#there's no fanfare to be had
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emethethe · 17 days ago
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fraudue · 8 months ago
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ahappydnp · 8 months ago
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what's really hitting right now is how much we love the Real Life version of them.
idk know how to explain it but back when dan was gone and we hadn't seen them together in a long time, when i thought about them i envisioned the romanticized/timeline lore/grandiose fictional version of dnp? the whimsy and hope and beauty of it all
but the past few months have just been them as they are. that barrier is gone between us and it doesn't feel like we're witnessing a performance to react to, but being invited to exist in the same space as them.
they're real people who are more genuine than they've ever been and we love them even more and in a better way because of it. idk dude. i just genuinely love those two humans and it's truly a privilege to be let in and exist alongside them
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empyreansentinel · 5 months ago
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never understood why jack had a portrait of moxxi up in his casino. the place went under after BL2, and at that point they hadnt been together for years. and its not like what they had together was particularly happy or long lasting, either. they were together for maybe a month before breaking up pre-TPS, and thats not even mentioning what happens between them during the game itself, so... maybe its a trophy? it doesnt feel like one when theres also one of angel. but its all i really got because presumably hes been in a much happier relationship with nisha for years, even though the portrait does feel too sentimental for a woman hes hated for the past Forever. speaking of nisha, there's no portrait of her or his wives. which is doubly weird because surely theyd be here too if moxxi is. idk, moxxi and angel are just a strange pair to have it just be them. by themselves is fine, moxxi alone is easily a trophy. and imo its just weird for a portrait of angel to be in the casino in the first place. some secret siren, huh? but together? idk. it gives mixed messages.
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likeabxrdinflight · 9 months ago
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tired of early 20-somethings acting like harry potter was never good or had no value in its day like shut the fuck up half of you weren't even there when it peaked
#sit with the cognitive dissonance like the rest of us or shut up honestly#was it a product of its time yes#was it's author a very basic neoliberal white lady from a country with a long and unchecked imperialist history yes#was the story influenced by said neoliberal worldviews and unexamined biases obviously#does any of that make it a bad story or an unimaginative world no#you can pick apart any fantasy world if you try hard enough#harry potter was a good telling of the hero's journey written in the format of seven mystery novels set against a fantasy backdrop#we can certainly talk about its flaws or how the author's biases leaked onto the page#but stop acting like it was never good and there was never a reason those books resonated with people#it's condescending for one thing and again- if you're younger than like...24-25 you didn't actually experience the heyday of the books#if you're 25 now you'd have been like 8 or 9 when the last book came out and probably weren't reading them yet#you might remember the latter half of the movie era but you have no idea how much it was the BOOKS that drove its popularity#never before and never since has any book series had the fanfare that harry potter did and that didn't happen for no reason#so find a way to make peace with that instead of acting intellectually superior because you grew up with percy jackson instead#this 'well MY generation's preferred childhood book series is morally superior to YOURS so I'm better than you' shit drives me up a wall#like get over yourself honestly#...sorry had to get that off my chest there was this youtube video and it was irritating me
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Thinking of the end of Zelda Twilight Princess and TP Link again
Since the start of your journey, all you've tried to do is keep your home and your loved ones safe. You hardly understood your own destiny at first, the major role you were to play in this world. Though you could never have refused the future that lay before you, it remains that it's this wish to protect your home, your loved ones, and to bring everything back to normalcy that drove you in the beginning. And it, too, remains that even though you found others to care for and had accepted your destiny (that there became a point where you embraced your role in fixing everything), that original goal still remained. After all, you, the people you care about, none of you can go home or live in safety until the threat is defeated.
What if you'd started out as a boy from a small, rural town, one who'd hardly dreamed large, but couldn't shake his curiosity in the world outside. You never wanted to leave your village for long, but you were interested in getting a chance to see Hyrule's capital, meet those people your older friend had told stories of. And then, when the monkey's paw curled and the goddesses gave you a grand adventure, all you wanted was to pave the way for everyone to be able to go home, including yourself. Once it was all over, you and everyone else could finally relax, right? Things would finally go back to normal, wouldn't they? And the children could forget the horrors they'd seen, like none of it ever happened.
But after all that... Even after shedding the hero's tunic, returning the sword of evil's bane to its resting place, and finally returning home with everyone...home is not the same anymore. You were supposed to feel safe again, comforted by the sounds of the nearby wood, the smell of the goats, and the rough texture of the pumpkins that grow in the village, but even lying in your own bed makes you restless and feel on edge. Sometimes, the children still run around the village like they used to, playing pranks on each other and playing hero, but each one of them has an air of...maturity that wasn't there before.
Colin is more confident. He doesn't follow you around or spend as much of his time watching the other kids play. He spends time telling his baby sister stories and training with his father (like you once had) to learn the way of the sword. The other kids don't pick on him as much anymore either.
And Talo. Talo thinks the village is much too defenseless now, especially after everything he's been through. He never really left the rooftops of Kakariko Village, the village lookout who was trying to protect everyone the only way he could. He's even confided in you before that he's trying to learn a weapon too, and trying to convince Colin to join forces with him as village protectors. According to Talo, Colin says there's no need to worry with you and his dad around. No better protection than a hero, right? But Talo says he knows you and Rusl won't always be around. And...maybe that's true. One day, you too will grow old with time, but something about the way Talo says it makes you feel...uneasy. As if he was seeing right through you. Was he seeing something you were ignoring, or was he really truly talking about the day in which you are no longer able to protect anyone?
Beth is still a bit boy crazy, still fancies herself more mature than the others as she had before, but there's some respect there now when she interacts with them. She refuses to tell you what she's been up to, but you've seen her working in her mother's shop, talking to Uli as she feeds her baby, reading with her father, and helping Ilia wash Epona in the spirit's spring. Ilia seems to know more than she lets on when telling you that it's a casual hangout, but you have an inkling of what it's about. Given the others, it's no surprise if Beth, too, is trying to find her place here, trying to help in some way.
Malo is perhaps the one who'd changed most obviously. While everyone had been happy to go home after the defeat of Ganondorf, Malo couldn’t simply stay the same quiet kid who'd followed his brother around. He'd built a growing business back in Kakariko, dedicated to making goods affordable to the common person and raising funds to fix up local infrastructure. He couldn’t continue to run it from Ordon (though Sera's told you that he'd made an offer on her shop). You've even been able to hear him muttering under his breath about the state of Malo Mart management, and plotting to skip town (after all, young as he is, and after everything that's happened, there's no way his parents would just let him go back on his own). As before, Malo doesn't speak to you often, but he had...said something that shook you not long ago. He'd not so subtly "hinted" that you could make an excuse to leave, and that it wouldn't be hard for him to stow away as you went on your trip. You didn't know quite what to say, but when you began to mention his parents he'd cut you off. "So you're too scared to leave."
(Are you too scared? No, of course you could leave if you wanted to. And you don't want to, do you? You're home again, which is the only place you've wanted to be since the world went to shit. It'll just take...time for you to feel okay again. No better place than home to heal, right?)
But it's...not just the kids who've changed. Fado was happy to have you back, of course (he's always said no one wrangles the goats quite like you), but he’d... Well, even though he was the one who extended the offer, he seems to fear this is beneath you, that he's tying you down, keeping you from a grander life. No matter how much you assure him this is exactly where you want to be, that you just want things to return to normal, he doesn't seem convinced.
Not to mention the rumors in the village of your feats, all the talking behind your back. You'd been celebrated as a hero when you and Rusl returned back with the missing children, and now, since you've been trying to return to normalcy, others continue to be weird around you. You're a hero (were at least), yes, but are you not the same Link the villagers have known as long as you've lived here? Do you not occasionally assist with their troubles. Do you not try to make occasional small talk as before? So why do they seem to have trouble talking to you? Why do they have so much to say, and yet none of it said to your face?
Home has changed. And even that which has stayed the same doesn't feel...correct. That which is still familiar feels like nostalgia slipping through your fingers, not the reality before you.
But then again, when you spend weeks following your old routine, trying to act as you did before, and nothing seems to get better. When you lay in a bed (your bed) that's the same as it was when you first left it, you wake up sweaty and fearful from nightmares, and you feel exposed when you should feel safe, is it home that's the problem? What about when you look at the sunset and dream of places faraway, of the people you met and the things you've seen, and it feels like something's missing (something, perhaps, not wholly unrelated to the person people you'll probably never see again)?
Ilia was the one who first assured you that this path was the right one. When she finally had a chance to relax, deal with her amnesia head on, it was reminders of home and her past which comforted her, allowed her to get better. Of course, you know she'd never just forget everything she'd been through before, and she wouldn't expect you to either, but she'd agreed that being home would allow you to heal too. That's...that's what you've been hoping.
On many occasions you think about confiding it all in her, telling her what you've been going through, but you can't go through with it. Not when she seems...happy again.
So, after weeks of letting bits and pieces slip, you finally confide in Rusl. It's a day similar to all those months ago. The sun is setting as you and he sit at the spirit's spring after a long day, and he tells you about his week. You tell him that even as things get better, they don't really get better. When you don't have nightmares of tragedy and never ending battles and failure, you're dreaming of the people and places you met during your journey. No matter how much time you spend there, or how much furniture you move around to your liking, or decorations you add to the walls, the idea of your home being home feels like you and the feeling are separated by an impenetrable wall of glass. You can see that feeling of comfort, of home, of familiarity, but you just can't quite touch it. Your house is yours, and yet you can't seem to fit in it anymore. You've gone back to normal, and yet everyone is treating you differently. You try to relax, and you just can't quite sit still, feeling like...
You finally admit that feeling you've been stuffing down to him as you ramble (something rare for you to begin with). It's not just that you can't feel safe at home, that healing is a tough process, but that you feel like there's something yet you need to do. It doesn't feel right trying to be the person you were before. The routine which should be great for its simplicity and famliliarity feels wrong, almost stifling.
Did you really think you could just go home after all you'd seen and been through, go back to that small world and cut off the rest of it, just so things could be like they were before?
Maybe it's you who's wrong. Maybe you're broken and your edges dulled and chipped so the old pieces don't fit back together anymore–
But Rusl, ever a comforting presence in your life, just hugs you. He says he cannot even begin to comprehend the things you've been through. He acknowledges how hard it is to heal. Both things you already knew.
Then...he tells you his story, that he knows how hard it is to return to all of this after such an ordeal. You are not the only person who must deal with it now. You're not alone.
And then, as you consider telling him that if everyone is dealing with this, then surely they're handling it better than you, he tells you something that causes you to freeze.
"If you need to leave, you can."
"Of course," Rusl continues, "if you want to stay, we'll support you. You don't have to pretend everything is normal. And even if you go, it's not like you'll be banished. You can always come back here, even if you can't stay."
And so you speak the words you've thought every time someone suggests leaving here, or suggests that you won't stay. "Do I have to go? Is...does everyone just want me gone?"
Rusl shakes his head. "Of course not. We all love and care about you like we always have, hero or not."
Then...why do I feel like...this around everyone? you think.
"The question is...it's not whether anyone wants to you go or thinks you should go." Then, Rusl places a hand on your shoulder, face deeply serious as his eyes lock onto yours.
"The question is: Do you want to go? Do you need to go?"
For a moment...you're speechless. You know what you want, you think. You've wanted to return home all along, haven't you? That's...all You've been trying to do since you defeated Ganondorf, lost bid Midna farewell, shed the garb of the hero and returned the master sword to its grove. But...what do you need?
"I don't...I don't know what I need," is all you say.
"...Well," Rusl says, after a moment of contemplation. "I can't tell you what you want any more than I can accurately guess what you need. And I can't make your decision for you."
"...Right." So that's it then. Either you go, admit that there's no fixing you, no point trying to fit a misshapen puzzle piece in an old hole, or you stay, keep trying to move on and get things as close to normal as you can as you have been for weeks.
"Hey," Rusl says after a moment. "Hey, listen to me for a second."
You raise your head, shift your eyes from where you'd cast them at your sandals.
"You'll be okay, Link. You've been through a lot, and it's changed you—like it's changed all of us. But, you have your whole life ahead of you, and I suspect you have more choices than you even believe."
"...Yeah."
"I may not be able to tell you what you need, but I can tell you to follow your heart. If you listen to it, it'll lead you where you need to go."
"My heart?" You sound a bit skeptical.
"I mean...isn't it your heart that got you here? You didn't undertake the journey and save your loved ones by being weak of heart did you?"
And that...that's true. With everything that was at stake (especially that which you cared about most), it was your heart that wouldn't allow you to back down, wasn't it?
In the end, you nod.
Rusl smiles. "Then why ignore it now?"
"Why ignore it now?"
The rest of what Rusl has to say goes unsaid, but...you think you get it anyways.
"Why ignore it now? Has it ever lead you astray?"
"...Thanks, Rusl," you say, finally. You don't tell him that you feel a bit better now, but his smile grows regardless.
"It's no problem, Link. Anytime you need."
And so the sunset passes into night passes into morning, and there's a weight on you when you wake up. You know, somehow, in this moment, that a decision has to be made, a potential path chosen. There's no ignoring it.
And you find her—Ilia—in the spring.
"You're...leaving, aren't you."
"I..." You haven't even put on any gear, nor unearthed that special tunic tucked in your basement, nor have you saddled Epona up yet. When you woke up, you still didn't know what it is you need.
"...I am," you say finally.
There's a moment of silence.
"I...some part of me knew you would." Then, she adds, "One day."
"...Why?"
She shakes her head. "I can't explain it. You just...you haven't seemed...quite right lately."
I haven't?
You thought you must've seemed at least fairly normal, must have with all the effort you put in.
"You're... You weren’t..." Ilia hesitates for a moment, as if afraid to say the words at the edge of her tongue. But then, she sighs.
"You don't seem happy here."
"I-I've...I've tried to–"
"I know," she says, cutting you off. "I know. I have..."
You wait for her to finish her thought, but she never does.
"Hey, Link, before...before you go... Come back to this spring. I'll wash Epona for you."
There's a bit of strain in the smile Ilia gives you, but you nod, smiling back.
It's...it's not easy to leave. It never is, and it never gets easier, no matter how many times you have to do it. And so, as you gather some final supplies, thank Rusl for his advice, and put on your gear (finally unearth the tunic you'd hidden away), you remind yourself that this isn't truly goodbye. You're just...going on a little trip, chasing your heart. You'll visit sometimes, right? It's just a little trip.
And eventually, geared up, you make your way to the spring. As expected, Ilia is there, grooming Epona when you arrive.
Out of everyone, you feel Ilia has been both the easiest and the hardest to read. Ever since everyone returned to Ordon, it made sense the way she stuck right back to the comforts of home and her old routine. She's...not all okay, but it's seemed to make her happy. And yet...there's something else about her. There's a bit of weirdness there you can't parse out, and there's something in the way she speaks that always feels like there's something going unsaid. You feel it more than ever as she turns to face you in the spring, seems hesitant about giving Epona over, even as she says that Epona is washed and ready.
Although, then again, there's something nostalgic about this moment. As you mount up Epona and Ilia asks you to take care of her, and not to take on more than you can handle.
You know the moment is here. You can feel it. It's time to go.
And yet, there's one last thing holding you back. You look down at Ilia as she begins to speak again.
"...Link, I–"
"Hm?"
Silence.
"I...never mind." Ilia waves you off, mustering up a smile. "You should... You should go. Don't let me hold you back."
You nod in response. Her expression is a bit bittersweet, although perhaps the smile you return her is just the same.
And so you take off with Epona, galloping across the bridge between Ordon and Faron. You leave her standing outside the spring, and you make a beeline for Hyrule Field, craving to feel the wind in your hair and the sun on your face.
Your wants, your desires...those deep down ones may be impossible. But it's something. Traveling, following where your heart leads, it feels familiar. It feels...right.
And once your journey begins, you think it's almost laughable that you thought that you could just go back home after all that you'd seen and experienced and...lost. At least now, though your future is uncertain, though you still can't quite feel safe, though you still can't banish the nightmares, at least you no longer feel...stifled.
At least you can be free now.
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whatsthisascianbullshit · 6 months ago
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Taking centre stage See the stars say it's fate
Summer Fanfare - ChiRi Girls
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demigod-of-the-agni · 7 months ago
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I BEAT TAMIL WORDLE EVERYONE CHEER FOR ME !!!!
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I AM A GENIUS PLEASE CLAP AND GIVE ME HUGS AND KISSES PLEASE
words below T-T
tha-m-bi (little brother)
a-k-kaa (older sister)
i-d-li (idli, like the fucking food)
i-ra-vu (night)
i-ru-l (darkness)
thank you idli for saving my life, if it weren't for you i would have typed up something like "kuruvi" over and over and over
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skyloftian-nutcase · 2 years ago
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My sister gave me Tears of the Kingdom and she played the “opening the treasure chest” music when she presented it to me. 😂 I love my family
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alchemistc · 2 months ago
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nanatsuyu · 1 year ago
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GRUBHUG BLOODBAG ANDREW???????????? oh my goddddddd (@stabbyfoxandrew)
(⁠◍⁠•⁠ᴗ⁠•⁠◍⁠)
Andrew works for a company called bloodline that runs like a niche vampire grubhub service. He mocks Kevin (affectionate) who grew up "vegetarian" and has a weak stomach for blood additives. Neil is Kevin's recluse roommate that Andrew did not know was living there for several months and refuses to feed off anything that isn't Kevin.
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sirmanmister · 10 days ago
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Spunky.
He’s in kidney failure. He’s so thirsty all the time but can barely keep himself upright to drink. He’s very weak and sad and tired. We’re gonna put him down tomorrow morning.
I grew up with five cats, one for each person. Glory (my little sister’s), Emma (my mom’s) Zipper (my older sister’s, but also my mom), Fred (my dad’s), and Spunky (mine). Over the years we’ve lost them all. We lost Zipper less than a year ago. 11 months and 1 day. We’ll lose Spunky tomorrow and then that’s it. I’ll come back home to a completely catless household. He’s 17. His birthday is April 8th, the day before my sister’s. Spunky has changed every single time one of the other cats died. He got more snuggly after Fred, his brother, died. He got very sad after Zipper died, even though they just tolerated each other. I think he’s been a little bit lonely without another cat in the house. When he dies tomorrow he’ll see them again.
I got sick last Friday and have been incredibly sick for a whole week. Today I finally felt better and I was excited cuz it’s payday and I could finally rest and sleep and recover from this stupid fucking illness. And now I’m so exhausted but I don’t want to sleep because he’s going to die in the morning. Im so fucking sad.
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sirenofstyxx · 1 year ago
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In honor of sonic 3 leaks appearing I need to get it out there that I have a wild theory that they will change Maria Robotnik to be Eggman's mom rather than his cousin. That is all
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jonsnowunemploymentera · 1 year ago
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Might be a hot take but a major character’s death is really only as good as the weight and the treatment that the narrative gives it. Sure, any author has the ability to write death as they see fit. But whether the consumer (of any given form of media) is actually able to emotionally connect and resonate with the departure of someone who has occupied a good chunk of narrative space very heavily depends on how it’s treated within the story. If it’s a major character, the narrative needs enough built-in breathing space. As in, the consumer doesn’t have to fill in the blanks as to how the death impacted the plot or the remaining characters. Let the narrative do that for them, and that would actually allow the consumer to better react and relate to that major death (sadness, anger, joy, etc). Allow the rest of the characters (who were impacted by the deceased) to react to their parting. Let them engage with the death in a manner that helps justify the character’s inclusion in the narrative to begin with. Make it clear how the character’s life and (especially) their death relate to the larger themes of the story. Because most consumers aren’t stupid. We don’t want our hands held at every waking moment, but we also don’t want our investment in a story to be insulted just for the sake of a cheap shock. Give us time to breathe and grieve. And respect that we have put in a lot of emotional investment in a story and its characters, and we deserve to have that acknowledged.
#recent developments in a very popular ip have forced me to think about how creators treat the deaths of major or main characters#and the discourse of ~ohh we don’t need to see every single thing~ has got me thinking#like sure we don’t need to be spoon fed everything but consumers have varying emotional investments depending on the characters#a side character it’s passable if we don’t get any fanfare but a MAIN???#we’ve invested so much into their journey and the themes in their arcs and how they affect the world around them#is it too bad to want that to be actually acknowledged by & within the narrative?#so that whole thing got me to think about main characters whose deaths were well done in fiction#ned stark imo is a really good one because the immediate payoff of his death is the start of the wot5k and long term effect was#that the stark kids now had to fill in their father’s shoes and rise and become leaders in their own right and while we still have twow an#ados we can also tell as shown in adwd that the long term effect of Ned’s legacy is that house stark will be preserved even when it’s on th#brink of extinction#so that’s a well done imo because we also see throughout 4 books just how much his death meant to the kids#his death hurts because we see how his kids are hurting - jon arya sansa bran are GOING THROUGH IT AND IT HURTS!#I’d argue MCU did a pretty good job of showing tony’s everlasting legacy after his death and they did that through Peter who was the proteg#we can love and grieve for tony though peter whom we love and have come to relate to so Tony’s death has a lot of narrative weight#and how it’s handled is satisfying even though we’re hurt that he’s gone#same with sirius and dumbledore in HP - sirius’ especially hits sooo hard because Harry goes absolutely apeshit in ootp and then has to#pick up the pieces in hbp + dumbledore’s life and death is given quite a good amount of narrative space for both harry and the reader#the recent developments in jjk have me worried that a certain someone’s departure won’t be given the narrative weight it deserves#and part of that is gege’s pacing being wonky because oops it’s another big fight that will take god knows how many chapters idk#I’ll wait and see but as of right now….i feel like fan complaints about it shouldn’t be brushed aside because they’re super valid 😕#asoiaf#harry potter#jujutsu kaisen#mcu#marvel#comics#manga
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chiisana-lion · 11 months ago
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WHAT DID THEY MEAN!!!!!!!
they were crazy for this like are you hearing yourselves.
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on-dragons-wings · 8 months ago
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/ Charlie literally going insane thinking she's got Adam hallucinations and xaos is chatting with Adam on the regular and not telling her
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