of oliver's neck. it makes him smile. he knows your tells. you're about to start crying. "do you know how long i waited for you to say that?"

oliver pulls you in closer, wrapping his buff arms around your waist. "i know." he acknowledges. "i'm sorry it took me so long to realize it."

you tug hardly on his hair to get back at him. the pain spreads to his scalp, and he can't find it in him to be mad. "damn princess." he chuckles.

you remove your head from its hiding place. both of your hands slide so that they rest on either side of oliver's neck. in the light, he can catch the path of tears that fell from your eyes. "yeah, well, you deserved it."

"i know."

"i love you." you breathe out desperately. the four words that have been boiling inside you, the four words you've managed to cage up finally rush out and crash down like waves.

"yeah?" oliver smirks. you lean in closer, and he gives your waist a quick squeeze.

"yeah. i love you so much." you whisper in front of oliver's lips before he closes the inch gap between you two.

usually, when oliver kisses you, he's does so as if he's a starved man; he wants to devour you whole. this is nothing like that. he substitutes his hunger for softness. his lips are gentle against yours as if to prove himself to you. he wants you, with every fiber in his being, to believe that his words are true. his 'i love you's' are real and honest and come from the deepest parts of his heart. when you pull away, you both look at each other as if your each other's entire world.

"i love you, princess." oliver says. the words are still unfamiliar on his tongue, but he thinks he can get used to them. he'll say them as many times as he needs to if it meant that he can see that blinding smile on your face.

oliver aiku is no saint, but he'll do anything for you.

[caitified]

could you write something where cc takes her daughter to post game media and is just like constantly babbling into the mic and just being cute with cc? 🩷🩷🩷

post match

caitlin clark x reader

warnings:none! i already had this concept done so this was perfect. thanks for all the family requests🩷

the soft hum of excitement filled the media room as caitlin stepped up to the podium, still slightly flushed from the fever’s latest victory. this wasn’t just another media session, though. tucked against her hip, wearing a miniature version of caitlin’s fever jersey, was bella, your one-year-old daughter.

from your spot near the back of the room, you couldn’t stop smiling. bella had insisted on “going with mama” after the game, her chubby hands reaching up for caitlin until she gave in. caitlin had always been a sucker for bella’s big eyes and determined little pout, and you loved her even more for it.

“alright,” caitlin started, adjusting bella on her lap as she settled in behind the microphone. “let’s get started.”

before the first question could even be asked, bella let out an excited babble, her tiny hands reaching for the microphone.

“oh, you’ve got something to say?” caitlin teased, holding the mic closer to bella.

“ba! ba-da-da!” bella exclaimed, her voice amplified across the room. the reporters chuckled, a few snapping pictures of the sweet moment.

“i think she’s breaking down the pick-and-roll for you guys,” caitlin joked, glancing over at you with a grin. your heart melted watching her balance being a professional athlete and an amazing mom all at once.

the questions finally began, but bella wasn’t interested in sharing the spotlight. every time caitlin answered, bella would chime in with her own babbling commentary.

“yeah, we really focused on improving our defense this week—”

“da-da-da!”

“—and it paid off tonight. right, bella?” caitlin asked, her tone amused.

bella clapped her hands, clearly proud of herself, and leaned forward to grab the microphone again. “go! go!” she shouted, causing another wave of laughter.

from the back of the room, you watched the whole scene unfold with pure adoration. caitlin’s face lit up every time bella babbled, and you could tell she wasn’t the least bit bothered by her daughter’s interruptions. if anything, she seemed to love it, letting bella’s antics steal the show.

finally, one of the reporters asked, “caitlin, how does it feel to share moments like this with your daughter?”

caitlin looked over at you, her eyes softening. “honestly? it’s the best part of all of this. basketball is great, and i love it, but moments like these—being with my family—they’re what make it all worth it.”

bella, as if sensing the sentimentality, patted caitlin’s cheek and then leaned toward the mic once more. “mama!”

the room erupted in laughter, and caitlin let out a playful sigh. “and i guess that’s bella’s way of saying we’re done here. thanks, everyone.”

as caitlin stood and made her way toward you, bella’s tiny hand reached out in your direction. “mama,” she said again, this time looking at you.

“she’s definitely a natural entertainer,” you teased as caitlin handed bella over to you.

“just like her other mom,” caitlin replied, pressing a kiss to your temple before ruffling bella’s hair.

you laughed, watching as bella turned to wave at the departing reporters, still babbling happily. if this was life with caitlin and bella, you wouldn’t change a thing.

[hofudlaus]

The no hextech timeline proves silko right One of my big issues with the alternate timeline stuff is that we're shown a better zaun, a better way, how things Could have gone And the only Real Reason for said change we're given is Vi dying Vi dies=no hextech=no/less oppression somehow??? Sure no hextech would cause extreme changes in the timeline but it would not make the rich suddenly develop empathy and change laws n whatever To me, the only logical explanation here would be that there was a riot. Vis death being a spark that lit a fire in Vander again. Vi dies in jayces apartment. This causes the rest of the kids to stay there, to shocked to leave before the enforcers arrive(we see this happen) and the enforcers, after getting over the initial shock of the whole thing, then arrested the kids. When news reaches Vander it shows him that no matter how much he grovels for piltovers scraps of peace there will never be Real peace without a fight. He cannot meaningfully protect his family in a system that punishes them for existing, no matter how hard he tries. He now Agrees with silko, they need to fight back, he has to get his kids back. He has to make a better future for them. This is the only way I could realistically see them reconciling And I feel it's the only way there could be this big of a change in such a short time, a few years is Nothing in politics, the rich will fight you every step of the way when you try and change the status quo. The only way they would have gotten those changes is by denying piltover the ability to say no to them.

[pillowspace]

As you are slowly luring me into the dca fandom, I have question, if you wouldn't mind answering? Why is there so much y/n content in the fandom? All my other fandoms aren't really interested in y/n content (including isat) which makes me confused and delighted to see all these y/ns here?

Smiles at you

The thing about the DCA fandom is that it's a fandom very much spawned by a community. Some DCA content holds itself closer to Security Breach itself, while it becomes more clear in other works that the fans have created their own world amongst each other. Think of Undertale Multiverse. It's... Undertale, but the fans created something they liked, and thus it spawned a secondary fandom that's not just a subsection of Undertale but rather its own thing entirely.

The reason why you will see so much Y/N content in the DCA fandom more than any other fandom is that most of us have begun to see Y/N as a character, just like how UTMV has decided those Sanses all know each other. For many people in this fandom, Y/N doesn't feel like it's meant to actually represent YOU, but rather that they're a character all on their own with variety from artist to artist. It's also why Y/N content in this fandom is much more likely to have distinct features, clothing, and fleshed out personalities than in any other Y/N content. I have very very rarely seen a Y/N in this fandom to not be dressed up in an outfit just like any other character would be.

How the whole Y/N thing originated is that there was just simply very good fics springing up, people liked this character dynamic they could create for Sun and Moon that didn't exist within the game, it spread out into people's art, people wanted to see how they could change that dynamic to suit their own works... and it kept going. Until "Y/N" became just a character type. You'll actually find that most fics in the fandom or dialogue in comics don't even use the word Y/N, it's more a... term here, I suppose. Not always though, not always.

Of course, there will be variety in the fandom. Some don't even like Y/N, some prefer OCs, some aren't really interested in that at all, etcetera. But!!! As someone who's been here since the start to watch the growth of DCA, that's what I've gathered.

People in this fandom have always been so friendly. Everyone builds each other up. Kindest fandom I've ever been in.