#there's no structure
Explore tagged Tumblr posts
Text
in my sloppyfic, which, I am THINKING of remaking... there is a line where Isabeau kisses Siffrin's scars.
4 notes
·
View notes
Text
Big fan of sun motifs in characters not necessarily being about positivity and happiness and how they're so " bright and warm" but instead being about fucking brutal they are.
Radiant. A FORCE of nature that will turn you to ash. That warmth that burns so hot it feels like ice. Piercing yellow and red and white. A character being a Sun because you cannot challenge a Sun without burning alive or taking everything down with them if victorious.
#this post is inspired by my dnd oc Beacon. whom i am workshopping again#gonna turn him into a really like....duty driven but fucking BRUTAL paladin.#The sun also being necessary for life....for structures of society and culture. like.... cmon#The sun is fucking terrifying and yall should recognize that more#ALSO THIS IS A SMALL LOVE LETTER TO HOLLOW KNIGHT'S THE RADIANCE#I LOVE YOU QUEEN!!!! YOU'RE SO SCARY!!!!!!#we need more of Her.
38K notes
·
View notes
Text
today's bug thing is the bug carousel at the Bronx Zoo!
20K notes
·
View notes
Text
Snake Bridge on Macclesfield Canal. location: Astbury Congleton, England
28K notes
·
View notes
Text
Every time I see an author promoting their debut Greek mythology retelling on twitter I mourn the loss of like. To put in ineloquently. Just using these stories as inspiration for your own. Your story does not need to force itself to fit the shape of Orpheus and Eurydice it’s fine you can just allude to their story!! You can use their themes!! Nobody is going to arrest you for being allegorical instead of literal!! I might eat them alive at this point. It’s the only way.
#like I think you have lost the plot a bit if you follow up ‘retelling’ with a setting so far removed from the original story#that you actively struggle to fit your stolen characters into their original plot structure#also none of them know what feminism is but I digress#talk
8K notes
·
View notes
Text
something that exists in the city I'm moving to:
I am obsessed with this park that combines all midcentury dangerous playground elements into one awful whole. witness this steep metal slide descending from the top of a jungle gym into a concrete pit
if you fall off the jungle gym, you too will be doomed to the pit
there's very little opportunity to get out, too. the only handholds are the ones on the left. Sendai gets a lot of rain, almost as much as Vancouver, so imagine being mangled from sliding into concrete and having to climb a sheer, slippery slope to freedom. I think I would just make a home down there and give up on life
I'm sure it does.
26K notes
·
View notes
Text
so: masking: good, unequivocally. please mask and please educate others on why they should mask to make the world safer for immune compromised people to participate in.
however: masking is not my policy focus and it shouldn't be yours, either. masking is a very good mitigation against droplet-born illnesses and a slightly less effective (but still very good) mitigation against airborne illnesses, but its place in the pyramid of mitigation demands is pretty low, for several reasons:
it's an individual mitigation, not a systemic one. the best mitigations to make public life more accessible affect everyone without distributing the majority of the effort among individuals (who may not be able to comply, may not have access to education on how to comply, or may be actively malicious).
it's a post-hoc mitigation, or to put it another way, it's a band-aid over the underlying problem. even if it was possible to enforce, universal masking still wouldn't address the underlying problem that it is dangerous for sick people and immune compromised people to be in the same public locations to begin with. this is a solvable problem! we have created the societal conditions for this problem!
here are my policy focuses:
upgraded air filtration and ventilation systems for all public buildings. appropriate ventilation should be just as bog-standard as appropriately clean running water. an indoor venue without a ventilation system capable of performing 5 complete air changes per hour should be like encountering a public restroom without any sinks or hand sanitizer stations whatsoever.
enforced paid sick leave for all employees until 3-5 days without symptoms. the vast majority of respiratory and food-borne illnesses circulate through industry sectors where employees come into work while experiencing symptoms. a taco bell worker should never be making food while experiencing strep throat symptoms, even without a strep diagnosis.
enforced virtual schooling options for sick students. the other vast majority of respiratory and food-borne illnesses circulate through schools. the proximity of so many kids and teenagers together indoors (with little to no proper ventilation and high levels of physical activity) means that if even one person comes to school sick, hundreds will be infected in the following few days. those students will most likely infect their parents as well. allowing students to complete all readings and coursework through sites like blackboard or compass while sick will cut down massively on disease transmission.
accessible testing for everyone. not just for COVID; if there's a test for any contagious illness capable of being performed outside of lab conditions, there should be a regulated option for performing that test at home (similar to COVID rapid tests). if a test can only be performed under lab conditions, there should be a government-subsidized program to provide free of charge testing to anyone who needs it, through urgent cares and pharmacies.
the last thing to note is that these things stack; upgraded ventilation systems in all public buildings mean that students and employees get sick less often to begin with, making it less burdensome for students and employees to be absent due to sickness, and making it more likely that sick individuals will choose to stay home themselves (since it's not so costly for them).
masking is great! keep masking! please use masking as a rhetorical "this is what we can do as individuals to make public life safer while we're pushing for drastic policy changes," and don't get complacent in either direction--don't assume that masking is all you need to do or an acceptable forever-solution, and equally, don't fall prey to thinking that pushing for policy change "makes up" for not masking in public. it's not a game with scores and sides; masking is a material thing you can do to help the individual people you interact with one by one, and policy changes are what's going to make the entirety of public life safer for all immune compromised people.
#dyspunktional#cripple punk#actually disabled#cripplepunk#a lot of these are major concessions for me personally as i'm an anarchist and loathe to support further concentrations of state power#but if you're gonna be operating within the structure of the system. here you go. handing you a cheat sheet for what you should demand.
12K notes
·
View notes
Text
seriously have been thinking about this all night long. call me autistic but the fact that 90% of workplaces the point is not to get your work done and then be done doing it but to instead perform an elaborate social dance in which you find something to do even when you're done doing everything you need to do in order to show your fellow workers that you, too, are Working . because you are at Work . disgusting why cant we all agree that if there is no work immediately to be done. we just dont do anything
#i personally like to not be doing things constantly at all times. it stresses me out#i know there are ppl who thrive on cosntant activity#but me i like to chill out.#and the problem then becomes that i only ACTIVELY remember to do work and Find More Work To Do when im stressed#at the thought that others might want to see me working#if im ever relaxed i just dont look for stuff to do#catch 22 of modern work culture which permeates even ostensibly noncapitalist structures like public libraries#for instance: will it really kill anybody if the books get shelved by me now after a very busy day?#or shelved tomorrow morning by. well probably me since i'll be the one at the desk#not in the slightest#but it was work that wasnt being immediately done by me. therefore it was incorrect behavior#that i failed to identify because my instinct is to relax when not immediately presented with a Situation#this got me labeled as 'having no initiative' by my dad from a very early age#and even as an adult i still feel like im a child with no initiative
65K notes
·
View notes
Text
ace sketch study + a law so i can feel goth again after that
#was talking to xes how i was originally an ace girlie#but i rly dont draw him enough to even have his facial features standardized#kinda leaned into wano face structure for this tho#one piece#portgas d ace#trafalgar law
8K notes
·
View notes
Text
I got into the falling down holes podcast
#malevolent#malevolent podcast#john doe#arthur lester#ORTHUR THE ROOM IS LIKE REAL FUCKED UP#IT'S STRUCTURALLY UNSAFE ORTHUR#THATS IT ORTHUR WALK AROUND IT AIMLESSLY#my art
3K notes
·
View notes
Text
How to make your writing sound less stiff
Just a few suggestions. You shouldn’t have to compromise your writing style and voice with any of these, and some situations and scenes might demand some stiff or jerky writing to better convey emotion and immersion. I am not the first to come up with these, just circulating them again.
1. Vary sentence structure.
This is an example paragraph. You might see this generated from AI. I can’t help but read this in a robotic voice. It’s very flat and undynamic. No matter what the words are, it will be boring. It’s boring because you don’t think in stiff sentences. Comedians don’t tell jokes in stiff sentences. We don’t tell campfire stories in stiff sentences. These often lack flow between points, too.
So funnily enough, I had to sit through 87k words of a “romance” written just like this. It was stiff, janky, and very unpoetic. Which is fine, the author didn’t tell me it was erotica. It just felt like an old lady narrator, like Old Rose from Titanic telling the audience decades after the fact instead of living it right in the moment. It was in first person pov, too, which just made it worse. To be able to write something so explicit and yet so un-titillating was a talent. Like, beginner fanfic smut writers at least do it with enthusiasm.
2. Vary dialogue tag placement
You got three options, pre-, mid-, and post-tags.
Leader said, “this is a pre-dialogue tag.”
“This,” Lancer said, “is a mid-dialogue tag.”
“This is a post-dialogue tag,” Heart said.
Pre and Post have about the same effect but mid-tags do a lot of heavy lifting.
They help break up long paragraphs of dialogue that are jank to look at
They give you pauses for ~dramatic effect~
They prompt you to provide some other action, introspection, or scene descriptor with the tag. *don't forget that if you're continuing the sentence as if the tag wasn't there, not to capitalize the first word after the tag. Capitalize if the tag breaks up two complete sentences, not if it interrupts a single sentence.
It also looks better along the lefthand margin when you don’t start every paragraph with either the same character name, the same pronouns, or the same “ as it reads more natural and organic.
3. When the scene demands, get dynamic
General rule of thumb is that action scenes demand quick exchanges, short paragraphs, and very lean descriptors. Action scenes are where you put your juicy verbs to use and cut as many adverbs as you can. But regardless of if you’re in first person, second person, or third person limited, you can let the mood of the narrator bleed out into their narration.
Like, in horror, you can use a lot of onomatopoeia.
Drip Drip Drip
Or let the narration become jerky and unfocused and less strict in punctuation and maybe even a couple run-on sentences as your character struggles to think or catch their breath and is getting very overwhelmed.
You can toss out some grammar rules, too and get more poetic.
Warm breath tickles the back of her neck. It rattles, a quiet, soggy, rasp. She shivers. If she doesn’t look, it’s not there. If she doesn’t look, it’s not there. Sweat beads at her temple. Her heart thunders in her chest. Ba-bump-ba-bump-ba-bump-ba- It moves on, leaving a void of cold behind. She uncurls her fists, fingers achy and palms stinging from her nails. It’s gone.
4. Remember to balance dialogue, monologue, introspection, action, and descriptors.
The amount of times I have been faced with giant blocks of dialogue with zero tags, zero emotions, just speech on a page like they’re notecards to be read on a stage is higher than I expected. Don’t forget that though you may know exactly how your dialogue sounds in your head, your readers don’t. They need dialogue tags to pick up on things like tone, specifically for sarcasm and sincerity, whether a character is joking or hurt or happy.
If you’ve written a block of text (usually exposition or backstory stuff) that’s longer than 50 words, figure out a way to trim it. No matter what, break it up into multiple sections and fill in those breaks with important narrative that reflects the narrator’s feelings on what they’re saying and whoever they’re speaking to’s reaction to the words being said. Otherwise it’s meaningless.
—
Hope this helps anyone struggling! Now get writing.
#writing#writing advice#writing resources#writing a book#writing tools#writing tips#writeblr#for beginners#refresher#sentence structure#book formatting
6K notes
·
View notes
Text
no nuance sorry
9K notes
·
View notes
Text
Structure VII
Photo by :unknown // edited by @strctr17
_____________________________________
#art#nude art#nude figure#male figure#male form#male physique#male aesthetic#male figure art#male photography#malenudity#nude male body#naked male#male portrait#vintage male#photography#black and white#bw#structure
3K notes
·
View notes
Text
23K notes
·
View notes
Text
right person, wrong time (variations on heartbreak)
@leemartenspoetry on tumblr
vita sackville-west & fegan’s 1924 café in dublin
everything everywhere all at once (2022)
@heavensghost on tumblr
i had to get out by indigo de souza
‘calling a wolf a wolf' by kaveh akbar
river by joni mitchell
‘english song’ in a little larger than the entire universe: selected poems by fernando pessoa
slumber by ron hicks
fish in exile by vi khi nao
penitent magdalene by antonio ciseri
@ojibwa on tumblr
this is what the drugs are for by gracie abrams & the awakening by angelo morbelli
as good as it gets by fizz
lonely this christmas by mud & picture of the christmas tree at trinity college dublin, taken by me in december of 2022
this is what the drugs are for by gracie abrams & picture by andrew collins via globalnews.ca
@inanotherunivrs on tumblr & a polaroid of me taken by my ex-boyfriend
‘in a dream you saw a way to survive’ by clementine von radics & a picture of my ex-boyfriend's window, taken by me
bluets by maggie nelson & the poolbeg generating station, dublin
‘unrequited’ by sasha m george & inheritance by matthew w. cornell
[unknown]
@ faraway on instagram & lavender sprigs farm cut by linda jacobus
the museum of heartbreak by meg leder
[unknown]
‘seaside improvisation’ by richard siken
@ dracarysgang on twitter
@-love-letters-i-never-sent
@fromdarzaitoleeza on tumblr
explosions by ellie goulding
‘i had a dream about you’ by richard siken
the beatrice letters by lemony snicket
la la land (2016)
‘catalog of unabashed gratitude’ by ross gay
@stuckinapril on tumblr
@deathlywounded on tumblr
some are always hungry by jihyun yun
‘speaking practice’ by franny choi
a self-portrait in letters by anna sexton & a picture of my ex-boyfriend in a lake in Orfű, Hungary
@sunsbleeding on tumblr
‘there is no absolution for the fallen, only the dying’ by p.d
#web weave#web weaving#heartbreak#this is possibly too long and not well structured enough but oh weell#everything everywhere all at once#vita sackville west#richard siken#anna sexton#the beatrice letters#la la land#clementine von radics#kaveh akbar#gracie abrams#joni mitchell#fizz
12K notes
·
View notes